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#i'll add more as i go
beththeskepticalwitch · 10 months
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Saved posts
Here are links to resources/information I like or want to refer back to:
Skeptical witchcraft:
What is skeptical witchcraft? by Sarah Lisbeth
This post by @beorhtsgrimoire
Psychological witchcraft:
Q&A by Rachael Stephen - the video that first introduced me to psychological witchcraft
The psychological model of magic by Áine Órga
Educational blogs:
@hallow-witxh
@eclectic-witchling
_
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redridcr · 1 year
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avenues Charlie probably has a hand in:
Automotive sales ( what his dad get into )
Horse racing ( again, influenced by Howard sr )
Animal shelters & horse rehabilitation
Wildlife preservation. Probably in local and state parks
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royalarchivist · 5 months
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Pac: I'm not going to say anything to you guys [Chat], I'm not going to say anything to you. I'm not saying absolutely anything, I'm not going to comment. Man, you broke me here, you broke me in 3 parts! I'm not going to- no no no no no, I won't fall for your game, I won't fall for your game.*
Pac's chat allows viewers to make music requests, which led to this very well-timed moment today where Careless Whisper started playing as soon as Pac met back up with Fit.
* [Approximate translation. I'm not a native Portuguese speaker, so as always, please feel free to let me know if there's a better way to translate things!]
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willczek-art · 3 months
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NPMD Tarot - The Devil
Others from the series : The Hierophant, The Lovers , The Star, Strength
Symbolism + WIP doodles under the cut :³
It's a really straightforward one:
Max is the Devil, keeping all of the nerds in line. It's willed into existence and enforced by peer pressure - Red Eyes/Red Glow are a substitute for loose chains from the original card.
Blood splatters hint at the victims - Richie's on the left since he was first c:
Doodles:
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deeva-arud · 28 days
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So, about that one AU that's been marinating in my mind for years
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naffeclipse · 3 months
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Warm Fangs
Naga!Sun x Reader. Sickness.
Prev
As you sleep, the fever worsens. Chills hit you with a violent shudder. The heat from the sickness flees under the quaking cold. You moan softly, curling up tighter. A soft hiss shushes you but you can’t find anything warm, anything warm at all.
The smooth brush of scales loosens from around you. The outside cold slips away from your feverish skin but stays within.
“It hasn’t broken yet,” Moon murmurs distantly. Cold fingertips brush your hair, damp from sweat, away from your forehead. A whine leaves you. You hate how pathetic it sounds inside your head.
“Oh, no. I was afraid it might linger with our poor lily pad,” Sun lowers his voice but he’s not as quiet as his brother, holding a stage whisper more than an actual whisper. You might have smiled if you weren’t bothered by the mottled moonlight giving way to a blue-bright early morning sky. 
It doesn’t feel warm. The sun is supposed to reheat the earth and take away the frost filling your chest with a shivering revolt.
A few quiet exchanges slip away in your near unconsciousness. Gingerly, you become weightless, lifted into the air like a feather before pressed into other arms. Heat, raw and covering, finally touches your body. You breathe out a low sigh, eyelids fluttering to peek up at the source of the heat. The form softly sways as you’re carried away.
“It’s going to be alright,” Sun hums. He looks down at you, his spiky frills flaring around his head in golden hues before the shadow of the cave eclipses the morning sun. “Don’t move, my water lily, you’re still sick.”
“Hmm, I’m fine,” you half moan. Your eyes fall close again. A tender soreness soaks into every muscle, especially at your neck and your shoulders. The deep, deep ache that refuses to go away. 
You shudder with another chill. Sun clicks his tongue in concern, the forked end whipping with a snapping worry. 
“You amaze me, truly. Even in the throes of illness, you’re still so stubborn.” He laughs softly, endearing but in a way that almost makes you push yourself out of his steady arms. He doesn’t get to think you’re cute. Not right now, when you feel how sticky your body is and how weak your limbs dangle as he carries you deeper into the cave you’ve made a shelter within.
“Sun,” you softly groan.
“Save your strength to fight the fever, not me.” A soft peck of his scaly mouth touches your temple. You nearly dissolve under his doting command. “You need to rest and do as I say so you can feel better. I don’t like to see you like this.”
You, in a reflective, rebellious instinct, almost try to kick out your feet and find solid ground, but Sun lowers you to the cold, cave floor. You’re seized by another icy torrent of coldness. Hugging your arms, you quietly groan. A soft swell of tears teem over your eyelids. That’s from the sickness, you tell yourself. You’re not crying because Sun and his sweet warmth let you go.
“I’ll be gone for only a moment, lily pad. Hold on for me, okay?” he singsongs.
You want to snatch the heat that had held back the torturous chills. Lifting your heavy eyes, you scour the dimness of the cave, catching sight of Sun’s long body softly slipping over the stone towards the shelves that were chipped into the wall of the cavern. The rich yellow hues of his scales are bright even in the shadows of rocks. The markings along his waist and around his throat are scarlet and vibrant with warning of his venom. You watch the outline of Sun’s defined shoulders move, taking and gathering, collecting a pale pink blossom you can’t currently name.
Pressed against the wall in a sleepy bundle of his scales, Moon watches you, eyes half lidded but attentive. You didn’t hear him enter. His hands open and close, as if to reach for you. He holds back. You frown at his distance but recall his cool scales through the midnight fever, and drowsily, in fitful half-sleep, wait for Sun.
He returns with a skim over the floor. His presence washes over you with hope.
“Don’t cry, my water lily. I’m here,” Sun coaxes with gentle mirth. A crooked finger swipes the leaking liquid from your eyes.
“Not crying,” you grumble, voice croaking like a frog. “Not a water lily.”
“Oh, I’m going to have to disagree and blame your lack of sense on the sickness,” he chirps as if you were simply the most adorable thing he’s ever seen.
You pry your eyelids open for a glare. You certainly are not a beautiful and grandiose flower. Not right now in your freezing weakness.
Moon’s hissing laughter echoes. It fills you with another short burst of irate energy that lasts for only the moment of his humor. Sun tuts and shoots Moon a look before gently cradling you. The golden naga guides you upright with a tender hand supporting your back. He rests your head on his shoulder, his underside a shiny, pale cream color, and the gentle heat of his body burns away the chills holding you down. 
He lifts up a small flower, pale pink and pom-pom like on the end of a slender, green stalk.
“Eat this. It’ll make you feel better,” he softly insists.
You eye the flower as if it were a venus flytrap, and you were a particularly weak fly.
“What is it?” you murmur.
“I’ve heard humans call it a sensitive plant, sometimes called touch-me-not. If you had told me you weren’t feeling well early, you could have had this sooner.” The chasiting does not evade your awareness. Sun lowers the plant closer, as if offering a rose instead of medicine. “It will help with your fever and chills.”
“Ugh,” you turn your head ahead. The thought of eating when you have no appetite rears an ugly head within you. “I don’t need it.”
“I disagree strongly, lilypad,” Sun crones in disapproval. “Once you eat it, you’ll start to feel better.”
The soft lift to his tone invades you. You want to squirm, keep turning away from the offered medical plant, but Sun’s warmth surrounds you entirely. Gently, his finger guides your cheek until you face him once more.
“Please, won’t you, for me?” His cornflower blue eyes hold you with his plea. From the corners of his wide mouth, the very tips of fangs glint, but you’re not afraid of his bite. He saved you with his venom, once.
You grimace and force your lips to part. Murmuring praises and coaxes alike in a soft, musical tone, Sun presses the flower head to your mouth until you bite it off, and chew laboriously. It tastes green and dry. He watches you, hawk-like, ensuring you masticate the soft, brittle like petals before swallowing against the vicious dryness of your throat. You gasp after gulping.
His smile grows like a sunbeam at sunrise.
“See? It wasn’t so bad.” He tenderly rubs his mouth against your forehead. “Thank you."
The heat of his affection battles the cold underneath your skin, and when you shiver, he holds you tighter. You fall deeper under his fondness.
"This will pass and you’ll be in tip-top shape again,” he says softly, brimming with heated hope.
Oh, Sun. You want to curse him. You want to tell him that he can’t talk like that, melting your insides and making you nothing but an ooey-gooey mess, but you can’t. You are swept away by his sweet tones. 
No one but Sun unbalances you and catches you in the same motion. He’s disarming. He's the only thing that feels right.
You slump against him in another full-body shudder. Softly humming, Sun begins rearranging your limp form, draping your legs across his deliciously warm tail as the dark end wraps your lower legs. The tightness of his coils used to frighten you before you realized how summery and soft he is. He tucks you gently against his arm, lying down to become your personal pillow.
You are so useless. It’s a miracle you haven’t faded away by now—a miracle of two nagas, no less.
“It’s also called humble flower,” he continues with a soft note. “Perhaps you could take that aspect from it as well, my water lily.”
You moan, unable to offer a rebuttal that you are no flower, but his gentle embrace covers you entirely. His chest thrums lightly with a heartbeat you’ve listened to before. A soft hum fills his throat. He continues pressing his mouth against your cheek, the crook of your neck, and the top of your head as if smothering the clammy effect attempting to surface on your body.
“Soon, you’ll rise and we can stroll through the jungle and find more flowers, more flowers like you, and you’ll feel better. Doesn’t that sound nice?” he chatters endlessly.
You can only snuggle deeper against his chest, against his warm, smooth scales, better than any patch of sunlight, and trust in him.
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b4kuch1n · 6 months
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red lion wizard !
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Weed smoking girlfriends! But they can just be hanging out if you prefer ¯\_(ツ)_/¯ Happy 4/20!
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fiepige · 9 months
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Have some more Hobie (and spider-gang) GIFs cause I can't get enough of this guy <3
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poorly-drawn-mdzs · 10 months
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Jingles a little bell in front of you to convince you to do tasks.
[First] Prev <--> Next
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gaypiratepropaganda · 4 months
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Izzy's apology in the finale seems to have taken some people by surprise. During the break between seasons, I tried a few times to politely bring up the fact that Izzy was technically abusing Ed. Not because I wanted anyone to stop liking him (you can like a character who's doing abuse! it's not real. who cares), but because I was worried about the reaction when season two came out. I love this show very much and I know how tumblr can get. Most importantly, I love fucked up fictional relationships and cannot abide people making these two boring. So here we go. (I also love lists)
First. Emotional abuse can occur in intimate relationships, family relationships like father and son, or in the workplace (Ed/Izzy triple threat!). Second, it has to be an ongoing thing. Someone doing one of these things once is not abuse. Abuse is a pattern of cruel and frightening behavior in order to control the victim.
(Don't feel bad if you didn't notice this stuff! It's relatively subtle and we're kind of trained to ignore and forgive it, especially from characters like Izzy. I wasn't 100% sure I was right about this either until season two confirmed it. I think a lot of people don't even know what emotional abuse is, at least where I live.)
Below are some pretty solid warning signs (this said "criteria" before but I changed it to be more accurate) for emotional abuse, followed by examples:
•Monitoring and controlling a person’s behavior, such as who they spend time with or how they spend money.
One of Izzy's main motivations in season one was trying to force Ed to act more like his image of Blackbeard. To achieve that, he bullied, belittled, and threatened Ed. He attempted to kill Stede because Ed was spending too much time with him and he felt that Stede was a bad influence.
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• Threats to a person’s safety, property, or loved ones
He tried to kill Stede (Ed's loved one) or get him killed several times. Once trying to get Ed to do it himself with the doggy heaven situation, once directly with the duel, and once by calling in the navy.
He didn't directly threaten Ed's safety until episode ten, but he did seem to have Ed convinced that the crew would kill him if Izzy wasn't there to protect him and then when Ed did things he didn't like, Izzy threatened to leave. It's indirect, but has the same result: Ed felt he was unsafe unless he did what Izzy wanted.
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• Isolating a person from family, friends, and acquaintances
Izzy seemed to keep Ed isolated from the crew, act as a go-between, and control their perceptions of each other to a certain extent. In the first few episodes, Ed was always shown alone in his goth cabin with Izzy as his only contact. When he started to make new friends Izzy tried to make him kill them.
After Izzy was banished, he secretly sent Ed's ex in to manipulate him and get him away from his new community. Then he got them all arrested, culminating in the deal he made with the English that would have made Ed his prisoner. Not sure that was on purpose, but it was so fucked up I had to mention it.
The bit that really got me, for some reason, was when Frenchie asked after Ed and Izzy told the crew he was sick.
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• Demeaning, shaming, or humiliating a person
Izzy is often shown berating Ed and yelling at him. The way Ed reacts suggests to me that he may be used to this kind of treatment from people in general, or from Izzy in particular. He never leaves or asks him to stop, he just takes it.
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• Extreme jealousy, accusations, and paranoia
He was so jealous of Ed's relationship with Stede that he got the literal military involved. His explanation to for why Ed enjoys spending time with Stede was that he has "done something to [Ed's] brain." Like, what magic powers do you think he has, Izzy?
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• Making acceptance or care conditional on a person’s choices
Izzy made it very clear that he would only support Ed if he conformed to the Blackbeard persona. He also seemed to have Ed convinced that there was no way he could survive without Izzy's support.
I just realized that if you subscribe to the headcanon that Izzy acts as a sort of caretaker to Ed (I do not) then all of this is way more fucked up.
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• Constant criticism, ridicule, or teasing.
In season one he criticized everything Ed did, all his plans, even while telling him to come up with more plans. He ridiculed Ed and called him names pretty often: "twat, namby-pamby, insane." Even in season two when he's doing better, most of their interactions consist of Izzy teasing and making fun of Ed for being mopey or in love.
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• Refusing to allow a person to spend time alone
I didn't think of this until now, but Izzy is often around when Ed thinks he's alone. He knows about things that happen in scenes he isn't in. Izzy's always sort of lurking, though? And he does it to everyone. So I'm not sure if we should count this one.
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• Thwarting a person’s professional or personal goals
He's ok about piracy related goals, but as soon as Ed tried to do something other than that he got so weird about it. "This crew is so talented, why are we even being pirates?" is what got Izzy to threaten Ed. Which is interesting because he was fine with the retirement idea before, when he thought he'd get to be captain.
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• Instilling feelings of self-doubt and worthlessness 
"insane unpleasant shell of a man merely posing as blackbeard." "I should have let the English kill you. This... whatever it is you've become is a fate worse than death."
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• Gaslighting: making a person question their competence and even their basic perceptual experiences.
He called Ed insane and implied that the crew would mutiny if he wasn't there to stop them. This is clearly untrue, as we were already shown that his method of "massaging the crew" consisted of calling Ed half insane and pulling Fang's beard even though Fang hates that. The fact that he calls Ed insane more than once while at the same time trying to get him to act more insane seems like basic gaslighting to me. Then again, Izzy's definition of "insanity" may be like, depression, crying, showing emotions, loneliness, and enjoying softness.
[can't find a gif of this so just imagine Ed in the gravy basket with Hornigold saying "you're worried you're insane."]
Something that wasn't on this specific list but is generally considered part of emotional abuse is manipulation: the use of indirect tactics to change someone's thoughts, feelings, or behaviors in an attempt to influence them for personal gain.
I think Izzy often tries to be manipulative. He's not the greatest at it, but it's the thought that counts. He manages to be surprisingly successful through persistence and repetition.
He's got Ed convinced from the first time we see them that he is useless as a captain without Izzy. That's why Ed feels like he needs him. He tells him that the only thing standing between Ed and a crew constantly on the brink of mutiny is Izzy. Then he tells him that he will leave if he can't live up to his expectations.
He has a pattern of lying to Ed or not telling him the whole truth. He threatens him directly and indirectly in an attempt to influence him and control his behavior. He wants power, whether he gets it by becoming a captain when Ed retires or by making sure Ed remains powerful by any means necessary.
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this is what he was apologizing for, along with the years of being terrible to Ed before Stede came into the picture. I never expected him to admit it so clearly like that. He fed Ed's "darkness," poked at his trauma for so long because he needed Blackbeard. It was something they did together, and he enjoyed Blackbeard's dominance and cruelty.
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Of course there are other things that can be part of this kind of abuse, like infantilization, silence, and harassment. There are more examples of abusive behavior from Izzy at the start of season two, especially in the scene where Ed's asking Izzy to kill him. but I am not ready to get into that right now.
Anyway, Ed and Izzy's storylines in season two only make sense to me with this in mind. Ed is recovering from not only the suicide attempts but also this fucked up situation he was in, whether he realizes it or not. Izzy learns to stop being such a shitboy and admits he was wrong. ~growth~
if you interpret their relationship differently that's obviously fine. but I think this is the most interesting interpretation, as well as what was intended. It's no fun for me when people make them both equally awful to each other. I like it better as it is in the show: Ed fighting back against Izzy's emotional abuse with physical violence, which only ends up traumatizing him further. It's such a unique and fascinating story.
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I have another idea for a story, but I once again don't know what to write, so I'm building a skeleton.
It's a DC x DP x ML crossover. Damien, Marinette, and Danny are triplets born into the LoA. From birth, they were taught to not see each other as siblings but as rivals for Ra's attention. When they were five, they were dipped (more like dropped) into the pits for the first time. Danny never comes back out. The second time was when they were six. Damien and Marinette came back from a mission gravely injured. Marinette doesn't come back out. Damien becomes the sole heir.
As one can imagine, Danny and Marinette aren't dead but simply taken to where they were needed at the time. That being said, things for these two characters go mostly according to their respective shows after they integrate into society. With the exception that the two of them are more competent and don't fight like rabid raccoons. But things take a dark turn when they turn sixteen.
Marinette
. After finding out that his father is Hawkmoth, Adrien is unable to carry the weight of being the holder of the cat Miraculous, as he doesn't want to fight his father and gives it to Ladybug. He promptly moves to the States to further his modeling career. Marinette, unable to find someone else worthy to be the holder of the cat Miraculous, stores it away and becomes the sole hero of Paris (with occasional helpers). But because of this, her two lives get more intertwined, and she is forced into a corner where she has to choose between being Ladybuy or Marinette.
. But she doesn't get a chance as Hawkmoth is dethroned and replaced by an even greater threat. She is forced to take on the persona of LadyNoir. Her life crumbles as she tries her hardest to balance her life as a hero and a person. She tries to save everyone but someone always ends up getting hurt. Whether it be her as Marinette, clinging to what little of her life is left. Or her as LadyNoir, with no choice but to watch innocent civilians die because she couldn't think of a better plan that could've saved everyone.
. It gets to the point where she makes an unforgivable wish. But every wish has a cost. She only finds out the price when she is forced to stand behind an invisible wall and watch as her life replays before her eyes, the film slowly burning away till there's nothing left. She cries as she falls into an ocean of familiar Lazarus green.
Danny
. Danny's life is also crumbling around him as he struggles to separate his human life from his ghost half. But after becoming the Ghost King, things only became more complicated and even more dangerous as more ghosts started coming through the portal to challenge him for the crown. And while he would really love to give it away, the guys that kept fighting him for it are very clearly evil. So he has to keep fighting, winning, and solidifying his position as the King of the Infinite Realms. But with every win comes a newfound power. Power he doesn't want. Power that scares him.
. It gets to the point when Danny has to drop out of school. He wasn't even scoring double digits anymore so what was the sense of keeping him? But Danny couldn't stay home either, it was too dangerous as his ghost and human halves were slowly becoming one. And his parents' obsession was slowly becoming a threat to him. He thought he had the solution. He was going to shut down the portal and leave Amity Park.
. It was perfect really, as no ghost portal meant no ghost. And he couldn't be vivisected if neither the GIW nor his parents could catch him. He talked the plan over with team phantom and they reluctantly agreed. The ghost portal is destroyed, and Danny leaves Amity and files over Elmerton and a few other towns. But after flying for a while, Danny gets to a sort of border where nothing meets... NOTHING. On the other side was just an infinite void. Nothing.
. Danny slowly realizes that in this world, all he knew was Amity Park. He never actually traveled or went on field trips. Never went to visit extended family nor did any visit. No one 'new' ever came to Amity Park because they were all just nearby. He learned no relevant history besides Amity Park because there was nothing outside of Amity Park. When the realization had finally set in the world began to crumble into the void and it became a race against him and the void.
. Danny knew that he was fast but the void was faster, and before he knew it he was back in Amity. He was going to warn them and try to save as many people as he could. But saw something in their eyes. They already knew. Danny watched how teary eyes and big smiles, everyone and everything he loved crumbled into the void, fading into nothingness.
Scientists across the galaxy, the universe even, often theorize about how everything came to be. Well, it didn't start with a bang, that's for sure. 'Well then how did it start?' you might ask.
Well..., it started with some tears and a scream.
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royalarchivist · 1 year
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With over 20 members currently on the QSMP and more on the way, it's almost impossible for a single person to stay up to date on everything that happens, even with help from QSMP's official Twitter recap accounts.
For people who are interested in QSMP's story, characters, and/or streamers but don't have time to watch hundreds of hours worth of VODs, I've created the QSMP VOD Timestamp Archive.
If there's a particular lore moment you missed live and can't find, search for it in the archive!
Timestamps include quotes, notable lore events, and funny interactions. Interesting or important moments from each stream are bolded for emphasis. I'm also adding short summaries for lore-heavy / eventful stream.
I've organized the document so it should be easy to navigate, and you can CTRL + F to search for specific streamers and/or events.
Complete VOD playlists, recaps, and additional resources are also included in the document for people who might be feeling overwhelmed by the amount of QSMP content out there. It's never too late to get into the series!
If you have a streamer you watch consistently, consider writing down important timestamps to help fellow fans! You don’t have to take detailed notes like mine – even one or two timestamps can be a real lifesaver. If you have any helpful timestamps you want added to the list (or even a 1 sentence summary of a particular stream), send it to me via DM so I can add it to the archive.
I am just one person, so unfortunately this archive is by no means comprehensive, but I'm constantly updating things and adding more streams and timestamps to the document. I've been working on this project for a while now, so even though it's not complete, I hope people find it useful!
[ VOD Timestamp Archive ]
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vellichorom · 11 months
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uh oh. I can't imagine mixing a virus with a wayward executable can lead to anything good..... what do you mean it just gave him the flu,
FINALLY, at LONG LONG LAST; Thierry's OFFICIAL Lovebug AU rendition! in which the man quite literally gets bugged. with love! & with sick nasty
truly a lesson to all to watch what you download from your emails!
( the lovebug AU concept belongs to @things1do ~ )
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justanotherwriter140 · 2 months
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Kung Fu Panda 4 - The Movie
The last really, really long discussion post (for now).
Major spoilers ahead!
This review is full of spoilers, so please refrain from reading through it until you've watched KFP4. I would highly suggest doing so, as I want everyone to form their own opinions without my influence. The movie has its flaws (some of which admittedly being a bit distracting), but it's a fun film that has things to offer.
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Kung Fu Panda 4 is a fun movie (take that as you will) that takes its audience on an action-packed, surprisingly funny, yet relatively contained adventure on which Po doesn't really do much. It's an inconsequential, safe sequel that doesn't really hurt the franchise but adds close to nothing.
I had a good time watching the movie. It was obviously produced with its theater experience in mind and the action scenes especially reflected that priority. The humor was actually funny sometimes and I enjoyed Po and Zhen's dynamic. During the film, I was able to put most (most!) of my grievances aside and take the movie for what it is. I've discovered that the best way to watch KFP4 is with low expectations and an open mind.
I have a lot of things to say about KFP4, both complaints and compliments (though the former might be taking the forefront in this review), and I hope this review can help those of you who have seen the movie organize your thoughts. I've been having a lot of trouble with that specific aspect of things myself. Those who get it get it.
With that said, let's get into my full review of KFP4! I've been waiting for nearly 2 years to write this and I'm so excited to share every single thought.
I'm going to follow the format of my first discussion post and curate a bulleted list of my thoughts, followed by an analysis of each of these points. Keep in mind that everything I say is IMO and this is more of a rant post than anything else.
Here are my main points:
The Furious Five's role is comically minuscule in the context of the film. Their actions are inconsequential and add nothing to the plot (a confirmed last-minute add), and they have 30~ seconds of screen time. Shifu is also largely irrelevant.
Mr. Ping and Li's presence has little to no effect on the movie (though I won't complain too much because they were pretty fun to watch and this movie has bigger problems). In almost any scenario, I am adamantly against having characters present that don't add anything to the narrative; however, Mr. Ping is an exception. I love Mr. Ping. James Hong is a gem.
Zhen's screen time is not utilized well and her character is underdeveloped. She definitely wasn't annoying, but I didn't find her either compelling or funny enough to warrant the screen time she was given, especially considering it wasn't used to establish a backstory/strong motives. This makes me feel bad for the character because the movie kind of screwed her out of any substantial development.
The Chameleon, while complimented greatly by Viola Davis, is an underwhelming villain. Viola Davis is amazing in this film and I would suggest watching it for her performance if for nothing else, but the Chameleon is underwhelming considering the super cool concept behind the character.
The film feels very rushed. Apologies to those who disagree, but I think the pacing is atrocious and the final fight is anticlimactic. The movie felt like a word-vomit with no discernible intermissions that stops abruptly when the film ends.
I felt as though Po didn't change/grow as a person and the audience never had a chance to either bond with or relate to his character. His internal struggle is kept to a minimum and we don't spend a moment alone with him as an audience, which is disorienting and distracting. Watching the film felt like running into an old friend at the store who's too in a rush to have a real conversation.
The action scenes were strong with few exceptions. Creative art direction was utilized and I thought the martial arts choreography was entertaining and dynamic. I love the color palette of the film and many scenes were very impressive visually.
With my main points established, I do believe it's ranting time. Strap in, folks.
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Let's start strong with the Furious Five: I'm gutted. Chagrined, despondent, crestfallen, etc.
The lack of the Furious Five negatively affects KFP4 so much, because not only does their absence hurt the atmospheric integrity of KFP as a franchise, it also forces KFP4 to bring in a slew of different characters—all while still noncommittally including the FF at the very end because I believe the marketing team required it—that clog up the cast a bit. It all goes to show how important strong, established side characters are.
The Furious Five are side characters, but the role of "side character" does not equate to being irrelevant, expendable, or exchangeable. I recognize that the Furious Five aren't super developed as characters beyond a handful of lines that allude to traits sprinkled sparingly among the members; however, I believe that the tiny bits of development we have been given have proved impactful in the past. Tigress's development in KFP2 is a prime example of how much narratively conscious changes (however small they may be) can positively affect these movies.
Because of limited runtimes, the Furious Five often operate as more of a singular unit than five individuals. Even so, I don't think discarding them is valid. They're so important to the KFP universe (to Po's universe!) and not having them with him feels so wrong. The Furious Five are fully integral to the heart of Kung Fu Panda, which is why I believe a lot of those who have seen the new movie have expressed something feeling "off" or something being missing.
I agree with this sentiment. To me, KFP4 didn't feel like a KFP movie. I don't need a Furious Five spin-off movie and I can be fully content with a KFP5 centered around Po's journey as an individual as was intended from the beginning, but he can't carry an entire movie on his back. As strong as he is in every sense of the word, he is only one character. He's the centerpiece of the franchise, but a centerpiece can only go so far without the rest of the design, so to speak.
For me, the Furious Five's absence is one of this film's biggest faults. It's huge and glaring. I know I'm not the only one who feels this way, either, because the friends with whom I saw the film refused to talk about any other aspect of the movie after seeing it. Seeing them at the end was better than nothing, of course, but it was a disappointing culmination after eight years of waiting.
That all is to say I feel robbed. Despite all of this, though, I understand that there were reasons why the Furious Five weren't included in the movie. I don't believe the production team would exclude the Furious Five unless they weren't given a choice.
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Shifu and Po's dynamic continues to be thoroughly delightful but their interactions are short and simplified. I would have loved to see more of them in this film, especially considering the extreme relevance of teacher-student relationships in KFP4. I (somewhat) digress, though, because the idea of Shifu having to live at the Jade Palace with only Po for an extended period of time is hilarious enough on its own. Maybe that's what the short film is about!
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The comedy is odd but has some jokes that stand out. Po maintains a healthy relationship with his inner sass, which I think makes him more fun to watch and kind of eradicates the man-child verdict. Some jokes don't land, of course, but I genuinely thought KFP4 had some funny moments. Mr. Ping was consistently awesome and Po had some good lines sprinkled throughout the film.
As for Mr. Ping, he and Li Shan are the subjects of the film's B-plot as they follow Po to Juniper City out of shared concern for their son's safety. In my mind, they don't add anything to the story that couldn't have been brought about by other characters, but they had their moments of being entertaining. I enjoyed their silliness and thought they had a cute dynamic if nothing else.
Speaking of other characters, I want to discuss KFP4's deuteragonist and why I genuinely feel bad about the way her character was treated.
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I want to let it be known that I'm still not on board with Po passing the Dragon Warrior torch to another character. While I agree that his arc is now calling for him to have a student, I disagree with the notion of him retiring from his DW role.
As I stated in my first discussion post:
Didn’t the initial significance and nuance of the title come from the fact that there is only one person who can be the Dragon Warrior, because the concept of the “Dragon Warrior” isn’t so much a title as it is Po himself? The universe (Oogway) must choose the Dragon Warrior because they are a singular being of legend. It is one person, and that person is Po. Wasn’t the point of the first film that the title ultimately doesn’t really matter because there is no “secret ingredient,” so to speak? The title doesn’t actually give Po anything. “It’s just you,” Po says, and that was the resolution.
When it comes to Zhen as a character, contrary to what I predicted I would think of her, I thought she was okay. While I was still a bit distracted by how out-of-place her design looks, I wasn't truly annoyed by her at any point and she and Po had some cute moments. Even so, I think their relationship could have been a bit more refined and developed.
While it's evident that Po and Zhen are meant to have a teacher-student/mentor-apprentice dynamic, I think their relationship feels half-baked. There were parallels that contradicted one another and ended up being confusing come the film's conclusion, and the nature of their relationship seems to vacillate depending on the scene. Additionally, the strength of their bond goes from zero to one hundred within thirty-ish minutes and left me with a bit of whiplash.
We're shown that Po and Zhen care about one another, but we're never shown why. They have a brief conversation during which they bond over being orphans, and Zhen says at one point, "You're actually a good guy," but that's it. This obvious lack of development is a bit disorienting because we're later led to believe that Zhen and Po care very deeply for one another when there's almost nothing to back it up.
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A scene that sticks out to me when discussing this is when Zhen attack-hugs Po in a way that explicitly mirrors Tigress's hug from KFP2. This happens around the beginning of the third act, and while it had the potential to be an endearing moment, I think it fell flat.
The impact of Tigress's hug was brought on by her character's hardcore nature and reputation of being heartless, further strengthened with the knowledge that she was hugging Po (which was obviously way outside her comfort zone) as a show of companionship and fundamental understanding. Tigress hugged Po because he needed someone to recognize his strive for closure.
Zhen's hug had little to no impact because she had no reason to do it and it didn't indicate growth. She hugs Po because she's sorry for betraying him and doesn't want him to be killed by the Chameleon, but neither of these things are newly-established via this hug; we have already gathered by now that Zhen regrets betraying Po and doesn't want him to get hurt.
The hug is far from the movie's weakest point, but I think it's unnecessary given the context. I'm big on hugs in movies (an underutilized form of platonic affection, in my opinion), but it didn't fit here. I don't hate it, and I see it as an honest effort to bring emotionality to Po and Zhen's relationship, but it seems arbitrary.
Zhen and Po's relationship has a lot of potential and I'd be open to seeing more of them in the future, but I think some more thoughtful development needs to occur before I can humor it further. Even so, I can see myself featuring Zhen in some future post-KFP4 one-shots—sparingly, of course, because we have a lot of Furious Five content to compensate for.
Overall, they had a cute dynamic and some sweet moments but I'm not attached. I'm on board with Po having a student but I think their relationship needs a lot more development, something that this film unfortunately didn't give them time to either accomplish or earn.
Now, onto the Chameleon!
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The concept of the Chameleon's character is admittedly super interesting. She's the deuteragonist's fastidious mother figure who feels that Zhen owes her a debt and as a result holds her to an impossible standard. That dynamic had the potential to be so interesting but I didn't think it was explored at all. There is no indication of Zhen having any internal conflict about fighting the Chameleon, no emotional complexity between them at all; it's disappointing because I think it would've added a bit of earnestness to the film.
Additionally, the idea of a shape-shifting villain is versatile. A shape-shifting villain gives those telling the story a lot of room to experiment with the protagonist and different ways in which the main character can be challenged and tested. It's yet another good idea utilized poorly. Just one idea: the Chameleon could have disguised herself as one (or several) of Po's family, friends, etc. and brought to fruition a new arc with his character (seeing as he arguably doesn't have one in this film), but she only disguises herself as Zhen very briefly in the movie.
Furthermore, the Chameleon completely relies on the powers of previous villains to pose any sort of threat to the main characters. She summons Po's former nemeses from the Spirit Realm (despite there being little logic in doing so considering Kai's literal evisceration) and takes their kung fu abilities for herself.
An excerpt from my first KFP4 discussion post that I think is relevant to the point I'm trying to make:
I don’t think it would be in the best interest of anyone if the past villains were to come back in any way that’s not a flashback (even then, I’m not sure I’d see the point). In all honesty, I thought that the whole point of the villains was that they died and stayed dead. They were defeated by Po once and for all as a testament to the idea of establishing Po's character growth and journey as a person through the bad things he’s able to overcome. It’d be highly contradictory to the messages of the other films if these villains were to suddenly come back.
While there was an honest effort made to portray the Chameleon as intimidating, I never felt as though any of the characters were endangered by either her or her army of lizard henchman. She's a visually appealing character (aside from her eyes, which I thought more resembled those of a gecko than a chameleon) and I greatly enjoyed Davis's performance, but overall I don't see the Chameleon as a notable villain.
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The return of Tai Lung (had he been on his own) had the makings to be an excellent story, especially considering the importance of teacher-student dynamics in KFP4. To see him interacting with Shifu would have been incredible and could have led to further closure on Tai Lung's end (because I think that's kind of what the team was going for anyway), but it didn't happen.
It was nice to see Ian McShane reprise his role, but I wish Tai Lung's characterization had been more reminiscent of the way he was in the first film and more complimentary of his overall character arc. Tai Lung isn't a one-dimensional villain with a singular goal and motivation, and I couldn't help but feel as though the complexity of his character was simplified for the sake of KFP4's narrative.
Tai Lung's presence in KFP4 may be odd, but Shen and Kai's appearances are even more so. Kai, if I remember correctly, was fully obliterated by Po, reduced to literal particles on screen (which is kind of wild now that I think about it). Shen being in the Spirit Realm makes sense all things considered; however, Po and Li had no visible reaction to his presence, which seemed a bit unlikely considering Shen's deeds. This plot hole can likely be attributed to the fact that Shen and Kai's cameos (to my knowledge) were last-minute additions to the movie.
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I have to talk about the pacing. I have to. I'm sorry, bear with me.
To me, the film's pacing is erratic and disconcerting. While I can appreciate a quick-moving narrative that doesn't dawdle on storylines that aren't interesting/important, KFP4 kind of flings itself too far in the opposite direction and ends up being frighteningly fast-paced. Once the credits began, I felt like I had been holding my breath for the entire movie.
KFP4 is confusing because while the runtime is standard for a KFP movie, it feels incredibly short. At the same time, the film's story moves at a breakneck speed and leaves little time for heart and development. These things culminate into a barreling boulder of a movie that simply doesn't have time to let its characters, story, or audience take a breath.
A fast pace is not inherently negative, but I don't think it worked in the favor of KFP4. The KFP franchise has always been very emotionally grounded (and just very grounded in general), so to see a film in which emotion/heart takes an aggressive backseat in comparison to action and comedy is jarring. While I think it's unreasonable for fans to expect the same emotional integrity as the original films to be present in the current and upcoming ones, I still think there's room for Po to grow and I felt as though the notion of him developing further was brushed aside in this film.
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As for Po's growth, I felt it was nearly nonexistent. The previous trilogy wrapped up his character's journey beautifully and I know that KFP4 was bound to struggle with this particular aspect of making another KFP film; however, just because the strongest pillars of Po's character are established doesn't serve as a valid excuse to reverse his development and repeat what he learned in KFP3.
In KFP3, Po learned firsthand that he is capable of spreading wisdom and teaching kung fu. He also learns that he is constantly growing and that change is inevitable; there is always something more to learn.
"If you only do what you can do, you will never be more than you are now."
"I don't want to be anything more, I like who I am!"
In KFP4, Po pushes against this narrative despite fully accepting it in KFP3, actively reversing crucial parts of his character development achieved in the latter. KFP3 was non-ambiguously about learning to cope with change and responsibility, and I can't help but feel like KFP4 is simply copying this message while not adding anything to it.
Additionally, I felt that KFP4's Po generally felt less personal than he has in the past. In every KFP movie up to the franchise's most recent addition, I felt very connected to Po as an audience member. I felt like I was truly seeing the world of KFP through his eyes. I consider this to be one of the franchise's most impressive feats; it's incredibly difficult to build a universe around a character without making the audience feel limited to one perspective and one part of the world.
With KFP4, I felt both limited and disconnected. The world didn't feel as vast and all-encompassing as it has in the past and Po didn't seem fully like himself. This could be me nitpicking (as I'm prone to do), but I can't recall a single moment in the movie in which Po was alone on screen. Scenes like these are crucial for me because I see them as a meet-cute between the character and the audience, a moment for us to cross the bridge into their world in a way that's silent and intuitive. These little bonding moments are absolutely integral to feeling connected to a character.
Po's dream sequence in the first KFP movie is one of the best examples of this. It presents his aspirations, alludes to his way of life up to the point of the movie, and showcases his personality. During Po's dream sequence, the audience is quite literally inside Po's mind; we're there with him, seeing what he sees, subsequently feeling what he feels. Po is a dreamer at heart and makes the audience feel like dreamers, too.
In KFP4, I felt like I little to no point of reference when it comes to how Po was feeling. I didn't feel immersed in him and his world.
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I know I've been very "doom and gloom" throughout this post, which is an exhausting mindset for everyone involved. I want to end my critique with something positive because I think some praise is deserved. Let's just say the movie could have been a lot worse, the details of which I'm sure you're all well aware.
The color palette of the movie is beautiful and somewhat reminiscent of the first film. While the animation style of KFP4 is far more simplistic than its predecessors, I was very impressed with its use of shadow and light. Po's many faces were also hysterical, props to those who helped make him as expressive as he is.
Additionally, the movie's action sequences were clearly thought out and discussed in great detail. The experimentation with camera angles was really fun to watch and I enjoyed the majority of the film's fight scenes. They were fun, bouncy, and entertaining, and quite likely reinstated audiences's love of watching a cuddly panda kick butt.
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Congratulations, you've reached the end! Thank you so much to all of you who took the time to read this unnecessarily long and detailed review. As long as I help someone translate their conflicted feelings into coherent thoughts, I'll call it a win.
I want to reiterate that I don't hate Kung Fu Panda 4 and I had fun while watching the film. It has its flaws and there are a lot of aspects that I dislike, but the effort of the crew is obvious and I greatly admire and respect the hard work put into the film by those who worked on it. This does not at all excuse my issues with the movie, but it's worth saying.
As for the future of the series, I only hope that the next installment is more considerate of the franchise's origins and why Po's story is being told in the first place. I fully believe that another sequel could be good given a strong, passionate crew with a great understanding of the characters and world (and I wouldn't be averse to some previous directors returning, just to put it out there).
Thanks again to those who took the time to read this crazy excuse for a movie review. Feel free to either disagree with me or add things in the replies/reblogs, I'm always looking for more thoughts to think.
Until next time!
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levmada · 7 months
Text
in this exposé i will
Isayama talks about his drawing in way too humble a fashion. but this is especially true when it comes to emotions and expressions - especially in aot where emotions and the nuances of character emotions are portrayed outside of dialogue.
but - especially wit - went about doing a disservice to Levi in particular when putting his character to screen. i don't think it's too controversial to say that most aot fans are anime onlys right? and it's much less controversial to remember the very bad take that throughout aot Levi is emotionless.
obviously, this is clear enough in the anime. but the manga really brings the emotional spectrum of his character to all new horizons. it's been stated by Isayama that Levi is the most emotional character in aot. and if you cross-examine scenes in the manga vs the anime, this is unmistakable.
so i want to give a few examples of where the anime - mostly wit - miss these nuances in Levi's show of emotions.
thank you to this person on twt for giving me this idea with examples!
i'll start with what i consider the greatest offender of all (from the moments on my mind for now):
right as Midnight Sun starts, Levi has just managed to get back to Wall to find that Zeke is escaping and Armin is half-dead. he failed in carrying out Erwin's order.
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i mean WOW, right? in both, Levi looks exhausted yes, but in the manga he looks frantic. on the verge of tears almost.
this is going to be a trend, where the anime portrays Levi in a much more hardened and determined manner compared to, arguably, how he really is. i think that there's a balance that the manga depicts much more equally.
later, Floch is recounting how he found Erwin. he found him alive, and considered putting him out of his misery, but decided that Erwin didn't deserve mercy.
this scares the shit out of Levi - much, much more clearly in the manga. in the left 2, he looks afraid in both, but in the manga, that fright is just. so much more intense. you know how strong Levi's feelings are.
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right after RtS, Levi and Hange have come to let Eren and Mikasa out of jail.
understandably, Levi is neck deep in mourning. not just Erwin, but every life that was sacrificed just so he could fail; the two veteran squads that died when Bert transformed; Moblit; and of course Hange was badly injured too.
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his depression is TANGIBLE in the manga. the anime doesn't convey it as well... (if at all i would argue)
in season 3, when Kenny has given his speech about how everyone is a slave to their own vice, and he's just retorted to Levi, "what're you, a hero?!"
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clearly in the manga, he's much more exasperated. his head is hanging more and he looks pleading instead of angry.
the anime didn't even include this panel.
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he feels sorry for him.
the attack on Liberio. Levi is cutting Zeke from his Titan.
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in the manga, it's so INTENSE. i'm sure he's experiencing the same exact feelings as he did 4 years before. this moment is supposed to be his triumph - when he completes his promise to Erwin. you can clearly see the longing and disappointment, but along with forced determination, because putting on a show of killing Zeke is torturous for him, but it's his duty.
(i posted about this earlier but) Levi has just cut Zeke out of his Titan and needs to put down a grenade in order to give the impression that Zeke is dead. then he notices Magath, but most importantly that two kids are directly below him.
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in the manga, his head is more downturned as opposed to above them, which is important in the scope of getting across that Levi doesn't see them (or Marleyans for that matter) as below him.
in the manga it's clear that he finds absolutely no satisfaction out of it, which is seen in the anime version too, but like i've said, not like Isayama gets it across.
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