#fuck you the person who wrote this comic

[oifaaa]

YOOOO I JUST GOT MY HANDS ON THE FIRST VOLUME OF FUTURE STATE GOTHAM AND IM OBSESSED.

Why are you doing this to yourself I tried to warn you

#Ask #Anon #Look its fun #But it's also insane #Also speaking of comics #I just read the last issue of task force z #And spoilers kinda #But I feel so cheated #Who wrote that synopsis #I want to have words with you #Bc either they changed the ending #Or they really said we're gonna fuck with Oifaaas hopes and dreams personally

[unidentifiedfuckingthing]

i think actually theres transformers who are trans and normal about it. including the canon trans characters. not including the one who only exists because of simon furmans incredible hate boner against women existing in any media. but im partial to people who seem like they would have really severe gender issues

#thats the backstory to the post i made a couple days ago btw #theres a like token female character thats existed in tf forever since the original cartoon and in the comics simon furman wrote in that she #was a male transformer who was kidnapped and evilly experimented on to turn into a woman (in a society of all men. unclear why you would #even want or know how to make a person in a single gendered race a New gender.) #and it turned her into like a crazed murder obsessed she demon #so like INCREDIBLY bad all around. they still regularly hire that guy to write on things btw. #OH and that comic wasnt like. old. the series only started in 2005. that was between 2005-2012 that that happened #in the MUCH OLDER comic he wrote for in the 80s or 90s he similarly gave the same character a fucked up backstory #that time that human feminists were outraged that all the transformers were men (which like. again. this is a conservative idiot but it just #does not hold up that a single gendered alien species is necessarily male) #and FORCED the transformers to create a new transformer that was a woman #oh but even WHEN they did the human women were outraged about it because she was too feminine and not feminine enough #because feminists are evil and want to ruin every ounce of fun men have for no reason i guess

[softgrungeprophet]

me: idk the infantilizing way fandom woobifies characters (like peter, for example) makes me uncomfortable esp. in the way it intersects with perceptions of a character’s class, neurodivergency, sexuality, gender etc.

also me: anyway flash thompson did nothing wrong

in all seriousness:

obviously i post much more in-depth about the reasons i feel various retcons have handled flash's character poorly, but sometimes i'm like Am I a Hypocrite? and the answer is no because i'm usually not trying to make flash into a softboy either so much as trying to marry multiple aspects of his character as they have appeared in the original early comics with some more recent aspects, while also making an executive decision that i disagree with the depiction of him as the schoolwide terror or the singlehanded life ruiner

cause i don't feel that accurately reflects what we had been shown for most of his character and it feels like it's mostly just used as a tool to make peter seem more helpless and ''relatable'' (by sanding off all of peter's edges) (which is not actually relatable for everyone, it turns out) or else used as a tool to make flash himself less humanized

ideally they should be roughly rivals though technically they can't be because peter could kill flash with his bare hands but like (and i’ve spoken about the rivalry dynamic at length before so i’ll be brief here) EMOTIONALLY SPEAKING they should be on equal footing imo. neither is afraid of the other and that's like... kind of the point, right?

one: that peter is not just the antisemitic stereotype of the jewish wimp and why his masculinity is actually very important in that context, but also two: how flash is mostly .... well. it's in his name. he's all flash and no substance (when it comes to being a threat, at least. obviously as a character/person he has a lot more substance than he lets on, exemplified by peter’s surprise at him reading poetry)

anyway these are things i genuinely think about a lot when i write but also like... Flash is amusingly one of the hardest characters for me to write despite how much thought i put into it (or maybe because of how much thought i put into it).

i spend a lot of time trying to balance his roughness and his softness cause they're both important but sometimes it's very difficult. peter is ironically much easier to write possibly because he's such a hater and i can relate to his anger and id so it comes to me faster whereas flash has a little more to untangle cause i don't want him to be TOO sweet because of the ways he has purposefully closed himself off, but i don't want him to be too hard either because he does have that softness to him even when he's angry. he's an inherently vulnerable character and it can be difficult to do that well. at least it is for me

the sweet spot really is getting that friendly/bitchy banter between them just perfect

#nadia rambles #nadia reads comics #the frenemies of it all... #also i think there's a deeply relatable aspect to flash and peter being rival-friends who are not very nice to each other but then #slowly maturing and realizing hey this fucking sucks actually and i would like to be gentler and more tender with you if that's okay #cause like yeah! being a teenager fucking sucks in a lot of ways and the 12-18 demographic is often really unkind to even their best friends #so growing out of that is a crucial aspect of growing up and re-forging your friendships in a less toxic and less destructive way because #you love your friends and you don't want that dynamic to be that way forever #and i think that is SO clear in flash and peter's relationship so when it's rewritten so that peter is terrified and flash is just a bad guy #i find that frustrating both because it doesn't lend itself to the dynamic changes in their relationship and their eventual closeness #and because it feels dishonest to the ways in which their relationship actively evolved and the ways in which IRL friendships do the same #a way of trying to scrub any messiness out that ultimately shoots itself in the foot cause why the fuck would they ever become #as close as they became in this scenario. it's a great example of a retcon that doesn't really fit into what it's retconning #imo at least #reasons i hate the ''flash showed up in middle school and ruined everything and stole peter's friends and terrorized the school'' takes #sorry cullen bunn i enjoyed many aspects of your agent venom run #but i really hated that one spider-man minicomic about flash being a terrible bully that he wrote prior to doing agent venom lmao #i don't even remember what title.... it wasn't very good in general lol #plus i didn't personally enjoy the flashback about him breaking that other character's arm for being gay cause like it said #i don't feel like he really was a schoolwide bully so it doesn't really fit to me personally #but also it felt kind of annoying to read about flash's sadman hours by using this gay brown dude as an emotional plot object lol #i didn't feel bad for flash at all in that issue like yeah you better feel guilty #but i also don't think in retrospect that the incident itself fit his character #but to each their own i guess

[drill-teeth-art]

Wow! Here’s something incredibly personal.

This is Good Bi Gender. A comic I made to express some feelings I have about my gender. I don’t really have that much else to say about it. Here it is.

[Image Description: A digital comic made with sharp, angular abstract lines and only the colors white, blue, pink, and black. The featured character is all white, except for facial features and hair colors, which changes from panel to panel. The comic reads: Cover Panel: The text "Good Bi Gender", the words colored with the trans flag. It shows a glitchy person's face, half pink and half blue. Panel 1: White text reads: "Hello. My name is apparently irrelevant. And my pronouns are he/him and she/her. But you can't call me she/her. And here's why." Someone with a half-pink and half-blue shirt looks to the side. One eye is covered with hair, and the other eye is pink while the iris is blue.

Panel 2: The character sits happily, imagining facial hair and a masculine voice. "I don't want top surgery. I love my chest. And I dream about being on testosterone someday soon." The character looks at a phone, frowning. The phone shows the male symbol with an "X" through it. Text next to it reads: “People don't seem to think that the features I dream of are very pretty though... Or they think even worse of them than that…”

Panel 3: The character’s features are all pink, and sits in a blank frame. The character reaches over to a blue frame, frowning. “I don't like the animosity. I really despise it.” A photo of the character shows an all-blue frame and blue hair, with pink outlines and facial features. “To be a boy... I aspire to be one. I aspire to be masculine in all its handsomeness. All its prettiness.” Panel 4: The character sits in an all blue panel, but reaches back out to the pink panel. “And I'm still a girl too. I was so excited to have both. To love both. To have handsome femininity. Beautiful masculinity.” The frames break and connect, and pink and blue swirl together. The character smiles in between the frames, with one pink eye and one blue eye. “So excited. And yet I get asked…”

Panel 5: Two hands hold out two different pills to the character, one blue and one pink. They ask “Male? or Female?” using the male and female symbols.The character, facial features an array of pink and blue, looks between the two hands, distressed. “It's both! I'm both! They're not opposites. Not narrow boxes. I say I'm both despite the insistence that I can't be. And I know what I look like. I know I look like a girl to most. I know that if I say people can call me she, that's all I will get from most. Because it's "easier". It "makes more sense". To have my masculinity, I am often forced to be unflinching in it and it alone. To never use she. Because if I don't, I will never get to have he.” [The words "she" and "he" are italicized.] Panel 6: Text reads: “I'm still very happy to be so comfortable in my identity. To know, despite all that, that I am indeed a boy and a girl and both. But you know. Telling people to only use he/him for me. Guarding my masculinity all just to have it. All at the expense of the part of me who is happily and unashamedly a girl.” The character cries from one pink eye, the other hidden. The character holds a pink girl in a sea of blue, the girl crying out. In the midst of the blue, text reads: “Well, it fucking breaks her heart.” End ID]

Edit: @starberry-skies wrote an ID for the comic, so I added it to the og post with its permission!

#transgender #trans artwork #original art #digital art #comic

[undercoverpena]

anytime

javier peña x f!reader

summary: “Thank you for coming with me,” you whisper. Nodding, he feels you follow his path—dropping, scorching his face, tracing the place where the hair sits atop his lip. “Anytime, cariño.” “Anytime, really?”

wordcount: 3.1k. warnings: fluff. bestfriends to lovers. banter. reader wears a dress and has a gloss on lips. no physical description. javi calls reader solecito as a nickname only. likely warnings for spelling as i wrote this on my phone. an: huge thanks to @wildemaven for creating this moodboard (pls go show it some love), letting me make a banner from it, and then letting me write this for Javi instead of Frankie. bby, i hope you like this.

Javi had never been good at avoiding challenging situations.

For the longest time, he’s been finding himself in the centre of a whirlwind—whether in Bogotá, Cali or apparently even back home.

You, his friend, best friend—a well-kept secret, tucked away in his chest, not shared with a soul when he was away. You were a thing that he’d clutched close to his chest from the moment the two of you had first gotten close, through his failed engagement and even more so when he left for Colombia. You, in all your understanding, hugging him, telling him he’d be great, amazing, the very best.

Both of you were younger then, less worn down by life, its many obstacles and all the other things.

You best not become best friends with anyone over there, Peña. As if anyone could annoy me as much as you, solecito.

In the brief interim of his return, you hadn’t appeared all that different. You may have had a job, a house—drove a slightly better car than when the two of you were staying out at all hours—but you, at your core remained very much the fucking same.

Still just as understanding, as kind. A person who got him, without really needing to try.

For Javi, the best thing—outside of you being you and the monthly calls you made him promise to keep when he was drowning in murder, drugs and Escobar—is that you never ask him about it. Any of it.

You had always let him pretend, escape, listen to you fill him in on gossip—things such as disagreements over the size of rhubarb and whether someone was having an affair. A thing you did even when he came back. Even more grateful for it then, when he grew tired of the questions, the compliments, the everything.

Its why he didn’t tell you when he would land back in Laredo for good. Just waiting, standing outside your place, leaning against your car as you walk down the street—eyes brushing over him, pausing, before he gets to see that smile. That signature fucking smile.

When he’d left the first time, he remembers how you’d lingered near your car, unwilling to climb into your bright yellow death trap—the entire reason he called you solecito to begin with—wearing the beginnings of that smile even then.

The difference is now he knows that there was something under it. Hidden, held back, kept from him.

It’s why it meant so much to him when he saw it in all its glory, all alight, blooming and somehow healing.

He can’t explain it, but it repairs strands inside of him. Your presence alone continuing to do so when he meets you for lunches, coffees, and late-night drinks. In exchange, he makes you laugh, your head thrown back as he tells you about whatever he did on the ranch—all of it comical, apparently. Because the idea of him, Javier Peña doing ranch work brought tears to your eyes.

“You’re just jealous.”

“Jealous?” you splutter, taking a mouthful of your beer as you narrow your eyes.

Nodding, he leans back into the booth, arm stretched out, picking and picking—the label crumbling from the sweating bottle. “Yeah. Bet you’re upset you don’t get to see me herd cattle and mend fences.”

“Oh, yeah. One-hundred-percent.”

Shrugging, he grins—an easy task with you. A thing that has always been that way, even when he turned up at your door when he couldn’t get married; even when the two of you sat under the stars when he told you about possibly going to Colombia. You still made him grin—even when things weren’t fucking easy at all.

“I’ll add it to my to-do list—visit Peña on the ranch—it’s currently sat under finding a dress, a boyfriend and the will to fucking live.”

Snorting, he traces his bottom lip with his thumb.

Your face scrutinises him, before rolling your eyes. And he just waits—because you always spill eventually.

One. Two. Th—

Fine, you huff, before it unravels from you. How the wedding of your work colleague is close, closer than I thought and you’re tired of attending these things alone, circled like a fucking fish by single sharks.

And he’s listening, taking it in. Trying to not wince at how high-pitched you’ve got as you’ve ranted.

Mainly, Javi finds there’s more questions rising than answers provided.

One singular one rising to the top. A thing he’s wanted to ask for the last few weeks. Not in a rude way, or in the way it burns inside his chest when he talks to you on the phone and he has to bury it. But, it’s there, bubbling, wishing to escape and know. It's even louder when the two of you are like this, crammed in a space, laughing, smiling, sharing, wondering—

Why are you even single? How are you?

You’ve mentioned people—names, here and there when the two of you had been on the phone. Them fluttering out before you can pull them back, but then they’re forgotten. Javi, I get one call a month—let me tell you about the cattle war going off. And, in a way, he didn’t want to hear, didn’t want to know, so he never asked.

Now, it’s all he wants to ask.

Because you’re… you. You’re brilliant, beautiful—funny, clever, witty. And yet—

“—so, now it’s a week out, and I need to find a dress, a date and drive there to watch another person I know get married.”

He knows he should busy his mouth with the bottle—wrap his odd idea in beer. But, that part of him—the one which wants to help, solve issues, and be useful—rises up in him like a phoenix left from the ashes of Colombia.

“I’ll go with you.”

He expects the pause, even braces for the look of shock.

He doesn’t expect the smirk. Doesn’t expect the way it spreads out, to hit your eyes. How under the low-bar light over the table, it makes your eyes glimmer and fucking shimmer.

“You want to go to a wedding with me?”

Shrugging, he picks off the last part of the label—the mess of it all circling around where the glass meets the wood.

Mirroring him, you shrug. “Alright.”

“Alright.”

He should take his eyes off you, but he finds he can’t.

Javi hasn’t been able to since you stepped out of your place, a handful of your dress as you locked up—stepping down your steps to his car, letting it flutter down to your ankles.

You look like a fucking dream.

A thought he knows he shouldn’t have—but has all the same. His heart staggered, half-halting in its hammering as his hands paused in their drumming on the steering wheel; his glasses slid down his nose, his skin suddenly warm all over, even if his jacket was already splayed out across the backseat.

Close your mouth, Peña.

I’m chewing gum, solecito.

Yeah, that’s why your mouth is open.

It hadn’t passed his notice that you were good-looking before today. He’s known you were, had always known it—he had eyes, after all. But, he’d always felt there was a line. A line the two of you never delved too close to step over. The sign above both of your heads already illuminated in bright bulbs and flashing lights:

JUST FRIENDS.

Until this, anyway. This thing that can only be described as the longest one-hour drive he’s ever been on. And he used to do recon with Murphy.

Because you’re teasing, taunting him. All in that usual way that you do. And it’s so easy to flirt back, to let line after line roll, but he has begun to spot you squirming.

Doing so while matching his suit in a deep brown shade—chosen by him, ‘pick a colour suit, Javi’. Adding a tinge to some of your comments—things that if said by someone that wasn’t you, he’d ask them (flirtingly) if they were coming on to him.

But with you, it’s something he can never be sure. Never something that can be completely understood, known, cracked or figured out. In the same way, he can’t understand how your perfume keeps following him. How it embeds itself into the cabin of his truck when he picks you up, sews itself into his clothing when the two of you meet—and right now, is attempting to bury itself in his skin, muscles, and bones.

“You’ve been abnormally quiet.”

Smirking, he snorts. Fingers smoothing out his hair as he swings into a spot—the tyres crunching over the gravel. “Have I? Or have you just not shut up.”

“Rude.”

Laughing, he cuts the engine—hands resting on the top of his thighs, not missing the way your eyes follow his movements before clearing your throat. It shifts something in him, makes a little part of him surge, like the smallest of fireworks suddenly erupting in his chest.

Something he forces himself to shut down the moment you shove open your door, slipping out, as he grabs his jacket.

“Do I need to be worried about you crying today, solecito?”

Rearranging your dress, and slipping the strap of your bag over your shoulder, you squint as you stand tall, hand covering your brow as you meet his gaze.

And fuck, with this backdrop, even squinting, you look beautiful, radiant, stunning all over again. Somehow his brain having forgotten when you were next to him, when you were acting as if this was the most normal fucking thing they’ve ever done.

It isn’t.

Something he’s becoming more aware of as his throat goes dry, and his thoughts slow to nothing—

“No, you’re good. Your mouth is open again.”

You say it with a smirk, all teasing—making heat lick up his spine all over again. And, if you were anyone else, he’d have already pulled you close, tilted your chin up, and likely smothered your mouth with his.

But, you’re his friend—his best friend. The one solid thing he’s had in his life since he became a name, a poster, a hero.

“C’mon,” you say, turning on your heel as you head in the direction of the entrance, him following, jacket slipping on as he mutters mouth isn’t fucking open under his breath.

Even if he knows it was. Even if he’s desperately trying to stop his eyes from descending down to your hips, eyes fixated on the way you walk with ease to the wooden sign which greets all the guests.

He knows, due to his absence from home, there haven’t been many weddings he’s attended. Least of all like this. But even he thinks this is over the top, suddenly understanding why you hadn’t wanted to come alone. Because grand doesn’t quite cover it—not after the last one he’d attended.

This one has flickering candles lit in the day, waiters all set to hand glasses of bubbles and offer little mouthfuls of flavour on silver trays. Then, there’s the backdrop—the enormity of the building, only for you to tell him that it’s an outside wedding.

It’s more of a comfort as to why his hand drops to the small of your back than anything else. A need to be rooted, to feel calmer as he nods at passing people he doesn’t know (and hopes don’t know him), feeling you curl into him subconsciously, your bag swinging between the two of you both—affording a gap, forcing it, in fact.

The ceremony will start soon.

He overhears it, as he assumes you do, because your fingers wrap around his wrist—taking it from your back, before your palm meets his, and then you’re guiding, leading. Dragging him. All willingly to the back of the building where he sees it—the makeshift aisle. A wooden arch, and lots of deep orange-brown chairs all line up on either side of an orange aisle.

“Glad we chose brown now,” he murmurs.

“Does it make you think, y’know—being at a wedding?”

He swallows. Because it’s a loaded question.

One he assumes has been sitting all politely on the tip of your tongue since you sat beside him in his vehicle. It’s why his eyes watch you carefully as you grab the two of them a flute each from a passing waiter. Handing it to him, adding nothing—not rescuing him. Just waiting instead, doing that thing you do, where your eyes widen as you wait, trying to look all innocent even though it’s you who has just dropped a live grenade into the centre of the conversation.

Shaking his head, he snorts. “No. Not really. Knew… I knew deep down it wasn’t right. Her… and me.”

“You got any idea what’s right?”

You take a sip this time when the question lands, it again sparkling in glittered innocence, the softest of smiles pressed against the glass.

You he thinks. But he swallows that away and says ‘Not a fucking clue’ instead.

Throughout the day, he’s been desperate for a reason to stop looking at you.

So far, he’s found none.

Bits and pieces of things Murphy used to say, the words he’d drop into conversation when talking about his wife: how he knew, why she was the one, all coming back to him in drips and drops.

It dawns on him, the same as it had done since before he went to Cali, that you might mean a little more than a friend. A lot of what Murphy used to say, so easily applied to how Javi felt about you.

You make him feel calmer, create a space where he can relax, really unwind. It’s easy, uncomplicated, when he’s with you—from the conversation to the things he thinks. Complex balled thoughts stretch out until they’re in easy-to-decipher lines, able to process, able to understand.

He even told you about the boats.

A secret he’d have been prepared to take to the grave, if not for the fact you pointed out he wasn’t sleeping. Your eyes watching, pleading, don’t lie to me. And fuck, he couldn’t—not even if he wanted to.

That should have been the first sign.

He guesses he should be thankful today has been stuffed with more of them. One after the other. From the way you made sure to make him a plate of only his favourite things, to the way you knew when he needed a bit of space from the thousand questions as to how you both knew one another, and what he does.

Now, Javi is on the sidelines, admiring you in a way that makes his heart double in size.

Your dress skims around your calves as you dance—your arms rising above your head, glee stitched itself from cheek to cheek. On occasion, time halts when your eyes land on his—stealing whatever thought he had, only resuming normality when you close your eyes, belting out the lyrics to the song.

Mainly, the thought he finds which keeps returning is: I wanna do this with you again. any place. any time.

A hollowness scratches out in his chest as he lets himself acknowledge it. A thickness growing in his throat, a sorrowness weighs down on his shoulders as he nurses his glass—hand in his trouser pocket, telling himself he should be content he got to be on your arm, got to have you against him during a slow dance over an hour ago. That he gets to see you smile, hear your laugh—even know you.

“Hey, Peña.”

“Hey solecito.”

You grin—a little breathless, the music having changed, becoming slower, softer—wrenching the glass from his hand as you drain it.

“Fuck me. Y’thirsty?”

“Very. You’d know if you had any rhythm.”

He pinches you, lightly—teasingly. Your grin shifts into a laugh, tucking yourself in against him, arm around his back. And fuck, the way you’re looking up at him, he wants to warn you.

If you look at me like that, I’m going to kiss you.

Javi wonders what you’d do if you did. Whether you’d pull away, hissing the two of you are friends. Or whether you’d kiss him back.

“Want to get some fresh air?” you ask, your words against his ear—lips so close to ghosting his skin.

“Sure.”

It’s cooler when the two of you step out from under the marquee, the music getting quieter when your fingers loop in his, guiding, easing him around plant pots and tall trees, until the two of you are descending marble stairs and past iron fencing, to take him to the perimeter, to the view looking out over the city.

He watches as you step forward, fingers around the iron fencing, leaning, staring out as you let out a heavy sigh. One laced with things he wants to ask for, tug it from you, let you unload whatever is weighing on you—because that’s what you both do for one another.

You make it easy.

Make it all bearable.

But, whether you mean to, or not, you shiver. A light one, barely noticeable by most—but he isn’t most. His fingers are already at the button, undoing it, sliding his jacket down his arms before he places it over your shoulders, watching your head turn, meeting his gaze.

“You look really pretty.”

Flicking your eyes down, you smile. Sweetly. Unreadably. “Well, you’ve always been pretty.”

“Pretty?”

Laughing, your fingers tug his jacket closer, burying yourself in it. “The prettiest, Javier.”

Leaning beside you, he feels the metal from the railings, you’re both resting on, cut into his palms. He wonders if you feel the same, your dress billowing in the gentle breeze as the two of you stare off into the distance, spotting the flickering lights of a city, of homes tucking in for the night.

Then he turns his head, finding you already watching him, studying him in a similar way as you were before.

And, he lets his eyes drop to your mouth. A sign. A signal. It’s not the first time, usually, he does so when you’re not looking, letting himself trace the curve of your lips. Now, he stares at the way your gloss has long since gone, left behind on glasses and straws.

“Thank you for coming with me,” you whisper.

Nodding, he feels you follow his path—dropping, scorching his face, tracing where the hair sits atop his lip.

“Anytime, cariño.”

“Anytime, really?”

Nodding, he swallows. A thousand things he’s thought, and felt, all rushing to the surface—unwilling to bury itself, to descend under the usual guilt and feelings of inadequacies when it comes to you.

“I’d do anything for you.”

Smirking, you tilt your head. “Anything?”

Biting your lip, he feels it—something thrumming in him, being plucked.

“Will you kiss me?”

“I could…”

Your brows rise, a louder cheer coming from inside, but it doesn’t do anything to tear your eyes away from the other.

The whole world could slowly vanish from around the two of you, and all he’d want is just to stare at you.

“But?” you ask, delicately.

Almost so softly, it makes his chest ache.

Dipping his head, he lets his gaze wash over the place again—the rolling land, the trees, the houses in the distance.

“If I kiss you, I don’t think I’ll ever stop.”

You slide closer, shoulder to shoulder, eyes scorching his jaw, his neck, the side profile he can feel you tracing with your gaze.

“Then don’t,” you say.

His neck almost cracks with the quickness of his movement, his eyes scanning, reading, a part of him wanting to step back, and protect you. Because he’s not sure about the parts of him you’d find easy to love—

“You don’t know what you’re—“

“Don’t care,” you interrupt, fingers twitching on the lapel of his jacket. “I know you—Javi, not Agent Peña. I know the boy who cloud-watched with me when my parents wouldn’t stop fighting; I know the man who told me to stop sending him postcards from the town shop—but also whispered that he liked them.”

Snorting, he smiles.

“So, if you want to, no pressure—but, I think you should kiss me.”

“Yeah?”

Nodding, you bite your cheek. “Think you’ve wasted a lot of time not kissing me already, honestly.”

Of course you do, he thinks. And then he kisses you, palms on your cheeks, slanting his mouth over yours.

And fuck, it’s the best fucking thing he’s ever done.

an: honestly, this made me so fucking happy to write.

#javier peña x reader #javier pena x reader #javi peña x reader #javi peña x you #javier peña x you #narcos x reader #javier pena x you #javi pena x reader #narcos javier x reader #narcos javier #pedro pascal x reader #narcos fanfiction #pedrostories #mm: late night texts #javier peña fanfiction #pedro pascal characters fanfiction #pedro pascal characters #pedro pascal fanfic

[tocomplainfriend]

HAZBIN AND SA (+HB)

TW: SA and RAPE

THIS ITSELF DOESN'T TALK ABOUT THE SCENE! But the surrounding context.

So I really hate everything about how this has being treated. I am a SA victim and wanna talk about some stuff. If you didn't know, in episode 4 (I think) there is an exploration of Angel Dust SA, before going to do that lets see some stuff first:

She made a "cumming" joke about the song Poison (that accompanies the SA scenes)

This person over here worked on HH/HB (draws r-pe/non-con)

BLURRED AND CUTTED IMAGES: (Some are more or less explicit)

You know, that whole thing of shipping, and drawing porn of the canonical sexual abuser with the victim?

They also left this comment, under a comic where Val threatens brutal r-pe on Angel.

This person also worked in/directed the scenes of Angel dust Sexual abuse in the episode. The person that ships a r-pe ship and does all this shit is the one to work in this scene?????

ALSO????

Like??????? What happen here?

Also...

(The pinkie pfp person is 15 here too)

Why does Angel sexually harrases Husk non-stop (which is acknowledged by Vaggie)? Why is Moxxie SA by the succubus played for laughs? Same with Chaz or Blitz harassing him sexually or touching him without consent? Why did Stolas do so many unwanted advances towards Blitz, and that's literally the endgame couple of the show? (All of this are jokes, or by the Husk x Angel shit "ship moments"

WHY THIS TOO?

And yes you are "correct", something like Hypersexuality Trauma-should not being shamed. You are not a bad person, for dealing with this. BUT HEY, that doesn't mean you get to sexually harass people like Angel does to Husk or anyone.

Also, the problem is not having an SA victim's story. The problem is how it is treated and all the context that surrounds it. All of this above is that context! Why is so much SA jokes in Helluva? Why is that funny? You want to tell a story of SA, and anyone calling out the problems with it is deleting victims feelings and stories... YOU AND YOUR STUPID FUCKING JOKES DO THAT ALREADY. WHEN SA IS A JOKE FOR YOU, YOU ARE DIMINISHING SA AND R-PE.

There are also a lot of random fans saying that "Viv is an SA victim too"- #1 Where the fuck did she say that, cause you randomly saying that she said it doesn't mean shit. #2 DOESN'T DELETE THE WAY SA HAS BEING TREATED! THIS IS NOT EVEN CLOSE TO MAKING A JOKE AS AN SA VICTIM ABOUT YOURSELF- SHE/AND OTHER IN THE TEAM ARE WRITING CHARACTERS GETTING SEXUALLY ASSAULTED AS THE JOKE. -OR NOT UNDERSTAND LEGIT POWER DYNAMICS AND THE GROSS THING THAT STOLAS DOES TO BLITZ. OR THE LITERAL "SHIP COMPILATION" THAT IS PURELY ANGEL SEXUALLY HARASSING HUSK.

"Is important to represent SA survivors stories- specially men who-" BROTHER ALL YOUR OTHER MALE CHARACTERS SEXUALLY HARRASS/ASSAULT OTHERS AS A JOKEEEE. "They are in hell" BITCH A HUMAN, A REAL PERSON WORKING ON THE SHOW WROTE hahaha Moxxie gets violated by the succubus so funny lol. IT'S NOT "LOONA IS A BAD PERSON FROM HELL THAT'S WHY SHE MADE FAT JOKES AT MOXXIE" NO IT'S WRITTEN AS IF THE SA WAS FUNNY IN ITSELF!

This is also not a scenario where there was a realization of the problems in HB with all those jokes and the harassment, so it was trying to be fixed with a serious story in hazbin. NO, THAT'S NOT IT!!!!

If there was an apology of how the sexual assault was treated in previous works! "We'll make up for it!" (the fact of that was a thing in the first place, it's still bad). That would be a little different. BUT NO, IT'S NOT! IT'S HYPOCRITICAL AND GARBAGE BULLSHIT.

I think purely by the context already given here that I think the representation it's bad. I don't feel like it comes from a good place, due to the hypocritical shit, the comments, and the artist who directed it.

We could go really back and forth with the direct scenes of the episode. BUT THIS IS ABOUT THE CONTEXT SURROUND IT rather than the scenes themselves. (Which is partly connected to the fact that it's incomplete)

Here is the scene "Tuca and Bertie". Is Bertie telling her friend of her assault. It's amazingly respectful and well written. It's not graphic, and tells the story really well.

#vivziepop critique #vivziepop critical #helluva boss critique #helluva boss criticism #helluva boss critical #hazbin hotel critical #hazbin hotel criticism #hazbin hotel critique #spindlehorse critical #tw rape #tw sa #tw abuse

[superectojazzmage]

Said in my review of the movie, but easily one of my favorite aspects of Across The Spider-Verse was the Spot. Like, maybe I’m biased because he’s one of my favorite underrated Spider-Villains but he was SUCH a great choice for the bad guy in this movie and they wrote him so well, perfectly capturing his story in the comics.

They really bait you out into thinking that he’s this cute, adorable, dorky, and harmless joke character, the sort of dumb “villain of the week” that Spider-Man swats on his way to real problems and never does anything especially evil, but then they start peeling the layers back and you slowly realize that, no, this goofball dude is actually a completely ruthless, bloodthirsty, vindictive, and depraved murderer who will do ANYTHING in the name of getting even with the people who piss him off in anyway whatsoever and his powers are only superficially goofy at best, being nightmarishly powerful when applied properly. And all you’re doing by laughing at him or beating him up is encouraging him to get even stronger so he can come back and kill everyone you love as a personal “fuck you” because he doesn’t care how many dead bodies it takes to make people take him seriously.

He starts the movie as a generic low-level RPG enemy and ends it as a nigh-unkillable superboss stacked down with game-breaking stats. It’s incredible.

#across the spider verse spoilers #across the spiderverse #across the spider verse #spiderverse #atsv #spiderman atsv #spider man #spiderman #marvel #marvel comics #marvel universe #the spot #johnathan ohnn

[autism-alley]

hi originally posted this at the end of a long thread of back and forth, here’s the og post if you want full context but i feel like this needs to be its own post especially bc i keep seeing this argument being made—the argument that the kids (in this case it was annabeth) SHOULD just know the monsters are monsters and who they are and how to defeat them before ever encountering them, that it’s a problem if they don’t.

the problem is not if 12 year olds should recognize a trap when they see one, even if they’re smart 12 year olds, and if that’s realistic. that is entirely beside the point.

the problem is rick riordan wrote a book series whose formula is bringing myths to the modern age and he’s not sticking true to that in the show—percy jackson and the olympians’ Shtick is taking these classic, ancient threats and giving them a new face. these traps work because these kids are not walking into a cave marked with Get Out and getting ambushed by monsters—the monsters are disguised as harmless mortal human beings, in harmless mortal human being places (for the most part) and i think we—and more importantly, the show—are all forgetting the mist, the magic involved here. it’s not just that medusa is a “creepy lady with her eyes covered” it’s that there is ancient magic at work here, magic that, like the systems of abuse pjo exists to criticize, has been evolving and continuing its malevolence for millennia. it’s formulaic, that’s the point. it’s the same trap you’ve learned about all your childhood, the same trap a thousand children before you learned all their childhoods, and still, it works. you fall into the trap. because that’s how generational abuse works. it’s a trap. it isn’t enough to learn monsters exist, what they look like from a second hand story that originated thousands of years ago. if you want to escape alive, you have to adapt as quickly as they do, recognize their face, and ultimately, beyond any individual trap, the game itself has to change. real, generational change.

so. the problem is rick riordan wrote a series with a formula for action that perfectly captures the overarching, systemic conflicts he was commentating on, and then threw that formula out in the show because it was “unrealistic”. i don’t give a damn about realism when it works to the detriment of the story. this is a story about generational abuse, yes, but it’s told through ‘a tale as old as time’ and that’s why it works so fucking well. and when it comes to basic storytelling, if your characters know the threat before they even walk in and you do practically nothing to then make up for the stakes you have removed, that’s a flaw. now you’ve lost the entertainment value for your audience, on top of also lessening your themes.

something else that is so. honestly soul-crushing as a writer and a creative, is that to me this is reflective of the way we are now afraid to tell earnest stories. stories where we care not for listening to the people who want to pick apart fictional, mythical, fantasy stories for not being “realistic” instead of aligning with our target audience who acknowledges reality is not what makes a story. think of your favorite movie, show, book, comic, what have you—has the reason for your favoritism ever been because it is the most reasonable, the most grounded, the most practical out of any you’ve seen? or is it because of the emotion? the way it speaks to you, to your life and the person you are? the journey it takes you on? is the percy jackson and the olympians book series so good because it’s inherently realistic?

the secret to storytelling is, very simply, focus on your story. everything else is secondary. if it’s written well, it doesn’t matter to me that the characters walk into a trap that, to the audience, is obviously a trap. because i can understand how the characters don’t know it, and how the story falls apart if the narrative just tells the characters it’s a trap from the jump. that’s what dramatic irony is—first used in greek tragedies! this is literally a tale as old as time in every sense except for the end—where it’s happy. and it’s not earned if we don’t first see, over and over, the status quo as a tragic trap.

it’s not about if annabeth (or the other kids) is “smart enough” to not walk into a trap, or about if she’s just too prideful to not walk into what she knows is a trap (or any reason that could apply to the other characters), it’s that annabeth, at the end of the day, is a character. she is a storytelling tool for the messages of the narrative. that doesn’t make her any lesser. in fact ignoring it reduces her, because it reduces what she represents. it’s about how rick riordan, or whoever else at disney, has fumbled the storytelling bag so ridiculously hard that they can’t take the simple, effective formula outlined from start to finish (by good ol 2009 rick himself) and adapt it to the screen without answering the most unimportant, derailing, anti-story questions.

#one of the ppl who reblogged the og post said whatever happened to suspension of disbelief and i could have kissed them on the mouth #yes exactly #this new age of audiences who praise ‘realism’ over good storytelling i hate u #‘content over cinema’ i hate u. #i’m not even a screenwriter but any writer can tell you #we’re talking foundations of the craft here #and the worst part is rick already succeeded in the books #if it ain’t broke don’t fix it #where along this path did he lose sight of everything he set out to say? #anyways this is its own post now go forth and do with it what u will #pjo #percy jackson #pjo show crit #percy jackson and the olympians #pjo tv show #percy jackson tv show #annabeth chase #ris raves

[bluespiritshonour]

Oh my God!

I just caught up with World's Finest: Teen Titans and I absolutely have to write this out:

First of all, I love this cover:

The thing that caught my eye: “you're grounded.”

Not the dramatic “you're fired” as if the motherfucker didn't raise that damn kid in his own damn house for YEARS.

(I know. I know. Bar on the ground, but what would you?)

Also, the anger palpable on Bruce's face and Dick's absolute disregard for it. I'm laughing here y'all. This is what teenagers act like. This is what fights between parents and children look like.

Also. Dick Grayson, I've been missing. You're back from war!

I love how curt he is. The “Get lost” hits in all the right places. We love a strongly-principled character that stands for what he believes in. With all the lukewarm Dick Grayson writing floating around I felt like walking into a coffee shop while it's snowing outside.

More of this writing, please.

I'd been waiting for this moment all through this series.

This conversation.

I compare things all the time. It might not be the right thing in every field but I think it serves well when it comes to comic books. We all have personal “canon criteria”—for example, mine are “Darwyn Cooke wrote this Bruce so I'm taking it as valid characterisation ” or “Every version of Bruce played by Kevin Conroy is valid”. (Minus Bruce Timm bullshit!)

Which was what cinched my hatred for Bruce after reading a Robin short story that Cooke wrote and alluded to Robin: Year One in it. I mean, I might not fuck with Dixon, but am I going to call even Cooke's Bruce OOC? No. It means Bruce is a jerk. Full stop.

Waid is one of the writers I respect (excluding Kingdom Come. I hate it and I can't put my finger on the why. But I just do: I hate it. I hate it for Clark. I hate it for Diana. And I'm a professional Bruce-hater so let's not even go there. I hate it for Dick too.)

And Dick and Bruce's relationship has a lot of baggage from the fact that a) Bruce is himself traumatised and fails to meet Dick's emotional needs b) he wasn't ready to be a father when he adopted Dick c) Dick simply suffers from being the eldest—the test child.

And very rarely have I seen writers manage to walk on the thin line of complicated-but-dedicated-and-strong.

Young Justice cartoon did it. Dick and Bruce's relationship is going strong. But they fight and have different values. And Dick can see all that is wrong with Bruce's approach to vigilantism in particular and life in general.

Grimm (Legends of the Dark Knight #149-154) did it right. Where Bruce hurt Dick deeply and made him feel unwanted all the while overthinking about Dick's well-being. Way to go, buddy! You can see the repercussions it has for Dick while simultaneously stare at this man who's tying himself into knots trying to think how best to parent.

I think that's what most Bruce and Dick comics miss: the excessive worrying. They don't show the worry, make them fight for drama, never address it apart from throwing out a “it's because Bruce's worried” (bitch, where?) and have Dick running back to Gotham at the first chance. It sounds an awful lot like “your parents hurt you 'cause they love you” bullshit.

I think World's Finest manages it well because foremost, Bruce says, in words, that he's worried about Dick's well-being. He's taciturn, he's putting constant pressure on Dick all in the hopes of making him quit Titans. All this makes him a jerk. But I don't hate him for it.

It's between Dick's “you don't trust me” and Bruce's “no, I don't trust them.”

Most teenagers clash with their parents. It's normal. That's what Waid has shown here and I love it. It feels very—normal?

Especially when the Bats aren't normal! Bruce sure as fuck ain't a normal parent. But there was something very bitter-sweet coming-of-age in this conversation.

Bruce does all those things that are bad for Dick and his growing independence. You're not supposed to handle teenagers like that.

He's worried and taking desperate measures. “If I punish him, then maybe he'll obey me and quit Titans and then he'll he safe”—lots of parents who don't know how to deal with teenagers do it.

But the sequence of it: Bruce is worried → Bruce wants Dick to quit Titans → for Dick it means proving himself to be better, to not get hurt (as if he can control that beyond a certain point) → Bruce being alarmed at Dick's insistence to stay with the Titans and taking desperate measures like benching him.

At least it makes sense.

Compare it to Dixon's Nightwing origin story, which honestly, personally I think was lazy writing. Drama for drama's sake. “You’re fired because you're spending too much time with the Titans.” The same writer also had Bruce say that he did it because he wanted Dick to strike out on his own. Blah, blah, blah.

And no matter whatever happens he'd never ever say it to Dick's face that he's worried about him because—well, reasons.

Robin: Year One logic:

I'm worried about Dick's health so I fire him. He runs off and can get hurt? He joins a school for assasins? None of my business. He can get hurt on his own, I don't care as long as it is not on my conscience. Peace.

—Bruce “professional narcissist” Wayne.

So, yes. When faced with this book(WF: TT), I'd call Dixon's writing lazy.

I'm also comparing this to several other instances when Bruce verbally says (never to Dick, mind you) that he loves that Dick's a better person and better vigilante than him. But in the same book he'd yell at Dick for exactly the same thing. (I consider that lazy writing, since BTAS made sure to show a shot of Bruce smiling whenever Dick was happy/not like him).

I like this thing here where he says it to Dick's face. He's still grounding him for “discipline's sake” or whatever—very, very IC for Bruce.

But he also lets Dick know that he appreciates his values, that are different—better—than Bruce's own.

I can stomach that.

Honestly Bruce's writing in this book felt like BtAS writing (pre-Bruce Timm fuckery). That's a compliment.

P.S. Waid's a good story-teller overall. His Superman: Birthright was one of the first Superman comics I read and I fell in love with Clark right away.

Peace ✌️😂

#dick grayson #bruce wayne #batman #world's finest #teen titans #robin #titans #wf: tt #world's finest: teen titans #dc #comics

[meiiie]

dave lizewski, i’m so into you. (pt. 1)

summary: you say something unexpected about Kick-Ass while discussing with your friends which hero you prefer the most.. Kick-Ass? Or Red Mist? little did Dave know or so you thought, you knew it was him all along..

a/n: uhh this is just a silly little imagine.. no one is probably going to see this post anyway but i’m new to this so this isn’t really the best thing i wrote, i hope u still enjoy reading this LOL i’ve also added my OC named Melilah who will be your best friend in this, um slight nsfw mention near the end but no actual action, thats it i think! yeah that’s it, happy reading :)

(pairing: dave lizewski x fem!reader) link to pt. 2

word count: 1.5k

It was a normal day, going to school, attending your classes, eating lunch, procrastinating your school works, submitting homework… attending more classes… rinse and repeat. But today was not what you expected, like.. at all.

ring ring… ring ring… you pick up your ringing phone while walking down the street, on your way to the convenience store.

“hello.?” your voice turns out more tired and groggier than you expected “hey when are you getting home sweetie? the food is getting cold and its already almost 6:30 pm, where are you?” your mom says with a worried voice, you could already imagine her face by just hearing her voice

this week has probably been one of the most stressful weeks of your entire life, class has been giving more school works, more due dates, you probably see your life flashing before your eyes right now “um yeah i’m on the way home already, don’t worry mom!” you say attempting to make your voice sound enthusiastic “well you better not be hanging out with that pretty boy.. actually maybe you should invite him for dinne-”

“mom— i—“ you cut her off but then you sigh giving up to even explain. “…he’s just a friend i swear..”

this supposedly ‘pretty boy’ your mom is referring to is Dave Lizewski, this guy in your class who you were paired up to work on a major project so he’s been at your house a few times already. surprisingly you get along with him really well? you’ve even become a part of his friend group including your best friend Melilah. She always points out the fact he always stares at you whenever you all hang out in Atomic Comics and during classes, but you’ve never really thought about him that way, or maybe you were considering it?

while walking down the road the street lights flicker a bit and you see someone trying to hanging onto the ledge of a billboard of some sort. you hear the figure shout at the cat sitting, waiting for him to fall “FUCK YOU MR BITEY!” his voice echoes, but wait.. why does his voice sound so familiar…? “okay okay okay, but call me and update me on where you are okay? be here quick, i love you!” your mom says- *THUD* you quickly look at the direction where the person, you assume, fell “UH yeah i’ll call you! i love you mom, BYE!” you say hastily, almost whispering.

beeeep.. beeeep.. you hang up the phone call, quickly putting your phone back in your messenger bag and hide behind a car. you spot a green figure, uh, “what in the world is that…” you think to yourself. the figure is wearing a weird.. cosplay suit.. it’s almost as if he looks like a green condo-

your thoughts are interrupted as he storms off looking frustrated, most probably because of the cat he couldn’t save.. he walks hurriedly into the dark alley. for some what reason you felt a little curious, just a little bit. so you go and follow the ‘super hero’, “this is so stupid.. someone remind me why I’m doing this to myself?” you whisper to yourself as you hide behind a pole, (you think this helps you stay hidden but you should’ve seen dave’s face when he saw you) trying to get a peek at the stranger. he takes off his mask angrily, you watch his curls fall into place, there are some scratches on his face from the fall, “damn why does he look so fine” you say in your thoughts and then you realize.

those are the blue eyes you see everyday in school, THAT’S DAVE LIZEWSKI. you silently gasp covering your face. his eyes dart at your direction, he shudders at the sound of your noise then next thing you know you start running away like a cockroach flew at your direction “WAIT!” he shouts, good thing you ran quick enough so he probably didn’t see your face, key word: probably.. actually there was no reason to be running from him at all- but you just felt like it..? considering you’re still in your denial stage about your feelings for him, who wouldn’t? you open the door to your house and get in as fast as you could just in case he followed you. the tv is bright and the news displays the text in bold ‘SUPERHERO KICKASS SAVES THE DAY’ you stare at the tv in shock because that’s… how… he’s Dave..?

your mom pops out of the kitchen “hey your back home! i thought you were going to call me to update me where you were..- oh yeah that superhero… what’s his name? Kickass? apparently he stopped a bunch of guys yesterday who were trying to beat up another guy that was in front of a convenience store and a bunch of people saw it then recorded blah blah blah you get it” you just stare at the tv in shock. “hello…? earth to y/n?”

it’s been almost 2 days, you’ve been avoiding Dave, trying not to make eye contact with him, passing by him in the halls, not even acknowledging his presence, even avoiding the hangouts to Atomic Comics, despite the fact you still have to do a major project with him. you open your locker getting books out of your locker, “hey have you heard about those two new superheros? Kickass? and Red Mist?” Melilah questions and your eyes widen at the question, only being reminded of Dave “yeah- well- i think its kinda dangerous doing that you know? being a um.. a superhero? why are people even so into them nowadays?” you say hesitatingly “ugh you are such a buzz kill, anyways Todd and Marty invited us to hangout… in Atomic Comics…” she looks like she’s about to ask a question, but she hesitates “go on.. continue” you gesture her to reply “why are you like.. i don’t know avoiding Dave? we’ve all kind of noticed that you know and the tension is killing all of us..”

you close the locker door and bring her to an empty classroom, you say “okay i know this sounds a bit crazy but DAVE IS KICKASS.” she “pffts” at your statement then turns to look at your face again, “oh.. your being serious” she says “YES I’M BEING SERIOUS?? i was on my way to the convenience store right and Kickass or Dave- i don’t know anymore was trying to save this cat then falls from this thing- anyways he walked in the alleyway so i was like ok i’ll just follow him! what could possibly happen!? then he took off his MASK SO THEN I RAN AWAY AND HE WAS LIKE ‘wait!🤪’ BUT I KEPT ON-” Melilah tries to comprehend everything, slowly nodding… slowly.. she whispers loudly “OKAY KEEP IT DOWN SOMEONE MIGHT HEAR YOU, okay so are you SURE this was Dave?” still whispering

“a HUNDRED percent.” you say trying to defend that you weren’t just seeing things

she sighs “well what are we going to do? I already told them we were going to be there..”

“you said WHAT?”

“okay okay chill they didn’t say Dave was coming, they obviously noticed how awkward it was with you guys so why would they invite him right haha.. haha…..” she laughs nervously

after both of you gather your thoughts you find yourself already settling down in a booth, in Atomic Comics, contemplating your life decisions. fidgeting nervously already imagining what’s going to happen. hoping not to see him. Melilah comes back after gathering a bunch of comic books to read while waiting for them to arrive. “hey stop fidgeting your going to be fine, plus he doesn’t know you know. right…?” you both just stare at each other. you both start praying in unison—“lord give us the strength to-“

“give you guys the strength for what?” Todd interrupts, you look behind him frantically to check whether Dave was there or not. to your surprise, he wasn’t. does he know? did he see my face when i ran? what if he doesn’t like me anymore? wait. why did that even matter? Todd and Marty took a seat beside Melilah leaving you alone sitting at the other side of the booth, obviously planning something.. “guys what do you think of Kickass?” Melilah asks, you kick her leg from under the table making a face screaming WHYAREYOUBRINGINGHIMUP. in fairness the both of you didn’t know whether Todd and Marty knew about it too, you shoot a glance at her giving a ohhhhiunderstandnow look to what she’s doing (spoiler alert: you've got the wrong idea, she was in fact not helping you) “i think he’s fine i guess, to be honest Red Mist is way cooler though because of his cape and all..” Marty says with Todd nodding his head to show that he agrees

“well- for one i think Kickass is wayy cuter, i’d fuck his brains out if i got the chance.” you say out of your thoughts completely regretting saying the said statement- “Really?” Dave says out of nowhere observing the conversation from behind your booth, making you jolt “y/n that just came out of nowhere what in the world.” Melilah says right after staring at you for a few seconds while Dave is making eye contact with you, smirking like he knows something. the conversation falls quiet.. real quiet… “okay wrap it up you two.” Todd interrupts, i wonder what happens next?

a/n: and the rest is history, I hope this was good enough lolol hope you enjoyed reading! (pt. 2 coming soon)

#Spotify #dave lizewski imagine #dave lizewski x reader #dave lizewski #dave lizewski oneshot #kick ass imagine #kick ass one shot #kick ass x reader #aaron taylor johnson #gif not mine #kick ass #aaron taylor johnson x reader #im only realizing now that this imagine is so ass omfg #meiiie imagines

[loving-family-poll]

Ultimate Incest Tournament - Round 4

Propaganda under the cut:

Gerard/Mikey:

Vocalist and bassist respectively of my chemical romance. they are insanely codependent (describing themselves as the same person just different heights etc). gerard has also licked mikeys nipple onstage. good times

Gerard is decidedly super abnormal about mikey. he has written many songs about him that are always adjacent to straight up love songs. he has also been explicitly sexual with him (giving him a pantomime handjob, caressing his chest, saying he looks like a hooker etc etc) while also constantly babying him. theyre codependent and they finish each others sentences and theyre in ickydisgusting brotherlove❤️❤️❤️❤️

Grew up together as the outsiders in their New Jersey town and spent their teenhoods together in a musty basement. Mikey learned to walk by running after Gerard and face-planting. Gerard drew comics for Mikey and told him stories. They went to a Smashing Pumpkins concert together and decided that being in a band is what they wanted out of life. Mikey learned the bass because Gerard was in bands and he wanted to join. Gerard called up Mikey after witnessing 9/11 and told him they're gonna start a band. Everything they do is together, they love each other. And isn't it so much fun to turn that incest?

Mikey Way wrote a comic where the main character, who looks like him from the black parade era, gets a woman pregnant. Which isn't incestuous on its own, but she looks like the female version of Gerard Way from the black parade era. Love is love or something

Dave/Rose:

Daverose blondetwin sweep because they were codependent without ever meeting from growing up seeing each other in their dreams

What does it mean to be an abused teenage boy growing up alone and seeing a girl in your dreams every night who is also your best friend. and when you finally meet her you go on a suicide mission together even though nobody was asking you to die with her. and then you are the only two human beings left in the recognizable universe on a cold meteor surrounded by aliens but you’re glad it’s with her. and when you finally touch the girl from your childhood dreams she looks exactly like you. because she’s your sister

I don't have words for how good these snarky assholes are together. DaveRose is brain chemistry changing. They both put up so many fronts, and engage in so much snarky wordplay, and are constantly trying to get under each other's facade. They play off each other so well, witty and sharp, I need them to be together always

We all die & we all die alone are the two cold truths of the universe but dave and rose broke both simultaneously by ascending to godhood together

Their twincest wins because it is just so confusingly tragic? profound? dave leaving rose behind in a doomed world, dave following her to the bomb. they are both so closed & cut off & curt its hard to imagine the depth of these things. but that is their love language: giving up their lives for each other over and over, in a confusing and fumbling and heartfelt love song. i can’t say i love you but i know we’ll die together anyway. because we’re made of the exact same stuff. i’ll find you again at the last moment. that’s love.

THEY DIED TOGETHER, YOUR HONOR

Confirmed canon by the author, (something happened) between them. Parallels of dying by each other's sides in EVERY timeline. They are THE womb-to-tomb. There is nothing platonic about winking at your brother while talking about crushes, that shit is incestuous. Seer/Knight archetype. They will die protecting each other.

do you realize love someone if you don’t follow them on a suicide mission into the gaping maw of a literal fucking sun after they knock you out and psychoanalyze you in your dreams? the blueprint of the “ethereal androgynous blonde boygirl twins” trope. witch/knight dynamics. they find each other to die together in every timeline no matter what (but they’re still emotionally constipated teenagers who bicker and make fun of each other in pesterchum). kids with grown-up powers. perfect little freaks of nature. what if we looked exactly like each other’s eyes

#tournament polls #tumblr polls #incest poll #round 4 #gerard/mikey #waycest #daverose #dersecest #mcr #homestuck #tw incest

[kitorin]

boyfriend headcanons ! itoshi rin

contents. how you met, how you got to know each other, when he realized he liked you, how you started dating, dates, all fluff

warning. rin backstory spoilers, i can't write kiss scenes either, written with all lowercase intended, it's word vomit bc school has screwed me up mentally and i can't think properly atp lmao

a/n. reo, rensuke and yoichi ver coming soon, was supposed to be all four of them but tumblr didn't save some stuff so i lost motivation and i probably wrote too much for rin anyways

how you met

you were invited to hang out with a group of friends, but ended up hating it since you were basically invisible, since everyone else were talking about a common interest you didn't have

you ended up walking away, finding somewhere actually interesting, and found a muji store (minimalist retailer that sells a lot of household items and more), and had your own fun, looking through stationary, skin care, nice clothes, and more.

you were having a great time until you heard someone from the hangout looking for you and calling

rin who notices your panic right next to him, questions what's wrong (not necessarily out of concern, honestly probably because he may have found it slightly irritating)

after you explain your situation briefly, he nods and finds you somewhere to hide, and goes to deal with your friend

he's got perfect control over his facial expressions, he'd easily lie and even if your friend was persistent, he'd still scare him away

"haven't seen them in here, they left a while ago and you better stop yelling,"

"are you sure-?"

"yes. now piss off and stop disturbing everyone here,"

once he's sure your friend's gone, he goes back to where he instructed you to hide, giving you the clear

"i hope that lukewarm asshole wasn't your ex."

you're slightly amused at the word 'lukewarm' it wasn't a typical description you'd hear often. "nope, i'd never date him. thank you so much though. i really appreciate it, please let me do a favor for you"

before he can object, you grab a sample pen, scrawling your number on his hand, "send me a text and i'll do my best to help you with anything okay?" you send him a smile as his eyes widen in shock, "bye kind stranger, have a great day," and before he could respond, you were gone, rushing out the store out of embarrassment for not being able to slip away from your friend uncaught.

how he got to know you

[unknown number] : i really don't need a favor you know?

i hated that idiot anyways, loud and annoying

[you] : don't careeee, i want to make it up to you somehow, please?

i'm y/n, you?

[unknown number] : rin, itoshi rin

after he gave in to your offer, you ended up tutoring him, he didn't care about grades but his high school had a rule of requiring a certain standard of grades to compete in tournaments

turns out he wasn't even a bad student, he's diligent and consistent, he only needed a little bit of guidance and advice, with math being the exception

in between sessions, during breaks and outside of your tuition you'd talk a lot, considering how rin has no friends ("neither do you, your toxic ass friends shouldn't count" he replies when you realize it) and you're patient enough to deal with his personality

even after he has his grades up you still hangout with each other, watching horror movies, playing horror games, reading horror novels / comics (you introduced him to junji ito), and he'd even teach you some soccer when you visit his training. he also tries out all your hobbies and favourite things to do and eat

you two spend so much time together, simply because one has no other friends and the other has no healthy friendships

how he knew he liked you

BRO WAS IN DENIAL. FOR. SO. FUCKING. LONG.

he thought he had a health problem or fever when he felt his face getting hot, or that odd sensation in his stomach, or his heart relentlessly pounding against his chest

he tries to research it, doesn't believe it when he sees all those love related posts, so he literally goes to a doctor

his doctor probably almost instantly realized, and had to deal with rin's denial

"you experience these 'symptoms' with a certain someone, don't you?" the doctor doesn't even bother with noting down anything, he's 100% sure and knows it's perfectly in character for rin to do something like this

"that's not possible- that doesn't make se-," he pauses, and recalls that he only felt that way when it came to you, "... yes," he's sort of bashful, slightly embarrassed but quickly composes himself again. 'i apologise for doubting you, please continue,"

"no worries," with a grin, his doctor prepared leave and meet his next patient, "i diagnose you with love sickness,"

when i tell you, this man fucking asked him what meds to take and what to do as self treatment

his poor doctor mentally face palmed himself, sat himself back down and had a (long) talk with this emotionally repressed boy

rin still insists it's something medically wrong, but he's soon shoo-ed out of the office, while hastily being told to make sure he's honest with his feelings, otherwise it never goes right

back at home, he's lying in bed, revising what his doctor said

"rin you need to learn how to acknowledge your emotions. i understand they're confusing and i'm not a therapist, but you can't keep denying it. it's just as unhealthy to neglect your emotions as it is to ignore an injury,"

...

denial huh?

he thinks of you and his heart once again can't calm down, his face burns and his stomach is doing somersaults. he buries his face in his palm, groaning. he hated anything unfamiliar, anything that he couldn't navigate with confidence, or fully comprehend.

"do you really despise it? or do you refuse to acknowledge your feelings because you've never experienced something like this,"

his doctor's advice comes back to him, and he thinks.

if he truly loathed how you made him feel, why is he still hanging out with you, why is he still investing his time into you, why do you make him so damn happy?

he passed out eventually completely lost in thought

how you ended up dating

some time passes and you finally have the courage to confess to him only to receive a cold "i don't feel the same way," a complete lie

accepting his emotions was one thing, accepting a relationship is another. he could immediately feel regret clawing at his stomach, he wanted to tell you. badly, how much he likes you, your patience, intelligence, your kindness, literally everything

yet nothing comes out. only his stoic and stupid facade's character

you walk away after mumbling out an apology for making things awkward, and rin's left there standing, finger nails digging crescents of frustration into his palm

he's overwhelmed with his thoughts, some insisting for him to give up and accept that he fucked up, others demanding him to move and fix things

what would be worse than losing you, anyways?

and that last thought was the final push, he's basically sprinting towards you, soon his arms are wrapped around you, releasing a gasp of surprise from you.

"ri-?"

"i lied," rin blurts, internally screaming at himself to just say it, "i lied, i know i shouldn't have and i'm sorry. but i like you too much, i can't express or understand my feelings, i don't know anything about relationships or love either, and i wanted to hide how i felt so i wouldn't get hurt,"

"rin-," he doesn't let you finish, ignoring your whisper.

"but i don't care, i like you so much that i'm willing to risk hurting myself, anything's worth it if i can be with you, spend time with you, and love you. if it's for you i'd overcome all my fears of love. i can't afford love, but if it's for you i don't care anymore,"

"you're perfect, you always have been," he concludes his speech, almost breathless from how rushed it was. scarlet was dusted all over his face, teal eyes wide open.

that fact rin, someone who's never been good at communication, went this far to express how he feels for you, warms your heart even more.

"rin?"

"yes?"

"may i kiss you?"

somehow, he blushes even more, and as he nods your lips press together.

dates + other headcanons

MOVIE NIGHTS !! not at cinemas though since he prefers the comfort and privacy of his room, and doesn't like how loud or dirty cinemas can get

doesn't want to force you into anything too scary, but he secretly enjoys it when you end up clinging onto him

since he struggles with articulating his emotions, he likes using playlists and songs to (die for you - weeknd, shinunoga iiwa - fujii kaze, love, maybe - melomance, sweet - cigarettes after sex, COME INSIDE OF MY HEART - IV SPADES SUITS HIM SO WELL)

he's not a fan of pda, yet he wants to show you off to everyone he knows

if you genuinely like soccer and have an interest in it (obviously doesn't want to force you to watch 90 minutes of a sport you don't like) he'd watch his favourite games with you, even books tickets for the both of you if there are any good teams competing nearby

also takes great interest in your sports !! reads a lot about them so he can discuss them with you, and if you also compete in sports he puts together a training routine for you and asks to go to the gym together (say yes dumbass)

SURFINGGGG !! since he grew up in kamakura, he loves the beach and went to swim and surf a lot as a kid and would love to do it again with you, even if he hasn't done it in ten years (same rin, same). same with hiking too (kamakura's also famous for it as well)

visits the store with you where he always bought ice blocks with sae, the same lady who worked there when sae and rin still got around is still there, congratulates him for getting a partner, is proud of him

he's a great listener too, he prefers it over speaking a lot and you can talk to him about anything, whether you're talking shit about someone (he'd join in and start swearing) and or you're hyperfixating on your interests

whenever he gets a question related to his love life he takes a moment to blush when he thinks of you, pauses to compose himself (keeps you a secret for your privacy from the media), then says with a straight face that soccer is a priority, but everyone knows he's lying

©kouyun : do not repost, plagiarize, change, or translate

#itoshi rin #itoshi rin x reader #blue lock x you #blue lock x y/n #blue lock x reader #itoshi rin blue lock #fluff #headcanons #blue lock headcanons #blue lock

[sukinapan]

honestly would be pretty interested in hearing about all of them, if thats alright

it's no problem o( ❛ᴗ❛ )o i like talking about this

for context, apart from making personal art i'm also an artist and character designer at Smarto Club, so I don't know if these count as OCs but i have posted art of them here: Haco from >Bubblegum Galaxy and Teacup from >Teacup.

you can check the steam pages on those games for more info if u like. i love all my characters but i don't usually make personal art of these two since i already do it as my job.

my newest Smarto Club character is a bit different since she's more in the style of what i'm doing personally so i want to make more art of her soon. her name is Abigail:

she's a kid who likes reading about bugs and catching them but she never hurts them : ) this is a short game in early development but it's about catching creatures called angels. it's got horrorish vibes but i don't think the end result will be full-out horror, since it's also kinda silly...

then there's Peklo, it's a game for which i created the whole concept and story but the plan is to develop it as a studio at Smarto Club. i wrote more context for it on this post, but for the characters, they're my favorites to make art about at the moment. the main ones are Kiku (the cat) and Mi (the bunny):

i recently created these human forms of them for fun but i'm not sure whether i'll establish them as canon or not... they're trapped in limbo/hell so there's space for them to have a past human form. they don't remember their lives but Kiku feels a deep sense of regret about things unkown to her and wants to break out of Peklo. Mi feels trapped in an eternal sadness, she longs to see the ocean, she can always hear it but has never been able to reach it.

the antagonist in Peklo is a frog entity called Guppy but i haven't really shown him outside of his froggy logo

i also have OCs from my smaller games. there's Hlina that i created specifically for >this game that was commissioned to me for a zine. i don't have any plans to use her again for now but i might make more art of her in the future for fun. she's part of a strange dream realm and is hostile to the player:

there's iro from the >game with the same name who's my oldest game OC. i created that bitsy game for her story but she existed previously in my art degree final project, it was a version of the same story but just a section of it. it's a dream of mine to create a full-fledged 3D game for her some day.

she's a bit of a defective space exploration robot, sent to explore planetoid Iridium-3 in search of human contact. it's set in a future where humanity has dispersed among the whole galaxy so lots of groups have lost contact with each other.

my latest game OC is Michtat, a wizard cat that i created just for this silly zine.

lasty, there’s the characters from my comic that I’m working on, called The most distant planet. the main characters are Victor and Mitya, two 9 year olds whose families end up living together.

i'd say these are the dearest characters to me of all. i don't post as much of them because they're mostly in the shape of comic pages and it doesn't spark as much interest as my games. i love drawing them though.

they’re both little weirdos who isolate themselves and don’t fit in much with other children, so the friendship they develop is very special to them. they have almost opposite personalities where Victor (darker hair) is very shy and dorky but also very sweet to everyone, while Mitya mostly gives 0 fucks about what anyone thinks or says, he blurts out whatever he’s thinking and just wants to run around wild.

the story is mostly slice of life-ish but there’s also a science fiction element ^-^ Victor is obsessed with things like ghosts, aliens, etc but Mitya thinks it’s all just dumb tales.

another important character is Alyosha, Mitya’s 17-18yo brother. he doesn’t know how to talk or relate to his little brother and is kinda weirded out by him. they where very close when they were younger, but when Mitya was 2 he had an accident that Alyosha feels guilty about, and has been somehow different ever since.

he still worries about his little brother and how isolated he is, though. at the beginning of the story the two of them live alone with their grandma who does love them but has kind of a cold and distant personality. 

Alyosha was the type of kid to be considered “gifted” but now feels completely burnt out and had to repeat a grade at school. he felt so humiliated by this he eventually stopped going entirely, so he now works part time and just studies at home. he cut contact with his old classmates but he still has 2 best friends from the last few months he spent at school in the grade below, Manon and Min Na. they’re the kind of friends who just show up unannounced at his house and job, and are very involved with his family’s life.

i’ve also included Min Jie in some art, she’s Min Na’s younger cousin and comes into the story later:

i should have like character sheets and stuff for all of these OCs but i’m the kind to just jump head first into drawing/modeling lol, that's why i included all these finished illustrations.

i really wanna publish this comic, i’ve been working on it for a long time and i’m currently waiting for the results of a public funding application here in my country to decide what i'll do next.

hope this could be of interest (^人^) thanks for the ask!

#me #my art #tmdp #peklo #info

[nekropsii]

people want a gay male version of the dancestor poll???? like one guy there would be able to have a good relationship with another person and most certainly not with any of the other male dancestors. (hint: its mituna)

Yeah. I love the Alpha Trolls, they’ve been my jam since I first got into the comic, like, 10 years ago, but… Look, man, you can like the Alpha Troll guys all you want, they are interesting characters in their own right, but I am pretty sure Hussie explicitly wrote them to be honest to god nonfunctional in shipping contexts.

This even includes friendships. The only exception is, as you’ve said, Mituna, who is literally the only male Alpha Troll I could easily see in functional relationships- platonic, romantic, and otherwise- but genuinely none of those good possibilities are with any of the other male Alpha Trolls. Mituna is the only male Alpha Troll that’s capable of having a normal, functioning relationship, especially on a long term scale, just… Not with any of the other men here. Mituna can have great relationships!! Just only with the female side of the Alpha Troll cast.

Acting like gay male Alpha Troll ships are anything of substance- especially functional, stable substance- just feels like major copium. Sorry to my followers for using the word copium, I couldn’t think of any other way to put it. Literally none of them work. None of them are something that should spark joy. The only times they do work in some degree, it’s only as a god damn case study, and shouldn’t really be included under the label of “shipping”, in my opinion. It’s really fucking funny.

The male Alpha Trolls are absolutely fucking unshippable. Unfortunately, this doesn’t stop people, and a good 95% of the time I see some ship involving an Alpha Troll guy, I just pull out a gun. Sorry, not sorry.

So, yeah, no M/M version of the Alpha Troll Yuri Poll. The men get too much attention for all the wrong reasons, and every single god damn combination of them is terrible.

Plus, I wouldn’t be caught dead putting Cronus or Kankri as options in Best Ship polls. Ew. Ew ew ew. I’d rather set myself ablaze.

#homestuck #homestuck meta #homestuck polls #alpha trolls #beforan trolls #dancestors #mituna captor #mituna.pdf #nekro.pdf #nekro.sms

[theconstitutionisgayculture]

Man, I like Daily Wire in concept but Matt Walsh needs to shut the fuck up about video games. The same guy who tried to resurrect the tired old "violent video games are harmful!" crap is now acting like he's the first person to notice that video games are pushing woke nonsense (even though there are about a hundred channels and outlets that have been talking about this for years) but his solution is to, of course, for the right to stop playing video games.

No. Just, no.

This is the same "bury our head in the sand and pretend pop culture doesn't exist" mindset that got us into this situation in the first place. You can't win a war (and there is a culture war going on, no matter how many people on both sides want to pretend otherwise) by retreating from every battlefield. You win by raising awareness of a problem and then offering a real solution.

And it's especially stupid seeing this cultural retreat mindset from someone working for DW because DW actually knows exactly how to fight this battle. They created their own media company to fight against woke Hollywood. Are all their movies and shows good? No, not at all. But they still did the right thing. They put their money where their mouth is, and created an alternative.

A much better example is Angel Studios, which is probably the only Christian movie studio I've ever seen that puts out top quality content with great acting, writing, and production values. They're raking in money and getting their content onto mainstream streaming services as well as theaters. In other words, they're taking their message to the people who need it the most. The ones who aren't already in the echo chamber. Unlike Daily Wire, which only offers its content on its own website through a subscription service to its own audience, and never advertises anywhere.

Another successful example outside of movies is Eric July's Rippaverse. He's been killing it with his comics, with every single one of his campaigns raking in over a million dollars, every cent of which is reinvested back into his business, helping it grow, creating more content, and expanding his already impressive roster of writers and artists. Mainstream writers and artists, by the way. Like Chuck Dixon, the guy who co-created Bane and wrote the seminal Tim Drake Robin comics, among many other credits, and Mike Baron, who wrote some of the best early Punisher comics. Eric had a following before he started the Rippaverse. He runs a successful YouTube channel and he's a regular contributor to The Blaze. He could have walled himself off with his fanbase, wrote comics about ancaps saving the world from the evils of government, and made some money while pandering to the people who already agreed with him. Instead, he went big. He invested his own money, runs his own distribution center, owns his own business with zero outside investors, hires the best talent he can, and offers a product that focuses on story and characters over messaging. His work isn't even "anti-woke". It's just not woke.

And that's what we need in video games. We need alternatives. We need to roll up our sleeves and wade into the deep waters and actually contribute our ideas and our talents. Offer an alternative. Hire people who know what they're doing, who care about quality content first and social engineering never. There is a huge untapped audience who would pay hand over fist for good video games free from microtransactions and woke nonsense.

But retreating is not an option. It's not brave or moral to hide in our echo chambers and scoff at anything fun. Entertainment is necessary. And maybe more importantly, it's not going anywhere. We will never live in a world where people go to work and spend time with their families at home and do nothing else. We need to engage with the world as it is. Not wait around for whatever our idea of a perfect world is to magically form so we can finally interact with it. You can't change society if you keep pretending large swaths of it don't exist.

#matt walsh #daily wire #video games #gamergate 2 #sweet baby inc #culture war

[avelera]

So I wrote 7,800 words of an entirely new Dreamling fic yesterday pretty much out of NOWHERE based on a what-if headcanon chat that got ENTIRELY out of hand.

Basically, I’ve always found it weird that Hob is, well, WEIRD for an immortal. And I adore it! There’s basically no other immortals in fiction, or very few, who consistently have a day job, don’t become superheroes of enlightened morality in a couple lifetimes, or otherwise leave normal mortal life behind. Except Hob.

But there’s other weird stuff Hob gets up to in the comics especially. Namely: nothing. He sees a Sea Serpent in Hob’s Leviathan and just sort of… shrugs it off. He supposedly ran into a vampire coven while hanging out with a Constantine and they killed Constantine and kinda left him alone. He seemed otherwise pretty unphased. Between 1689-1889, unless he’s with Dream, very little happens to him. He just seems prosperous in both meetings.

But while Dream is gone, during the Blitz, his wife Peggy dies in his arms. That’s pretty dramatic. That’s main character tragedy.

So what if… Dream subconsciously pigeonholes Hob as not a fellow immortal of increasing antiquity, now over half a millennia old, but… just a guy. Just the guy he met in 1389? That certainly seems to be part of why he reacts so poorly to being called lonely in 1889. He can’t fathom that the human mudpuppy he met in a tavern that was basically a hovel could suddenly have INSIGHT into one such as him. But Hob was over 500 years old at that point! And Dream respects other eldritch creatures like fae and demigods, even if they are younger than him. So what gives that he doesn’t see the 500+ year old immortal human as maybe capable of insight into the life of a fellow eldritch being?

Because Dream doesn’t think of Hob that way.

And Dream IS the human subconscious.

Things get really meta from there because right you’ve got all these Doylist reasons that Hob is Just A Guy who seems allergic to getting involved with any of the grand stories of Sandman except as a bit part. A minor character even in his own story. But since it’s a story about stories, you can make it Watsonian too.

Maybe because Dream doesn’t think HE has a story (he says, in the comic which is ABOUT his story, thus undermining his point with a 4th wall break) and Hob is the only person in his life who is basically a normal friend and not a subject or family member or eldritch colleague… does he mentally pigeonhole Hob as not having a story either but just being witness to other people’s stories, like Jim?

It’s kind of weird isn’t it how in Hob’s Leviathan he spends the whole thing WONDERING what secrets lie beneath the surface of the ocean but when the sea serpent bursts forth he just sort of… shrugs?

It’s a bit weird too, in the show, even though I adore how unexpected the beat is, that after 34 years’ delay, Dream shows up and Hob barely reacts except to quip that he’s late. Though I’m sure Dream was very grateful. 

… so I kinda wanted to do a one-shot about how this is actually an eldritch effect Dream accidentally cast on Hob. He sees Hob as just his normal friend despite being immortal. So Hob is Normal. Aggressively normal. He has a day job despite being 600+ years old. He exhibits none of the typical behavior one would expect out of a man who loves life so much he refused to die. And Dream realizes this when he learns that Hob’s 20th century was INSANE, filled with adventures and high drama and lost love and passion. A century where Hob was the protagonist in his own life story again. And it all abruptly stopped and he went back to having a normal human job the second Dream was free.

Anyway, Dream is gutted by the realization. The rest is them figuring out how the fuck this HAPPENED and if it can be fixed.

#dreamling #Maggie’s writing progress