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#how do i tag all that
shrinevandal · 6 months
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Initial thoughts on Double and Neoplasm - Who is guilty? What's true and what's a lie?
Hello! This is a (fairly long, sorry) post analysing the MV for Double, as well as Neoplasm, and what it means for Mikoto, Orekoto, a potential 3rd alter, their relationship as a whole, and Mikoto's judgement.
Note: I am a system myself, I am usually not very open about this so please don't ask about the details. But I think it's important to state that I do struggle with a lot of the same stuff Mikoto* does, and so my perception of it comes from a level of understanding that singlets may not have.
Obviously this contains spoilers for both Double and Neoplasm, I would recommend you watch/listen to both beforehand. This is also just my initial interpretation, I have purposefully avoided any other posts about it to make my theory/interpretation as straightforward and from-the-source as possible.
Some terminology notes: I will be using John to refer to Orekoto, as Es has so thoughtfully dubbed him. Also, if I say MILGRAM in all caps I am referring to the project itself, and if I say Milgram in title case I am referring to the location/entity which Es works for. I also believe the 3koto theory, which will become relevant at various points here. Any translators or sources will be linked at the end.
Alright, let's get into it. Music video analysis:
Double - Visual Motifs
There are a lot of visual elements to Double, which I will break down into different sections.
Phone (& Tarot)
There are two major instances of Mikoto's phone being important in the song: Right at the beginning, when he's getting several texts and then an incoming call from "Chief" (almost certainly his boss), and in the middle of the song, when he gets a call from his mom. In the beginning, Mikoto* doesn't even look at the texts, and when he answers the call, he seems to barely be listening.
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Translation of the texts are as follows (thank you rochisama on wordpress!):
- Regarding the first draft you submitted today, I think option B might be the best after all, so can you remake it by morning.
- Also, I forgot to mention, but you made a lot of mistakes with the one we spoke about earlier, so make sure it’s all fixed too. This one also needs to be ready by morning, so I’ll leave it to you to get everything ready.
- Oi, get back here now.
- Are you going to abandon your duties?
There are also two fun little details here with the phone: His lock screen is a picture of the Hanged Man, the same version that was on his shirt in MeMe:
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Also, His battery is at 29%.
Two of prisoner nine.
Later in the song, when his mom calls him, he immediately picks up, greets her energetically despite the bags under his eyes, and informs her he's doing well and not to worry.
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"Oh, hello? Mom? It’s been a while. Yeah… well, I mean, some days are hard, but… I’m doing alright, don’t worry. How’ve you been? I’ll go home next time I get some time off."
He also hangs up very quickly, as if he doesn't want to talk to her. He gives her placating words and then ends the conversation as soon as he can.
According to his S1 Interrogation questions, Mikoto's family consists of him, his mom, and his younger sister. His parents are divorced. He gets along well with both his mom and sister, but also states that he can't let his mom worry. This checks out with him hiding the truth from her, as letting her know just how badly he's doing would certainly cause concern. Keep all this in mind, it will become important later on.
Eyes
I don't have much of note to say about it right now, but eyes are a pretty heavy visual motif throughout the whole video.
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One thing I will say about it, though, is the large eyes across the whole screen show up twice: Once as orange, symbolizing John, and then as a grey-blue, symbolizing Mikoto.
Colors
There are five important colors: Blue, Green, Red/Orange, and Pink.
I'm grouping red and orange because I believe they both symbolize John. Blue is obviously Mikoto.
As I've mentioned, I am a fan of the 3koto theory- The visuals in the MV for MeMe, and even the composition itself, allude to 3 different entities (Music theory nerd here, hehe - I wanna write my own take on the 3koto theory eventually and talk about the way the song itself changes, but that's for another time.) And now in Double, it seems like there is still that imagery, albeit much less strongly than before.
So green, like in MeMe, symbolizes Midori/Midokoto/whatever you wanna call him. Pink is a little bit of a weird one, so I'll get to that in the moment. Anyway, let's start with some John moments.
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The red glow in the back shows that John is the one fronting in all three of these shots, with Mikoto being asleep behind him in the second one.
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An example of blood splatters with an orange tint. This is part of the reason I think both orange and red symbolize Mikoto, since they're so interconnected here. Also, as mentioned in the eyes section, the eyes there are very orange whereas John is usually associated with red.
Speaking of eyes,
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Huge 3koto implications in a few frames from this shot. John's body flashes green at one point, and the background and fire-halo are green when John's eyes are glowing orange. In the next image, the body's eyes are scribbled over in green. This scene in particular is very interesting to me, with both implications of Midori's existence and his connection to the eye motif. It also calls John "savior"
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Here's another notable instance of 3koto near the beginning, right after John throws Mikoto's phone. Notice the color progression in the scene. Green background with blue text, down to red background and red text. John is clearly being portrayed as an outsider here, with Midori and Mikoto being a duo.
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Going back to blood splatters, there are various points in the video where the "inverse" of the blood is either green or blue. This also checks out with both red and orange being John's colors; Blue is the opposite of orange, and green is the opposite of red. This also doubles (haha) as another example of John being the opposite of MikoMido
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The train itself has a lot of green highlights. When John stares out the door into the other train cars, it flashes green a few times. It's not pictured here, but the door also flashes a staticky pink once, and so does Mikoto's body earlier in that same scene I showed where it's fully green.
Alright, more on pink now. I'm actually not entirely sure what it may symbolise, but my main guess is it's Mikoto's victims.
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Aside from the instances mentioned above, these are the most prominent pink scenes in the video. Similar to how orange was juxtaposed against both blue and green, here it's against blue. In context, these scene also seems to me like a switch, a realization of what Mikoto has done. A brief instance where his memories coexist with him, and he's horrified at his actions.
Double - Overall Analysis
As pointed out in the colors section above, Midori seems to be very present still. He seems to be haunting the video in a way, lying just underneath the surface.
A really important aspect of DID that hasn't been directly addressed by MILGRAM is the fact that it's caused by childhood trauma, usually around the ages 9 to 10 or younger. For those who don't know, this is because young kids have not fully formed their identity and sense of self yet. Usually, kids will eventually consolidate all their various parts into one, which becomes their sense of self. But trauma literally changes how the brain works on several levels, and for some kids, that interrupts the process of those parts fusing together. (This is also why there's discourse behind the idea of an "original" personality - Which one is the "original" between a pair of identical twins, for example? One cell divided into two, so really neither of them are that first cell.)
My theory for Mikoto's childhood trauma and subsequent DID symptoms, is that Mikoto in his current form is the body's "first" alter, and that Midori was the original host. (I have several reasons for believing it's this and not the other way around, but it's not that important for this post. But do think about, "I'm already the fake one.")
We know that John specifically was created as a result of Mikoto's job stress, meaning he was obviously not around when Mikoto and Midori were kids. By the time the events of MILGRAM roll around, it seems like Midori is completely dormant, or at least very rarely fronts, as John seems to pretty clearly imply just his and Mikoto's existence in both Double and Neoplasm. But if John wasn't around when Mikoto was a kid, there has to have been at least one other alter throughout the course of Mikoto's life. You don't just suddenly develop DID at age 23 without having had it since you were traumatized (Unless the MILGRAM team is just clueless about DID, which is possible too but imo they've done a pretty decent job so far so I would rather believe in 3koto. I have faith in them, maybe that'll bite me in the ass eventually, who knows).
Mikoto's childhood trauma is not very clear, but I think it can be one of two main things, and they are likely connected: Either something to do with his parents' divorce, or the reason he is so against worrying his mom.
Mikoto clearly loves his mother a lot, but it seems like doesn't trust her on some level. He doesn't want her to worry, which is an understandable emotion, especially if she puts a lot of pressure on him to perform well, which I have a feeling is the case. (Full disclosure, I could be projecting my own experiences here, because I have had these same struggles with my own mom pressuring me to do well in school and such. But I think it's worth mentioning)
Mikoto clearly hates his job, but he doesn't get a new one. Referencing the Interrogation again, while he seems to enjoy the career path he's on (ie graphic design), the job he currently has is purely to make money, and not for his enjoyment. He also mentions in the Interrogation that he hopes someday he can start his own indie company. In the real world, it's actually very common for graphic designers to start with jobs in advertising, because it makes a lot of money. Then once they have enough to support themselves, they go on to projects they're more passionate about. So Mikoto's reasons for sticking with his advertising job could be either to make money or to satisfy his mom, or both. Again, I could very much be projecting here.
Now onto his dad and the divorce. I won't lie, I am not at all an expert in Japanese law, but I'm fairly familiar with US law because my mom is a lawyer here. So how it usually how it works in the US is that parents divide custody by either working out a schedule or by simply choosing which kid goes with which parent, unless one parent is abusive, in which case all kids go to the non-abusive parent. In Japan, however, apparently the mom is the default parent that kids go to, regardless of other situations, except in some extreme cases probably. Again, not an expert, but it seems that even if Mikoto's mom was abusive in some way, the court system would still give Mikoto and his sister over to her, especially if her form of abuse is purely psychological with no physical evidence. So this is one possibility, but even if both parents were good people and separated on friendly terms, divorce can be traumatizing for kids. It's unclear at what age Mikoto's parents divorced, but it seems to have been long enough ago that he doesn't even consider his dad part of his family. Meaning it's very possibly the main source of trauma that cause Mikoto's DID.
Neoplasm
Alright, finally it's time for the audio drama! This is a much shorter section, but there's a LOT here and I'm really excited about this one actually, because it seems like a step in the right direction for Mikoto and accepting John. He doesn't know it's DID, nor does Es try to tell him, but he acknowledges it as "sleepwalking", which is still super huge. If Kotoko and Es ever choose to inform him, it seems like they have a much better chance at getting across to him now than when MILGRAM started.
John being much more present and coherent is also big news, as he has a full on conversation with Es, and even receives a name from them. Although he expresses concern about this and "wishes he had stayed a monster", I honestly think this is amazing for both him and Mikoto. Along with the sleepwalking analogy, it's progress on their ability to accept themselves and each other.
John also sheds some light on his and/or Mikoto's murder, claiming that there were several indiscriminate victims, and that his memories are also fuzzy, citing that it's likely because he had only recently been born. To me, the most interesting part of this is the fact that John's memories are not intact. While he seems to think it's just due to not really being used to being alive, I think there's another explanation for it. Fuzzy memories are a very common symptom of DID, and most notably happens when one alter tries to access another alter's memories, often because they're being blocked. Maybe in a similar way to how Mikoto doesn't remember anything? 🤔
Another important thing here is that John claims that he is the one who killed people. But the most pressing question is, is he telling the truth?
We know that Milgram's criteria for what counts as murder and who counts as the perpetrator is very loose; For example, Yuno's abortions are enough to qualify her, and Fuuta doxxing Killcheroy is enough to qualify him. So it's not a stretch to think that maybe John really is the killer, and that Milgram just picked Mikoto as the person to be judged since he's the "main" alter. But this honestly doesn't sit right with me.
If there's one thing we know for certain about John and his dynamic with Mikoto, it's that he would do anything to ensure Mikoto's safety. Notice how he was incredibly nonchalant about the murder until Es pointed out that even with psychological evaluation taken into account, the death penalty is still very likely for Mikoto. As soon as they allude to Mikoto being in danger, John's attitude immediately switches, claiming over and over, very relentlessly, that he was the sole killer, and that Mikoto is innocent. His frantic behaviour is a very clear sign that this is survival mode; why would he tell Es the truth if it could put Mikoto in danger?
All of this really goes back to the major differences between them; Mikoto is honest and uses humor to cope, John avoids being open and lashes out at people. Mikoto straight up blocks all the bad memories, John is aware of them but has a hazy recollection of events.
So while it's a possibility that Mikoto is innocent and that John is the killer, I find it much, much more likely that Mikoto did it and then blocked his own memories, and that John is lying about the situation to protect Mikoto. It's what he's always done, after all.
Final thoughts - Forgiven vs Unforgiven
This may be an unpopular take, but I think as of right now, my first instinct is to vote Mikoto as Unforgiven. I'd like to point out that there's a difference between Innocent vs Guilty, which is how the terms are officially translated, but in Mikoto and John's case I think they are interconnected. There are cases in Milgram where I think they're completely separate ideas and cases where I think the difference is moot, and MikoJohn definitely fall into the latter one.
I also am very conflicted on the concept of Metavoting; for example, Amane being voted Unforgiven was an incredibly stupid decision on the majority's part and I'm not afraid to state that. (Tbf Her mental state is delicate enough that forgiving her would also not end well, but lesser of two evils imo. But all that's for another time.) However, with MikoJohn, again, it actually aligns very well with my actual judgement. John very clearly states that it's his belief that forgiving Mikoto will reduce Mikoto's stress, and allow John to fade away. Whether this is a good or bad thing, or neutral even, is pretty complex honestly, but I think for me personally, I would view it as a bad thing.
Again, I am not very open about my system-isms, but I relate a lot to Mikoto in his current state of being unable to accept John's existence. I was in that exact same position once, and for me, accepting the existence of my alters was very beneficial to all three of us, and we are much closer now and less stressed overall. If John continues to exist, that means Mikoto will have a chance to figure things out and accept John's existence. But if John fades, he may be still caught in that perpetual state of half-existence, with Mikoto being unable to accept him.
So with all these things together; the fact that Mikoto is the one we are judging and I am pretty sure he is the killer, the fact that John may fade if Mikoto is forgiven, and how that isn't a good thing in Mikoto's case, and the fact that - I am pretty damn sure I want to vote Mikoto as Unforgiven. This isn't the be-all, end-all, of course. We don't know if John's prediction is correct about disappearing, we don't know if voting Mikoto Unforgiven will actually have the opposite effect that I hope for and drive him to his breaking point, hell we still don't know who did it. My opinion may change because again, this is just my initial thoughts. I'd love to interact with other systems about this and see their thoughts and opinions. Thank you for reading if you made it this far!!!
Translations, Resources, Etc
Chief's texts, translated by rochisama on wordpress
Interrogation questions, referenced from the MILGRAM Wikia. I'm unsure of the translator, sorry.
A/V of Neoplasm, edited by ac on youtube, featuring translation by onigiriico
kayanomikotoba's Triokoto theory (fun fact, this post is one of the main reasons I got into MILGRAM!)
A quick overview on Japanese divorce law, specifically by the US foreign embassy but it's good enough for my purposes
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areyouscaredyet · 1 month
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im not particularly religious but i think it’s very cute that Trans Day of Visibility and Easter are on the same day this year :)
its no question that something like this could be triggering or upsetting to a number of queer ppl given the current sociopolitical climate, so i want everyone to remember that u are loved! Regardless of what u or others believe, there are ppl who will love and support you always. Give yourself patience and treat yourself with care!!!
happy and peaceful TDOV everyone!! And Easter to those who celebrate :D
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kottkrig · 5 days
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People liking your personal OCs is still such a crazy feeling, I've been doing this for years and ppl asking about them still fills my entire heart with warmth and idk how to handle it
You enjoy this fictional guy I made up for fun?? Whose only content is random artwork or writing made by me and a handful of other artists at most? They have no show/book/game with a large fandom, it's just one person with an art blog?? I love u
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7roaches · 7 months
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sorry that took like an hour i stopped to eat dinner heres my idea
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stoopidstapler · 9 months
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SO IVE BEEN GOIN INSANE SINCE THIS TRAILER DROPPED. JUST. SIMON. SIMON. SIMON.
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arundolyn · 5 months
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ouchie
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poorly-drawn-mdzs · 5 months
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The musical episode.
[First] Prev <–-> Next
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Seen a lot of posts about people coming into your notifications out of nothing and liking your entire blog, but here's a shoutout to the people who do Not follow you, who appear out of nowhere, reblog One (1) post that you are Not the op of, and then you never see them again. Where did you come from girl.
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mipexch · 1 month
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you WILL watch my ultrakill animation
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hailsatanacab · 6 months
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A Persuasive Argument - dpxdc
"Great!" Danny says, clapping his hands together to get everyone's attention. The dinner table falls silent as everyone looks towards him. It's a full house today and, honestly, Danny's a little nervous. "I'm sure you're all wondering why I gathered you here today."
"It's dinnertime. In our house." Duke mutters, while doing a very bad job of concealing his yawn. He holds his fork poised over the braised beef, but, just like everyone else, still looks towards Danny before tucking in. It's intriguing enough to wait.
"Yeah, no one misses Alfie's dinner." Dick says, with a brilliant smile that Danny can't help but return.
"Precisely! What better time to talk to you all than when you're all actually here!"
"Wait, I thought you came round to work on our English essays?" Tim asks, blinking owlishly.
"I'm afraid I've lured you here under false pretences, Tim."
"This is where I live."
"I would still really appreciate help on that essay though, I mean, what the hell is Hamlet even about? I just don't get that old time-y language, like 'Hark! A ghost hath killed me!' - absolute rubbish, what does that even mean?"
"The ghost never kills anyone in Hamlet, he's there to tell Hamlet that he was murdered. Have you actually read it?"
"No, but it sounds like you have. Tim, I want this guy to help me with my essay instead. I know for a fact that you haven't read Hamlet, either."
"So? We don't need Jason, I've read the Sparknotes."
"Hi Jason, I'm Danny, pleasure to meet you, summarise Hamlet in three sentences or less."
"Am I auditioning to help you write your essays? I can't believe you’ve gone through your whole school life without reading it, it’s good!"
"Hamlet, along with a number of other classics, was banned in our house because it portrayed ghosts as intelligent and sympathetic beings rather than evil, animalistic beasts. I didn’t even get to see The Muppet's Christmas Carol until last year with Tim! It was surprisingly good, and I hate Christmas because everyone always argued and it sucked. But we're getting off topic. I—"
"No, no, please go back to that, because what the fu—"
"Boys, please." Bruce interrupts, looking to the world as if he wants to hang his head in his hands. "Danny, you were about to say something?"
"Oh, yeah, Mr. Wayne! Thanks!"
"Please, call me Bruce."
"Well, that very succinctly brings me to my point, because I'd actually really like to call you dad."
Nobody says a word. Nobody even blinks, all as shocked as the other, watching open-mouthed as Danny pulls his laptop out from beside his chair. Bruce can definitely feel a headache coming on.
"Before you say anything, I've prepared a 69 slide PowerPoint presentation on why you, Bruce Wayne, should adopt me, Danny Last-Name-Pending. Please save your questions, comments, and verdict until the end, thank you."
#dpxdc#batpham#i forget - can we tag the parent fandoms? w/e#immediately alfred's like: while i do appreciate your initiative may i suggest it wait until after dinner?#and danny - who has barely eaten proper homecooked food ever - takes one bite and then absolutely wolfs down the whole lot#after he's finished he's like 'bear with - I've got to add that to the 'Reasons I Would Like to Live Here' section'#danny's powerpoint has tailored sections for each batfam member with lists of reasons why they'd get along#my au thoughts on this is that the fentons disowned danny when he told them he was phantom#and that this is after the ultimate enemy - wherein which he allied himself with the JL to fight against dan#(which didnt really work at all - BUT he knows some of their identities now INCLUDING batman's)#so one of the main reasons why he'd be a great fit is that he knows their vigilante status anyway so they don’t need to worry about secrets#dick just turns to tim like 'he’s your friend. he learnt this from you.'#tim: 'i didn't tell him our identities!! i would never!!'#dick: 'no i know that. it's the stalker tendancies. it's baby tim all over again'#tim: scandalised gasp#they all eat dinner in silence just super subdued and in shock and sending glances to bruce and danny#duke like: 'so i know I'm the last one in the family but like... this isn't how it normally happens right? did any of you make powerpoints?#tim gets all shifty because he absolutely did make a powerpoint he just never actually showed it to anyone#everyone stares at tim because they all know. it was in one of bab's blackmail files she has on him#damian's slide has danny offering to throw down at any time. 'tim says you like to prove yourself with your skills?#how about a real challenge? if i beat you then you have to vote yes to adopting me!'#damian is in two minds about accepting because... 1) look at him damian could take danny in his sleep! but#2) on the off chance that he does win... damian does not want any more brothers#(he takes the bet and its a suprisingly fun fight - and while he'll never say this... he would vote yes even without the wager)#on one of danny's slides there's a picture of ellie: you'll also get my clone sister! two children for the price of one!!#uhhh.... thats it now - I've been having fun with this haha#spent all day with the 'ive lured you here under false pretences' 'danny i live here' line in my head haha#anyway enjoy!!!!!! this was fun#i wanna make these slides so bad
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wasabi-gumdrop · 6 days
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Kabru has a secret admirer in the castle!
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brother-emperors · 9 months
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something. about. the horror of being sent on an impossible (death) quest and obligations and hospitality politics. the trauma of not having a home, and then the trauma of being in a house that becomes actively hostile to you, one that would swallow you whole and spit out your bones if you step out of line. all of this is conditional, your existence continues to be something men want gone.
it's about going back as far as I can with the perseus narrative because there's always a version of a myth that exists behind the one that survives. the missing pieces are clearly defined, but the oldest recorded version of it isn't there! and there's probably something older before that!! but it's doomed to forever be an unfilled space, clearly defined by an outline of something that was there and continues to be there in it's absence.
and love. it's also about love. even when you had nothing, you had love.
on the opposite side of the spectrum, this is Not About Ovid Or Roman-Renaissance Reception, Depictions And Discourses On The Perseus Narrative.
edit: to add to the above, while it's not about Ovid, because I'm specifically trying to peel things back to the oldest version of this story, Ovid is fine. alterations on the Perseus myth that give more attention Medusa predate Ovid by several centuries. this comic is also not about those, either! there are many versions of this story from the ancient world. there is not one singular True or Better version, they're all saying something.
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Perseus, Daniel Ogden
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Anthology of Classical Myth: Primary Sources in Translation, edited & translated by Stephen M Trzaskoma, R. Scott Smith, Stephen Brunet
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bienmoreau · 18 days
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“What you hold onto is less important than the act of holding on itself. It’s so easy to get lost in ourselves and this world. Sometimes you need to find your way back one tiny miracle at a time.” - The Sunshine Court
WISHING THE HAPPIEST OF BOOK BIRTHDAYS TO @korakos! YOU DID IT AND ITS BLOODY BRILLIANT!
Please please excuse the disgusting things my iPad camera has done to this photo. This is the first time in years I’ve done something like this fully traditional and it has stretched so many rusty parts of my brain but I’m SO GLAD I got this done in time for release day! This book is WONDERFUL and I’m so happy it’s now out in the world!
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persephonaae · 2 months
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TERFs die mad: you just reblogged a nasty transgender person with pronouns and all who did this historical look to explore their cultural history as well as express their own nonbinary identity in a way that resonates with them. An edit I wish I didn’t have to make on this post
I’ll try to post the actual pictures I took soon, but I was bored today and wanted to shirk some other responsibilities, so I decided to do some general vague Minoan or Mycenaean look since it’s been on the mind and also my hair was looking really good today and I wanted to take advantage of that haha
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tsukk1 · 1 year
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i’m so normal about baby shouto and big brother touya
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seasicksilver · 2 months
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reading the Iliad is an experience
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