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#hypermasculine
veryboss · 9 months
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2001hz · 11 months
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Hirohiko Araki: 'Jolyne with Cherry Blossom' (2012)
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sonofamarine · 1 year
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As a recruiter, he was the best. His specialty was tracking down sensitive shaggy-haired types and convincing them to enlist. Musicians, poets, artists: after a few minutes talking the hypermasculine recruiter and they were ready to give up that artistic bullshit and become REAL MEN. They’d enlist, cut their shaggy dyed hair into a truly masculine flattop, and ship off to basic to be made into masculine marines.
Wherever he went, the local art school would close as the students decide the masculine military life was the better option. Luckily, the military was ready to snap those art schools up and convert them into military academies. And the local salons that offered hair coloring and fancy cuts were driven out of town as old school military barbers moved in.
Once a town had been converted into a masculine, patriotic population, he would get shipped off to a new town, eager to get to work on the men of the town. Maybe he’ll come to your town next.
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neopronouns · 6 months
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flag id: a flag with 11 stripes, with the sixth being much larger than the rest. in order, they are very dark sky blue, dark sky blue, medium dark cyan, turquoise, light turquoise, black, light turquoise, turquoise, medium dark cyan, dark sky blue, and very dark sky blue. end id.
banner id: a 1600x200 teal banner with the words ‘please read my dni before interacting. those on my / dni may still use my terms, so do not recoin them.’ in large white text in the center. the text takes up two lines, split at the slash. end id.
hypermasculine: expressing one's masculine gender with more intensity than is considered common; identifying with a certain mingender more intensely than is considered common
[pt: hypermasculine: expressing one's masculine gender with more intensity than is considered common; identifying with a certain mingender more intensely than is considered common. end pt]
a hypermasculine flag/term based on the hyperfeminine flag as a base for a request!
tags: @radiomogai | dni link
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I hope all the hypermasculine and hyperfeminine nonbinary folks are doing well today! You don't need to be androgynous to be valid - your gender expression can be whatever makes you comfortable and happy.
- Your Bigender Big Brother 💙💚
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capableism · 2 years
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Disney+ LGBTQ
Ursula: "The only way to get what you want is to become a human yourself.
Ariel: Can you do that?
Ursula: My dear, sweet child. That's what I do. It's what I live for. To help unfortunate merfolk like yourself. Poor souls with no one else to turn to." 
-"Poor Unfortunate Souls" from The Little Mermaid 
The iconic purple villainess Sea Witch Ursula seduces Ariel into becoming human by the end of her song "Poor Unfortunate Souls." "The only way to get what you want is to become human yourself" To Ariel, humanity is an attractive yet elusive dream. Ursula, therefore, takes  advantage of her optimism and raises the price of becoming human. Ariel must give up her  voice. The ramifications of this lead to Ariel finding love and becoming human permanently. This particular plot beat enforces that humanity comes from physical ability. Ariel views herself as apart from the other merfolk. Similar to how I felt apart from the disabled  community, even at a camp devoted to children with disabilities.  
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Photo by Alif Ngoylugg from Unsplash
The Little Mermaid follows the Disney film formula for "wholesome, family friendly" values. The plots of these films always include a happy ending. Starting in the 1930s, the Disney company took this responsibility to teach children seriously. "According to Sean Griffin, a former Disney employee who focused on queer studies, 'Disney in the '50s focused on representing itself as an upstanding moral organization; that parents could trust to  influence their children's moral development'" (Brown, 3) 
To create this bond of trust Disney stories have simply "mustache-twirling" villains like Ursula juxtaposed against an unwavering hero like Ariel. 
This formula has changed over the years. Frozen (2013) actively subverts many  assumptions about Disney stories. What is socially acceptable has changed as well. Classics like 1950's Peter Pan included a racist depiction of Native Americans. The film simply depicted the social norms of its time.  Griffin states Disney "consistently posited and reinforced [...] an image of American middle class heterosexual courtship" (Griffin 4). Reinforcing these ideals involves not only creating a hero exemplifying these expectations but vilifying the other and creating harmful stereotypes.  
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In defense of these stereotypes, they were not always negative; they were also functioning as a cinematic shorthand of storytelling.
 In 1934, before modern Hollywood, the Motion Pictures Production code, also known as the Hays code, overly censored offensive content. This included banning depictions of a married couple in the same bed in the 1950s. Filmmakers had to build cinematic shortcuts to imply anything romantic. The Hays code is part of history but has disproportionately affected minority representation in films. Interracial marriages and gay relationships? Forget about them. Disney reinforces "an image of American  middle-class heterosexual courtship “(Griffin 4). Villains like Ursula are implied to be in the LGBTQIA+ community. She was designed after the Drag Queen Divine. While Ariel is hyper feminine, Ursula is hyper-masculine. Perhaps a better example of a classic gay villain is Captain Hook from Peter Pan. 
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  "Griffin initially argues that Hook could serve as a positive representation for the gay  community, but a closer look at the film, as well as Griffin's own evidence, paints a darker picture “(Griffin 73). Griffin later states that Hook " uses his cultured dandyism to hide his evil designs" (Griffin 76). This interpretation directly ties Hook's femininity into his villainy." (Brown, 5) Captain Hook's and Ursula's implied sexual orientation is based on gender and sexuality stereotypes. The implied meanings are called Queer coding. Queer primarily refers to the  sexuality spectrum of the community and not gender identities. From The History of Queer Coding: ”Queer coding is a strange thing; it's given us representation where there would otherwise be none. Offensive stereotypes that we still can't shake and storylines that make us  want to yell: he's gay, for god's sake!" (Jessica Kellgren-Fozard)  
Disney still has queer codes today. Frozen subverted tropes of "true love's kiss" by making  Prince Hans the villain and family bonds more critical. Elsa is queer coded to be gay. She has  magical ice powers that she is told to "conceal don't feel," and she learns to “Let it Go” and be  herself by the end. Despite her being the main character, her sister Ana is the one who finds a man. Elsa has no love interest. This opportunity to subvert expectations and have Elsa be gay is lost. From my opinion and experience, children need explicit representation to really identify  with any group they are a part of.
Sources
Brown, Adelia (2021) "Hook, Ursula, and Elsa: Disney and Queer-coding from the 1950s to the 2010s,"The Macksey Journal: Vol. 2, Article 43.
“History of Queer Coding”, Jessica Kellgren-Fozard. YouTube
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advoir · 9 months
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I love those ridiculously hypermasculine 80s action movies because I can’t take them seriously and I don’t see how anyone could. As far as I’m concerned, it’s all drag. Drag takes talent and that talent should be taken seriously. But the whole purpose is to exaggerate and subvert expectations. If there’s one thing you’re not supposed to take seriously at a drag show, it’s gender. That’s how I feel about movies like Bloodsport and Predator. It’s all drag.
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beefysmorgasbord · 1 month
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Kind of outside my usual “niche” but I find the intense objectification of this very erotic.
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sonofamarine · 1 year
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“Thanks for the beer, faggot!” he laughed. Just a few years ago, he had been just like him: a scrawny sensitive homosexual enrolled in a liberal arts college studying poetry. That was before his run in with the bald Marine who convinced him to enlist and become a real man.
Now he returned the favor, meeting up with sensitive poet types and showing them what true masculinity looked like… and what it tastes like. A good throatfucking and his poet of the day would be ready to follow him to the enlistment center and give in to the same toxic masculinity. It fucking ruled.
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neopronouns · 6 months
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flag id: two flags with 9 stripes, with the fifth being much larger than the rest. the left flag's stripes are dark red, bright pink-red, bright red-pink, red-pink, black, light red-pink, very light red-pink, pale red-pink, and sky blue. the left flag's stripes are dark sky blue, medium dark cyan, turquoise, light turquoise, black, bright sky blue, light sky blue, very light sky blue, and red-pink. end id.
banner id: a 1500x150 teal banner with the words ‘please read my dni before interacting’ in large white text in the center. end id.
hyperfeminine transfeminine and hypermasculine transmasculine flags for anon!
dni link
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jhonny · 3 months
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"stop talking like that boy you're ruining my tboy swag" - yami bakura, probably
or, when both bakuras are trans but only one of them has perfected the trans voice.
+ bonus thief king (as a treat)
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capableism · 2 years
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Balancing stereotypes as a disabled man
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Photo by Annie Spratt from Unsplash
Boys don't cry. Men are strong and stoic. On the other hand, people with disabilities need help to live full lives and are seen as inspirational when they do. These two ideas from American society conflict internally for me as a disabled man. It's almost like I can't  "man up" because of assumptions based on my physical appearance. Strangers want to help me. It doesn't sound that bad, but it takes away my independence. That can lead to feeling  less than. "Evering Goffman describes the prejudice here as the fundamental nature of stigma:  the stigmatized person is regarded as 'somehow less than human.' (Longmore, 135)  
Masculinity is shown through physicality. Men are taller, stronger, and dominant. Honestly, I  don't fit any qualifications to "be a man." I try by working out, but I won't get taller or change  my personality anymore; I'm not an Alpha male. And that's not because of my disability. My  disability forces assumptions that make it hard to be a stereotypical man. I still idealized it as a child. I watched my brother learn gymnastics and become very strong. While I don't, he fits all  of the criteria to be a man. I've learned that people don't hold me to the same standard of masculinity because they see the disability first. The stereotypical "disabled guy" that has to overcome his disability is an inspiration before he becomes a man. To be a man, I have to be stronger and more assertive or to be disabled, I have to be less independent and so  subordinate others speak for me when I'm in the room. These things are just stereotypes but  are reinforced heavily and sometimes complicate being a disabled man. 
Source 
Longmore, P. K. (2003). Screening stereotypes:images of disabled people in television and motion pictures. In Why I burned my book and other essays on disability (pp. 131-146). Temple University Press.
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deuynndoodles · 2 months
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[id: a digital drawing of link from breath of the wild drawn in a satirical, hypermasculine manner. he is top heavy with broad shoulders and skinny legs, like an upside down tortilla chip. he has sharp features, defined cheekbones and a strong jawline. his tunic is too tight, showing off his massive pecs and six-pack. he balls his fists and stares blankly into the distance. end id]
don't you just hate when this happens
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propheticscrewup · 5 months
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all the workers being genderless is great but thank god elena is fem so we can get some more feminine worker designs out there
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pinkeoni · 9 months
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I feel as though there is a desire to completely dichotomize byler when they don’t need to be polar opposites in order to fit together. They are individuals, but it’s their differences AND their similarities that make their dynamic what it is
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veryboss · 10 months
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