#in art style. editing style. music sound | Explore Tumblr Posts and Blogs

devsgames · 17 days

Text

HOT GAMEDEVS DON'T GATEKEEP

Inspired by this post by @midwinterhunt, here's a compilation of all the game dev resources I have come across, most of which I use fairly frequently. Most of these are free, some are paid but fairly cheap. Feel free to add your own resources. ✌️

Important reminder: When using basically any works or programs someone else created in your games, make sure you thoroughly understand the licenses and terms it has been shared with. If you don't know what the terms are, reach out to the resource and ask. Don't be lazy about this; it's not only dishonest but it can come back to bite you.

Engines

Unity - Best suited for mobile and multi-platform.

Unreal - Tailored for shooters and high-fidelity experiences.

PICO-8 - Virtual console for simple games

Godot - Open source and free!

GameMaker - Good for 2D games

Bitsy - Great little engine for making simple games and experiences

Construct - Never used but have heard nice things

Scratch - If you've never coded before, this is the best place to start. Great for young devs and those who want to get their feet wet.

Adventure Game Studio - Best suited for adventure games

RPG Maker - Best suited for top-down classic JRPG style games

Twine - Text-centric games like Interactive Fiction

Assets

OpenGameArt - Many assets, various licenses, and plenty of CC0 content.

Unity Store - For Unity only. Some free.

Unreal Store - For Unreal only. Some free.

Godot Asset Library

Jean Moreno's Toon Effects - Some of the best effects available on the Unity store. Unity only but I've used them in basically every project.

Steamworks.net C# Wrapper For Unity - Unity only C# wrapper for integrating Steam compatibility to your game

Itch.io - Plenty of free art assets and game dev resources

Kenney - Kenney makes tons of open-source assets for devs to use.

Art

Mixamo - Generates rigs for your humanoid models and lets you apply a library of free humanoid animations to them. Super helpful for prototyping. Adobe.

Blender - Free, open source and fully featured 3D program.

XNormal - Free offline normal map generator

Normal Map Online - Free online normal map generator

Crocotile - Cheap tool for building 3D models from sprite sheets

MagicaVoxel - Free voxel modelling tool

Piskel - Free online sprite drawing tool

Aesprite - Paid sprite drawing tool

TurboSquid - Not always great quality, but can be good source of free placeholders.

Textures.com - Limited texture downloads per day but free for personal use.

Pexels - Free stock photo resource. Most are free for commercial use. Check licenses.

Clipstudio - Good for illustration or graphic design. One time payment.

GIMP - Image editing program a-la Photoshop. Free.

Audio

Audacity - Free and fully-featured DAW/audio editor.

sfx.me - Free 8-bit synth-style sound effect generator for games.

CastingCallClub - Easy forum to find amateur voice talent for your project (p.s.: you should pay them).

FreeSound.org - Free sounds, searchable by license. A go-to for my audio needs.

Incompetech - Royalty-free music by Kevin McLeod.

Scott Buckley Music - Royalty free with conditions. Generally more on the cinematic side of things but very good stuff!

SoundCloud - 'Search -> By Track -> Filter: Use Commercially' leads to songs posted with allowance of commercial use. Always reach out to the artist to understand their terms and confirm that it's okay to use with your project.

Project Planning

Keymailer - Handy for mailing keys to influencers (don't expect a lot of traction unless you're paying for some of the features though).

Trello - Kanban board. Great for organizing tasks, managing bugs, etc. Free.

Notion - Private text and wiki page editor. Good for project organization, note taking, and fleshing out ideas. Free.

Obsidian - Alternative to Notion, with similar features.

Miro - Free whiteboard for organizing thoughts, images, brainstorming, etc.

Wave - Free Bookkeeping site. Great for keeping finances organized.

#gamedev #game development #game dev #indie games #indie game #gamedevelopment #indiegames #indiedev #indie dev #game developer #resources #blog

166 notes · View notes

culther · 2 months

Text

⠀⠀⠀⠀ ⠀⠀⠀❝ 𝐀𝐀𝐋𝐈𝐘𝐀𝐇’𝐒 𝐔𝐍𝐒𝐓𝐎𝐏𝐏𝐀𝐁𝐋𝐄 𝐈𝐍𝐅𝐋𝐔𝐄𝐍𝐂𝐄 ! ❞

⠀⠀⠀⠀⠀⠀AALIYAH’S UNFORGETTABLE FASHION SENSE ⠀⠀⠀⠀⠀⠀EXPLORED, ─── AN ARTICLE WRITTEN & PHOTO ⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀ EDITS MADE BY MIA GOLDS

If you ask anyone in the world to define the legacy of Aaliyah, you’ll receive a myriad of responses. Some will praise the rising IT Girl whose precious life tragically ended too soon, while others will reflect on the profound impact she’s made on their existence in one way or another.

Many others will recount her evolution from a young R&B sensation to a mature artist exploring pop music and other sounds on the brink of her prime. But regardless of the response you get, one thing reigns true as the definition of her essence: her iconic fashion sense.

From the moment she burst onto the music scene in 1994 with her first album “ Age Ain’t Nothing but A Number “ as a fresh-faced teenager, Aaliyah captivated audiences not only with her angelic and smooth vocals but also with her distinctive sense of style.

In her early years, she came out the gate pushing the envelope of what it means to be a budding artist and a free-spirited young black girl. Many of her looks effortlessly blended streetwear stylings with subtle couture pieces, rocking oversized sports jerseys and baggy pants paired with sleek, feminine touches like crop tops and crop jackets to create uniquely balanced silhouettes and cuts.

A fashion format she carried throughout the entirety of her career, through time she changed the way she presented it but the elements of it remained. As she soared into her stardom and maturity as an artist, so too did her fashion sense.

Later she embraced more feminine and refined aesthetics, favoring sexy silhouettes, tailored gowns, and minimalistic elegance. Her iconic tomboy ‘ sweet but street ‘ chic look became synonymous with effortless coolness, and inspired countless fashion trends.

Establishing her as the true style icon she was, ahead of her time and still remains today. Regardless, it was her ability to seamlessly transition between various fashion personas that truly set her apart from any of her peers.

Whether she was rocking a glamorous gown on the red carpet or effortlessly slaying in a baggy tracksuit on stage, Aaliyah exuded confidence and authenticity in every ensemble.

That very same confidence and coolness continues to resound in the world around us today. From celebrities and influencers, to everyday fashion enthusiasts who pride themselves in their physical expression.

The beauty of creating art is that it is big— and permanent enough to live beyond us. Within her short time on earth, she continued to push boundaries and explore new musical territories, and her fashion choices unwound alongside her, reflecting her growth as an artist and into a woman.

From the streets of Brooklyn to the stages of the world, Aaliyah's fashion journey was as dynamic and diverse as her music, leaving an unforgettable imprint on the industries of fashion and music alike.

𝐄𝐀𝐑𝐋𝐘 𝐒𝐓𝐘𝐋𝐈𝐍𝐆𝐒: From Tomboy to Tommy Girl

During her debut era in 1994, Aaliyah not only captivated audiences with her smooth, soulful vocals on hits like “ Back & Forth,” “ At Your Best ( You Are Love ), “Old School, “ & “ Age Ain’t Nothing but A Number “— the title track of her debut album, to name a few… but also with her distinctive sense of fashion.

The way she dressed didn’t just resound the casual and laid-back lifestyles of the R&B & Hip-Hop scene of the 1990s, but it also reflected her confident, humorous, yet collected personality.

There wasn’t a single teen girl in America that didn’t want to be like Aaliyah. Black girls everywhere aspired to make oversized jerseys, baggy pants, cropped tops, statement sunglasses, numerous colored bandanas, and baseball caps look as chill as she did. Her uniqueness quickly made her a sensation and role model to look up to.

In addition to her loose-fitted hoodies and starter jackets, a wrist full of silver bangles and standout nail polish colors added feminine contrast to anything you’d see her in, and how could we forget her “ A “ initial necklace? Simple but effectively iconic.

Her early appeal and aesthetics can be attributed to the legendary fashion stylist Derek Lee. From 1994 onward through her career, Derek was instrumental in crafting her trendsetting tomboy aesthetic. It was his hard work and vision that helped to shape her distinctive fashion sense and solidify her status as a style icon.

Under his guidance, she became known for her effortless blend of masculine yet sweetly feminine elegance, taking risks, setting trends, and inspiring fans worldwide. Derek has also styled Lil Kim, Bobby Brown, and Macy Gray, to name a few.

As his muse, Aaliyah landed her first significant collaboration campaign for Tommy Hilfiger in 1996. Tommy Hilfiger is a brand whose name still holds the same weight today as it did in the 90s.

Becoming a Tommy Girl allowed Aaliyah to express her creativity in a new way. Their collaboration blended urban streetwear-inspired styles to cater to the day's youth and offered a sense of high-quality exclusivity. Her laid-back touch perfectly complemented Tommy’s preppy dynamic and made a memorable partnership that we still recognize and associate with the R&B star.

Working with Tommy also introduced Aaliyah to her best friend, Kidada Jones, the fashion stylist and designer, who is also the daughter of music legend Quincy Jones. Their shared interests in music, fashion, and culture are said to have led to a natural connection and friendship over time. The two young women were just alike.

𝐖𝐄 𝐍𝐄𝐄𝐃 𝐀𝐍 𝐄𝐕𝐎𝐋𝐔𝐓𝐈𝐎𝐍: Get it? Anyways, Aaliyah’s Evolution from Teen Idol to Full Blown Superstar!

In the Mid to Late 1990s, Aaliyah’s style evolved into something with the makings of a rebirth—a renaissance for her womanhood. The teenage tomboy crooner had grown into a young woman navigating mainstream success, and her fashion began to reflect that portion in her narrative.

Many of those who adored her for her music also adored her fashion sense as it became less practical and increased in intricacy. She traded her baggy pants, oversized leisure wear, and cropped tees for sleek leathers, fitted dresses, and high-fashion-grade ensembles that added more contrast and texture to her wardrobe.

Though she never shied away from wearing color, her palette during this era took on a more toned-down colorway to emphasize her maturity: rusted earth tones, browns, grays, and lots of black.

Her red carpet looks became increasingly refined during this era, showcasing her versatility and ability to transition between different fashion personas seamlessly. As she navigated her way through the entertainment industry, tackling acting roles and additional modeling campaigns, how she presented herself began to attest to her evolution as a person with each project she put out.

Her ‘One In A Million’ era was the dawning of a new point in her career, with the sophomore album marking a transition into a more cultivated sophistication in her artistry and welcoming bolder accessories for her coming-of-age narrative. She showed versatility as she was praised on cover shoots for teen magazines nationwide and reserved her edge by allowing her signature shades, oversized jackets, and necklaces to appear.

Her self-titled “ Aaliyah “ album era was the last project released during her time here. This era was the pinnacle of her evolution. This portion of her art saw her embracing sultry vocals and lyrics, all the while coming into the glamor of stardom and confidence with every public appearance. Statement pieces and bold colorways once again found themselves in her look. Avante-garde designs, high fashion designer-brand labels, and intricate detailed pieces and patterns, to name a few— demonstrated her fearless approach as a trendsetter and tastemaker.

This era leaves a bittersweet imprint in the minds of many. While we applaud the woman she was becoming, we cry for the sweet spirit we lost so tragically and too soon.

𝐀𝐀𝐋𝐈𝐘𝐀𝐇, 𝐓𝐇𝐄 𝐌𝐔𝐒𝐄: Her Homage to High Fashion

Her partnership with Tommy Hilfiger in the mid-1990s was a groundbreaking moment, as she became the face of Tommy Jeans, effortlessly blending mainstream fashion with hip-hop culture.

Aaliyah's influence also reached luxury fashion houses like Versace, Gucci, and Alexander McQueen, where she was admired for her daring fashion choices and ability to push boundaries.

She seamlessly incorporated pieces from these brands into her wardrobe during photoshoots, music videos, and other public appearances, showcasing her impeccable taste and fearless approach to style.

Aaliyah's affinity for luxury fashion not only elevated her image but also helped raise the visibility of these brands within the urban music and fashion scenes.

She famously wore a custom-made Tom Ford for Gucci leather jumpsuit in the music video for her song "Try Again," a look that continues to be complimented.

She rocked a stunning black silk organza gown from Alexander McQueen’s Spring/Summer 2000 collection in her final music video for "Rock the Boat." Along with designs by Thierry Mugler, including a metallic silver jumpsuit during her performance at the MTV Video Music Awards in 1998.

Her legacy as a style icon inspires designers, artists, and fashion enthusiasts worldwide, solidifying her status as a timeless muse for high fashion designer brands with an unstoppable influence.

𝐓𝐇𝐄 𝐔𝐍𝐒𝐓𝐎𝐏𝐏𝐀𝐁𝐋𝐄 𝐈𝐍𝐅𝐋𝐔𝐄𝐍𝐂𝐄: 23 Years Later…

Aaliyah's influence on fashion transcends time, resonating even in present-day trends 23 years after her untimely passing. The entire thesis of this exploration is to emphasize how her style continues to inspire a new generation of fashion enthusiasts, celebrities, and influencers all these years later. I aim to stress how her incredibly unmatched talent and passion for fashion collaboratively created a legacy that still holds her light.

Modern-day stars like Zendaya, known for her boundary-pushing fashion choices and effortless blend of streetwear and high fashion, often cite Aaliyah as a source of early inspiration.

Similarly, Ciara's bold and glamorous style pays homage to Aaliyah's rule-breaking approach to fashion, with her outfits and statement accessories reminiscent of the late icon.

Tinashe, an independent artist and producer, embraces Aaliyah's signature tomboy-chic aesthetic, infusing it with her own modern twist to create a unique and captivating look.

Aleali May, who in my opinion is a fusion of Aaliyah & Kidada Jones’ essence, is a designer stylist and continues to be a rising star in the fashion world, channels Aaliyah's relaxed and understated elegance in her streetwear-inspired looks and all of her designs, proving that Aaliyah's influence knows no boundaries.

Even global superstar Rihanna, known for her daring and trendsetting style, acknowledges Aaliyah's impact on fashion, paying homage to her in her music and fashion choices. Along with the beautiful and eclectic Teyana Taylor further attesting to the power of a legacy as well.

Beyond celebrities, influencers and public figures across social media platforms continue to celebrate Aaliyah’s fashion that came before her time, reinterpreting it for the digital age and keeping her legacy alive for generations to come.

Aaliyah's style and unapologetic individuality continue to serve as a reminder that true fashion icons are immortalized not only in memory but also in the enduring influence they leave behind. Great art never expires.

━━━━━━━━━━━━ 𝐒𝐎𝐔𝐑𝐂𝐄𝐒 & 𝐒𝐎𝐂𝐈𝐀𝐋 𝐌𝐄𝐃𝐈𝐀:

CULT HER INSTAGRAM

CULT HER TWITTER

PERSONAL TUMBLR PAGE

ADDITIONAL LINK TREE

COPYRIGHT & REPOSTING NOTICE: All written content and picture edits in this Tumblr post are original creations by me, from my own mind. Reposting or unauthorized use without permission is strictly prohibited. Please respect my work. I also have stated numerous times I do not own the original images used in my edits for this post. I claim no ownership over those. © MIA GOLDS / CULT HER.

━━━━━━━━━━━━ 𝐅𝐎𝐋𝐋𝐎𝐖 𝐅𝐎𝐑 𝐌𝐎𝐑𝐄!

105 notes · View notes

oleander-nin · 1 year

Note

Hihi! I love your writing for the yan!rise turtles! I'm not sure if you take requests, but, may I request a post about the yandere turtles reacting to or interacting with a s/o who copes with the stress of their kidnapping by singing? The songs I think of would be like musical style songs like ballads that really convict emotions.

If you don't take requests that's totally fine! I hope you're having a great day/afternoon/night!

A/N, not important: This isn't as Yan as I wanted it to be, but this would literally be like, the optimal situation for all of them. If it sucks majorly, just send me another ask, and I'll edit it to make it more dark. Thank you for requesting, you literally requested like a minute before I closed them you lucky duck. If you're ever curious about requesting, you can check my pinned post which has my requesting rules linked. I recommend you always check that before requesting. I'm trying to push out as many as I can because I want to clean out my inbox before I post the 100/200 follower special. It's impressive how fast these can go once I stop being such a lazy prick. Posts are probbles gonna be a bit shorter for a while, my apologies. Any criticism is welcome, constructive or not. This is supposed to be a gender neutral reader, so if I screwed up somewhere, please tell me.

-Ollie

Tw: Themes of being kidnapped, obsessive behavior, isolation(Donnie), yandere themes, coping mechanisms

Words: 639

Summary: The Yan! ROTTMNT turtles deal with a S/O that sings to cope with being kidnapped.

Mikey:

Is intrigued.

Will usually try and hang around while you’re singing, finding your voice soothing. Even if you sound like a screaming goat, he still loves it. You’re perfect, and so is your voice.

Encourages it as well.

Not only does he love to hear you sing, but he also recognizes it as a healthier coping mechanism.

When you’re singing, even if it’s a really sad song, you’re not really fighting him or using some destructive coping mechanism.

Has you sing while he draws. Feels it brings you both closer together, the both of you making a form of art. Yours just happens to be intangible.

Records it when he can and shows off your singing to his brothers.

Is very proud of you and your talent

Pretends it’s not a trauma response/a coping mechanism.

He is well aware that it is, but he likes to pretend it isn’t

Donnie:

Either sits you in his lab with him, or records you while you sing in his room.

Since those are the two main places you’re going to be, he’s able to almost always listen.

Plays the tapes of you singing when you are either refusing to speak to him, or he’s punishing you via isolation and is unable to listen to you in person.

If you sing more musical style songs, he will 100% try to duet with you, especially if it’s a love song.

Will just tell you to sing sometimes. If he gets overwhelmed, and needs some form of stimulation, he goes to you and just sits in front of you and demands you to sing.

Gets incredibly huffy if you refuse.

On the flip side, he can also get extremely irritated if you’re singing for too long or if it’s distracting him or something.

Will demand you either shut up or make you go into your little isolation room to sing since it’s soundproof.

Raph:

Just a friendly reminder for Raph’s before I get yelled at. You might not actually be smaller than him, or weaker than him, but he very much sees you that way.

Anyways, he finds it cute that you sing to deal with your stress.

You’re already so fragile and weak, but you sing to cope too?

Now that’s just plain adorable.

It’s just proof that you need him. Your mind is too feeble to deal with the stress head on.

You need him to take care of you, and he’s happy to listen to your little performances.

Will scoop you into his arms(or drag you towards him if you’re bigger) and hold you tight, having you sing away while you're stuck with him.

Doesn’t understand why you stopped singing after he grabbed you.

He’s only helping after all.

Leo:

Sits criss-cross applesauce in front of you as you sing.

Very much appreciates and likes it.

Mikey mentioned offhandedly it being your coping mechanism, and Leo thought it was a really pretty one.

Begs Donnie to figure out how to cleanly record your voice without you knowing.

He wanted to listen to you sing while he’s on patrol or in battle.

Like Donnie, would try his best to sing along.

Or hum along since he doesn't want to disrupt you too much.

Usually drops what he’s doing to come listen to you, gives you all his attention.

It’s unnerving, but he doesn't want to miss a single moment with you.

Especially not when he finds your voice such a gift.

Has you sing before you both go to sleep, likes to pull you close to his chest and bury his face into your neck as you do so.

Is incredibly conflicted, he wants to show off your voice to his brothers, but at the same time, he wants to be the only one to be able to hear you.

246 notes · View notes

demonslayedher · 3 months

Text

Not-very-spoilery thoughts on the movie release of Pillar Training (+SSV conclusion)

Behind a cut anyway just in case!

--Very nice to hear familiar background music brought back--Yuukaku themes when Uzui & his wives appear, Mitsuri's "Koi Kogare" BGM when she has a good batch of lines, Giyuu's BGM as he's like, "bye"

--I am very happy with the new OP, both sound and imagery-wise.

--One very short clip in particular made me, a fanfic writer, very very happy, but then there was more gratuitous focus that reminded me of another one of my best fanfics. The rewards of writing fic as closely based on canon as I could get them gives me the satisfaction of feel liking like canon-based imagery honors my fics by extension.

--Speaking of imagery in general, Ufotable is finding lots of ways to try to harp on the idea that everyone's wishes to destroy demons find their accumulation in Tanjiro, the Sun Breath user and first person in centuries to unlock the Mark. It is perhaps a little clumsy at times, but hey, that's a theme I like in this series.

--I was sad that Suma sounded so different, and had to look up afterward if she still had the same seiyuu. She does, but I think they might have given her totally different vocal direction so that she wouldn't sound too similar to Mitsuri

--Japanese crowds tend to be very quiet at movie theaters, but people could not contain their giggles at many of Mitsuri's lines

--I had the honor of sitting next to a huuuuuuuge fangirl who before the moving was saying stuff to her friends like, "(Hanae) Natsuki-san was at USJ the other day, and since it's a VR ride, you know, you have to wear the goggles, and I think, what if I wear the pair that he wore??? You know?? Our faces??? Would be so close?????" and then at the review of previous seasons at the beginning of the show, she started crying the instant the Mugen Ressha part started. Not loud crying, but crying.

--You can tell everyone was waiting for the "welcome back" scene, and although I thought Zenitsu would steal the show in that scene, it was indeed Nezuko. In the seiyuu greeting that was broadcast across all Japanese theaters on the opening day, Shimono-san noted that he thinks the audio was turned down on his performance of that scene. I think it was probably was too.

--So much happy daily life in this episode. If you have any friends who complained about last year's theater showing being a let-down because it was just regular anime episodes instead of a Mugen Train style movie, please tell them to just sit this one out and spare us their complaints. Most of this showing was just Tanjiro having a nice time after having a panic attack over Nezuko (oh, and like, killing Upper Moon Four, that too).

--Shinobu's hair seems distinctly longer. Giyuu's hair seems distinctly fluffier.

--Ufotable has put a lot of touches into humanizing Amane

--I wish Ufotable would stop trying to drive the "Zenitsu thinks Aoi is happy to see him (just because Aoi is a girl)" point. First off, yes, Zenitsu being a creep to girls is played up a bit in the anime. Second, the first fanbook states that the only kind of girl who is not so much his type is the Aoi-type.

--Also, on the promo art, I like the design they gave Shinobu's sword, but that's ignoring the fact that the four engraved kanji characters are on either side. Go ahead, Ufotable, hire me as your canon double-checker. EDIT: Oh wait, that is its sheath. Lovely, carry on.

--That said, the original filler they gave us? Gold star. Excellent. So happy with it. One... well, two tiny nitpicks that don't bother me much but stating it here would spoil it.

--One more non-spoilery thing to say about that filler: the people at Ufotable were probably like, "our fans are nerds. We already give them this, this, this, and that to nerd over. You know what else they are probably nerds for? Yeah. Let's give them that." Thank you, Ufotable. This nerd accepts and loved it.

--Tiny Nezuko filler as they set the stage talking about Muzan is probably looking for her? LOVE THAT TOUCH, at every level.

--Shinobu does have multiple goldfish, but they look a bit different?

--Genya's makes the best face in this whole episode

--Speaking of Genya, in the seiyuu greeting they had actors in big chibi costumes of the Kamaboko gang come out... PLUS GENYA. Giant chibi grumpy Genya was so, so, so, so freaking cute. Also, his seiyuu Okamoto got to join the stage with everybody and was talking about how he always used to scroll through his social media seeing the other seiyuu at KnY events and he was like, "sigh... sure looks like everyone is having fun..."

--Hanae Natsuki and his wife are big Genya fans, though, it seems

--Okamoto had a lot of trouble performing young Genya in the flashback, especially the emotional screaming. The desperation Genya always displays as he fights? That was Okamoto. --Meanwhile, Matsuoka always looks very overwhelmed at these things. I think having to embody the spirit of Inosuke terrifies him.

--IT WAS SO GOOD TO HEAR INOSUKE AGAIN

--Those actors in chibi costumes? The Zenitsu and Inosuke ones embodied them SO WELL. I don't usually care for those giant mascot character costumes, but these were legit so much fun to watch, like with Inosuke going right up into the cameras and Zenitsu trying to pull him back and then the two of them pushing and shoving. Zenitsu acting like he is being bullied and Inosuke showing off his muscles. I loved them. I am very sad that I will not be in town when they travel across Japan and come to my area.

--Also, the baritone voice of Oyakata-sama's personal crow? LOVED IT.

--Himejima at the the Pillar Meeting is such a statement. The new promotional material has a tag line that prominently uses one of the kanji in his name ("cry out"), and I feel like this is set-up for him to have a lot of impact later on in this season. Here's hoping!

--I am probably gonna go watch it again in a couple weeks, ufufufu

--Which is worth it for that KIZUNA NO KISEKI REMIX WHICH SOUNDED SO COOL IN SURROUND SOUND, OH MY GOSH

57 notes · View notes

landoffreaksandfrogs · 8 months

Note

what type of youtubers would the trolls be? Karkat would definitely make rants and reviews of romance movies, Kanaya would make makeup or fashion tutorials, Sollux has an IT channel he made so people stop bugging him (nobody ever bothers checking it instead of asking him)

quick spitballed ideas bc this is such a cute prompt

aradia - reviews of inaccurate halloween decoration skeletons. theyre not rated on anatomical accuracy but by how much swag they have. most of her other videos are short clips of her livevlogging her day and telling short stories, but shes funny and witty so they do numbers. very low effort and low cost, but shes having fun.

tavros - CARD PACK UNWRAPPING. guy who in no way can afford his hobby but keeps getting these card packs for his channel. surprisingly relaxing to listen to while you have him minimized in another tab while you do something else. he goes over each card in the deck and their effects as well as rarity.

sollux - basically what you said. IT guide on walking through common computer problems. horrible mic quality, but really helpful information.

karkat - ABSOLUTELY would be a movie reviewer. no facecam but for whatever reason has CRISP mic quality. somehow NEVER peaks his mic despite all the screaming he does. he loves media analysis and getting pissed off over fandom drama so hed probably also do breakdowns of scandals in fandom spheres, and somehow almost getting sued.

nepeta - SPEEDPAINTS. and like. flipnote hatena style amvs. obviously very amateur but its a very cute art style and she has no concept of copyright infringement.

kanaya - makeup tutorials and fashion reviews. would definitely be like that one youtuber who reviews the accuracy of historical fiction dresses in film and tv. everytime the virgin mothergrub is in the background of her videos her comments are spammed with "MOTH MOM REAL"

terezi - animated shitposts. like. grinchs ultimatum, garfielf, shit like that. REALLY bright colors and shitty linework with windows moviemaker transitions. no one knows who she is and shes never done a face reveal so shes a total enigma. there are deep web theories that her videos are anti-empire propaganda.

vriska - flarping tutorials. genuinely. she goes over mechanics, spells, class breakdowns, even shares stories of her own flarp campaigns. VERY passionate about it and kind of has an asshole youtuber persona. posts an apology video like once a month then goes on like nothing happened. replies to every mean comment.

equius - weightlifting videos. dead silent. just grunting and metal clanking. no editing. addresses every comment in every video. lots of heavy breathing. very uncomfortable. almost like performance art in how desolate it feels.

gamzee - cooking videos. its as bad as it sounds.

eridan - showing off everything in his hive and talking about it. his guns. his outfits. ranting about pollution. each video is an hour long. its mostly just him complaining or bragging about the stuff he owns.

feferi - has a live feed of her cuttlefish pen going constantly. posts animal care videos. posts music. does challenges. her youtube is kind of an inconsistent mish-mash of content but one thing remains: you will watch her cuttlefish.

#ask #anonymous #PHEW this was a long one let me know if you guys have any other ideas

130 notes · View notes

raposabranca · 1 year

Text

Okay, I'm going to talk about this on my main art account because I haven't seen this being addressed yet (there are obviously other pressing matters) but I believe it deserves to be acknowledged both by art appreciators and artists alike:

ANIMATIC ISN'T WHAT YOU MAY THINK IT IS. "Fan animation" IS NOT called "Animatic".

This is not me being a snob, it's what the words were created for, and using them wrong may be misleading at best and upsetting/unrealistic at worst. Allow me to explain in as much detail as I can right now, so watch out for a long post:

ANIMATION, ANIMATIC, AND WHY IT MATTERS: THE LONG POST

First of all, remember that every animation is a film or video. Even if it's an animation that is composed by mostly static images and it may few weird to call it "animation", it's still a realized video or film (or MV - music video -, student film, etc)

Very roughly put and with many caveats as every studio/person is different, once the pre-production stage of an animation moves into production the process goes like this:

STORYBOARD: A storyboard is a graphic portrayal of a narrative, concept, or script, divided into sequential scenes (panels). Usually, it is done based on a written or roughly drawn script, and it serves to translate the story visually so placement, movement, timing, and camera angles are better understood or articulated. It's often done even for live-action movies.

They can be as detailed or as general, as clean and shaded or as scribbly as they can. Their point is being a visual sequential reference to the script.

Examples (more here):

Batman: The Animated Series opening

This Batman storyboard puts a lot of effort in making the images very clean and readable and in high contrast, which is useful in a noir series.

Super Mario Odyssey cinematic sequence

Mario is a lively series where depth, character silhouette, and fluidity are favored, so it's okay if the storyboard is scribbled if it's coherent to the movement and characters.

ANIMATIC: An animatic is a string of storyboard images edited together with sound to illustrate how a sequence will flow in motion. (...) [It] is basically an animated storyboard. The same images you’ve already created as a storyboard are now put into a video and can include dialogue, sound effects, and music.

TL;DR it's a storyboard, that is, those static panels that can be as detailed or as rough as they must, put into motion and with added sound.

Animatics are useful to keep track of timing, placement, acting, etc, which you can't do very well with static images. They may contain placeholder images, stock photos, live-action acting frames, and even fully animated sequences that were previously done - whatever it's needed to help. Technically, some are animation. But they are, by definition, unfinished animation.

Examples:

Coco - "Un Poco Loco" finished animation vs animatic:

youtube

This is Pixar here and the animatic is scribbles. There is fluid, expressive animation there in order to communicate the livelihood of the sequence, but no more.

This wonderful thing:

youtube

Dan Harmon recorded a real court order discussion and drew the animatic on top of it, but he didn't intend to do a finished animation from this. Therefore, those are cleaned-up simple static drawings that still convey the absurdity of the video so it can be presented to the audience, like a sketch.

Mari Flexion's "Epiphany" , from the eponymous "fluff" extra from The Magnus Archives:

youtube

Like Harmon, Flexion never intended to fully animate this piece, but unlike Harmon - whose style is simpler and more cartoony - Flexion did this with time and in an elaborated style. There are moving parts and even simple animations in there, shadows and fully conveyed details like clothes and freckles. However, by the nature of being a sketch of an animation, it's an animatic.

ANIMATION: Once you have the storyboard and (if necessary) the animatic fully realized, the "animation" stage can start - this is the refining and production of what will become the final film. This stage is composed of many other stages that characterize how close to the final product something is. Stages will vary depending on the type of film you're doing, but Ill use some of my work to show some of the most common ones in 2D animation. (you'll notice that the timing changes from one place to another; that's because I'm only one person doing that on my pace and not a studio, and also I'm a gremlin)

Rough animation: The closest to animatic; some animatic can be considered rough animations:

Cleaned-up: Rough animation that has the final lineart/style that will be used in the end (sometimes static elements are already finished; animation can be weird)

Flat colors (or flats): Where the colors without effects/shadows/lights are added.

Final: With everything else (and here, because it's a video, it contains the music I timed everything on)

tumblr_video

Originally posted here (final video) and here (work in progress gifs)

AND THEREIN THE ISSUES BEGIN

I've been observing in the last years that a lot of people are calling near-finalized, very-into-production animations "animatics". Not only fans are saying that, but sometimes artists themselves seem to consider stuff such as the following as animatics:

Shandzii's "It's tough to be a god" (original characters)

youtube

It could be argued this is a very elaborated animatic, but the amount of finished animation, detail and cleanness would put it at rough/almost clean-up animation.

@twinkle-art 's and @worldformula `s "The Magnus Archives - villain(빌런)"

youtube

This is a finished video, despite the lack of "animation" mostly.

SprectroliteAAA's "Death by Glamour - Mettaton vs. Frisk Fight"

youtube

This one has been bothering me for years now - it's a fantastic, almost fully realized rendition of this sequence, it's called "rough animation" in the opening, but it's called "animatic" on the title hhh

"But Branca," I can almost hear you say, "why does it matter?"

Well... it's not something that is urgent, or pressing, like I said before. AI- generated stuff and N/F/T/s are actual problems, but that's beside the point. Still, it's a trend that is becoming stronger, and the immediate issues I see are:

For artists: you'll look like a fool: No one is born knowing stuff, but that's inadequate vocabulary in artistic circles - especially in animation ones. If you call an animation "animatic" because it's digital, fanart, or a music video, it may sit wrong with people in the industry. You want to know which words mean what.

For art appreciators: it may sound derogatory: If someone posts their finalized film and you call it an animatic, it may rub the artist the wrong way. What if you wrote a whole fiction book and someone called it "your notes"? It's finalized work - call it for what it is.

For people who make/hire artwork: "But that's not what I/you asked for": The idea that animatics are "supposed" to get to more and more polished levels cause potential conflict between art professionals and costumers. The terms are laid out for clarity, and if "animatic" has a double meaning, people can be upset for getting "less" of what they wanted to get. Worse, calling animation/film "animatic" creates unrealistic market expectations. "Well X artist did that kind of animatic, can't you do that?" is a very hard situation to be in, as an artist. We may sell our work for crumbs just so we get the job, being exploited to do work we're not really supposed to due to a fiction.

For everyone: it can generate confusion and conflict: "Animatic" a term from the film industry. Some terms from some places may be redefined into something better or more appropriate, but this one creates miscommunication for the reasons mentioned about. Worse, it can create miscommunication between groups of people, particularly in fandom. Knowing the right words is the most conducive course of action.

Anyway, I hope this long ramble helped! Go spread the love for animatics and animations and videos all around!

#animation #animatic #art #art resources #information #youtube #raposabranca #god i wrote this during class i hope i stayed on topic

363 notes · View notes

britt-kageryuu · 1 month

Text

Karaoke Night #2: A edited vod. A line in the description mentions new aged up models. Aged up as in they look less like freshman in high school, and more freshman in college/university, for Mandrin, BlueNeon, and Dee. Red Angel is perfect the way he is.

-----------------------

Leo is dramatically performing 'Could Have Been Me' by The Struts.

He's dancing with a mic stand as well. Lots of hip swaying, and tail wagging.

He's also showing off a the newer version of his model. Taller, broader, a bit more muscular, more markings on his limbs, and a bit more mature looking. While dressed in Jean shorts, knee high boots, his mask with long tails, and a simple blue tank top.

~~~~~~~~~~~~~~~~~~

Donnie is singing in a lower octave than usual. His models build is also Taller, Broader, swimmers build. He keeps changing outfits to match the song.

He's currently performing Sounds of Silence, if only to show off his voice. Some of his notes had a rumble that could be felt through the speakers/headphones of the listener.

~~~~~~~~~~~~~~~~~

Mikey is only a bit taller, but dressed in a super cropped paint splattered jacket, his mask with some art themed charms on the tails, black/orange fingerless gloves, sunset gradient colored pants, and boots.

He's currently singing and dancing to Never Had a Friend Like Me. Throwing in alot of his razzmatazz! A glowing effect on his model helped with the effect.

~~~~~~~~~~~~~~~~

Raphs model was in just black baggy pants, his mask, and red/black sneakers.

He's performing Surface Pressure, as a bit of stress relief. As performing amazingly!

The others are used to this by now, but it still hits a slight sore spot everytime.

~~~~~~~~~~~~~~

River wanted to sing a specific song, but was told no, no matter how cute they look, the song wasn't appropriate enough for a cute teal robot turtle to sing. She pouted off to the side while looking through the song list.

~~~~~~~~~~~~~~

Shelldon apparently found some older songs, and was singing Surfing USA by the Beach Boys. It sounded a little funny with Shelldons slight surfer dude accent. And a little off key.

~~~~~~~~~~~~~~

The next few sets were just rap battles between the brothers trying to trip each other up in the middle of a verse. Who won each round just depended on who was against who.

~~~~~~~~~~~~~~

A clip from a break time where Shelldon and River messed around with a large floor piano prop, and attempting to play an actual song. They keep stopping the blame the other for hitting the wrong notes, and saying the combination they need to play.

They don't realize they're both trying to play a different similar sounding song.

~~~~~~~~~~~~~~

The boys perform another couple of 90's boyband songs, and dance routines.

Though at one point someone missteps and they have to quickly get back into rhythm, and not get hit by Raphs tail.

~~~~~~~~~~~~~~

Leo decides to change it up a bit and sing is Spanish for a song or two. (If it amuses you yes one of the songs is Despacito.)

What little bit of the chat that is visible during the VOD is going nuts over how his voice sounds while singing in a different language.

~~~~~~~~~~~~~~

Donnie, Leo, and Mikey are performing a J-Pop song with full choreography. They all swapped to male J-pop Idol style outfits for the song.

Though there is a bit of talk of doing a Female Idol song with the Idols Costumes, but they didn't have such outfits/costumes ready at the time.

Again what little of the chat visible is a little disappointed not to see them all in the Idol costumes.

<><><><><><><>

A clip of Leo doing a magical girl transformation to change into a blue sailor uniform type costume, before tripping on something, and the music is cut off. He was not going to live this down for a while.

<><><><><><><>

The camera shifts to see Mikey start to yawn, lean back a bit to far and fall backwards out of his chair with a loud thud.

<><><><><><><>

Raphs in the middle of a song, when his phone rings LOUDLY. He fumbles on the verse, and trying to answer to phone. He walks off the set, and away from the microphones so his call isn't picked up by the stream.

<><><><><><><>

Donnie in the middle of a song accidentally activated a rapid costume change that swapped through 10 outfits, before leaving his model 'naked'. He lets out a squeak, and runs out of frame to fix this accident.

-------------------

Masterpost

25 notes · View notes

blueberry-pride · 1 year

Text

The Vulture Of Pomefiore

Introducing Blueberry Pride's main TWST OC!

Berry: Been planning this for quite a while now and I'm finally satisfied with the lore and look of my darling Rhea of Pomefiore!

Expanding my edits using my own art and I thought what better way to debut my stuff than to draw my TWST OC. Can't really be using the official groovy/art forever so this is me showing you guys what kind of style you can expect from time to time.

Brief Lore Explanation

Rhea comes from a world that's the least magical and as mundane in comparison to Twisted Wonderland. Things started to take a turn from the original path when the dark mirror sorted the unsuspecting grubby girl into the dorm of The Beautiful Queen.

Unbeknownst to Rhea, her features, her habits and to her very purpose in NRC has changed. Taking up the role of the vultures, the very same that were a part of the untimely demise of The Beautiful Queen in the original story.

Grade/Class Predicament

Since our girl is 18 yrs old but still as fresh and as helpless as a newborn in this strange world, she is what Crowley likes to call a 'Floating Student'. She is still originally placed within the first years due to the curriculum and all but she is required to participate in a few classes as well as events that are part of the 2nd and 3rd years. One of the reasons being is to catchup, relearn and 'socialize amongst her age group' (Headmage's words). So all in all, more assignments, make-up classes after school. Rhea's fine...so far.

Her Surname

The last name 'Villanelle' comes from poetry. Originally centered around pastoral scenes and many themes about the countryside. Recently, poets and writers use to talk about all sorts of things like celebration, sadness, love and loss.

I wanted to give her this name to appeal to her artistic and literature side, pretty much giving cottage-core vibes. Mostly her romanticizing certain aspects of her old mundane life before she got isekai'd into TWST. Another reason being is that it sounds like 'villain' and TWST IS based on Disney Villains so I thought it could be funny-

Rhea Trivia

Likes to look for 'junk' and upcycle it into something beautiful and useful. (This was inspired by vultures who are like scavengers and scavengers break down the corpses or leftovers so that it could recycle into the ecosystem and shi-)

Because of this nature, she's good buddies with our hyena boi Ruggie, who helps her find cool stuff around campus and in turn, she would give these crafts for him to sell.

Has a habit of picking stuff up from the ground or in random places that she presumes are unwanted. Especially pretty, peculiar or shiny things. (Inspired by birds' habit and as a part of Rhea's overall curious nature)

With her habit of gathering stuff, her eyes are very keen into finding such items even when they're in the corner of her eye. (Vultures having keen sense like good eyesight and sense of smell)

Whenever she does find something or even someone interesting, she has this weird ass habit of circling around them until she's certain that they're approachable.

Speaking of and ironically, this girl unfortunately wears glasses almost everyday due to astigmatism. However, there were occasions that she could still find things even without them due to her intuition.

With her sense of smell being more sensitive, she gets light headed whenever she's in alchemy/potions class and then gets excused to the nurse's office quite often. (Professor Crewel gives the nurse a heads up every time at this point)

Often gets messy be it intentional or unintentional. often times there's a twig somewhere in her hair for god knows what reason. Tis a good thing she has her trusty hygiene kit with her at all times.

Like the vultures in Snow White, she is always accompanied by someone wherever and whenever she goes out. You'd always find her in a duo or more.

Speaking of, her closest friends are Epel and Jack (her classmates~) Ruggie, Light Music Club (who originally wanted her in their club) and Rook (Whom she looks up to and see as an older brother figure)

With clubs, Crowley thought it would be a fun idea to draw lots of what Rhea's club is going to be (not even telling her beforehand smh). Low and behold the Headmage got Magical Shif/Spelldrive.

Rhea really got into broom flying class as she gets to see the view from up above, she also likes the wind in her but most importantly the rush she gets while up in the air.

#twisted wonderland #disney twisted wonderland #twst #disney twst #twstファンアート #twst edit #twst wonderland #twst oc #twisted oc #yuusona #twisted wonderland oc #twst pomefiore #pomefiore #pomefiore oc #twst fanart #twst art

137 notes · View notes

delurkr · 2 months

Text

Anne and James and sibling OCs in 1948

1948 being the year Anne and James married. Penelope is Anne's sister, and everybody else is James's family.

Cropped sections are further down. There's some connections from @108garys 's Super Massive Family Tree that play into everything (here's their portrait of older Penelope), and I'll leave it to them if they want to refresh everybody on the details. (Edit: 108garys gave lore in the notes). Some of the OCs have more lore than others, but I'm not getting into it here or doing deep dives about personalities and all that, so I just stuck together very non-deep little likes/dislikes/favorite activities lists for everyone. But first some notes on the art:

I went for a balance between dressy and casual, so most of these wouldn't be everyday outfits but none of them are formal either.

Nobody has naturally curly hair. Shirley has a perm, and Anne and Penelope use only curlers. (Unlike the other two, Penelope doesn't curl it every day).

If Anne's dress looks piecemeal that's because it is. Around 1948 was when women's fashion was transitioning from shorter wartime styles (minimum fabric) to longer hemlines, but ofc most women didn't just toss out all their old clothes, so the new things they bought were in the new style, while they also continued wearing what they had and sometimes altered their shorter things in various ways. The white border on Anne's dress is a recent addition, and so is the embroidered pocket because big pockets were also fashionable and it was intended to make the border look more like it belongs.

Shirley uses a brace, a built up shoe, and sometimes a cane due to effects from having polio when she was very young.

Bob has been in the U.S. Army for four or so years and he's currently a corporal. If part of his uniform is inaccurate then oh well because there were some details I just wasn't finding clear answers on (do point it out if you know something that's wrong tho). Also that's his hat he's holding in case it's hard to tell.

Ok now for the other stuff:

Anne, age 17 -

Likes: Dancing; recycling; Frank Sinatra music (don't spread it around); telephone party lines; the scratchy sound of crossing things off her to-do list.

Dislikes: Noisy children; poetry; men's cologne; bleached blonde hair; house pets; wrinkled clothes; rain on her hairdo; complainers; people with bad posture; anonymous love letters; being late; people who are late; unraked leaves; these peasants (most of the boys at school); being told she's too opinionated.

Favorite activities: Growing plants, mostly flowers; taking the mick out of James ❤

Penelope, age 8 -

Likes: Bicycling; puppies; reading, mostly fairytales; sticky sweets; movie stars.

Dislikes: Mud; talking to strangers; not having had her first kiss yet; never getting the lowdown after Anne's dates.

Favorite activity: Eavesdropping on the phone party line with Anne.

Shirley, age 24 -

Likes: Card games; chickens; picnics; reading; red on just about anything.

Dislikes: Snow; frogs; Bob; the sound of her own voice.

Favorite activity: Canoe rides to read on the open water. Her preferred victims to accompany her are James (she'll use her oldest-sibling authority for as long as she can) and whoever she happens to be dating (is that a weird date? idk but she calls it a no-go with a guy if he can't handle the quiet time).

Bob (Robert), age 22 -

Likes: Arm candy; being outside; cheating at card games; beer; animals, especially wildlife; pulling practical jokes on April 2.

Dislikes: Peas; serious conversations.

Favorite activities: Hunting; chasing women. (These things are not connected).

James, age 19 -

Likes: Holidays; history; picking dumb arguments; playing hockey when the pond freezes over; reading; PDA with Anne ❤

Dislikes: Waiting; hand-me-down clothes; being called Jimbo; having glasses.

Favorite activity: Finding money on the ground.

Clarence, age 11 -

Likes: Pocket knives; pirates; model train sets and dollhouses type stuff.

Dislikes: Surprises; hugs; getting up early; "old" people; getting his picture taken (that one's partly a joke, because I accidentally drew him looking a little moody for no reason).

Favorite activity: Fixing appliances and things around the house (under supervision because "fixing" is a bit of an overstatement. He can take things apart but has yet to learn how to properly put them back together).

Kathy (Katherine), age 7 -

Likes: Parties; collecting things; Brothers Grimm-style fairytales; terrible creature horror B movies.

Dislikes: Bugs, especially bees; nightmares from the terrible creature horror B movies.

Favorite activity: Poking dead animals. Trips to the butcher and dead mice found in the attic are her lifeline for now until she starts doing dissections in school. She definitely doesn't store said mice under her bed in jars she stole from the kitchen.

Cool so now that everyone is sufficiently grossed out I'll leave it here for now 😊 Stay tuned I guess because sooner or later I'm going to follow this up with the three youngest when they're older, around 1959 because that was a happening point in time for them. And lastly, 108garys is free to hate anything I wrote because we share the OCs but I consulted them on very little of this lol.

#this post is kind of a mess #but never mind everybody look at mah babieees #fanart #my art #anne clarke #james clarke #tdpa ocs #super massive family tree #midcentury tdpa #midcentury supermassive #the dark pictures anthology #little hope #not gonna tag tdim but that is relevant

24 notes · View notes

ystk-archive · 6 months

Text

[Translation] capsule in girls '60s magazine (Feb. 2004)

When I first saw their music videos, the striking visuals immediately caught my eye. Simplistic designs, vivid color schemes on the outfits and sets… I can't describe the style as anything other than '60s-inspired. For the first edition of our "Pick Up Artist" feature, it's one whose existence fascinates me — let's take a look at the charm of capsule.

capsule is a music unit consisting of Nakata Yasutaka, whom manages the sound, art direction, design, concept work and so on, and vocalist Koshijima Toshiko. Nakata directs the image, visual aspects, and songs while Koshijima performs it all, resulting in their unique style. - original interview by Aikawa Chisato, translation by ystk-archive -

The reason behind their '60s-inspired visual style

Nakata: To be honest, I don't have any particular attachment to the '60s. I just like unique and minimalistic things, stuff with interesting shapes and clean designs and whatnot. It started when I got into interior design, and at first I especially liked Space Age furniture.¹ That's changed a little recently — I like pieces made out of wood but still with that outerspace kind of vibe. Even when it's made from wood, it doesn't feel natural, it still has this sort of odd look. When it comes to the '60s, I like the plywood that they often used. But I'm intrigued by Karimoku furniture too (laughs).²

— So would you say you're more interested in space and not the '60s?

Nakata: Yeah, and I guess sci-fi movies played a part in that. In movies like Men in Black you often see Tulip chairs, though I don't think they were used to evoke a retro or '60s feel on purpose.³ With films like that I tend to focus more on the furniture and not the overall atmosphere; if anything, I see furniture along with fashion as objects that look nice when put into a scene you're taking in as a whole. I like to come up with unconventional settings. Women are usually depicted in sci-fi films as secretaries, all wearing identical wigs and uniforms, and I like that kind of weird atmosphere. So instead of me consciously liking '60s aesthetics, I wound up thinking they were cool without making the connection that they were from that decade. I also love clothes that incorporate simplistic, striking designs, since they're like spacesuits (laughs).

— How do you feel about wearing clothes like that?

Koshijima: I'm also not obsessed with the '60s or anything, but I like to play around with that era's clothing and makeup styles. It's more fun than just wearing normal clothes.

— Have you two had similar tastes all along?

Nakata: Our tastes used to be completely different. I feel like she's adjusted to match me.

— So Koshijima-san is committed to being a model?

Koshijima: Yep. I haven't changed my approach, ever since the beginning.

— Are there times where you feel like your tastes really are different?

Koshijima: I don't think so. If we actually were fundamentally different, I don't think we'd be working together. Strangely enough, when I look at the materials I'm given, I start to think they're cute. Nakata: When I get an idea, I suggest it first. Koshijima: But he doesn't show me clothes or anything directly, instead he shows me photos and videos… Like I'm being brainwashed (laughs). The more he introduces me to all kinds of cool things, the more similar we become. After I watched the materials he gave me, poses and dance moves just started coming naturally to me without even realizing it.

— Maybe you ran across something from the '60s that left an impression and that ended up coming through in your image.

Nakata: Yeah, there are a lot of easy explanations for it. I wonder if we're more like a new product with a retro design that would fit nicely in someone's living room, rather than something that could be found in an authentic '60s vintage shop. I think even if we intentionally collected oldschool aesthetics from that era and tried to copy those, it'd still turn out differently, because peoples' concept of the '60s and the real '60s are two different things. But if you take parts of that concept people have of that decade and use them, you wind up with something that has the right feel to it. For me right now, the concept I have in mind is the "style" of the '60s. Instead of making clothes or objects to match up with the '60s aesthetic, the styles are already floating around in my head, and then I make content that reflects that. There were a lot of useless shapes — like aren't record players from back then weird-looking? The technology of them and the half-dome shape are of that time, but the way they look on the outside is as if someone was imagining the future while designing them. It's interesting how these days it's the opposite: now the exterior designs of things are retro while the tech inside is highly advanced. And I like both (laughs). I even like things that seem out of place. I'm drawn to a sense of disharmony.

— Would you say the essence of the '60s is woven into your music?

Nakata: Not intentionally. I think the things I like tend to show through my music on accident. Basically I want to make any music, as long as it's cute.

— So do you feel like music is essentially an object?

Nakata: Music is something I started doing because I thought I could create it. It was right when I was in junior high school, they'd made a lot of progress with technology so making cassette tapes became fun. Part of that was because I liked the feeling of winding a tape up. I liked playing around with machines more than the music aspect itself and, when it comes to decorating, I even like the look of a tape deck sitting in a room. So that's why I want our CDs to be sold in regular stores along with other kinds of merchandise. I don't think music should be classified as something special and separate; it's good if it's just one part of the total amount of belongings in a space. Rather than wanting people to listen to our music seriously, I'd be happy if they enjoy the atmosphere it gives when they play it out in the open.

¹ Space Age design was characterized by "sleek, aerodynamic lines and geometric forms," "dominated by bright, bold hues" and was often constructed of manmade materials such as plastic. You can read more about it here. ² Karimoku is a Japanese brand of all-wood furniture boasting superior craftsmanship. You can read more about it and look at examples here. ³ This is the famous Tulip chair.

#nakata yasutaka #koshijima toshiko #capsule #girls '60s #phony phonic #S.F. sound furniture #Retro Memory #2004 #magazines #interviews #translations

44 notes · View notes

in-death-we-fall · 11 months

Text

Slipknot

The Tightest Knots Never Fray

Metal Edge 48-11, March 2003

By Roger Lotring

(google drive link) Murderdolls interview here – Stone Sour interview here

“Someone has to bring down the whore, dude,” says Shawn Crahan, determinedly addressing the soulless gluttony that has devoured integrity from contemporary music. “I’ve been all over the place,” he admits, readily likening his foregone ranting as being “almost schizophrenic, man.” But for #6—the Clown percussionist of Slipknot—the corporate impurity that desecrates his sacred rock ‘n’ roll art form pits him as the proverbial David in the face of a Goliath. “People always say Clown’s a fuckin’ retard genius,” he exhilarates. “And I say, ‘You’re right.’ I’ve taken an oath, spilled a lot of blood, and I’m part of an organization that is going to do nothing but bring down the pig.”

The challenge of Disasterpieces is the first of the slings and arrows. A turbulently intense package, the very first Slipknot DVD is largely centered around a February 2002 live performance filmed at the London Arena. A fast-paced style of editing moves conjunctively with 5.1 surround sound to overwhelm both the aural and visual senses, making for an extreme Slipknot experience. An accompanying second disc features a video history of the band, including the banned clip for “Spit It Out,” plus a previously unreleased animated version of “Wait And Bleed.” Enhanced bonus material and an exclusive audio track—”Purity”—make this DVD the gauntlet of a challenge to sedentary bands reigning over hard rock popularity. “I’ve kind of made the DVD like, ‘Look, if you’re not this good, and you don’t know what the fuck’s going on, why don’t you quit and do us all a favor?’” Moreover, Disasterpieces is an architectural draft by which metal fans can judge what to expect from their music. Nothing less will suffice anymore in a landscape of media saturated mediocrity.

“It’s the cattle thing,” Clown defines, a cultural popularity branded by lethargy. “If you’re not at the back of the pack, something in life forced you to be at the front,” he says, intimating music fans as an order of natural selection. “There’s probably a chance for everyone, but it means we’re going to have to go, ‘Hey, you guys at the back of the pack, they’re going to eat you, do you understand?’” It’s what he calls an education. “That’s what Disasterpieces is,” he says by comparison, something by which metal fans can decipher the natural order of musical innovation.

Metal Edge sat down on a Saturday afternoon for an intense conversation with Clown about Disasterpieces, as well as his perspective on the Stone Sour and Murderdolls branches of the Slipknot family tree. “I used to talk about unity and pushing forward,” he concedes, noting that, “I think Slipknot did that to the point that we don’t need to anymore. Now, it’s obvious all of us are looking for our insides. We are trying to evolve Slipknot. All of us need to fuckin’ find some stuff for ourselves,” he explains, assuring diehard Slipknot fans that “they ain’t got nothing to worry about. Let the Maggots know it’s all coming for ‘em. We’re not getting older, we’re getting better.”

METAL EDGE: Is the Disasterpieces DVD meant as a means of focusing attention on Slipknot in the interim before a new album? SHAWN CRAHAN: Most people in the world have to realize that we, the band, have been doing this for seven years. We’ve been doing it professionally, nonstop, for four years. We just got to the point where we understand what home is. So, everybody’s kind of doing their own thing right now—which is totally cool with everybody in the band—because we need time. The third album is coming, right around the corner, and we know it’s going to be different. No one has to be worried about anything drastically changing, ‘cause we’re pretty focused on what we need to be. However, the third one, I think it’s gonna be a really crazy, weird, all-out war. Every member is gonna bring who he is to the table, with all the experience he’s downloaded for the last seven years. This DVD was never intended to let people know that we were alright or whatever. It’ll run its course for two or three months, and we’re starting to write the new album in January—not all of us, but people are gonna fall into place as need be. But, like I said, man, this new album’s gonna be completely insane, as far as I’m concerned.

ME: Would it be fair to say that this DVD almost closes a chapter of Slipknot? SC: I’ve been getting into a lot of trouble lately, because I’ve been telling people that it ends an era. And I don't care what anyone says about it, it ends an era. I’m not interested—the Clown is not interested—in using goats anymore. I’m not interested in half the shit that’s on our stage. Have I talked about this with everyone else? No. But I do a lot of that stuff, and I’m just not interested in the Iowa show no more. I mean, I’m done, I’m bored, and it’s over with. The DVD captured it as best as we could. There were over ten thousand people, over twenty-one cameras, and it was just pure mayhem. You got the most of the show that we could do, that we did for Iowa for over a year.

ME: But isn’t that the point? Why continue doing the Iowa show? It wasn’t meant to be forever, it was meant to be that album. SC: Right, I think people just think that we’re breaking up, or something stupid like that. But no, it’s absolutely the end of an era, get fucking used to it! People change. Fourteen-year-old fans that were there [when] we came out, they’re eighteen now. We’re changing, too, and if no one likes it, fuck off.

ME: You mentioned that this project consisted of a multiple camera shoot, comprising a double DVD. When the idea was first conceived, was it readily apparent that it was going to be so intensive? SC: I knew what was going to happen. I came up with the idea of so many cameras, and the reason was, before, we had only a couple that would film the band. I would just pretty much almost shoot myself, every time we got something in, ‘cause I was so disappointed. Great, you got footage of Sid jumping in the crowd, but what about Joey’s excellent footwork? Where’s all the angles? So, I knew we were going to have a monster. They were talking about one disc, but I knew it would be literally impossible. There’s over four thousand edits in the show itself, and that just takes a lot of information for a computer to recognize.

ME: But with a band like Slipknot, and what it does onstage, you almost have to do it the way Disasterpieces was done, because if you’re at the show, visually, there’s so much going on. SC: That’s how I edited the whole thing with Phil [Richardson]. We edited it like we were in the front row. The reason why I was so excited about being able to do this project was, just like you said, yes, it moves very fast. But how is it moving? Is it moving out-of-control, or is it literally going Clown… Chris… joey… Mick… Sid… Paul… Jim… Mick… Clown… Sid—Ya’ know what I mean? That’s what it’s doing. You’re literally getting to see the chaos as it’s being done. Yeah, it moves very quick, but so does Slipknot. [Laughing] This is for kids to identify with what the fuck exactly goes on at a Slipknot show—Who starts what, who’s playing where, and what they’re doing while they’re doing it. This is all about cues, and the only way to do it right is to do it quickly. Plus, I don’t make anything for the weak, dude. I am here to cleanse the weak away from the idea known as Slipknot. I only want people that understand, because after they take it all in, they’re teachers. And they’ll go out and start molding the future. I’ve kind of made this DVD like, ‘Look, if you’re not this good, why don’t you quit now and do us all a favor?’ That’s how angry I am at the music scene. I understand music has to move, but I’ve never felt so sorry for people listening to music right now, ‘cause it’s fucking crap! Nu Metal? Garbage! It’s garbage, dude! It is! If you know you’re a nu metal band, you’re fucking garbage, end of story. This DVD is about real music, real players—there’s not one musical overdub in the whole thing. What you hear is what happened that night. The only thing that was done, I believe, was in the beginning of “Purity,” because the pyro blew up a couple of the mics. I don’t know any bands that can go through an hour-and-a-half of intensive, dead-on musicianship as we do. I pride myself very, very much to be honored in a band in such good company, ‘cause we’re all incredible musicians, and we make it fly.

ME: So it’s fair to say that this DVD is a challenge to any other band out there right now? If you can’t live up to this… SC: …If you can’t live up to this, why are you even bullshitting? I’ve been on tour with bands that suck. And I’m looking at 'em like, ‘You got a record deal? You’re getting a chance to change the world? Who signed you, some fuckin’ dork? Some idiot over at some big company that knows the formula?’ Man, they’re all losers, dude. Record people get a formula of something that works—Just take Slipknot, for example. Look at all the little fashion statements that have been started, because a band like Slipknot works. Most of the idiots that sign bands because of us are people that said no to Slipknot. I could call four people out from every label. The industry’s a fuckin’ joke, dude! I’m in rock ‘n’ roll, and I’ve never been so embarrassed to be a part of something in my entire life. But it doesn’t matter, dude, ‘cause Slipknot’s there. That’s what we stand for, and that’s what we break down.

ME: Isn’t that a cue, then, with your band being a leader within the rock genre, to throw a monkey wrench into it and make a total left turn? SC: I think so. I never sit here and intend to break the rules. I go, ‘This is the band I’m in.’ The whole time I was editing the DVD, I said, ‘Oh my God, I’m in that band! Yeah, I’m getting to design this, and the whole idea of the DVD is mine, but holy fuck, that’s me in the band! I’m in this band!’

ME: It’s a little surreal, isn’t it? SC: Oh, it’s completely surreal, man! I am so honored to be in the company of eight dudes that fuckin’ throw down. We throw down, man, and I’m proud of it. And I’m not gonna sit back like other people in the band—Everybody would be humble. I don’t care anymore! If your band isn’t this good, then you suck! I’m tired of all the political bullshit, all the bands making fun of us, talking shit. Well, guess what? All your bands suck. None of you could do what we do. I’ve watched all of you, and it doesn’t happen. You come short.

ME: It’s like the early days of KISS, when they would be ridiculed, and then blow other bands off the stage. Nobody would be laughing afterward. SC: We’re actually now managed by KISS’ manager. And we’ve talked a couple stories, ‘cause I play music because of KISS. That was my introduction to music. In the early stages, no one knew what they looked like, and people used to flip out. And I was thinking, goddamn, that sounds a lot like Slipknot!

ME: Watching Disasterpieces, everybody’s faces have been carefully obscured to preserve that mystique. But is the marketing necessity of Murderdolls and Stone Sour detrimental to Slipknot? Joey, Corey and Jim have all been unmasked. SC: I don’t know how to answer that, man. I love Joey, Corey and Jim—As I love everybody in the band. However, things have changed now, and they’re the only ones that have to live with that. And they’re the ones that have to be responsible for that. It is what it is, man, but I don’t think it matters. Joey and Corey and Jim have found another extension of themselves, okay, and I want to clear it up. Corey is a genius. He writes all the time, all day long. I got notebooks that he’s just left laying around, full of conceptual pieces. Some belong to Slipknot, some belong to Corey Taylor. There’s things he won’t even bring to Slipknot, because it’s not the ‘Knot. And no one knows that better than Corey. Think about what he did, man. I mean, he takes the mask off—You know how hard that was? And he did it, and he’s succeeding. And I say, good for him, because that’s what Slipknot stands for. Recently, I said we’re the biggest punk band in the world. I didn’t mean like we’re a punk band, [but] I mean we live the punk feeling. We’re the biggest metal band in the world, and I got three dudes trouncing around the world without masks, succeeding, okay? That’s exactly what Slipknot is.

ME: Meaning that Slipknot is at the point where it can fly in the face of convention and do whatever it likes. SC: I think what we’ve always preached, if we’ve preached anything, is to thyself be true. Don’t ever judge me, just let me do my fucking thing. We’re Slipknot. We stand up and teach kids to stand up! Fight for who you are! Be who you are, don’t worry about it. And now, my own members are like, ‘I gotta do this.’ They go up against all odds and break down all the fuckin’ walls. And they look everybody in the face with their real face, after relying on rubber masks for fucking years? People need to shut up. Fucking ignorance, man! I don’t care what any of ‘em say, we do what we want.

ME: Isn’t that the fundamental basis of being in rock ‘n’ roll to begin with? SC: Yeah! You got Slipknot, now you got the Murderdolls, you got Stone Sour—I will bet my left testicle, there will be other things. Who knows? Every member of the band might have its own entity, and then get together as Slipknot. Oh, some might suck, some might be good. But the point is, what do you do with your life? Most people that have an opinion, aren’t you just cattle being programmed with the imprint? I’m ready for this whole thing to change, man. I’m ready for the pictures in your magazine to change color; I’m ready for people to start talking about things they want, instead of their editors. I’m ready for bands to start telling the truth and lift the veil of rock ‘n’ roll, instead of all this bullshit.

ME: Have you listened to either the Stone Sour or Murderdolls albums yet? SC: Oh, yeah. I listened to the Murderdolls by myself—Joey gave me the copy. When we’re on the road, we’re both very, very busy, and we don’t have a lot of Shawn and Joe time. But Corey, when we were in Europe last time, we both happened to be up very early in the morning, and we were on a long drive. I got to listen to the whole Stone Sour album with Corey. Sitting there with the creator of it, somehow I understood all of it and knew where he was going. I even told him what his next single after “Bother” would be.

ME: Their exploration of musical direction will be invigorating when working on a new Slipknot album. That’s going to be the most positive effect on what the band comes up with, creatively. SC: Yeah. I would have used to have told you that I’d have my people take your head off with that explanation, but I agree with you now. I mean, dude, we’ve been going for four fucking years. Only now can I say thank you to the rest of the guys for allowing ourselves to be home and figure it out. And let me tell you, the three years before being signed—Pure hell. You want to see the evolvement of Slipknot? It took fuckin’ years. I used to wear a Barney outfit. One weekend, I’d be Barney, the next, I’d be a priest. Mick would be Little Bo Peep—Look at Mick, almost seven foot tall, in a Little Bo Peep outfit, slamming with a bonnet on.

ME: But that makes sense, because it wouldn’t have worked if it was something formulated. SC: No! I’ll be honest, man, I hurt some feelings when those guys did that. I hurt some serious feelings. I think people are still angry at me, ya’ know? And that’s cool. I don’t give a fuck. So what? [Laughing] But I take the responsibility of Slipknot hardcore, man. We gave these kids with nothing, something. They were the ones that were so far gone, they were like, I’m outta here, I’m gonna kill myself. Boom—Slipknot comes alone. I’ve had kids wear Slipknot shirts—you know how they are when they wear Slipknot shirts—it’s like a fucking army. They’ll wash it every day, to wear it every day. It lets other kids now (sic) what kind of kid they are. It’s a mentality. That kid is basically telling us where he’s at, by wearing that statement. That’s why I get so nuts, [and] why people are mad at me. Slipknot’s come to a point where—we know we’re a band, dude—but we’ve become icons of responsibility in the world we live in. I try to live my words, man. I try to be really, really responsible.

#lemme know if you want anything else from this scanned #slipknot #shawn crahan #metal edge 48-11 mar 2003 #interview #corey taylor #joey jordison #jim root #chris fehn #paul gray #craig jones #mick thomson #sid wilson #THEY'RE ALL IN THE PICTURES I'M SORRY

119 notes · View notes

syrips · 3 months

Text

oc/pc ask game!!

i love these and im like WAIT i can make my own!!

disclaimer, these may contain stuff weird, suggestive, and/or potentially dark so feel free to make your own version if u want but yea here u go

sections: Personal, Aesthetic, Music, Pleasure, Pain

Personal

🧼 Soap - Does OC have good hygiene? What is their routine or methods?

💰 Money Bag - Would OC donate the change in their purchase to a charity that a company claims is benefiting those in need?

💸 Money With Wings - Would OC commit tax evasion?

🐛 Bug - If OC was a worm, would anyone love them? How would others treat them?

🎮 Video Game - What would OC's gamertag/username be?

🔗 Link - What tags, blogs, pages, discord servers, and/or subreddits would OC follow on social media?

👀 Eyes - What would be in OC's search history?

✍🏽 Writing Hand - Your OC is given five seconds to edit/alter/adjust something about themselves (or their story). What do they try to change?

📈 Chart Increasing - What company/nobility/etc. would sponsor OC?

🎯 Direct Hit - Is OC "Wanted" in any village, kingdom, etc.? Dead or alive? What is the reward for them?

Aesthetic

🎨 Artist Palette - If OC was a color (or palette), what color would they be? Would others assign them the same color?

💻 Laptop Computer - What theme would OC's device, book, belongings, etc. be? What would their background, parchment, decorations be?

👔 Necktie - Does OC dress Modestly? Skimpy? Classy? etc. Do they have a dynamic, loud, quiet, etc. style?

👑 Crown - What textures are part of OC's clothes? Fluffy? Spiky? Leathery? Puffy? Feathery? What about shiny, silky, lacy, etc.?

👕 T-Shirt - Does OC prefer to wear vibrant colors or muted colors?

🐬 Dolphin - Would OC be a JJBA character?

💄 Lipstick - Does OC enjoy fashion? Would they enjoy styling others?

🎭 Performing Arts - If others wanted to join a cult devoted to OC, what choices would OC (or you) have in the style, theme, design?

🧣 Scarf - How often does OC change their style? Daily? Weekly? Seasonally? etc.

🧵 Thread - Does OC mend their clothes (or have them mended)? Does their clothes have tears, patches, alterations? How do their clothes get worn out or damaged overtime?

📖 Open Book - Share a moodboard you associate/made for OC!

🛒 Shopping Cart - OC suddenly has a lot of money. What is most likely the cause of this? What do they spend it on?

👒 Floppy Hat - Share a (sourced) picrew you made for OC!

Music

🎼 Musical Score - Share an OC playlist you associate/made for OC!

🎧 Headphone - Does OC have a large or small range of music they listen to?

🎤 Microphone - Share a (sourced) quote, lyric, poem, etc. of something that you associate to OC.

🎸 Guitar - Someone hands OC a guitar and tells them to play Wonderwall. What do they do?

🎶 Musical Notes - A Bard is inspired by OC and makes a song about them. What instruments, sounds, melodies, etc. may OC's theme song have? What would the mood of the piece be?

Pleasure

👂🏽 Ear - What sounds does OC enjoy? If OC likes ASMR, which types of ASMR?

🎲 Game Die - What would OC's favorite (pc/console/mobile/etc.) game be?

💠 Diamond With A Dot - What is something OC indulges in, publicly vs. privately?

✨ Sparkles - What is OC's comfort activity?

💋 Kiss Mark - Is OC promiscuous? Do they have a lot of lovers, partners, and/or friends with benefits?

😏 Smirking Face - How freaky is OC? What does OC do that they believe is freaky?

🥄 Spoon - What is OC's guilty pleasure food/treats?

🎓 Graduation Cap - OC is giving a motivational speech. What do they say? Who are they saying it to?

🧻 Roll Of Paper - OC is plotting an elaborate, mischievous prank. What is their plan and who is their target?

🥰 Smiling Face With Hearts - What do you love about OC? What events, art, work do you love to put OC in?

🤗 Hugging Face - How does OC make others happy? What do they wish they could do, or plan to do for others?

Pain

👩🏽‍⚖️ Woman Judge - Why don't some people like OC? What did they do?

🚩 Triangular Flag - Is OC uncomfortable with any topic, trigger, item, or event?

🧱 Brick - What is/would OC be traumatized by?

💢 Anger Symbol - What is OC's pet peeve?

💀 Skull - Is OC cursed? Haunted? Possessed? Fated to tragedy?

🩹 Adhesive Bandage - What is OC's worst type of pain to experience?

🔮 Crystal Ball - OC has witnessed a dark omen. What is the omen, superstition, or message that is witnessed?

🪓 Axe - What tragic/dark events, art, work, do you love (or love to hate) to put OC in?

😈 Smiling Face With Horns - How does OC make others sad/suffer? What do they wish they could do, or plan to do to others?

#oc ask game #no beta we die like adventurers in barovia #feel free to rb and ask in tags w/ ur ocs or how to find ur oc list and ill ask u these hehe #or feel free to ask me any of these about my own oc/pcs!!#id love to answer these about my pcs i have a long list on my pinned okay but listen jgfdhngf-#let me know if theres any errors so i can edit it ok ty

28 notes · View notes

a-new-vers · 3 months

Text

~H5~

Woke up today to find out Halsey has set the stage for a new hunt for fans to go on. In true Halsey fashion, it's cryptic with a distinct visual style we can probably expect from this era.

So let's explore, shall we?

A Lil' Timeline:

Halsey played the 27th at Lollapalooza India. During their set before they began to play Gasoline, a visual on screen displayed a URL: FOR MY LAST TRICK (click to go to the site).

Click HERE to see a video of when it was displayed at the concert.

The Website:

The theme behind the website seems to be opening a miscellaneous stick/patch packet.

The first thing is prompting the user to "pull to open" as in a tag to swipe off. You can see the collection of patches behind the plastic wrap. Once you finally open the package, all the patches will disperse.

This is where the Internet sleuthing begins, people. 24 unique patches (technically 25, but I'll get into that later) with different meanings. Let's get into it.

1 - SNA Flight Tag

So really obscure, but googling Air California flight tag brought me to this used bookstore site. In any case, the thing to notice is the date it is attributed with, 1968.

2 - Vintage Blotter Art

According to this blog (which is the only place I could find the image), this is a vintage blotter from 1994. Blotter art is an "...art form printed on perforated sheets of absorbent blotting paper infused with liquid LSD."

3 - Blythe Dolls

I believe this doll is a Blythe doll. Image reverse search does not come up with an exact result, but from the details you can make out, the dolls eyes are quite clear. Which looks a lot like Blythe Dolls, a doll brand that came out in 1972. Their gimmick was that the eyes could move left to right.

4 - Witch Halsey

Unsure, but it would seem it's Halsey as a witch. The aesthetics are similar to IICHLIWP (H4).

If the main theme here is the 70s, there’s the movie Season of the Witch that came out in 1973, February 14th. It’s apparently commentary on traditional American suburban lifestyle through the perspective of a housewife who does not like her place in life. She meets a witch and progressively gets into the occult.

5, 18, 19, 23 - Outside of USA

5: It's hard to tell what most of the words are, but the text "Pagado" (Spanish for "paid") is on the piece of paper. . The particular location might be Palenque, a Mexican city. Relevant date: June 25th, 1977.

18: Belleville. Based on a real winter carnival programme. Belleville is a a city in Ontario, Canada. Relevant date: 1971.

19: “We smokers all want to be non-smokers too” or something along these lines. I'm trusting online translation for this (German to English). Unable to find when this was made.

23: “For Us.” French. The image search doesn’t result anything. Unable to find when this was made.

6 - Peril is My Pay

Based off of a detective book involving traveling. The font is the exact same as one of the book covers. It was published in 1960s.

7 - I have something to tell you

A sign up. I assume it has to do with being updated on any album news.

Looking through the inspect tab you can see the information is being sent to “Sony Fan Music.” It does take note of which country you are in and your address.

8 , 9 - Round visuals

I think these are visuals to give grasp to the 70s theme. It’s reminiscent of 60’s/70’s clothing/aesthetic.

10 - Michigan license plate.

1971 comes up in the plate. Michigan has come up in HFK (H2), on Bad At Love. I doubt this has anything to do about the “boy back in Michigan” but perhaps traveling back throughout her albums.

11 - Ghost

Jan 27th 2014, interesting date to put since this is the date this is all happening, just a decade after.

I've seen some people say this is meant to be the anniversary for Ghost, the song. Although it came out in 2014, its release date was in July, and it originally came out on sound cloud on February 3rd. So unsure why Jan 27th is there. EDIT: I have been made aware that Jan 27th 2014 was its international release date! I am but a fool.

The text can be in response to the lyric “Where did you go?” and the themes on the song of someone leaving. IDK, this could also be a meta thing. If a theme here is traveling and visiting locations/people, then perhaps one thing you won't find if the ghost?

Additionally, this follows the theme of revisiting her previous albums.

12 - Cannel 17

WPHL-TV is a television station in Philadelphia, Pennsylvania, United States, serving as the local outlet for The CW Television Network. The logos here are form the 60’s/70’s.

13 - Master Mystifier

Or, alternatively, Harry Houdini. The date I do not believe has any relevance here but perhaps the idea of magic.

I came about the google search “Houdini’s Last Trick” where his last trick is widely asked about. It would seem to be an inspiration for the name of the website. So potentially Halsey will lean into magic, tricks, and deception.

14 - Calling Cards

Text on card: “Compliments - May I See (C) You (U) Home? If not, please return this card.”

“May I See You Home” seemed to be a common phrase for calling cards. They were handed out to ask people out. Again, the font and images are similar to H4 aesthetic. These were used in the 18th and 19th century.

15 - B&W Hair

Oh, I actually no idea.

16 - Candy

The closest I could get to finding what this meant is when this font was used for the book Candy by Maxwell Kenton, published in 1958.

As wiki describes the plot "Candy Christian, aged eighteen, is an extremely pretty and desirable but naïve young woman, who finds herself in a variety of farcical sexual situations as a result of her desire to help others. The men in her life, regardless of age or relationship, wish only to possess her."

17 - Southern-Belle

Clearly the saying southern belle. A girl born form the south, typically with certain attributes. The saying came from the idea that “... a girl who was expected to grow up into a lady. She was supposed to be fragile and flirtatious while also sexually innocent. She was beautiful but risky to touch, like porcelain.”

https://historyengine.richmond.edu/episodes/view/2259#:~:text=Course%3A,risky to touch%2C like porcelain

20 - Rabbit

I couldn’t find anything that looks the same, but I assume it has to do with Alice and Wonderland. Concerning dates, the book was published in the 1800s, while the arguably most famous iteration (the animated movie) came out in the 50s.

However, this can relate to the potential theme of magic and deception and girl/womanhood. But I’m also inclined to think the rabbit might have nothing to do with Wonderland and might be something else all together.

21 - K-Mart

Wiki comes in handy here. As described, “Satisfaction Always icon seen on Kmart branded packaging until the mid-to-late 70s, adapted from a hanging sign displayed in every early Kmart store.” So 70’s themed.

https://logos.fandom.com/wiki/Kmart_(United_States)/Other?file=Kmart_-_1960s_(Satisfaction).svg.

22 - Eye, Eye, Eye, and Eye

The eyes. Girl IDK, they’re eyes. They kind of remind me of the biblically accurate angels and the eyes they have. Although, I doubt that's what they're meant to be.

24 - Cigarette

People seem to think this relates more to Badlands, and I’m inclined to agree.

Themes:

Here are overall themes that seem to be present within the collection.

- Travelling

- Magic

- 60s-70s

- Eyes

- Books

- A Feminist Lens

- Past albums

A Tangent on Web Dev:

I just kinda wanted to point out the cool coding stuff they've done. When the patches are still in the plastic bag, they're always randomized in which order they're in (you have to refresh to notice this). They also disperse in a randomized order. I thought maybe the way they disperse could be a trail of sorts, like a map. But it seems totally random. I still find it cool how they've done that, every time in a different location, as if you open the package they come out uniquely for each person.

Oh and about the 25 patch, it seems the first patch in your packet appears twice when you open it. Idk if the number 25 matters or if this was done by accident. But the 25th patch is a duplicate, and never one in particular, just which ever is the first in your shuffle.

The End

For now.

#halsey #H5 #for my last trick #music

18 notes · View notes