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#i mean. i exist for a reason.

bulldog-butch · 5 months

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i’ll be honest i think we put way too much emphasis on ragging on people for who they’re not attracted to or don’t wanna have sex with than just making sure people are treating people they’re not attracted too with the same level of decency and respect that they give to people they are into. like i think it’s very important to deconstruct why you might not be attracted to fat people, or masculine lesbians, or trans people, or people of races that are not your own, but at the end of the day our brains are weird as hell and we ultimately have very little control over who we end up attracted to. but what you do have control over is how you interact with and treat people that you’re not interested in. this is not even to mention that being attracted to a certain feature doesn’t even necessarily mean that you’re treating those people with respect!!!!

i can only speak to my own identities, but at the end of the day i don’t care if you’re not attracted to me because i’m fat or because i’m trans or because i’m masculine. what i do absolutely care about is that you recognize that just because i’m not your cup of tea, doesn’t mean those qualities are inherently unattractive and doesn’t make me any less deserving of respect and kindness

#anyways merry christmas #i’ve just had this thought jostling around for a long time #there are plenty of things i’m not attracted to but 1. that doesn’t mean i’m gonna go around talking about it because that serves no purpos #and 2. i’m not going to treat people differently just because i don’t think they’re attractive #it for some reason rubs me the wrong way when i see posts that are like ‘if you’re not attracted to fat or trans people than kill yourself’#because hey guys guess what #if everyone was attracted to fat people fatphobia would still exist #bork bork!

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starry-bi-sky · 8 days

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tales of the passerine - danny fenton being bruce wayne's first kid

okay okay. so this is like a continuation/elaboration of my oneshot/prompt i wrote about the idea that Danny was the first batkid. We have a lot of aus where he joins the family after the rest of the bats do, right? So hey! Lets shake things up a bit. Danny is the first to be adopted by Bruce Wayne.

Danny's parents and unfortunately Jazz die shortly after the events of TUE -- how so? I was gonna say an ecto-filter explosion, that would call back to the TUE explosion and trauma behind that. But lets do something new! Carbon-monoxide poisoning.

It's not too unexpected for something to break in the Fenton house, especially with the Fenton parents' questionable understanding of proper weapon handling and lab safety. The water heater broke from a stray shot by one of the weapons, and was promptly MacGyver'd incorrectly. Danny went to stay with Tucker for a guys' night, and came back to a dead silent house.

(Danny's neighbors got a very unfortunate shock when he ran to the next house over in hysterics.)

There was a lot of shuffling around with CPS, the police. People had to be called in to handle the equipment in the lab, and the GIW was rumoring to show up in aid to clearing the scene. When Danny heard of that, he immediately went and dismantled the ghost portal to the best of his abilities. He burned the physical blueprints of all his parents' inventions, their blueprints on the ghost portal, and their most dangerous weapons were destroyed beyond recognition. Anything to prevent the GIW from getting their hands on his parents' tech.

It opened up another investigation, but he was not under the list of suspects. He was placed in the care of Vlad Masters, where they then went back to the rebuilt castle mansion in Wisconsin. Danny, terrified of the future that has once passed and may do so again, shuts down in his grief. Inadvertently, he ends up somewhat repressing his ghost half. Something Vlad, who is grieving Madeline but relishing in Jack's demise and his custody of Daniel, is not very happy with.

Vlad's... gone into a bit of a mental health spiral. He's becoming increasingly possessive over Daniel, the final remnants of his friends and a liminal being like him. He doesn't like that Danny's repressing his ghost half -- both out of genuine concern as a ghost, but also because of his desire to control Danny and groom him into the perfect son. If you ever had a phase where you read Dark SBI found family fics, first off; me too bro, and second off; those are the vibes I'm thinking of.

Danny's mentally shut down from grief! And fear. He's dropped into a bad depressive state -- paralyzed with grief and the terror of the inevitable. Clockwork saved his parents because he believes in second chances, but what's the point of that when his family ended up dead anyways? Danny doesn't wanna believe that he's destined to become evil, and he's holding out onto that hope, but it's a thin line, and he feels utterly hopeless and trapped. He hasn't used his powers or ghost form since he trashed the lab, and Vlad has alarms set up to prevent him from trying to escape.

He's also unintentionally cut off Sam and Tucker -- both of whom are so scared and concerned for Danny too, and are trying their damndest to reach out to him. He keeps ignoring their texts. Danny basically haunts Vlad's manor. He goes out to eat if he has to, attends parties Vlad drags him to, and stays in his room all day if he can.

At parties, Vlad doesn't allow Danny to leave his side, or really talk to anyone -- not that Danny wants to. A product of Vlad's increasing possessiveness. Well, he almost doesn't let Danny leave his side. Danny has a habit of slipping off to hide somewhere for the parties whenever he can, and Vlad reluctantly allows it so long as he stays alone.

This becomes an advantage when eventually, Bruce Wayne returns to Gotham after missing for years, and holds a bright charity ball to celebrate the return. Vlad has been chomping at the bits to get his hands on Wayne Industries, and with the return of its owner there is no better opportunity to wipe out his rival. He goes, and he as normal, brings Daniel with him.

Vlad thinks Wayne will bleed his little heart out for Daniel's poor orphan sob story -- he's a fellow orphan himself, after all. He's not wrong; Wayne's little heart will bleed, just not in the way that benefits him.

Bruce sees Vlad and Danny approaching before they're even close enough to introduce themselves - and like with many of the children he will soon come to care for, it's like someone set a mirror into the past right in front of him.

Danny Fenton's suit is tailor-made for him, and despite the fact that it's his perfect size, the sag in his shoulders, the ducked down head, and the way he hunches into himself all pictures the image of a child in shoes too big for him. There's a far away, glazed over look in his eyes and grief marble-cut into the lines of his face. There's not enough makeup in the world that will hide the dark circles under his eyes.

("My nephew, Daniel Fenton." Vlad's hands are possessive on Danny's shoulders. Bruce immediately notices the way the boy tenses under his touch. "His parents passed recently, and as his godfather I was designated his guardian.") ("I'm so sorry, the loss must've been terrible.") ("Yes, carbon-monoxide poisoning caused it. Daniel was out with friends, when he came home... they had already passed.") (Bruce immediately dislikes that Vlad shared the details of their death unprompted -- he likes it even less when Danny flinches at the reminder and hunches into himself.)

Danny runs off at some point earlier into the charity. At this point, parties are still being held at Wayne Manor (because iirc google search mentioned that was a thing at first before it was changed), so he disappears and hides in one of the empty rooms nearby. It just so happens to be the same room Bruce Wayne hides in when he needs a break from all of the socialization.

Thus begins a long, long process of trust. Bruce can't reveal his hand as being smarter than he looks, but he can be compassionate. Kindness needs no measure of intelligence. He keeps Danny company for as long as he can before he runs the risk of being found.

Rinse and repeat. Vlad insistently wants Wayne Industries, and he'll go to as many Wayne parties as he can to get his hooks into the man. The problem is that Bruce Wayne is never alone, and getting him alone is impossible. Finding him too. It's like the man never stops moving. Always talking to someone, always circling somewhere. He orbits around the room as if he isn't the sun of the Gotham Elite's solar system.

Danny's had such repetitive behavior that Vlad never thinks to believe that Bruce Wayne is disappearing to go talk to him. That "Vlad's" son is even interacting with him at all. Danny never gives him a reason to think so, and neither does Bruce.

Danny doesn't actually acknowledge Bruce until a handful of parties in, where he hands Bruce a small slip of paper he smuggled in that says; "don't trust Vlad". Danny's face stays carefully blank, but he's so tense that his hands are trembling, and he's purposely looking away from him. Bruce plasters a smile onto his face, slips the paper into his pocket, and tells him "okay".

(he's been busy with his own goals with the mafia, but he sets aside time to investigate Vlad Masters. He was holding off. Until now.)

Danny does eventually start speaking to Bruce, he's starting to really like the guy. He's starting to see a little hope, even as Vlad is starting to get more and more agitated with him the more he refuses to use his powers.

He reaches out to Sam and Tucker again, and starts trying to reconnect with them. Vlad has spyware on his phone, and he limits the amount of times he can talk to them. A weird parental control lock of some sort that leaves a time limit on how long he can talk to them for. 30 minutes. Danny doesn't tell them anything about Mr. Wayne.

Danny, slowly, wants out of here, and he's slowly gathering the motivation to do it. Vlad is genuinely scaring him -- and Danny wonders just how truthful the past-future Vlad was when he told him that Danny wanted his ghost half separate. He starts trying to come up with an escape plan.

Vlad has anti-ghost wards everywhere around the mansion, and while they're always on, they boost to full power at sunset. The doors and windows are always locked, all main exits have alarms set on them. The only reason it's not super extensive is because Danny hasn't tried leaving at all yet, so Vlad hasn't had to tighten anything.

At night, Vlad locks the door to his room and puts up an anti-ghost ward around the room. The mansion is on the outside westward side of Madison, more entrenched in rural Wisconsin. The closest town is a four-way stop sign with one house on three corners, and an open bar on the fourth. Not much to go.

He refuses to go to Sam and Tucker; Vlad would look there first. It's too dangerous. Vlad would sound alarm bells and have a manhunt looking for him, Danny can't risk going just anywhere. Too much risk of being found, sold out, or caught. There's really nowhere for him to hide.

Until there is. Bruce is telling Danny about the history of Wayne Manor, and says, as casually as saying the weather; "The manor has dozens of empty rooms, I'm sure Alfred wouldn't mind filling another one if he could." And quietly, hesitantly, Bruce places a careful hand on Danny's shoulder, unrestrictive and gentle; "He wouldn't mind getting one ready for you if you need one."

And there it is. There's his out.

Danny, just as quietly, replies; "I'll keep that in mind."

The ball starts rolling.

Now I've been trying to summarize this au as much as possible for length convenience, but Vlad has been steadily growing more and more controlling. More emotionally manipulative. More agitated at Danny for not using his powers.

He wants Wayne Industries under his thumb but he's been steadily growing more and more concerned with Danny. He's started grabbing him, yanking him around, shaking him; trying to goad him into using his powers. He gets angry when Danny doesn't react, or tells him he doesn't want to use his powers. He hasn't outright attacked him, but he's getting there. This has been happening over the time it takes for Bruce to indirectly offer Danny sanctuary at his home.

It all comes to a head when Vlad stops going to parties at all -- something Danny has to pretend he isn't upset about -- because Vlad doesn't want him around other people anymore. Vlad rarely goes now without him, and only leaves to go to a Wayne function or to handle something at VladCo.

Danny can't wait for Vlad to leave long enough to escape. So he leaves during the night of a big storm. Vlad's locked him in his room, but Danny doesn't bother trying to go for it; he goes to the alarmed window instead. Danny's been repressing his ghost half so long that he can't access his powers immediately anymore -- he can feel it, he knows its there, but he can't quite reach it.

He breaks the lock by hand.

Immediately the alarm goes off through the entire castle, filling the room with red, and he scrambles for the rope the Wisconsin Ghost left for him a few months back. Danny's already out and climbing down the side of the castle before Vlad even reaches his door -- the only good thing about the entire room being ghost-proof is that Vlad can't get in that way.

The rope ends before it reaches the bottom, and he's still twenty feet in the air. It won't kill him if he lands it right. Danny takes his chances, and drops. He breaks his ankle, but he survives.

And he fucking books it to the back garden. He hears Vlad shrieking over the thunder and rain.

I'll save the full experience for a future oneshot, but Danny makes it out into the nearby woods and forcibly experiences what it's like to be in a horror game, trying to hide from the thing that's hunting you. There's only one thing going through his mind; "i'm going to die"

I have this mental image for this scene. Very stereotypical horror imo. Where Danny is hiding behind a tree, with a hand over his mouth, and Vlad is a few feet away from him, glowing ominously red through the trees, trying to search for him.

Danny doesn't get away from this unscathed, but he does get away alive. That's all he could ask for. He gets away by getting his ghost half awakened long enough to transform into Phantom and fly to Gotham.

But he gets to Wayne Manor, he gets to Bruce. Or, at least, Alfred answers the door from his insistent pounding. Danny's just in tears and Alfred gets him in the living room, wrapped in a towel, with ice on his swollen leg before he has to step out and alert Bruce.

Bruce already breaks multiple traffic laws on a nightly basis. And that's just with the sheer existence of the batmobile itself, not including the speeding and military artillery attached. He breaks double the amount trying to speed back to the cave and get out of the suit.

Right off the bat: Bruce will know, at least before Dick enters the picture, about danny's powers. He'll figure out something considering the fact that Danny traveled from Wisconsin to New York in a single night. That'll be a bit of complicated affair, but I've already got something in mind.

Actually it'll probably be very soon after Danny joins the family, because Bruce tries to offer to fight for custody for Danny - the state Danny was in at arrival is clear enough evidence for a trial. But Danny immediately shuts it down, says it's not going to work and then Vlad will know Danny's with him and he won't be safe. He tells him that Vlad cannot know Danny was with Bruce.

Danny's biggest regret was not telling his parents he was a halfa, and while he doesn't want to tell mister wayne (yet), he does tell him about Vlad being one. He needs to know why Danny can't be seen with Bruce. So he tells him, and Danny's current plan is to just hide out from Vlad until he turns 18. That way, he has no more legal jurisdiction over him. After that? He's not sure.

And to wrap this up, since this has already gotten very long and I can make more posts about this au later; I've thought about it, and I'm going to say that Danny does become a vigilante before Dick enters the scene. He goes by, as you probably guessed; Nightingale. "Gale" for short.

#dpxdc #dp x dc #danny fenton is not the ghost king #dp x dc crossover #dpxdc crossover #tales of the passerine au #i dont want to overemphasize how much vlad sucks but also i dont want to downplay it. but also i didn't wanna make this post too long #i didn't emphasize enough on vlad's possessiveness but i wanted to make this post as general enough as possible for the au.#for some more wiggle room in the future if i make more posts about this au.#the consequences for Danny repressing himself was not a concern i was focused on for the post but i am thinking about it and mulling it ove #i'll be blunt my main specific reason for why this occurs shortly after tue is bc it means dani doesn't exist yet and it means i dont have #to include her in the continuation of this au. i love that girl but she's a dead weight. i dont wanna come up with an elaborate reason as #to why she's not in the picture when i can just say 'she never created in the first place' instead. i don't have anything for her to do #I don't want to risk giving her a poor plot line just so that she exists in au.#sometimes i really hate just how long my posts get. i feel like it kills my engagement. but i also don't want to make posts that have #a part 1 and part 2 just because I think it got too long.#i feel kinda bad for having Danny take the spot of 'first partner' from Dick. But that was part of the reason i was inspired to make this a #i've already got the skeleton of a reasoning for danny becoming a vigilante being made in my head.#He can't go by Phantom since that risks drawing Vlad's attention -- a new vigilante showing up in Gotham. a place the visited frequently #who goes by the name Phantom? He'd be on that faster than chickens on meat. and nightingale has familial meaning behind it due to being #part of an ancestral name. it follows robin's theme of using it to honor his parents while still having its own unique enough lore to stand #on its own without feeling like a cheap copy. plus the bonus meta reason that it follows the bird theme. which personally is vital to me #my other alternative to Nightingale is Sparrow. mostly because it has good phonetic structure for a hero name. not too many syllables #a good balance of consonants and vowels. dont want a hero name with too many syllables or unbalanced consonants. or worse; both.#my reasonings is that hero names should be easy for a civ or teammate to yell while still being understood. max amount of syllables before #it threatens to become too wordy is 3. If it goes over 3 it should have a balanced consonant-vowel ratio. Wonder Woman is a good example #some things got cut here that were in the initial oneshot. like danny giving bruce his physical ghost core and showing up bloody.#the first son au

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lauraneedstochill · 1 year

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Make a move

summary: you think Aemond is too arrogant to woo you, but he’s got some tricks up his sleeve. pairing: Aemond Targaryen x F!Reader words: ~ 6000 warnings: a bit of bickering and teasing, it gets slightly heated (Aemond has a praise kink, but I doubt anyone is surprised), mostly it’s just silly fluff author’s note: this was inspired by “Crazy, stupid, love”, particularly the scene where Emma kisses Ryan (one of my favorite on-screen kisses!) and everything that follows. I recently rewatched the movie and had an idea for this story (also, I may or may not have a thing for men’s hands... you’ve been warned)

You keep mindlessly tapping your fingers on the wooden table, your cup of wine untouched. You don’t really notice the movement, too wrapped up in your thoughts, until your friend Margaret sneers.

“If you don’t stop, I might bite your hand off,” she says, sitting across the table.

“Then I’ll use the other one,” you huff but pause your fidgeting. “Better bite my head off, it will do us both more good.”

“But I like your head very much,” she pouts. “Is this about Thomas again?”

You groan, hiding your face in your hands and thinking back to the conversation you had earlier today with said man. Your emotions are a mix of annoyance and embarrassment as you can’t stop thinking about his words.

“He said the meeting will be of great importance. What if he...? You know,” you mutter, and Margaret huffs.

“I hope he won’t.”

“Hey, you are supposed to be my friend!” you playfully pinch her hand, and she fakes a gasp.

“I am your friend. And as your friend, I think you deserve way more than that sad excuse of a man,” her face gets serious for a second, and you feel your smile waver.

“Mar, you know I don’t have much of a choice,” you breathe out, and your heart sinks at the thought. “He isn’t that bad, really. He’s always been kind to me.”

“Sounds like every girl's dream,” she rolls her eyes. “And you want to settle down for a kind man? Nothing else?”

“What do you think my options are? Please, enlighten me since I’m clearly missing something,” you cross arms on your chest. You know she’s right and she means good, but your frustration gets the best of you.

Luckily, Margaret catches it and gives you a sympathetic smile.

“All I’m saying is that for as long as I can remember you’ve always dreamt of something more,” she extends her hand across the table and lightly squeezes yours. “We’ve been friends since we were little kids, and you are the most loving person out of everyone I know. Should I remind you who taught me how to dance? Protected me against my idiot brothers?” you giggle at the memory. “You’ve got an adventurous spirit and a heart of gold. You deserve an epic love story,” there’s a hint of sadness in her voice.

For a minute you sink into your thoughts again.

“And you think Thomas is not the one?” you sigh.

“He’s epically boring at best,” Margaret takes a sip out of her cup. “I know he’s not the one — and you do, too.”

“My parents approve of him,” you try to argue, but she’s quick to object.

“They only care about your approval. And they mistakenly took your lack of protest for it,” Margaret gives you a gloomy look.

“You are aware that I can’t wait forever, right? I’m not getting any younger.”

“Nor smarter,” she snickers.

“Not everyone is lucky to meet the love of their life at the age of ten-and-two,” you frown. Margaret and Jamie got married three years ago, but they have been betrothed for seven prior to that.

“Fair,” she beams, and you can’t stay irritated for long. They are still ridiculously in love with each other, and you are really happy for her. You just wish to feel that, too. You crave that indescribable feeling of longing and wanting and caring for someone else — and being loved just as much in return.

“Maybe the concept of love is overrated,” you ramble. “It was easy to believe in when I was a kid but... As I am growing older, it’s getting harder to cling to hope, I guess. And I’m trying to make an effort and meet new people and... to show just enough character to not scare them away,” you quote your mother. “Yet all of them just make me feel nothing. At all. And I—” you realize that Margaret isn’t listening, her gaze is on something else behind your back. “Hey, I’m pouring out my heart of gold,” you hiss, and her sight shifts to you.

Before you can question her behavior, she informs. “Someone’s been keeping an eye on you.”

“Margaret, I’m trying to have a serious conversation about my future,” you fight the urge to turn around.

“Maybe this is your future!” she winks, and you grunt at her silliness.

“We are in a tavern out of all places! I’d rather take a kind man as my betrothed than a drunk one,” you’re about to scold her, but your friend’s eyes go wide.

“His hair,” her voice is barely above the whisper. “I can make out the strands of silver,” Margaret slightly leans towards you. “You know what that means?”

“That you had too much wine? Mayhaps we should head home,” you suggest, but your friend protests.

“Sit down!” she shushes. “He is coming over here,” Margaret puts on a smile that looks painfully forged. The never-ending chattering of people around you makes your head hurt, and you’re too tired to play along.

“Mar, it’s been a long day, and the last thing I want is to waste my time entertaining some man’s arrogance and...,” you don’t get to finish because he interrupts your train of thought.

“What if a man entertains you?” his voice is low and cocky. You close your eyes for a second, taking a deep breath. You don’t want to make a scene in a public place so you pull yourself together, thinking that you can talk your way out of this ridiculous situation.

But when you turn to him, your eyes meeting his, your plan is suddenly forgotten.

He is taller than you, a black cloak covering most of his body and his head, so your attention is naturally drawn to his face. He wears an eyepatch, and you look over his sharp features — his prominent nose, high cheekbones that flow down to the curved contour of lips, plump and alluring. Margaret was right about the hair, but she failed to mention the color of his eye. Taking that into account, it’s not hard to guess that he’s a Targaryen. Which means that he definitely is arrogant.

Well, two can play that game.

You ignore his question and pointedly don’t stand up in his presence.

“To what do we owe the pleasure of your company?”

“I believe the pleasure is all mine,” he is only looking at you.

“We just met, you should not jump to conclusions,” you feel Margaret kicking your leg under the table but dismiss her warning.

“Sharp tongue,” he notes.

“Will this be a problem?” you challenge him.

“On the contrary,” it sounds like he’s actually enjoying it.

It is tricky to read his intentions. But when his gaze is concentrated on you, it makes you feel like there’s no one else in the room, and that sensation is thrilling.

“What brings you here, if I may ask?” you press, trying to ignore the unknown feeling creeping up on you.

“It is a nice tavern, wouldn’t you say so? Since you are here, too.”

“No, I mean what brings you to our table. There are plenty of others you could’ve graced with your presence.”

“Something must’ve caught my eye,” he says, and you see a hint of a smile on his lips.

“Some thing? Well, the interior isn’t very eye-catching if you ask me. But we might have to disagree on that.”

“You aren’t being very agreeable, it seems.”

“That’s what servants are for, and I’m not one,” you’re being defiant yet it doesn’t bother him.

“Please, do tell me more about yourself,” he swiftly pulls up a nearby chair and sits right next to you, his eye never leaving your face.

“Should you pull another one? For your ego, since it takes quite a lot of space.”

He squints at your words, and the corners of his mouth turn into a grin.

“I think we have that in common,” he bites back, but there’s no anger in his voice. If anything, the man looks curious, and you have to admit that you don’t take offense at his wit.

“Are there any other far-reaching conclusions that you managed to come up to?” you turn your body to him, so now you two are opposite each other.

“I only got here a few minutes ago. But I am a great observer should you give me a little more time.”

“Am I supposed to take your word for it? You are not as convincing as you think,” you impugn, so he pauses briefly.

“You don’t trust people easily, do you? How’s that for an observation,” his voice gets quiet, but his gaze is piercing.

“Men,” you correct him. “I don’t trust men.”

“Any of them dared to break your trust?” he gets a little closer, and you instinctively gravitate toward him.

“That would’ve required them to gain my trust first,” you retort.

“And what would it take for me to do so?”

“Do you expect me to make it easy? That’s not very observant of you,” your grin matches his own.

“Nothing good comes easy,” he murmurs, and you involuntarily lay your eyes on his lips. “But I expect it to be worth it.”

You feel a pull toward him, something that’s hard to describe but oh so natural to give into. His confidence isn’t intimidating but rather attractive, and you can’t help but notice how his gaze warms up your whole body. He makes you feel wanted without even doing anything.

But then you think of Thomas. Of the upcoming meeting and your future that depends on it. And you know you can’t throw it all away for some silly conversation with a self-confident stranger. No matter how enjoyable it seems to be.

You bite your lip and look away from him.

“That is enough entertainment for today,” you put some distance between you two. When you give him a quick glance, you catch a shadow of disappointment on his face.

“Didn’t take you for a quitter,” the blond comments.

“You should manage your expectations.”

“Maybe I should manage yours,” he has some nerve.

“That would be very time-consuming,” you suddenly realize that he’s sitting in your way, and it looks like he isn’t going to move.

“Are you in a rush?”

“I am” — “She isn’t,” you and Margaret say at the same time. You feel your cheeks heating up as you give her a death stare.

“Has anyone told you that you look charming when you are embarrassed?” he remarks, and you want to wipe the smirk off his face. Preferably with your lips. You mentally scold yourself and push that thought away.

“Does this usually work for you?” you get up, thinking of a way out.

“You tell me,” he leans back on his chair with a shit-eating grin on his face, clearly aware that he's blocking your exit.

“Cornering women in taverns is your way of courting?” you think how to distract him, but nothing springs to mind. “And then what, you just drag them into your man cave?”

“They come voluntarily,” it looks like your words struck a chord, but he keeps up the facade of indifference. “I happen to live nearby,” he notes casually.

“We both know that’s not exactly true,” you scoff with a tilt of your head. You are positive that the walk to the castle will take at least thirty minutes.

“Want to bet?” he sits up straight.

“And what do I get out of this?”

He looks you up and down before answering:

“Me.”

He’s pushing his luck at this point.

You glance around and take note that the tavern is packed with people, and no one is paying attention to you. You also realize that Margaret already sneaked out and is standing at the door. She raises an eyebrow with a silent question, as if asking what are you going to do.

That’s when you decide you can push some boundaries, too.

Your eyes are back on the man in front of you. Without giving it a second thought, you step closer to him.

“Was that supposed to make me weak in the knees?” you whisper, and his face expression melts into an amused one. Seizing the moment, you yank your dress up and throw a leg over him. He immediately looks down at the exposed skin of your thigh, his mouth is slightly agape as he’s now sitting between your legs. You see him tensing up, his fingers clenching into fists as if he’s fighting the urge to put his hands on you. You think that if he does, you are not going anywhere. You wouldn’t want to go anywhere — the realization makes you tremble, and you know that you don’t have much time.

You boldly place your hand on his shoulder, pressing him back onto the chair.

“I hate to break it to you, but you are not that impressive,” you say, throwing your other leg over him and successfully moving away.

When you get to the door, the look on Margaret’s face is priceless. You grab her by the arm and drag her outside in a hurry, merging into the crowd of passers-by.

“I need you to explain what the h—” she starts, but you interrupt her.

“Please, don’t,” you snarl. “Don’t say anything, just give me five minutes.”

You can’t even explain to yourself what happened back there and why you did that. You think of his gaze roaming over your body, the depth of his voice and the curves of his lips. You tell yourself that you need to get him out of your head as soon as possible. You fail miserably.

One week later, you are dining with Thomas at his house, and yet your mind wanders back to the arrogant one-eyed man. Aemond, as you’ve learned — and it wasn’t that you wanted to, but fate had other plans.

And by fate, you mean Margaret.

Once her five minutes were up, she couldn’t stop talking. By the time you came home, you got his whole backstory — the second-born son of the King, has two brothers and two sisters, rides the biggest dragon in the world. Overly confident, stubborn, wears an eyepatch because he doesn’t want to scare the ladies of the court. Usually doesn’t talk much.

Unlike Thomas who gathered his whole family and can’t stop blabbing. You struggle to participate in their conversation, giving polite smiles left and right. You don’t know what to expect of the evening, and it makes you nervous. And not in a good way. All of a sudden the possibility of marrying Thomas doesn’t seem to be the best.

From the corner of your eye, you catch him standing up, clearly readying himself for a speech. He has a manner of pursing his lips every time he’s agitated, and it looks weird. That’s also how it felt when he kissed you, which is probably the reason you haven’t done much kissing after that. You wonder what it’s like to kiss Aemond. Just thinking of it makes your heart rate speed up, and you nervously gulp half a cup of wine.

“I gathered all of you today to make an important announcement,” he starts his pompous monologue, “that may not come as a surprise to some of you.”

You cautiously look at the door.

“But, as of recently, I received inspiration to change the course of my life. And I decided to devote myself to the service of Gods.”

You nearly choke on your drink. In all the years you’ve known Thomas, he’s never been to the Sept once.

“And I wanted to grant you this privilege to be the first ones to know.”

You’ve got to be kidding me. You wait for any other announcements — literally anything else — but Thomas goes back to chattering, also accepting pointless congratulations. It takes you ten painfully long minutes to get a chance to talk to him alone.

“May I have a word?” you inquire, and the two of you move to the far end of the room.

“It is about your speech,” you clarify. “It might sound silly, but I thought that you were planning... Um,” you’re trying to formulate your concerns. “I was wondering, how would you describe our relationship? Or the prospect of it, I should say,” you give him a tight smile.

“Oh,” his face pales slightly.

Your facial expression mirrors his. Oh?

“I am actually glad you asked,” he awkwardly takes your hands in his, and you notice how sweaty his palms are.

“You know, you’ve been a great companion of mine,” his voice is as weak as his smile. “And I am forever grateful for those moments that we shared as they only brought me joy,” his hands feel like jelly, and you don’t want to hold them. Like, ever. “But now that I’m choosing to follow my destiny,” you do your best to suppress a chuckle at his dramatic phrasing. “I decided that... I need some time to figure out how I feel. About us.”

You look at him, dumbfounded, his words sinking in.

“You need... some time?” you drawl, feeling an emotion bubbling up in your chest. You are not sure what it is. “You? Need to think about us?” you repeat, and he nods, his brows furrowed at your reaction.

There is a moment of silence, and then you hear yourself laughing. You can’t control it as you’re overcome with emotion, your laughter only growing stronger, to the point of you tearing up a bit. The emotion is relief. There’s no way you’ll ever marry this man.

“I am the one who should be glad, Thomas,” you shake his hand while he seems wildly perplexed, all of his guests staring at you. “Thank you for your honesty, really. I hope you will be successful in all your endeavors, marriage included.”

He opens his mouth to say something, but you already turned around.

“Where are you going?!”

You stop for a second, your thoughts rushing back to the conversation with Margaret. To that evening in the tavern.

“I have a meeting, it’s of great importance,” you say and quicken your pace. You reach the tavern when it’s already getting dark, the weather is cloudy, and your coat is wet in the light drizzle. You walk in a daze as you’re torn between being excited and anxious. There is a chance that Aemond won’t be there. That he doesn’t remember you. That he’s with someone else. That he had a change of heart. That he...

You spot him almost immediately after you walk in.

Coincidentally or not, he’s sitting at the exact same table you were at the first time you met. You stay still as his eye absentmindedly wanders around the room and then lands on you. Aemond stands up — way too quickly — and you see a well-known grin growing on his face. Your eyes dart to his lips, and the question pops up in your head again.

You feel the pull — and before you can think, your body follows it.

He keeps his gaze on you, his brows rising at the speed of your approach. You cover the distance in a heartbeat, your hands reaching his face, and he slightly flinches, probably because your fingers are cold from being outside. And then you stand on your tiptoes and crash your lips onto his without any hesitation.

He gasps, surprised and frozen for a moment. It takes just a couple of seconds for him to melt into the kiss, and his hands are instantly on your waist, pulling you closer to him. Aemond’s lips are way softer than you anticipated — and it’s the only thing on your mind. His mouth on yours, warm and exploring, the slow pacing of the kiss that leaves you lightheaded and yearning for more.

He presses your body into his, lifting you up with ease, and your feet leave the ground. You tug his hood further down so it covers most of your face, too, and then you slide your thumb up the sharp line of his jaw. His tongue runs over your lower lip, and you feel a wave of heat rising in your stomach.

You pull away before you can take it too far.

“You remember me?” you ask him, panting.

He hums, his eye focused on your lips.

“Still believe that nothing good comes easy?” you mimic his words, but he ignores your jesting.

“Definitely,” Aemond looks you in the eyes, keeping his hands on your waist.

“Is the bet still on?”

“Yes,” the corners of his mouth curl.

“Lead the way, then.” By the time you reach the castle, the rain is pouring in full force, and your clothes are drenched. The two of you rush through the streets, your hands intertwined, and it feels like it only takes about ten minutes before you sneak into his chambers, both out of breath and giggling.

Only when you take a look around the unfamiliar settings, it suddenly dawns on you that you are all alone with a man you barely know, and your bravery starts fading away.

Whether Aemond notices the change in your mood or not, you can’t tell, but he respectfully keeps his distance.

“You need to get out of these,” he points at your coat and dress. “They’re soaking wet.”

“Is this your way of trying to get me naked?” you eye him suspiciously, making Aemond scoff.

“I just don’t want you to catch a cold,” he honestly states. “I’ll fetch you a shirt of mine.” Sensing your doubts, he adds, “Don’t worry, it is long enough.”

He brings you the shirt and politely turns away, going to the other end of the room to light the fireplace. On his way there, he removes the cloak and the jacket, his upper body only covered by the same piece of clothing he gave you. You watch him carefully, noting the movement of his back muscles as he bends down.

The sparkling glow of fire brings you back to reality, and you hastily remove your clothes, leaving the undergarments on, which are luckily dry. You put on his shirt, and it barely reaches your knees, but the material feels nice and comfortable. While Aemond is still busy with the fire, you glance over his room.

It’s spacious and simply furnished, and your attention is drawn to a couple of shelves nearby. You look at the tightly packed rows of books, some of the hardcovers are worn out from old age. You catch the familiar naming and pull one of them out, gently flipping through the pages.

“You take interest in philosophy?” his voice startles you. You missed the moment he came back, and when you take your eyes off the book, you see him leaning on the nearest shelf, looking at you inquisitively.

“I do, indeed,” you confess. “And I read this one so many times, my own copy pretty much fell apart.”

“You can take mine,” Aemond offers.

You notice that despite his cockiness, his presence is actually very calming. Everything is easy with him — striking up conversations, making jokes. Taking his hand in yours, running in the rain. Kissing.

Your heart skips a beat, and you sheepishly move on to another topic:

“Shouldn’t you change as well?” you refer to his shirt, but he shakes his head.

“No need.”

“Oh, was it the Targaryen’s dragon blood that helped you dry up?” you tend to jest when you’re nervous, and right now is no exception.

“My cloak is too thick for the water to soak through. But I like your version, too,” his lips ripple into a smile.

You can help but smile back. “Thank you for the shirt.”

“It looks really good on you,” the words smoothly roll off his tongue and ignite the familiar burning deep in your core. He keeps his gaze on your face, your eyes locking for a moment.

You look away first, letting out a timid laugh.

“I must admit, I like this way of courting better,” you place the book back. “But you can cut it short. What’s your move?”

“My... move?” Aemond gives you a quizzical look.

“Yes, your big move. Show me,” you request eagerly.

“Don’t know what you're talking about,” he looks down, his aplomb faltering.

“What do you usually do to impress a lady?”

“I don’t really need to do anything,” Aemond shrugs.

“What a humble individual you are,” you chuckle and give him a minute to think. “So what is it?”

“I just told you...,” it seems like he’s trying to dodge the topic, which only sparks your curiosity.

“Oh, come on! You princes always have a move. Let me guess, you speak to her in High Valyrian? Men like to talk big,” he snorts. “No? Try to win her over with your...,” you gesture at his bookshelves, “...precious collection? Although it’s risky because what if she’s not into reading, that would be awkward,” and then it hits you. “Wait, it’s the dragon, isn’t it? You show her your dragon? Got to make sure it’s well-fed, though, otherwise you’ll have a date with a roasted —”

“It’s my sword,” he cuts you off, and you swear you can see him blushing at the confession.

“Um, your sword? Is this a metaphor for someth—”

“Gods, no. I mean the actual sword. The one you grip with your hand and poke people with.”

“That description didn’t help,” you tease, and he groans.

“You know what I mean,” Aemond gives you a pointed look, but his face flushed pink, and you can’t take him seriously.

“I do, you just look really charming when you are embarrassed,” you say cheekily, which makes him huff. “My apologies. Please elaborate on the sword. How does it work?”

Aemond hesitates but then realizes that you will never let it go, so he gives in.

“I bring my training into the conversation. And then I... show them,” he talks with his hands when he’s uncomfortable, and you find it endearing.

“And that’s it?”

“Pretty much,” Aemond nods.

“They watch you train, and that’s what does it for the ladies?”

“I don’t know why, I never gave it much thought.”

“Well, someone should. Can’t imagine it ever working on me.”

You feel a sudden shift in the air as Aemond slowly looks up at you. You’re standing a few feet apart, and he’s yet to initiate anything, but once again, it only takes a look from him for you to feel a familiar flare-up of the tantalizing desire.

“I’m not going to take you to the training yard in the pouring rain,” he concludes.

“But it’s not about the place, is it? Must be something about you,” now you’re the one champing at the bit to see what the fuss is all about.

“I don’t have a sword on me.”

“Opt for something smaller, I am sure it will do,” you hint at the dagger that you’ve seen him carry, and wait expectantly for him to agree.

Aemond reluctantly contemplates your suggestion, then sighs and goes to get his dagger which he left next to the cloak.

You wonder if the ladies are attracted to his competitive spirit. If they enjoy the feeling of danger they get at the sight of steel, the cold shine of it, the clang of swords. Or maybe it’s the urge to take sides and root for the winner?

And then you see Aemond rolling up the sleeves of his shirt, — and your breath suddenly hitches.

The room is lit by fire, the warmth of it illuminating his skin, casting shadows that frame every muscle of his arms. He takes the dagger in one hand, the movement fast and honed, and your eyes follow it. You notice the scattering of his veins that go down his wrist and into his palm, the blue lines tightening with every swirl. The silver blade catches and reflects the light, but you are focused solely on his flexing muscles.

He’s maneuvering the dagger with ease, almost carelessly, yet you know that every motion is well-practiced through years of training. His long fingers grip the hilt, revealing the sharp outline of his knuckles. The steel silently cuts through the air, again and again, but your eyes are glued to his hands. The way they move, the power that he holds in them. The things he can do with them, with his fingers. The way they will feel on your bare skin and in your... You swallow, letting out a shuddered breath.

“Are you weak in the knees yet?” his words bring you out of your trance, and you blink a couple of times, trying to shake the feeling off. Your body is so heated, you’re surprised you are not sweating yet.

“Is this the point when the ladies throw themselves at you?” your voice is hoarse, and you take a deep breath in an attempt to calm yourself.

Aemond stops his movements. You feel your skin tingling with anticipation, waiting for him to finish what he started, but he doesn’t budge. For a short while, you’re taken aback by the change in his demeanor — and the realization strikes you.

“Wait, how many ladies were here before me?”

“I never said I take them here,” he puts the dagger back in its sheath, averting his gaze.

“But you told me that you do your... thing with the sword for them.”

“In the training yard, with other people around us, yes.”

“So then you just leave them all hot and bothered? Aemond, that is cruel,” his actions confuse you, but while you’re looking for an explanation, he turns back to you and finally meets your gaze.

“It would’ve been cruel to lead them on when I feel nothing for them,” he reveals, and you discern the raw honesty in his words. And you know exactly what he means. It’s the tiresome attempts to find someone who will spark your interest, to spot a connection, all of those efforts leading nowhere and making you feel like you’re the one at fault. But you aren’t — and he isn’t, either.

Aemond looks almost ashamed of letting out something so personal, but you welcome the intimacy of this moment.

“I shall consider myself lucky, then,” you say softly.

He gives you that same look that makes you feel like the world around you disappears.

“You are... something else,” Aemond mumbles.

You guess that he isn’t used to being straightforward about his feelings, nor does he know how to express his affection with words. You really, really want to kiss him again.

The boyish grin reappears on his face.

“Did you mean I left you all hot and bothered?” Aemond narrows his eye.

“I never said that,” you smile coyly. “Maybe you should’ve tried a little harder.”

“I happen to have some tricks up my sleeve,” he takes a step towards you and, before you can ask for details, you feel his fingers on your ribs as he starts tickling you, and you immediately burst into laughter.

His touches are light, fingers grazing against your clothed skin as he subtly moves you further into the room until your legs bump into his bed. Losing your balance, you fall on it, your back met with the fluffiness of thick blankets. Aemond hovers over you, and you can’t stop giggling, trying to wiggle away from his tickles.

Wrapped up in the moment, you make a careless move, your hand brushing up his cheek — and you suddenly see a bright gleam of blue on the right side of his face.

Aemond freezes at the spot, halting his actions, and momentarily flinches away. You are gawking at the sapphire, unable to form a coherent sentence.

He makes a move to fix his eyepatch, but you stop him.

“Don’t,” you catch his hand mid-air, your grip delicate but firm, and he doesn’t fight it. You would’ve been surprised by your own quick reaction if only your mind wasn’t completely occupied with the sight in front of you.

It looks like the gem absorbs all the light in the room, shimmering with various shades of blue. It’s cut in a way to imitate a surface of an eye, the sides of the sapphire polished and blending into each other. There is a depth to it, bright sparkles drowning in a color that’s close to black, and the spillovers are mesmerizing.

You bring your hand closer to his face, to the area that’s been left covered and unloved, and touch the skin with the tip of your finger. He lets you.

“Wow,” you breathe out, gently tracing his scar. “This is the most badass thing I’ve ever seen.”

Aemond looks at you in disbelief, his eye fixed on your face, and his lips parted.

“...What?” he manages to ask.

“You look like a pirate. A really badass... sky pirate?” you suggest, and he lets out a light chuckle, still not entirely sure he believes you.

So you shamelessly continue.

“A pirate with his own dragon. The largest one in the Seven Kingdoms as I’ve heard,” you can almost feel him swelling with pride. “He charms the ladies with his fighting skills — and has a gem for an eye? Incredibly irresistible,” your index finger circles the area around his sapphire.

He listens attentively, holding his breath.

“A prince who is as good with his sword as he is with his wit, fond of reading and isn’t averse to mischief. Any lady of the court would’ve been fortunate to get a hold of such treasure,” you remove the eyepatch and tenderly cradle his face. “Yet I am the one who’s been honored to see all of him,” you glance from the bright gemstone to his eye and back. “Honestly, it’s kind of hard to pick which one I like more...,” you are barely able to notice him sharply lower his head, and your words die down.

Without a warning, Aemond covers your lips with his, the intensity of the kiss pulling the air out of your lungs right away. He’s been holding back the first time, but he isn’t now, and the passion sets you ablaze. His tongue slips into your mouth, easily tangling with yours, and you moan at the contact. Aemond skilfully unbuttons your shirt, and the second his fingers touch your skin, you shiver, the quivering sensation washing over you. His hands slowly slide down your ribcage, tracing the curves of your body, making your back arch, your chest flush against his, your heart pounding. He contours the bend of your hips, then presses his palms there, his touches rough, claiming, burning. You move your fingers up the base of his neck and run them through his hair, and he releases a shaky sigh. Aemond relishes in the feeling of your compliance, the fervor of it, your body being so needy and welcoming, until you are both gasping for air.

“Was that impressive enough?” he rasps, and you look up at him through your lashes, spellbound and breathless. His pupil is dilated, gaze clouded with lust, your noses adjoin.

“Yeah-yes. Yes, very,” you utter, at a loss for words.

“Good. Because I’m about to outdo myself,” he tightens his grip on your thighs, picking you up and moving into the middle of the bed. Your head barely touches the pillow when his lips are on yours again.

🔥 my masterlist

English is not my first language, so feel free to message me if you spot any major mistakes

#aemond targaryen x reader #not gonna lie the main reason I'm finally posting this is because a few ppl on AO3 liked it and it gave me a *little* boost of confidence #kinda??? I mean it also took me a few days of trying to convince myself to post it on tumblr #(also I've been staring at this draft for 4 hours)#my confidence is non-existent lmao #my stuff #aemond targaryen #aemond x reader #aemond x y/n #aemond x you #aemond targaryen x y/n #aemond one eye #oh god how many tags can I come up with #aemond targaryen fanfiction #aemond targaryen fanfics #aemond targaryen fics #hotd fanfiction

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bookshelfdreams · 4 months

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ofmd wasn't "profitable" enough but I didn't even get the feeling hbo wanted to make money off of it. They didn't promote it when s1 dropped, and the promo for s2 was erratic at best. They don't sell merch. Or physical copies. There's no bts documentaries other than what actors (shoutout to Samba ilu) make themselves in their spare time.

It took more than a full year for me to be able to watch s1 legally! I still can't access s2 legally anywhere! It's not that ofmd is unprofitable, it's that hbo refuses to profit off of it, because - well, because profiting off of it would mean investing work and money into it.

And like. Of course, when you compare it to the juggernauts hbo holds rights to, like GoT, ofmd is small fishes. But.

How on earth do these clowns think cult classics happen?

A Game of Thrones was first published in 1996 and didn't make it on the NYT beststeller list until 2011. The first edition of the first Harry Potter book was 500 pieces. And yeah, TV shows are different, but if you look at today's media landscape, would things like Star Trek, or Buffy, or Doctor Who stand the slightest chance? These things take time, is my point. A piece of media doesn't become a massively profitable, beloved classic over night. It takes time and effort to build that kind of franchise.

And the thing is! Nobody who makes these decisions even likes stories. I'm convinced that whoever is in charge at hbo, at amazon prime, even at disney, thinks storytelling is dumb and for idiots. They think it's enough to just slap the name of something people love on whatever garbage they spit out, for it to be profitable. They think it's the brand that sells: Look this has "Lord of the Rings" on it! Look, this one has "Game of Thrones", you like Game of Thrones don't you? Watch my show, boy.

But this isn't how this works. It's not the name that sells (unless, I suppose, you're the MCU, and even there one gets the impression the trick is finally stopping to work), especially not when the product is bad. People aren't idiots.

But it's not about making something good. It's not about making a meaningful piece of art, or telling an engaging story. ofmd served its purpose; it drew in all the subscribers it ever would, so there's no point in letting it go on. Even in the s2 that we did get, this is evident: the penny pinching is palpable, it's clear that the studio didn't want to spend any more money than absolutely necessary on it, and then cut the budget by 40%.

It's not about art. It never has been.

And it's not even about profit, because to be profitable eventually, stories have to be allowed to thrive first. You tell a good story first, and success happens later, often much, much later.

And ofmd was incredibly, astonishingly successful. It was the most in-demand series for weeks after the s1 finale. But even that wasn't enough, it's never enough, ofmd could have made record-setting profits and it still would have been cancelled, because -

Well, I don't know. Because we live in a bad time for art. Because Orwell was right, and stories have become commodities, like shoelaces. Because. Well. It's not about telling a story, is it?

What's the point of a story? What's the point of making something for the joy of making it? What's the point of a piece of art, existing, if it cannot be transferred into numbers for the stockholders?

idk how to end this. I hope David Jenkins finishes the story he wanted to tell, even if just for himself. I hope, against all odds, that weird, fun, heartfelt, beautiful little stories like ofmd continue to happen.

But goddammit.

#i knew this would happen but im still devastated #& i think the reason for that is. if not even something as inconsequential and silly as a fun little pirate romcom is allowed to exist #fuck #anyway ik its not that important but sometimes one just has to rant #our flag means death #thoughts

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stardustdiiving · 4 months

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Me explaining in terms of strictly how I read canon I think Nahida not severely punishing the Sages is just meant to convey that Nahida, even when wronged, is not a very vengeful or harsh person and makes the choice to be kind instead, but in my mind I have this idea of a Nahida interpretation which elaborates on that where her self punishing tendencies extend to her being someone who internally downplays her own experiences constantly, and as a result has a hard time feeling she’s allowed or justified in placing a lot of blame on the Sages for what they did to her So while she is following her own philosophies regarding teaching lessons/wisdom/etc in how to handle the Sages and genuinely doesn’t want to be really angry or punishing because of who she is as a person, her decision is also influenced by the fact she’s basically blocked herself out of grappling with how to handle people who hurt her by blaming herself for said hurt instead as a coping mechanism. And like this is all just me being insane about Nahida Trauma and not something explicitly implied in canon but also I really do think this isn’t a far stretch from her canon characterization especially when my vision isn’t to conclude that Nahida needs to be angry and vengeful but she should extend the kindness she shows others to herself and also every day I get tormented thinking about she was the mental equivalent of an average human child when the Sages found her and how they basically specifically discarded her for being a child and the idea of how Nahida would pick up on + internalize that and eventually need time to unlearn it

#nahida #genshin #fern.txt #fandomferns #fictional child abuse cw #anyways is anyone else here normal #see I think a sentiment most ppl get from nahdia’s character is correctly that she is kind despite being treated so poorly #but I want to explore her grappling with Why she does that bc she is genuinely kind #and I don’t think she’s struggling with moving on from things #but based off things she says word for word I feel it’s established nahida is very distressed by not being able to rationalize or #understand things that upset her #this is clear in both her SQs & her voicelines even down to her not liking seafood bc the unknown of the ocean #intimidates her. so I’d imagine she’s someone who responds to being mistreated by concluding #there must be a reason for it. and I actually have dialogue that backs me up here #bc when we first learn the sages have imprisoned nahida nahida herself basically says it’s fine bc her existence has #little meaning and she’s not good enough to be an archon. even as paimon is remarking how awful #the sages are for it and prompting nahida on if she’s upset w them #it’s not that Nahida isn’t insightful enough to acknowledge something as mistreatment #but rather she finds more comfort and a sense of control in having explanations for things #heck the reason she gives up her gnosis to Dottore is states in her char stories to be bc #she doesn’t want the lack of control that comes from a lack of information #nahida leaning on knowledge for a sense of control makes me esp sad when I think abt how #she does not have autonomy or agency for a majority of her life bc of her imprisonment n had fo rely on her #mind n ability to learn n gain knowledge #anyways to reiterate ks anyone else normal

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hussyknee · 4 months

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I'm really not a villain enjoyer. I love anti-heroes and anti-villains. But I can't see fictional evil separate from real evil. As in not that enjoying dark fiction means you condone it, but that all fiction holds up some kind of mirror to the world as it is. Killing innocent people doesn't make you an iconic lesbian girlboss it just makes you part of the mundane and stultifying black rot of the universe.

"But characters struggling with honour and goodness and the egoism of being good are so boring." Cool well some of us actually struggle with that stuff on the daily because being a good person is complicated and harder than being an edgelord.

Sure you can use fiction to explore the darkness of human nature and learn empathy, but the world doesn't actually suffer from a deficit of empathy for powerful and privileged people who do heinous stuff. You could literally kill a thousand babies in broad daylight and they'll find a way to blame your childhood trauma for it as long as you're white, cisgender, abled and attractive, and you'll be their poor little meow meow by the end of the week. Don't act like you're advocating for Quasimodo when you're just making Elon Musk hot, smart and gay.

#this is one of the reasons why #although i would kill antis in real life if i could #i also don't trust anyone who identifies as 'pro-ship'#it's just an excuse to shut down legitimate ethical questions and engaging in honest self-reflective media consumption and critique #art doesn't exist in a vacuum #it's a flat impossibility for it not to inform nor be informed by real world politics and attitudes #because that's what it means to be created by human hands #we can't even make machine learning thats not just human bias fed into an algorithm #if the way we interact with art truly didn't influence anything then there would be no value in it #just because antis have weaponized those points in the most bad faith ways possible #doesn't mean you can ignore them in good faith #anyway fandom stans villains because society loves to defend and protect abusers #it's not because you get the chance to be free and empathetic and indulge in your darkness and what not #it's just people's normal levels of attachment to shitty people with an added layer of justification for it #this blog is for boring do-gooder enjoyers only #lol #knee of huss #fandom wank #media critique #pop culture #fandom discourse

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will-pilled · 4 months

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You know who Vivzie reminds me of?

Rebornica. Like a lot.

I used to be a huge Rebornica fan during the Rebornica era (until all the shit went down) and I'm gonna be honest Viv reminds me a LOT of rebornica, especially the way they write couples and mlm men. Her fans also remind me a lot of Rebornica fans in the way they meatride her and will shut down anyone who criticizes her. IDK just thoughts.

#Rebornica to Vivzie Pop. War never changes #vivziepop critical #anti vivziepop #vivziepop criticism #rebornica #anti helluva boss #helluva boss critical #I mean the reason specific tags exist in the first place is if you post anything even remotely negative on the mains her fans will rip you #to shreds lol #helluva boss criticism #helluva boss critique #hazbin critical #hazbin hotel critical #hazbin hotel criticism #hazbin hotel critique

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bluebobatea · 28 days

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if sasuke was the main character then he probably would've been a LOT more sympathised with than he is now (which is to say rarely). like the narrative wouldn't even need to change to show his pains or 'his side of the story', bc it does that plenty. it's just that he is not the main character. and idk what it is about our human minds but we tend to sympathise with main characters automatically (unless ofc you go off the rockers insane and do something like obliterate almost everyone from the planet *cough* eren yeager *cough*)

an instance that comes to my mind where this does happen is with lelouch from code geass. while i don't agree with his character motivations, people generally do sympathise with him as he is the mc and as viewers we know he isn't inherently evil. sasuke's goal towards the end is slightly similar but ofc people love to hate him so they don't even try to understand where he is coming from.

my point is, most people while engaging with the naruto story don't read between the lines and so don't see how traumatised and in pain sasuke is and hence don't understand his character motivations. heck, they don't understand a single bit about him and so they automatically hate him, as he is supposedly going against the main character's goals.

which is really sad given all that he has been through.

#there are bajillion other reasons people hate him for #honestly i have lost track of the stupid reasons i have seen people give for hating him #and sometimes they just do without any reason *not even exaggerating* unfortunately #im like yeah go on hate him. you guys obv don't have enough brain cells to comprehend his character #they never understood him. and it's not like any kind of reasoning is gonna make them change their minds #and it's not like one needs to do a deep character analysis to understand him. it's literally right there.#all you have to do is stop worshipping konoha and its militaristic policies and the people who enact said policies.#and also the people who enforce those policies while subtly hating them but can't do anything bc it's dictatorship :)#but maybe that's too much to ask of them bc that would mean they would need to question their political views #and we can't have that right bc it's all just fiction in the end right? and fiction exists in a void :) (yes I'm being sarcastic jc)#like the amt of times i have heard people say “you don't need to take this so seriously it's just fiction”#umm you do know that fiction is inspired by real life events right???#tldr: most people throw away their brains while engaging with nart media and have zero reading comprehension skills #this turned into yet another rant T T why am i like this AAAAAAAAAAA #sasuke #uchiha sasuke #sasuke uchiha #pro sasuke #pro uchiha #anti konoha

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