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#i love one (1) zombie show
undermostcorgi · 2 months
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ANOTHER ONE
#my art#dnd oc#friend oc#kairos#getting lots of practice drawing fucked up FREAKS (affectionate) recently#also yes this lovely lady is from the same campaign as bell (zombie boy posted yesterday) and osiris lol#can you tell there's a sort of. death and undeath theme in that campaign#also i did thankfully have some feedback on this one since it's evie's character!! so hopefully somewhat more accurate lol#not entirely pleased with her face for some reason but i still like it#i am reminded of that one graph that shows talent and perception? yknow the one?#where as you grow more skilled there's a point where your perception of your art matches how good it really is#but then your skill doesn't necessarily grow with your perception of it so you start thinking your art is bad again#or that you're getting worse but it's still better than your previous art you're still getting better#idk i think that may be what's going on here lmao#i know this is decent and its much better than anything i was making even just a few months ago#but its still weird in my brain lol#or maybe im not too happy with it because i didnt spend a ton of time on it like i usually do on things like this?#this one took me like. 1 day total from sketch to finished product?#gathered reference images and started the sketch late monday night#did almost the whole thing yesterday and just added finishing touches today#so maybe i just didnt put enough effort into it idk#also also this is my 11th finished piece of the year#which is significant because in the ENTIRETY of last year i only made 11 finished digital art pieces LMAOOO#so in a month and a half i have done what i did in all of 2023 B)#a bit worried that im gonna burn out soon and not make art for a long time again but im feeling fine so far#other than the aforementioned slight displeasure with what im making now#hoping i can continue making good art all year!! or at least having fun making it even if it isn't good lmao
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broke-on-books · 1 year
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When Scooby is a current topic of discussion on social media
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gloomygambit · 4 months
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Joan of Arc reference sheet for college and also some boring dude knight cause the project is required to have two characters ✌️
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twilightcitysky · 9 months
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Everything Is Meant (long S2 analysis, part 1)
I cannot figure out for the life of me how to make gifs so this will have to be a gif-less essay. If anyone more tech savvy than me wants to reblog with relevant media, please do!
I've seen a lot of people saying how Aziraphale's actions in the final ten minutes come out of left field and are OOC, and when I first watched the episode I felt the same, but now I think I couldn't have been more wrong. And I don't think Aziraphale is being controlled... I think the entire season showed us exactly what was going to happen.
On first watch, what struck me was the number of plot points that seemed disconnected. I couldn't figure out how Job related to the present, or the Victorian era, or the Nazi zombies (still at sea on the zombies part tbh). I didn't know where the Maggie/ Nina subplot was going, or why we were bothering with it. Then I put my "psych hat" on and it was like seeing one of those 3D pictures come into focus. It's a psychological networking rather than a plot-driven one, which is what Neil told us to expect.
Detailed analysis under the cut, with spoilers:
I went back through the season in my head and started asking myself: why is this element there? What does it contribute?
1. Start with scene one. Why include it? Does it matter for the climax that Az knew Crowley as an angel? YES. It's actually huge. Angel Crowley was joyful, he was bursting with delight at creation, he was idealistic. He wanted to be a part of everything rather than run away from it, and that's still how Aziraphale feels. He loves being a part of things. He's a joiner. He's a landlord. He dances at clubs and he makes human friends and he learns magic. Crowley the demon doesn't seem to want any of that, and I think that's hard for Az. He wants Crowley to be free of the cynicism he thinks prevents him from enjoying life now. At some level, I think he senses that Crowley is depressed (empathy's not his strong suit but I'm sure he's aware that Crowley's in a "what's the point of it all" kind of mood; see the eccles cakes scene). He wants to fix it. Aziraphale is a fixer. Metatron offers him a chance to do that.
Another thing is that Aziraphale knows Crowley ended up Falling just for asking questions that seemed innocent. That's not okay with him. He thinks that with the two of them in charge they can actually MAKE the changes that Crowley wanted to see way back at the beginning, starting with a suggestion box.
2. Okay, now Jim. Obviously Gabriel/ Jim is the central mystery, but why does he matter? First and foremost: he's there to show Aziraphale that angels can CHANGE. Gabriel terrorized and threatened Aziraphale. Az has been terrified of him. He ordered Aziraphale's execution. And now here he is, drinking hot chocolate, doing noble self-sacrificing things, with morals that suddenly align with Aziraphale's. What an absolute game-changer that must have been! He thought Heaven was unfixable, but here's Gabriel in his shop for weeks, slowly convincing him otherwise.
Then two other things happen. First, they find out that this all happened to Gabriel essentially because he fell in love. He was fired and his memories were stolen and the only reason he recovered was because Beelzebub happened to give him the one thing that could save him. That must have seemed like incredible luck. Now, how does Aziraphale feel about memories? He lives in a bookshop that is stuffed to bursting with the records of all of human history, essentially. His memories of his time with Crowley are incredibly precious. He sees, there at the end, that everything he is can be taken from him as a punishment for falling in love. Aziraphale doesn't have a magic fly container. He'd be forever robbed of Crowley, his life, himself. It's a very real threat in his mind when Metatron intervenes.
Which brings us to the second thing. Metatron saves Gabriel. Not only that, he prevents him from being punished for loving Beelzebub and lets them both go. What better way to win currency with Aziraphale? HE doesn't want to go off to Alpha Centauri, he never has, but suddenly he sees that Metatron might protect his relationship. And he's probably the only entity with the power to do so.
So we come to two conclusions: Aziraphale, when he goes off to talk with Metatron, is feeling like maybe it's not intrinsically bad to be an angel. He believed all the angels sucked, and only God was good... but now he sees that even Gabriel can change. He met Muriel, and he likes them. (He also had a huge crush on angel Crowley, which is neither here nor there but he loves Crowley in all his forms.) So if Crowley became an angel again, would that really be so bad? In his mind, it wouldn't change who Crowley is. It would just make them both safer and allow them to be together. (He's wrong! And Crowley doesn't see it that way! But this is a key miscommunication. Aziraphale doesn't really believe that becoming a demon changed Crowley. Back to the first scene, which Aziraphale references during the Job minisode. In his eyes, Crowley is the same person (just more cynical because of what's happened to him)-- so why would it matter if he's an angel again? I truly don't think he was trying to save Crowley, or saying that Crowley would be Better as an angel. To him, it doesn't matter what Crowley is. Which is reductive and harmful, but not the same as thinking Crowley needs rescuing from himself.)
Second conclusion: he sees that an angel and demon can be in love, but they have to run away to be together. Gabe and Beelz couldn't go home again. Earth is Aziraphale's home, but after the attack on the bookshop he learned that without Heaven's protection he can't really keep them safe there. Metatron says: "Come with me, do this thing, and you can have guaranteed safety AND be with the love of your life". Poor Aziraphale wants this with every fiber of his being. All he's ever wanted was for Crowley to be safe. He's never been able to offer it. Over the past four years, he thought they were safe, but he's just learned that he was wrong.
This is getting long. Continued in Part Two!
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wizard-email · 1 year
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I don't want to add god's longest addition to the would you survive an apocalypse?' poll, but I do actually have an absolutely fallproof plan for the zombie apocalypse. It doesn’t matter what kind of zombies there are & it has exactly (2) steps:
1. Drive to the nearest National Trust proparty
2. win
This is the result of a very lengthy (and completely serious) discussion with my sister so let me break it down for you.
Benefit 1: EVERYTHING'S THERE
For those of you who don't live in the UK (or don't have parents with exactly 1 idea for a family trip ever), all National Trust proparties are broadly speaking exactly the same.
There's a big rich person's house & the courtyard is always converted into a little picnic area containing a combination gift shop/booking desk; a cafe and a secondhand bookshop. The gift shop has like a 60% chances to contain basic gardening tools and a little section for seeds & bulbs.
I won't list their standardised cafe menu (that I do in fact have memorised), but it's pretty good & more importantly most of it is made or at least finished on site. If they rationed, a small group could live off National Trust cornish pasties, scones & gift shop fudge for a month or two I think <3
Here's a list of things that are might be there but aren't 100% guaranteed:
- Kitchen garden
- Fish pond
- Livestock (usually chickens, sometimes pigs or bees)
- Medieval armour (fuck ya'll with guns but I would take a pike over having to worry about ammunition any day)
- Horses and functioning stable
- Forests cultivated for the purpose of deer hunting
John McRichman's gun/archery collection
- Lake
Benefit 2: FUCKING!! CASTLE!!
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??? Where do I start???
1. These things are so easy to defend it's laughable.
I'm sure we all know about spiral staircases being designed to maximise cover for a right handed person during sieges but it's more than that ??? 18th century rich people loved to make their estates look as big, impressive & isolated as possible & they did this by surrounded their houses on all sides with several hundred metres of flat, open grass with thick trees on the edges to block out the horizon.
- Nothing can see you
- No loud noises will be within earshot of anything close to civilisation
- Any zombies that DO somehow show up can be picked off at a distance whether they know how to run or not
- Litterally there are so many little towers & secret rooms & shit how do you even manage to fuck up enough to die here like I would actually be impressed
- ALSO the edge of the estate is usually also walled off and/or fenced & gated, so there's no chance of anything wandering in by accident
2. All the older infrastructure is designed pre-electricity so you'll still be able to have a shower when the power grid inevitably explodes or something
3. You get to sleep in one of those huge 4-poster beds with all the fun embroidery and silk pillows
4. Idk the massive lawn can be converted into a farm if the apocalypse goes on long enough
Genuinely I think my quality of life would actually improve?? and that's just with what's already there - if there was time to pick up some supplies beforehand me & my buddies would just be hanging out. literally what apocalypse im eating scones xoxo
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saekkas · 11 months
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𝐓𝐇𝐄 𝐇𝐎𝐍𝐄𝐘𝐌𝐎𝐎𝐍 𝐏𝐇𝐀𝐒𝐄
summary: you've been pulling all-nighters and michael kaiser isn't happy about that. good thing he has a trick to lure you into bed with him.
w.c: 1.6k
notes: don't be fooled by the pictures. the only kitty cat in this fic is kaiser <3
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the digital clock by your side is silent, no ticking to announce the seconds that are trickling by so quickly. time is slipping through your fingers like sand, and you can only watch, pushing past the grainy texture.
everything is starting to feel like a bubble, wrapped in a haze of focus. the sound of blowing AC is minimal, no more hustle of honking cars, and the world is quiet as your eyes sting from the tablet light, drooping in exhaustion.
all is well. at least, until that bubble breaks.
"how are you still sitting there even after all these hours?"
kaiser pads into the living room, shirtless with only some sweats hung low on his waist. every single one of his steps are confident, as if he's set out on a mission he's determined to complete. he fans himself with a hand, walking over to where you're seated on the living room couch. "are you a zombie? or has my angel finally turned into a mummy?"
there are dark circles under your eyes, generated by the hours upon hours of work you've been putting in. every movement feels sluggish; the tablet in your hand feels heavy, as if something's tugging you and your body to lie down on the comfortable cushioned furniture. lack of sleep and too much caffeine, probably.
you can see the way he's eyeing you, a borderline mix of anger, annoyance, and sleepiness wrapped into a person that is him. you don't know whether to be threatened or intrigued by it.
"come here, baby. let's get you to bed, okay?" kaiser leans in close to you, pressing a kiss on your forehead. "i can't let you work yourself down to the bone. you've got me, remember? my card's for you to use."
his movements are too gentle, too smooth and the way he's smiling so sweetly at you, batting his eyes, makes you wonder what he has planned. when you feel the telltale signs of his fingers around your hand, you glare, pressing the tablet to your chest. kaiser's always been a smooth predator, he knows how to get what he wants.
"you look like a feral raccoon," he laughs, sitting right beside you on the couch. "i have a thing for pandas. not trash pandas."
this time, he leans in to press himself into the crook of your neck, wrapping his arms around your waist as he all but curls into your frame. his shoulders slump and he sighs, happily nuzzling his face into your skin. "you smell lovely, liebling."
"mikka," you sigh as he starts to leave gentle kisses on your skin. he's nothing if not trouble but you won't lie to yourself, his presence always brings comfort even if he does end up distracting you from your work most of the time. "shouldn't you be asleep?"
the digital clock on the desk looks back at you, the gleaming red numbers clear. 12:03 AM. you frown, placing your hand on the crook of his neck, playing with the hair that's found its place there.
"aren't you tired?" his body relaxes, curling more around your frame like a cat does with its mother. you can only chuckle when he tries tugging the tablet out of your hands. "what's gotten into you?"
for one, your lover never goes to bed past 10 PM. it's part of the routine you both have. whenever he's home, you follow his routine down to the t. it starts with breakfast at 8 AM, lunch at 1 PM, dinner at 6 PM, and cuddles sprinkled throughout. then you let him drag you to sleep by 9 PM, snuggling against each other like it's the first time you've both shared a bed.
the pout he's sporting tells you he isn't happy that it didn't happen tonight.
"mikka, go to bed. i'll be with you in just a sec." the words are nothing but a lie and you both know it. if it weren't, he'd be happily drooling with his hands around you in bed by now.
kaiser snorts, his pout turning into a frown. he's displeased and it shows in the way that he's started to tug your tablet harder, determined to get you into bed with him. you can feel him shake against your neck, and you tilt your head, surprised when he leans back with a victorious smile and your tablet in his hand.
"mikka." the threat in your voice is clear as you raise your hand, asking him for the tablet back nicely. "i need that back. give it to me, please."
"you know i can't do that." the pout he shows you is absolutely sweet; one you've seen him use dozens of times to get his way. one you have yet found a way to refuse. "i can't sleep while my fiancée works."
there it is. there's that word again. fiancée. another trick he's been using to get his way. "right, fiancée?" he repeats, tucking his hands under your legs and back to lift you into his arms.
"besides, i'm more important than whatever your working on. after all, i'm your fiancé." he nuzzles his face into yours as he walks, playfully biting your nose with a giggle.
you can only glare when he grins at your flustered expression.
"shuddup. you're so annoying." kaiser smells oddly sweet, a mixture of scents that don't usually linger on him, and as you lean your forehead against his collarbone, he's quick to place you on the bed, hurriedly pinning you under him right after. "mikka!"
"let me see." his tone is a mixture of laughter and whines, and his eyes sparkle brightly, similar to the diamond studded ring that now sits on your finger. he holds your wrists, dragging them away to reveal your face, flushed and all. "there's my pretty."
there's a silence that comes after, one that he fills with a loving gaze and a haughty smirk. he leans down, pressing himself against you, and nuzzles into your neck with his hands wrapped tightly around your waist.
he clearly has a thing for your neck.
the press of his body on yours is heavy but it's something you're used to. kaiser is someone who thrives with physical contact and combined with the summer heat, he's been a menace. he insists on latching onto you like a koala every single day. not that you mind. especially not when he's shirtless like he is now.
"aren't you hot?" you mumble, trailing a finger down his back. you watch as he shivers at the action, goosebumps rising on his skin. "we might both experience heat stroke if we keep cuddling like this."
"yes, i am hot." comes his answer which you snort at. he grins at the sound, lifting his head to look into your eyes. "don't act all coy. i know you love it when my tattoo's on show."
your eyes dart down to his arm at his words, taking in the thorny roses that slither up the skin. they're stark, inky black against his pale arm. you follow their path up to his neck, marveling the rose on his skin that perfectly matches his hair and eyes.
"see," he teases smugly, leaning in to press a kiss on your lips. "you can't resist me."
you blink at that, looking at him with wide eyes.
"what?" a grin makes its way onto his lips as kaiser places his head on your belly, kissing you through your pajamas. "something you wanna ask?"
something is different about him. not in the way he looks, not in the way he behaves but in the way he smells. your eyes narrow before widening in realization. "you're wearing lip gloss?" you prop yourself on your elbows, using a hand to pull him up. "lemme taste."
kaiser grins, smug as he lets you maneuver him all you want. with every peck that's placed on his lips, his grin grows bigger and bigger until he looks like a chesire cat.
"is that why you smell different?" you mumble, tilting your head to press against his lips harder. he responds in kind, wrapping his hands around your waist tighter as if you're going to disappear if he doesn't. "what flavor is that? cherry?"
when he finally lets you pull away, your lips are red and swollen, playfully bitten by the man in front of you. his gaze stays on them, smiling smugly as he nods.
"yeah. after all, i'm the one that gets to pop your-"
there's a groan that comes when you push him off. you giggle, hovering above him from the bed. sprawled on the floor, your big bad fiancé looks nothing like his fierce persona on the field. if anything, he looks like a startled starfish. "that's what you get for being so annoying."
there's a glint in his eye that has you backing up on the bed. seconds later, he's back on his feet, tackling you into the pillows. the sound of laughter fills the room and as you pant, hovering above him, you cradle his face in your hand. your future, your world, your everything.
"i can't wait to marry you," you whisper, one hand trailing hearts on the rose that sits on his neck. "i can't believe you roped me into this."
"i guess i'm just that charming." he laughs, pulling your body down until you're straddling his lap. his hands are gentle as they trail down your thighs in return, squeezing the fat around your hips. "i can't wait either. especially for-"
"one more word and i'm banishing you to the couch."
"will you be on the couch with me? because if you will-"
"mikka."
"yes ma'am."
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cupidseok · 5 months
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Hello! Can I request about how riize acts differently when with you? I'm not too sure how to phrase it but something like a part of them only you can see? Sorry, I hope this makes sense to you. Thank you :)
the different sides of riize that they only show when with you
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WARNINGS slight mentions of insecurity
AUTHOR'S NOTE hope this is what you meant anon 😭 thank you for requesting !
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☀️ — SHOTARO
his serious side. sunshine taro is always smiling and laughing at just about anything ! whether he's feeling awkward or uncomfortable, he'll just giggle and hope the moment passes by quickly. he doesn't like it when the mood gets heavy and no one is smiling. however, when you attempt to bring up a serious issue and shotaro just laughs it off, it makes you upset :( he immediately notices how your eyes start to tear up and he embraces you in his arms. hushed apologies continuously fall from his lips as he rubbed your back, softly reassuring you that he’ll listen to whatever you have to say. that night, the both of you talk about the things that has been bothering you both. shotaro then understands the need to be serious in relationships in order for it progress further and he really hopes to never hurt you again.
🪨 — EUNSEOK
his cute side. our seemingly emotionless and unbothered stone ! eunseok almost always has a blank expression plastered on his face, it’s just in his nature to do so. although he’s someone who’s independent and stable, he still needs love ( even if he doesn’t say so verbally because he’s embarrassed to admit it ). so when you don’t give him enough affection and attention, he gets sulky. “what do you want,” you questioned eunseok, your eyes still glued onto your phone screen intently. he’s tugging on the sleeve of your shirt, “look at me please,” he nearly whines. when you finally divert your eyes away from your phone screen, you’re met with large boba eyes begging for your love and affection <3 he would rather die than let the other members of riize find out that the cool and collected song eunseok has to act cute to get his girlfriend’s attention.
👿 — SUNGCHAN
his jealous side. sungchan is someone who is confident in himself, he is clear of his own strengths and weaknesses and he tries his very best to make up for his weaknesses. he’s aware he looks good and he’s also proud of his body ! however, when he sees you laughing so happily while catching up with your childhood sweetheart, he suddenly doesn’t feel very confident anymore. he feels jealous; he thinks that if you both had met eariler, he’d be your childhood sweetheart instead. when sungchan sees the man lean one more centimeter closer to you, he can’t contain his overflowing jealously anymore and speed walks towards the both of you. “hi babe,” his arms wrap around your waist tightly, “i was waiting for you. who’s this ? aren’t you going to introduce him to your boyfriend ?”
🔐 — WONBIN
his protective side. wonbin who loves you so much, wonbin who cannot stand being away from you for more than 3 working hours, wonbin who is so protective of you ! he just cares for you so much, he can’t stand the thought of you possibly getting hurt, so he needs to be by your side 24/7 to ensure you’re safe and sound ( which you always are when with wonbin ). he gets slightly anxious when you aren’t around him, because what if a zombie apocalypse occurs suddenly and he isn’t there to be your knight in shining armour !! “wonbin i think in a zombie apocalypse i’d be more likely to protect you. also, i’m just going to a party with my friends. please let go of me,” you try your best to pry wonbin’s hands off you but all of your attempts were futile. “but what if the zombies get to you before i do ?”
💝 — SEUNGHAN
his insecure side. hong seunghan is and always will be your #1 hype boy ! he’s your admirer, your fan, your enthusiast, your supporter and much much more. this boy never shut ups about you and sohee thinks that he knows you better than yourself at this point ( sohee gets the brunt of seunghan’s talks about you unfortunately or fortunately ). seunghan could write an entire trilogy ( each with more than 10000 pages ) about how much he loves you if he wanted to. but !! when you reciprocate his energy and compliment him back, he gets so shy and his face turns an adorable shade of red. “you look so handsome here !” you look up from scrolling though seunghan’s selfie album and he just shyly shakes his head. “no, you always look so much better, my love,” seunghan buries his face in the crook of your neck to hide his flustered state. “what are you talking about ? my boyfriend always looks so handsome, he’s the prettiest boy i know.”
🗝️ — SOHEE
his authentic side. sohee is not someone who reveals his true personality easily to others. one may think that they know sohee well until they delve deeper and realise that they actually don’t know much of him. he’s just good at concealing the parts of himself that he deems vulnerable and sensitive. with you, however, sohee always feels at ease, as he doesn’t feel like he has to put up a facade. with you, sohee knows that you’ll love and cherish every part of him, even the parts that he himself dislikes, you’ll love all the same. he finds solace and warmth in your nurturing nature and seeks for your love and understanding of the true sohee !
💭 — ANTON
his attentive side. anton can sometimes be random and voices out his weird thoughts for you both to ponder over, you often wonder what goes on in his head but you usually just leave him to it. he’s also someone who is rather soft-spoken, so at times, it’s hard to figure out what he’s feeling or thinking. however, anton often greets you with pleasant surprises in the form of gifts, little things that you’ve mentioned in passing like how you’ve lost one side of your earrings or how you’ve run out of milk. you’re also often shocked when he tells you about your habits that you’ve never noticed yourself. “huh ? i do that frequently ? really ?” confusion evident in your voice. “yep, i’ve seen you do that more than a thousand times.”
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© cupidseok — do not copy / repost / translate my works
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noneorother · 6 months
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Oh my god, season 2 is The Tales of Crowley Hoffmann
I guess this has to be a series now too. Part 1 l Part 2
When Aziraphale wants to perform a show-stopping magic trick in S2E4, he is shown the "Professor's Nightmare," a rope trick, and references "Prof Hoff himself" at the end of the minisode.
Because we love double meanings so much around here, I decided to actually watch the Powell & Pressburger epic opera film "The Tales of Hoffmann," assuming it was the another P&P easter egg and the other Hoffmann (not the magician) that was being referenced.
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One, this movie is unhinged. Two, this season IS The Tales of Hoffmann. Allow me to explain...
There are shot for shot quotes literally everywhere throughout the season.
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P&P The Tales of Hoffmann (Automaton Ball) & Good Omens Season 2 "The Ball"
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P&P The Tales of Hoffmann (Hoffmann watches Stella perform) & Good Omens Season 2 "The one with the zombies"
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P&P The Tales of Hoffmann (Clerk in Automaton Ball) & Good Omens Season 2 "The Ball"
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P&P The Tales of Hoffmann (Tale of Antonia, Hoffman & Antonia) & Good Omens Season 2 "The Clue Crowley & Aziraphale"
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P&P The Tales of Hoffmann (Prologue) & Good Omens Season 2 "The one with the Zombies"
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P&P The Tales of Hoffmann (Tale of Giulietta Banquet scene) & Good Omens Season 2 "The Clue Banquet scene" *By the way Hoffmann wears a goatee for this tale
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P&P The Tales of Hoffmann (Prologue "Dragonfly dance") & Good Omens Season 2 Prologue "Before the Beginning" *This is Stella and un unknown devil drangonfly, NOT Hoffmann
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P&P The Tales of Hoffmann (Tale of Antonia) & Good Omens Season 2 "The Clue"
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P&P The Tales of Hoffmann (Tale of Antonia) & Good Omens Season 2 "The one with the Zombies"
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P&P The Tales of Hoffmann (Automaton Ball) & Good Omens Season 2 "The Ball"
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P&P The Tales of Hoffmann (End credits through Hoffman's glasses) & Good Omens Season 2 end credit scene.
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Stella & Aziraphale. This one makes me laugh.
There are SO MANY MORE, but tumblr has an image limit. Seriously, it's nuts.
2. It seems simple and straightforward, but it's not at all
" Why would ambitious filmmakers simply film an opera? Many admirers of the work of Michael Powell and Emeric Pressburger have assumed that their decision to make The Tales of Hoffmann (...) was in some way an admission(...) that they couldn’t go on making their edgy, over-the-top melodramas after the rejection and interference they’d suffered (but) there’s a case for considering The Tales of Hoffmann as one of the finest and boldest works that Powell and Pressburger produced, so far ahead of its time as a wholly “composed” film, combining visual and musical elements, that it has still not been fully appreciated... Late in his life, Powell himself said that he thought it was one of the best films that he and Pressburger had made. What makes the film so remarkable is a series of paradoxes: the fact that it virtually reinvented the freedom and fantasy of silent cinema while making full use of Technicolor and a stellar cast of dancers and singers..." - Criterion, The lives of marionettes
3. The structure of the story is the same as the show
Here is the story of the Movie** (Not really the Opera that inspired it) In the prologue, we see the dance of the dragonflies onstage at a ballet. Count Lindoff (very bad dude) is spying on both the principal dancer Stella, and the audience member Hoffmann (who's admiring her). Lindoff is behind the scenery. During her dance, Stella passes a love note to her assistant for Hoffmann. The bad dude intercepts it out of jealousy. During the intermission, Hoffmann goes down to the tavern next door, watched by his sort of buddy in red, Nicklaus. People ask him to tell stories to while away the time, and so he tells 3 stories (actually four but we'll get back to that).
We launch into 3 tales/minisodes in other times and places : 1. The Tale of the Ball of the Automaton where he falls in love with a robot. He is humiliated. 2. The tale of Venice (Giulietta) where he falls in love with a courtesan/double agent who crosses him. 3. The tale of Antonia, where he falls in love with a girl who feels trapped by her living dad, her dead mom and a mysterious bad dude (Lindoff). She is murdered in a ring of fire, but becomes a ghost and is resurrected and sent back to earth. At the end, we snap back to the tavern in the real world. Hoffmann reveals that these three women are all metaphors for how he feels about Stella, his true love. He's drunk and depressed now, thinking she never sent for him after the show. Stella arrives in the tavern looking for Hoffmann, ready to run away, but now accompanied by Lindoff (dressed as an angelic figure) who followed her. She looks to Hoffmann to save her, but he's too blinded by the fact that he doesn't think she loves him back to pick up on the signal. He gives up, and she goes back up the stairs guided by Lindoff. Her assistant (who was bribed by Lindoff at the beginning) is given the go ahead by Lindoff to go back to the tavern and taker over. They close the door to the tavern, while she walks up ethereal stairs with the bad dude. THE END.
The one story that doesn't fit into the minisodes and is told in the real world is Kleinzach. We understand by the end of this one that this is Hoffmann's self loathing about never being good enough for Stella, because Stella is perfect and Hoffmann is ugly and deformed. The main love interest attempts to steal Kleinzach's essence through a mirror by the end. 4. Powell & Pressburger recast four actors in new roles In The Tales of Hoffmann, P&P decided to recast four of the principal actors/dancers from the film The Red Shoes in new roles, wanting to recreate the magic that they brought to the first ballet film. Sound familiar?
5. Crowley is Hoffmann
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"The Tales of Hoffmann" original 1881 costume concept for Hoffmann & Crowley costume sketch for S2E3 1827 Edinburgh. Glasses are a really important aspect for Hoffmann in both the opera and the movie versions of The Tales of Hoffmann. Hoffmann is gifted metaphorical magic glasses that he wears to be able to perceive his love in a way they aren't really in real life. In the opera, he wears dark glasses to shut out the real world, not just as a metaphor. Check out a modern day version of the opera's Hoffmann costume :
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He's french and slamming a beer but you get it. Crowley also canonically loves watching movies. It would make so much sense that his minisode recountings with him and Aziraphale would resemble different styles of movie that he loves. Seeing as we see him drive away at the end as the last character, an argument could be made for him being the ultimate narrator of the story in season 2.
6. The original American release of The Tales of Hoffman had 14ish minutes cut out of it by the studio. So we all know by now that whole debacle about having the clocks jump 14-15ish minutes during the kiss?
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"The Tales of Hoffmann found an audience far wider than expected, despite Korda’s misgivings about the movie’s running time and his decision to cut 14 minutes out of the film for its American release." - Criterion, The Tales of Hoffman
I have been unable to unearth what the difference between the American & British versions of the P&P Tales of Hoffmann is, if you know let ME know. I want to know! _____________________________________
And I HAVE SO MUCH MORE. This is long enough already so I'll save the more detailed stuff for a new post.
**The opera is a whole other beast. You can read about it here, but basically there's a lot more going on in the opera because the composer died before finishing it, and multiple versions exist after the original uncompleted score got lost IN A FIRE. Anyway. Here's part 2
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jeonqkooks · 7 months
Text
our beloved summer | jjk (07)
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You made a vow to hate Jeon Jungkook ever since he packed up and left you without a single explanation, but when he shows up at your door after years of radio silence, it turns out that maybe your resolve isn’t as strong as you thought.
pairing: producer!jungkook x songwriter!reader genre/warnings: exes au, fluff, angst, eventual smut, swearing, mentions of oc's mother because we know girlie is hella traumatized, mentions of drinking, mentions of an almost physical fight, abandonment issues, jk forgets to practice safe driving for 2 seconds, and uhmmm kissing 🤫, anddd that cliffhanger? 👀 rating: 18+ (minors dni) word count: 10.8k note (1): this is the longest it has taken me to update obs and i do feel pretty guilty about that. but it's finally here now and this is one of the chapters that i'm the most nervous about posting. massive thanks to @daechwitatamic and @wintaerbaer for beta-ing this for me or else i would've screamed cried thrown up and scrapped the whole thing, and to @jeonwiixard for being a wonderful cheerleader as i was writing this, and to everyone in my beloved obs discord server for always being so sweet and kind and putting a smile on my smile every day since the server was created. also to my sunshine ☀︎ for introducing me to the song mentioned below bc HELLO is it not just one of the most obs coded songs ever. love you all my babies <3
series masterpost / playlist ; moodboards ; taglist join our OBS discord server ✨
as always, i’d appreciate any thoughts or comments you may have, and please drop a like and/or reblog if you enjoy reading ♡
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Somewhere in the multiverse There's a me and you that works We never fuck it up We're out there still in love Somewhere in the multiverse Maybe that's enough
multiverse - Maya Manuele ft. PEMRBOKE
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Sometimes, whenever you look up at the moon at night, you wonder if Jungkook is doing the same thing.
Even when you fall out of love with someone, it still hurts. It hurts because you once loved them so much it felt like the sky would collapse if you couldn’t be with them. It hurts because the love wasn’t taken from you, but rather it started slipping away on its own, more and more each day until you realize you’re holding onto nothing when there once was everything.
You can’t say that you’re too familiar with that kind of hurt though. You’ve never fallen out of love before.
You don’t think Jungkook is too familiar with it either, at least not when he left you.
You wonder if he thinks about you from time to time and gets sad. You think he does, because you know that he loved you. Something ended for him too. The memories that you shared were his memories too.
You hope that it’s painful for him whenever thoughts of you cross his mind, because that would mean that he cares. That a part of him still cares.
And if he still cares, then he might come back.
Despite the front that you try to parade around, there is a part of you that will always leave your heart vacant for him, regardless of whether or not he would return. It’s a scary thought, one that you would rather avoid at all costs, one that says there will be no one that you love more than you loved Jungkook. Maybe there can’t be another person that you will love at all.
You can come back quietly, like the wind slipping through the crack I leave in the window at night; or you can announce your return resoundingly like a sudden downpour quenching the summer heat. I don’t care. I kept your side of the bed empty and warm, waiting for you to come back. Hoping that you would come home.
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[08:47] Yoongi: sure you don’t want me to drive you there? [08:48] Yoongi: i can pick you up in 30 [08:52] You: positive 🤧 i told you i already booked the train. it’s only 4 hours away [08:53] You: i’ll survive, yoongs [08:55] Yoongi: did you not watch Train To Busan? [08:56] You: ? [08:57] Yoongi: what if there’s a zombie apocalypse [09:00] You: yoongi if there’s a zombie apocalypse, how is your CONVERTIBLE supposed to keep me safe [09:01] Yoongi: i’ll put the roof up [09:02] You: stop talking [09:02] You: please stop talking. [09:03] Yoongi: 😡😡😡 [09:03] You: 😇 [09:03] You: gotta get dressed now though. i’ll see u when i get back? :) [09:05] Yoongi: fine [09:06] Yoongi: safe travels. text me when you get there :)
You plop onto your bed with a sigh, glancing at the bag that’s already packed and sitting near your wardrobe, lonely. You stay like that for a while, contemplating whether or not you should bail at the very last minute.
It was not on your bingo card that you’d be here, agonizing over your ex-boyfriend’s brother’s wedding. Nope. Absolutely no one saw it coming.
For fuck’s sake, why would they invite you to a wedding? A celebration of love? It feels like you’re being forced onto a prank show, just waiting for someone to jump out and scream in your face.
You learned that the wedding was for close friends and family only, so it would be a relatively small event, which makes it even more confusing why you were also asked to join. Maybe the world is changing too rapidly and you’re just a little old-fashioned for it, but you really don’t understand why your ex-boyfriend’s family would want you there.
Taehyung and Jimin were invited too; they’re Jungkook’s best friends after all. They’re practically an extension of the family, Jungkook’s brothers by choice. But Taehyung doesn’t come back from his work trip until the day of the wedding, and Jimin… Well, he just doesn’t want to go to a Busan wedding in the middle of winter.
So why are you even going?
You could’ve declined. Said you couldn’t attend because the invitation came in so late. Made up a work trip or a family emergency. There’s a plethora of excuses you could’ve used.
Or you could’ve simply said no. That would’ve been perfectly fine too. No one would even need to ask why.
But maybe it was because his mother had customized the invite with her own handwriting in the back. You would’ve missed it if you hadn’t spent hours meticulously studying the card like someone was going to quiz you. It wasn’t anything special - just We hope to see you there - but you think you’d feel really bad to decline after she’d made the extra effort to ask you to come.
When you told Yoongi that you would be attending Jungkook’s brother’s wedding, he didn’t seem upset. Still cool as a cucumber. Although if he was bothered by the announcement, you don’t think he would’ve let it show. It did take him a minute to take it in, but then he just pecked your cheek and asked if you could bring a plus-one. You both knew that you wouldn’t even if that was an option.
Pushing your body off the bed, you drag yourself to the bathroom to splash some water on your face. Then sunscreen. Then change into the clothes you’d already picked out last night. Your train doesn’t leave for another hour and fifteen minutes, but you want to be there at least twenty minutes early just in case. This is one of your only good habits.
You rub your eyes when you finally haul yourself outside, thinking you must still be dreaming because what is Jungkook’s car doing here?
You blink a few times, expecting the vehicle to disappear in a puff of white smoke.
Spoiler alert: It doesn’t.
The car is in front of you, but the man is nowhere to be found.
You stand there dumbfoundedly, contemplating whether you should wait it out for a little bit to see if he’s actually here. He comes running up to you a couple minutes later, holding two paper cups in his hands, one of them a chai latte. A memory you’d buried long ago comes rushing to the surface. It’s too early for you to be feeling.
“Hi,” he says, his warm breath coming out in a huff of smoke in the crisp morning air.
“Hi?” you mutter dumbly when he trades the bag in your hand for the drink. There’s a moment where you’re genuinely baffled, wondering if this is a memory reel playing right before your eyes. This is your Jungkook, wearing that same old smile whenever he used to come bounding up your dorm building so you could walk to the library together, where he would hang out with you during your shift if he didn’t have classes. “What are you doing here?”
You don’t remember telling him what time your train was, so he’d probably badgered it out of Taehyung or Jimin somehow.
“I thought I could drive us there,” he says. “I texted you about it.”
Well, that explains it. You don’t bother with his dozens of messages anymore. “Oh, uhm, I already booked the train.”
This doesn’t seem to faze him at all. “Free cancellation up to 15 minutes before departure.” Jungkook grins, clearly eager despite your obvious reluctance. It’s too early for this, whatever the hell this is.
When you told him that you had RSVP’d yes to the invitation, he was surprised that you even knew about the wedding. He even seemed nervous that day.
“What if I’d already left?” you ask.
He blinks, then stammers like a confused child. It’s cute, and you have to mentally slap yourself over the head for even thinking that.
“Then I’d go after you.”
How? you scoff internally. Unrealistic.
Regardless, not even an hour ago, you were declining Yoongi’s offer to drive you there. Now, you’re standing here, in front of your ex-boyfriend, contemplating whether or not you should go with him.
“Let’s go,” he says after a minute. “We don’t wanna be stuck in traffic.”
“I haven’t said yes.” Yet. “It’s a 4-hour drive.”
You don’t have to clarify what you mean. He understands it.
You both just stare at each other for a moment, the tension suddenly thickening with every passing second. Four hours on the road. Four hours alone in a car with Jungkook. That’s about two hundred minutes more than you think you can handle.
It’s like he can see right through you. “Don’t think about it,” he says, voice dropping lower. “It’s just a weekend. Everything will still be here for you to think about when we get back.”
In your head, it translates to: All of our shit will still be here when we get back. You can keep being mad at me then.
You hope that’s not true. You hope that when you get back, the things that keep you up at night will simply cease to exist. That in the two days you’ll be gone, a genie will materialize and solve all your problems for you.
Either way, it’s probably for the best that you aren’t mean to him this weekend. You’re stuck with him for the next 48 hours or so; it’ll only stress you out even more if you channel all of your energy into tormenting him. Besides, you’re already the ex girlfriend who has no place alongside his family. You don’t want to be the dark cloud raining on everyone’s parade too.
Maybe you’d already made up your mind when you let him take the bag from you.
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For the first half of the drive, you were unconscious.
It’s a useless superpower that you have, the ability to fall asleep anywhere - literally anywhere, including in the passenger seat of your ex-boyfriend’s car while he escorts you to his hometown. Melatonin gummies manufacturers hate you.
You could’ve slept the whole drive, but around the second hour mark, you were startled awake when your body jostled forward, straining against your seatbelt uncomfortably. There was an arm trying to hold you back, despite the seatbelt having done its job well.
“Fuck,” Jungkook curses before he turns toward you, worry written all over his face. “I’m sorry. I’m sorry, are you okay?”
You blink, still half asleep. “I’m okay,” you say. The minivan that Jungkook almost rear-ended continues on its merry way, carrying what seems to be a family of five. “What happened?”
He sighs, his outstretched arm retreating back to his side. “I got a bit distracted, that’s all.”
You take in your surroundings then. There’s barely any other cars in sight, no tacky billboard that sticks out like a sore thumb to catch your attention. There’s just the freeway, stretching on empty for all you can see.
“By what?” you ask.
“Nothing,” he says. “Go back to sleep. I’ll wake you when we get there.”
See, you have the superpower of falling asleep anywhere and everywhere, but once you’ve been woken up, it’s not as easy to fall back asleep.
That, and the fact that you’re hungry as shit.
You open your mouth, about to say no, about to offer to drive the rest of the way if Jungkook is tired, but your stomach doesn’t let you get a word out. It growls, filling the space of the car, making you want to chuck yourself out the fucking window and run all the way back to the city. This wouldn’t have happened had you taken the train, because if you had, there would’ve been food services and no one would be subject to hearing your stomach sing like it’s chewing out a small puppy in there. Life is nothing but an endless pit of embarrassment and despair.
Your arms hold themselves tighter around your frame, practically squeezing into your abdomen as you will it to please, please, please be quiet. Jungkook stares at you, and you can tell by the teeny tiny quirk of his lips that he’s trying to bite back a smile. He’s relaxed, but there’s still something hesitant on his face. It takes him a minute before he finally throws the question out.
“Do you want to go to that guksu place that we used-” that we used to go to, “you know the place. The one that’s right off the freeway?”
The sun is out today. The sky unfolds endlessly just outside the window, coloring blue everything your eyes land on. There are strips of clouds scattered here and there, like delicate strokes of white paint on an azure canvas. Even the winter cold has to soften.You bite into your cheek. Don’t think, that’s what he had told you.
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Not much about this quaint restaurant has changed. The quirky decorations are still where they used to be, the windows still the same unique stained glass that you never came across anywhere else. You remember the elderly woman who runs the place, even if she doesn’t have a single clue who you are. The golden retriever you used to fawn over every time you stopped by, sits quietly by the door and watches the cars pass by, his fur now graying as weariness begins to settle into those old bones.
You would’ve been displeased if the place had changed, because, well, you don’t like change. But then again, this familiarity is dangerous. It tricks you into thinking that everything is still the same, even you and him. Deludes you into believing that you’re still in love and that he’ll walk out of here holding your hand.
Regardless, the first spoonful has you biting back a smile.
“How is it?” Jungkook asks.
It makes you feel all warm inside, and then a little sad, nostalgic.
“Tastes just the same,” you tell him simply.
“Hmm.”
He lets you satisfy your hunger in peace. It’s the least he can do anyway.
There’s a wall near the back of the restaurant, where people could hang polaroids of themselves and cute handwritten notes. You think if you dig through the hundreds of photos scattered across the space, you might be able to find you and Jungkook there, if you two haven’t already been thrown out long ago to make room for new memories.
He pays for your food after you’re both finished, despite some protesting on your side. As you leave, you’re busy thinking that if you could have a moment to marvel at that far-back wall of memories, if you could find a photo of you and him there, you would probably sneak it into your coat pocket.
It’d be another thing to add to your pile of Jungkook memorabilia - the old clothes in the back of your closet, the stack of dusty polaroids at the bottom of your drawer. You wonder if he keeps anything of yours, maybe an old t-shirt that you forgot to take back. It’s probably unlikely, but a girl can hope.
You miss the way Jungkook glances back, thinking the exact same thing.
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You survive the rest of the drive with more ease, probably because of the food. You spend most of the remaining 2 hours leaning against the window, humming to the radio, closing your eyes but not really sleeping. You even forget to be nervous about what is to come.
That is, until the car pulls up to the venue.
It’s absolutely gorgeous, and a lot bigger than you imagined - a modern beach house overlooking the waters. It’s not as extravagant as one would expect to see when they come to a wedding, but considering the small crowd in attendance, this is more than enough. You see people rush in and out of the place even from far away - planners, caterers, the bridesmaids and groomsmen, probably.
You feel a bit comforted just watching this. His family seems to be doing a lot better than before. It’s nice to know.
You barely make it out of the car before someone calls your name, and pulls you into a hug that knocks the wind out of you. Although, when you catch the scent of her hair, you instantly know who it is.
Parents usually have a scent that’s distinct to only their kids, a scent so cozy and homely that no perfume can ever mask. You can only describe your mom’s scent with a feeling, specifically the feeling of your chest tightening, tingling with a bittersweetness that you never found elsewhere. 
Strangely enough, Jungkook’s mother has always made you feel the opposite. She makes you feel relieved to be in her embrace, like she accepts you for who you are even if all you are to her, at the end of the day, is a stranger.
You hug her back awkwardly, hesitantly, in front of Jungkook’s dad, his brother Junghyun, and a girl you don’t know. You assume that she’s the bride-to-be, the main character whom this weekend revolves around. Sooji, you remember that was the name on the wedding invitation.
You get choked up suddenly, eyes turning glassy though you quickly blink it away. You’re not sure if you’ve had someone be so happy to see you. Bypassers might even think that you just found the cure for cancer.
For a second there, you wonder if your mere presence has ever made your mother this overjoyed.
You look at Jungkook for help, silently asking him to rescue you. Who else are you supposed to turn to if not him?
He understands that look. “Okay, mom,” he says, entangling her arms from you with ease, “Y/N’s tired from the drive. Let’s let her rest, yeah? I’ll show her the room.”
She ignores her son. “Honey,” she says, brushing your hair away from your face so she could see you better. “Thank you for coming.” She used to insist that you call her “mom”, or at least by her first name because “Mrs. Jeon” was too formal for someone she considered family.
You now have to opt for the latter, because “mom” isn’t an option for you anymore.
“Thank you for inviting me, Mrs. Jeon,” you tell her with a smile. You’re not really sure what else to say, but it makes you a little sad just calling her that.
She opens her mouth before closing it again, seemingly about to jokingly scold you for the formality before she recognizes the bittersweet look in your eyes. She just smiles at you then. There’s not much to be done about it.
You don’t know if anyone else sees how the moment is weighed down. Probably not. Maybe it’s just you and her who share this sentiment.
Jungkook doesn’t wait for his mom anymore. Sons, typical. He wedges himself between the two of you like a bulldozer and leads you inside the house. 
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Even though all you have is an overnight bag, Jungkook carries it for you all the way up to your room, which is only down the hall from his. Then he disappears pretty quickly afterward, saying something about his best man duties and putting out fires. He seems apologetic as he tells you this, but it’s not like you’re expecting him to babysit you all weekend.
You bore yourself to death in your room for a while, before you remember you have to text Yoongi to let him know you got here safely. Though, you stop short of telling him that it was Jungkook who drove you here. It’s trivial enough, right? You don’t want Yoongi to feel bad over nothing. You do, however, inform Taehyung and Jimin when you text them about it, to which Jimin only responds with a preemptively disapproving ‘Don’t do anything I wouldn’t do.’
When you get too stir-crazy, you wander outside, hoping to explore the beach before it gets dark and colder. You try to stay out of everyone’s way, because a good guest is a quiet guest. You seem to be doing a good job. No one notices you, not even Jungkook’s mom but that’s because she’s the person you actively want to avoid the most. You don’t know what you’d even say to her if she gets you alone.
Everything is hectic, as one can probably imagine when it comes to wedding preparations. You haven’t had anyone close to you get married yet, so it’s safe to say that you’re pretty much clueless about all of this. You wonder what it’ll be like when your big day comes around, if you even ever get married. You haven’t thought about it in a long time. Why would you? You don’t really have a reason to think about this. It’s much easier to picture Taehyung’s or Jimin’s wedding day than your own.
Your opinion on having kids still remains the same, and you were never one of those girls who daydreamed about having a big and extravagant wedding, but it’s not such a bad idea to ponder about. You still think marriage is a scary thing - it’s one of the biggest commitments a person could ever make - but you’re not entirely opposed to getting married. 
Why are you even mulling over this? Your time might never even come.
When you round the corner to get the steps that would lead you down to the beach, you run into Sooji and a woman holding a thick binder - must be a wedding planner. You give Jungkook’s future sister-in-law an awkward smile in greeting, which she returns much more gracefully before she tells the woman that she’ll be with her in a minute.
So now you’re stuck here, about to make small talk with a person you have never met before, and will likely never see again. Great. 
“Hi,” you say, extending a hand. “I haven’t had the chance to introduce myself. I’m Y/N.”
“I’m Sooji,” she replies warmly as she shakes your hand, and you have to stop yourself from being a little weirdo and thinking about how silky her hair looks up close. “You’re Jungkook’s… friend, right?”
You purse your lips before nodding with a chuckle. The pause tells you that she knows, and you wouldn’t be surprised if she’s uncomfortable having you here. 
“I’m sorry if this is weird. You probably don’t want a complete stranger at your wedding.”
Sooji shakes her head instantly, waving her hands around to dismiss your apology. “Please, it’s totally fine. Junghyun’s mom talked to me about it before we sent out the invites. I wouldn’t have agreed if I was really bothered. Don’t worry about it, seriously.”
“Why did you agree?” you ask, trying to sound as polite as possible. “You don’t know who I am.”
“I guess I was curious.” She shrugs, before laughing lightly as she says, “I used to think you weren’t real.”
“Huh?”
“She talks about you constantly. Never in front of Jungkook, of course. But she’s really fond of you, and you probably already know that doesn’t happen very often. She really does see you like a daughter. She made you sound too good to be true.”
You’re not sure how to respond to that. His mom still thinks about you, still talks about you after all this time. You’re just his ex-girlfriend, but she considers you her family. You don’t know what to do with this information nor the way it pinches your heart.
“I-” You purse your lips, fumbling with the responses in your head. You settle on a light laugh, because Sooji can probably tell that you’re struggling with the words too. “I have to be honest. I don’t know what to say to that.”
“You don’t have to say anything. I just thought you should know that you’re still very much loved here.” She gives you a kind smile, and it looks like she wants to tell you something else but decides against it in the end. Sooji’s eyes land somewhere behind you before she points in that general direction. “I have to go take care of an issue with the flowers, but look, Jungkook is here. Why don’t you ask him to show you around?”
And then she’s already off. Overall, what a… strange interaction.
You turn around to see Jungkook standing near one of the entrances to the house. As you watch him talk to someone - a bridesmaid, you assume, or just one of the other guests - you try not to think about the fact that there’s a stirring sensation in your stomach, and that it only intensifies when she throws her head back in a pretty laugh, a perfectly manicured hand landing on his arm like he’s the most charming person she’s ever met. 
You don’t give it a name, don’t label it green in color even though you’re blue and he’s golden sunshine. You don’t acknowledge that it’s a feeling, because doing so would make it real and there are certain truths that you’d rather delude yourself into thinking are lies.
When Jungkook’s eyes catch yours and he cuts off the woman mid-sentence with a curt excuse me, you don’t acknowledge that feeling either, but it’s warm and it blooms in your chest as he makes his way to you. It’s something victorious, something that tickles your ribs.
He comes to you like you’re a destination he’s been waiting all his life to reach, and you certainly, adamantly don’t acknowledge the spectacularly dizzying feeling that swallows you whole when he places a gentle hand on your arm, his voice soft as he says, “There you are. I was looking for you.”
The familiarity, it’s catastrophic.
“I was just walking around,” you tell him. “There’s not a lot to do here. I was bored.”
“You have me,” he says. Probably not in that way, but you’d like to think that’s how he means it. “I don’t have any more fires to put out. What do you want to do now?”
You glance over your surroundings, still set on your original plans. You wanted to go alone, but you suppose you can let him accompany you. You check the time on your phone before asking, “Can we go down to the beach? I wanna see if we can catch the sunset.”
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You used to do this whenever you came here to visit - walk along the beach, hand in hand, sunlight in your hair and the cool breeze holding you tight in the afterglow.
The keyword here is “used to”. Now, you have to stuff your hands in your pockets just so you don’t reach for him every time you shiver.
It’s late enough in the afternoon for you to see the moon faintly shine against a blue and orange backdrop. Sun and moon, together in the same frame. It feels symbolic somehow. You’re not really sure.
“The moon looks like an egg,” Jungkook observes astutely, taking casual strides next to you. It makes you burst into easy laughter, which makes him laugh with you too. You stop walking when you reach what you think is a good spot to watch the sky. 
“Let’s sit here for a bit,” you say. It’s not the greatest idea - sitting idly by would only make you colder - but you just want to stop and look at the sunset. Once you’re seated in the sand, you respond to his moon remark, “That’s true, y’know. NASA said so.”
“Yeah,” he says, settling down beside you, “you made me read that.”
You’d forgotten about it, and you didn’t think that he’d remember. It’s freezing cold and the moon looks like an egg, but you’re not thinking, and you feel safe. Nothing can hurt you here, or at least that’s what you’d like to tell yourself.
You wrap your arms around yourself to keep from shivering, but you still shiver anyways.
“Are you cold?” he asks.
“A little,” you admit. “I should’ve worn a thicker sweater. But it’s o-”
He doesn’t let you finish the sentence, just smoothly takes off his jacket to put it around your shoulders.
You put your hands atop his to stop him. When you touch him, there’s an electric tingle that almost makes you flinch. He feels warm, still resembling a human furnace. 
“No, you don’t have t-”
“Take the jacket, Y/N,” he says. “It’s just a jacket.”
The jacket smells like him. It only makes you want to crawl further into the warmth.
He seems more self-assured here, that’s what you notice. More like the version of himself that he used to be. Confident, sometimes borderline cocky. Annoying but oddly endearing, you came to love that about him.
His relaxed demeanor is understandable. You’re merely a visitor here, while this is his homeground. 
“I’m curious about something,” he says after a while.
“Okay.”
“What’s the deal with Wednesdays?” he asks. 
“You know how they say bad things come in threes?” You purse your lips, thinking it over, feeling something bitter in your mouth as you recall the events that led to this. “My parents got divorced on a Wednesday. I moved out of mom’s house on a Wednesday. And…” You hold your knees close to your chest as you hesitate to utter this last part, “we broke up on a Wednesday.”
You see the exact moment Jungkook mentally slaps himself, paling a couple shades as he tongues his cheek, not expecting his question to inadvertently lead back to this. It wasn’t your intention to guilt trip him. It was true that he dumped you on a Wednesday, but you don’t want the mood to turn sour, to have to mull over this again. Like he said, it will still be there for you to worry about when you get back. You’re not looking forward to returning to a shitshow, but what you’d hate even more is to tarnish the memories of this place just because you can’t keep from being vindictive for not even a weekend.
“I was born on a Wednesday too, so I guess bad things come in fours sometimes,” you continue, chuckling to yourself humorlessly.
A frown appears on his face almost instantaneously. “What is that supposed to mean?”
You shrug. Jungkook turns his body toward you, which makes you spare him a glance before you return your gaze to the horizon. His face is so serious that it’s almost funny. “Y/N,” he presses. “Why would you say that?”
“C’mon, it’s a joke. I was just being self-deprecating. Lighten up.”
“Why are you talking like that?”
“Like what? Contrary to popular belief, I don’t walk around with a thundercloud over my head all the time,” you laugh lightly. “I figured if there was a day to be nice to you, it should be today. And tomorrow, I guess.”
“This is you being nice?”
Funny how just a few weeks ago, you were fighting with him and calling him a hypocrite. Now, you’re sitting together, watching the sun set, trying not to be mean to him.
“I’m not picking a fight with you,” you say. “This is nice enough.”
“It’s not even my wedding.”
“Okay.” You glance at him again, letting words flow without a single thought. “I’ll be even nicer to you on your wedding day then.”
You don’t know where that even came from, but something aches the very second the words leave your mouth. The thought of him getting married one day makes you just nauseous, even though you always knew that it was a possibility. It might even be inevitable.
You clear your throat, waving the sullen feeling away. Your body shivers then, even after the added warmth of his jacket. Maybe you’re not shivering because of the cold anymore.
He doesn’t say anything, but you can feel his eyes linger on the side of your face. The both of you keep tiptoeing around an elephant that follows you wherever you go. 
You hug your knees close to your chest, watching the blue sky melt into the golden horizon, splattered with ribbons of cotton candy clouds.
You want to scooch closer to him and have him wrap his arm around your shoulders. This isn’t the spot where you used to draw your names in the sand, enveloped in a giant heart like two lovesick kids, but wouldn’t it be nice to imagine that it is?
“I was always really happy here,” you mumble to yourself.
You were, truly. This city was your pocket of hope, your piece of peace.
Being here brings back so many memories.
It’s the same feeling you get every time you pass by somewhere you used to live. The nostalgia of walking down the same road you used to walk every day until your shoes wore out. The familiarity of your surroundings. The bittersweetness of looking into a past you cannot hold anymore, of remembering the person you were at a certain period in your life, of knowing the things you do now that you didn’t back then.
You long for things you cannot change.
Nostalgia only grows stronger with time, you can always count on that.
He hums in agreement, before admitting quietly, “I miss you.” One pulls, the other pushes. The water wavers, like it’s touched by his words, simple but earnest. You’re touched too, somewhere in your heart, where you know you should be writing someone else’s name now.
Should?
“You’re pushing it,” you say softly.
“I know.”
You look at him. Maybe it’s because you’re back in the city that holds only good memories of you two. Maybe you’re hypnotized by the way the pink and purple hues kiss his side profile, making him feel like a fever dream and not someone you loved. Maybe it’s the cold, making you yearn for any source of warmth. But instead of returning his sentiment, you say, “It’ll pass.”
He meets your eyes. There’s something pleading in his gaze. All things pass eventually. Time moves forward, people move on. Bad things will pass sooner or later. Your worst heartbreak, your most arduous trials, your saddest moments, they will all pass.
And good things… good things will have to pass too, whether you like it or not.
Your fingers twitch from where they’re still holding onto your body. You itch to reach for his hand. You don’t tell him what he wants to hear, even though here’s a part of you that wants to say it back. In a better world, you would be telling him I love you too, instead of having to suppress an I miss you too.
“All things have to pass eventually. This will too.”
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[20:05] Taebear 🐻: we could go to that bar near the gallery. Y/N likes the cocktails there [20:06] Mimi 🐥: kay kay [20:06] Mimi 🐥: soooooo next friday? [20:09] Mimi 🐥: why is y/n reading our messages. shouldn’t she be at dinner [20:09] You: i approve of the bar choice [20:11] You: if you didn’t want me reading your messages, you shouldn’t have sent them to the gc [20:11] You: and if you must know, i’m skipping dinner. i’m avoiding Jungkook’s mom [20:12] Mimi 🐥: understandable. i figured you would do that [20:13] Mimi 🐥: how’s it going? are we regretting going yet? i told you to just stay home and we could binge watch the office together [20:15] You: and EYE told you that you could be a good friend and go to this wedding with me but nooooo baby doesn’t like the cold [20:16] You: you could’ve visited your parents while you’re here you know. two birds with one stone [20:18] Mimi 🐥: babes my parents stayed with me for a whole month last month. i reached my quota for family face time  [20:19] You: son and friend of the year 👏 [20:20] Mimi 🐥: 😎😎😎😘
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[20:22] Taebear 🐻: hey [20:23] You: uh oh. am i in trouble? why is this not in the gc? [20:25] Taebear 🐻: lol shut up [20:26] Taebear 🐻: you okay? [20:28] You: feels like that could’ve been a perfectly good question to ask in the gc [20:29] Taebear 🐻: because it’s a serious question and we both know Jimin can’t be serious for one minute to save his life [20:32] You: why does it have to be a serious question? 🤪 [20:32] Taebear 🐻: 😕 [20:33] You: stop pouting. i’m fine [20:35] Taebear 🐻: are you? [20:36] You: i am! you don’t have to go all mama bear on me [20:39] Taebear 🐻: ha ha ha. you’re so funny [20:40] Taebear 🐻: want me to call you? [20:42] You: i said i’m fiiiiiine 🙄 [20:43] You: but also no because i told everyone i was tired and i’m pretending to be asleep in my room right now [20:43] Taebear 🐻: okay [20:43] Taebear 🐻: did you eat something at least? [20:44] You: i have a cup ramen in my room [20:45] Taebear 🐻: okay [20:46] Taebear 🐻: how was today? did JK make you wanna strangle him? [20:48] You: okay Kim Taehyung at least act like you have some faith in your friend lol [20:50] You: but mmmmmm it was ok. he was mostly behaving himself [20:51] Taebear 🐻: mostly? [20:54] You: we were down at the beach and he just told me he missed me out of the blue [20:55] You: Mimi is asking why no one is replying to him  [20:57] Taebear 🐻: i can see that [20:58] Taebear 🐻: what did you tell JK? [21:01] You: i quoted fleabag to him [21:09] Taebear 🐻: i had to google that [21:10] Taebear 🐻: i still don’t know what that means [21:11] You: i know you don’t lol. you’re adorable [21:11] You: i’ll tell you when i get back.  [21:13] You: ok bye i have to sleep early or i’ll look like ass in the morning [21:14] Taebear 🐻: oh. okay [21:15] Taebear 🐻: sleep tight. remember not to gorge yourself on booze tomorrow [21:17] You: thanks for the reminder. love you mom 🙄💕 [21:17] Taebear 🐻: :) [21:20] Taebear 🐻: you won’t look like ass btw
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You clocked out right after you told Taehyung that you would. It wasn’t a peaceful sleep though. The anxiety simmering in your belly woke you up a few times throughout the night. You don’t even know why you were anxious. It’s not like you were the one who was about to walk down the aisle.
When morning finally came and you managed to untangle yourself from the surprising comfort of your familiar bed, you practically dragged your feet for the subsequent two hours, trying to get ready. As if that would actually slow down the passage of time.
You had to compartmentalize the things you needed to do in a mental checklist. Makeup. Hair. Dress. Stare at yourself in the mirror for half an hour and internally freak out while waiting for Jungkook to come get you from your room.
Now you’re sitting in the wedding hall, watching people filter into the room. It’s not even a lot of people, but you’re still overwhelmed regardless.
You feel so exposed, even though he’s the only one looking at you in this room of strangers. He’s been looking at you like that ever since he first saw you this morning, in a dress that you got just days before the wedding. You still don’t know if it’s entirely appropriate for your ex-boyfriend’s brother’s wedding - maybe a bit revealing - but it was the only one you could find on such short notice.
When you tried on the dress for Taehyung and Jimin a few days ago, Taehyung said you looked beautiful. Jimin said you looked decent, “six point five out of ten,” which translated to “pretty nice” in Jimin-lingo. That would’ve been enough if you were going to any other wedding, not one where Jungkook would also be attending.
You had wanted him to see you and regret ever leaving you.
It was a silly thought, just a tad adolescent.
You had wanted him to see you in your dress and be consumed with thoughts of you until he couldn’t even see straight. To be the only thing on his mind, you didn’t think it was a lot to ask for.
That was before he told you not to think about it and you’d been convinced to just go with the flow just for two days. It was before he actually did see you earlier today in your dress - a simple midnight blue satin cowl neck with a slit in the thigh - but you were the one rendered helpless and speechless. He had stared at you for a minute when he came to walk you down from your room, then he’d said, all breathless even though both of you were just standing there, “You’re beautiful.”
You’re beautiful, not You look beautiful.
You don’t know why, but you appreciated it.
It made your cheeks burn underneath your artificial rosy blush. Stupid, you thought to yourself when you two made your way to the main hall. Stupid for letting yourself get dizzy because of a single compliment from him.
You’re seated with his parents, which makes sense because you don’t know anybody here except for them. Well, maybe you know one of his cousins whose kid you and Jungkook used to babysit whenever their family was in the city, but you doubt that he even remembers you anymore.
When the ceremony begins, your heart instantly feels like it’s about to drop to the pit of your stomach.
You can’t lie to yourself. It stings.
It stings just sitting here next to his parents like a daughter-in-law, like a member of their family, watching his brother solidify his happy ending.
It stings that Jungkook is standing up there, looking as handsome as ever, but his eyes aren’t on the couple. They keep flickering to you no matter how much you try to pretend that they don’t.
It stings that even though you don’t think about marriage often - or maybe you just don’t allow yourself to - you can’t deny that the thought does cross your mind from time to time. Any time that you’d wander the corridors inside your head, you’d pass the doors that you keep unopened on purpose but there’s always that one door marked with a bright red X that you can never sidestep.
You watch Junghyun and Sooji with their teary smiles and shaky hands, shaky but happy. There’s a sudden clarity that this could’ve been you and him in another life. Forever is a lie, but you would’ve perjured yourself a thousand times for him. I do - you would’ve meant it.
You imagine yourself in Sooji’s place, and Jungkook, standing right on the other side, holding both your hands in his. A beautiful and radiant bride terrified of the altar. A dashing groom with a smile that could rival the sun and shoulders weighing heavier than he lets on.
It would’ve looked clumsy, but it could’ve been right.
You wonder if he’s wondering the same thing. Maybe he is. You hope he is.
When the ceremony ends with a kiss shared between the newlyweds, you wipe away the tears that well up in your eyes. The people around you do the same thing, but they’re doing it for the right reason, out of genuine joy for the happy couple. You don’t think you can say the same for yourself.
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Some of the bridesmaids fawn over him. It’s reasonable, you suppose. One tends to do that in the presence of Jeon Jungkook.
You watch as they come up to him one by one to ask him to dance, watch as he politely declines until they’re all stalking away with similar pouts on their faces. You watch him until his eyes lock on you, sitting at a table near the back, nursing a glass of champagne.
He weaves himself with ease through the people making their way to the dance floor. When he’s in front of you, he holds out a hand.
“Dance with me?” he asks, his doe eyes working overtime to lure you in with their sparkles, though you’d rather stay here where you can easily go unnoticed until the night ends. “One song?”
“I don’t know how,” you say, even as you’re taking his hand and standing up.
“I showed you how, remember?”
“That was a long time ago.”
He squeezes you reassuringly. “Just follow my lead,” he says, walking the both of you to the floor. “C’mon.”
Once the music starts, your heels stomp on his feet at least three times before you start finding the beat to move along to. Muscle memory, or whatever, is bullshit. You remember absolutely nothing of what he showed you.
You’re grateful that the song is slow, because it makes it easier for you to follow the beat with your two left feet. He takes one of your hands in his, the other settling on the small of your back, guiding you to move in a steady rhythm.
You feel his mother’s eyes on the two of you, because she must be somewhere nearby, watching you like a hawk. You feel his gaze on your face while you keep yours on the knot of his tie, just trying to keep your composure and to not step on his feet with your heels.
The blur of white that you catch from the periphery of your vision makes you turn your head. Sooji and Junghyun are close by, swaying together slowly to the soft music, both of them glowing with happiness. She must sense your eyes on her, because she lifts her gaze up to meet yours. She smiles at the sight of you and Jungkook, and you smile back, because you don’t know how else to respond to that.
You don’t say it, but you do think it. Your fingers tighten around his hand ever so slightly.
Could that have been us?
If the answer is yes, then it would hurt.
If the answer is no, then it would hurt.
The point of your story is that it’s painful however you choose to look at it. There’s no other way to frame it. It’s just painful, because you’re never going to get any of it back.
You bite your lip, then turn away from the happy couple but you still don’t look at Jungkook. You look at your hand in his, and that’s when you see it.
“How’d you get that?” you ask, gently tracing the inch of slightly raised skin on his knuckles. You never noticed the scar until now.
“It was four years ago, I think? After Taehyung and I almost got into a fight, I went outside and… punched a wall,” he says, wincing as he recalls the memory.
His answer takes you aback. “You and Taehyung got into a fight?”
“Almost,” he corrects. “It was a long time ago. Didn’t they tell you?”
“No, they didn’t say anything. What happened?”
“Nothing happened.”
“If it was really nothing, you wouldn’t have punched a wall.” You frown. It makes you miss a few beats, but the song isn’t what’s important now, even if Jungkook is still trying to steer you back into the dance. “Taehyung isn’t violent. You aren’t violent.”
“I’m serious,” he says finally. “It’s nothing. We were just drunk and stupid.”
You know there must be more to it, that something must have happened or been said to trigger such a reaction from both of them. But you also know that you won’t probably get anything out of Jungkook if he doesn’t want to tell you.
You give up, for now. “Fine. If you say so.”  You’ll just have to weasel it out of Jimin later.
The song comes to an end, before another one comes on. If Jungkook remembers that he only asked for one song, maybe he’s counting his blessings that you’re still here and dancing with him, because he doesn’t mention it.
For some reason, you pull your hand away from his, only to slide up his shoulder to lock both of your hands behind his neck. He seems surprised, but he does the same around your waist.
Jungkook’s gaze flickers to your lips briefly, then back to your eyes again. You find yourself doing the same and wonder what he tastes like after all the time you’ve been apart. Is he still as sweet as you remember? You used to tease that it was because of the excessive sugar he put in everything, but you knew it was really just him. The few inches between you are so inviting that it’s practically tempting you to close the gap. You could, easily in fact. Blame it on one too many glasses of champagne later if you want.
He looks younger like this, like the boy you loved, starry eyes and dimpled smile. His shoulders are always the most comfortable resting place, the crook of his neck your long lost home. This is nice, you think, to see him again even though it feels like a fever dream. Memories of your first date, your first kiss, come to life before your eyes so realistically that you could almost touch them.
Loved? That sounds funny to you.
The people you used to be, souls wrapped in innocence, when the world was nothing but the arms of the person you loved. You reach out, and the memories quickly fade from view. The only trace they leave behind is a speck of gold on your fingertips, a memento of charming naiveté for you to tuck neatly away in the corner of your mind, but also a reminder that ah, they only exist in the locket of your heart now. Because he has changed, and you think you must have too. Life, as they say, goes on.
“We made it. Kind of. That’s crazy,” you find yourself saying.
“Did we?”
“You don’t think so?” you chuckle. “We’re in a group chat with the Kim Seokjin who spams it with bad jokes on a daily basis. I’d call that a win.”
That makes him laugh. “If you put it like that, yeah, maybe. Sure.”
Other people might be fooled, but it doesn’t sound at all convincing to you. The light doesn’t really reach his eyes. You bite the inside of your cheek, thinking of how to translate the sudden poignant turn of the moment.
“It isn’t everything you hoped it’d be?” you ask.
His shoulders rise then fall quickly in a second-long shrug. “I thought it would make me feel more… fulfilled. But it doesn’t. Not really.”
The way he says it and the way he’s looking at you makes your heart dive. You understand what he means. You’re good at what you do, and you don’t need reassurance from anyone to recognize that. But sometimes, it doesn’t feel like it’s enough. Doesn’t feel like it’s real, like it’s validated.
When you landed your first big project, even before Yoongi, you were so proud of yourself. You were bursting with excitement but you weren’t happy, and you knew what the reason was. Something was missing that couldn’t be filled, not even with all your friends’ hundreds of messages of encouragement. 
It’s beyond stupid, this feeling like your wins amount to nothing at all just because of one person. You wanted him there to celebrate every achievement with you and he wasn’t, and the milestones seemed incomplete without the presence of him. It doesn’t feel like you’ve accomplished anything because this always used to be a dream you thought you’d make come true together.
“It’s lonely,” he concludes.
It sounds like he feels the same way, like he wanted you to be there too.
He suddenly holds you tighter than you think he needs to, like he’s afraid to let go of you. You imagine that he doesn’t want to let go of you, and it makes you feel better for a second. But it doesn’t change the fact that he still did in the end. And he will have to when this ends.
What was the point of this? Why did he bring this upon yourselves when he seems to be as hurt as you are? All of this time, all of these years, lost to what? You could’ve been happy together but instead, you were both lost and miserable.
When the music stops - you lost count of how many songs it’s been - you pull away from him. He looks disappointed, maybe even a little hurt for some reason.
“I’m gonna get some air,” you say, already turning away from him.
“Y/N-”
“I need some air.” Then you’re weaving through the dancing couples despite Jungkook calling your name. How did he manage it? How did he not look back when you called out for him?
You hastily grab your coat on the way out. It’s not going to keep you warm, but that’s not something you’re even remotely concerned with.
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It’s everywhere, you feel it down to your bones.
The wind wraps itself tightly around you, intertwining in your hair, slipping through the cracks of your fingers, caressing your face in a chilling touch. You greet the cold like a long lost sister, shivering violently with nostalgia. It was there for you more than your own flesh and blood.
Is that why you like the sea at night? Because it reminds you of mom?
It’s dark out here, barely anything is visible except for a lighthouse sending out light in the quiet of the night. You can’t see much, but you can certainly hear it. You’re not sure if the music is coming from inside the venue, or if it’s still ringing in your ears. It’s probably the latter; you’re too far away to be able to catch the music anyway. But regardless, the tune is quickly drowned out by the sea.
The waves crash violently against the shore like it’s out for blood. There’s a magnetic pull, as if it’s calling out for you. You want to go to it, to reach out and feel the cold outside of your body for once, but you stay there despite your legs itching to stand up and run straight ahead. Into the water and down under.
You could lie down and close your eyes for a moment. The sound of the water, as sharp and brutal as it is, nurtures a part of you somehow.
You just want to be alone. You don’t want to talk to Taehyung, or Jimin, or even Yoongi.
Oh.
Yoongi.
It’s a terrible feeling, knowing that you’re going to hurt Yoongi. Knowing that you’re going to kill this even before it has a chance to truly begin.
Truth be told, you can’t envision a future with Yoongi. There isn’t anything wrong with him, because he’s not the problem here. Yoongi is fun, he’s considerate, he keeps things light on purpose for you, until you’re ready to initiate something more serious. He’s good for you, even Taehyung thinks so.
But you can’t love Yoongi, not in the way that he wants you to. Not more than you love Jungkook.
There you go. Ruining things again.
Did you ruin Jungkook? Is that what happened?
The layers on you are no match for the sea at night. The wind hisses relentlessly, biting at any part of your skin that’s exposed.
It takes you back to that night. Almost everything does, actually.
Maybe that’s why you never even stopped to consider starting anything with anyone, because it always ends. If there’s a beginning, then there will be an inevitable ending. Love isn’t made to last and you aren’t meant to carry love with you. You’ve been abandoned twice. If it happens a third time, it’s a pattern, and then your hypothesis will only be proven. That the problem here is you.
You’d be lying if you said you haven’t wondered when it’ll finally be Taehyung’s turn to leave. He eventually will, right? That one’s gonna hurt.
Then, you’re startled when someone calls your name.
“What’s wrong?” Jungkook asks. The wind and the waves masked the sound of his footsteps walking up to you. When you turn around to face him, his eyes grow worried, almost panicked. “Why are you crying?”
You breathe out irritatedly before you hastily wipe at your cheeks. You didn’t even realize that you’d been crying. “Nothing’s wrong. I’m fine,” you say, though you both know it’s a lie. “I’m just tired. I’m going up to my room.”
He catches your wrist in a firm grip when you try to walk away. You wish he’d just leave you alone, but you knew he wouldn’t drop it just like that.
“I said I’m fine,” you insist.
“You were crying,” he says. “Did I do something wrong?”
He didn’t, at least not tonight.
God, you really don’t want to do this right now.
“Jungkook,” you warn. “Let go of me.”
You try to free yourself from his grip, hoping that he’ll get the hint and back off for now. Instead, he pulls you into his chest, where you struggle to escape from his hold until you realize your efforts are futile. He takes the wind’s place, wound tightly around you, so tightly that it’s nearly impossible for you to move.
You hiss out his name, but he doesn’t budge. 
“Jungkook, can you just- Fuck!”
Damn him.
You realize he’s not giving up, which in turn makes you give up struggling, hoping that if you let this be a moment, then it’ll be something that can pass.
You’re just standing there, letting him hold you, letting yourself be held by the person who broke you in the first place. This feels exactly like where you’re supposed to be - in his arms, with your face hidden in the crook of his neck, his gentle fingers stroking your hair. There’s not a lot that you could do but lean into that feeling the same way you lean into him. One foot in the sand, one foot in the past. A hand on the doorknob of time, wondering if you should look back or look forward.
You want to be alone, but that never used to apply with him.
The wind stills, the sea calms. You remain unmoving too, locked in his embrace. You feel the faint rhythm of his heart, beating faster than you think it should. If you could, you would bottle this moment up and live there forever.
I miss you, you think.
I miss you.
I miss you.
I miss you.
Then your arms are around him too. It only makes him hold you tighter, and all you can think about is how much you miss him, how painful it is to miss him, how you feel like you’re being pulled apart at the seams from the weight of missing him. 
Fuck.
Can you pretend that the last few years never happened? Is there a higher power that would allow you to go back to the night before that wretched Wednesday, when everything was still perfect? Hundreds of days of your life, can you pretend that it was just one long nightmare? When you wake up, you’ll be back in his humble apartment, tangled up together in his bed. Warm sunlight, your silken youth, and him. It was all you ever needed.
Again with the devastating familiarity. The city, the beach. His mother’s warmth that always made you reminisce about your own mother’s coldness. How Jungkook used to find you in moments like this and just stayed by your side until the dejection passed. He understood that he could never understand it the way you did.
You hear yourself sniffle, then you feel him press a kiss into your hair. Home is comforting.
Oh, you never want to leave.
You don’t want to leave, and that’s terrifying.
You allow yourself to stay there for one more second - one endless second - so you could commit to memory what it’s like to be with him. Back and forth. It’s always so easy to fall into him.
Jungkook releases you when he feels you loosen after a while, and you reluctantly meet his eyes as he tilts your head to face him.  His fingers cradling your jaw, how warm and delicate they feel on your skin.
You swallow thickly, your mind going blank. He’s the only person you see, the only one that matters. His eyes flicker south, and even then you don’t make any move to run away, despite his loose grip on your waist telling you that you can if you want to.
You told him that it would pass, and maybe for him, it will. For him, it’s the city and the moment, making him feel like he’s caught up in a page that he’s turned over a long time ago. He was fine with leaving, and he’s been fine without you. It will pass for him, as much as it hurts you to admit it.
But not for you. For you, there’s only him. There’s nobody else but him. It’s always been him, no matter how hard you try to tell yourself that there will be another person you can love as much as you love Jungkook. You might only be a page, perhaps even a chapter, in the story of his life, but he’s your entire book. He’s volume after volume after volume, until he takes up the whole shelf and leaves no room for anything else, not even for yourself.
And now here he is - at the biggest turn in your career.
He’s a bad blood cell you can’t ever get rid of.
You’ll never be able to truly let go of him. How could you? When you truly love someone, those feelings will carry on forever. They’ll always have a piece of your heart despite an ending. When you look back on a certain period in your life, you’ll think to yourself, You’ll always be a part of me. I loved you then.
But Jungkook is a force of nature. He has your whole heart.
Years and years from now, when you look back on your life, you know you’ll see him everywhere. Even when you’re old and gray, and when faces all just blur together in a mosaic of broken memories and long lost youth, you know you’ll still remember him - the person you loved, the one whom you let slip through your fingers. The great love of your life when you were young.
Sometimes, you regret that day. You can’t help feeling like it was your fault too. Maybe you should’ve tried harder to keep him. You should’ve fought harder, should’ve held onto him instead of standing there and watching him leave.
He lit the match, and you let the house burn. It takes two to tango, two to break a heart.
You’re quick to let people leave. Oh, how you wish it could be that easy to let them go too.
It isn’t until your eyes mimic the flicker of his gaze that he leans in. You meet him halfway. For the first time in years, you feel like you could breathe, truly breathe. It’s achingly slow, like neither of you can believe that this is happening. 
You sigh against his mouth when his tongue brushes your bottom lip, slips past the seal to devour you. It feels like a perfect dream. You could stay in this bubble with him forever, pretend that you’re the only two people who exist in the world and there’s nothing else, no one else, waiting for you in a city that seems so far away right now. The thought of him never left you, not even for a second. He’s always been with you everywhere you go, no matter what you do, always in the back of your mind.
He tastes like your youth, like remembrance. He kisses you like he’s still yours when deep down you know that you’re still his. The hand on your jaw is gentle but firm, and it makes you repeat a thought, I miss you.
Then a feeling, I love you.
Not then. Now.
I love you now.
I love you even when I shouldn’t. Even when it hurts. Even when you leave me. Even when you don’t love me more than I love you. If there comes a day where you love somebody else, I will still love you then. There will never be another person for me but you. My first and only love.
When he pulls away, you think it’s too quick, even though your lungs are grateful for the breath that you instantly inhale. You stare at his lips like you’re in a daze, mesmerized, wanting to chase them again. You don’t even know how you have it in yourself to utter these next words, but you hear your own voice saying them anyway.
You’re holding onto him now. Doesn’t that count?
“Let’s…” Your fingers tighten on the collar of his dress shirt. “Let’s go up to your room.”
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note (2): so... what do we think?? will they?? won't they?? 😵 stay tuned for obs7.5 which will be dropping 29.09.2023! also i'm gonna pause obs muse asks for a little bit! 😬
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all rights reserved © jeonqkooks. reposting, translating and/or modifying is not permitted by any means. [posted september 24, 2023]
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brokehorrorfan · 17 days
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6 Things I Learned from the Lisa Frankenstein Commentary
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We don’t get movies like Lisa Franeknstein often, which is a shame because it’s endlessly charming yet delightfully twisted. While it disappointed at the box office, it has "cult classic" written all over it.
The coming-of-age horror-comedy is out today on Blu-ray and DVD. Among the special features is an audio commentary by Zelda Williams. Here are 6 things I learned…
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1. Catch Me If You Can inspired the opening credit sequence.
The opening credit sequence, which briefly depicts the Creature's love story from his previous life in the style of Victorian shadow box art, was inspired by Catch Me If You Can.
"We wanted to do something interesting with the credits in this bit. I was really inspired by Catch Me If You Can, which I thought the opening credits were particularly interesting and helped establish the story before we ever got to it. And because Creature doesn't speak this whole movie, I wanted an opportunity to show what his life would have been like."
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2. The film was originally intended to be rated R.
Although Lisa Frankenstein pushes the PG-13 rating as far as it can go, it was originally intended to be a hard R. Williams cites the party scene, in which Lisa originally smoked a laced joint rather than drinking a PCP cocktail, as a difficult revision.
"This is where stuff got a little complicated when we were going from R-rated to PG-13. Originally there was a coated joint they were passing around. This is one of the only scenes that I'm not sure I'm as fond of in comparison to the joint stuff. Most of the rest of the changes were fine, but this one I find very strange. It's just a very different reaction and interaction than what used to be there. However, these are the things that happen when making a movie."
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3. Creature is an homage to Day of the Dead's Bub.
Not only Lisa is seen watching George A. Romero's Day of the Dead in the film, but the Creature is an homage to its iconic zombie, Bub.
"Creature for me is definitely an homage to Buster Keaton, but he's also an homage to the zombie you just saw on screen, Bub, who was in Day of the Dead, a Romero movie that I'm very fond of. It was an incredibly emotive and a very intelligent zombie and ended up getting revenge against the asshole in the movie. It was one of my favorite monsters ever made, so when I could put that on screen during the movie, it made me very happy."
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4. Zelda hid a tribute to her father, Robin Williams.
Williams is the daughter of Robin Williams, and she included his 1983 comedy album, Throbbing Python of Love, among the records scattered on the floor in Lisa's living room.
"Oh, there's Dad! We used one of Dad's vinyl albums because we had to scatter some across the floor." She refers to it as "a little, mini Easter Egg for me."
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5. The police officers are named after John Waters.
The police officers in the film are Officer John (played by Walker Babington) and Officer Waters (Sylvia Grace Crim) — named on a whim in honor of cult filmmaker, John Waters.
"They asked me to name the cops, because obviously they needed to have name tags, so I named them Officer John and Officer Waters." She thought no one would notice since they're so small, but a viewer pointed it out at a test screening.
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6. The film is sprinkled with movie references.
Williams wore her influences on her sleeve with her directorial debut, and she pointed out several references on the commentary:
A Trip to the Moon (clip featured in Lisa's surreal dream sequence)
The Cabinet of Dr. Caligari (stylistic inspiration on the dream sequence)
Weird Science (the party scene)
Suspiria (red lighting during drug sequence)
My Boyfriend's Back (camera shot from inside a grave looking up at characters)
Kill Bill (weapon point-of-view shot)
E.T. (a boy on a bike — played by Diablo Cody's son — at the end)
Notting Hill (reading together on a bench at the end)
Lisa Frankenstein is available now on Blu-ray, DVD, and Digital via Universal.
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hattersarts · 9 months
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gomens s2 thoughts, all spoilers!
I spent 10 hours talking to my housemate about the season after we binged the whole thing in the morning but here are the highlights and the biggest takeaways from the season.
okay i did love the ending, i love that we get the conformation of love AND going into the divorce arc next season (if they're not properly together by the end of season 3 however, i am rioting) they're slow burn and a whole season of them getting to the final 10mins was tasty.
HOWEVER. it was an extremely clunky season when it comes to writing, lots of either set ups missed OR set ups repeated 4 times that they're drilled into out heads. there was also lots of dialogue that really needed to be tightened up. the lesbians were so poorly written i thought they might have needed to be cut BUT they just needed to have more bearing on the rest of the plot AND say things like real people would say things and LITERALLY SHOW ONE SINGLE REASON WHY THEY WOULD LIKE EACH OTHER WITHIN THE FIRST EPISODE.
gabe/bulz romance was the one that should have been cut, have them do more of a oh-my-god-my-boss-sucks kind of thing, lean into them complaining about having to avert a civil war after armageddon stopped and touch on the "structural problems" the angels mention later. Have gabe/bulz be super punished for working together which puts huge fear into az and crowley about what happens if you try to team up as an angel/demon pair (but an extra reason why az takes the job at the end so he and crowley can be the same)
imo it works more if the only mirror of their romance is the HUMANS which should lean into themes to season 3 of how they need to team up with humans (re:"us vs them" line at the end of season 1) to actually achieve their happy ending.
Nina and maggies best scene was their last one telling crowley he needed to talk to az but i think that was one that needed to be cut, it would have been far more satisfying to have crowely work out it out himself that he loves az and wants to tell him (still via maggie and nina but more subtle rather than them telling him to his face AND via spending more time with az in the season)
flashbacks were all pretty good, loved the jobe one and that final "lonely" scene. the nazi one needed some trimming the most (why did all three come back to earth, it made scenes too crowed, have them fight to be a zombie)
shax was disappointing, she was kind of just incompetent the whole way through which didnt make the stakes very exciting, (that whole scene of her talking to the legion was unfunny and pointless) i wanted crowley to mentor her more like when he gave her advice in the first few meetings we saw (kind of in a very non-demonic way, not expecting anything in return) and her to then meet him on equal footing in the finale. would have been a little accidental taste for Crowley to have his good deeds come back to haunt him while showing he's different to demons.
speaking of the finale fight, that halo had NO set up, it was sick as hell but ??? the fuck did that come from. the fight should have been won by az and crowley performing another HUGE miracle together, discorporating the demons (which then would alert heaven and hell something was up in the bookshop and the final scene can happen)
az taking the job from metatron was very good, its consistent with his character where he still hasn't let go of his faith in good/god, he's only been upset by the angels running heaven and still has faith in the system while crowley has realised none of it works and it's only them together that matters. it was nice to show he still hasn't truly accepted crowley for who he is now (tho imo he knows he loves him, he just hasn't quite unrepressed himself) and him not turning down the job after crowley confesses to him shows he still thinks he can fix it. Crowley on the other hand thinks he's now lost him, az has broken he the trust he had in him, he's going to be in big depression mode
few thoughts of good directions for S3:
finally delivering on what crowley said at the end of S1 I think is the most satisfying. the final showdown should be humans Vs heaven/hell with Crowley and az on the human side, helping them win the conflict. there would be suggestions that this is actually god's ineffable plan, this is a conflict she wants to happen and the things that Crowley and az went through are what make them perfect ambassadors to help the humans.
the set up for az in S3 to finally work out he and Crowley can't work out within the unfair rules of the system and for him to abandon heaven (tho not I think, becoming a demon) is good. a sucky ending imo for season 3 is if az somehow "fixes" heaven and via bureaucracy and not via blowing it all up.
growth moments for Crowley in S3 might be having more contact with humans since he's already abandoned hell and it would put az & crowley on similar footing (as az very much loves humans already) when they decided to side with humans for a humans Vs heaven/hell conflict.
anyway, gay people
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theetherealbloom · 1 year
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UNEVEN ODDS — CH. 1
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Chapter One: These Questions Take Shape
Summary: The Reader is dragged into the Last of Us universe and has no choice but to watch the events unfold live in front of her or will she be able to change what was already written?
Paring: Joel Miller x Fem!Reader
Word Count: 6.1k
Warnings: Age-gap Romance, Violence, PTSD, Depression, Zombies, character death, swearing, angst, fluff, eventual SMUT, MY SCIENCE MIGHT BE WRONG, plot holes, rusty writing, alternate universe
A/N: I write?? Kind of?? Tbh, this self-indulgent for sure! We love maladaptive daydreaming :) Anyways, English isn’t my first language so please forgive me for any grammatical errors or spelling mistakes! Tbh I was just gonna write one chapter per episode but I got too excited :p 
Song: doomsday by Lizzy McAlpine
-> Next Chapter | Series Masterlist | Main Masterlist
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YOUR OBSERVABLE UNIVERSE – 2023
It’s been three years since the pandemic, COVID-19 has taken a toll on many people. Millions have died over the past few years and you were one of the lucky ones who got by, survived, and received the vaccine as soon it was available. The world slowly begins to open up and awake from its slumber during those years of uncertainty.
So what do you do now?
You work, continue with your quantum physics research and try and make sense of your life. Someday you’ll be able to be under the mercy of light to choose your fate and your need to find certainties and concrete science. For now, you enjoy the comforting sounds of characters conversing with each other.
Immediately as the show credits show, you fold your laptop close and prepare for bed. Episode 3 of the Last of Us was the most emotional so far, Bill and Frank’s story reminds you that love will transverse in every universe. With these tired eyes, you’ve seen enough for tonight. Your eyes slowly droop down and close, luring you into a deep sleep in a state of wishful thinking, hoping that you would have that kind of love in your life. But for now, the watercolor vivid dreams will suffice.
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TLOU WORLD – 2023
You groggily wake up and find yourself on the floor. Slowly as you sit up, you use one of your hands to rub away the sleep, “What the hell,” you mumble. The anxiety begins to creep in, you recognize the coloring of the walls and the type of flooring used.
You look down at yourself to check what you’re wearing, no longer in your sleep clothes but traded away for cargo pants, a shirt, socks, and black boots. What’s more concerning was the familiar voices just outside the tattered room you were in.
“There’s not gonna be anything bad in here?”
A gruff response comes, “Just you.”
“Oh, funny.”
No. God, no way. This is not happening. This isn’t possible. You must be dreaming, right? You quickly stand up, and as soft footsteps come closer, you see Ellie staring at you with complete shock, “Holy shit!” she screams.
The thundering thumps of footsteps quickly make their way into the room as you stand there in complete shock. Your eyes widen in shock as you are now face to face with the characters you’ve grown to love from last night through your laptop screen right in front of you. This feels like a very cruel joke.
Dark brown eyes, salt and pepper hair, tan skin, and lines that appear as Joel frowns at you, unimpressed and suspicious. While Tess is completely covering Ellie, she narrows her eyes at you and says, “Raise your hands.”
Slowly you follow her command and raise both your hands, not wanting to increase the tension between you and them. Then you try your best to steady the trembling voice that wants to escape from you and directly look at Joel to say, “I’m not infected.”
“Show us your arm and neck.” He replies with his thick southern accent, and you bring your hand to the collar of your shirt to show them your neck and then lift the sleeves of your jacket to prove that you are being truthful.
The tension between the four of you still hadn’t dissipated despite proving that you didn’t have Cordyceps. “You got any weapons?” Tess asks and you shake your head, “No.”
Ellie groans in frustration, “Guys, I need to pee.” And you bite back a smile, her attitude, and unintentional humor. You clear your throat and say, “Um, you two could interrogate me in the other room so she can, uh, relieve herself.”
Ellie’s two protectors give each other a knowing side glance and proceed to lower their weapons that were aimed at you. You take a deep breath and then follow Joel as he first leaves the room while Tess watches and follows you from behind, making sure you don’t try anything funny.
You stand in the center of the room, with lush green grass, and flowers,  you tilt your head up to look at the stream of daylight hitting your face. You take note of the overgrown plants and trees, mother nature taking back what’s hers. Eco-brutalists would be ecstatic about all of this, minus the fungi zombies.
Tess breaks the silence and asks, “What’s your name?” You give them your name and ask for theirs, even though you didn’t need to however, it is the polite and fair thing to do. You turn your head to look at both of them. They reluctantly tell you to give them their names as you try and manage to swallow away the fear and secretly hope this was all a dream or maybe a fucked up prank. Tess raises one eyebrow at you, “Where are you from?”
You purse your lips to a thin line and wonder how the hell you were gonna answer that question, you then settle for a, “It’s complicated.”
“Complicated how?” Joel gruffly asks you and you give him a light shrug in response and he scoffs.
Your shoulders sag at his reaction to your words, “I’m not trying to be difficult, I swear.  It is complicated and hard to explain, you wouldn’t believe me if I told you. And to be honest, I’m trying my best to wrap my head around this and find a way to explain it without sounding completely insane.”
Joel all but frowns at you but continues to ask, “You tryin’ to get to the QZ?” And without even thinking about it you shook your head in disagreement, and immediately followed your response with suspicion growing on their faces and a frown.
Tess looks at you in disbelief and says, “So, what the hell are you doing out in the city with all the infected running around? Going for a stroll?”
Not wanting to answer the question, you pivot to looking at his fractured hand and give him a light nod, gesturing to it, “Does it hurt?”
Tess glances at his hand and pushes Joel to sit on his chair, his hands shaking as he looks at his bloody knuckles. You also choose to sit on the plush cool green grass, the smell of earth fills your nostrils, and then watch the scene play out in front of you.
“Broken.” Tess states that Joel avoids eye contact with his partner in crime, “Maybe a hairline. It’ll heal fast.”
Tess looks down at the grimy floor and folded her hands in an attempt to calm herself, then raises her head as she whispers, “She made it through the fucking night, Joel.” He shakes his head at her, “It doesn’t matter. It’s gonna happen sooner or later. All right? We’re still close to the wall. We sneak both of them back into the QZ. We find a different way to get the battery.”
“This is our best shot,” Tess says unwaveringly with her decision while Joel scoffs, you watch them both like a tennis match and are surprised by the fact they didn’t even acknowledge your presence.  
“We take her back into the QZ, someone’s gonna notice her arm. They’re gonna scan her then they’ll kill her.”
He harshly whispers back at Tess, “Well, better them than us. You need to stop talking about this kid like she’s got some kind of life in front of her.”
It felt like extreme deja vu watching Joel and Tess argue, and on queue, Ellie walks back in and throws the magazine on the floor, and slides towards Tess. The kid plops down to sit next to you on the lush grass and you look at her with a small smile.
“You hungry?” Tess asks the both of you as she rummages through her backpack to find the energy bars, “You can share some of ours.”
“Thanks. Marlene sent me with my own.” Ellie says and takes out a chicken sandwich from her bag pocket. Tess looks at you, offering some and you politely decline, the older woman tilts her head and says, “When was the last time you ate?”
“Yesterday.” You say without a thought.
“You wanna try to explain’ how you got here? Cause when we checked, you sure as hell weren’t here. Or how the fuck did you manage to survive this long with nothing?” Tess says as she chews on the bark this world now calls food. You feel your palms sweat and pulse slightly increase, you take a deep breath and say, “This is gonna sound extremely bazaar and completely impossible but try to keep an open mind because literal infected are roaming around the streets so believe anything is now within the realm of possibility. Okay?”
You got a couple of hums with curious gazes and listened as you began to speak, “I’m possibly from a different universe or world where this is all just fiction and you’re characters based on a video game-made television series. No, I have zero ideas how I got here. I went to bed and fell asleep, and next thing I know, I woke up with this painful migraine and fatigue, different clothes and you three suddenly existing.”
You paused as you took in the group gaping at you and you sigh, “From where I came from, we had a similar thing happen, a pandemic. However, it was a virus, not Cordyceps. We called it COVID-19, it could be transmitted through an infected person's mouth or nose in small liquid particles when they cough, sneeze, speak or breathe. The outbreak started in December 2019 and 6.84 million people died in the last three years during that time. We were able to make a vaccine at a rapid rate since our technology had advanced, and we were able to distribute it globally, so in the current year which we both share, which is 2023, we’re slowly trying to find our footing again as the world opens up.”
You feel your eyes glaze over, and you then shut them as you continued, “I know it sounds fucking impossible, trust me, a lot thought so too. My scientific hypothesis is that the multiverse does exist and somehow sleep or dreaming is connected to it. I really don’t know, it was all just theoretical.”
“Prove it.”
You open your eyes and look at Joel, completely surprised he spoke, “What?”
Joel’s baritone voice and defensive stare felt like electricity through your bones, “I said, prove it.”
If there’s anything you were good at, it was reading a ton of books in a short period and memorizing the important details and plot points. Visual memory paired with the love you had for these characters had you rewatching the three episodes over and over again. Quietly, you thank the younger you for being so nerdy.
You look Joel dead in the eye and turn to the kid beside you quietly looking at you while eating her sandwich, “Your name is Ellie, you got bitten by an infected while you snuck into the mall and then Marlene found you soon afterward. Those two,” you point your thumb in their direction, “need to get you to the state house in exchange for a battery so they can go find Tommy who has been missing for almost a month.”
“Holy shit. She knows my name.” Ellie said with her mouth full of her food.
You turn back to look at Joel and Tess, and then glance at his broken wristwatch, “And, um, Joel, I know how your watch broke, I’m so– .”
“Stop.” Joel lowly says, his stare as cold as ice and distrusting of you. You avert your gaze, and a blanket of silence covers the room. Shakily Joel eats his bark of food and Tess stares at you and Ellie as she chews and swallows, “Is that chicken?”
“Yup. Marlene said they get it from smugglers.” Ellie then thoughtfully tilts her head, “Guess not you guys.”
That does it for Tess and stands up to walk towards you and the kid, “Hey, hey!” Joel says as he stands up after her but Tess holds her hand out to stop him and to signal it’s fine, “Why are you so important to Marlene? And don’t lie to me, or we’ll take you back.”
“Like she said,” the kid gestures to you, “If you take me back, you don’t get your battery.” Tess scoffs, “You heard that?” and Ellie shrugs at her, the older woman mock laughs, “Then you must’ve heard he wants to shoot you.”
Ellie looks toward Joel and he doesn’t deny it, he simply stares back at her.
“If you do that, it would be the dumbest shit you’ll ever do.” You mumble while frowning, Tess turns to you and harshly says, “Zip it, this doesn’t concern you.” And you take what she said in stride and don’t push it any further.
She then crouches down to talk to Ellie, “I’m gonna talk to you like you’re an adult. Okay?” She then takes Ellie’s silence as consent to continue, “Joel and I aren’t good people. We’re doing this for us because apparently, you’re worth something. But we don’t know what you’re worth if we don’t know what we have. So answer my question.”
Ellie rolls her eyes, rubs her face, and mumbles to herself, “She told me not to tell anybody and now I’m telling the first people that I…” She lets out a sigh and reluctantly speaks, “There’s a Firefly base camp somewhere out west with doctors. They’re working on a cure.”
Joel immediately groans in frustration, “I’ve heard this before.” Ellie continues, “And whatever happened to me,” and at the same time she and Joel say, “is the key to finding the vaccine.”
He sighs in exasperation, “That’s what this is? We’ve heard this a million times. Vaccines, miracle cures. None of it works. Ever.”
Ellie stands up, “Fuck you, man. I didn’t ask for this.”
“You and me both.” The grouch turns to his partner and says, “This isn’t gonna end well, Tess. We need to go back.”
You then remember after all those essays and news articles about your pandemic, the time when everything felt so hopeless and scary. You look at Joel and you see a reflection of your own, his fear and panic, “It’s possible.”
They both turn to you and you continue, “Theoretically, it’s possible to create a fungi vaccine, however, I’m not even sure you have the technology to produce it. And it would take finding out what Ellie truly is. Either Ellie’s immune system mutated and created antibodies to fight against the Cordyceps or something else… But either way, a vaccine or maybe a cure could be possible now because of her.”
Tess stands up, as do you, and looks at Ellie for a moment, then to Joel to say, “Let’s just finish it. It doesn’t matter if she is what the Fireflies or what an alien says.”
“I’m human.” You grumble and Tess ignores you, “If they believe that she is then we get what we want.”
Joel gives a glare at Ellie and then shifts his gaze to you, he sighs and shakes his head, “If she so much as twitches.”
Ellie proceeds to make gurgling noises and movements to pretend as if she’s turning into an infected. Tess turns to look at her and scolds in a motherly fashion, “Don’t.” You try and hold in your laugh and the young girl clears her throat, scratches the back of her neck, and mumbles, “Yeah… okay.”
Tess then turns to Joel, “Okay?”
Defeated, Joel swings his arms open and whispers, “Okay.”
The foreshadowing of the fact it will not be okay in the next few moments had you feeling nauseous. The churning fear begins to bubble inside of you, Tess is going to die, albeit a noble and honorable death, but it still would hurt Joel, and Ellie as she slowly grows more fond of the older woman. Then, it hit you, is it possible to change what already was written? Could you save them all? Well, you’re already here, might as well try.
The three of them begin to pack their belongings as you awkwardly stand there with your hands in your pockets and watch as they prepare for the journey to the State House. The sound of Joel picking up his gun catches Ellie’s interest, “Can I have a gun?”
“Absolutely not.”
“No.”
“Okay. Fine. Jesus. I’ll have to throw a fucking sandwich at them.” Ellie then shoves the leftover sandwich into her bag and Joel goes to the giant bookshelf, which is blocking the door, to the side, then peaks out of the door to check if it’s safe. You hear the sound of birds chirping and feel the warmth of the light flood in the abandoned building.
“It’s clear.”
Following Ellie from behind, you begin walking slowly toward the light and into the apocalyptic city. Your eyes take in the sight of tilted, destroyed, buildings, overgrown plants, trees, abandoned cars, and trucks. A hauntingly beautiful sight if you were being honest.
Ellie gasps in wonder as she takes it all in, “Woah.” Tess looks over at her and says, “Yeah, looks different in the daylight, huh?” Joel quickly scans the area, “We should get moving.” Tess begins to take the lead, followed by Ellie then you, while Joel trails from behind.
“It’s like a fucked up moon.” Ellie moves towards a crater and peers over it, “Is this where they bombed?”
“Yeah, they hit most of the big cities like this. They had to slow the spread somehow.” Tess says and Joel continues to walk past it, ignoring the crater and any kind of conversation. “Worked here, but it didn’t in most places.”
Unconsciously, you begin humming to the tune of a Linda Ronstadt song. The last song you ever heard before sleeping. Continuing up to a ruined building, with debris blocking your path, “So the State House is across there. It’s about a ten-minute walk if you could go straight.”
Ellie looks at both of them and you wonder how the fuck you were gonna defeat the clickers later on with no weapon, “So…”
“Long way or short way?” Joel asks Tess, she holds the straps of her backpack and the wind blows through her hair, “I mean, it’s a long way or the we’re-fucking-dead way.”
“Well, I vote a long way just based on that limited information,” Ellie says dryly, and Joel stares at her, a puzzled expression on his face, then his eyes lands on you, waiting for your input.
You frown at him, “No, don’t look at me like that. I’m not giving you any spoilers.” Joel clenches his jaw and turns to Tess, “We have to check it from the hotel first.” She begins to walk away, “Okay.”
You walk along the highway in somewhat comfortable silence, you carefully look to the ground and see a giraffe plushie, the symbolism doesn’t escape you, knowing all too well what it meant. Moss and different kinds of plants grow over the cracks of the road, you spot branches atop abandoned cars and dust covers the windows of each door.
Tess and Ellie begin conversing in front of the group, while you and Joel follow from a distance. You look at Joel and say, “I’m sorry if I overstepped a while ago. I couldn’t prove it unless I told you something only you knew.”
He looks at you in an emotion you can’t quite understand, but still responds in his grumpy demeanor, “Just don’t bring it up again.” You quickly nod, “Mhm, noted.”
It was quiet for a bit until, to your surprise, he asks you, “What did you do for work?” The smile was so difficult to hold back, you chuckle and raise your eyebrows, “I’m… well, was a Quantum physicist. You were a carpenter right?”
“It kinda’ freaks me out how you know that off the top of your head.” His Texan accent heavy as he spoke, you knew that it would take time to build his trust. His reserved and security-oriented nature would prove to be a challenge, but something you wholeheartedly would take on, “I’ll try not to do it as much, I’m sorry.”
“You apologize too much.”
“It’s a habit I’m trying to break, to be honest.” You chuckle nervously, putting your hands in the pockets of your cargo pants, and continue to walk, watching and hearing bits of conversation from Tess and Ellie.
“I thought you were some sort of’ performer, a singer maybe, with all that hummin’ you were doin’ awhile ago.”
That catches you off guard and you feel the confusion form on your face and you begin to feel your face feel warm, “What?” Joel continues, “You were hummin’ to Linda Ronstadt, right? Haven’t heard that song in a while.” You stared at him in complete disbelief, “You heard me humming?”
As he was about to reply, you and him managed to catch up to Ellie and Tess to overhear their conversation, “How old are you?” Ellie replies, “Fourteen.” Tess hums and smirks at the kid, “Wow. Well, I mean you got some balls on you, sister.”
“Thanks,” Ellies says and follows after Tess, climbing over the flipped rusted car. You follow their movements and Joel does too.
Tess curiously looks over her shoulder at Ellie and continues her walk forward, “Nobody is gonna come after you, right? Like Mom, Dad, boyfriend?”
“I’m an orphan, and, uh, no.” Ellie takes a look around her surroundings and lets her hand brush on the tall grass growing from the cracks of the pavement, “Everyone said the open city was crazy. Like, swarms of infected running around everywhere.”
Joel humors her, “Not exactly like that.” Tess smiles, “You know people like to tell stories.”
“So there aren’t super-infected that explode fungus spores on you?” Ellie curiously asks with a somewhat happy tone, as if all of this doesn’t scare her. Fearless is what you conclude, a trait that could be good when at its best but dangerous and reckless at its worse. “Shit, I hope not,” Tess says.
“Or ones with split-open heads that see in the dark like bats?” Ellie asks and that causes a shift in Tess, Joel, and your demeanor. Fucking clickers. And on queue, you hear the screeching of the devil’s spawn in the distance. The whole group stills and Ellie shakily asks, “What was that?”
Joel doesn’t reply, instead, he just says, “Let’s keep movin’.”
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Joel pushes the doors of the hotel open, loudly shrieking as he does, and all three of you are greeted with the sight of the flooded hotel. It was almost swamp-like due to the green water, lily pads floating, and the ducks and frogs swimming.
Ellie takes a spin and looks at the view with a childlike wonder you wish you still had, “You’ve got to be kidding me! You ever stay in a place like this?” “Uh, no, a little out of our league.” Tess says and Joel looks at Ellie and asks, “How do you even know what this is?” Being the smartass that she throws him a look and says, “Have you heard of books?”
You chuckle as Joel shakes his head and walks down into the murky water, “Wait we’re going in there?” Ellie asks, and Tess nods, “Yeah, we gotta get to the stairwell on the other side.” The kid takes a step back, “Well, I don’t… I don’t know how to swim.” Joel lifts an eyebrow, “Seriously?”
“Do you think we have pools in the QZ?” Ellie says with narrowed eyes. “No, smart-ass. I mean…”, Joel does a little jump into the water, it does a small splash when he does. “I don’t know how I was supposed to know that,” Ellie says as she walks down the steps and into the water, you follow behind her and Tess.
You four wade through the green murky water, “This is so gross.” Ellie says with a huge smile on her face and you can’t help but laugh, “This is disgusting.” The fourteen-year-old spots the concierge desk and makes her way over, “Oh, check it out!”
You place both of your hands on your hips and  watch her mess with the call bell, “Ding, ding.” She begins to do her form of roleplay for her entertainment and to cure her boredom, “Yes sir. I would like your finest suite, please.”
“Yes, ma’am. Would you like me to take your luggage?”, she proceeds to answer her own question and pushes the hotel bell cart through the water, “Yes, ma’am. Right away ma’am…”
“You’re a weird kid.” Joel states, Ellie turns her head to look at him, “You’re a weird kid.” Something falls over, a sloshing sound indicating that it had fallen in front of Ellie causing her to jump back and bang the piano behind her and yelp, “Oh, fuck!”
You and Joel are quick to come to her side to see what it was. A skeleton lay there unmoving and rotten, your eyes raise to look at Ellie panting and clutching onto the hotel bell cart, “Oh, my god.” Joel kicks the skull and the kid mumbles, “Uh, sorry.”
Joel offers his hand to help Ellie back up and the sound of the honky-tonk piano creates sharp notes as she stands, Joel pulls back his hand once Ellie can manage on her own and begins to walk away.
You look to Joel, “How’s the hand?” He looks down at it as it shakes again, “It’ll heal.” Your face forms a frown and you shake your head, “That doesn’t answer my question.” Joel doesn’t respond and decides to continue and you simply follow.
“You okay?” Tess asks Ellie, and the young girl wades through the water like nothing happened, “Yep. Fucking Fabulous.”
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After ten flights of stairs you finally made it to the top floor, Joel goes through the doorway first, while Tess takes a moment to catch her breath, “Fuck. Holy shit.” 
You’re a little breathless, but not as much as Tess since you were a bit younger than her. “Come on, it wasn’t that bad.” Ellie says teasingly and Tess shoots her a look, “You try climbing ten fuckin’ floors with our knees. See how you feel.”
You turn right to a hallway, to see a giant obstruction made out of the rubble, “Well, when the fuck did that happen?” Tess tries to push the door to her right, only to be blocked. You try to check the door to the left to find the same outcome, you sigh “No.”
“All right, well, I mean, maybe I could climb up there. Work my way around and open it from the inside?” Ellie peers around the rocks, “Uh, no. Well, I’m the smallest, so it’d be easier for me to get through.” Tess hums, “But you die and we get nothing. You stay.”
“I could help.” You say a little meek, Tess is a little intimidating and you feel so out of place like you’re intruding. Technically, you aren’t supposed to be in this mess. She takes a good look at you and says, “Yeah, no.”
You deflate a little and avoid trying to argue, Tess turns to Joel and asks for help, “Can you give me a hand?” Joel pulls back Ellie with the strap of her backpack and she sighs, then Joel tugs your jacket sleeve to do the same. Your face warms a little bit, it’s the first time he’s ever touched you.
Joel boosts up Tess over the pile of rubble and she climbs over, “You good up there?” Tess analyzes the mess she needs to clean up and replies, “Yeah. It’s a bit of a mess, so I’m gonna need a few minutes.”
Joel turns around to face you and Ellie, he adjusts his gun and lets his back slide against the wall to sit down across from both of you. Ellie has her arms resting on her knees while you decide to sit comfortably cross-legged.
Ellie takes out her knife and decides to play with it, tossing it in her hands as if it were just a pen and not something that could easily cut her if she commits a mistake. You watch everything play out just like it did in the episode—character development.
“Nice knife,” Joel says as his eyes follow the movement of Ellie’s tossing. She only glances at him with acknowledgment. “Where’d you learn to do that?” he asks, you gotta hand it to him for trying to make an effort.
She replies with a monotone voice, “The circus.” 
Joel looks away exasperated and completely done with her bullshit. You try and hide your smile, but the slight crease in your eyes gives away your amusement. Ellie folds her knife, and as Joel sighs, the kid decides to give an olive branch, “Where are you from?”
“Texas.” He replies, and Ellie continues, “What about Tess?”
“Detroit. It’s in Michigan.”
If there’s anything she hated most, was the fact people underestimate her intelligence, she rolls her eyes and Ellie’s reply comes out harsh, “I go to school. I know where Detroit is.”
Her response causes a wave of silence between the three of you. Your eyes drift from Joel to Ellie, she then decides it’s your turn to be interrogated, “Are you from the future?”
Your mouth twists a little to the right before deciding on a good enough answer, “Sort of? Your technology stopped advancing in 2003, so, I guess I am?” This piques her interest, “So, what’s it like over there?”
You pick the dirt off the underside of your fingernails, a little nervous, or if not nervous then cautious, as you respond, “Almost the same. Our technology is way different though.”
“Different how?” She asks.
You give her a soft smile and respond, “Well, for starters, we have touch screens for phones, laptops, tablets, you name it, it probably has a touch screen.”
“No way,” Ellie says with her eyes full of amazement and wonder, “What else?”
You give a hum as you teasingly tell her, “I don’t know… it might blow your tiny little mind.” She blows a raspberry in your face and you stick your tongue out in retaliation.
“Come on! Wait, you said we were just characters in some kind of story?” She says dramatically and tugs the sleeve of your jacket and continues, “What did you mean by that?”
Your eyes shift to look at Joel, who has his full attention on you; simply waiting. You blink owlishly at him, once, then twice before settling on a response, “Yeah, um, it recently aired.”
“So, do you know the future? Like our future? What’s about to happen? Will we be able to make a cure or a vaccine?” You couldn’t keep up with her rapid questions, and your mouth slightly parts open. Should you tell them? 
Can you change the fact Tess is practically minutes away from death? That Joel is about to make the worst mistake of his life? That Bill and Frank are… that they…
Luckily, you didn’t need to answer Ellie, Joel who senses your unease, steps in for you, “Ellie, stop askin’ her about her life, she doesn’t wanna give anythin’ up.” You look at him apologetically and shut your eyes for a while. This migraine keeps bothering you, a sharp, heavy, thump in the side of your brain hasn’t gone away. You tell yourself that it eventually will. Maybe.
Ellie focuses her attention back to Joel, “So you two like a…”
“Pass.” He says.
Ellie continues, “How’d you end up in Boston?”
“Pass. No more questions about me.” Ellie rolls her eyes at him and racks her brain for a different question, “How long do infected live?” Joel mocks Ellie in reply, “Oh, I thought you went to school.”
“It’s a really shitty one.” She snarkily replies. You smile at their banter with your eyes closed, enjoying the conversation that they have going on. Joel thinks for a moment before answering her, “Well, some last about a month or two. But there’s other’s been walkin’ about 20 years.”
Ellie fidgets with her knife again, “You ever kill one?”
You hear the slight sorrow in his voice, “Yeah, I’ve killed lots of them.” Ellie asks the most human question as she looks at the older man, “Was it hard? Like, knowing they were people once?”
You open your eyes to watch his gaze look away from the kid, memories come back to him, what he’s done and will continue to do, and he nods, “Sometimes.”
“What about that guy last night?” She asks, and you frown while he gives Ellie a stern look. You knew Ellie liked the fact Joel hurt the FEDRA guard to protect her. She loved it. Luckily Joel doesn’t have to respond, you could hear the sound of something approaching you. The loyalist immediately stands up, and you and Ellie get up to stand next to Joel, he puts his finger to the trigger of his gun, ready to protect you both from whatever is out there.
“You can put the gun down, Joel,” Tess calls out from a distance, and a tingle of jealousy moves through your bones like electricity. She knew him so well, to the point where she knew what he was going to do before doing it. They both loved each other without admitting it, and it hurts you. They never stood a chance. 
You hear the quiet rumble of Tess pushing away the debris to open the door, the loud creak of metal reveals her face, and it’s full of worry. Joel reads her like a book, “What now?” Then Tess nods her head, signaling to follow her.
As you make your way upstairs, you take notice of the abandoned wine glass and dishes, the dust that coats every inch of the hotel, and the fallen chairs. Tess pulls back a plastic curtain for you and Ellie to walk through, only to be greeted by the view of hundreds of infected down below.
“There’s so many,” Ellie comments in disbelief, you can hear the cries and wailing of each Runner as they roll and crawl. The young girl leans a little forward to get a better view. Tess nods, “The last time we were here they were still deep inside the buildings. Then I guess enough people came through looking for the QZ they went inside seeking shelter, and that’s how they get more and more of the city bit by city year after year.”
As the clouds pass by, the sun shines through a little, overwhelming light shines over the infected, they screech and roll away, like a domino effect. “They’re connected,” Ellie says, and Tess nods in confirmation, “More than you know. The fungus also grows underground. Long fibers like wires, some of them stretching over a mile.”
If you weren’t so focused on listening to Tess explain the cordyceps, you would have felt Joel staring at you the whole time, observing how you were taking all of the information being shared. You were surprisingly calm, despite the fact zombies are now real and you could die. And possibly a little worried like you were anticipating something bad was going to happen.
Tess continues, “Now you step on a patch of cordyceps in one place and you can wake a dozen infected from somewhere else. Now they know where you are, now they come. You’re not immune from being ripped apart. You understand? It’s important. I’m trying to keep you alive.”
Ellie nods and you do too, even if the question wasn’t directed at you. “So we’re not going that way.” She states, and Tess agrees, “No.”
“What do we do then? Short way?” Ellie asks and Joel looks at Tess, and speaks the dreaded words you’ve heard before, “Museum.”
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A/N: Trust me, I’m working double time on the next one if this is received well :,) Thank you for reading! See ya in the next chapter <3
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Next Chapter ->
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broke-on-books · 1 year
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Agshagsg my scooby posts on here are always like two sentences and super vague or whatever and then the tags have like a five paragraph meta essay that gets super off topic and into the impact of evolving media and streaming ahfiadhahehsh
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NOT AGAIN AGH 🙈
#anyways highkey considering rewatching goes hollywood teehee#and its all super specific to my own experience ofc. bc i forget that sd for the dootuals (and others!) may not have been a monumental part#of their childhood and their no. 1 interest/favorite thing/obsession for YEARS#like scooby literally helped me learn how to READ. how do i introduce someone to that for the first time ever. how do i convey the enormity#of that.#like how do i show someone the feeling of playing cheesy scooby themed web games on the computer at my grandmothers house. of eating#EXCLUSIVELY scooby fruit snacks (i loved the little blue ones) and playing scooby dominoes and having a toy mystery machine and little toy#gang members that i can STILL see the bite marks on and checking out something for the very first time at my school library in kindegarten#and its a scooby doo comic with batman and wonder woman in it. and being daphne for Halloween (i was always daphne and my brother always#shaggy) and learning to READ and love reading as i TORE through the scooby solve it yourselves at school.#and how i loved watched scooby on boomerang (the old one when it was blue) and would get SO excited when a scooby movie marathon was on#instead of the regular episodes and would sit there for HOURS watching them. and how i always cried whenever we watched zombie island#like in what way can i possibly explain the force of that love to another human being. like where can i even start.#theres no magical order to watching can recreate that. i couldn't even tell someone where to start because ive been loving scooby since#before i can even remember. how can you even begin to share that with someone who didnt have those same experiences?#.......#i did it again didnt i#swishy you need to STOP-#blah
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fellthemarvelous · 4 months
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Staged and Good Omens: The discontinuity of a story within a story within a story.
I'm watching the third season of Staged again right now, and I think I've figured something out.
The discontinuity that people are talking about of Good Omens 2.
Staged 3 was a very modern version of A Christmas Carol. Ep 1. Is there a version? (David and Michael work with Simon again) Ep 2. Who's Playing Who? (Scrooge, episode was a farce) Ep 3. Past (Michael and David are co-dependent af) Ep 4. Present (Michael and David fail to write a script) Ep 5. Future (David tells everyone they are doing a live show) Ep 6. Knock, Knock (Simon gets even, ending is sad but not really because they are just taking a break and breaks don't last forever, and Simon gets a job offer based on his script for Knock, Knock, the one story he didn't write.)
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The epic trainwreck that is David and Michael's live version of A Christmas Carol is actually a hit, but everyone else has to convince them to stop the show because it can't go on forever. So they end it with Michael and David agreeing to take a break from working together even though it makes both of them sad.
But the whole premise of Staged was that everything was filmed on iPads, computers and cell phones. And it was submitted to Simon so he could piece it together.
Simon Evans wrote Staged as a love story between David and Michael. Simon writes what he sees and finds ways to incorporate fiction into reality. He saw them on Good Omens together and he saw the chemistry between David and Michael, and he turned it into a comedy about these two eccentric actors who clearly love each other. And they agreed to star in it.
They improvised most of it, but Simon laid out the framework of the plot for them to follow, and then he let them be themselves.
The entire show has layers upon layers of meta weaved into it.
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Anyway, my point is...
This post is one of several that covers the different ways discontinuity seems to occur during Good Omens 2. The evidence is very compelling.
I'm not here to point all that out because I don't have the strength of some of the meta writers in this fandom, and they're already on top of it, but if we look to Staged as an example, what is the plotline that Good Omens 2 is following?
Good Omens 2 is a modern version of.... Ep 1. The Arrival Ep 2. The Clue (A Companion to Owls) Ep 3. I Know Where I'm Going (The Resurrectionists) Ep 4. The Hitchhiker (Nazi Zombie Flesheaters) Ep 5. The Ball Ep 6. Every Day
What are the stories happening around Aziraphale and Crowley? They're the focal point of season two, but what else is happening?
Neil Gaiman has said that everything means something. They aren't just showing us these things by accident. There is a story happening outside of Crowley and Aziraphale's relationship. And we are all looking closely for that person doing a very odd thing just out of sight or objects being moved around without knowing how they got there in the first place.
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There was literally an entire scene in Staged where they are trying to figure out who is playing Scrooge and Simon is so anxious that he keeps moving his plant between two different spots in the room. It also ends up with Georgia accidentally planning her own birthday party because David is in Tokyo. But then they cut at one point and you learn David was actually in his bedroom and not a hotel room in Japan and Georgia didn't really just plan her own birthday party. That chaos was scripted. David has to change clothes, they have to go several minutes back in the scene they just did, but as Anna points out, the sun is not in the same place it was when they started the scene. And then Michael loses his shit at Simon and storms off.
You think that's the reason Simon left, but then we get the episode where Georgia tells David Michael wants to write the script and then tells Michael that David wants to write the script. She does it so she can get them alone in a room together because people love watching them argue. They find out she set them up about six hours later. They are hungry and hot and annoyed and mad at her so she gets Simon to come back to work with David and Michael. Simon comes back from cosplaying as a dentist, brings the food Michael ordered hours ago, and sits down to write. Michael gets pissed off at Simon again because Simon forgot the prawn crackers, so he throws his food at Simon.
Some of these are of the past. Some are of the present. They were all filmed at the same time though so you don't know what happened when or why.
These scenes are all cobbled together. They tell a complete story though. The order just isn't exact.
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The story we are seeing in season 2 isn't the real story. It was happening around Aziraphale and Crowley, but with them at the focal point, you get a romantic comedy and it distracts you from what's going on in the background.
There is more than one story in season 2. It's basically a jigsaw puzzle that we can try to piece together, but we won't know what's actually happening until we get the much needed context of season 3.
There are clues all over the place in Good Omens 2. The story is being told through so many other methods except for the one that makes the most sense to us because someone doesn't want us to see what's coming, so we get distracted by Nina and Maggie, Jim, Aziraphale and Crowley.
We know Muriel and Saraqael are up to something. We know Shax and Furfur are up to something. We know the Metatron is up to something. What we don't know is where God went. We hear God's voice in Companion to Owls and we hear God's voice speaking through and with Jim when Crowley orders him to tell them what is going on. It ties directly to the first time Crowley and Aziraphale ever worked together.
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We know that Aziraphale is going to Edinburgh and he knows exactly where he's going because he and Crowley have been there before. It challenges the concept of good and evil because Crowley does the good thing and gets sucked into Hell. Right next to Gabriel's statue.
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We know that Aziraphale picks up a hitchhiker even though he doesn't want to, and it turns out to be Shax. She reminds Aziraphale of the time that Furfur caught them working together. There were zombies and human magic tricks and Aziraphale uses sleight of hand to save Crowley from being dragged back down into Hell again.
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The episode titles of Staged 3 all represent different chapters of A Christmas Carol. But it was more than that because Michael is upset with David for doing adverts without him after they were both asked to work together at first. They love each other and they love working together, but it's preventing them from doing other things they want to do. Hence the break from working together.
It's a story within another story within another story.
And I think that's what we are witnessing in Good Omens. Things aren't happening in the right order. Beyond the sadness of Aziraphale and Crowley splitting up, there is still the next apocalypse to deal with. The story we are getting in season two isn't happening sequentially. It's being manipulated to hide the signs that things are already underway by giving us a love story as a distraction.
And it works very damn well. Because the love story was beautiful.
Staged 3 ending
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Good Omens 2 ending
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furrysmp · 5 months
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decided to go sunbringer designs for once. I have so many words oh my god
so. uh,
I am so normal about sunbringer joel smallishbeans so normal I swear. he's planning to throw the o from his name at scott btw.
... he and scar are related but I'm not explaining further until the actual fic about it comes out because there's so much plot significance in the smallishbeans.
... grian. has a book. that he borrowed from the Library. it's very relevant I swear the concept of the library is a plot point.
Also grians eyes are technically green! With a bit of purple and just. a layer of Dark over them to make them less neon green. its not in his genetics to have neon eyes. unlike scar and I swear their eye colors are relevant but like in a weird queerplatonic scarian dl based bit in the grian chapter of the fic
Mumbo is a long cat and being held by me specifically those hands are how I draw my mc skin. I wanted to draw him as this meme since 2021 but he's very hard for me to draw so I took the one time I'll ever draw him and did this.
Jimmy is. a creature. that has bird features but also cod features bc again half of the plot of sunbringer is based on empires 1. Also the bird he's holding is singing. And joel is stealing the song bc he has music type magic.
Scott! Is the one guy I can talk about! Because he already appeared in the fic. He's part ender dragon and like. a child of stars? I have a lot of times I drew him before I think but idk how much of it I uploaded before so yeah. Please ask me about sunbringer scott smajor he's one of the only ones I can talk about and he has so much lore going for him he's so dear to me
impulse is. technically part ender dragon too? the specifics will be explained in his chapter of yhiwu (alongside. a lot of magic lore. like a lot. I have half that speech written already it's basically looking the empires fic in the eyes and going "fight me uwu")
And because impulse is aligned to shadows skizz gets to be some form of light dragon descendant? Like light isn't directly an element in the magic of this universe but it does have an equivalent in the element of Life, which connects to truth and love, whereas shadows and theatrics (and storytelling in general) is always aligned to whatever element is considered dark; in this magic system, being Void.
Tango is looking up at mumbo. thats all. I don't have a lot of notes because my tango is just a little guy.
(Etho is checking smth on his smartwatch and also doing his best to ignore bdubs rn bc bdubs is in his villain arc/hj)
... ngl the only note I have on the bdubs design is that it's accidentally inspired by my human design for the main character in the show I'm writing. Bracelets and sparkly eyes and a t-shirt and. Crimes.
also not much on the cleo design she was just fun to draw but the implications of her existence are spoilers and also not really visually indicative bc idk what a "zombie hybrid" would look like so she just looks. funky. her background is all stitched together btw I finally had a use for the dashed lines brush :D
martyn and ren are. BIG spoilers. But only to like chapter 5 of the current fic. I will say I highly enjoy their existence tho. Also my ren designs always have hawaiian patterned shirts its a personality trait he seems to possess. Also his glasses are like. a hologram? bc his ears are Dog so he cant have normal glasses w like. the things that go behind ur ears.
lizzie is. also very important. she gets the two animals thing like jimmy bc axolotl and cat were her empires animals. also her buns are heart shaped I saw some fanart of that and its really cute so I also have that. and she's also looking at the long mumbo! very confused.
bigb. scares me. like yeah secret life really be mans villain arc. I tried to reflect that by actually straight up mirroring his eyes and having him be. the only guy looking straight at u. he can see u. u can run but u cant hide. also he gets cookies. also also drawing facial hair is hard he's the only time I ever managed to make facial hair look. normal. ever. wont happen again.
gem is being adorable and also definitely a deer hybrid dont mind the magic or stuff its fine (her chapter is. third in the roster. I literally just need to finish the impulse chapter to convince myself that its ok to upload her immediately after ch2).
and pearl! who we know bc she gets first chapter of the fic and thats already out. her eyes are a bit like moons btw. also she's doing magic back at gem which is cute I think. idk.
also half of them have fancy hair shines. like joel having beans that get progressively smaller. or pearl having moons. :D
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z0mbiefrank · 1 year
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MCR5 Theory: Secretary Gerard is a character called The Widow
I'm unsure if everyone is thinking along the same lines, but I have yet to see anyone talk about it, so I've put together this post with evidence and links. (this will expand on the 9/11 theory. also special shout out to @autistme who made a spreadsheet with all the aus eagles lyrics) MCR performed Eagles at all six Australia shows this tour. At five of them, Gerard was dressed in a grey suit and skirt, commonly referred to as the secretary or office lady by fans.
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(📷 Dough Peters) Here's a quick reference table for the things I will be talking about here. (Not necessary to read, I will explain it all)
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At Brisbane, the drumheads read "everything under control" followed by "here comes the airplane". The planes have yet to hit the towers, but disaster is imminent. Eagles has evolved a lot over the tour but the Aus dates heard a new consistent change in the first verse.
All along the river bends All along with all my friends Yes, all around the river bends All together with my friends
There is minimal change for Brisbane 2. Notice how gerard is dressed as the secretary and says "my friends".
Next comes Melbourne 1. The drumhead reads "TErrOR". The plane has hit and there is a dramatic change to the first verse.
All night long the widow sends Valentines to bitter friends Yes, all night long the widow sends Valentines to all my friends
This character with friends now has a title, and it is The Widow. She has lost her husband in the attack. Her friends survived and she is sending them letters of love during this terrible time.
Melbourne 2, Gerard breaks the outfit chain. He is wearing jeans and a t-shirt, there is no hint of office wear, he is no longer playing the widow, he is playing himself. The drumhead also seems unrelated to 9/11 "BARK BARK BARK". They sing the same first verse as the previous night with minimal change, except for the last line
Valentines to all her friends
This is the only instance where Gerard does not refer to the friends as "my friends" at all during aus eagles, and it is because they weren't in the skirt suit that night, they were not the widow.
Next comes Sydney. The Widow is back and she's covered in blood! Something awful has happened to her, she's dying. But the drumhead reads "UNKILLAbLe". (This was written by Frank, an extremely powerful thing for him to do considering his accident in Sydney and PTSD. MCR has always used concept albums as a vessel to speak of things the band has been through.) The widow continues to write her letters during eagles despite the blood on her face.
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(📷 Jess Gleeson) Sydney 2. The Widow again. She is in the exact same outfit, down to her boots (sports mode), but this time she is not only covered in blood but her eyes are WHITE. She is dead! The drumhead now reads "Unkillables", this is no longer specifically just one, but multiple people. It could be mcr as a band, mcr as individuals, or mcr fans themselves. In the context of a concept album, unkillables can take on a whole new meaning. It brings to mind the supernatural, ghouls, vampires, werewolves. How is it that the widow is dead, yet she is walking on stage right in front of us? Staring at us with blank eyes on the big screen? Is she a ghost, a zombie? I'm not sure. But she is still the widow. Even in death, she is searching for her husband.
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(📷 ashymcr , expiiredglitter)
Which leads me to Summertime. The piece of evidence that drove me to write this long-ass post. As we know, it is a love song about Gerard's marital partner. Before they played, Gerard spoke in a breathy and musically haunting voice "I'll find you. I'll find you. come find me." Definitely something a lost and ghostly widow would say. They also bring out a white handkerchief, they do not have it in any other songs. Throughout the performance, Gerard clutched it to their chest repeatedly and held it lovingly in both hands.
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In the third picture, he is looking down sadly at the handkerchief singing the line "If you stay, I would even wait all night." (video)
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This is very clearly The Widow. She is mourning her husband, she is dead, lost and searching for him. Perhaps the handkerchief is all she has left of him, or it is simply to dry her tears, but she is clearly in mourning for her marital partner.
And finally, Eagles at Sydney 2. The first verse stays the same except for the third line. "Yes, all night long the widow sends" becomes
Yes, all day long the widow sends
She is writing night and day. She does not rest. Her outfits in Sydney are exactly the same. Every single other secretary's outfit is subtlely different, but now she is dead, she is stuck in the same clothing like a ghost. The Widow also makes an appearance later in the song.
We found the widow And hit her with a baseball bat
I have less ideas of what this could be about, but I think if some dead lady was walking about being unkillable, people would get freaked and attack her with a baseball bat. The concept of "unkillables" is something I could write a whole other post about but I'll spare you for now.
To conclude, I think The Widow as a concept album character would fit right in with MCR. They are no strangers to lovers separated by death. Others on here have spoken on how the feminine outfits Gerard has chosen this tour have often been of women scorned or living in the shadows of powerful men. I believe The Widow would fit right in. Even after her husband has died, she is only talked about in reference to him. She is The Widow, something that tells us more about her husband than herself.
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