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linkspooky · 7 months

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BUFFY THE VAMPIRE SLAYER: "HALLOWEEN"

The next episode in my episode by episode analysis of Buffy the Vampire Slayer, showing how individual episodes fit into the themes of the seasons they're a part of and the series as a whole. This is the first of several Halloween episodes that use the holiday to take a deeper look into the fears of the characters, and the costumes they wear not just on Halloween but every day in their normal lives.

1. Janus

The central theme of the episode revolves around the roman god Janus. Giles helpfully explains for us here.

Giles: Janus. Roman mythical god. Willow: What does this mean? Giles: Primarily the division of self. Male and female, light and dark. Ethan: (appears) Chunky and creamy. Oh, no, sorry, that's peanut butter.

Janus is the god of beginnings, transitions, dualities, and oorways. He's a two-faced god as shown in the idol that Ethan Rayne uses to cast his spell. More specifically he is the god of doors, the gates of an ancient building in Rome are named after him. As the god of Doors, he represents the middle ground between concrete and abstract dualities. Male/ Female, Light/Dark and Chunky and Creamy. These things are traditionally thought to be two abstract categories but the closer you look at them the more fuzzy the boundary line between them becomes.

A Binary Opposition is a pair of related terms or concepts that are opposite in meaning, where two opposites are strictly defined against one another. Up is defined as being the opposite of down. These are considered to be strict categories that are mutually exclusive from one another.

However, these sets can be seen as complementary forces, rather than contradictory to one another. You can't understand one without understanding the other. An example is one cannot conceive of 'good' if we do not understand 'evil'. These pairs which are seen as distinct opposites are actually complementary pairs which are needed to define each other.

Dualism, is the key word of this episode every single character in this episode has two faces. They are representing two sides of themselves, one is the face they wear on their everyday lives, the other is their hidden side that they only have the confidence to show on Halloween. Which one is the mask, and which is the real face that's first asked this episode and repeated again later on in the series.

The basic premise of this episode is that on Halloween you have the confidence to dress in a way you wouldn't normally dress for the rest of your life. This quote from a completely different show the Venture Bros does a good job of explaining it.

Orpheus: This is a night of true magic. Halloween is the night we discover who we are. Are wepeople who make zombie armies? Are we those who condemn others, or are we beautiful children in resplendent costumes collecting candy? Are our choices in costumes provocative? Do we dress up as our ideal self? Or are we not ready to decide who we want to be? We use this one enchanted night to perform the greatest feat of magic there is. We become ourselves. Halloween is the true magic it is the night we discover who we really are.

For Buffy this means dressing like a normal girl, for Xander it's dressing up like a more traditionally masculine tough guy soldier, and for Willow it's dressing a little slutty (until she loses confidence to do that).

Not only does each costume choice inform us about the characters, the characters are physically flipped. As a result of the spell making the halloween costumes flesh, the characters insides become their outsides and their outsides become their insides. I'll be breaking them down character by character down blow.

2. Willow: The Ghost Girl

Willow's costume for the night is based on that old joke that girls dress up sluttier on Halloween because it's the one night of the year they're allowed to get away from it without being judged.

Buffy: What'd you get? Willow: A time-honored classic! (holds up a ghost costume) Buffy: Okay, Will, can I give you a little friendly advice? Willow: It's not spooky enough? Buffy: It's just... you're never gonna get noticed if you keep hiding. You're missing the whole point of Halloween. Willow: (smiles) Free candy? Buffy: It's come as you aren't night. The perfect chance for a girl to get sexy and wild with no repercussions. Willow: Oh, I don't get wild. Wild on me equals spaz. Buffy: Don't underestimate yourself. You've got it in you.

Buffy mentions that Willow is hiding, which is an interesting word to use here because you could say that shy, introverted Willow spends most of her life hiding from the spotlight. Just a few episodes ago Willow's choice of outfit to wear for the school dance in Inca Mummy Girl is emblematic of this behavior, on a night she can wear anything she chooses to wear a giant snow parka that hides most of her body. To a dance which she was hoping Xander would ask her to, and got jealous when he noticed another girl (the mummy girl) and asked her to the dance instead.

Willow is made up of these two contradictory desires. She wants to stay out of the spotlight, but she wants to be noticed as well. Unlike most of the pairs we're going to discuss in this post these two things are mutually exclusive. As Buffy points out "You're never going to get noticed if you keep hiding."

Male and female don't contradict each other, you can be both male and female because male and female are just made up categories that are more ambiguous than most people believe them to be. However, you can't get noticed if you're hiding yourself, because well you're hidden. It's a having your cake and eating it too sort of deal.

Perhaps reflecting how contradictory and complicated Willow's core desires are, she's the only one dressed up as two different costumes. She at first dresses in the more revealing costume Buffy suggests, but then hides it with a traditional white bedsheet ghost costume. Willow is dressed up as two different things because she wants to have it both ways. Giles even comments on the confusing nature of her costume.

Giles: (confused) A-and, uh, your, your costume? Willow: I'm a ghost! Giles: Yes. Um... w, uh, uh, uh, the ghost of what, exactly?

Willow wants to be noticed for who she is, and in general be the kind of self-confident person that Buffy seems to be so naturally, but she's constantly sabotaged by her fear of judgement. When people notice you they will judge you whether you want them to or not. It's not a coincidence that Willow dresses up in costumes again and again, in story. Wearing costumes / theatre / performance is a recurring motife for her, you see Willow's got a bad case of stage fright.

In the first episode where characters deal with their deepest fears, S1E10 Nightmares, Willow's nightmare is being forced to perform the opera Madame Butterfly on stage in front of everyone when she doesn't know the lines.

STAGE MANAGER: Man, I thought you weren't going to show. Aldo's beside himself. M. C.'S VOICE: Ladies and Gentlemen, we are proud to present two of the world's greatest singers… STAGE MANAGER: I hope you're warmed up. It's an ugly crowd. All the reviewers showed up. M.C.'S VOICE …all the way from Firenze, Italy, the one and only Aldo Gianfranco… The stage manager drags Willow to the curtain. She peers out to see: WILLOW'S POV - A RATHER LARGE AUDIENCE is waiting. Willow backs away from the curtain, starting to hyperventilate. M.C.'S VOICE… and all the way from Sunnydale, California, the world's finest soprano, Willow Rosenberg! WILLOW: But… I didn't learn the words…

As I said performance is a recurring motie for her character. The definition of a motif is a distinctive feature or dominant idea in an artistic or literary composition. Willow's character revolves around the idea of theatre and performnace it just keeps coming up with her, later on in the dream symbolism episode of Season 4 "Restless" Willow is once again forced to step up on stage when she doesn't know the lines. Her dream is once again showing up to the first day of drama class only to learn that everyone is putting on a production of Death of Salesman with a cowboy in it, and she doesn't know any of the lines. Giles also has this to say about acting and the word "hiding" is brought up again.

GILES: Acting is not about behaving, it's about hiding. The audience wants to find you, strip you naked, and eat you alive, so hide. GILES: Now, costumes, sets, um, the things that you, uh, you know, uh, you, um... you hold them, you touch them, uh, use them, um... HARMONY: Props? GILES: No. RILEY: Props? GILES: Yes! (Points at Riley) It's all about subterfuge. (To Harmony) That's very annoying. (To everyone) Now go on out there, lie like dogs, and have a wonderful time. Now, if we can stay in focus, keep our heads, and if Willow can stop stepping on everyone's cues, I know this'll be the best production of "Death of a Salesman".

Willow's dream also has this repeating line, said by many different characters.

BUFFY: (to Willow) Your costume is perfect. (Whispers) Nobody's gonna know the truth. You know, about you. WILLOW: (bemused) Costume? BUFFY: (pouting) You're already in character! Oh, I shoulda done that! [...] BUFFY: (straightens up) Play is long over. (Stares at Willow) Why are you still in costume? WILLOW: Okay, still having to explain wherein this is just my outfit. (Gesturing to her clothes) BUFFY: Willow, everybody already knows. Take it off.

People constantly refer to Willow as being "in costume" when she's just wearing her normal everyday clothes. Giles says that acting is just the art of lying and hiding who you are in front of everybody, and Willow's default behavior is to always hide in the shadows. Willow's everyday self is just as much of a costume as the costume she wears on Halloween.

You would be forgiven for thinking Willow is not as layered or interesting a character as Buffy until the midpoint of season 2 because she really doesn't get much focus in Season 1, with I Tarzan You Jane being the only real episode that centers around her. She doesn't seem to be anything other than the standard shy best friend / sidekick to the more self-confident main character girl. However that's yet another role Willow plays, because as someone who fears the spotlight, Willow has a tendency to hide in Buffy's shadow.

Willow is a shy introverted teen girl with low self-esteem who's basically only had one friend her entire life, until Buffy suddenly drops into her life in high school. Willow's life suddenly became "special" because Buffy was there and Buffy is special. She transforms from a geek with a few computer skills to a literal magic witch in later seasons. Buffy is the "chosen one" but Buffy chose Willow as her best friend in the first episode when she could have chosen Cordelia. Willow's compromise for wanting the spotlight for herself but being too afraid of it is to cling to Buffy instead, Willow isn't special but she becomes special by being Buffy's friends.

That's why this is the first episode where Willow starts to become her own character so to speak, because when Buffy is rendered useless by the spell into a typical damsel the role of leadership for the group falls onto Willow. When Willow is forced to take charge she's shown to be perfectly capable of doing so as long as Buffy's not around (she also stands up to Giles in Reptile Lizard Boy, and asserts herself more and more later on this season) so the problem isn't really that Willow's not capable of taking charge but she's not usually confident enough to. This is the first episode where Willow becomes the protagonist and Buffy the supporting character.

It's something that will happen again and again later on, Willow attempting to fill in Buffy's shoes. The season 3 opening she makes a pun and tries to stake a vampire the way Buffy does only to fail miserably. When Buffy is gone in season 6, Willow becomes the default head of the group. Willow is always in Buffy's shadow, but she's also shown to be perfectly capable of stepping out of that shadow on several occasions, it's just Willow herself who chooses to stay there.

Which really goes to show how deep Willow's fears and insecurities run. Willow is a hacker, she's smart enough to get into any college she wants, and yet Willow's opinion of herself is abysmally low, she's cripplingly afraid of what other people think of her.

Except on Halloween, the one special night you can choose to dress up like a slut and get away with it judgement free.

2. Buffy: The Normal Girl

While Willow gets to play the hero for the night, Buffy gets to be the damsel-in-distress being rescued by others instead of doing the rescuing. Buffy's desire to be a normal girl and how being the slayer keeps her from a normal life where all she has to worry about is which boy she's going to the dance with is a long running theme with her character, but there are some interesting themes with gender going on with Buffy and Xander's characters this episode.

The central "idea" of Buffy is that Buffy as a blonde high schooler would usually be the first victim in a horror movie, the girl running away from the slasher but instead she's the thing monsters run away from. Certain episodes play with this idea by changing her back to her more traditional role and show just how weird and out of character that is for Buffy. This episode she's practically helpless for the entire episode. There's an episode in season 3 where she loses her powers as the slayer, and spends the entire episode losing all confidence in herself because she lacks the strength to fight back against monsters and other men and is made to feel like a victim. In Season 5 there's "Superstar" where Jonathan makes himself the main character of Buffy by using magic to turn the world into his self-insert fanfic, and despite still being around Buffy acts more like a sidekick or "The chick" of the group despite the fact she's supposed to be the slayer.

Buffy is a girl in a main character role that's usually given to guys. It's a thing both the writers and audience are aware of. It shouldn't be weird that the chosen one is a girl, and yet because of the gender imbalance in fiction it sort of is. That's why characters sometimes ask questions like "How come there aren't any boy slayers?"

However, Buffy being a female character occupying a role usually reserved for main characters is also commented upon in universe by the males in her life. Xander's season 1 arc is him dealing with the fact that Buffy is not the love interest to his story and doesn't conform to his desires of her and accepting her as a friend. Xander gets a flash of that tendency of his rearing its ugly head again when Xander gets mad at Buffy for standing up to him when a jock was about to beat him up, because it'd apparently be better to be beaten up then saved by a girl.

Buffy always wants to be a normal girl, but I think it's important to see in this episode why she wants to dress like a princess from the 1800s this episode. It comes from two of the men in her life making her insecure about her femininity. Xander by complaining about a girl rescuing him, and Angel's lack of attention making her believe she needs to act more like the type of girl that he would be into. Buffy's not just trying to dress up as a normal girl this episode but the kind of girl that would be worthy of angel's attention. What she thinks he wants in a girl.

ANGEL: I don't get it Buffy. Why did you think I'd like you better dressed that way? BUFFY: I - I just wanted to be a real girl, for once. The kind of fancy girl you liked when you were my age.

While Angel says that he likes the kind of exciting girl Buffy is now far better, I think it says something about both Angel and Xander that the kind of girl Buffy thinks they want her to be is someone helpless.

XANDER: You're sure she came this way? ANGEL: No. CORDELIA: She'll be okay. ANGEL: BUFFY would be okay. Whoever she is now, she's helpless. Come on.

Which I think says a lot about Buffy that number one being who she is, disqualifies her from being a "real" girl. There's the fact that she naturally as the slayer sees herself as always existing outside of the crowds watching other people live their lives and protecting them while she can't live hers. However, on top of that she somehow associates the experience of being a "Real" girl with powerlessness and depending on someone else. That being more traditionally feminine somehow goes hand in hand with weakness. Girls are after all traditionally the victims in horror movies, and when Buffy is playing the role of hero she can't be a victim.

Which is you know a whole can of worms, but also effective foreshadowing for the second half of the season. Season 2 is so well-written because there are so many red flags for what is going to happen in the midway twist, and yet the characters drive straight past them. The foreshadowing in this episode being that "normal girl" or "princess Buffy" isn't just scared of vampires and everything that moves, she's also scared of Angel despite Cordelia's insistence he's one of the good guy vampires.

BUFFY: (Re: Angel) He's… he's a vampire! CORDELIA: (to Angel) She's got this thing where she thinks - ah, forget it. (humoring her) It's okay. Angel is… a good vampire. He'd never hurt you. BUFFY: He - really?

Cordelia saying Angel is a good vampire who'd never hurt her sounds awfully ominous knowing that Angel becomes the main antagonist of this season.

It's not a coincidence either that the traditional proper kind of girl that Buffy dresses up as looks almost exactly like Drusilla, even wearing a brown wig to match her hair color. Angel even says at the end of this episode that he hated the kind of girl that Buffy dressed up when he was a teenager, and then details to Buffy in the next episode his obsession with corrupting Drusilla's purity.

Buffy like Willow fails to reconcile these two opposing sides of her. She can't be a normal girl if she's the slayer. She can't be a real girl if she's strong enough to make the men in her life feel insecure. It's almost like being a girl is yet another costume, a performance you make in front of an audience and Buffy feels like she's doing that badly. Not only that but men are continually making her feel that way too, either by being completely emotionally unavailable like Angel, or by getting mad at her like Xander for refusing to conform to her expectations.

Ironically, the only man to show a clear preference for Buffy's normal self in the episode is Spike who films her and praises her at the beginning for her strength as a slayer. Then towards the end, when given the opportunity to kill her as the helpless damsel Spike spends way too long lingering on it instead of just snapping her neck, almost as if waiting for her to return to being her usual self.

ON SPIKE & BUFFY: As he looks around him to see that his MINIONS are all SCARED LITTLE TRICK-ORTREATERS (and two high school students). The realization sinks in - and he looks at his hand. It's still holding Buffy's wig, buther head isn't in it. He looks back at Buffy. She's smiling. BUFFY: Hi Honey. I'm home. And she LETS LOOSE on him. All the pent-up rage and frustration from her last defenseless hours comes pouring out. A series of BRUTAL KICKS and PUNCHES send him to the ground. She lifts him back to his feet BUFFY:You know what? It's good to be me.

As Spike is acting as both Buffy's mortal enemy and shadow self, his reluctance to kill her when she's not herself and respect for her real self goes hand in hand with Buffy's self-acceptance when she changes back. Buffy does like and accept her power, and feels confident in that fact, but often represses that side of herself because women aren't really supposed to be confident in themselves in that way. Buffy's desire to be strong and to accept her strength and make it hers is therefore repressed to please the other people in her life and so she can pass off as normal and that repressed aspect of herself manifests in Spike, her shadow self's admiration for that same power.

Spike is even the one who tears off her costume reverting her back to her real self.

The other men in the episode also learn to appreciate the real Buffy after spending the entire episode dealing with the annoying damsel version of her, but they have to learn that lesson where Spike is the only one praising her for her abilities from the start. Because Spike is the shadow self, he's Buffy's self reflection whereas Xander and Angel represent the judgement of other people on her.

One last thing I would like to say is that both sides of Buffy are real, both the normal girl and the slayer. I think there's something deeply sad about this episode that implies that there's a screaming girl inside of Buffy, who does feel scared and helpless in the face of the monsters in her life but she can never allow herself to feel that fear because she has to be strong. The scared little girl half of Buffy is just as real as the strong, self-confident pun-making slayer.

3. Xander: Soldier Guy

This is going to be the shortest section, because Xander, but I would like to note that as a character Xander works best when you realize he basically has no proper masculine role models in his life. His father is abusive, Giles makes it clear he doesn't like him, there's no one at home or school to demonstrate what a normal and healthy adult man acts like.

Teenage boys like Xander don't grow up in a vaccuum, and Xander acts the way he does towards Buffy not out of malice, but out of a deep seeded insecurity. Xander, like Willow is worried about what other people will think. It's better to be beaten up by a school jock then to be rescued by a girl not because he thinks Buffy should be weak, but because he thinks other people will think he is weak.

When Xander's not worrying about what other people think, he's shown to be perfectly fine with having mostly female friends and not dating any of them. Xander is almost as much of a victim of gendered expectations of the people around him as Buffy is. Xander is insecure about the fact that he's not performing the role of a man correctly, the same way that Buffy thinks she's not being a girl correctly.

If Willow is perfectly capable of being a leader and being self confident like Buffy is but usually hides in the shadow, Xander is perfectly capable of being brave. He doesn't need to be soldier guy or to carry a gun because he will jump right into danger alongside Buffy like it's no big deal. The only person who thinks it's a big deal is Xander, because he's suffering under the societal expectation that he needs to be physically strong.

It's like Xander thinks there is an imaginary checklist of things he needs to have to be a proper man and he feels insecure when he doesn't have them. He needs to date a girlfriend in high school. He needs to be the physically strongest. He has an incorrect expectation informed by the society around him. It's not weird that Buffy is the main character and hero, but people think it's weird because the main character usually would have been Xander. The normal high school boy in any other story would hvae turned out to be the chosen one and the girl he liked would have started like him back, but Buffy is not that story.

Xander doesn't need to be soldier boy because he's always someone who will fight by Bufy's die, but just like BUffy and Willow the only time he feels confident enough to dress up like Solider Boy is Halloween.

#btvs meta #buffy the vampire slayer #buffy the vampire slayer meta #xander harris #willow rosenberg #buffy summers #angel #buffy the vampire slayer halloween

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