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#but also because they’re idiots
off22theraces · 1 year
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saw guys
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rendevok · 1 year
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twitter fluff requests! 💞
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puppyeared · 1 year
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I just skimmed through the art part of your blog and holy bajeebus your LMK art is so beautiful and the headcanon ideas you come up with are so good I wanna steal em-
Kinda wanna see like a part 2 of the little angst you did between MK and Macaque a while ago. It's so interesting and I wanna see Macaque's reaction in your art style. (You don't have to of course, it's just a suggestion [idk if i spelled that right])
Thanks for reading and hope you have a good day/night!
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Hope this is to your liking ^^
Part one here
#I’m sure there are some character nuances im forgetting but well 🤷🏽#I want their misunderstanding or whatever they have going on between then come to a head. literally just going ‘wait what’#for me I think it’s entirely possible that there was an actual fight and maybe tension leading up to that point#cause I feel like macaque is not just bitter about thinking he died to wukong but maybe some stuff that built up to that#maybe the fight was just the breaking point. maybe they’re idiots who don’t talk about it because they think they’re on the same page idk#chipper-smol wrote a cool theory abt them using macaques ‘you’re nothing’ line in s4ep1. from what I understand it could be a direct parall#parallel to when he said that to MK right before MK regained his nerve and hit macaque in the eye.. since flying bark foreshadowed monkey mk#waaaay back in season 1 (where his shadow is his monkey form in the opening) i think that could be deliberate#and they could have gotten billy to voice an entirely different line for that scene. but they reused his line from s3#in a very specific scene with wukongs narrative foil. hm#that aside I would have liked to hear billy voice the ‘you abandoned me’ line that would have killed me. but that’s just me lol#also looking at this I should have shaded the last frame to make it look more dramatic and serious but I ran out of time :(#if anything I want to see MK try and help them get back together. poor kid tries so hard to understand people so I think it would be cool to#see that happen. that’s what I like about him.. he asked macaque why he was working for LBD instead of accusing him of dooming everyone bc#he wants to and he tried to comfort spider queen by admitting he was scared of LBD too 😭😭#my art#myart#Lego Monkie kid#lmk#Monkie kid#lmk spoilers#Lego Monkie kid spoilers#lmk macaque#six eared macaque#lmk sun wukong#lmk swk#lmk MK#lmk xiaotian#lmk season 4#Lego Monkie kid s4
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little-pondhead · 1 year
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Bruce was being watched. Again.
He didn’t know where it was coming from, and that was a problem at the moment. He was hosting another gala, intent on putting on the “Bruice Wayne” mask for the public. None of his children were attending, unfortunately, but everything was going okay so far.
Then he kept feeling a cool breeze on the back of his neck. His hairs stood on end, and he shivered randomly. Someone mentioned that he looked cold. But Bruce wasn’t cold. He was Batman! Batman is never bothered by something stupid like the temperature. It just felt like there were multiple pairs of eyes staring at him from all directions.
Bruce tried to catch whoever it was, but when he looked, there was no one there. He even made extra laps around the room, easily slipping between socialites and chatting his way through the crowd. He scanned the tables, checked the stairs, peeked outside, and even snuck at glance at the chandeliers for fuck’s sake! There was nothing. No cameras, no lingering eyes, nothing.
Bruce could feel his heartbeat quicken. There was something in the room. Something dangerous.
Eventually, the source of his anxiety came to him. The gala was small, being in the middle of the off-season for social events. It was a relatively quiet gathering. Still, Bruce flinched when someone tapped his shoulder from behind when he was making another waltz around the room. He turned, and was faced with a boy no older than 16, but no younger than 14. It was hard to tell his age. He wore an ill-fitted navy suit and scuffed dress shoes. His tie was no where to be seen, and the boy had a platter of finger foods balanced in one hand. He hadn’t heard anyone approach at all.
What made Bruce freeze, however, was the fact that the boy looked exactly like the portraits of the young Thomas Wayne that were hanging innocently in the Wayne family home. His crystal blue eyes seemed to glow in the overhead lights as they bore into Bruce. It felt like the boy could see his soul. The air was more chilled than it had been all night, and everything in Bruce’s mind was screaming DANGER!
“Y’know…” Bruce’s breath caught in his throat as the boy spoke. His midwestern accent was heavy, and the boy took a slow moment to polish off a baked feta bite before continuing. “You look like the kinda guy to have a secret basement. The bloody kind. Nice party, though!” With that, the boy disappeared back into the crowd, taking the cold air with him.
Bruce never got out a word.
———
Danny sees all the wandering souls and shades attached to Bruce Wayne, and comes to the obvious conclusion that the billionaire is a serial killer.
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obsessedwithstarwars · 2 months
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Danny makes jokes out of anyone finding out ghosts are real.
But only when it’s done through “accidental summonings”. In all fairness, if he hadn’t become a ghost at 14, he probably would have fuc-messed around with a ouija board too. So he can’t really blame them when the poor unfortunate souls happen to guess the correct phrase.
(And before you ask, it’s the ghostbusters theme song because of course it is.)
Instead of giving his victims summoners a heart attack, he decides to go for a more… Matrix approach. Incorporate a little humor into an otherwise terrifying experience.
Rather than a red pill and a blue pill though, he gives out a bright green glowing pill and piece of candy. He definitely gets annoyed more people don’t go for the candy. Just because it’s clearly the wrong answer doesn’t mean you should miss the opportunity for a delicious snack!
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thebookworm0001 · 1 year
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Highlights of Glass Onion
1-Daniel Craig’s terrible southern accent
2-Daniel Craig as Benoit Blanc playing Among Us in his bathtub again Angela Lansbury and Stephen Sondheim
3-“it’s so dumb”“It’s so dumb it’s brilliant”“No! It’s just dumb”
4-literally the whole movie is about how dumb Elon Musk is. Also Zuckerberg. And whoever the fuck the other billionaire is. But also definitely Elon Musk.
4-Benoit Blanc is so clearly gay in such a casual way I love it
5-Janelle Monáe
6-The very clear messaging of ‘you will never take down a person like this through the legal ways so just beat the shit out of them until something gives’
7- everyone is clearly having the time of their lives making this movie
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shepscapades · 4 months
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Hey! i’m really into the dbch story and i was wondering if doc and xisuma ever tell bdubs the specifics of why etho lost his memories, cause if they do that is prime self blaming angst for bdubs
I’m inclined to believe they don’t. Actually (and maybe I should do a small comic for this so more people see it) I imagine, once a month or a few pass and they finally return etho to bdubs as reset, I imagine they are VERY serious about warning bdubs not to try to force Etho to re-deviate— they don’t go into specifics, but they probably tell bdubs that whatever happened had to do with something that was emotionally overwhelming, and that forcing him to redeviate/not letting it happen naturally could trigger the same error. They have no idea what could happen so bdubs needs to be very careful and let Etho find himself again on his own.
Whether or not bdubs gets impatient or can only go so long before he doubts it would be that bad if he tried pushing Etho in the right direction is another story.
But yeah. I don’t think Xisuma or Doc really… tell anyone that this happened. Etho’s error seemed like a very specific one-off scenario, so it’s not something the other hermits should be trying to avoid or be careful about happening to their own android friends, and the only thing telling people would do is make them worried about the situation. All they need to know is that etho was broken and that they need to be careful with him. I don’t agree with their decision to keep what happened to themselves but I understand it I think. Xisuma “i don’t want to worry the hermits” Void and Docm “eh this isn’t the first time I’ve replaced this arm, people won’t question it” 77
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comradekatara · 1 day
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sokka, katara, and the paradox of “the gifted child”
something i’ve noticed is a tendency to (mis)characterize sokka as someone who is dismissed due to being a nonbender, when that’s only partially true. sokka is certainly dismissed by some for not being a bender (namely, by benders), but i think there’s a key difference between being dismissed and not being valued in one specific way. katara was valued by her tribe for being a waterbender for the very crucial reason that she was the last one left. had she been a dime a dozen in her tribe, which would have been the case were it not for the systemic extermination of her people, she would not be valued as highly for possessing this skill. that said, while sokka clearly does hold some resentment over his lack of bending ability, calling himself “the guy in the group who’s regular,” i think it’s folly to assume that this means that sokka was dismissed and discarded as “average” while katara was put on a pedestal for being special. because while katara obviously was considered special, sokka is also clearly considered special by his family, merely in different ways. and if anything, sokka embodies the archetypal struggle of the so-called "gifted child” far more than katara does.
while sokka clearly believes himself to be disposable and intrinsically worthless, i don’t think that he was actively neglected by his family. even if katara was clearly marked by her bending as embodying the last hope of their tribe, that doesn’t mean that she was seen as more gifted than he was or was designated as her family’s obvious favorite. for example, the way hakoda talks about sokka (saying he trusted him with leading and protecting the tribe when he was thirteen, calling him a genius, and other such insanely high praises to heap on a child) shows that he clearly views his son as particularly exceptional and has never been shy about showing that. sokka is distinctly insecure around his father for assumptions he makes regarding hakoda's faith in his abilities and his insecurities when it comes to his perceived failure in not measuring up as a man, but from the second we meet hakoda, it's evident that these insecurities are entirely internal and completely unfounded, at least in terms of his father's perception of him. hakoda is nothing but incredibly proud of sokka, constantly emphasizing just how capable and brilliant he believes him to be. whether or not sokka is capable of internalizing it is another story, but it's clear that hakoda is not stingy in his praise and affection, not even a little bit.
moreover, while katara is clearly kanna’s favorite on an emotional level, she nonetheless affords sokka far more respect. she admonishes katara and tells her to do her chores, and notably, she also impresses the importance of “listening to her brother,” and backs up sokka’s decision to banish aang from the village. you can claim that sexism plays a factor in how sokka views his own supposed position of authority, but kanna is a woman who traveled the entire globe as a teenager because she wanted to escape patriarchal impositions dictating her life. she’s simply far too smart to treat sokka as any sort of authority within their village if she did not fully entrust him with that responsibility. she treats sokka almost like a peer, as if she is legitimately co-running the village with a fifteen year old boy.
katara is only a couple years younger than sokka at most, but her dynamic with kanna is very different. on one hand, kanna clearly sees more of herself in katara, can identify with her sense of adventure and rebellious spirit, but on the other hand, it means that she views katara as a child to be taken care of, who needs to be reminded to do her chores and bailed out when she gets herself into trouble. sokka doesn't want to be viewed as a child, and so he does everything in his power to position himself as kanna's equal rather than her grandson. he takes his duties and responsibilities very seriously, and is obedient to a fault whenever he is submitting to any authority he actually respects, especially his father and grandmother. to be honest, a lot of what katara considers coddling is probably just sokka never being bossed around by their grandmother because she never actually has to tell him to do his chores. because despite katara's claim that he simply faffs about "playing soldier," sokka's problem is actually that he takes himself too seriously for her liking. and with the exception of kanna saying "be nice to your sister," which is the kind of teasing a parent says to their child, she clearly respects sokka's position in the village. when katara tries to run away with aang, kanna takes sokka's side and forbids her from acting impulsively, but when sokka is the one who packs supplies and plans to save aang, kanna gives them both her blessing.
katara is the only person who takes umbrage with the notion of sokka running the village and telling her what to do all day. and those frustrations have likely accumulated up from a lifetime of being told to “do as her brother says” and “why can’t she be smarter and more responsible and levelheaded blah blah blah.” she clearly thinks that she’s punching up when she yells at or mocks him, which may seem crazy to anyone who understands that sokka’s entire identity and existence revolves around being katara’s protector, but katara doesn’t actually know this. in her mind sokka is merely the perfect child who has always represented this impossible standard of “genius.” and what's more, he's absolutely insufferable about it.
and to be clear, this isn’t to say that katara herself isn’t highly intelligent, capable, competent, and skilled. she’s not only an incredibly talented waterbender, but also clever, quick, witty, creative, resourceful, practical, mature, and thoughtful in other ways. at one point, toph calls her a genius (“a stinky, sweaty genius”). and she is, indeed, an extremely powerful and innovative waterbender, both due to her hard work, but also because she is genuinely brilliant. that said, she’s smart in the realistic way that a kid is smart; she works hard to be good at what she cares about (and she has an existentially devastating reason to care about being a good waterbender, mind you), and she’s also good at thinking on the fly when she needs to. however, unlike sokka, or even toph, her intellect may be impressive, but it isn’t astonishing. sokka’s mind functions completely anomalously. i wouldn't say he's unrealistically intelligent, because i do know some people in real life who are similarly adept at processing all kinds of different information with the ability to deftly apply it near-immediately, but it is certainly abnormal, both for real world standards and within his universe.
i normally bristle at this term and its applications (for multiple reasons), but since it is explicitly stated multiple times across the show, it is important to acknowledge that sokka is referred to as a genius multiple times, including by his father. katara is referred to as being a genius by toph for using her own sweat to waterbend (which, as hama points out an episode later, isn't even that clever because you can literally bend water from the air around you); conversely, sokka is referred to as a genius for helping to invent hot air balloons and for figuring out multiple escape routes from the world's most secure prison in less than a day. we don't know the exact timeframe under which katara trained with pakku and earned the title of master, but she clearly worked incredibly hard to earn that title, not only as a master, but as the greatest waterbender in the entire world. i assume it was any time between a few weeks and a little over a month in which zhao would organize a fleet to arrive at the north pole, which is, of course, extremely impressive in itself and a testament to her passion and determination. however, on the other hand, piandao claims that sokka has basically mastered the sword and is ready to make his own within less than a day. it's important to remember that katara is also brilliant in her own way, and possesses great skills that sokka lacks: not only bending, but also midwifery, and an ability to locate her own emotions and allow herself to be vulnerable with others, two skills which should never be looked down upon for their association with womanhood and femininity, and are also particularly impressive considering just how young katara is. she is brilliant in her own right, and in any other family, katara would easily have been "the smart one." and yet, sokka is simply in a league of his own.
so, yeah, he can stand to get thrown around and yelled at; everyone her entire childhood just kept on impressing how special and perfect and brilliant he is, he can handle it. she has no idea that he is depressed, depersonalizes, loathes himself, and thinks he’ll never be good enough, because he never actually communicates any of that to her. the closest he ever comes is admitting that he’s jealous due to not having bending abilities, and even that shocks katara, even though it’s such a small and obvious admission in the scheme of things. she has no idea what’s going on with him psychologically, how he views himself in relation to others, and specifically in relation to her, so she kind of just assumes he’s entitled because surely he must know how special he is and thus feels owed accolades by the world at every turn. he deserves to be humbled, and she is in fact righteous for humbling him.
when she makes fun of him for being stupid or miserable or paranoid or cynical, she thinks she’s owning him the way a righteous underdog fights against an oppressor. it's similar to how zuko wants to "put azula in her place." in katara and zuko's minds, they are both the valiant underdog siblings who had to fight and struggle against the siblings for whom everything came so easily. and in katara’s mind especially, she is always punching up, and she always has a moral justification in lashing out at anyone she pleases. so she couldn’t fathom that the reason sokka puts up with her antagonism without complaint isn’t because he’s so above her that he can simply ignore her taunts and gibes without a care (if that were the case, he wouldn't bother to taunt and gibe in return), but rather that he feels so detached from his own personhood that he would never think to actually explain his feelings to the person whom he has defined himself through since childhood. and if he did ever, somehow, communicate that to her, she’d have to reevaluate their whole entire lives and dynamic. but he never will communicate that to her, so she’ll never actually have to do that.
moreover, even though katara often does tease sokka and cast doubt upon his competence and abilities in low-stakes situations constantly, whenever they are actually facing a real problem that requires an immediate solution, katara seems to forget that sokka is supposedly an unhelpful, lazy, immature idiot because she immediately turns to him to fix all their issues. and then once that issue is resolved, katara goes back to finding his existence bothersome. sokka, on the other hand, falls into this role of problem solver instinctually, with the one exception that when they actually name him as the idea guy, he jokingly complains that it’s a lot of pressure to be one who is always expected to come up with solutions. and while he is joking during that conversation in “the drill,” he’s being honest to an extent, because his perfectionism and fear of failure is truly dire.
when katara is faced with failure, whether as the consequences for her own actions or otherwise, she simply gets back up and tries again. she can’t be knocked down, she can’t be deterred from achieving her goals. she has a very healthy approach to making mistakes, and while she doesn’t always learn from them in the longterm, she does always try her best to fix them and amend the situation as immediately as possible. katara is someone who is incredibly resilient and is constantly demonstrating the sheer magnitude of her inner strength, especially in particularly difficult moments. she has the ability to fail as many times as it takes without letting that failure affect her own self-esteem or desire to keep striving for what she believes in.
sokka, on the other hand, is very physically resilient (he gets beat up a lot), but his emotional resilience is actually quite pathetic. he has no tools for coping with failure. from even the slightest mistake, like not actually being able to open the doors at the fire temple with his makeshift explosives, to a catastrophic one, like his failed invasion, sokka immediately retreats inward. in “the boiling rock,” sokka demonstrates how his first ever real failure that rests squarely on his own shoulders is so devastating to him that he becomes totally irrational and suicidal in an attempt to “rectify” the situation. he does not know how to cope with failure, because he expects himself to be perfect at all times. and it’s not because sokka is overly proud, but rather that his guilt complex is so profound that he blames himself for every single thing that goes awry at all times, even when it isn’t actually his fault whatsoever. so that guilt and shame is magnified a thousand fold when sokka is actually culpable for those losses.
one of many ways in which it is evident that sokka is the older sibling is that he clearly lives with the mentality that if katara messes up or gets herself in danger due to her own impulsive inclinations, it’s always actually sokka’s fault for not being a better, more attentive brother. when she sets off the booby trap in the banned ship, sokka banishes aang from the village so as to protect katara from herself. when katara experiences the consequences of heedlessly blowing up a factory, sokka gets mad at her for her recklessness, but also immediately finds a way to help her fix this situation, because that’s his job, and in fact, his primary purpose on this earth. this is a dynamic sokka has probably internalized even before he was assigned the role of her sworn protector, because that’s just how being the eldest is.
sokka’s tendency to take responsibility for everyone else’s mistakes and his desire to shoulder everyone else’s pain at all times, coupled with his implicit belief that he, uniquely, cannot afford to mess up ever (if other people make mistakes it’s fine and he can help them fix it, but if he makes mistakes he no longer has a purpose on this planet, goodbye cruel world), definitely indicates that he was held to an incredibly high standard all his life. he expects himself to be able to handle a lot of responsibility with perfect ease because he always has. he isn’t used to making mistakes of any kind. if he puts his mind into learning a new skill, he always masters it within a couple of days, whatever that skill happens to be. unlike katara, sokka is used to things coming easily to him, and what he isn’t used to is failure.
katara and sokka are both exceptional, of course, but in very different ways, and for very different reasons. katara grew up with a lot of external pressure to excel as a waterbender, because she needs to embody her cultural legacy and prove that her mother’s sacrifice was not in vain. it’s an unfathomable burden to place on a child, and the rate at which she improves her waterbending once she is actually given the resources to hone her skills is a testament to her perseverance and untiring dedication. katara becomes the greatest waterbender in the world not because she is a natural prodigy (which is something she bristles at when aang does display prodigious skill), but because she is incredibly determined and no one can outmatch the strength of her heart and unshakable commitment when she is pursuing a goal. as pakku even says, raw talent isn’t everything, and katara’s abilities prove that despite not being “naturally gifted,” hard work and determination is far more important when it comes to excelling in any given domain.
however, if katara’s motivation to be excellent is externally imposed by the tragic circumstances of her life, sokka’s motivations are, at the very least, internally maintained. as aforementioned, i have no doubt that he received a lot of external validation and praise from the adults in his life as a child with a dazzling, brilliant mind. as has been established, sokka is constantly displaying an ability to synthesize new information at a staggering rate, which likely means that before katara had even discovered her ability to waterbend, sokka was probably being fawned over for the impressive rate at which he was picking up new skills as a baby. since pretty much everything (cerebral, at least) comes easily to sokka, i can only imagine that hakoda, who never hesitates to express to his children how proud he is of them, would constantly affirm sokka’s intellect. and by boasting that sokka takes after himself (hakoda also refers to himself as a genius, completely sincerely), he unwittingly plants the first seeds in fostering sokka’s belief that he must be exactly like his father in every way, and that any deviation from hakoda’s image would prove him unworthy. but he will never be the spitting image of hakoda the way that katara is "the spitting image of kanna" because sokka is already the spitting image of kya, if not – perish the thought – his own person entirely.
unlike katara, who spent her whole childhood trying to waterbend by herself with little success (beyond, of course, isolated instances demonstrating her sheer raw power when her bending was being influenced by her incredibly strong and passionate emotions), sokka always felt like he could handle the amount of responsibility he was given, because everything came easily to him. until the day that his life changed forever, and suddenly the stakes were no longer abstract, but tangible and personally devastating. sokka had never learned that it was okay to fail as a child because he never had a reason to, and then suddenly, he could not afford to fail under any circumstances. failure of any kind went from being a (purely hypothetical) blow to the ego, to being something that could directly endanger the lives of his loved ones. and so sokka decides that the only way to not be culpable for his potential failures is to be a martyr.
of course, there are instances in which sokka is proven to be inept, such as on kyoshi island or with piandao, wherein his humility and open-mindedness are put on display and sokka puts aside his own standards of perfection to learn from a master, but i don't think these instances qualify as failures. for one thing, sokka happens to master the forms he is being taught in less than a day, at an unprecedented rate, and thus these initially humiliating blindspots in his knowledge become victories as sokka absorbs new knowledge. sokka is always eager to learn, and willing to acknowledge his lack of expertise in area, humbling himself to learn from others any chance he gets. no, what i mean by "failure" as it relates to sokka's self-perception and ego is not a lack of knowledge, but an inability to protect another. to sokka, his existence is defined by his ability to provide and protect, and thus, a failure is, specifically, when someone gets hurt under his watch. that is what it means to not be able to afford to fail. he is not overly proud (if anything he is overly insecure), but he also understands that the stakes of failure – real failure – are tangible.
so when it comes to failure that carries grave consequences, he would rather be dead than fallible (or, responsible for not adequately protecting his loved ones), one million times over. and so every time someone makes a sacrifice for him, he feels as if he has failed on a fundamental level, because simply being exceptional is not enough, he must also bear the entire world’s suffering alone – as (in his mind) hakoda instructed him to when he left him behind to protect and provide for the village. otherwise he has failed in his promise to be needed, which is his raison d’être. sokka’s complex is very obviously not informed solely by his upbringing as a “gifted kid,” and in fact largely informed by the dehumanizing logic of war as it necessitates sacrifice, but his inability to accept his own fallibility as a product of his self-dehumanization is, at the very least, compounded by his debilitating perfectionism.
thus, katara and sokka's dynamic within their family isn’t “gifted kid and neglected kid,” but rather “two gifted kids who are gifted in different ways, one of those ways being valued more on a cultural level due to its scarcity as a byproduct of genocide.” while katara was put on a pedestal her entire life due to her ability to waterbend, it doesn’t mean that sokka wasn’t put on a pedestal in other ways. if anything, the reason hakoda entrusted a child with the burdens he did was specifically because he put his son on a pedestal. sokka assumes that hakoda didn't think he was capable enough to join his army, but that couldn't be further from the truth. hakoda trusted his thirteen year old son so much that he genuinely thought it best to leave him alone with this duty to defend his village and protect katara at all costs. he didn't leave a single man behind, not even the other teenage boys, because that's how much faith he had in a child to take his responsibilities seriously and perform them competently. and if that decision gave sokka one million different complexes and fucked him up for life, it wasn’t because he wasn’t valued for his abilities, it’s because he was overvalued and given too much responsibility at too young an age.
both he and katara struggled to live up to the expectations placed on them, forced to fulfill the roles of their parents instead of being allowed to exist as children. but crucially, katara sees the injustice in that, and clings to her childhood even as she strives for greatness, and sokka simply doesn't. he's long accepted that injustice, and in fact feels guilty that he cannot better live up to the impossible portrait of an idolized father, an idealized masculinity, an illusory model of the infallible, unshakeable warrior. despite all his achievements and natural giftedness, he nonetheless feels totally inadequate, deeply flawed, and ontologically worthless. perhaps, in a world beyond the pressures of war and its dehumanizing logic, sokka would have internalized the praise he was constantly receiving his whole life for his gifts. but since he was only ever a prodigy in ways that didn’t matter (within that colonized paradigm), he doesn’t actually care about how clever and brilliant and creative and talented and unique and special he is, because that would first require him to see himself as fully human, and he can’t even do that.
#analysis#sokka#katara#katara&sokka#hakoda#kanna#kya#hakoda&sokka#kanna&sokka#kya&sokka#kanna&katara#whew...! 20+ paragraphs about sokka and katara’s childhood. it’s more likely than u think (highly likely at all times)#see but this is why sokka is so clearly a mirror to azula to me#like not just in terms of crippling perfectionism and devastating fear of failure and being a child prodigy who is put on a pedestal#but simultaneously dehumanized etc etc#but also the fact that like. zuko treats her the same way katara treats sokka#he clearly thinks his immediate hostility and aggression towards her is like. him nobly fighting the battle against his tormentor#when that is literally his little sister and she is struggling so much and desperate for support from LITERALLY ANYONE#katara and zuko are like ‘let’s put azula in her place’ and high five#and that’s just so fucking apt because they truly do believe that it’s their duty to put their perfect prodigy siblings ‘in their place’#but those are truly two of the most miserable people on the planet#so to any outside observers it’s just like………. why are you being mean to them they’re literally suicidal and shaking like a leaf#but also everyone already knows that azula is the prodigious gifted sibling bc zuko says it like one million times#so there’s rly no need to argue that#whereas katara loves calling sokka an idiot so i do believe that some clarification is in order#but like. yeah there’s no way sokka was dismissed or neglected as a child#he’s dismissed and neglected by the world at large#but within his tribe he’s like a mini celebrity . he’s their young sheldon (sorry)#anyway im running out of room to write tags but um. perfectionism is a disease get well soon xoxo bye
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lawchan89 · 2 months
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“Well yeah, of course it’s not going to be as good as the original show!”
Then why?
Why does this thing exist?
Why does it need to exist in the first place?
This “defense” is not the flex you think it is
If you can’t remake it better
Why remake it at all?
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bidisastersanji · 6 months
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Someone please write a Mr. Brightside ZoSan fic please listen
listen
It started out with a kiss- they’ve been skirting around each other for so long and one day they finally snap, coming together for a hungry, desperate kiss in the galley after a particularly close battle, the adrenalin still pumping in their veins, the desperation overriding all their fears and all the thousands of reasons they’ve built up as to why this is bad, this is a bad idea but oh it feels so good, so right and they never want this to stop
How did it end up like this? As was to be expected the haze doesn’t last, the next day they’ve already fallen back into their normal routine of bickering and fighting, and it’s like nothing ever happened. Zoro surmises that it meant nothing to the cook after all. It’s all been one sided for so long, he shouldn’t even have been hanging on to that last sliver of hope at this point, how absolutely stupid of him to think Sanji would want him, it was only a kiss, it was only a kiss.
Now I’m falling asleep and she’s calling a cab while he’s having a smoke and she’s taking a drag Now they’re going to bed and my stomach is sick and it’s all in my head but she’s touching his chest now, he takes off her dress now - they’re at a party and Zoro has been drowning his sorrow in sake, but is snapped out of his sleepy drunkenness when he notices an inebriated, distractingly smoking Sanji and a young woman chatting in the corner, the woman obviously flirting with the perverted cook and his blood boils, he can’t tear his eyes away as they discreetly tuck themselves into a corner and she’s touching him, dragging him away by his hands to somewhere more private and he can’t stop his mind from imagining what they’re about to do- can practically hear the rustling of clothes as they’re being hastily removed, the little noises the cook would make, whines from the back of his throat, and his stomach feels sick, and it’s all in his head …
Let me go, I just can’t look, it’s killing me and taking control- Zoro’s anger has turned cold, he knows if he gripped just a little tighter his glass would shatter, and it’s taking so much effort not to let this take him over, to just be the demon that people think he is, and lose control. This was the last, bloody nail in the coffin he’s built around his heart and he doesn’t want to be here, doesn’t want to keep feeling this way, wants to purge himself of this weakness, this childish jealousy, of the twisted images of the cook and that woman swimming in his head
Destiny, open up my eager eyes - Zoro’s body is so tense, barely held together from sheer willpower and he’s thankful for the party’s boisterousness because he’s sure someone would’ve noticed the pulse of bloodlust he accidentally let slip earlier. Years of training kick in as he deepens his breathing, looking for other things to occupy his thoughts, distractions, something to lull him into a meditative state, anything to dissociate from the pain drowning his chest. That’s when he hears it.
“Zoro?”
He looks up, surprised he didn’t even notice someone walking up to him, and his eye meets blue. Breathtaking, beautiful blue, looking at him with all the concern and tenderness in the world. The tension melts off him like snow on a bright summer day. Traitorously he feels that eager, stupid sliver of hope bloom in his chest again. He never learns.
“Cook.” The word comes out rougher than he meant to. He clears his throat. “What are you doing here?”
His curly brow raises. “I’m celebrating,”
A beat.
“You’re not with that woman?” fuck. He can’t turn back now.
“-woman? Oh. Didn’t know you cared so much, silly marimo. What, you’re jealous or something?” Sanji jokes.
And Zoro is tired. So, so tired.
“Yeah. I am.”
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perpetualcynicism · 10 months
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a character dynamic idea for lyney and the reader:
the reader is a very logical, sceptical person who doesn’t believe in ‘magic’, and you’re always trying to figure out how lyney and lynette do their magic tricks—whether it’s a mirror trick, or to do with distractions, or fake extra cards, all the such; and the thing is, you’re really, really good at working out how the tricks work. you’re also unimpressed by the fact that somebody can get an actual job as a magician—or, a ‘fancy professional liar’, as you call it—so maybe you also write articles for the steambird in which you ‘debunk’ these spectacles.
so, feeling disappointed and frankly a little pissed that this random stranger is stealing all his thunder and revealing the secrets behind his tricks, lyney tries making his acts harder and harder to decipher in an attempt to stump you and get you to concede and admit that magic is impressive, does require skill, and above all, he wants to convince you that it’s real. (of course, it isn’t, but he’s practically itching for you to have no other choice but consider the option.)
however, you’re not so willing to back down, and keep meeting his challenges head-on. as this rivalry progresses, you begrudgingly find yourself admiring lyney’s skill and charisma (even if his tricks are all fake), and he finds himself increasingly impressed by your reasoning and ability to see through the deception he’s so used to effortlessly fooling people with. in fact, at some point, he realises that he’s—gods forbid—fallen for you (bet you didn’t see that one coming)… and maybe, just maybe, you have for him, too. the only problem is that you both have too much pride to admit it… whatever shall happen?
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Me when my comfort-blorpos are actually just middle aged sad losers 😔😔😔
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dapperenby13 · 3 months
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My legend of Zelda brainrot has now become Linked universe brainrot, which is great because now link gets to have a hug.
They’re all also so so stupid and it’s great
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cometrose · 9 months
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sometimes i don’t like family hcs cause i think the relationship between the two characters is a little more fucked up that and i don’t think you’re giving it enough credit
“look they’re just like father and son!” and then i look and it’s two immortals with a messed up master servant dynamic where they would do anything for each other and slowly trying to overcome a relationship dynamic that is 1000s of years in the making
#LISTEN#xiao would do anything for zhongli and they both know this but zhongli would never ask him too and they both know THIS!#also i saw a post critizing zhongli for how he treated xiao like with the whole karma thing but that’s not his child#why are you mad at zhongli for being a bad dad to xiao when he’s not his father???#or i see posts where it’s implied zhongli pushed or forced xiao into fighting for him#but that’s not true either??#zhongli never forced xiao to do anything xiao does all of this because of his dedication to morax#zhongli let xiao suffer? WHEN??? WHERE#i’m not saying he’s perfect but damn did he fucking try#or that xiao states the yaksha’s were proud people who regardless of how their stories ended never wanted pity#newsflash idiot it was war they all fucking suffered look at all the adepti and you can still see they’re still fucked up a bit#anyway whatever i guess#zhongli#xiao#genshin impact#woman yells at wall more at 8#i think looking at their relationship through a familial lens undermines all my favorite things about their relationship#like their wonky power imbalance and loyalty issues#or scara and nahida like people try to make her his new mom and i don’t like it lol#i think them as two oddballs in life becoming close companions and associates feels much better than making nahida his mom#people nowadays only know romantic or familial dynamics and often ignore a secret third thing which is literally every other type of bond#i don’t even hate the hc i just hate when you criticize or analyze these characters WITH A HEADCANON
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soup-scope · 1 year
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Vincent and lovely are literally so obsessed with each other
I bet whenever lovely gets a bruise or a scrape, Vincent gives them little kisses while using healing magic to heal their lil scrapes even though lovely got vampire healing now
Vincent rests his head atop of lovely’s whenever they’re standing near each other
When they sleep they ALWAYS have to be touching SOME part of each other
I lobe them
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Everyone thinking Andrew’s nails are always painted black but in fact most of the time they’re a shade of gray because that’s Neil’s favorite color
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