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kiragecko · 1 year

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I'm not American, but grew up in a country that is REALLY used to centering American opinions. I'd love to see how many people here are actually American, and how many are just accepting of a lot of American content.

Boundaries are fake, so most places show up at least twice. Choose the grouping that you connect with more.

#polls #demographics #if this doesn't spread I might still get a better idea about my friends!

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armoricaroyalty · 3 months

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Why is the Sims community boycotting Curseforge?

I've seen a lot of posts going around calling on Simmers to stop using Curseforge, a modding platform that enables creators to monetize their downloads, with plenty of outrage directed toward modders and CC-makers who are still on the platform. But I've also seen a lot of people who are confused about why there are calls for a boycott.

Curseforge is owned by Overwolf, a company that is donating money to the IDF in support of its ongoing genocide against the Palestinian people.

In late October/early November, Overwolf posted a graphic on their social media asking followers to "defend our defenders" by contributing financially to a fundraising drive for the IDF. They were met with backlash and quickly took the graphic down, replacing it with one that used language about raising money for "those affected by the violence in Gaza" (my phrasing may be inexact) but the money is still going to the IDF and not to any agency actually supporting civilians or doing humanitarian work.

You can see the original graphic on this change.org petition, which provides some additional context.

If you are using Curseforge in any way -- by hosting your content there or downloading from it -- you are giving money to a company that is raising funds for an ongoing military campaign against a civilian population.

This is why people are calling for a boycott. If you are a modder or CC maker for the Sims, you should remove all of your content from the website and redirect people to other DL sources. If you are a consumer of mods and CC, you should stop clicking curseforge links and send (polite!) messages to modders and CC makers to urge them to pull their content from the site.

ETA: Here's another link with more images of the original Overwolf Tweet!

#armorica ooc #of course now 24 hours later after this has spread far and wide #i catch my effect vs affect typo #sigh #the circulating version also doesn't have the extra link to a better source dfkljhdfslkjdsaf #my life so hard :-(

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reasonsforhope · 7 months

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Humans are so cute. They think they can outsmart birds. They place nasty metal spikes on rooftops and ledges to prevent birds from nesting there.

It’s a classic human trick known in urban design as “evil architecture”: designing a place in a way that’s meant to deter others. Think of the city benches you see segmented by bars to stop homeless people sleeping there.

But birds are genius rebels. Not only are they undeterred by evil architecture, they actually use it to their advantage, according to a new Dutch study published in the journal Deinsea.

Crows and magpies, it turns out, are learning to rip strips of anti-bird spikes off of buildings and use them to build their nests. It’s an incredible addition to the growing body of evidence about the intelligence of birds, so wrongly maligned as stupid that “bird-brained” is still commonly used as an insult...

Magpies also use anti-bird spikes for their nests. In 2021, a hospital patient in Antwerp, Belgium, looked out the window and noticed a huge magpie’s nest in a tree in the courtyard. Biologist Auke-Florian Hiemstra of Leiden-based Naturalis Biodiversity Center, one of the study’s authors, went to collect the nest and found that it was made out of 50 meters of anti-bird strips, containing no fewer than 1,500 metal spikes.

Hiemstra describes the magpie nest as “an impregnable fortress.”

Pictured: A huge magpie nest made out of 1,500 metal spikes.

Magpies are known to build roofs over their nests to prevent other birds from stealing their eggs and young. Usually, they scrounge around in nature for thorny plants or spiky branches to form the roof. But city birds don’t need to search for the perfect branch — they can just use the anti-bird spikes that humans have so kindly put at their disposal.

“The magpies appear to be using the pins exactly the same way we do: to keep other birds away from their nest,” Hiemstra said.

Another urban magpie nest, this one from Scotland, really shows off the roof-building tactic:

Pictured: A nest from Scotland shows how urban magpies are using anti-bird spikes to construct a roof meant to protect their young and eggs from predators.

Birds had already been spotted using upward-pointing anti-bird spikes as foundations for nests. In 2016, the so-called Parkdale Pigeon became Twitter-famous for refusing to give up when humans removed her first nest and installed spikes on her chosen nesting site, the top of an LCD monitor on a subway platform in Melbourne. The avian architect rebelled and built an even better home there, using the spikes as a foundation to hold her nest more securely in place.

...Hiemstra’s study is the first to show that birds, adapting to city life, are learning to seek out and use our anti-bird spikes as their nesting material. Pretty badass, right?

The genius of birds — and other animals we underestimate

It’s a well-established fact that many bird species are highly intelligent. Members of the corvid family, which includes crows and magpies, are especially renowned for their smarts. Crows can solve complex puzzles, while magpies can pass the “mirror test” — the classic test that scientists use to determine if a species is self-aware.

Studies show that some birds have evolved cognitive skills similar to our own: They have amazing memories, remembering for months the thousands of different hiding places where they’ve stashed seeds, and they use their own experiences to predict the behavior of other birds, suggesting they’ve got some theory of mind.

And, as author Jennifer Ackerman details in The Genius of Birds, birds are brilliant at using tools. Black palm cockatoos use twigs as drumsticks, tapping out a beat on a tree trunk to get a female’s attention. Jays use sticks as spears to attack other birds...

Birds have also been known to use human tools to their advantage. When carrion crows want to crack a walnut, for example, they position the nut on a busy road, wait for a passing car to crush the shell, then swoop down to collect the nut and eat it. This behavior has been recorded several times in Japanese crows.

But what’s unique about Hiemstra’s study is that it shows birds using human tools, specifically designed to thwart birds’ plans, in order to thwart our plans instead. We humans try to keep birds away with spikes, and the birds — ingenious rebels that they are — retort: Thanks, humans!

-via Vox, July 26, 2023

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twentyfivemiceinatrenchcoat · 8 months

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i’ll relearn love at our kitchen table ; satoru gojo

synopsis; satoru doesn’t quite know what love is supposed to feel like. but if it means coming home to you, it can’t possibly be that much of a curse.

word count; 4.9k

contents; satoru gojo/reader, gn!reader, satoru gojo vs. the mortifying ordeal of being loved, fluff fluff fluff!!, a hint of angst if you reeeaallyyy squint, gojo’s pov, the babygirlification of satoru gojo, i just think being babied would fix him <33

a/n; i wanted to write something for suguru or shoko but this man is genuinely holding my brain hostage atp so more satoru fluff it is!! physically i could write gojo angst yes but emotionally? imagine the toll…

when satoru steps over the threshold to your apartment, he’s downright exhausted.

it’s a heavy kind of fatigue, a little sickening. the kind that seems to sneak its way into his bones, crawl its way under his skin. dragging him down, down, down.

a yawn slips from his lips.

the mission itself wasn’t too tough — anything is a breeze for satoru gojo, that fact needs no elaboration. this one was just a little more taxing than usual, slightly more important, which meant he had to deal with the technicalities of it all. had to listen to the elders go on and on about the importance of discretion, about finishing things swiftly and efficiently, and something else he didn’t stick around long enough to hear.

and the curse? a small fry, really. nothing worth fussing over. but it was annoying, with that irritatingly effective barrier technique. how long did he have to stay inside that goddamn veil before it let him get close enough to land a hit?

satoru doesn’t want to think about it, can’t be bothered to figure it out when all he wants is to collapse into the warm comfort of a soft mattress. all he knows is that when it finally lifted, the night sky was the only thing he could see. a vacuum of stars — taunting in its perpetuity.

so, with all that being said; to say satoru feels a little worn out might be a bit of an understatement.

hair slightly tousled, eyelids heavy with sleep-deprivation, he slumps against the wall and allows himself to simply breathe. a soft groan flows from his parted lips as he stretches idly, a small respite for his stiff and achy joints, his tired muscles.

it’s been a long day. but satoru still finds it in him to exhale a relieved breath, to drag his blindfold down to his neck and kick off his shoes.

because it’s been a long, long day — but now he’s finally home.

(not just a house, not just an apartment, but a home. a place of comfort and belonging. satoru didn’t think that was a luxury he would ever be able to afford.)

the moment he lets the door close behind him, a particular scent greets him. soothing in its familiarity, the only thing in his life that never seems to change; a blend between fresh laundry, and watered houseplants, and something that smells a bit like honey. maybe even sweeter than usual, though satoru chalks that up to his mind playing tricks on him.

it’s nice. so nice. coming back to something warm and real, a respite from his hectic work. a safe haven, of sorts, one that hasn’t been taken from him just yet.

satoru likes to think of your front door as a threshold between realms, a gap between within and without. one is dark in its saturation, plagued by that never-fading smell of iron, while the other is simply warm. sacred in its normalcy.

everything looks just as it should, the same as when he rushed out this morning; a fluffy blanket draped over the couch haphazardly, that soft golden light streaming out from the kitchen, your shoes by the front door.

satoru blinks, drowsily.

wait.

why is the kitchen light still on?

as if his eyes could ever deceive him, satoru rubs the skin under them groggily — blinking once, then twice.

yep, it’s still there — that soft fluorescent glow. a sight he’s come to associate with breakfast and dinner and a mellow kind of love, laughter shared over warm meals made by human hands. food tastes better, satoru has come to realize, when you have someone to eat it with.

ah, but it’s odd. did you forget to turn the lights off? that’s not very like you.

as if possessed by a strange, irresistible longing, his feet carry him to the kitchen in question. undeniably groggy, his uncoordinated steps are riddled with fatigue, but the yearning in his chest compels him to move forward anyway — a kind of yearning he only fully understands when he enters the space, and sees you slumped over the table, a familiar flicker of cursed energy capturing his attention.

you’re asleep.

satoru stills, where he stands by the threshold between the kitchen and the living room.

everything looks the same as always — cookie jars placed on the highest shelf to give him an excuse to help you reach them, origami made from newspapers he never bothers to read anyway, a vase standing proudly on the kitchen counter, stuffed with fresh flowers he bought for you two days ago.

the red roses still haven’t wilted, shining in the blue of the moonlight flickering in. good. they’re pretty, but maybe next time he should get you something more original. maybe some sunflowers, something that could rival the brightness of your smile. do they even sell sunflowers this time of year? if you were awake, satoru would ask you, even though you always tell him to just google it —

but you're not awake. you’re fast asleep, cheek squished against the kitchen table, snoring softly.

satoru feels his mood lift at the sight alone, and suddenly he doesn’t feel as tired anymore. something soft and almost otherworldly sprouts in his chest, as he takes you in, stepping closer. almost giddy, just to see you up close.

you look so peaceful and relaxed, so content. elbows resting on the table as soft little breaths fall from your parted lips; he spots a bit of drool on the corner of your bottom lip, gaze fond as he wipes it away with his thumb. he can’t resist the urge to poke your cheek, and it makes you stir ever so slightly — lips curling up into something akin to a sleepy smile.

satoru grins.

(you’re so cute.)

despite his fatigue, he hears himself chuckle, all soft and amused and a little bit lovesick. it comes to him so easily, when he’s with you; that upturn of his lips, the butterflies in his stomach.

satoru is still getting used to it. this cotton candy sweet, light as a feather kind of love. the kind that always feels like spring. but with every day that passes, the life he has with you becomes a little easier to digest. his future with you becomes a little easier to visualize.

yeah, he thinks. he could get used to this. coming home to you.

a soft smile, as he exhales a somewhat exasperated breath. you really shouldn’t be sleeping out here, though. silly.

satoru leans forward, inching closer to your pretty, sleeping face — he almost feels bad, waking you up like this. but he wants to hear your voice so badly.

so he cups your cheek, cold skin meeting warm, his hands still lingering with the bite of the midnight air. his fingertips tingle, buzzing with the body heat that trickles from your veins to his — one single touch is all it takes for him to soften.

the word that falls from his lips breaks the peaceful silence of the kitchen, breathing life into the moment. whispered into your ear, causing your brows to furrow as you gently slip from sleep’s embrace.

“baby…”

satoru is smiling, when your eyelids flutter open. a sincere smile, reserved for you and his students. bathed in the mellow hue of the kitchen lamp’s illumination, a soft glow curls around the strands of his white hair, creating a halo of artificial light.

blinking sleepily, you gaze at him in silence. something shines in your eyes, something satoru tentatively recognizes as adoration. and he gazes right back at you, with heavy-lidded eyes and a lopsided smile. teasing, lighthearted. thumb smoothing over the apple of your cheek.

then he grins, hopelessly endeared. ”hey there, sleeping beauty.”

a yawn tumbles from your lips, and you lift yourself up. leaning into his touch. “toru…” you mumble, voice a little raspy but still oh so sweet.

satoru doesn’t say anything. he simply takes you into his arms, gently, touch so very delicate — as if you’re made of porcelain. and you just let yourself fall into his embrace, while he tucks you under his chin, safe and secure.

it’s warm, he thinks. it feels right. complete, somehow.

and satoru thinks to himself that this must be what love feels like. what it’s supposed to feel like, anyhow, all sweet and light. all good and normal, something you never have to question. a cornerstone.

“you’re back…” you drawl, muffled into his uniform as your arms sneak around his thin waist. bringing him closer.

stroking the back of your head softly, satoru’s chest rumbles as he speaks, voice deep and a little raspy. soothing, a lullaby just for you. “yeah,” he hums. ”were you waiting?”

all you do is nuzzle further into his chest, cheek smooshed right over his heart; breathing out a sleepy little mhm that has him going weak at the knees, lips curling up helplessly.

“i wanted to…” you continue, stretching your arms a little to shrug away the remnants of sleep still clinging to your joints. “but i fell asleep.”

satoru feels you move in his arms, until your jaw settles on top of his shoulder and you press a chaste kiss to his neck. an exhale leaves his lips, something tender in the way his breath wavers.

“welcome home,” is whispered, muffled against his skin. a sentence he never wants to go a single day without hearing. “did the mission go okay?”

he plants a kiss on top of your head, speaking in a low tilt, reassuring. “it did. just took a little longer than i thought.” a soft inhale, as he basks in the scent of your shampoo. “i wanted to text you, but the veil blocked my signal. sorry, sweetie.”

another soft yawn, and a shake of your head. “s’ fine, don’t worry,” you murmur. ”i’m just glad you’re okay.”

satoru chuckles. there’s a fondness to it, light. and then something else, something more heavy — it rumbles through his chest, almost like a purr, or a soothing thunderstorm. he can only hope it’s enough to comfort you.

“of course.” he says the words like they’re indisputable, like they’re written down in scriptures old and worn. cradling you in his strong arms, he pulls you closer to his chest. hoping you’ll feel his heartbeat against you, feel that he’s there. “i always am, aren’t i?”

no answer. only a tiny hum, absentminded.

and satoru knows, deep down, that his words don’t mean much. that a part of you is always going to worry over him, no matter how many times he tells you that there’s no need. that he’ll be fine.

the thought makes him feel a bit guilty. a little sick to his stomach, at the thought of being a source of your anxiety, the reason you can’t fall asleep at night — but he’d be lying if he said it didn’t also make him feel somewhat giddy. the thought tastes sweet, on his tongue, even though it probably shouldn’t.

having someone who worries for you is a luxury, satoru has come to realize. a luxury he has, now, one he hasn’t had since —

well. that’s neither here nor there.

(“be careful, satoru,” he recalls a kind boy saying.

but that was many, many springs ago.)

“oh, right.”

at the sound of your voice, satoru pulls away ever so slightly, gazing down at you. “hm?”

with a single step back, you look up at him. tilting your head. hands still resting securely on his waist, fingertips squeezing at his hips. lightly, affectionately. barely restrained fondness. ”have you had anything to eat yet?”

“yeah. got some takeout on my way back.”

satoru expects you to sigh in relief, at his instantaneous answer. you don’t like it when he skips meals, so these days he’s been trying not to do it as much. even though he doesn’t always have the time to eat properly, and even though the sweets he chews on between missions make him lose his appetite. but he makes an honest attempt, for you.

someone worries for him. someone wants him to eat well. that’s more than enough motivation for satoru gojo.

but you don’t exhale, and you don’t look very relieved, either. you look… disappointed. eyes suddenly glancing down at the floor, lips curled down into a barely noticeable frown.

“oh,” you breathe. “okay. good.”

one second. then two. satoru tilts his head.

“why?” he stops to think. maybe… “did you make something?”

a certain recognition flickers in the depths of your eyes, and satoru thinks he must be right on the money. chewing at your bottom lip a little, you wait a moment before curling your fingers around his wrist — tugging him away from the kitchen table.

satoru follows, pliantly, until you’re standing in front of the fridge.

“well, um… here,” you mumble, somewhat sheepishly. fingers tapping at the handle before pulling it open. “take a look.”

satoru watches as the fridge door opens, slowly.

he blinks.

the first thing he sees is a single slice of strawberry shortcake. the strawberry looks fresh, glittering like a ruby on top of the softly whisked cream — and layers of sponge cake, that look like they’d melt in his mouth.

and that’s not all. there are a wide array of baked treats stuffed into the cramped space, protected by plastic wrapping and containers. everything from cupcakes with too much frosting — just the way he likes them — to chocolate chip cookies that crumble at the corners, satoru never seems to run out of things to look at. colourful treats, lovingly made and sitting right in front of him. it’s like he’s standing in a patisserie. they almost seem to sparkle, in the peripheral of his vision; glimmering softly, tantalizingly, like something out of a dream.

childish. that’s what nanami and shoko always call him, and he always protests, but —

maybe they have a point, after all. satoru certainly feels a little childish, when he realizes his eyes must be wide and bursting with child-like giddiness. a simple kind of joy, at seeing the ample selection in front of him. especially after that tedious mission prevented him from getting any sugar into his system.

”i did my best,” you mutter, sharing the sight with him as your eyes trail over a pretty bag of pink and green macarons. ”dunno if they turned out any good, but… i hope you’ll like them.”

satoru’s gaze flits over to you.

he opens his mouth, and then closes it again.

”did you… make these?” a beat. ”for me?”

a blink. ”.. yeah?” who else would they be for?, your eyes seem to say. a little confused.

for a second, satoru can only stare at you. in complete silence, the tired cogs inside his head turning sluggishly as he thinks about the implications of that answer. and with a soft flutter, he feels his heartbeat pick up, warming him up from the inside out.

you made them. with your own hands. you made all of these and you did it for him.

for some reason, satoru finds it oddly hard to speak, like someone stuffed a bunch of cupcakes down his throat. it’s weird — usually he can’t seem to stop talking, especially not when he’s with you, but…

(something about this is just too tender.)

you must have been baking all day. no wonder the apartment smelled sweeter than usual, when he walked in.

as if itching to curl around one of the macarons, his fingers twitch, but satoru gulps and keeps them still. he wants to say something, anything, wants to thank you or ask why you’d spend so much of yourself on him, but satoru only stays silent.

and maybe it’s because he’s tired. maybe he’s just a little caught off guard. usually this wouldn’t be that hard to handle — he could just throw himself on you and shower you in kisses, show his appreciation with a flurry of dramatics and declarations of love.

but right now there seems to be a disconnect, between satoru’s mind and body. maybe the mission drained him more than he realized. or maybe it’s more than that, maybe there’s nothing he can say or do; what words could he even begin to use to properly verbalize the emotions he’s feeling right now? how could his touch ever begin to measure up to the sweet sensation unfurling in his chest?

the silence doesn’t last long. as satoru stands there and spirals, you speak up, most likely chalking it up to him being too sleepy to react.

”this mission was especially rough, right?” you begin, with a soft tilt of your head. a smile curls its way onto your lips, proud and sweet. sweeter than everything in the fridge combined.

one step, then two. you inch closer to him, until there’s almost no space between you — standing on your tiptoes, one hand on his shoulder and the other reaching for his head. smoothing down his tousled hair, fingers tangling themselves between the soft white strands and getting lost in them. and it’s gentle, the way you begin to pat his head, doting.

then you speak. ”you did well.”

and it’s such a simple thing to say. three words, three syllables, but the words just tumble out from your mouth so earnestly that satoru can’t help but still. his breath hitches in his throat, softly, barely noticeable, but it’s there. that surprise.

he never knows how to act, when you get like this. patting his head and ruffling his hair like he’s something warm and sweet and worthy of love. something delicate, and not the strongest man on the planet.

it’s so weird. you’re so weird.

(satoru leans into your touch without thinking, allowing his eyes to flutter shut.)

it’s perplexing, this feeling, and the fact that he can’t pinpoint why frustrates him to no end. isn’t this wrong? shouldn’t he be the one ruffling your hair, coddling you?

what formula is he supposed to follow here, exactly? should he tease you? pull away from your touch?

satoru wishes his six eyes could tell him the answer, but they don’t. they’ve never been very good with emotions, with things that aren’t directly tied to his suffering or imminent death.

(so ironic. all these eyes and nothing to see. they failed to see suguru’s silence, back then, and now they fail to see what reaction would please you the most.

really, such a worthless ability to love people with.)

no answer comes to him. so satoru doesn’t tease you, and he doesn’t pull away.

it does feel slightly wrong, though. like this feeling isn’t something he’s supposed to have, there must be some mistake, he can’t possibly be allowed to feel so loved — can he? having you bake him all his favorite treats, run your fingers through his hair. praise him for working hard.

really. isn’t he being too coddled?

(… but it feels so nice.)

satoru suspects that there’s a lot to love he might not fully understand, just yet.

maybe tomorrow, when he’s a little less tired, he can try once again to give you the impression that he’s perfect. that he doesn’t need affection, that he doesn’t crave your support or your touch. that he’s above all that, the strongest, someone for you to depend on.

depend on him, while he depends on no one. that’s the kind of existence satoru gojo is. that’s how it should be, that’s all he knows, but…

— ah. it feels really nice when your nails scratch his scalp like that.

and suddenly, that’s all satoru can think. no more pesky what-ifs, or second guessing every good thing he gets. right now, it’s just you and him. your fingers in his hair, his footprints in your life.

satoru allows himself to melt under your touch, almost meekly. leaning down just a little further, to make it easier for you to smooth your hand over his head. he nuzzles into your palm with a happy little exhale, and for some reason he feels sort of bashful.

try as he might, he doesn’t manage to successfully shoo the emotion away, so all he can do is hope you don’t take note of it.

and you just continue your onslaught of affection, now ruffling his hair with both your hands, like he’s a big puppy getting cooed over. satoru has a nagging suspicion that you might be getting a little carried away, but he doesn’t stop you. greedy, in the way he wishes your hands would never leave his hair. the way he hopes you’ll never be too far away from him to reach.

”such a hard worker,” you coo, and he feels himself grow flustered. ”my baby deserves so much love.”

”woah there,” satoru chokes out, grinning, desperately hoping you won’t notice the red tint to his ears. ”are you flirting with me? i have a partner, you know.”

a giggle slips from your lips, sleepy and amused. ”oh, do you?” one of your hands goes to cup his cheek, thumb caressing the edge of his jaw as you gaze at him fondly. ”lucky them.”

the grin you’re wearing is awfully bright. soft around the edges in a way that has him speechless, brain malfunctioning ever so slightly. satoru makes a mental note to scrap the sunflower idea — there has to be some brighter flower out there, one that can actually compete with your smile. sunflowers just won’t cut it.

but then you let go, and satoru gets broken out of his lovesick stupor.

when your hands leave his skin, his lips curl down into a soft pout. one he rushes to smooth away, before you can notice it.

you step back, failing to stifle a soft bout of laughter, but satoru knows it’s not because you saw it — he knows because your gaze is glued to his hair, and he internally winces when he thinks about how messy it must look, after your little bout of cuteness aggression.

(you really are weird, finding him cute of all things.)

he expects you to tease him a little more, but you don’t, turning away and tapping your fingers on the kitchen counter. ”if i’d known you’d be home this late,” you speak, stealing one last glance at the pastries before closing the fridge. ”then i would’ve waited until tomorrow. so you could eat them fresh.”

an apology rests on satoru’s tongue, but as if sensing it, you rush to reassure him.

”ah, but this is fine too! they should still taste good!” you turn away, muttering. ”… hopefully.”

then you nod to yourself, crossing your arms absentmindedly.

satoru looks at you for a second.

then he steps forward, unable to resist the temptation — tapping at your wrist with the pads of his fingers, before gently curling them around it, coaxing you into turning your head towards him.

the kiss he presses to your lips is soft, delicate. his fingers trace along your jaw, cupping your cheek and tilting your face up slightly, just letting his warm lips rest against yours. sweet and chaste. he sighs into the kiss, content, and feels your pulse pick up.

then he moves down to your jaw, slow and methodical — lazy kisses, sleepy but so full of affection. and little pecks, scattered all over your lips, your cheek, the tip of your nose.

you seem to melt a little, against him, and satoru relishes in it; his ability to make you relax. far more valuable than the six eyes, he would argue.

when he pulls away from you, with what takes tremendous self-restraint, he’s smiling. his gaze meets yours, layered over with pure adoration, blue eyes crinkling as he looks at you. as if you’re his entire world. the kitchen light embraces him, cascading down the contours of his face; the bridge of his nose, the curve of his jaw, his barely noticeable dimples.

and there it is, again — that flicker of love in your eyes, that adoration. as if you’re looking at a painting, something too beautiful for words.

(satoru hopes you can see that very same adoration, reflected in his eyes as he looks at you.)

after a moment, he leans forward, to rest his jaw on the curve of your shoulder. you stumble a little under the weight, caged in as his arms hug your midriff.

”god,” he sighs, breathless, heavy with giddy disbelief. almost whining when he continues, nuzzling into your neck as if to hide. ”why are you so perfect, huh? i don’t get it.”

at that, you huff out a laugh, an amused little breath. wrapping your arms around his neck and scratching softly at his nape. satoru shudders just a little, arms tightening around you.

”stealing my line…” you mutter, accusatory, smile laced over with a honeyed affection.

another amused breath, this time from him. this is one battle he won’t let you win. ”nah,” he grins, tugging you closer. ”’s mine.”

this is warm, he thinks. this feels right. complete, in a way that satoru never understood before you.

he could probably stand there forever, just basking in it. soaking up your body heat and the smell of your shampoo. until your warmth is all he knows, until he can never get your scent off his skin.

and satoru thinks that he could get used to this. a cotton candy sweet, light as a feather kind of love, one that smells like spring and tastes like strawberry shortcakes and feels like tight hugs shared in kitchens.

your love makes him feel so human. and it’s scary, terrifying even, but it's also too good to pass up. it’s worth the risk. so worth everything.

a yawn leaves your lips, suddenly. satoru feels you soften in his embrace, nuzzling closer to him, stumbling just a tad; he doesn’t think it’s fair, for such a simple gesture to make him as happy as it does.

”sleepy?” he coos, smile giddy and fond. ”let’s go to bed, okay? no more sleeping on the kitchen table, silly.”

a disgruntled little huff resounds throughout the air, as you let your arms fall to your sides. ”that’s on you,” you declare, poking the plush of his chest with your finger. ”i only fell asleep because you took so long.”

a teasing glint flickers in satoru’s eyes.

”wanted to see me that badly, huh?” he coos. you roll your eyes, and he pulls your cheek. ”that’s cute.”

”so what if i did?”

satoru stills. you’re smiling, a little mischievous, but mostly sincere. and it really is very unfair of you, he thinks — to do this to him while his guard is down.

but he manages to pull himself together, raising an amused eyebrow and booping your nose in a way that catches you off guard. blinking up at him, eyelashes fluttering.

satoru clears his throat. ”well, that’s sweet.”

then he turns on his heel, suddenly, and strolls over to the fridge. ”but you know what’s even sweeter?” he chirps, fingers curling around the handle as he swiftly pulls it open.

licking his lips, absentmindedly, his eyes trail over all the different pastries. so close yet so far, just out of reach; his fingers move forward, towards that mesmerizing slice of strawberry shortcake —

”— no.”

a hand settles on satoru’s waist, and tugs him away from his well-deserved prize. taking advantage of his momentary surprise, you close the fridge decisively, and give him an unimpressed raise of your eyebrow.

satoru whines, loud and grating. pouting sweetly, trying to make you feel bad. ”c’mon, just one bite —”

”no.”

”but they’re for me!”

”they’re for you to eat tomorrow. i was only gonna let you eat them tonight if you were on the brink of starvation, or something.”

”i am!”

”so the takeout was a lie?” you narrow your eyes at him, suddenly suspicious. ”have you been skipping meals, again?”

satoru pauses. weighing his options. ”well, no, but…”

”— then no.”

another soft whine. you turn away from him, when he tilts his head and gives you his best set of puppy dog eyes. in fear of giving in to them, satoru knows, as you have so many times before. ”please?” he tries, to no avail.

”you’re not eating sweets before bed, satoru,” you deadpan, and his smile falls further, exaggerated. ”and no, we are not having that conversation again.”

he can tell you’re trying to sound stern, but a giggle tumbles from your lips nonetheless, at the ridiculousness of the situation. keeping a grown man away from your fridge, knowing that he’ll wolf down every pastry he sees and get himself sick if you don’t. all while the man in question whines at you in protest, frowing so deeply, disappointment evident on his features.

(except satoru really isn’t very disappointed at all. like this, he gets to stare at your smile all he wants, after all; knowing you won’t notice it, too busy trying to keep yourself from giving in to his pleas.)

he tries again, one last time. just because he knows it’ll make you laugh. you do, a little exasperated, and satoru couldn’t be happier.

and he thinks to himself that if this is what love is, if this is what it’s supposed to feel like, then it can’t possibly be that much of a curse.

maybe he should revise the hypothesis, get a second opinion. he’ll have to ask you tomorrow, over pastries and coffee, and hear what you have to say.

as you both stumble to the bedroom, sleepy and a little delirious, satoru thinks that maybe this is enough; the lighthearted banter, the fond laughter. everything good and real and normal, within the space of your apartment, a home he never thought he’d have.

(and maybe, a second opinion isn’t necessary, after all. maybe it doesn’t really matter if love is a curse or not, as long as he gets to share it with you, like this.)

that night, satoru dreams. curled up with you beneath the blankets, limbs tangled together, as if he could never be close enough.

he dreams of kitchen lights, of sweet treats and warm hands. of spring breezes, and a love he’s finally beginning to accept for what it is:

good. wholly and thoroughly.

#lovesick satoru is my favorite satoru but yknow whats even better? lovesick satoru/lovesick reader #i just have such a firm belief that this man is a loser when hes genuinely in love ok.#hes so touch starved i think he’d crumble into a little puddle on the floor if u kissed his cheek #loves to tease and fluster you n hes so good at it but the moment u give him the same treatment? he is Gone. down for the count #spreading the loser satoru agenda <33 i love this man so dearly.#i NEED to hold his waist btw idk if i made that clear. i need it like i need air to breathe. like why is it so tiny if not to be held by me #had to hold myself back like a wolf during a full moon from describing his waist in too much detail youre welcome #overall idk what to say i just think love could fix him #gojo satoru x reader #gojo satoru x you #jujutsu kaisen x reader #jujutsu kaisen #gojo satoru #jjk x reader

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letmetellyouaboutmyfeels · 1 month

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why are people so against oliver and ryan talking about buddie, don't we want this, don't we want buddie to be canon? i'm sorry are we rooting for buck to end up with tommy or something, like I don't understand why so many people are saying stop asking them about buddie?

If we want Buddie then shouldn't we be asking buddie questions? I mean I'm so sorry but I'm just very confused, shouldn't we be happy that buddie is getting this much press and love? Why are we against it?

Okay, this is going to be a long one.

There are a few reasons why people are concerned about publications teasing Buddie happening and using the ship name and asking Oliver and Ryan about the ship. I'll try to be as concise as possible.

I would like to note, I'm not going to answer a bunch of questions about this. Other people have answered similar questions plenty of times, if you take a bit to look around 911blr. I'm sure @catdadeddie has gone into this a few times.

However, I understand that we are getting a lot of new fans this season, and so I want to try and explain comprehensively for those who haven't been around. I hope this covers everything.

Whenever a ship is between two people of the same gender as opposed to two people of the opposite gender (I know, I know, but we can't get into the gender spectrum right now just play along with me), everyone involved has to be very, very careful when it comes to talking about that ship ahead of said ship going canon.

It is very easy to slip into something called "queerbaiting." I'm assuming that you and most people online and in fandom by now have heard of this term but just in case: queerbaiting is when a show acts like a queer ship might happen in marketing and promotion in order to draw in a queer audience.

Historically, this was done by having a main character played by a woman have a romantic thing with another woman (flirting, even kissing!) who was a guest star, hinting at the main character's bisexuality/queerness, only for that guest star to never come back and for the show to act like it had never happened. This was done during something called, IIRC, "sweeps week" which was basically an important week for TV viewer ratings in the 90s. It was a way to boost your numbers by drawing in queer viewers with the promise of actual queer rep that then wasn't realized. It's a marketing tactic.

Nowadays the nature of queerbaiting has changed a bit. It's an overused term that frankly people love to (mis)use whenever a ship of theirs doesn't go canon and a show dares to do things like having two people (like say Ryan and Oliver) who play the two halves of the ship do an interview together (whether you ship Buddie or not, they are close friends, and it makes sense that they'd do a few interviews together - that is not queerbaiting). A good example of real queerbaiting is Rizzoli & Isles which, among other things, took out billboards and magazine spreads showing the characters (two women) in suggestively sexual and romantic positions and with slogans hinting that the two had more than just friendship together, then never, ever delivered on it and in fact laughed at the idea of the characters being gay for each other.

(I WAS THERE, GANDALF!!!)

Because of this unfortunate treatment of queer audiences and the (historic) dearth of actual queer characters and queer ships going canon (it's getting better but still), networks, showrunners, and so on have to be very careful when, say, they want to make a queer ship canon.

Look at how ABC handled Chenford, a popular ship in their show The Rookie. Chenford was not a planned ship - the fans adored the chemistry between the two characters (Lucy Chen and Tim Bradford), the writers liked the idea and decided to lean into it, ABC gave the go-ahead, and the ship officially got together and went canon last season. ABC heavily promoted Chenford and the ship and made a lot of jokes about it in the last couple of seasons leading into the ship going canon, using the ship heavily in their marketing.

ABC cannot necessarily do that with Buddie, because even if Buddie is going canon, until that happens, they could get accused of queerbaiting. There's a much bigger minefield to navigate because of this historic misuse of queer audiences and queer characters.

So whenever journalists and publications use a popular non-canonical queer ship name for clicks and fandom interest, if that ship doesn't immediately go canon or if the network/showrunner/etc doesn't say "yeah they're totally gonna kiss! with tongue!" people accuse the show of queerbaiting. This is unfair to the show for two reasons: one, the network is not going to bother sending "shut the fuck up" letters to every single damn publication out there for using a ship name in their headline and talking about a ship - they'll be accused of homophobia and it draws even MORE attention to the issue re: the Barbra Streisand effect (look it up); and two, the people involved in the show are NOT going to spoil the anticipation and surprise by admitting ANY ship is going to go canon before it does.

This is simple marketing - the movie trailer doesn't (or shouldn't, anyway) show you the ending of the movie or everything that happens in it. TV shows want you to tune in every week and speculate and guess. They're not gonna spoil a ship ahead of time.

This means that when journalists and articles pull this shit, they're putting the showrunner, the writers, the actors doing interviews, and the network in a bad situation that they can't really do anything about. Not without causing more mess.

So that's reason number one why a lot of us are annoyed: by yelling about Buddie, these articles and journalists are setting the cast and crew we love up to get yelled at for queerbaiting if Buddie doesn't immediately happen, and there's nothing the cast and crew can do about it, and it's all so the journalists and articles can use us, the fandom, for clicks. So we're also kinda getting used here, and it doesn't feel great.

The second reason we're annoyed about Buddie questions is that it's being asked of the actors who, nine times out of ten, have ZERO CONTROL OVER THE STORYLINES.

Now, there are exceptions. Jennifer Love Hewitt, who plays Maddie, has pushed back on a couple storylines that were given to her and has therefore had a strong hand in shaping Maddie's character. One infamous (in a positive way) example is that Maddie and Eddie were supposed to be an endgame couple. JLH, however, immediately loved the character of Chimney and clicked with Chim's actor Kenneth Choi, so she asked if Maddie could get with Chim instead, feeling he'd be a better fit for her character. And lo, both the beautiful ship Madney and the insanity that is Buddie shipping was born because Buck ended up stepping into that co-parenting-Chris role that Maddie obviously would've originally filled.

However, it should be noted that JLH was an established star before coming onto 9-1-1, and her husband is friends with Tim the showrunner. I would argue that the only other two actors who have any power on their storylines are Peter and Angela, the latter because she can do whatever she wants forever, and the former because (like Angela) he is an executive producer on the show.

It's not that actors never ever get to have a say ever, but the writers, showrunner, and network have much more power. They create the storylines, they make the decisions. Not actors. So when the actors are repeatedly asked about a ship, they're put in an awkward position where they might not even know the full storyline for their character that season and now they need to answer in a way that doesn't reveal any information they do know, but also doesn't insult shippers or dash their hopes. This is a double minefield for queer ships because, again: historic insults to queer fans and characters, nobody wants to be offensive.

The third reason is that this fandom has, historically, treated Tim, Oliver, and others like absolute dogshit over Buddie not going canon. Oliver's left Twitter and taken big social media breaks because of how he was yelled at online. It's not cool, guys. Vent all you want but directing it at the cast and crew isn't okay and maybe if it was just you talking sternly that would be fine (maybe) but when it's dozens of people? It's bullying. Full stop.

Every single time Buddie has not gone canon instantly, the actors and others have gotten verbally abused on social media. Every time the actors have been asked about Buddie and not said "ohmygod yes I want it to happen so bad" (they are not allowed to say this because it might create false hope because again: historical queerbaiting) they've gotten yelled at. We are tired of the actors getting yelled at over something over which they have no control.

The fourth reason is that Oliver, especially, has gotten asked about Buddie a LOT. A lot. The poor man is very tired. He's been cornered about Buddie and asked about it aggressively by certain journalists (one journalist, Max Gao, actually tried to corner Gavin who plays Chris over Buddie - this was a few years ago so Gavin was even younger than he is now and I personally think that is an incredibly unfairly loaded question to give to a child).

If I may dive into speculation for a moment, given how the actors have been SO gleeful about the move to ABC, the fact that they've admitted ABC is letting them do storylines and little moments that FOX wouldn't, and a few other things I won't get into here because this damn thing is long enough already... I suspect FOX would not let Buddie happen. If this is the case, then actors being asked about Buddie is even more loaded because they are being asked questions about it and they can't say "yeah we want to but the network won't let us." THEY WILL GET FIRED FOR THIS.

But, whether or not my speculation is true, the fact remains that when you are repeatedly, over and over, aggressively asked if this fan ship is going to happen or not, you get tired. There's only so many times that someone can give a diplomatic answer before you just want to snap "stop fucking asking me!" Journalists love to take advantage of fandom and social media chatter to get attention for their articles so asking over and over again about Buddie isn't because they genuinely care or think it'll happen, it's to get shippers reading their article, and so bombarding the actors and writers with this question when they've already kinda said their peace a lot about it is frustrating. Just! Leave them alone!

And AGAIN: if this was a M/F ship there could maybe be room for teasing the will-they-won't-they but because of historically bad treatment of queer characters and fans, THEY CANNOT DO THAT. So the only option open to them is to KEEP THEIR MOUTHS SHUT. And keeping one's mouth shut and threading that diplomatic needle for years is EXHAUSTING.

We do want Buddie to be canon, nonny, and in my opinion we are going to get it. All this recent PR supports that, (again: in my opinion).

However, we have seen Oliver get bombarded with what he thinks about Buddie until the cows come home, and he deserves a break. There's nothing new he can say, there's nothing new he's allowed to say. We have seen other parts of the fandom scream that we're being queerbaited because Buddie didn't instantly go canon, without any consideration for the fact that a) queerbaiting is a marketing tactic and b) there might be other factors at play preventing it going canon. We have seen journalists take advantage of us, the shippers, in order to get attention, and we have seen them create an awkward and embarrassing atmosphere in interviews by repeatedly asking about the ship. We have seen shippers make us look bad by hounding the cast and crew on social media about Buddie, treating every woman actress who plays a Buck/Eddie love interest like shit (yes, I know about Edy, but she could be a saint and parts of the fandom would still go onto Instagram to call her names), and generally being absolute pills that would tempt any showrunner, actor, or writer to say "y'know what fuck 'em let's not make Buddie canon I'm not rewarding this shitty behavior."

"If we want Buddie then shouldn't we be asking Buddie questions?" No. Not like journalists and fans have been. It's something to bring up - in my opinion - sparingly and with an awareness of how queer storylines and ships and fandom have been mocked, ignored, baited, and so on over the years. They don't ask about Buddie because they give a shit. They ask because they want our clicks for their ad revenue and they want our retweets and likes and comments. And it's certainly not something to bombard the actors with on social media and bitch at them if it doesn't happen. It just makes the rest of fandom look bad and makes us look like children.

Additionally: These are not new questions! They're not only asking these questions now that it looks like Buddie will go canon, with serious hope and consideration based on the marketing and storylines. They've been asking this since season fucking two, when Buddie was clearly not planned, just to get fangirl (gn) clicks. They wanted to get attention and teehee over how Oliver/Ryan/whoever reacted to people thinking Buck and Eddie should touch dicks. 'Kay?

We know the pattern. So when every piece of media is screaming BUDDIE!!! we are not seeing it as "OMG could we go canon?" We see it as another round of being taken advantage of for article attention, another round of parts of the fandom being bullies and yelling about being baited, and another round of the actors being backed into uncomfortable corners.

That's why we're concerned, worried, and annoyed.

*collapses* I hope this covered everything and explained it all.

#mads answers things #THIS IS SO LONG OH GOD #I wouldn't know concise if it smacked me in the face #making this rebloggable for now so people can spread the information if they find it helpful/informative #but the moment there is clowning (derogatory) I'm turning reblogs OFF I do NOT have the patience #I spent an hour working on this instead of the F&F AU so like not to sound aggressive but this BETTER have answered y'all's questions LOL

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emacrow · 1 day

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Babysitting duty calls, Klarion

It another world threatening battle for the justice league, young justice against the league of Villains and chaos children before most of the chaos children froze as if they sense something bad was approaching and immediately dipped out.. except klarion whom was fighting with raven who immediately froze up too late in front of the portal.

Only for a green portal to appear, as a worned out floating glowing green, but blue skinned teenage boy who turn into a man with red eyes, a clock staff in hand and a glowing white hair baby in a baby carrier.

Klarion is literally struggling like a feral cat who got wet in cold water against some invisible force speaking in some odd static like language before giving up after half a minute when the man spoke back with a short word.

The man now just shape-shifting into turn elderly just gave klarion the baby carrier before noticing how the heroes and villains have stop in mid battles looking at both klarion and him.

"All in soon time, but be warn Flashes whom break the laws of times will get their due if you keep messing with the past and future." Spoken the elderly now shape-shifted into a young boy before he turn back to klarion leaving him a note and glowing baby bag before floating back into the swirling green portal.

Klarion could only look at note with his eye twitching, Teekl meowing as she climb into the baby carrier purring around the glowing baby.

"Why do I keep getting babysitting duty, it so unfa-..." klarion grumbled as he pick up the baby carrier and bag teleporting away..

....

"What just happened?" Said Dick whom only one question would be put on hold til later in the watchtower of what just happen before the fight resuming with the young and original justice league winning since the league of Villains were distracted.

#dp x dc crossover #danny is the ghost king #danny phantom #dpxdc #dc x dp #dc x dp prompt #de aged danny #klarion the witch boy #klarion doesn't want babysitting duty after the last time #sadly he unable to avoid his fate in time #clockwork is a overworked tired papa who want a break from raising his de-aged balance of world godling who just got reborn after his death #he just want a break and a nap but he don't trust the observants for nothing after the supposedly last incident that will never come in time #the chaos children don't want babysitting duty again and avoid it like the plague #klarion is secretly a softie toward this lil being of balance but he has a reputation to hold that got shattered instantly #after Danny's death of old age then he become godling of balance of the infinite realms but he need to be raise to control his powers #whoms better to babysit the godling of balance then the chaos children who can have to cause chaos to keep the balance in check #chaos is keep balance in check while balance keep chaos from spreading depending on the luck #clockwork picks klarion as the best stable babysitter after viewing potential futures if he were to choose the other chaos children instead #clockwork is the big badass time god and the chaos children respect but mostly fear him #young justice #justice league

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adamsrcnan · 14 days

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“Will you help me?” he asked.

“Anything you need.”

“A blank check is a dangerous thing to offer.”

“Try me,” Jeremy said. “I can afford it.”

#a page spread for my boys <3 #this came out better than i expected and intended lmao #please excuse the pen smudges #haha anywayss 😅#jean moreau #jeremy knox #jerejean #the sunshine court spoilers #tsc spoilers #the sunshine court #tsc #all for the game #aftg

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theclockworkjudas · 8 months

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#proving a point #spread for better data #tumblr live

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reggies-fake-horcrux · 8 months

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hc that James was adopted and that's why effie and Monty like adopting kids and why James feels out of place. like he was a brown kid raised by white parents and constantly feels like he has to be perfect and impress them to feel like he's enough. not because effie and Monty ever did anything to pressure him, just cause he feels different than everyone else.

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somecunttookmyurl · 14 days

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ooh i have a question about betting odds actually because i never understood how you could have like 1:10 instead (bigger number on right) like. would that not mean you pay them money? why would anyone ever place a bet on odds like that?

great question! common source of confusion.

so with betting odds the first most important thing to remember is this: you always get your initial stake back if you win

the odds are then what you get back on top of that

if something is 10:1 that means for every £1 you bet, you will get £10 on top if it comes true. a £1 bet would therefore come back as £11 (your initial £1, + your £10 winnings)

if something is 1:10 then for every £10 you stake, you gain £1. so your hypothetical £1 stake comes back to you as £1.10. something 1:10 is so basically guaranteed to happen (there's a 90% chance it does, 10% chance it doesn't) that bookies aren't going to give you much of a prize for saying it will. similarly most people won't bother betting on it because getting an extra 10p simply isn't worth the effort it took to do it in the first place.

sometimes you get funky odds like 9:14 or 17:2 but they all work the same way. the left number is what money you get (on top of your initial stake) if you bet the number on the right. bet £14 and win? get an extra £9. bet £2 and win? get an extra £17

tldr odds 'the other way' don't mean you owe them money, it means your additional payout on top becomes fractional. 1:100 truly would not be worth it because you'd have to bet £100 to get a whole extra £1

#1:1 would be 'getting the amount you bet on top of your bet'#so £1 at 1:1 would come back to you as £2 #in this way it is possible to make a (small) profit on most outcomes by going to multiple bookies and betting the opposite way #as long as - in one direction - the payout would cover both bets with a lil profit #this is spread betting and some bookies will just let you do it directly but with worse odds so it's better to just do it manually #often not worth it though vis a vis the amount you'd profit after paying for both bets #my uncle was a bookie. he was also a conman and these facts are related

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thespookiestprincessofthemall · 2 months

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We have one day left before they addressed wether to pass the KOSA bill or not, you think this wouldn't be a problem but It is, they're going to violate the 1st amendment, not just to the children but to the adults as well, including but not limited to the people who are fighting for Palestines rights, and I don't mean we simply won't be able to fight for their rights, though thats bad enough, I mean we're going to be targeted by the government If this bill comes to fruition, If you actually care for us and the lives of the innocent PLEASE call your representatives and your senators, and PLEASE sign a petition against KOSA, I BEG OF YOU, PLEASE HELP US!

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