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#for being there for me when i needed
melody-starlight · 6 months
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Hana!!!! I’m so sorry I haven’t been active. I was, and still am, going through a tough time atm, but I wouldn’t want to miss the chance to wish you happy birthday!! I’m so sorry I couldn’t write/make you anything, but I hope you do realize how much you truly mean to me. You’re, hands down, one of the sweetest people I’ve met on this website, and I hope we stay sisters forever! You’re truly an angel with how adorable and amazing you’ve been. I’m so blessed to have you as my little sis, I want nothing more than to give you the biggest hug! Please remember there’s some 25-26 year old emo lawyer in New York that’s always wondering how lucky I got with such a talented artist and wonderful person as my sis. I always wonder if we would’ve crossed paths either way through my old writing blog. It’s been what? Over two years already? Time sure flies by, huh? Anyways, I’m sending you so much love ❤️ I love you more than you can ever fathom, Hana! Keep being that stunning angel you are. Hope you have a a great day filled with lots of your favorite food and gifts. 💙♥️💕
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I........I......... I am.....
Literally my reaction
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My heart..... I...... 🥺💟💗💗💗💗💗
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I can't thank you enough for having you in my life.... your message is the best thing I saw when I woke up, seriously, how can an angel like you exist in this world??? What did I ever do to deserve someone so precious and beloved like you??? You are the reason of who I am today!!! And I hope that our friendship will last for many and many years!! Look at you!! All grown up!! A successful lawyer, you finally achieved your goals and became a graduated college student!! That's a milestone in your life that you should be proud of!!! Got a wonderful family and a wonderful job!! Despite all the challenges and everything you've been through, you are one of the strongest bean I ever seen in my entire life and you inspire me a lot to become as strong as you are!! I want to achieve my goals as an artist and work so hard with my own projects and stories that I've been working on!! And I am so thankful to have you as my sister (you are my whole family ngl) to watch me uploading stuff that I enjoy and I want to become successful with my drawings!! You always supported, been there for me, and I wanna make you happy too as much as you made me happy for 2 years, I am so thankful again, to have you in my life!! You mean the whole world to me and I can't imagine what's like without you, I want you to keep up!! Being awesome, kind, as a sister and mother, no matter what haters are saying, or some toxic people saying, you will do great!! And I wish I was there with you rn so I would give you the biggest hug in the world!!
You are the best thing happened in my life, there is no one else I love in this world more than you, and I am sure of that!! 💗💗💕💗💕💗💕💗💕💗💕💕💗💗💕 I love you more than anything else in this world my dear sis ♡♡♡♡♡♡
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stromblessed · 5 months
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Mizu, femininity, and fallen sparrows
In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.
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If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.
So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.
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I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?
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However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.
Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)
And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.
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Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.
It does not mean she doesn't hurt for them.
Back to Mizu and collateral damage, remember that sparrow?
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While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:
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She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.
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You see where I'm going with this.
When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:
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And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD
When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.
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MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS
No wonder Mizu is as stoic and cold as she is.
And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:
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Speaking of Akemi - guess who else is compared to a bird!
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The plumage is more colorful, a bit flashier. But a bird is a bird.
And, uh
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Yeah.
I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.
But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.
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Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:
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But softness and mercy haven't gotten Mizu anywhere good, recently.
There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.
After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:
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"LET" her die. Because as Ringo points out, she doesn't "know how" to die.
Kind of like another bird in this show:
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marxistgnome · 1 year
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Memes shared by kids who grew up on starships I think they should have sea scout/land scout beef with kids that grew up on Starbases
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inkskinned · 7 months
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the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
#writeblr#warm up#this is longer than i wanted i really considered removing that part about myself and what i went thru#but i think it really fucking bothers me that EVERY time i talk about being an artist#ppl assume i just like. had the skill and ability to drop everything and pay for grad school.#like sir i grew up poor. my house wasn't a safe space. i gave up a FREE RIDE TO LAW SCHOOL. for THIS. bc i chose it.#was it fucking hard? was i choosing the hard thing?? yes.#but we need to stop seeing artists as lazy layabouts that can ''afford'' to just ''sit around and create''#when MANY - if not MOST - of us are NOT like that. we have to work our fucking ASSES off. hard work. long and hard work#part of valuing artists is recognizing the amount we sacrifice to make our art. bc it doesn't just#like HAPPEN to us. also btw it rarely has anything to do with true talent.#speaking as someone with a chronic condition i hate when ppl are like u have it easy. like actively as i'm writing this my hands r#ACTIVELY hurting me. i haven't been posting bc my left hand was curled in a claw for the last week#this isn't fucking luck. after a certain point it's not even TALENT. it's dedication & sacrifice.#''u get to flounce around and do nothing with ur life'' is a narrative that is a direct result of capitalism#imagine if we said that about literally any other profession.#''oh so u give up 10 yrs of ur life to be a doctor? u sacrifice having a social life and u get SUPER in debt?#u need to work countless hours and it will often be thankless? well i wish i was that lucky''#we should be applying that logic to landlords ONLY#''oh ur mom and dad gave u the money to buy a house? and all u did was paint it white and rent it? huh.''
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beybuniki · 1 month
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i need dabi to experience the trials of being a stay-at-home adult son
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stoopidstapler · 9 months
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SO IVE BEEN GOIN INSANE SINCE THIS TRAILER DROPPED. JUST. SIMON. SIMON. SIMON.
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cosmosnout · 3 months
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The real reason Oda had to get rid of her was not for plot convenience, but bc she would have kicked everyone’s ass. (Source: trust me bro)
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cruelsister-moved2 · 2 years
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for real! (from kadji amin)
[Image description: Screenshot of text:
What I've realized is that I believe that the matter of gender is practical and relational. It's not about who you are inside, it's more about how you would feel most comfortable in the world. It's not 'Who are you?' but 'How do you want to live?'
Had that been the discourse when I was coming up, I would have breathed a sigh of relief. I don't have to figure out who I am on the inside, I just have to figure out how I want to live.
end of ID]
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machinerot · 3 months
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rice-enjoyer · 10 months
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call my name and i’ll come running ; satoru gojo
synopsis; satoru can be irritating, at times. but even if you push him away, he’ll always, always be there for you when you need him.
word count; 8.7k (this was supposed to b a short drabble but i was possessed by the devil halfway through)
contents; satoru gojo/reader, gn!reader, reader n toru have a fight, mild swearing (a couple fucks here n there), hurt/comfort, satoru has communication issues but he’s trying his best, depictions of stalking (reader gets followed by a random creep but satoru comes to the rescue dw), uhh implied thoughts of violence? (satoru wants to Maul said dude but doesn’t), literally just me being in love with satoru gojo for 8.7k words straight
a/n; no thoughts head empty only gojo running through the streets like a wild beast looking for u <33 im normal about him yeah.
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“you’re so annoying sometimes, you know that?”
satoru smiles. the sentence isn’t one he’s unaccustomed to hearing.
usually, the words are soaked in an undeniable fondness, as they spill from your lips. rich with exasperated love. one that never fails to have the corners of satoru’s lips curling up, a mellow kind of joy blossoming in his chest.
but now, that fondness is nowhere to be found. 
you sound thoroughly exasperated, and a little bit fatigued. more than anything else, there’s a vague irritation behind the tilt of your voice, something almost cold. it makes all the difference in the world. 
and yet, despite that, a certain someone chooses to pay no heed to the bad omen.
“aw, c’mon. you know you love me, baby.”
satoru is grinning. lighthearted, awfully sweet. there’s a certain smugness to it, though, one he couldn’t wash away even if he was aware of it; you wouldn’t do so even if you could. that smugness is a part of him, one that you’d usually find endearing. 
but right now, it only seeks to further your frustration.
it was a stupid fight, truthfully. completely meaningless. satoru had forgotten to pick up after himself for, like, the fourth consecutive time, and so you grew annoyed. not by a lot, but enough that you felt the need to be firm when you reminded him not to make the same mistake over and over again.
but satoru had only grinned, in that self-satisfied fashion of his, and apologized in a way you couldn’t possibly call sincere. then he did what he usually does — promises to work on it. to not do it again. he never follows through, though.
but even that thought wasn’t anywhere near enough to make you truly angry. what really began to irk you was the fact that satoru wasn’t taking you seriously, even in the slightest.
that’s how he always is, when it comes to this kind of thing. and you try to be patient, you do. you try to be understanding. sometimes you even appreciate that he keeps the atmosphere light, but other times, you just can’t help but feel irritated by it.
and the current situation happens to fall into the latter category.
you don’t care if satoru leaves a candy wrapper or two out, every once in a while. of course you don’t. it’s a silly thing to argue about. but would it hurt for him to just listen to you? to try to put himself in your shoes, for once? it’s not about the wrappers, or the undone dishes. it’s about the way he treats you when you complain about it — like it’s no big deal, like it doesn’t matter. even if it obviously does, to you.
so, gradually, the topic of your little argument began to shift, into a conversation about satoru. about the fact that he so adamantly refuses to talk about the things that bother you in a serious fashion. about the fact that he so adamantly refuses to take you seriously.
and he just keeps proving your point, with every word that falls from his lips.
at this point, you’re genuinely beginning to feel a little angry. but satoru doesn’t see that as the warning sign it is — he just thinks it’s cute. he’s just been cooing at you, this whole time, despite your numerous attempts to actually explain how much his behavior affects you sometimes. it feels a bit like talking to a wall. satoru keeps on teasing you, even as you try to be firm about your point, and only brushes you off with empty promises to do better and more unneeded comments about how much he wants to hug you when you pout like that.
and you falter, a little. of course you do. you’re weak to satoru. weak to his words, that sweet voice of his, that pretty grin. but that only makes everything worse, because if you let yourself look even a little bit flustered at his comments, he sees that as his cue to continue.
you don’t even know if he’s doing it on purpose, at this point. is he doing it because he knows it’ll annoy you, or does he genuinely not understand that you’re upset? you’d like to think that there’s no malicious intent behind it, but can’t he see how troubled you are? you don’t get it. you don’t get him, and that frustrates you most of all. satoru can be so goddamn convoluted, sometimes.
so you simply can’t help but feel annoyed. angry, even. how long have you been arguing for, at this point? you’re not sure. but you feel the frustration inside of you grow, as the minutes tick by, into something you know will eventually explode.
a sigh falls from your lips, deep and exasperated. a little bit exhausted. “i’m serious, satoru. you’re not even listening.”
“i am!” he protests, stubbornly. childishly. “you just look so cute when you’re all mad. not my fault you’re so distracting.”
satoru smiles, voice sugar sweet, but all you can do is frown. does he really think it’s cute that you’re upset? the thought makes you somewhat sad. but you can’t show that, can’t let that part of you win — you don’t even want to think about the possibility of you crying, because of this. yeah, no way in hell. 
so instead, you channel it into anger. as the blood inside your veins comes to a boiling point, you dig your nails into the skin of your palms, gnawing at your bottom lip and shifting from one foot to another.
”satoru, i’m —” another sigh, sharp and vexed like the blade of a knife. ”i’m trying to have a serious conversation, here. can’t you see that i’m upset?”
satoru takes a moment to look at you, from behind the black glass of his shades.
he can. of course he can see that. you’re frowning, and there’s a crease between your brows, and you keep huffing and sighing every three seconds — you’re obviously, undoubtedly upset. and satoru wants to take you seriously, he does. it’s just that the part of his brain that only ever wants to coddle and tease you keeps persuading him not to.
he’s not lying, either; you do look cute. almost too cute to take seriously, when you’re pouting so sweetly, a little red in the face from all the frustration bubbling inside your chest. you look so small, glaring up at him like an angry puppy. 
satoru can’t help but smile. it’d be impossible not to.
and he will listen to you, will take you seriously. he knows you’re angry, knows you’re upset, and he intends to deal with that properly. but he doesn’t need to do it right now.
just a little more teasing, before he has to stop beating around the bush. satoru dreads it, a little bit, dreads having to genuinely be serious, be open and apologetic. it always feels so strange, so discomforting. 
all that stuff can wait until later. for now, he just wants to see you blush a little more, huff and puff at his limitless affection, that he knows you love deep down. where’s the harm?
(and therein lies the problem. satoru is observant, and typically good at seeing the line that he shouldn’t cross when it comes to you. but there are times when he slips up, times when he doesn’t realize that his words have begun to sting. times when the line becomes blurry, because he knows some part of you enjoys the way he babies you, and sometimes it blinds him to the part of you that doesn’t.)
satoru is smiling. it’s the same as always — big, bright, glazed over with honey-sweet adoration. smug and teasing. it’s such a satoru-like smile that it makes your breath hitch, sometimes, makes your heart race with wonder. but now all it does is annoy you. everything you love about satoru is annoying you, right now. 
in your eyes, that pretty smile of his seems almost taunting. like he’s trying to pick a fight with you, trying to make you even more upset. you don’t want to blow up over something like this, you really really don’t — but for some reason, you feel dangerously close to. it’s not like you at all.
you bore into his eyes with a cold glare, even though you can’t exactly see them with his shades in the way. posture straight and rigid as you try to make yourself look bigger. you must look at least a little bit menacing, like this. right?
“i’m seriously angry with you,” you say, hoping your voice sounds as austere to his ears as it does to yours. “don’t you get that?”
satoru coos, unable to hold the sound back. he doesn’t notice the flicker of hurt in your eyes, only focusing on how the sunset rays frame your figure, kissing your skin with sun-soaked fervor. you look so pretty. and that angry look on your face is too tantalizing not to tease.
“aww,” he croons, inching closer to you. there’s a teasing glint in his eyes that you can’t see, unmistakably fond. “is my little baby that upset?”
you blink. his voice sounds even more sugar-sweet now, obviously exaggerated. there’s amusement there, too — like this is just one big joke to him. you think he must be doing it to belittle you, to embarrass you. speaking to you like you’re some kind of grumpy toddler, and not a grown adult trying to have a serious conversation with their partner. your blood boils, boils, boils.
— and so the cup overflows.
“oh, go fuck yourself.”
it’s almost in a hiss that the words fall from your lips, cold and harsh; they leave the confines of your throat before you have a chance to reconsider them, sudden and sickeningly heavy. crude, too. you’d never be so crass with him under normal circumstances.
but you’re overwhelmed, thoroughly and completely, and satoru is being particularly infuriating. you genuinely feel hurt by the way he’s disregarding your feelings, and that realization stings more than anything. 
so you can’t help but say the words, louder than you meant to, before turning on your heel swiftly and walking out of the room. 
you don’t even have time to register what you’re doing, legs moving on their own before your mind can catch up. brisk and heavy steps carry you to the door, all while you furiously attempt to blink away the tears of frustration that begin to form in your eyes.
it only takes a second for you to grab your jacket — then you’re out.
satoru hears the front door close, echoing off the walls of your apartment. you don’t quite slam it shut, but you close it with more force than usual, and he can’t help but inwardly wince.
a moment passes. 
then, he flops down on the couch, lanky arms and legs dangling uncomfortably off the edges. the groan that slips from his lips is muffled by the soft cushion as he burrows his face into it, while replaying your interaction inside his mind.
satoru can’t help but feel uncomfortable, with this conclusion. a little bit irked. a vague something rests inside his chest, something he doesn’t quite want to admit to feeling. it makes him feel a little bit sick.
(”oh, go fuck yourself.”)
he can’t recall you ever raising your voice at him like that. when it comes to him, you’re usually so patient; soft, understanding, gentle. for you to have snapped in such a way — to have stormed out of the apartment in your anger — he must have pushed you pretty far.
satoru sighs.
he really pissed you off, huh?
(he can never quite seem to get this right, can he?)
it was never his intention to make you genuinely mad. he just lost sight of the line, for a second. that’s all.
and maybe he was also trying to avoid the issue, trying to avoid actually arguing with you. because he hates it. he hates it more than anything. satoru would much rather see you smile and blush than act all serious and sad. 
he just wanted to make you laugh.
was it insensitive? yeah, probably. he just can’t help but fuck this up, it seems. now he’s gone and made you angry — and as much as the sight would usually thrill him, as cute as you look when you’re irritated, a pit of anxiety settles in his gut. everything just feels wrong.
more than anything, satoru feels restless. because, right now, there’s nothing he can do. he can’t chase after you, even if just to apologize — that’d make you even angrier.
he knows he needs to give you space. you were obviously overwhelmed; some fresh air will do you good.
it irks him, though. satoru wants to fix it. he always wants to fix everything, before it even breaks. and even now, all his mind can do is spin in circles, wondering how he could possibly cheer you up.
he’ll just have to apologize, when you get back. and hope you forgive him. maybe he can get you something sweet to munch on, or a bouquet of flowers. would that make everything okay again?
satoru doesn’t know. so he just scratches his head, and tries his damndest not to think of how defeated you looked before leaving.
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your steps are heavy, dragging you forward, leading you somewhere you have no knowledge of. it’s chilly out, and the sun is already setting.
everything in the world feels so wrong. like it’s tilted slightly to the left, like the earth stopped spinning around its axis. like everything suddenly lost its saturation. 
you just needed to get away from him, for a while. away from that smug smile, that patronizing tilt of his voice. you couldn’t even stand to be in the same apartment as him. it’s not often you feel that way, not often at all. 
and it only increases your growing frustration. 
you are beginning to calm down, though — you know you are. the crisp evening air and the pleasant mingle of people soothes your muddled senses, smoothing down the crease of your brow and the ache in your chest.
a heavy discomfort, and a growing guilt. that’s all you can feel, as the anger slowly seeps out of you, turning into vapour with every exhale of your breath.
you hate arguing with satoru. you hate it more than anything. the guilt clawing at your chest barely leaves any room for anger — you almost yelled at him. just the thought of doing that to satoru makes you want to cry.
because you love him, at the end of the day, even when he’s being absolutely insufferable. he’s a sweetheart, your sweet boy, always trying to lighten the mood and make you smile. maybe you should have been a bit more understanding; you know satoru’s bad at this stuff, bad with emotions and vulnerability. and deep down, you know he’d never hurt you, not on purpose.
he probably just didn’t realize that you were genuinely upset. it’s a mistake that anyone could make.
but it just makes you feel so frustrated. like he’s not even looking at you. always hiding behind those shades, never opening up. never letting you see him wear anything but a smile. you want him to take it slow, open up to you at his own pace, but that doesn’t make the wait sting any less.
it’s not like you were asking for a lot. first, you simply asked him to pick up after himself. the way you do, the way anyone does. then, you simply asked him to treat you with respect.
a sudden pang of bitterness runs through your chest. sure, you could’ve handled it all better — but he could have, too.
every step you take hits the pavement with an irritated kind of decision. whatever. whatever. for now, you don’t want to think about it — all you want is to walk around and take in the sights, enjoy the peace and quiet.
so that’s exactly what you do.
before you know it, the sun has set, and the moon has risen — shining down and painting the streets in a mesmerizing blue, ephemeral and tranquil. it’s enough to give you some peace of mind, as you lurk around familiar streets, soaking in all the open space. so different from that suffocating apartment, and the man inside it, with that shit-eating grin and those breathtaking eyes.
(he’s called you, a couple times. you haven’t been gone for long — an hour or so, you think, maybe two. some part of you wanted to answer, just to hear his voice through the phone, but the part of you that’s still awfully irritated shut that down immediately. so, stubbornly, you just let it ring.)
the streets are empty, and the sky is dark. the light of all the lampposts illuminate your way, along with the soft flicker of the moon and stars. an endless galaxy stretches out before your eyes, little pale dots of stardust shining like jewels.
an ever-lasting, never-changing sky, that continues on for infinity. limitless. all the space you could possibly want, and then some.
for a moment, you can only look at the glittering stars in wonder, soaking in the feeling of absolute solitude. 
— it doesn’t last, though.
“you alone?”
a sudden voice calls out from behind you. close, discerningly so, enough to make you flinch. you curse yourself for not noticing anything sooner, caught up in looking at the starry sky, in angling your phone to take a picture of it.
hesitantly, you turn your gaze towards the sound — wincing under your breath when you see the man a couple steps away from you. he looks a little crazed, you think, shifting from foot to foot and hunching over. 
oh fuck no.
great, just what you needed. that’s just your luck, isn’t it? your brain can only spin in circles, trying to get your body to react, to run. to do literally anything except just stand there like a deer caught in headlights.
in your nervosity, all you manage is a painfully awkward laugh, as you stutter out a halfhearted response.
“oh — no, i’m just waiting for my boyfriend!” you smile, unconvincingly. your face must be soaked in unease. whatever he wants with you, it can’t be anything good.
at least you said that one word clearly — boyfriend. you can only hope it’s enough to scare him away.
but the man only shifts a little more, emitting a gruff kind of hum, not saying anything else. your spine tingles with apprehension. every cell in your body wants you to leave. he seems a little intoxicated, you think, and the thought only stirs the anxious feeling in your chest further.
god. why does this have to happen to you? why now?
thankfully, you’ve got your phone in hand. as your mind scrambles for solutions, your fingers tap at the screen, urgently scrolling through your contacts. in such a frightened state, your acting must be positively awful, but you make a vague attempt. not like you’re getting any oscars for this, either way.
“sorry — he’s calling me now!” you stammer out, taking a step away from the man. he doesn’t make a move to follow you, so you take your chances and press your phone to your ear, feet carrying you forward with haste.
in your fear, you don’t think twice about calling satoru — but you can’t help but internally wince at the decision, as the anxious patter of your own heart resounds in your ears.
how are you supposed to talk to him, exactly? what are you supposed to say? hey, i know i just told you to go fuck yourself, but will you hear me out? i need your help. 
and you do. you do need his help. all you want is for him to swoop in, to take you in his arms, your knight in shining armor.
satoru’s said it to you, before — that if you need anything, anything at all, you can come to him. that you can always, always lean on him, without exception. 
you know that he likes helping you. likes it when you open up to him, when you put your trust in him. when you aren’t afraid to ask for his help.
so despite everything, you hold your phone to your ear, walking away with brisk steps and praying that he’s not petty enough to ignore your call like you did to his.
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back home, satoru is still resting on the couch, tapping his feet and trying to distract himself. 
he’s a little anxious. it’s dark out, and you’re not answering any of his calls. when you’re out of sight, like this, he can’t help but feel a little helpless — worried about everything that could happen to you. but it’s not like he can force you to pick up. 
you’re probably at a friend’s house, or something. telling them all about what an asshole your boyfriend is. as much as the thought stings, satoru hopes it’s true; it’s all he can comfort himself with. anything is fine as long as you aren’t out walking alone, in the cold, in the dark.
entirely caught up in his spiralling thoughts, satoru almost flinches when the phone rings. laying on the table in front of him, just within arm’s reach. it only takes a second for him to react as his gaze flits to the bright screen, and he sees the contact name, the many heart emojis littering it.
with a start, satoru jumps up. his back straightens out, and his hand flies to grab the phone — he’d feel embarrassed at his own eagerness, but right now he just can’t help it. even under ordinary circumstances, he wouldn’t let the phone ring more than twice, always giddy to hear your voice whenever possible. 
this time, however, he does falter slightly.
he takes a split second to simply stare at the phone in his hand, at the affectionate contact name. what is he supposed to say to you, exactly? how is he supposed to act?
satoru doesn’t know, but as if afraid that you’ll change your mind and stop the call, yourself, he opts to simply answer. he’ll just have to figure out what to say on the fly.
(unfortunately, satoru’s instinctual response to anything is either smugness or playfulness.)
“well, well. look who finally decided to pick up.”
you’re the one who called him, not the other way around — but satoru can’t be bothered with small details like that right now. he only hopes you don’t notice the faint nervosity in his voice, the stiffness as he tries to sound unbothered.
you don’t notice anything at all, mind far too muddled, too clouded by fear. all you can do is take a deep breath, desperately trying to grasp control over your wavering voice.
“— satoru?” you call out, voice meek and frail. the man in question notices it immediately, sitting up a little straighter, but before he can say anything you continue. “i’m sorry, i just — are — are you still at home?”
there’s an anxious tilt to your voice, one that’d be impossible for satoru to miss. your words are a little breathy, spoken in a fast tempo, and he feels a sudden dread crawl up his spine.
something is wrong, his senses alert him.
“yeah,” he hums, trying to hide the turmoil in his own voice. “why? is everything okay?”
the line is quiet, for a second. “it’s just —“ an exhale, as you once again attempt to steer your voice in a less nervous direction. “just… some creepy guy tried to talk to me. i told him i was waiting for my boyfriend and now i’m walking away from him but he’s still following me.” another exhale, as you worriedly sneak a glance over your shoulder. ”i just — i don’t know what to —”
“where are you?”
satoru cuts you off, voice eerily serious. his gaze turned cold the moment he heard creepy guy, legs moving him towards the coat rack by the front door as if on autopilot. 
he’s already left the apartment by the time you answer, looking around you meekly.
“i… don’t know,” you sigh. “i’m not far. i walked past that one crêpe stand by the park but then i, like… continued up that street? and now i don’t really know where i’m going.”
you continue, a little exasperated as your gaze flits around the dark street. attempting to recall your steps, a difficult task with how on edge you feel. “i’ll try to look for a sign, or something,” you gulp. “… i’m sorry. i just wanted to get away from him.”
satoru’s voice is comforting, when he speaks, eager to console you. grounding and soft. “hey, it’s okay. i’m heading there now, alright?” he smiles, hoping you’ll hear it in his voice. “i’ll be there before you know it.”
you do hear it, and his words ease a little of the anxiety in your chest, despite your fear. “okay.” 
the line grows quiet, again, and your brows furrow in worry. “can — can i keep talking to you?” you ask, uncertain. a little pitiful. ”please?”
“of course,” satoru answers, instantaneous. he’s already making his way towards the crêpe stand with decision in his steps, mentally scanning the area ahead. despite his own anxiety at the situation, he attempts to sound as secure as he can possibly manage, desperate to soothe the worry in your voice.
“try to relax for me, okay? nobody’s gonna hurt you. not while i’m here.”
his words are absolute, as he consoles you. he sounds so sure of himself, so much that you can’t help but believe in his words. so you nod, emitting a weak hum when you remember he can’t see you.
“can you tell me what you see, baby?”
“uhh…” you look around, blindly, trying to find some sort of meaningful hint around you. “there’s like… some toy shop?” 
satoru only hums. “can you check your location on your phone?” 
you blink. 
of course. why on earth didn’t that cross your mind before? 
“oh — yeah — fuck. i’m sorry. i don’t know why i didn’t —“ you sigh, heavy. “hold on.”
following satoru’s instructions swiftly, your gaze scans over the screen. he waits, patiently, already heading past the park and up ahead. as soon as you succeed in finding the name of the street, you echo it to him.
satoru sighs, a little relieved. “okay,” he hums. “i’m not that far away. i’ll be there soon.” he only hopes his words can soothe your fear, even a little. “is he still following you?”
you glance behind you, and meet the gaze of the stranger. just like you were afraid of, he’s still following you — if anything, he seems to have gotten a little closer. with a jolt, your heartbeat picks up.
“yeah,” you gulp. 
satoru’s chest tightens. he emits a low hum. “just hold on. i’ll hurry.”
focusing only on the tilt of satoru’s voice, you try to calm your breathing. you just want to see him. the thought of doing so is the only thing keeping your trembling ribcage intact, at this point. 
you swallow a shaky breath.
“thanks, toru.”
a sudden pang of ache sprouts in satoru’s chest, like thorny vines curling around his ribcage. his heart hurts. you sound so scared, so very small. 
this is all his fault, he thinks. all of it. he got too careless; none of this would’ve happened if he had only been more considerate. if he had just stopped you from leaving and apologized, or hadn’t upset you in the first place. then he wouldn’t have to hear that scared little voice, wouldn’t have to imagine your body shaking like a leaf in the cold night. so far away from him. 
but satoru can’t beat himself up over it, not yet. there’ll be more than enough time for that later. for now, he needs to get to you — that’s the only thing on his mind.
so he lets his feet carry him forward, running towards your location with bated breath. he’s sure you can hear it, through the phone, even though he tries to contain it.
the sound consoles you, if anything. it reminds you that satoru is there, that he’s on his way. that there’s no need to be scared. 
but you can’t help but freak out, a little, when you hear the man call out from behind you.
“hey!” he slurs, stumbling towards you with unsteady steps. his voice is loud, angry, and it sends your mind reeling into panic mode.
a flinch overtakes your body, before you stumble forward, walking even faster than before. you’re almost running now, breath hitching as you gulp. satoru hears it all — your panic, the echo of the man. his own tempo picks up.
“baby, calm down, okay?” he consoles you, voice concerned and honey-sweet. “just keep walking. i’m almost there.”
“sorry —“ you squeak out, between flurry breaths. breathing uneven, laboured and anxious. but you try your best to calm down. “‘s just scary.”
it almost feels physical, the way it irks him. satoru wants to pull you close, more than anything, but he can’t. and that just makes the calamity inside his chest grow, clawing at his ribcage as if trying to escape, to go to your side. 
(he never, ever wants to hear that kind of fear in your voice again.)
“i know,” he soothes. “you’re doing good, honey. listen — he’s not gonna touch you. i won’t let him. you have nothing to be scared of.”
you nod, even as you exhale a shaky breath. ”i know.” 
and you do. you know there’s a truth, to satoru’s words, one that’s never failed you before.
because satoru is your safe space, at the end of the day — he can be annoying, outright insufferable, and sometimes he’s bad with emotions. but he tries, you know he does. and, more than anything else, you know that he’ll always, always be there when you need him. he’ll always be there to protect you. 
and a part of you is sure that everything will be okay, as long as he’s around.
(it’s easy to forget how trustworthy satoru really is, how much he cares. how dependable he is. and how serious he can get, when he truly needs to be, despite his childishness. it’s moments like these that remind you of that.)
but it’s still scary, at the end of the day. you can’t help but feel uncomfortable, a little lost in the world. because you and satoru just fought, you just told him to go fuck himself, and yet here he is. running to your side, in the middle of the night, because you’re scared and alone and you need him.
the man continues to shout, behind you, muttering curses you can’t quite make out. you look over your shoulder nervously, steps hurried.
and satoru runs like a man possessed, through the moonlit streets, gaze scanning the area like a wild beast. his most visceral instinct is screaming at him, tugging at his flesh and bones, desperate to protect you. to comfort you. to wash all your worries away. 
as he makes a sharp turn, he momentarily stops the movement, halting to look around. he thinks he must look a little crazed, with the moonlight illuminating his eyes, but he couldn’t care less.
especially not when his gaze lands on a certain person, further down the street — small and alone.
your eyes meet his.
with the darkness of the street, it’s hard to make anything out, but the light of the lamppost helps. though even without it, satoru’s sure he’d know it was you, just from the sensation that unfurls in his chest as his gaze lands on your figure. 
an audible sigh of immense relief falls from his lips, and his tense shoulders relax, eyes softening just a tad. he hears a similar noise coming from the phone in his grasp, and he assumes that means you recognize him too. not bothering to end the call, he puts it in his pocket, walking over to you with brisk steps. 
you stumble towards him, yourself, the worried crease between your brows now smoothed away. the closer he gets, the faster you move, until you can see the blue of his eyes. two pocket-sized moons.
satoru swoops you in for a hug before either of you can say anything.
he cradles you close, awfully close, so close you can hear his heavy breathing against your ear. it tickles your neck, along with his soft hair, and you shiver. his fragrance envelops your senses, a blend between fresh laundry, strawberries and some expensive cologne. your favorite scent in the world. 
and suddenly, the world is devoid of danger. nothing can get to you while satoru’s there. all that exists is you, and him, and the soft flicker of the moon.
satoru squeezes you tightly, ensuring himself over and over again that you’re safe. he might be squeezing you a little too tight, but he can’t bring himself to think about that just yet.
finally, that growing calamity inside his chest is satiated. winding down at the feeling of you pressed up against him, the indisputable proof that you’re okay. with you in his arms, satoru feels like everything is alright, again.
the fear inside his chest, so foreign it leaves him shaken to the very core, finally begins to dissipate too. he doesn’t think there’s anything that makes him feel quite as hopeless as the thought of not being there for you when you need him. he never wants to feel that fear again. it’s suffocating. it crushes his lungs.
all he can do is hold you close, his big palm smoothing down your hair, the back of your head, your spine. warm and comforting. keeping you steady against him. he can feel your heartbeat, rapid and anxious, so fast that his heart aches. satoru is eager to soothe you, eager to make it go away.
”i’m here, baby,” he breathes, rubbing his cheek against the side of your head. ”you’re safe now.”
the words are spoken softly, right by your ear, and you exhale a shaky breath. you’re bundling up his clothing with your fists, anchoring yourself to him. after a little while, you let go, opting to wrap your arms around his midriff instead. nuzzling into his broad chest, you try to blink away your tears and contain your sniffles.
you nod against him, and satoru kisses the crown of your head.
and, finally, his gaze strays. it falls farther down the street, until it lands on a certain man — shifting from one foot to another. watching you both in silence.
the calamity inside his chest rouses from its slumber, once more.
satoru makes sure to keep his hands on you, still rubbing your back with one steady palm cradling the back of your head. keeping your face hidden in his chest, safe and secure.
then he raises his head, back straight, full height on display as his eyes meet the stranger’s. he can tell they do, even with the distance, the darkness of the street.
and satoru knows he looks menacing. he knows the light of the lamppost illuminates his figure perfectly, framing his tall stature and broad shoulders. and he knows the moonlight caressing his skin illuminates his face, his cold eyes — blue and uncanny, glowing even brighter than the moon. staring daggers into the man’s soul. if looks could kill, there wouldn’t even be any remains left to find.
the man stiffens, visibly, and satoru delights in it. he doesn’t leave, though, and for a second satoru wonders if he’s really intoxicated enough to come closer — 
but, sure enough, all he does is stagger a little. then he walks away, grumbling under his breath, hands in his pockets.
and satoru isn’t satisfied, with this conclusion. not in the slightest. he wants to run up to the man, wants to hold him up by the throat, wants to tell him off. because he has the nerve to terrorize someone like that, stalk them with intentions he knows can’t be anything but revolting. the nerve to do that to you, of all the people in the world —
satoru doesn’t know if he’s hated anyone quite as much. 
and a part of him wants to make him cower. make him fear for his life, just to make sure he never does anything like this again. leave him with a fear so great it’ll linger for as long as he’s alive.
(and a more animalistic side of satoru, one he doesn’t want to acknowledge, wants to do things that are much, much worse.)
— but you come first. without question, and without exception. he refuses to leave you alone, and refuses to make you look at the man for even a second more. 
so he’ll focus on you, entirely.
he can tell you’re still shaken up, heartbeat pulsating against him, little flutters of life prickling his skin. there’s a desperation in the way you hug his waist, like he could disappear at any moment. like he’ll slip away if you don’t keep him close. the sight tugs at satoru’s heartstrings. 
his first priority is to soothe you, always and forever. so that’s exactly what he does.
satoru smiles. it’s small, in the wake of the situation, but awfully sincere. fingers reaching down to trace over your jaw, he gently urges you to look at him; when you do so, hesitant, he cups your cheek with his palm.
your teary eyes feel like daggers to his heart, an unmistakable proof of his failure. his failure to protect you, to keep you safe and happy. but at the same time, he’s glad, from the bottom of his heart — that you’d let him see you like this. even after everything.
you look very meek, blinking the tears away as you look into his eyes. they’re bright, and comforting. you wonder if he left the shades at home, if he rushed over here so hurriedly that he didn’t think to bring them with him. you’re happy, in any case — the effect they have on you is undeniable. 
you can’t bring yourself to look away, consoled by the flickers of white inside his irises, like fluffy clouds in the blue sky. ever-lasting, never-changing.
satoru tilts his head, smile sweet and understanding. ”that was scary, hm?” 
his voice is tender, somehow so mature. like he’s some older, wiser being, comforting a scared child. it’s so soothing, so very grounding.
squeezing your eyes shut, you can only bring yourself to nod, as you nuzzle back into his chest.
”you’re okay now, honey,” satoru coos, smoothing down your back as you sniffle. an immense softness seeps through his whisper. ”i’ll always be here to protect you.”
there’s a truth to the statement, heavy and pious. like an oath, a pledge, something for you to believe in unquestioningly. you allow yourself to soak in the words, knowing them to be true.
you’re safe, now. there’s nothing to be afraid of anymore. satoru’s here, and he’s hugging you, pressing kisses against your shoulder.
but you just can’t stop crying.
when you speak up, your voice is weak, barely above a whisper. close to breaking apart at the seams. too tired after everything to resist the guilt inside your veins, you sniffle, and part your lips.
”i’m sorry i yelled at you.”
satoru stills.
then, his gaze softens, considerably. he hears himself coo, softly, palm smoothing down the back of your head. 
his sweet angel. apologizing to him, when he’s the one who started this whole mess. when you’re still so shaken up. because he let you leave the house angry, because he made you angry in the first place. because he didn’t see how important the discussion was to you.
(“you’re not even listening.”)
yeah. he wasn’t. he didn’t really want to.
an acute sense of shame. an intense guilt. that’s what he’s been trying to push down, all this time. that’s the unnamed something. 
it’s hard for him. to be as sincere as you, as open with his feelings and emotions. as mature. because even in a situation like this, you can swallow your pride and frustration, and apologize. even when you aren’t in the wrong. you’re always the bigger person, always the one to give in first, because he’s too stubborn to do so himself.
next time, satoru pledges, he won’t let you. next time he’ll be the one to swallow his pride.
because, yes, being vulnerable and admitting that he was in the wrong makes him feel a little like he’s being skewered alive — but you’re important to him. he loves you. and he wants you to know how much he trusts you, how special you truly are. 
if he can show you that, by being a little sincere, a little serious, then any discomfort he feels in the process is a small price to pay.
satoru’s lips meet the crown of your head, as he encircles your smaller frame, arms reaching around your neck to pull you close. he rests his jaw lightly on the top of your head, breathing in your scent. ”you have nothing to apologize for, baby.”
a pause lingers between the words he’s already said and the ones he yearns to say, but can’t seem to pull out from within his throat. it takes effort, to squeeze them out; but every time he replays your own apology in his mind, it gets a little easier. he squeezes you lightly before opening his mouth, as if to give him strenght.
“i’m sorry.”
you blink.��
for once, satoru sounds sincere when he apologizes — almost painfully so. bordering on something you think may be nervosity. you try to look up, to catch a glimpse of his expression, but he keeps you hidden in the crook of his neck.
”i was being immature,” he continues, sighing. you don’t know if you’ve ever heard satoru sound so uncomfortable. ”you know how bad i am with this stuff. but i never want to — you know.” 
he makes a gesture with one of his hands, as if that will say the words for him.
“— i didn’t mean to upset you. honestly.” satoru inhales the cold air, in hopes it’ll make him more honest. “you’re the best thing that’s ever happened to me.”
you listen. intently, not missing a word, not a single tilt of his voice. it all sounds so genuine, almost foreign on his tongue. satoru seems to be trying to find the right words, grumbling a little under his breath. 
he’s cute, like this. kind of awkward, but that only makes him cuter. you nuzzle closer to him, comforted by his very existence.
”… i’ll work on it,” he whispers, at last. “i’ll listen to you. i promise. i really, really will.” 
you think satoru’s voice wavers, just a little, when he says his final piece. 
“so please don’t cry.”
this time, satoru doesn’t stop you when you attempt to lift your gaze, loosening his arms around you and raising his head from where it rests on top of yours. 
your eyes meet. satoru is smiling, weakly. he tilts his head, looking at you with something you could only ever describe as love.
”okay?”
such a lovely smile. so painfully genuine. his eyes are on full display, shining in the dark of the night, like splotches of moonlight. like someone stole the moon down to earth, and carved out little pieces to put in his irises. an ethereal hue.
he’s so gorgeous. hair just a tad messy, tousled from all the running he did to get here. cheeks a little red from the cold. when he smiles, his eyes crinkle. but he looks almost pained. 
(he was so, so worried.)
blinking away the tears clinging to your lashes, you simply stare, entirely mesmerized by the sight. satoru’s thumb goes to wipe at your glassy eyes, smoothing away the drops that threaten to fall. you want to engrave his expression into your memory, so you can never forget it. but it’s just a little too much.
so you hide in his chest, once more. the word that falls from your lips is tiny. “okay.”
satoru smiles, kissing the top of your head with a relieved exhale. bathing in your presence, still reeling from his show of vulnerability. he feels a little like he just cut himself open, let you peek inside his ribcage. the night air stings his skin. 
but you’re so warm, hugging him tightly, breathing and heartbeat finally relaxed. 
(he doesn’t mind it, not if it’s you — having you look inside his chest. if you asked, he’d let you build a shelter there. right between his fourth and fifth ribs.)
now that the words are out of his throat, they don’t burn at all. satoru feels a little silly, for being so scared to say them out loud. he knows you’d never use them against him.
all you do is snuggle closer, as if silently conveying your forgiveness.
you stand there for just a little while longer, wallowing in the tender atmosphere. finally, satoru makes a move to leave, and you begin to walk back home.
“sure you’re okay now, baby?”
you nod, exhaling a flurry breath. it turns into vapour in the cold of the air, drifting up and dissipating in the expanding starry sky. “yeah. thanks for coming so quickly.”
“of course,” satoru only says, choking back a yawn. 
your hands are intertwined, and he’s halfheartedly swinging them back and forth. it soothes your anxiety, and satoru’s protective instincts. you know neither of you will slip away, like this.
you shiver a little, subconsciously inching closer to satoru to protect you from the harsh bite of the midnight breeze. he notices, giving you a glance and a tilt of his head. “you cold?” 
“just a little,” you mutter, smiling weakly as you look up at him. ”i’m fine.”
satoru huffs. did you really think he’d be dissuaded by such a weak retort? there’s no way he’s letting you walk around all cold and shivering. 
so you come to a standstill, as satoru begins to shrug off his coat. he refuses to let go of your hand for even a second, making the process slower than usual — your heart flutters a little, as his fingers curl around yours, delicately. 
when he finally gets it off him, he wastes no time in draping it over your shoulders. it’s big on you, warm and soft, shielding you from the chilly air. satoru can’t help but giggle sheepishly, as he always does at the sight — you look so cute. 
“c’mon. let’s go home,” he grins, ruffling your hair teasingly.
satoru doesn’t feel cold, not in the slightest, as he holds your hand tightly. just your presence is enough to warm his bones to the marrow.
the silence between you is comforting and soothing, as you continue to walk. hand in hand, admiring the starry sky. you’re both too tired to speak — but satoru does so, anyway.
“i meant it, y’know.” satoru sounds sleepy, but earnest. ”i really will work on it.”
he doesn’t look at you when he says it, yawning softly and stretching his free arm. gaze fixed on the morning star. 
“oh.” you pause, squirming a little. sheepish. “thank you. i’m sorry that i — i mean.” a sigh. “i probably overreacted a little.”
satoru shakes his head, waving off your guilt. “nah. you’re right. i never want you to feel like i’m not taking you seriously.”
his gaze meets yours, tentatively. his eyes shine like wedding rings. “you mean a lot to me.”
the sincere words manifest themselves as a heavy pressure to your chest, closing in on your heart as if crushing it. it’s a pleasant sensation, though, overwhelming as it is. you’re a little scared that your knees will buckle if he keeps this up, but even if they do, you wouldn’t want him to stop — satoru’s love is terrifically overwhelming when there’s nothing to hide it, when it’s just love and nothing else.
but you’d never reject it. you’d let it crush you to death with a smile on your face.
all you can do is avert your gaze, afraid that you’ll fall into the blue sea of his eyes if you don’t. heavy thumps of blood resound in your ears as your heart beats, warmth spreading throughout your entire body.
“… you mean a lot to me, too.” you echo, holding his hand just a little tighter. warmth rises to your cheeks. “i just felt really frustrated, i guess. like you were looking down on me. i know you weren’t actually, though.”
satoru chews at the inside of his cheek, almost anxiously. “i know i can be a little much sometimes,” he says, tasting the words on his tongue. “and i appreciate you for putting up with that. i’m sorry i let it go too far. i’ll be more considerate.”
your heart stutters in your chest. you’re not sure what to say — the way he forms his words makes them feel so absolute. and you believe him.
“i’ll be more considerate, too,” you echo, looking down at the pavement. “i shouldn’t have blown up like that.” a pause. you mumble, quietly, a little embarrassed. “i shouldn’t have told you to go fuck yourself.”
satoru breathes out an amused huff, chuckling lightheartedly. his eyes carry a teasing glint when they meet yours. “i probably deserved that. no worries.”
“still,” you pout. satoru giggles. 
“we’ll both work on it, then,” he hums, tilting his head to find your gaze. “right?”
you blink. a small smile breaks out across your face. “right.”
satoru swings your hands back and forth, looking awfully happy with himself. you’re proud of him. really.
“oh —“ he says, breaking the sleepy silence once again. “and i’ll stop leaving wrappers around, too.”
this time, you’re the one who huffs out an amused breath. “thank you,” you grin, looking up at him. he thinks the sight is terribly precious.
a yawn leaves your lips, drowsiness sneaking its way into your bloodstream. you’re not sure if it’s due to the dark, or if you’re just a tad exhausted after all the arguing and panicking.
satoru notices, and gets an idea.
“you tired, baby?” he coos, eyes teasing but soft around the edges. “d’you want a piggyback ride?” 
when you give him a look, sleepy and kind of exasperated, satoru grins. you huff out an amused breath, just a tad embarrassed, but it only spurs him on.
so he crouches down, one knee meeting the pavement, letting your hand slip from his. you blink, tiredly, at the loss of contact. you can’t see his face, but you know he’s wearing that lovesick, smug little grin of his. 
”c’mon. your big, strong boyfriend’ll carry you.”
satoru’s feeling playful, you can tell. that’s usually a bad sign — but you can’t deny that you’re tired. and the prospect of getting carried all the way home is eerily tempting. 
your gaze falls on his back, and his broad shoulders. silently, you walk towards him, and wrap your arms around his neck. satoru holds you up by your thighs, and then stands up, jostling you a little; he does so without a hitch, and you’re reminded of how strong he really is. his grip is secure, and you trust him not to drop you, no matter what. 
you let out a content sigh, basking in the chill of the midnight air as you nuzzle your cheek against his soft hair. satoru chuckles.
”my sleepy lil’ sweetheart,” he coos, voice a tad raspy. ”lucky thing you’ve got me, huh?”
there’s a softness to his voice, despite the teasing tilt obscuring it. you can only huff out a breath, somewhere between a chuckle and a scoff, and cling to him tighter.
satoru will get you home safe. he can be annoying, outright insufferable, and he can be bad with emotions — but you can always, always trust him on that. 
so, with his coat shielding you from the chilly air, and his back warming you up as he carries you back to your apartment, you allow your eyes to flutter shut; enjoying the cozy feeling his presence brings you.
he’ll always be there when you need him.
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samuelroukin · 1 year
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love this website because someone will go "#how does he look so gooodddddd" and then u scroll back up and it's like. he literally doesn't <3
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ryllen · 6 months
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d a m n , i t ' s ' i ' ... not 'we' i guess everybody can perish now
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inkskinned · 8 months
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they want to talk about mental illness and acceptance and how everyone is a little ocd it's cute and quirky and their "intrusive thoughts" are about cutting their hair off and you say yours are about taking a razorblade to your eye and they say ew can you not and everyone is a little adhd sometimes! except if you're late it's a personality flaw and it's because you are careless and cruel (and someone else with adhd mentions they can be on time, so why can't you?) and it's not an eating disorder if it's girl dinner! it's not mania if it's girl math! what do you mean you blew all of your savings on nonrefundable plane tickets for a plane you didn't even end up taking. what do you mean that you are afraid of eating. get over it. they roll their little lips up into a sneer. can you not, like, trauma dump?
they love it on them they like to wear pieces of your suffering like jewels so that it hangs off their tongue in rapiers. they are allowed to arm-chair diagnose and cherrypick their poisons but you can't ever miss too many showers because that's, like, "fuckken gross?" so anyone mean is a narcissist. so anyone with visual tics is clearly faking it and is so cringe. but they get to scream and hit customer service employees because well, i got overwhelmed.
you keep seeing these posts about how people pleasers are "inherently manipulative" and how it's totally unfair behavior. but you are a people pleaser, you have an ingrained fawn response. in the comments, you have typed and deleted the words just because it is technically true does not make it an empathetic or kind reading of the reaction about one million times. it is technically accurate, after all. you think of catholic guilt, how sometimes you feel bad when doing a good deed because the sense of pride you get from acting kind - that pride is a sin. the word "manipulation" is not without bias or stigma attached to it. many people with the fawn response are direct victims of someone who was malignantly manipulative. calling the victims manipulative too is an unfair and unkind reading of the situation. it would be better and more empathetic to say it is safety-seeking or connection-seeking behavior. yes, it can be toxic. no, in general it is not intended to be toxic. there is no reason to make mentally ill people feel worse for what we undergo.
you type why is everyone so quick to turn on someone showing clear signs of trauma but you already know the fucking answer, so what's the point of bothering. you kind of hate those this is what anxiety looks like! infographics because at this point you're so good at white-knuckling through a severe panic attack that people just think you're stoic. even people who know the situation sometimes comment you just don't seem depressed. and you're not a 9 year old white kid so there's no way you're on the spectrum, you're not obsessed with trains and you were never a good mathematician. okay then.
mental illness is trending. in 2012 tumblr said don't romanticize our symptoms but to be fair tiktok didn't exist yet. there's these series of videos where someone pretends to be "the most boring person on earth" and is just being a normal fucking person, which makes your skin crawl, because that probably means you are boring. your friend reads aloud a profile from tinder - no depressed bitches i fucking hate that mental illness crap. your father says that medication never actually works.
you still haven't told your grandmother that you're in therapy. despite everything (and the fact it's helping): you just don't want her to see you differently.
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poorly-drawn-mdzs · 3 months
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Laios's three Boy Best Friends. And yes, they hate him.
#dungeon meshi#laios touden#toshiro nakamoto#chilchuck tims#kabru#BF in this context could be boyfriend or best friend. The line is so blurry.#Chilchuck less so but whatever is going on between Shuro and Laios & Kabru and Laios is giving strong:#“dude if you were a girl I'd date the hell out of you”. And from the genderswap extra's that sentiment is canon for BOTH.#This was made prior to the translation of the Laios & Kabru & Shuro restaurant date comic and honestly I am just feeling vindicated.#I don't even know what to call this dynamic other than a situationship. There is so much going on between all of them.#Even on a purely platonic reading - the miscommunication and male yearning for friendship hurt so bad.#When we got the Big Hug scene in the epilogue arc I was whooping and hollering! Pure catharsis moment!#I also don't like hugs very much so I really felt it went Shuro ('hates being touched') went in for the bear hug.#Do not get me started on the agony of 'always lying' Kabru telling the truth (I just wanted to be friends)#and 'always believes' Laios thinking it's another lie and brushing him off.#I am once again supporting dungeon meshi day by posting art. Please watch dungeon meshi.#obligatory edit because I’m tired: YES. Chilchuck cares for Laios and him admitting it was a huge part of his arc#YES he is more just fed up with him that actually hating him.#I needed a third guy to be canonically done with his ass for the THREE WEED SMOKING GIRLFRIENDS reference
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starcurtain · 28 days
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2.1 Penacony Spoilers!
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I know the scene after Ratio's "betrayal" can be read a lot of ways but I am shocked I haven't seen more people interpret it as Ratio being so worried about Aventurine that he couldn't stay away even though he was supposed to.
We know:
1) Ratio absolutely knew Aventurine's plan from start to finish, both his gamble to create "death" in the dream and with the three cornerstones. (Wish people would stop underselling Ratio in their analyses; "Three chips are enough" is a direct enough clue that, genius as he is, Ratio would never miss.)
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2) In his own words, Ratio was acting according to Aventurine's instructions while in Dewlight Pavilion and with Sunday and felt that he did a good job not giving them away.
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I think most people are on the same page up to there, but then I've seen a lot of people interpreting this scene after Aventurine leaves Sunday's mansion as Aventurine being genuinely angry at Ratio (possibly after having gaslit himself into thinking Ratio was actually betraying him).
But this doesn't make much sense to me because:
1) Ratio actually has nothing to gain by selling Aventurine out to Sunday. They're on the same side in this mission. Information about a Stelleron on Penacony wouldn't be news anyone with a brain like Ratio's and why would he need someone else's research on Stellerons when he already has ties to the Genius Society through Screwllum and Herta, as well as the Astral Express where the Trailblazer is actively housing a Stelleron?
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2) One of Aventurine's most notable lines of dialogue is how it's perfectly fine and expected for "friends" to use each other and backstab. This is his default understanding of partners--why would he suddenly be mad about something he expected from the start?
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3) If the betrayal wasn't already planned and was just a possibility based on Aventurine's understanding of Ratio, why would he ever have revealed there were "three chips" (aka three cornerstones) in play? If even the betrayal over Topaz's stone wasn't planned, just assumed, why would Aventurine reveal the existence of the third stone? He would gain nothing from doing so.
Instead, I think it makes a lot more sense to interpret Aventurine's frustration with Ratio in this later scene as annoyance over Ratio taking an "unnecessary" risk:
1) As far as Sunday knows, Ratio had just very seriously betrayed Aventurine, completely selling him out and essentially sending him to his execution.
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2) In the scene afterward, Aventurine is out in public in the middle of Penacony where The Family's eyes are always watching, yet Ratio walks right up to him to check on him. Why would someone who just sold you out come up to you immediately afterward to check on your health?!
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3) It's only natural that Aventurine would pump the brakes and go "Wow, didn't think you'd show yourself after you just betrayed me, remember?" Because that's the act they are supposed to be keeping up! They're still being monitored; it's not safe to break character!
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But Ratio is a genius, right, so why would he break character here? From the standpoint of the ploy itself, revealing to the Family that he and Aventurine were still on the same side would only jeopardize the plan, not help it.
The logical explanation, then, is that Ratio went to Aventurine here because he felt like he had to.
He had to check in and make sure the situation was still under Aventurine's control.
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(In fact, the entire exchange through the middle of this scene is Aventurine and Ratio confirming the rest of their plot in a veiled manner: Ratio brings up the plan and mentions what's concealed in the gift money bag, Aventurine confirms the cornerstone is good to go; Ratio asks what his next step will be; Aventurine says he's going to do the insane thing of handing out cash while looking pathetic [aka fishing for Sparkle]. Ratio essentially asks if he's crazy enough to take the final gamble with his own life, which Aventurine confirms, and then Ratio sets them up for the finale by gifting him the doctor's note.)
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Ratio was willing to risk ruining their entire plan--something Aventurine does seem to be frustrated about at first--just to ensure Aventurine still felt all right about the situation.
He needed to deliver his note demanding Aventurine stay alive.
He needed to tell Aventurine to come to him if the situation got too painful to bear.
In short, Ratio was worried enough that he could not stay away even though, for the sake of their plot, it would have made significantly more sense for him not to appear. The gain of breaking character was worth more to him than the risk of being caught.
You honestly don't even have to take this in a shipping context. The real point here is that Ratio is an incredibly good person who wasn't okay with Aventurine's self-sacrificial plan and who felt morally compelled to check on a person in pain. He's a healer through and through, and ignoring Aventurine in this condition--ignoring someone who was taking so much risk on themselves--simply wasn't possible for him, no matter the danger it posed to the plan.
But for those who do ship Ratio and Aventurine... I hope more people will come to see this scene as another example of Ratio's genuine concern for his mission partner! He did not have to appear here at all; it would have made much more sense for him to leave Aventurine to his own devices to uphold the illusion of their "betrayal." He showed up in this scene--very likely against Aventurine's expectations--because he was concerned for Aventurine's situation and wanted to ensure Aventurine knew he could fall back on Ratio's support at any time if the plan went awry.
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tl;dr: I wish people would stop interpreting this scene as the aftermath of a betrayal. Aventurine wasn't ticked off with Ratio in this scene because he felt like he'd genuinely been backstabbed; he was ticked off because Ratio was literally breaking their pre-established "betrayer" character just to be fussy over Aventurine's safety and well-being. (Okay, and to double check on the plan, but let's be real, the first part was definitely more important. 👌)
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