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thepopcultureramble · 1 month

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Now, lemme ramble a little bit.

I wasn't born in the 1990s, but its cultural impact remains. I'm here to talk about the music and cultural impact, in particular, because many would argue that it was the golden era. I got my glimpse through TV shows and music videos. 'The Fresh Prince of Bel-Air' was on heavy rotation in my household, as were Michael Jackson and Whitney Houston.

That was my introduction: my mom singing 'I Will Always Love You' while MTV music videos replayed in the background.

But the impact it has on pop culture today, 34 years after its emergence, is what really gets me. You can see its fingerprints all over contemporary music, fashion, and even internet memes. It's as if the '90s created a blueprint for coolness that refuses to fade away.

I can't imagine what hearing TLC's 'Creep' live right when it dropped would have been like, or being in the crowd when Kurt Cobain was scream-singing 'Smells Like Teen Spirit.'

It's that era that birthed groups and acts like Flo and Olivia Rodrigo.

You know, there's something about the rawness of '90s music that just hits different. It was a time when artists weren't afraid to push boundaries and speak their truth. Take Tupac Shakur, for example. His lyrics were like poetry, tackling issues like racism, poverty, and social injustice head-on. And then you had the Notorious B.I.G., spinning tales of street life with unmatched skill and charisma.

These were more than just songs; they were snapshots of life in the '90s, capturing the struggles and triumphs of a generation.

But it wasn't all serious stuff. The '90s also gave us some of the catchiest pop hits of all time. From the infectious beats of Spice Girls to the smooth grooves of Boyz II Men, there was something for everyone on the airwaves. And let's not forget about the rise of boy bands like *NSYNC and Backstreet Boys.

Ballads ruled the charts, with artists like Mariah Carey, Celine Dion, and Brian McKnight belting out love songs that still give us all the feels today. Whether you were nursing a broken heart or falling head over heels, there was a '90s jam for every romantic occasion.

Adele was kind of a product of that too.

Now, let's switch gears and talk about fashion. The '90s were all about self-expression, and nowhere was that more evident than in the clothes we wore. Grunge was king, with flannel shirts, ripped jeans, and Doc Martens becoming the unofficial uniform of rebellious youth everywhere. And let's not forget about the rise of streetwear, with brands like Tommy Hilfiger, FUBU, and Supreme making a splash on the scene.

But perhaps the most iconic fashion statement of the '90s was the rise of the supermodel. From Cindy Crawford to Naomi Campbell, these runway goddesses epitomised glamour and sophistication, setting the bar high for fashionistas everywhere.

So yeah, the '90s may be a thing of the past, but its influence? It still lives here.

This was a ramble by,

The PCR.

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toptophat · 5 months

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Top Hat's Thoughts of Sonic Prime season 3 - Spoilers

INFINITY/10 - Dread was there for a great amount and that's all I need! Such grace, such elegance, and knuckles! 😍

(Ok I'll be a bit serious)

I really liked the season, i kinda prefer the prior seasons though due to the better pacing but it was still pretty fun

It was kinda cringe (for me personally) seeing Nine spout out the classic bad guy one liners (you know the ones) but it didn't bother me too much!

What DID kinda bother me was how certain things just get solved sometimes and it's not just this season! (E.g Rusty's redemption in season 2, Nine's redemption, and whatever the hell the resistance did to get Dread out of his depressive funk at the start of the season 3 off screen)

Quick side note, but did anyone notice the fact that SP kinda referenced the Abridged Sonic OVA twice?!?! That's pretty neat!

The Chaos Council is iconic, they are too flawless to have anything wrong with them and I need a sitcom with just them!

Shadow was such a chad for carrying Sonic to safety and honesty I think the show was definitely written by a Sonadow fan! (Go ahead, prove me wrong once you see how Shadow holds him so delicately in his arms)

I also seized the opportunity to call Grim Big, "Notorious B.I.G" nyehehe

The Roses were fun to see as they teamed up, but the part with Rusty and releasing the bird from her center kinda made me stare in confusion because:

Prepare for a small rant...

1. Please tell me you've been feeding that bird!

2. Your journey of self reflection literally went like this - "I love the Chaos Council" *Chaos Council leave her* "I hate the Chaos Council"

Look, I'm not expecting her to be this completely complex antihero or anything but holy shit! She's a goddamn robot made by and for the Chaos Council, how did it only take a minute after they desert her for her to switch sides??? At least with Nine, you can make some excuse that it was "human" emotion (even though I'm surprised that EVERYONE forgave him quickly) but I'm pretty sure a literal robot can't just speedrun a Zuko simulator

So yeah, as you can tell, that bird speech didn't mean shi- -ANYWAY! Overall, Sonic Prime as a whole was "way past cool ", I need a Chaotic Council spinoff, Dread Supremacy, Notorious B.I.G, I had nothing to complain about for the Rouges (they were fantastic), And justice for the birb!

See ya!

#sonic prime #sonic prime spoilers #spoilers #pls tag spoilers #sonic the hedgehog #knuckles the echidna #tails the fox #amy rose #rouge the bat #shadow the hedgehog #dr eggman

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hiphop · 2 years

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A new, extremely limited 'Deadpool' #1 variant cover by Ken Lashley features Notorious B.I.G.'s first appearance on a Marvel Comics cover.

Created by artist Ken Lashley in association with hustl., the DEADPOOL #1 cover finds Notorious B.I.G. sitting upon a golden throne and wearing his iconic crown with Deadpool standing at his back. The variant cover, which features the rapper's first ever appearance on a Marvel Comics cover, is available to purchase at TheHaul.com starting today, November 2 in very limited quantities.

This is what I'm here for

#marvel #deadpool #biggie #the notorious b.i.g.#comics #fandom #illustration #vancity #hip hop #hip hop art

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hiphopncountrychick · 9 months

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🎤🎶 Exploring the Golden Era of Hip-Hop: Classic Albums That Still Draw Us In 🎶🎤

Hey there, fellow music enthusiasts! Let's take a trip down memory lane and revisit some iconic hip-hop albums from the golden era that continue to captivate us to this day.

1. "Illmatic" by Nas (1994):

Nas' lyrical prowess and storytelling on this album are nothing short of legendary. Every track feels like a timeless masterpiece. Hands down one of the greatest albums ever made in the history of hip hop and still inspiring new rappers to this date.

2. "The Chronic" by Dr. Dre (1992):

This album laid the foundation for West Coast hip-hop. Dre's production and Snoop Dogg's smooth flow make it a must-listen.

3. "Ready to Die" by The Notorious B.I.G. (1994):

Biggie's debut is a raw and introspective journey through his life, showcasing his storytelling genius. This album also hailed Biggie as the "King Of New York"

4. "36 Chambers" by Wu-Tang Clan (1993):

The Wu-Tang Clan's unique style and gritty lyricism still resonate with fans worldwide. A true hip-hop classic.

5. "A Tribe Called Quest - The Low End Theory" (1991):

Known for its jazzy beats and socially conscious lyrics, this album remains a blueprint for conscious hip-hop.

6. "Me Against the World" by 2Pac (1995):

2Pac's introspection and vulnerability shine on this record, making it one of his most powerful works.

7. "Straight Outta Compton" by N.W.A (1988):

This album was a game-changer, revolutionary introducing the world to the raw power of West Coast gangsta rap. Hailed themselves as "The most dangerous Group"

8. "The Infamous" by Mobb Deep (1995):

This gritty and dark masterpiece delves into street life and hardship, making it an essential listen.

9. "Paid in Full" by Eric B. & Rakim (1987):

Often hailed as one of the most influential hip-hop albums ever, Rakim's lyrical mastery shines brightly here.

10. "93 'til Infinity" by Souls of Mischief (1993):

A true gem and timeless masterpiece of the West Coast underground, this album is celebrated for its laid-back vibes and intelligent lyricism. Can you believe these guys made an album when they were in highschool and it went straight up in classic. I guess they didn't know at that time that they were not just recording an album but making a history. The title song of this Album "93 till infinity" is still crowned as one of the greatest beats ever produced.

These albums not only defined an era but continue to inspire new generations of hip-hop artists. So, whether you're a seasoned hip-hop head or just discovering these classics, dive in and let the beats and rhymes transport you to a time when hip-hop was pure magic. 🎤🌟

So go ahead and give it a listen to these hip hop gems. Drop your favourite album or favourite songs from these albums. You can also drop your favourite classic hip hop albums in comments.

You can also tell me in comments if you want full album reviews and breakdown for particular each and every album, I can do that for you too.

I'll see you in the next post folks until then, keep jamming guys

#hiphop #desi tumblr #desiblr #hip hop #music #rap #spotify #country music #tupac shakur #illmatic #biggie #dr dre

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fuckyeslilkim · 10 months

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Rapper Lil' Kim Has Had A Profound Impact On Fashion Over The Years

hen Lil’ Kim made her debut with the 1996 album Hard Core, she utterly and completely changed the rap game. A protege of Notorious B.I.G., and the sole female member of his hip-hop group Junior M.A.F.I.A., Lil’ Kim, aka Kimberly Denise Jones, had a flow that was raw and gritty, with raunchy, sexually liberating lyrics that made critics clutch their pearls. Hard Core went on to become certified double platinum by the RIAA, cementing the then-22-year-old as a bona fide hip-hop god. But it wasn’t just Lil’ Kim’s lyrical prowess that set her apart from her contemporaries that came before her. Her sense of style also made her a trailblazer, solidifying her as a pop culture fashion icon.

While other women rappers like Queen Latifah, Lisa “Left Eye” Lopes, and Da Brat favored more androgynous clothing, like oversize T-shirts and baggy jeans, Lil’ Kim’s outfits were ultra-feminine, bold, risqué, and revealing — as provocative and outrageous as her songs. She wore teeny-tiny bikinis, see-through silhouettes, candy-colored wigs, and equally vibrant fur coats. She also helped popularize ’90s and noughties logomania, a trend in which designer branding is made overtly obvious on one’s clothing and accessories (the antithesis to “quiet luxury”). In Kim’s case, logomania also applied to hairstyles, as she famously wore wigs with Chanel’s double “C” logo and Versace’s Greek key motif. (The move made sense for someone who frequently name-dropped designers in her lyrics). Aside from head-to-toe designer monograms, Kim has worn a sparkly catsuit made with 965,000 crystals, embellished headpieces with matching thongs, and a gray, floor-length chinchilla coat (which she modeled next to mob daughter Victoria Gotti in the video for 2003’s “Came Back for You”). The list goes on.

“She was bringing something new that we hadn’t really seen before,” says Elizabeth Way, fashion historian and associate curator at the Museum at the Fashion Institute of Technology (FIT). “For so long, female rappers had been kind of marginalized and really tried to fit in with their male counterparts, especially with their style. Lil’ Kim rejected that and embraced her femininity in both her style and her lyrics.” Marissa Pelly, stylist for the rapper Ice Spice, shares a similar sentiment, pointing out how the industry made female musicians feel like they couldn’t boldly embrace their sexuality while simultaneously being perceived as “chic” or “luxury” — as if the two concepts could not co-exist. “Now when I see female artists owning their sexuality, while also being muses for some of fashion’s most elite houses, I think of — and I thank — Lil’ Kim.”

Behind every celebrity style icon is a brilliant stylist; a wizard behind the velvet curtain, so to speak. For Lil’ Kim, it was Misa Hylton. One cannot discuss Kim’s vestiary tours de force without mentioning the industry legend by her side, who had already been masterminding looks for Mary J. Blige, Faith Evans, Jodeci, and her then-boyfriend Sean “Diddy” Combs. But theirs was a match made in fashion heaven; the two women felt an immediate kinship. “I think that Kim and I were magical together and when you have that type of synergy only greatness can come forth. We were thinking outside of the box and unapologetically taking risks. People gravitate to that type of authentic and creative energy,” Hylton told Dazed in 2018.

The two women set the bar high high from the beginning with a legendary look the promotional poster for Hard Core, Kim’s debut album: a leopard print bikini and a sheer, marabou-trimmed duster. The one-piece was designed by Sex and the City costume designer Patricia Field, who owned a store in New York City from 1996 until 2016. It was known to be a hot shopping spot for fellow performers like Debbie Harry, Lady Gaga, and Kim’s friend and frequent collaborator Missy Elliott. Hylton and Kim frequented Field’s boutique almost daily. In the years — and decades — that followed, both the look, and Kim’s signature squatting pose, would be replicated by the likes of Teyana Taylor, Nicki Minaj, GloRilla, and countless others.

Hylton and Kim also went all out for the “Crush on You” music video, directed by Lance Rivera. Inspired by the The Wiz’s color-changing Emerald City disco dance sequence, the video featured the star in monochromatic technicolor outfits and matching wigs — and instantly catapulted her to mainstream MTV fame. “When you think of the blueprint for most female musicians’ styles today, you think the designer logos; the iced-out, statement jewelry; and different styles of wigs — that was all her,” explains stylist Estelle Aporongao. “Kim’s DNA runs through the contemporary fashion industry’s veins.”

In 1998, Kim donned a bejeweled caged headpiece and matching arm sleeves to the 1998 Soul Train Lady of Soul Awards, which felt like the ultimate statement. But the rapper topped herself yet again a year later when she attended the MTV Video Music Awards in a purple wig and lilac-colored, sequined jumpsuit, complete with a single purple pasty that garnered an unforgettable reaction from Diana Ross. The moment would become the stuff of award show legend.

That same year, Kim covered Interview magazine’s November issue wearing only a Louis Vuitton headgear and LV logos painted all over her body, a moment described as a “cultural reset” by celebrity stylist Audrey Brianne, who works with Chris Tucker and Tyler Posey. “At the time, it was a fresh idea no other star had rocked quite so boldly. If people weren’t already paying attention to Lil’ Kim by then, they were now,” she says.

To be clear, Lil’ Kim was interested in fashion long before she dressed in colorful furs. “Her high school friends recounted how she would spend her allowance on clothes and had Gucci before they even knew what it was,” explains Nygel Simons, a stylist and archivist, noting that the artist also worked at Bloomingdale’s prior to rapping full time. “It really shines through when an artist genuinely loves fashion.” Nowadays, it’s not out of the ordinary for a designer to dress hip-hop artists for red carpets or sit them front row at Fashion Week, but in the 1990s, that relationship didn’t really exist. Lil’ Kim had a je ne sais quoi that both attracted and inspired designers like Karl Lagerfeld, Giorgio Armani, Betsey Johnson, John Galliano, and Donatella Versace, who would dress her for her 1999 Met Gala debut.

Way long before Barbiecore would become a part of the cultural zeitgeist, Lil’ Kim sported a pink, full-length mink coat with a studded pink bra, matching hot pants, and pink snakeskin boots for the “Rock Style”-themed Met Gala. “Donatella is my girl. We’ve loved each other from the moment we first saw each other,” Kim told Vogue in 2020. “At the Met, you’re a designer’s muse, [and] she loved the fact that I have fun in her clothes.”

Lil’ Kim has also walked the runway for designers including Baby Phat, The Blonds, and VFiles. But her closest friendship is with fashion designer Marc Jacobs, whom she calls her “bestie” and who has played a significant role in her life and career. Jacobs dressed Kim for her court appearances and subsequently became her prison pen pal when she served a one-year sentence for lying to protect friends involved in a 2001 shootout. Kim sent Jacobs the Bratz doll coloring pages she painted, which he then had framed and hung in his house. Jacobs is also writing the foreword for her forthcoming memoir, The Queen Bee.

“These were interesting and important alliances for her during the early 2000s because it further legitimized the message to her fans and the public that her empire and reach extended well beyond music,” says stylist Alison Brooks, who works with television personality and hairstylist Jonathan Van Ness. “I believe it was a turning point, not so subtly signaling to other artists to bling themselves out in designer looks with confidence and embrace their curves with body positivity before body positivity became a thing.”

When it comes to her own work, Pelly says she’s strongly influenced by Lil’ Kim. “I love how effortlessly she would combine her own fun custom pieces with luxury ones, while also demonstrating a great deal of high-end fashion knowledge.” Pelly says she had this approach in mind while styling Ice Spice for the “Barbie World” music video, pairing a custom Chanel-inspired, Christian Cowan tweed set with a Barbiecore bra by Laser Kitten, custom Emilio Pucci, and pieces from the Gaultier archives. “It’s that duality that’s so inspiring to me and creates the most interesting, well-rounded looks every time.” She also drew ideas from Kim’s 2003 “Summer Jam” performance, in which she wears SS03 Jean Paul Gaultier script belts around her waist and chest. “I love when artists love the same brands I do... I tracked down the same belts for Ice’s Paper Magazine cover back in April as a nod to the OG style icon.”

It’s difficult to imagine what would have happened if Lil’ Kim hadn’t paved the way for women in hip-hop to take fashion risks. Cardi B might not have worn archival Mugler to the 2019 Grammy Awards, and who knows if Megan Thee Stallion would have modeled for Calvin Klein. Then there’s the countless Kim homages artists have paid over the years: Beyoncé replicated several of Kim’s famous looks for Halloween 2017; Rihanna has cited the rapper’s penchant for experimenting with different looks as a major influence on her own fashion sense; and Miley Cyrus dressed in Kim’s MTV VMAs look for Halloween back in 2013, purple pasty and all. It’s for reasons like these that stylists like Simons believe Lil’ Kim deserves official acknowledgement for her legacy, particularly from the Council of Fashion Designers of America. (For years, fans have been calling on the CFDA to honor Kim with its annual Fashion Icon award.)

One thing’s for sure: You’d be hard-pressed to find another hip-hop fashion icon with the same enduring legacy. “Lil’ Kim is the blueprint,” says Simons. “Whenever you think you’re being presented with something new, if you search hard enough, you’ll find that Kim has already done it at some point.”

#lil kim #lil' kim #rap #queen of rap #rapper #fashion #fashion icon #cfda #hiphop #female rap #female rapper #queen bee #naomi campbell #hip hop

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movieloversposts · 1 year

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10 Things I Hate About You (1999) 9/10

In an attempt to fit in and finally embrace the teenage social life, Cameron (Joseph Gordon-Levitt) decides to help Bianca Stratford (Larisa Oleynik) out by hooking up the school's bad boy, Patrick Verona (Heath Ledger), with Bianca's older sister, Kat Stratford (Julia Stiles). For five hundred dollars, Patrick must date Kat so Bianca can be with Cameron. Will it work or is it too good to be true?

I've heard about this movie,and apparently it's one of those that you need to see before you die, so I thought, why not?

It's the typical high school movie, with drinking, lots of teenagers making out, drama, and the stress that is high school itself. Heath and Julia portray the enemies to lovers couple, at each other's throats 90% of the time. It's also worth mentioning that this a modern retelling of Shakespeare's The Taming Of The Shrew (and two of the characters in the play, Bianca and Katherine, are also in this movie, too! Kat is just a shortened form of Katherine, although Kat Stratford's full name is Katarina)

It's funny; it's an interesting plot also involving fake dating, which is a trope that's not seen too much in romance movies these days. Most tropes are enemies to lovers, or the good girl with the bad boy (classic).

There's several one liners, mainly said by Kat, and some notable iconic scenes, one involving a Notorious B.I.G song. And I'm sure everyone knows the line, 'Not even a little bit, not even at all'.

I would watch this if you don't want to think too much, as the plot is easy to understand, and it's also relatble to some people, especially in high school, when relationships are all the norm. Some people, like Bianca, just want somebody to date, because everyone else seems to be dating someone.

But just a lesson: You don't have to date someone because everyone else is. It's okay to be single, as long as you are happy with yourself either way.

We also see a young Joseph Gordon Levitt, who hasn't aged. He plays the adorable guy with a crush on a girl, who just wants to be with her. Heath Ledger's character is easy to hate, but there are moments where you like him. Julia Stiles's Kat is very easy to hate, right from the start, but over the course of the film, her softer side shown, mainly to Patrick.

I would rewatch this film, given the chance. It's relatable, funny, iconic, and worth the hype, even inspiring the song, '10 Things I Hate About You'.

#10 things i hate about you #heath ledger #julia stiles #90s movies #high school #fake dating #enemies to lovers #cliques #comedy #drama #romance #larisa oleynik #high school movies #kat stratford #patrick verona #joseph gordon levitt

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randomvarious · 1 year

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Today’s compilation:

Stand Up and Be Counted: Soul, Funk and Jazz from a Revolutionary Era 1999 Funk / Soul / Spoken-Word Poetry / Jazz

Today's an important history lesson, folks. I went back to a late 60s/early 70s era of US black revolutionary politics and awareness with this CD that was put out by UK label Harmless in '99. It's those pre-disco days when a lot of black-made music was politically righteous, with scathing lyrical critiques of a still racially unequal status quo, and carried poignant, urgent, and inspirational messages that would help to raise the consciousness among black folks nationwide, as well as anyone else who was willing to listen and learn. It was a time of riotous and fiery tumult, and while this release doesn't seem to fully encapsulate or present all the most prominent songs and musicians that ended up providing the soundtrack for this very volatile handful of pivotal years—where's Sly Stone?—it's still a phenomenal album.

This CD comes with fixtures you'd expect on a release like this: James Brown's "Say It Loud - I'm Black and I'm Proud," Nina Simone's "I Wish I Knew How It Would Feel to Be Free," and perhaps the most iconic piece of spoken-word poetry that's ever been recorded, Gil Scott-Heron's "The Revolution Will Not Be Televised." Basically, if you're putting together an album that's trying to reflect the American black struggle from this specific time period, it'd be prudent to include this particular trio of songs.

But where this album truly shines is with its overwhelming majority of selections that aren't so obvious; songs that contain the same hunger and zeal for equality, but aren't as well known to a general audience. For example, The Last Poets, a spoken-word poetry trio whose early 70s pining for immediate revolution on their self-titled debut album would lay the foundation for the creation, development, and emergence of hip hop music and culture. Their song, "When the Revolution Comes," actually sparked a response from Gil Scott-Heron with "The Revolution Will Not Be Televised," and 22 years after its initial release, a repeated line towards the end of the song would find itself repurposed as the title of The Notorious B.I.G.'s debut single, "Party and Bullshit."

And also on here is a solo track from one of those Last Poets as well, Gylan Kain, whose 1970 song, "Loose Here," off of his debut LP, The Blue Guerrilla, was actually co-written by none other than the legend Nile Rodgers himself, earning him one of his first ever credits, long before he'd *really* break out with a pair of #1s on the disco tip in '78 and '79, with Chic's "Le Freak" and then "Good Times."

Truth be told, though, The Last Poets weren't actually as obscure as you may think that I might be making them out to be here; their debut album managed to sell over 350,000 copies, and it peaked at #29 on Billboard's 200 album chart, and #3 on R&B as well. It's just that, knowing about them was spread pretty much purely through word of mouth; there was certainly no big commercial engine that was driving their sales, and if you weren't black and didn't have your ears tuned to any of this sound, the likelihood that you'd catch wind of them was pretty low.

So, the most obscure song on this album, then, appears to be a funk tune from an anonymous group called The Pace-Setters, whose only ever release, a 1971 7-inch, sings the praises of social activist Jesse Jackson and his then-recently formed PUSH organization on its chugging a-side.

The rest of this CD's tunes are pretty much made up of brilliant funk, soul, and jazz entities—The Impressions, Billy Paul, Archie Shepp, and ex-Temptation Eddie Kendricks—but the album doesn't use any of their singles. All the choices are still terrific, however, especially Kendricks' "My People... Hold On," the slow, earthy, heartfelt, and mantric title track off of his 1972 sophomore album. Interestingly, the name of that album, though, actually chops off the "My" in "My People," suggesting that Motown imprint Tamla didn't want to potentially alienate any parts of its audience with such a transparent appeal to black pride and solidarity 🤔.

Another well-known group on this album is James Brown's former one, The Famous Flames, who are just credited as The Flames here. And as The Flames, they never released an album, but did put out a handful of singles, including this CD's title track, which lives up to the name of the group who made it (it's scorching!), and was produced by James Brown and released on his own label, People, in 1971.

And before I close out, I gotta mention Chicago jazz ensemble The Pharaohs too, because the penultimate track from their 1971 debut album, The Awakening, makes for a tremendous song, with astonishing traded leads between saxophone and guitar, and a constantly thick amount of busy backing behind it all as well. It would still be an amazing tune, even if it didn't have any kind of messaging to go along with it.

So, in sum, Stand Up and Be Counted is an incredible release. It really channels a very important few years of palpably churning American black fervor, and it includes some unforgettable all-timers too, but its real uniqueness is found in its many selections of non-singles, deep cuts, & relative obscurities. I really don't think you'll ever find another late 60s/early 70s black empowerment retrospective that's quite like this one here. A stunningly superb and authentic collection of tunes.

Highlights:

The Flames - "Stand Up and Be Counted" Gil Scott-Heron - "The Revolution Will Not Be Televised" The Impressions - "Mighty Mighty (Spade and Whitey)" Billy Paul - "East" Mike James Kirkland - "Hang On in There" James Brown - "Say It Loud, I'm Black and I'm Proud, Parts 1 & 2" The Last Poets - "When the Revolution Comes" Pace-Setters - "Push on Jessie Jackson" Archie Shepp - "Blues for Brother George Jackson" Eddie Kendricks - "My People... Hold On" The Pharaohs - "Freedom Road" Kain - "Loose Here" Nina Simone - "I Wish I Knew How It Would Feel to Be Free"

#funk #soul #soul music #spoken word #poetry #poems #jazz #music #60s #60s music #60's #60's music #70s #70s music #70's #70's music

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rap-bull · 5 months

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WHAT IS RAP?

Introduction

Rap, a musical genre deeply embedded in the roots of urban culture, has evolved into a global phenomenon that transcends boundaries and speaks to diverse audiences. In this article, we delve into the origins, characteristics, and impact of rap, exploring its journey from the streets to the mainstream.

Evolution of Rap

Early Origins

Rap's origins can be traced back to the Bronx in the 1970s, where block parties became the breeding ground for this expressive form of music. Influenced by African and Caribbean rhythmic traditions, rap quickly became a powerful medium for storytelling.

Influential Figures

Pioneers like Grandmaster Flash and Afrika Bambaataa laid the foundation for rap's growth. Over the decades, iconic figures such as Tupac Shakur and Notorious B.I.G. shaped the landscape, while diverse subgenres emerged, from gangsta rap to conscious hip-hop.

Characteristics of Rap

Lyricism

At the core of rap lies the art of lyricism, where artists weave intricate verses laden with meaning. From social commentary to personal narratives, rap lyrics are a reflection of the artist's experiences and observations.

Beats and Instrumentals

The marriage of powerful beats and creative instrumentals is another hallmark of rap. Producers play a pivotal role in shaping the sonic landscape, providing a canvas for artists to paint their lyrical portraits.

Flow and Delivery

A rapper's flow, the rhythmic pattern of their delivery, is a distinctive aspect of the genre. Whether it's a rapid-fire delivery or a laid-back cadence, a rapper's unique flow contributes to their individual style.

Impact of Rap on Culture

Social Commentary

Rap has often served as a voice for the voiceless, addressing societal issues and advocating for change. From N.W.A.'s critique of police brutality to Kendrick Lamar's introspective narratives, rap has been a powerful tool for social commentary.

Fashion and Lifestyle

The influence of rap extends beyond music to fashion and lifestyle. From baggy pants and gold chains to high-end designer labels, rap artists set trends that permeate mainstream culture.

Global Influence

What started in the Bronx now resonates globally. Rap has become a cultural bridge, transcending language barriers and connecting people from diverse backgrounds.

Common Misconceptions

Stereotypes

Rap often grapples with stereotypes that portray it as a glorification of violence or materialism. In reality, rap is a diverse genre that explores a wide range of themes, including resilience, love, and social justice.

Cultural Appropriation

Critics argue that rap has faced issues of cultural appropriation, particularly when artists from outside the African-American community adopt the style. However, many artists see this as a form of cultural exchange that enriches the genre.

Positive Aspects

Amidst controversies, it's essential to recognize rap's positive contributions, such as providing a platform for marginalized voices and fostering cultural understanding.

Key Elements of a Successful Rap Song

Storytelling

A compelling narrative lies at the heart of many successful rap songs. Whether it's recounting personal struggles or painting vivid pictures of urban life, storytelling is a skill revered in the rap community.

Rhyme Schemes

The intricate web of rhyme schemes distinguishes rap from other genres. The ability to weave words seamlessly, creating patterns that captivate listeners, is a hallmark of a skilled rapper.

Authenticity

Authenticity is prized in the rap world. Audiences connect with artists who stay true to themselves, and the most impactful rap often emerges from genuine experiences.

Influential Rap Artists

Pioneers

Grandmaster Flash, Run-D.M.C., and LL Cool J laid the groundwork, shaping rap's early landscape. These pioneers set the stage for the genre's exponential growth.

Contemporary Icons

In the contemporary scene, artists like Jay-Z, Eminem, and Kendrick Lamar have become household names, each contributing to rap's evolution in unique ways.

Diversity in the Industry

Rap is a melting pot of voices, with artists representing various backgrounds, genders, and cultures. Diversity continues to be a driving force in pushing the genre's boundaries.

Rap as an Art Form

Poetry Connection

Rap is often likened to poetry, with its rhythmic and rhyming elements. This connection highlights the artistic depth of rap, positioning it as a form of modern-day poetry.

Visual Representation

The visual aspect of rap, showcased through music videos and performances, adds another layer to the art form. The visual representation often complements and enhances the message conveyed in the lyrics.

Freestyle and Improvisation

The ability to freestyle, creating spontaneous verses on the spot, is a celebrated skill in the rap community. It showcases a rapper's quick thinking and creativity.

Controversies Surrounding Rap

Explicit Content

Rap has faced criticism for explicit content, including explicit language and themes. While some argue for artistic freedom, others question the impact on younger audiences.

Censorship

The debate over censorship in rap brings to light questions about freedom of expression versus the responsibility to protect audiences, particularly minors, from potentially offensive content.

#rap #rapper #underground #how to rap #hip hop #artist #poetry #lyricism

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goatpaste · 1 year

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Whats your fav jjba episode?

mAN.. thats really a hard one to awnser??

OK OK,,, if you will allow me i can probably pick a fav or two per part

i think my all time fav episode IS the rat hunting episode, its a DiU ep, its got rats, and its a cute silly ep with jotaro and josuke and jotaro almost dies in the funniest way he coulda so it kinda hits a lot of fav elements for me

BUT

Phantom Blood: honestly? its hard to say because i think the manga is better and the anime was weirdly segmented for eps. it kinda slumps in the middle for me

so i think I like the Youth with Dio ep, something about it is very fun to me...

Battle Tendency: OUGH so this ones hard because i think p solidly i loVE the first ep

i think Joseph at the start of Battle Tendecy carried the strongest best traits of Joseph that Araki kinda left behind, like being really nice and passionate about things that mattered even if it put himself in danger, as well as having a hair trigger fight response when it cames to ppl bothering him, or more importantly bothering the people he cares about.. they cut out a bit of him and erinas bestie stuff from the manga which is sO sad

but i think "New Yorks JoJo" captures my favirote snap shot of silly fun bastard joseph that i love that he lost, with so many funny antics and such and his FUCKIGN SIGHT WITH STRAIZO IS SOO GOOD

BUT if i didnt go with that, id had to go with the chariot fight ep, so kinda two eps as this spans over both with the "a True Warrior" and "A Warrior Returns to the Wind" WHICH THE LATER EP TITLE MAKES ME SOOO WEEPY GOOD LURD ILY WHAM

Stardust Crusaders: SO THIS ONE IS HARD BECAUSE ITS SO FUCKING LONG AND SO MANY CHUNKS OF STUFF SPAN 2 AND 3 PARTERS

but mmm probably one of the D'arby fights,,, its hard to pick my fav? they both are really iconic and their the ones i remember the best/most fondly out of all Stardust tbh

Diamond is Unbreakable: LIKE I SAID THIS IS PROBABLY THE RAT HUNTING EP ITS SO GOOD I LOVE IT SO MUCH LOL

i really think nearly every ep in DiU is really great, i think their all classic and i really dont have many i find a drag like i tend to in other parts. the yukako eps are really fun, LETS GO EAT ITALIAN FOOD IS A CLASSIC, THE INVISIBLE BABY EP, the intro ep for rohan are great just for the ending where josuke kills him <3, MIKITAKA EP!!! UGH a lot of good ones

but the rat hunting ep wins for me, for having a rat in it

Golden Wind:.. im so sorry this ones kinda easy only because.. i dont... really like golden wind as a whole

But its Spice Girl vs. Notorious B.I.G. i think its the best fight in the whole part and its a big reason i wish trish gotten to do more. i would KILL for a trish and bruno team up fight....

dont get me wrong i loVE a lot of other fights, Narancia and formaggio fight is fun, the secco fight is sO fun, i also love the greatful dead and Beach Boy fight

but 100% its the spice girl ep for me, i think its really fucking excellent

Stone Ocean: AGAIN A TOUGHY BECAUSE I REALLY DO LIKE ALL OF STONE OCEAN VERY MUCH

but fuck dude, i think just based off the top of my head, its either the gwess fight or the mcqueen fight. i think i just love how silly they are, the gwess and mcqueen are my poor little meow meows

BUT UGHHH the Limp Biskit episode really is a good one to man... i rEALLY loved watching that one with no prior knowledge

AND THE DRAGON DREAM EP, but tbh while i LOVE FF and Dragon Dream in there, the ep and fight itself are fine. the concept fine just a lil boring

and ofc i love the brando bro eps, and rikiels was probably my favirote.

sdjkghjkd i think i just really liked the sILLY ones

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