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#like i am telling you
paperglader · 3 months
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yes, it’s been three weeks, and yes, I’m still screaming about the fact that Imogen was at her lowest when she met laudna (was thinking of ending it all), and laudna had been roaming aimlessly for thirty years, utterly alone. No purpose, no reason for living, until she met the purple-haired sorcerer that saved her life no questions asked as soon as they first met, then chose to stick together forever, hold on to each other, sleep on the same bed for the next two years and help each other find answers to their miserable existence- and now, NOW that they finally got it together, got some stupid answers, and actually gained some power over the forces that had subdued them for years, KISSED, immediately- literally nine days into their relationship- the shitty world that they live in decided to make it clear and remind them that their days are numbered (significantly smaller numbers than they had accounted for) and that they won’t get to live their quiet life on a field, raise horses and just be. I AM OK ABOUT THAT. TOTALLY FINE.
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demadogs · 1 year
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nothing can break the bond between a friend who loves spoilers and a friend who just watched an amazing show and needs to tell someone the entire plot from start to finish
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tadfools · 4 months
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You guys are commenting on the fics you read right? You’re at least leaving kudos on the Astarion smut and the pairs that have less than 20 fics for them too? You’re bookmarking stories you really like that are still being updated and ones that haven’t been touched in over a year right?
You know that even the smallest interactions are like cocaine to fic writers right? You understand how important a string of emoji hearts left behind on chapter at three am is right?? Right????
You’re treating AO3 like a community and not a content factory….right?
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fremulon · 1 month
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forget Resting Bitch Face, I have Resting Competent Face. People see me and think ah yes she can point me to the nearest train station. Fellow grocery shoppers ask if I know what kind of butter they should buy. If a strange man speaks to me on the street it is literally always an inquiry and never a catcall. Once someone randomly asked me what an equinox was and after I told her she nodded and said "you seemed like you'd know." why am I assigned oracle at random interaction
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ickypuppi3 · 1 year
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kiwi · 2 months
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everybodys gotta get back into the practice of using pseudonyms online... i remember the time of screen names where u never ever told anyone ur real name and that was just understood as basic internet safety. plus having a screen name is fun because sometimes it sticks so well that it becomes part of ur identity that u can use in whatever facet of ur life you choose. it rocks to pick your own name
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inkskinned · 10 months
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
#every time someones like ''AI will replace u" im like. u will have to fucking KILL ME#there is no replacement here bc i am not filling a position. i am just writing#and the writing is what i need to be doing#writeblr#this probably doesn't make sense bc its sooo frustrating i rarely speak it the way i want to#edited for the typo wrote it and then was late to a meeting lol#i love u people who mention my typos genuinely bc i don't always catch them!!!! :) it is doing me a genuine favor!!!#my friend says i should tell you ''thank you beta editors'' but i don't know what that means#i made her promise it isn't a wolf fanfiction thing. so if it IS a wolf thing she is DEAD to me (just kidding i love her)#hey PS PS PS ??? if ur reading this thinking what it's saying is ''i am financially capable of losing this'' ur reading it wrong#i write for free. i always have. i have worked 5-7 jobs at once to make ends meet.#i did not grow up with access or money. i did not grow up with connections or like some kind of excuse#i grew up and worked my fucking ASS OFF. and i STILL!!! wrote!!! on the side!!! because i didn't know how not to!!!#i do not write for money!!!! i write because i fuckken NEED TO#i could be in the fucking desert i could be in the fuckken tundra i could be in total darkness#and i would still be writing pretentious angsty poetry about it#im not in any way saying it's a good thing. i'm not in any way implying that they're NOT tryna kill us#i'm saying. you could take away our jobs and we could go hungry and we could suffer#and from that suffering (if i know us) we'd still fuckin make art.#i would LOVE to be able to make money doing this! i never have been able to. but i don't NEED to. i will find a way to make my life work#even if it means being miserable#but i will not give up this thing. for the whole world.
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cosmosnout · 3 months
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The real reason Oda had to get rid of her was not for plot convenience, but bc she would have kicked everyone’s ass. (Source: trust me bro)
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originalartblog · 3 months
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Apparently much-needed reminder that reposting artists' art (by saving the images or screenshotting them and reuploading them yourself) on other platforms without the artists' expressed permission and without credit is theft and an insult to their passion and craft. You are profiting (in views, in attention, in feedback) from someone else's work and ideas, who do not get that feedback for sharing their creation.
If you are an art reposter, you are a thief and I have no respect for you.
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tomboxed · 18 days
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jesus christ could you get any gayer
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gammija · 1 month
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the real reason tmagp is on break 'til april 11th is so sam can observe ramadan without being chased by a murderous clown blob
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civetcider · 1 month
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there is no where in my room with good lighting where you can't see it!!!!!!!!!!!!!!
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Seen a lot of posts about people coming into your notifications out of nothing and liking your entire blog, but here's a shoutout to the people who do Not follow you, who appear out of nowhere, reblog One (1) post that you are Not the op of, and then you never see them again. Where did you come from girl.
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stuckinapril · 1 month
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I genuinely think that any change in behavior starts w telling yourself that your worst days, worst performances, just worst moments in general aren’t who you “truly are.” It’s all about unlearning any thought process that essentially chalks up traits you aren’t proud of to “this is who I really am” “in reality I’m lazy” “in reality I’m just a bad person” bc not only is that never true, but it impedes your efforts to try to do better as well. Anything we struggle with has roots in things like childhood trauma, thoughts you’ve been fed before, your upbringing…. but never that you’re inherently a bad person. What I’m learning this year is that a lot of us doing better & being better & improving really comes down to self-talk—to disavowing the very notion that deep down we’re simply bad.
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brother-emperors · 9 months
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something. about. the horror of being sent on an impossible (death) quest and obligations and hospitality politics. the trauma of not having a home, and then the trauma of being in a house that becomes actively hostile to you, one that would swallow you whole and spit out your bones if you step out of line. all of this is conditional, your existence continues to be something men want gone.
it's about going back as far as I can with the perseus narrative because there's always a version of a myth that exists behind the one that survives. the missing pieces are clearly defined, but the oldest recorded version of it isn't there! and there's probably something older before that!! but it's doomed to forever be an unfilled space, clearly defined by an outline of something that was there and continues to be there in it's absence.
and love. it's also about love. even when you had nothing, you had love.
on the opposite side of the spectrum, this is Not About Ovid Or Roman-Renaissance Reception, Depictions And Discourses On The Perseus Narrative.
edit: to add to the above, while it's not about Ovid, because I'm specifically trying to peel things back to the oldest version of this story, Ovid is fine. alterations on the Perseus myth that give more attention Medusa predate Ovid by several centuries. this comic is also not about those, either! there are many versions of this story from the ancient world. there is not one singular True or Better version, they're all saying something.
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Perseus, Daniel Ogden
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Anthology of Classical Myth: Primary Sources in Translation, edited & translated by Stephen M Trzaskoma, R. Scott Smith, Stephen Brunet
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markscherz · 7 months
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Bad Newts: Amphibians are in Serious Trouble
My colleagues and I have just had a paper published in Nature, based on our efforts to assess almost all amphibian species for the IUCN Red Lists. The major takeaway messages:
It is a bad time to be an amphibian
Two fifths of all amphibians are threatened with extinction.
Salamanders are the most threatened group; three fifths of all salamanders are threatened with extinction!
Climate change is a major driver of amphibian declines globally
Habitat loss, especially due to agriculture, is a problem for the vast majority of amphibians
Chytrid pandemics have caused and continue to cause catastrophic declines of both salamanders and frogs
Protected areas and careful management are working as strategies! They are actively improving the outlook of some species
As many as 222 amphibian species may have gone extinct in recent times; of those, 185 are suspected extinct but not yet confirmed.
Our paper is Open Access, you can read it here!
Photo of Atelopus hoogmoedi by Jaime Culebras, used with permission
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