How far did you get? (Patreon)
666 notes
·
View notes
The fact that Main-verse Ooo is as good and as kind as it is (relative to the other universes shown so far, at least, it's obviously not perfect) all because of the same character that starts off as the OG series' antagonist, the person we were made to see as the bad guy (albeit an often ineffectual one) for several seasons, is making me lose my mind.
Imagine finding out the guy you spent your childhood beating up and saving princesses from is in fact a driving catalyst behind you being able to exist, and not only exist but also live in a world that knows what kindness is. All because that man, the same man who you've witnessed do terrible things, once met a little girl and taught her how to be good.
Simon's story really shows us that even if you lose your way and forget how it is to be good yourself, the world keeps the memory for you. That act of love Simon showed Marcy by protecting her and seeing her as more than the monster she thought herself to be created ripples upon ripples, small at first but eventually enough to help give their wreckage of a world—a world that easily could have been forsaken, its goodness overlooked because of its inhospitable remains—a chance to grow into something beautiful. Because of those very same ripples Simon created, the people of Ooo grew up in a world where they know enough about kindness that they were able and willing to spare the 'bad guy' some, to see beyond the wreckage and allow him to grow too.
In saving Marceline, Simon helped to not only to save the world, but also himself.
466 notes
·
View notes
Gaz, just existing : :)
Y/N : You are too good for this world
Gaz : :)
Y/N : But that’s okay
Y/N : I’ll be the asshole for the both of us
197 notes
·
View notes
AU where after Glamrock Bonnie’s decommission/after he goes missing, Glamrock Freddy and the rest of the remaining animatronics end up being reprogrammed—or, basically, having their memories messed with.
The only change to the rest of the animatronics is that they don’t remember anything about Glamrock Bonnie. They’d know about Bonnie Bowl and small things like that—but have no idea that they all had a Bonnie.
As for Glamrock Bonnie himself, they end up having something wrong with the memories, too. Although it’s not because he was reprogrammed or anything—it’s because of the damage/the state they are in.
And with them, whether it’s a “Cassie finds them during Ruin and helps, then leaves with him” type of situation, or something different (like Gregory staying and finding him), Glam. Bon would eventually see Glam. Fred again.
Though, there’s that problem: Reprogramming for Glam Fred to literally not know who the bunny is, and Glam Bon having all of that damage.
But, despite that, both of them feel like there’s something—even just the tiniest bit—familiar about the other.
Long story short: Glam. Bon goes, the others are reprogrammed and forget them—Glam Bon’s damage causes him to forget. The two reunite, but have no idea who the other is.
150 notes
·
View notes
@mcyt-aro-week day 3: solidarity / hobbies
It's a quiet day in Pixandria, all things considered, which is nice and rare these days. That is, until Pix hears the telltale sounds of rockets and someone skidding to a halt in the sand outside his storage room.
Pix closes the chest he was rummaging through with a sigh and walks outside to figure out which of his friends has appeared on his metaphorical front lawn. As he pokes his head out the door, he catches a flash of bright green- Jimmy, then, so this will probably be a relatively normal conversation, all things considered.
"Jimmy, hey, what's up?"
Jimmy turns around, frowning, and pulls his codboy hat lower than it's supposed to go so it covers his eyes- bad day, then.
Jimmy sighs, "Pix, can I talk to you about something?"
"Sure, sure, come on in," Pix ushers the man into the top area of the storage room and leans against one of the walls. "What's going on?"
Jimmy buries is head in his hands even further somehow and groans for a second before he starts talking. Very bad day, then.
"Well, I just left Rivendell cause Scott invited me to some sort of alliance meeting, except it wasn't really an alliance meeting, it was a date, and it was really clearly a date cause he had this tunnel of love thing going on and a picnic and it was really nice but I don't- I wasn't prepared and I don't know if I even like him- or anyone- like that but I didn't know how to tell him that in the middle of a date, so I pretended that I didn't know it was one, except it was so obviously a date so now he either thinks I'm even more of an idiot than he already did or that I was, I don't know, playing hard to get or something? I don't know how people think about these things, I just-"
Jimmy, who had been pacing and gesturing wildly the whole time he spoke, stops short, digs his palms into his eyes, and shouts a bit before stopping and looking up at Pix desperately.
"Help?"
Pix nods slowly. "Yeah, ok, that's... that's bad. So, first things first, the thing about not being sure if you like him, or anyone like that?"
Jimmy takes a deep breath and shakes out his hands a bit. "Yeah, I don't know, I think I've had like, one crush ever? And I don't even really know if that was a crush? And I like Scott, I do, even though he's kind of a jerk sometimes, but I don't think it's like that? I'm not sure."
"Ok, well, do you want to be in a relationship with Scott?"
Jimmy pauses, visibly considering. "I... have no idea."
"Ok, so, first step is, despite what you might think, not figuring that part out, because that's going to take forever. First step is getting on the same page with Scott.”
“Does it have to be? Can’t I just figure out what my deal is and then everything is fine forever?”
Pix chuckles. “If only it were that easy.”
“It’s just-!” Jimmy walks over to where Pix is leaning and joins him for about two seconds before sliding down the wall to sit on the floor. “I don’t know. I don’t know how any of this is supposed to feel, I don’t know how I’m meant to know if I like someone like that or not if I want to be in a relationship with them or what and I don’t know how everyone seems to have it so figured out!”
“I mean, I don’t think everyone else does, to be totally honest. But even if they do, well, it probably felt a lot more like… something for them.” Pix joins Jimmy on the floor, staring straight ahead as he tries to think. “Because in my experience, sometimes it feels like nothing because it is nothing, but sometimes it feels like nothing because it’s something but not with this person, but other times it feels like something even when it’s nothing-“ Pix has no idea what he’s talking about, at this point. He’s not equipped for these things, and he says as much. “Why did you come to me for this, I’m not-? Your sister’s married to your best friend, I feel like they’re much better equipped to answer the question of ‘How do you know when you want to be in a relationship with someone?’”
“I mean, probably,” Jimmy says, finally letting his codboy hat go enough that Pix can see his eyes again. “But, well… you’re you. We’re us, y’know?”
Pix does know. He knows that Lizzie is Jimmy’s sister, but Pix was the first person to see Jimmy without the Codfather head on. He knows that Joel is Jimmy’s best friend, but Pix is the one he asked to build the cod statue in his base. He knows that he’s Jimmy’s… something, and this is what they do. And that, however unfortunately, he probably is the best person to ask about this type of thing, even if he doesn’t feel like he knows what he’s talking about half the time.
Pix reaches out and puts his arm around Jimmy’s shoulders, and Jimmy instinctively moves to lay his head on Pix’s shoulder. Well, they’ll figure it out eventually.
165 notes
·
View notes
made some Worf quote calligraphy cards!
i also still have all of my calligraphy stuff set up so lmk (replies, asks, whatever) if anyone has requests for other silly quotes.
[ID: nine white index cards with the following quotes written in black and red ink in a blackletter calligraphy style. card 1 reads "There is an ancient Klingon proverb that says 'You cannot loosen a man's tongue with root beer'." Card two reads: "You will never achieve the 24th level of awareness." Card three reads: "Death to the opposition." Card four reads: "Sir, I must protest! I am not a merry man!" Card five reads: "At the first sign of betrayal, I will kill him, but I promise to return the body intact." Card six reads: "Today is a good day to die." Card seven reads: "Find him and kill him!" Card eight reads: "Good tea. Nice house." Card nine reads: "This is the story of a little ship that took a little trip." /end ID]
226 notes
·
View notes
ok wait i need to hear more of your thoughts on peeta owning a bakery....
This is one of those rare times where I’m pretty sure this anon isn’t someone I know personally bc I’ve subjected anyone who will listen to my rant about the Peeta Bakery Headcanon. Anyway, you’re gonna regret asking this anon bc there are fucking Layers here.
I know this is probably a controversial take based on the number of fics where I’ve seen it, but I simply do not think that Peeta would open a commercial bakery after Mockingjay!! Like on a metatextual level, I don’t think it really fits with the point of the ending of the series. It actually sort of fascinates me that it’s just such a common headcanon because the ending of Mockingjay is exceedingly vague. I think that vagueness invites us, as readers, to imagine a better world post-revolution. A world where Katniss would feel confident that her children would be safe from injustice, where she’d feel confident that her children would never know want the way she did as a child. A just world. A kinder world. Can a capitalist society ever be just? Is a capitalist society where a disabled teenager has no other means to subsist himself (or feels like there’s no other way he can be a contributing member of his community) really the post-revolution world we dream of? Is that really the best we can imagine?
(This got so insanely long I’m adding a read more lmao)
I get that showing a better world is not always the point of post-mockingjay headcanons/fics. Like there are plenty of really great post-mockingjay fics I’ve seen where, yeah, part of the fic is that society like ISN’T all that different or all that much better. I’ve seen that really well done! Hell, I’ve written them myself! It’s easy to imagine how a lot of aspects of society would not get an overhaul, a lot of the same structural inequalities would continue to exist. One headcanon that really stuck with me (I can’t remember which fic it was from) was that Peeta sells basically mail order baked goods to people on the Capitol, sending them iced cakes and pastries by train, because there are still people who were “fans” of theirs during the Games. And idk this doesn’t actually have much to do with my point lol but I liked it because it’s kind of fucked up and like! Yeah! It makes sense! If he needed money that would be a good way to make it! War often makes people rich, often for horrible reasons, and often it’s people who already have capital in the first place.
Anyway, more about the hypothetical bakery because alright. I bring up the fact that “yeah society not being all that different post-revolution and still being an unjust capitalist hellscape” could be a reason why Peeta re-opens a bakery because that’s actually never the types of fics where I see the bakery headcanon. Fics where Peeta opens a bakery are usually trying to make the exact opposite point. Like. Things are getting better, now he can open a bakery! Look at how much better the world is now, plus he’s got a bakery! Peeta is healing, that’s why he can open a bakery now! And I am so, so sorry to inform everyone who’s never had the grave misfortune of owning a family business, but there is truly nothing further from the truth lmao. Like just putting aside the immense amount of emotional baggage that Peeta has about his family, running a small business is an insane amount of work in any context and being a baker especially is physically grueling and involves early hours (and long hours) that aren’t really the best fit with the multiple ways that Peeta is disabled now. (I could go into this more because I have a lot of thoughts. But I will spare you.). I also think it’s seen throughout the books that Peeta is someone who needs time to pursue creative outlets to process his feelings and someone who values leisure and values quality time with his loved ones. And having grown up in his family’s bakery, I think he’d understand the reality that running a bakery wouldn’t leave much space of those pursuits and wouldn’t leave much space for him to have the things that keep him healthy and stable. I think he’d know that the way he is now— after two Games and the war and unspeakable torture at the hands of a dictator—isn’t compatible with the lifestyle necessary for running a commercial bakery.
And tbh with that in mind, I don’t think he’d push himself to re-open a business (one that would be a constant reminder of his dead family and his complicated relationships with them that got no closure) that would require him to sacrifice his physical and emotional well-being. Like I think he might look into the possibility, I think he might even start trying to open a bakery out of a sense of obligation/duty, maybe harboring some idea that this is who he was supposed to be, who he would've been without the Games, or that it’s this last piece of his family that can live on, or that it’s this last connection to his family so he can’t let it die too. But ultimately, I think any attempt to open a bakery wouldn’t get very far. Maybe he'd start wading into the logistical nightmare that is small business ownership and realize it's not for him (because it's probably also true that as much as him and his brothers were involved in the business, there's almost certainly parts they weren't involved with and didn't see, i.e., filing taxes). Or maybe looking into opening a bakery— how triggering it is, the stress of it— causes a downward spiral. Maybe he hates how much he's worrying everyone by unraveling. Maybe having a breakdown from the stress of just trying to open a bakery makes him realize, yeah, maybe in another life he would have ran his family’s bakery but the way he is now just doesn’t work with running a bakery, not without great sacrifices he's not willing to make. I just can’t see a bakery coming to fruition.
I know a lot of fics include Peeta deciding to reopen a bakery as a big step in his healing or include him rebuilding a bakery as part of his healing process but honestly, I think the opposite would be more true: I think Peeta either trying/failing to open a bakery or ultimately deciding not to open a bakery would be hugely healing for him. I think it would be a huge part of him accepting the way he is now as a person, his new limitations but also his strengths. I think it would be a huge part of him accepting the way his life his now and accepting that he likes his life the way it is, that he’s satisfied with his life without needing to own a bakery. I think it would be an important part of him coming to terms with the loss of his family. I think he knows he can never have things back as they were and I don’t think he would try to recreate them, especially because his family’s legacy isn’t a business. I think he’s emotionally intelligent enough and self reflective enough to realize that what mattered to him about the bakery— taking care of others by feeding them, being integrated into his community and being actively involved in it, brightening people’s days with delightful things whether that’s beautiful cakes or hearty food or delicious treats— and the things he learned from his family through the bakery, are things that he can carry on in other meaningful ways.
(Do you regret sending this ask yet, anon? Because if not, you will soon. I’m not done yet. There’s more.)
I wasn’t really sure where to put this next part in what is rapidly becoming an essay because it sort of combines the points about like “what do we imagine a post-mockingjay society to look like” with the practical difficulties of starting this bakery but here’s another thing: do people really think that the Mellarks owned the land the bakery was on?? Like, sure, the merchants are the petit bourgeois of Twelve but I still don’t imagine they really own anything. In a society where houses are assigned to people upon marriage, where property ownership and capital are so closely interconnected with citizenship (as shown by the Plinths who, by having immense capital, are able to leave their District and become citizens of the Capitol) do people really think the Mellarks would be allowed to own the land their bakery is on?? I always imagined it sort of like a tenant farming situation: the Capitol gives them the raw materials for the bakery and in return the bakery give them some absurdly high portion of their profits, or the Capitol sells them a year’s supply of raw materials at a premium on credit and at the end of the year the Mellarks have to use the money they made with those materials to pay it back, except it’s never enough to turn a profit so they always have to buy next year’s materials on credit and the cycle continues.
We (understandably) get a really skewed view of the merchant class through Katniss’s perspective so I can see why people come to the conclusion that his family owned the property and, as the last surviving member, he would’ve inherited it. I’ve seen the inheritance thing in fics a lot or a hand wavey “well Twelve was decimated to no one owns anything anymore so it can be his” or even like an almost sort of reparations type situation where he’s entitled to the land as a surviving refugee of Twelve. But I don’t know. I guess I don’t think it fits with everything else we know about Panem that the Mellarks would’ve owned that land and I think the question of whether the government would’ve let him take ownership of the land post-revolution brings up a lot of issues about the structure of society post-Mockingjay that I find more interesting to explore in other ways, especially when, from an emotional perspective, 1) I find the idea of Peeta not opening a bakery more compelling and 2) I don’t think it really fits his character arc by the end of Mockingjay to reopen a bakery, as I went on about at length above lol.
On the flip side: literally who cares!! Do whatever you want!! Headcanon whatever you want!! I get why people go for the bakery!! It’s fun, it’s wholesome, it’s a built in bakery AU that isn’t even an AU. It doesn’t matter if it’s practical or realistic!! It doesn’t need to be practical or realistic!! It’s fanfic of a dystopian YA series!! My unfortunate affliction is that I grew up in a family that owned a restaurant and that I have multiple degrees in the social sciences so I can’t see the bakery without being like “What about the overheard? What about the start up costs? Who’s spending long nights balancing the books? Is Peeta covering shifts when an employee calls in sick? Is Peeta the sole person working there until the bakery is open long enough (often a year or more) to start turning a profit? How does that sleep schedule work with his nightmares? How does that work with Katniss’s nightmares? What happens when he has an episode and suddenly needs to take the day off before he has any employees? Does the bakery just remain closed for the day? Can the profit margins withstand regular unexpected closures? Can the supplies withstand regular unexpected closures?” And if the answer is “Elliott none of those things matter he’s not doing the bakery because he needs the money but because he wants to”, then my question is why does he want to? Does he not get the same sort of satisfaction out of feeding his loved ones? Doesn’t Peeta seem like someone who would rather give away baked goods than sell them?? Doesn’t Peeta seem like someone who would prefer to make cakes for people’s special occasions upon and then when they insist on paying him for it, he only lets them “pay for the ingredients” which actually cost significantly more than he says they did??
So yeah my point is that it’s a matter of personal taste! It doesn’t fit the way I see the series but that doesn’t mean it’s like wrong, I’m not an authority on Peeta lmao.
It’s also a matter of personal taste in the sense that I find the themes that most resonate with me at the end of Mockingjay (and the end of Peeta’s arc specifically) more interesting to explore in other ways. Grief, living with loss, relearning yourself, finding hope, figuring out your place in a dramatically different world when you don’t even know who you are anymore, healing, building a new life after such complete and total destruction of your old life— those are all things I find compelling about the end of Mockingjay but for me the bakery isn’t the most compelling way to explore them.
Not to say I find the concept of the bakery totally uninteresting. I have this fic about Johanna that I’ll probably never finish where the point sort of is that, yeah, her life really isn’t all that much better after the war. It’s been years at this point and she’s still miserable and she doesn’t know how to be a person but by the end she’s trying to figure it out. And towards the end, Peeta tells her that he’s spent years sort of passively, half-heartedly trying to figure out how to inherit the land his family’s bakery was on, only to find out it was never theirs in the first place. They’d been renting it the whole time and he’d never even known as a kid. So he sort of passively, half-heartedly went on another wild goose chase to find the owner and now, finally, after years of writing to various government agencies and being sent in circles and things being barely functional, he’s managed to track down the owner. Now it’s owned by the daughter of the man who owned it when he was a kid because the original owner (who was likely up to some sketchy war crime shit) died during the war and she inherited it (the irony…). He got in contact with her and asked how much it would take for her to sell it and she told him she’s not interested in selling but in light of the situation, in light of the fact that he’d have to build a new building in order to operate a bakery, that she’d cut him a deal— she’d only require 50% of the bakery’s profits as rent instead of the 80% his family used to pay. And of course Johanna is outraged, that’s not right, the owner shouldn’t be allowed to do that, they should do something about it, they should fight back. And Peeta is like. Not interested. He was actually sort of relieved that opening wasn’t very feasible. Getting the answer was a lightbulb moment where he saw that over the years of trying to look into this, he’s built a life that he likes— one where he’s stable, where his loved ones are stable, where he’s cared for and can care for others— and he doesn’t really want to change it drastically by opening a bakery anyway. He just needed an answer, one way or another, before he could get some closure and move on. (And the point of the conversation is Johanna is having her own lightbulb moment that it’s okay to move on, it’s okay to change, it’s not a betrayal of the people and things she’s lost but that’s not my point here!!).
But anyway. That’s obviously not about running the bakery— it’s about the choice to not run one.
Anyway!! Anyway… are you satisfied anon? Is this what you wanted?
Lastly, here is my most important qualm with the bakery headcanon: must Peeta be gainfully employed? Is it not enough for him to be Katniss’s boytoy? Can’t he just paint and garden and bake and hang out with his girlfriend all day? Is that really too much to ask?
78 notes
·
View notes
Ais: I'm cold.
Leander: I'm colder.
Ais: It's not a competition.
Leander, violently shivering: D-Damn right it's not, I’m d-d-destroying you.
Ais: ...
Ais: *throws off jacket* Bring it on, pretty boy.
MC: Are you two seriously—For gods’ sake. *wraps them both in their jacket in one warm “get along” coat*
86 notes
·
View notes
a variety of meta knight incorrect quotes all at once since i was too lazy to make separate posts happy meta monday everyone
(also was anyone gonna tell me meta knight goes to literal hell in one of the light novels or did i just have to find that out myself)
3K notes
·
View notes
[ID: fifteen shots from 'revolutionary girl utena' with black text on a white background edited over them. the first is of utena sitting in the planetarium, which is subsumed in darkness. behind her is the coffin she hid in as a child. text reads: 'time is so central that i forget about it.'
the second is of miki handing kozue the letter from their mother. text reads: 'i like postcards because they move through time and space.'
the third is of nanami sitting pensively in front of a cello and music stand. text reads: 'music, film, and writing move in time, beat by beat.'
the fourth is of utena and anthy standing beneath the projector, posing for a photo. text reads: 'photographs, sculptures, and architecture happen all at once,'
the fifth is of a dining table in front of nemuro memorial hall. the white tablecloth endlessly extends off the right side of the frame. text reads: 'though we experience them through time, revisiting them, moving arund and through them.'
the sixth is a close-up of the fourth shot. text reads: 'we document to share with the future.'
the seventh is of akio's dining table standing empty, whilst a red rose spins in the top right corner. text reads: 'we benefit from all the previous documents.'
the eighth is of utena prying open anthy's coffin, crying out to her. text reads: 'we say, "i was in this room once.'
the ninth is of baby utena curled up on a bed of roses, her eyes barely open and expression somber. text reads: 'it is a difficult room.'
the tenth is of utena's bloody hand reaching desperately out to anthy. text reads: 'i left this on the table for you. i hope it helps."'
the eleventh is of anthy staring up at utena, weeping freely. text reads: 'it's so obvious it's terrifying.'
the twelfth is a row of girls' shadows, changing behind a curtain. text reads: 'whoever you are, reading this interview, it would have been nice to meet you'
the thirteenth is of anthy standing in her pink outfit at the gates of ohtori, looking back at the tower. text reads: 'but i couldn't wait,'
the fourteenth is of a framed picture of utena and anthy. akio has been cropped out. there is a pink rose frame around the shot. text reads: 'i had to move on,'
the fifteenth is a close-up of the same photo with the same pink rose frame. utena and anthy are tentatively holding hands. text reads: 'i am already so far away.' /end ID]
richard siken, excerpt from the need for making / revolutionary girl utena (1997)
154 notes
·
View notes
JAKE, at dinner: This meal was not made with love was it?
JANE: It was not, because no one loves you.
65 notes
·
View notes
this whole thing being abt rage is also really interesting. I feel like it comes up so much in fiction as a motive because it's the one emotion that's unifyingly restless while everything else can be petrifying, and just personally nothing hits like impotent rage for me, esp. with teen characters, esp. with characters whose rage is stoked by Someone Else to further that Someone Else's cause. like you'll have done all that in a bout of passion and when you're done you look around you and nothing has changed. those sentiments don't get quelled by being satisfied. righteousness withdrawal is a horrible thing to intentionally drag someone into, least of all just some kids.
34 notes
·
View notes
[You & Arthur relaxing in the flower field, with Arthur just admiring you while you’re making flower crowns]
Arthur, staring at you lovingly : You’re one of my favorite people.
Y/N, tilted head : Who are your other favorite people?
Arthur, shrugs : It’s mostly you. Not a big fan of humankind in general.
Dividers credit : @rookthornesartistry 🟠
197 notes
·
View notes
no one would notice if i ever vanished // if bodies could sustain // this never-ending army // like blood pumping through a vein
(click for better resolution!)
:OOO hello. anyway since these are all posters i'd have in an ideal world or smth and i'd like to store the high res versions somewhere,,, here's the google drive folder for them? hehe ''
close up!
112 notes
·
View notes