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#disabled characters showdown
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Guess what: We’re back on our shit
Welcome to the Disabled Characters Showdown Part 2
General Information:
Who can be entered:
Anyone can be entered that is disabled. This includes physically disabled characters, neurodivergent characters, and characters with mental health things like anxiety or depression. This is pretty much limited to canon confirmed characters (We’ll get more into that in a bit). Everyone that was in the prior round here and pretty much everyone from @gay-disabled-characters-showdown are free game but not guaranteed in unless they are submitted.
Who can not be entered:
Real people
Harry Potter
OCs
The usual suspects (We will make a post that will be updated as we go with other banned media)
Toph Beifong from Avatar: The Last Airbender and Toothless and Hiccup from How To Train Your Dragon. This is due to them being the finalists in our first round.
Complete list here.
What counts as canon confirmed:
Best: stated in canon
Other options: word of god confirmed, or heavily coded, they just aren’t gonna have a specific label due to setting.
What doesn’t count as canon confirmed (especially for things like PTSD): they should have a lot of trauma, but there is literally no acknowledgement of anything that could be construed as such.
If you are not sure a character qualifies please send us an ask.
Some notes on timing:
We have to write image descriptions for all the characters, which means to get the showdown set up it takes us a kind of ridiculously long time. This means when the showdown gets started is likely to change. Additionally, please don’t have any crises until the showdown ends on August 26. Unless you send us a message we won’t be able to respond until then. Any asks that we get by that time will be responded to, and then we will disappear off the face of the earth until like the 1st or 2nd of September.
Submissions:
Characters can be submitted in the google form linked. If you are not comfortable using a google form you can also shoot us an ask. You can submit as many characters as you like, but please do not spam the same character. The amount of submissions will not help their chances of getting into the showdown. We are aiming to have this as large as possible. When will submissions close? Who knows, certainly not us.
Please do not assume your character has been submitted just because they are from a popular media, they probably haven’t been.
Disclaimers under the cut.
1.) Please tell us if we are using the wrong terminology or are doing something offensive, we are trying our best but are also only human.
2.) This showdown will be as big as we can get it probably, however, we reserve the right to not include characters at our discretion.
3.) We will block without warning, please be civil when interacting with the content.
4.) If you have an issue with one of the characters feel free to send us an ask and we’ll figure out what to do from there. That being said this isn’t really about who is the best representation.
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ROUND 2, SEVENTH SHOWDOWN
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Welcome to the LGBTQ+ Disabled Characters Showdown!
General Information:
Who can be entered:
Anyone can be entered that is LGBTQ+ and disabled. This includes physically disabled characters, neurodivergent characters and characters with mental health things like anxiety or depression for example. However, this is not limited to solely just canon confirmed characters. In order to be considered for this showdown there are a couple different ways this can happen, preferably though there is at least a solid canon basis. More about that here.
Who can not be entered:
Real people
Harry Potter
Attack on Titan
South Park
Live action sitcoms set in the real world (Not all are excluded, it depends which ones)
OCs
Find out if your character could still be submitted here along with other details regarding character qualifications.
Multiple characters from the same media can be submitted and be in the showdown.
What needs to be in the submission:
Who the character is
What they are from
Why they qualify
Propaganda
Submissions:
Characters can be submitted in the google form linked. If you are not comfortable using a google form you can also shoot us an ask. You can submit as many characters as you like, but please do not spam the same character. This will not help their chances of getting in, in fact it might disqualify them from the showdown. If you’re not sure a character counts, feel free to shoot us an ask. Submissions will be open until at least August 1, but this is subject to change. Additionally, don’t assume your character has been submitted, they probably haven’t even if they are from a popular media.
Disclaimers will be under the cut.
Disclaimers:
1.) Please tell us if we are using the wrong terminology or are doing something offensive, we are trying our best but are also only human.
2.) This showdown will probably be as big as we can logically get it, however we reserve the right to not include characters at our discretion.
3.) We will block without warning, please be civil when interacting with the content.
4.) If you have an issue with one of the characters feel free to send us an ask and we’ll figure out what to do from there. That being said this isn’t really about who is the best representation.
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disabilityshowdown · 1 year
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itsradiogoblin · 1 year
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TAIMI FOR @disabilityshowdown !!!!!!!1!1!1!!1!!!
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tournamentdirectory · 8 months
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They're disabled and in comics!!!@disabled-comic-showdown finds the best character with a disability in all comicdom!
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web-novel-polls · 17 days
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Hi, @/gay-disabled-characters-showdown has a bunch of danmei characters in their polls rn!
Thanks! I reblogged all the web novel characters (and Chu Sangwoo lol) just now under the tag #lgbtq+ disabled characters showdown (Waves 1-3). I've been excited for this tourney for a while, so I'm so happy it started!!!
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the-polls · 3 months
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For my fellow lovers of pushing buttons. I just wanted to have a post to shout out different poll blogs that I can link to and add to. If you want me to add your blog or shout one out, let me know.
EDIT: I've reached the tag limit and realized there is a link limit so I have a carrd I'm using as a poll directory so continue to let me know of poll blogs!
General Polls
● incognitopolls ● apolladay ● anonymous-polling ● anon-polls-for-you ● justcuriouspolls ● oddpolls ● swarm-of-polls-in-a-trench-coat ● thisthat-ortheother ● yesornopolls ● parttimepolls ● reblogforsamplesize ● whatcha-thinkin ● i-reblog-every-poll-i-see
NSFW (18+) Polls
● spicypolls
Poll Adjacent
● poll-stats ● seeresultssweep
Identity Specific Polls
● aspecpolls - Aspec
Fandom Polls ● pollsnatural - Supernatural ● tmapolls - The Magnus Archives ● onepiece-polls - One Piece ● anon-scp-polls - SCP ● middleearth-polls
● @wouldtheybecomeafearavatar - (TMA) Assigning characters to The Fears
"Do you know..." or "Have you seen/played/etc" Polls
● @haveyouseenthismovie-poll - Movies ● @haveyouseenthisqueerfilm - Queer Films ● @haveyouseenthis90smovie - 90s Movies ● @haveyouseenthishorrormovie - Horror Movies ● @haveyouseenthisromcom - RomComs ● @haveyouheardthissong-poll - Songs ● @doyouknowthischaracter - Characters ● @haveyouheardthispodcast - Podcasts ● @doyouknowthisanime - Anime ● @do-you-know-this-youtuber - YouTubers ● @haveyoureadthisbook-poll - Books ● @haveyoureadthistransbook - Trans Books ● @haveyoureadthispoem-poll - Poems ● @haveyouplayedthisgame - Video Games ● @haveyouplayedthisirlgame-poll - IRL Games ● @doyouknowthistmntau - TMNT AUs ● @doyouknowthisdisabledcharacter - Disabled Characters ● @areyouthisidentity-polls - Gender/Sexuality ● @haveyouplayedthisttrpg - Tabletop Role-playing Games
Tournaments ● @whoishotteranimepolls ● @chuunibyou-showdown ● @hotvintagepoll ● @vgtrackbracket ● @mlmshipbracket ● @spicymalepolls (18+) ● @which-is-the-very-best ● smashorpassgilf
Other ● @which-item-poll ● @rate-a-spam-bot ● @daily-oc-polls
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Sword gays showdown, round 3, bracket three
Propaganda:
For Ballister:
he could tell when his sword was switched out for a fake, graduated top of his class so we know he's a good fighter, also the scene where he's fighting is hot because he's so confident with a sword in his hand, also he's gay
A canonically gay, disabled, South Asian man takes down the government with his genderqueer shapeshifter sidekick/adopted daughter! He has a swordfight with his ex-boyfriend! in which he defeats about 20 knights singlehandedly! 
top of his knight class this man is a master swordsman
(Movie) He has used a sword since he broke into the Institutes training ground and ended up becoming a knight
He has very divorced vibes with Ambrosius and he uses a sword.
He's a legit knight! So, it's in the fine print.
According to the Nimona movie, Ballister here has been practicing the art of sword fighting since childhood to earn the trust of the city and he was SO CLOSE to becoming a knight. He's also definitely not dating another one of his knight mates (?). Nope. Not at all. This movie is super straight /s I think he also beats an entire army of knights with nothing but his sword and a chaotic good shapshifter so that's pretty cool. He's also south Asian, has a prosthetic arm he made himself and is honestly such a goofy guy (in a good way ofc) if that's anything.
For Amaya:
Badass super strong disabled lesbian general who can and will take you out. Doesn't need a sword to punch you into next week, but will use one anyway.
She’s married to another sword gay and she’s also disabled so I love her very much 
First deaf character I saw in any cartoon, she's very badass and protects her kingdom's border, later falls in love with an elf warrior princess she once fought. In the new season, they're planning their wedding while trying to navigate political tensions between the elf society and humans. Some of the elves aren't super into the idea of a human marrying one of them, which isn't for homophobic reasons but still (I believe) meant to mirror real world conservatives (really liked a scene with Janai's brother telling Amaya she's fine as a girlfriend for Janai but actually *marrying* her is too controversial and political. Whoever wrote this did a really good job).
She’s currently engaged to another lady, she uses a sword, is a general badass.
General Amaya is a standard sword lesbian with a cool shield and some funny "lines" example: "This bread is...." *bashes bread on table with no damage to the bread* "Weapons grade"
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luna-rainbow · 7 months
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CATWS and its building of stakes
Part of the reason why CATWS was so memorable in its appeal was the way it built the stakes throughout the story. Each of the major characters had something(s) at stake by the final act, and that was pivotal for the plot to sustain its tension and for the satisfaction in its final payoff.
The overarching conflict was the global, existential threat of Hydra getting their mass murder machine up in the air, and the ideological question of what the middle ground between freedom and security should be. But what made the final act so moving was the intimately personal stakes for many of our characters.
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There was, obviously, the very personal stake Steve had to surmount in having to physically get through Bucky in order to protect the freedom he was advocating for. But apart from Steve, every other major character was challenged with a personal sacrifice in the final showdown. Nat was faced with having all her covers blown and her past - that she had tried so hard to hide - revealed to the world. Sam was confronted with going back into the field after losing his partner so traumatically that he changed careers. Fury was grappling with dismantling the organisation that he had devoted his life to build. And on the other side, Pierce and Rumlow had invested decades of their lives in an ideology which if successful would install them at the top of the food chain.
There was a great meta from years back talking about how well the movie established the competencies of the characters before introducing threats -- and how we were then able to quickly understand the threat because of how competent we have seen our protagonists be. Every action sequence served a purpose and built upon the previous one.
The Lumerian Star sequence was fantastic in how effectively it established the competence of not just Steve and Nat, but the entire Strike team. Rumlow and Rollins were good at their job; they're not super soldiers or super spies, sure, but they were skilled enough to keep pace with Steve and Nat.
This was an important foreword for the elevator fight, which itself was a pre-requisite for the Causeway fight. We have seen both Steve and the Strike team capable of taking down multiple pirates swiftly, so when the elevator fight started, there was a genuine sense of threat to Steve, even if he would make a quick job of disabling them. Then, after seeing Steve's skills against a very capable Strike team, it became all the more terrifying when the Winter Soldier almost nailed him to a van about 2 minutes into their fight.
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On the other side, the Winter Soldier's introduction was an assemblage of horror story tropes -- of unexpected manifestations and impossible disappearances, and urban myths stretching back through half a century. The two characters used to introduce him were extremely competent from what we had seen of them. There's Fury, normally prescient and wily, scraping by a very determined assassination attempt, only to be stopped by the Winter Soldier materialising in the middle of the road...which he escaped, only to be later shot through the wall. There's Nat, normally cunning and cautious, telling Steve of how the Winter Soldier successfully ambushed her, of how his kills spanned 50 years, a logical improbability.
Not only was Steve about to meet the Winter Soldier with the weight of these legends behind him, from the vantage point of Hydra, they were sending out the Asset to meet Captain America with his historical legends behind him (oh look, another narrative parallel). All of this build-up culminated in the Causeway fight. The technical impressiveness of the stunts aside, part of why that fight worked so well was because we have had all these story beats that showed us how capable Steve and the Winter Soldier were, then we see them both genuinely struggle to overcome the other.
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We can't talk about the final fight without talking about the emotional stakes, and we can't talk about the emotional stakes without discussing what Bucky means to Steve. We already had the "not without you" and the "I'm following the little guy from Brooklyn"; we've also had the "I don't want to kill anyone" turn into "I'm not going to stop until all of Hydra is dead" and the "I'm just a kid from Brooklyn" callback. This movie added the "even when I had nothing I had Bucky" and the "I knew him" and the "he will (know me)" and of course the "end of the line" exchanges.
But there were also more subtle cues -- that came from Steve's frequent rebuff of Nat's suggestions for companionship, the string of betrayals Steve had to grapple with, and Steve's lamentations of guilt and regret and uncertainty. Steve could not deny that he was lonely, but he had 101 excuses for why he could not make new connections. Steve did not know what he's looking for or why he's fighting or how long he wanted to continue, until he found out what was behind SHIELD and, specifically, what Hydra had done with Bucky.
Even removing the shipping angle, the final showdown between Steve and Bucky was unique in superhero movies, even for a friend-turned-enemy battle. It was not like the fight between Tony Stark and Obadiah Stane, or Peter Parker and Harry Osborne, or even Thor and Loki or Charles and Erik -- because there was no ideological divide between Steve and Bucky. Bucky did not and could not believe in the cause he's fighting for - he simply did not have that capacity for choice. The ideological battle was carried by the other characters - between Fury and Nat vs Pierce, between Sam vs Rumlow, and between the rest of SHIELD vs Hydra.
For Steve, his fight was much purer, dearer, and more heart-rending. The final battle held such emotional significance, not just because he's fighting his best friend, but also because his best friend was an unwilling participant in the circumstances. Bucky was Steve's physical equal, but he's also Steve's shared life experience, his tragically failed mission, his unfulfilled childhood promise, his betrayed faith in SHIELD, and the price that was paid for Hydra to grow under SHIELD's nose. This fight offered closure for all of these narrative and emotional threads.
He was also, once again, Hydra's asking price in exchange for the freedom Steve wanted for the world...and Steve so desperately wanted, this time, for that world to include Bucky.
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Disabled Characters Showdown Results
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Congratulations to Toph Beifong from Avatar: The Last Airbender for winning this showdown!
Second Place was Toothless and Hiccup from How To Train Your Dragon
Fourth Place was Kaz Brekker from the Grishaverse
Fifth place was Amaya from The Dragon Prince
Did you like this showdown? You can also find us over @gay-disabled-characters-showdown which is still accepting submissions. We are also in the accepting submissions for the second round of this showdown here.
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BRACKET 3, ROUND 1, THIRD SHOWDOWN
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Characters Confirmed to be in the Showdown
This is most characters that have 2 or more submissions already. This will probably be updated frequently. Please feel free to still submit propaganda for these characters if you want. Additionally, the amount of submissions will probably not influence if the character gets in at this point, although that may change.
Ones with 5+ Submissions (You can probably stop entering propaganda for these ones)
Ballister Boldheart from Nimona with 8
General Amaya from the Dragon Prince with 6
Heart from Moonlight Chicken with 6
Harrowhawk Nonagesimus from The Locked Tomb series with 5
Suletta Mercury from Mobile Suit Gundam: The Witch from Mercury with 5
Quinni Gallagher-Jones from Heartbreak High with 5
Ones with 3-4 submissions
Wylan Van Eck from Six of Crows with 4
Yang Xiao Long from RWBY with 4
Melanie King from The Magnus Archives with 4
Renarin Kholin from The Stormlight Achive with 3
Tougou Mimori from Yuuki Yuuna is a Hero with 3
Korra from Avatar: Legend of Korra with 3
Norma Khan from Dead End: Paranormal Park with 3
Loam Arnault from Entropic Float with 3
Adam Parrish from The Raven Cycle with 3
Ones with 2 submissions
Julian Bashir from Star Trek: Deep Space Nine
Eda Clawthorne from The Owl House
Luz Noceda from The Owl House
Ty Blackthorn from The Shadowhunter Chronicles
Snake from Zero Escape
Sun Spider from various Spider-Man content
Wu Zeitan from Iron Widow
Ashton Greymoore from Critical Role
Kanatsune Ame from Entropic Float
Viktor from Arcane
Ianthe Tridentarius from The Locked Tomb
Ones with 1 submission right now (but we like them so they are definitely in the showdown)
Kaz Brekker from Six of Crows
Rose Lavillant from Miraculous Ladybug
Alex Claremont-Diaz from Red, White & Royal Blue
Neil Josten from All for the Game
Robin Buckley from Stranger Things
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disabilityshowdown · 1 year
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[IDs: Taimi is a light skinned asura (a dwarf-like species with large bat ears) with short brown hair and gold eyes. She is dressed in a black and green cybernetic suit. Eli Vance is a black man with a grey beard, wearing a yellow coat, green suit, and black beanie.]
Disabilities: Taimi has a degenerative disease causing chronic pain and limited mobility, Eli is an amputee with a leg prosthetic
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rubberduckyrye · 2 days
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Okay in all seriousness. There's something that I REALLY want to talk about as an open discussion with the fandom, but. This is not going to be a very nice thing to hear/talk about.
It's about how Gonta is treated by the fandom.
As a fan of all the V3 characters now, and as someone who has always been a fan of Gonta, and as someone who has many mental disabilities and two diagnosed neurodivergancies... I'm tired of playing nice about it.
You all need to stop being ableist towards Gonta.
I've mentioned in the past that I don't like shitting on personal interpretations. I don't like saying something is or is not canon because narration is just a big web of text that you try to decipher with your own personal biases, experiences, and thoughts. That's why two literary analysts analyzing the same text with the same literary criticism rules can come to wildly different conclusions--why people develop different headcanons from the same canonical information.
But one of the things that challenged my integrity is just how many people view Gonta as this innocent, naive, ignorant, baby boy who can do no harm/never has a complicated/dirty/violent/sexual thought in his life ever.
This incredibly ableist interpretation of the character bothered me for, well, obvious reasons (See: It's fucking ableist, need I say more?) but I never challenged it as harshly as I am now because to be frank, it's not my place to tell people how to HC a character. It still isn't. But I've pretty much given up on my integrity on the subject and have decided to go all in on discussing why this interpretation of Gonta is just. Really bad.
First of all, not to promote my own analyses here or anything, but I think this analysis I did of Gonta explains a LOT in regards to the ableism the cast gives him in canon. I also think that this subtle ableism is why the fandom is so bad with Gonta's characterization in headcanons and fanfic--because they've seen how the cast treats him, and they think it's normal. They don't see the microaggressions, they don't see the subtle ableism in the cast--they just see this big giant idiot who speaks like Tarzan in the English version (which... I don't actually know why people assume Tarzan (Thinking of Disney's version) is stupid. Like as a boy he had to reinvent the spear with no one to guide him on how to do it. He was able to strategize and outsmart "civilized" men in the final showdown. Still I digress) and don't see the literal genius behind his social awkwardness.
There is also another very important point I'm going to make in addition to this, and it's going to be very uncomfortable to Gonta fans who insist he's nothing but a sweet baby who only has pure thoughts. Especially to the fans who insist he "can't be sexual" or think it's weird to ship him with his peers.
Sorry to burst your bubble, but... Gonta blatantly has sexual desire and gets horny right in canon.
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This is further clarified here:
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It wasn't a matter of Gonta didn't want to touch her because touching someone in their underwear was inappropriate, or being flustered because she was in her underwear which is inappropriate...
It was literally a "weird feeling" that made him unable to approach her or touch her. A "weird feeling" that Miu makes pretty obvious as to what it was--sexual arousal.
He literally was sexually attracted to and felt sexual arousal from looking at Miu in her underwear. He had sexual feelings and thoughts about Miu. Why?
Because Gonta is a young man.
Gonta is a brilliant, talented young man who has normal human thoughts for someone his age--sexual desires, upsetting thoughts, complicated thoughts, ectect. He is not a child, he is not mentally stunted (I've been informed that people have literally said this on Ao3 for the NSFW Gonta fics, please for the love of god stop that)
I think the reason why Gonta fans typically want to keep him as a "pure baby child who can do no wrong" is because treating him like the young adult that he is makes it harder for them to justify Chapter 4. Every time I've seen a Gonta fan that hates Kokichi, it's always followed by the sentiment of "Kokichi manipulated and abused Gonta into killing Miu, so it's all Kokichi's fault." They're afraid of nuance and liking a character with the grey morality of genuinely thinking Mercy Killing the cast is a viable option, because it challenges their own morals about the character they adore.
To those people who read this and are upset: You can and should like Gonta! Gonta is a magnificent character who showcases the subtle way microaggressions can manifest and hurt people, he's a good-hearted person and a literal genius, he cares deeply for his friends and loves everyone with upmost sincerity.
But.
You need to re-evaluate your stance on Gonta if you think he's a stupid, naive fool who Kokichi manipulated. You need to re-evaluate why you think those thoughts, why you think Gonta being shipped with anyone is "Kinda weird" or "has weird consent problems" or "give you the ick." You have to challenge yourself and ask yourself uncomfortable questions in regards to why you treat Gonta like a child when canon has proven otherwise, why you think he cannot have violent or sexual thoughts, why he can't think mercy killing his class is the only way to save them.
This isn't an attack on you--but understand that these specific takes on Gonta? They are ableist in nature. They belittle and dismiss him, they treat him like a child, an idiot who can't think for himself--and you have to come to terms with the fact that Gonta is a far more complex character with complicated thoughts and feelings who is a young adult. Not a child. A young adult.
So again, ask yourself this: Why are you treating this young adult like he's a toddler?
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It looks like the rewind Theory might be coming true
There are many variations of that theory, but yes.
Honestly, it is badly needed in the story if what Horikoshi is aiming for is an ending where the kids and the villains survive.
Introducing a character that can undone damage is always insurance for the author. You have to be careful to not overuse it to the point it loses its impact. If no one ever dies and everyone keeps on resurrecting, the predictability becomes boring.
The good thing is that bnha doesn't overuse Eri. They don't use it to rewind the damage done to the characters when they lose an extremity, for example. It didn't work on Nighteye. They didn't try to use it on All Might—and if they did, I can't remember when it happened.
The point is that I liked that Horikoshi left Eri's quirk to the end of the manga. That way he could make the characters give their 100% without it meaning sure death. It scares the readers, like it should, it creates tension. Knowing that Eri's quirk might not work is another good decision. Even if she shows up after the big showdown, the public doesn't know who is going to survive.
Now, when I say there are many variations...
I'm against the version of it where the villains are turned into kids. Where is the fun of it, uh?
It erases the complexity of each character and all they fought for. What was the point of fighting so much if you're gonna erase what happened? If there's no consequences, no accountability? Any story should grow from the risks of the actions taken. We want to know there's something to be lost, that's where the adrenaline comes from. That's the entertaining part!
The version that completely heals their wounds is also kinda... bland. I'm a fan of bnha because the story doesn't solve most disabilities with magic.
If a pro-hero loses a leg or an eye, they'd have to learn to fight with the cards they were dealt with. Like I said before, those wounds tell a story of the risks they took. Aizawa cut his leg to survive and see another day with Eri and his students. Mirko lost most of her limbs giving her absolute all!!!!
It's the same for villains. It moves you, the way those villains would sacrifice themselves for their goals. Compress' lost arm tells the story of how they lost Magne. Giran lost his fingers when he refused to sell the League, so their absence is the evidence of his loyalty.
I want irreversibility. I want permanece. I want to see the growth that comes with accepting what we do in our lives and how we have to keep going.
My favorite version is the one that heals enough for the person to survive, but not much more. It is not going to take you to step one, it can't erase all you did and all that was done to you.
A second chance, but you have to make it from where you were left. No shortcuts, no easy way out. Either you commit to it or you're over.
I don't want to see Touya without his burns. That is boring! I don't want squeaky clean Touya, all perfect and smooth skinned and whatever. That is not him. He's the boy who burned in the flames of his passion, right or wrong. He's the boy who is supposed to be dead, but survived because he was a stubborn bastard.
The story can lessen them, of course. At this point Touya is more scrap put together by metal than anything else. He cannot possibly survive like that, so he needs to be healed enough to live. The burns can even lessen with time, fading as Touya heals, but I want the memory to last. I don't care if he forgives Enji, I want him to be forced to look at the burns every day knowing how they're there.
Another example?
Tomura's scars tell a story. You cannot resurrect his family, so don't go erasing the scar in his eye or in his lip. Don't go erasing the evidence of his struggle.
To be fair, Tomura has changed a lot since his first appearance. I remember him with yellow teeth, all skinny to the bone. It shows that no one cared for him. Well, maybe enough to keep him breathing, but there was no delicacy involved. It's funny to think how he got better and better the more time he spent far from AFO. That and the surgery he had to undergo...
Which is a wonderful terrible concept. It's about the cleansing, how AFO was preparing Tomura's body to be his. Body modifications to assert ownership, that's a horror favorite. The idea of being "cured" to the point you can't recognize your own body. You know what I mean.
I'm glad that when rewind was used on Mirio, it cost him something. He lost his quirk for a while and he had to make an effort to go back to who he was. I'd say that the nature of the story helped him bounce and that's a chance we didn't see his struggle a bit more.
Anyway, that's my opinion on the matter. I hope it'll be a variation I like and not something that's gonna leave me sweating cold every time I dare to remember it.
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