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anxiouspotatorants · 3 years

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Whoopsy daisy I made a Shadow and Bone random thoughts post:

The costumes in this show are impeccable. I was drooling over all the keftas and the ball gowns in 1.05 and the crow outfits. Hell, even the winter-camo outfits that Mal, Mikhael and Dubrov wore in 1.04 were amazing.

Am I the only one who isn’t surprised by the kruge pronounciation? Because I thought it would sound like how English people say Scandinavian words and I wasn’t wrong.

Coming in to this show as someone who had only read the Six of Crows duology, I expected to at least tolerate Malina based on the trailer clips. I kid you not: less than five minutes into the very first episode they owned my ass. That might be a new record for me.

Seriously the friendship? The pining? The finding home in each other and being able to acknowledge their faults and apologize to each other? Both of them having massive “fight me” energy and protecting each other? Hugs?? Why am I surprised that I ship this?

Some of those scene transitions/flashback edits were so good! Like I know they repeated that meadow scene a lot throughout the season, but the cuts from kid-Mal looking at the rabbit to grown up Mal psyching himself up for the fist fight? Poetic cinema.

The Darkling was horrible and I love it. He wasn’t a carbon copy villain, nor did his complexity redeem him. He was a perfectly complex and understandable monster and I am living for it. I have not been so happy to despise a character in ages and I genuinely bow in gratitude to both the writers and Ben Barnes, because I finally got to enjoy watching a character I did not for one second root for ( #writevillainswellagain)

Look I already loved Jesper in the book but his on-screen translation elevated him from a fave to the fave. I was worried that they would push him into a comedic relief-role, but he got to keep both his heart, his depth, and his humour. Kit Young did an amazing job bringing what was already a great character on page to an even greater character on screen and I once again applaud.

Am I a bit bitter that the casting had some interesting choices for certain roles (aka hiring light skin and mid-size actors for explicitly darker skin and plus-size roles)? Kind of. Do I think there are important discussions worth having about this? Yup. Do I also think that every actor hired for Shadow and Bone did an amazing job and deserve zero hate and massive amounts of love? Also yes.

I had Alexei for one episode and one episode only, and I still miss that poor sucker. This show did a surprisingly good job with making me care about a massive amount of characters considering the screen time they had and the amount of episodes this season had. Good job.

For some reason I expected Inej to be a lot more brooding based on how I perceived her in the books but I love what Amita Suman did with her. Her translation completely recontextualised everything I remember from the books and just brought this truly fresh character to life. Assassin with a conscience indeed.

Also I did love the Kaz we got in this season but I can barely contain myself as I wait for season 2 to be made and for a certain flashback to take place because that moment in the book was visceral and it stayed with me for a long time and I knew before the show announcement that this flashback could become a television moment.

Speaking of Kaz the crows were so chaotic and messy and I’m here for it. Their interactions with each other and their improvised back-up plans were everything. I somehow didn’t expect the crows to become the comedic relief of the season but it honestly makes so much sense.

A couple episodes in I still didn’t get the Zoya hype (remember I haven’t read the books) but was a massive Genya fan. By the end of the season I was like “oh both of these girls are getting redemption arcs and I am here for it”.

Speaking of redemption I still don’t like Matthias. I’m sorry but I just don’t. I get that he is important to many and that they like his relationship with Nina, but I just don’t have the patience for him and feel like Nina can do better. I still want him to get a redemption... but maybe not through a romance with the grisha woman he repeatedly slutshames, is bigoted towards and chokes at least once (twice if that SoC scene from book 1 happens). That being said this is just how I see him, so feel what ever you feel about him and ship to your heart’s content!

Alina’s journey through this season made complete sense to me. It hurt to see certain things, but they were necessary in my eyes. Seeing her go from this essentially insecure but brave girl to a manipulated pawn to an even stronger and more self reliant girl in spite of everything was amazing. It did feel like a well-written hero’s journey and I’m looking forward to seeing where she goes next.

Apparently a lot of book-readers don’t like Mal (and I am not here to change anyone’s mind about that) but the Mal I saw on the show was amazing. I actually kind of wish we had seen more of who he was outside of his relationship to Alina (f.ex. other flashbacks than the meadow, maybe something about any of his missions while separated from Alina pre-show), but I also loved what we got of him with Alina. We still got to see a guy who was brave, stubborn, flirtatious, a bit judgemental but with a strong sense of humour, and a lot of loyalty (to Alina but also to his friends). I can hardly wait to see what’s next for him.

Milo the goat. Where do I even begin. Not only did we get that Jesper-scene, but their farewell actually became a Chekhov’s gun for Mal in 1.07? Milo is the true hero of the season.

Speaking of 1.07 I loved the tent scene between Alina and the Darkling. She both got to be realistic about her feelings for the Darkling and stand up for herself and for others and call him out. The way I interpret the Darkling, he is the kind of villain who creates a saviour narrative around himself but cares more about power than anything else. He’ll say he’s doing everything to protect his people but is the first to kill the very people he claims to love. And Alina’s tent-speech really hammered that in for me.

I adore Baghra. Is she morally dubious? Yes. Was she incredibly mean to Alina during training to the point where it might have been excessive? Yes. Did she not take any of the Darkling’s bullshit and act as the proper mentor for Alina when the Darkling had said that he was going to train her? Yes. Am I kind of a Baghra stan now? I mean maybe.

The antler-collar was so evil and gross but from a visually narrative stand point it was perfect.

Also I still have no idea who David is but I want redemption for him too. Honestly I feel like half the supporting cast is gearing up for redemption arcs next season and I am excited for most of them.

Nina’s reaction when she hears Kaz on the boat? Priceless. Actually the whole boat scene from when she goes up on deck again to the cut back to the fold was priceless.

That being said the final scene had me even more ready for season 2.

Jesper kind of gave me messy period-fantasy James Bond? Does that make sense?

And Mal kind of gave me Lois Lane energy? As in he’s the mortal love interest that many assume is the hero/heroine’s weakness but actually functions as their emotional strength and inspiration? Am I reaching here or am I getting somewhere?

Mikhael and Dubrov. What a duo. Absolute madlads.

Also I’d like to see more Nadia if that is possible? Because the few scenes we had of her had me intrigued but then she sort of disappeared? Is she going to be important or was she just more of a temporary supporting character?

I entered this show a casual Six of Crows fan with mild interest in Kanej and I finished this season a mess. A mess who ships Kanej and Malina and Genya with that David guy even though they had about 30 seconds of screentime together and Zoya with redemption and Jesper with main-character status (hey we’re not getting Wylan until season 2 at least) and kind of those two Ravkan army guys and Nina with anyone else and Matthias with a better redemption storyline and the Darkling with karma! Also, a mess with a whole new set of comfort characters!

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maxwell-grant · 3 years

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Speaking of Tod Slaughter... any thoughts on Grand Guignol theater..?

Looking back on it, the first time I encountered the term Grand-Guignol was also the first time I looked at Fantomas, when I picked up the book above titled The Theater of Grand Guignol, which is all too fitting as Fantomas is Grand-Guignol to it's core. It's also a term that I've seen applied a couple of times to The Spider as well as some darker fan reinterpretations of Batman. Like film noir and sword-and-sorcery, it's a term for a type of storytelling that's associated with dime novels and pulps, influenced and was influenced by them in return, but isn't really the same thing and is, in fact, a separate "genre" (not quite the right term).

Indeed, if the common cultural association of pulp is that of something trashy and violent and darker than it's contemporary culture, one can see Grand-Guignol as perhaps the darkest of it's adjecent family, the Dario Argento to pulp's John Carpenter, the cracked mirror to all that exists.

Short and full-length plays were based on the hot topics unseen onstage at this extent before, from graphic scenes of murders, tortures, sexual violence to psychological thrills like resurrections of the dead, incest, suicide, characters being hypnotized, trapped or guilty of their loved one’s deaths. In most cases, it was a combination of several of those themes in one piece, which of course, multiplied shows’ popularity - AngryFishTheatre's article

‘At one performance, six people passed out when an actress, whose eyeball was just gouged out, re-entered the stage, revealing a gooey, blood-encrusted hole in her skull. Backstage, the actors themselves calculated their success according to the evening’s faintings. During one play that ended with a realistic blood transfusion, a record was set: fifteen playgoers had lost consciousness. Between sketches, the cobble-stoned alley outside the theatre was frequented by hyperventilating couples and vomiting individuals.’

Despite of its scandalous nature, for France Grand Guignol was more than a theatre: it was a tradition, an institution, and an attraction like the Eiffel Tower or the Folies Bergères, and Maxim’s... It was then highly fashionable. Celebrities of the day, South American millionaires and errant royalty went there assiduously to be scared out of their wits.

Going to the Grand-Guignol was less a social act than a private one and certain audience members preferred not to be seen. Some witnesses reported that the iron-grilled boxes in the back of the theater encouraged a certain ‘extremism.’

The cleaning staff would often find the seats stained - — Mel Gordon, The Grand Guignol: theatre of fear and terror.

It lasted almost the exact same time period as the American pulp era (from the late 1880s to 1950s), and even in it's origin, as the theater itself was built out of the ruins of a church, and it would attain fame and legacy as the shadow opposite to Moulin Rouge's glamour and spectacle. It's original intent on being focused on naturalistic theater led to breakthroughs of horror that made it the whole selling point, and much like the pulp lords of terror I talk about, their staged and spectacled terrors were still no match for the horrors of reality that followed.

“We could never equal Buchenwald,” the Grand Guignol’s final director, Charles Nonon, told TIME magazine that year. “Before the war, everyone felt that what was happening onstage was impossible. Now we know that these things, and worse, are possible in reality.”

And of course it goes without saying that the Grand-Guignol's influence on storytellers long transcended it's original lifespan. Gore for gore's sake is hardly something I enjoy, but I've definitely enjoyed many, many films that reached to extremes of horror and violence and gore for horror and comedy alike. I would not claim the Grand-Guignol started this because I could very well be missing out on something, but they are undeniably a huge part of the history of horror as we know it, along with the German Expressionist works of the 1910s that were as well both inspired by, as well as influential, on the Grand-Guignol.

Time and time again we see the pattern emerge, of creators or outlets or mediums that emerge as cheaper and less critically-reputable alternatives to the mainstream attain extraordinary and influential success both in their circles as well as those who would never admit to looking at them for inspiration otherwise. In fact, you could very well argue that it’s alive not just through films and comics and so forth, but in newfound forms of media created by people with all the freedom to put together whatever their imaginations and limited resources and lack of restraints can create.

Like Youtube Poop.

Now maybe I'm biased here because I grew up with YTP, but really, the main intent behind every YTP is to twist the media it's using to provoke a new reaction from you, every YTP is varying levels of a rollercoaster of jokes and edits and little narratives stacking up and flowing together, references and poop jokes and murder jokes and slurs and parody and criticism and SuS and literally anything the creator thinks is gonna get a reaction that wasn't in the original material. And it doesn't even have to be exclusively about jokes, there's a lot of YTPs that are centered on horror or drama or even are just completely original narratives using the assets at hand, sometimes even clocking in at almost movie-length.

There's no filter or censors or teams making sure it's tested to the audience, it's just as much chaos as someone with video editing skills can manage to create, and more so than anything else nowadays, it's the medium that abides and amplifies the same principle that ruled and defined Grand-Guignol: "The Hot and Cold Shower"

Grand Guignol, was not the inventor of this concept, but probably the first performing arts company that used it as its main programming principle. Every evening at the theatre was programmed with plays heavily contrasting in their nature. In the 6 plays presented on a regular night, every 2 horror plays were followed by a light comedy and the light comedy by another horror play or two. Using this contrast the creators aimed to give their audiences a fuller range of emotions. They called it a "hot and cold shower".

You could also make a similar argument for creators that used Garry's Mod or Source Filmmaker to create Youtube content, many of whom either followed the styles of YTP or created their own which ended up influencing others in return, and you can definitely see how YTP as well as these have influenced our current generation's taste in comedy as well as the editing styles of many prominent creators. It even seemed for quite a while that GMOD and SFM content of this type was dead, but it definitely seems like it's gotten a revival recently, and really just never went away. Likewise, a lot of people think YTP died circa 2012 or 2015, which is completely false, it just changed a bit, as things tend to do if they are to stick around.

The entire approach of extreme hot and cold, extreme horror and comedy shuffling per second and extreme absurdity overriding is something you definitely get nowadays a lot more out of these newer forms of media than anything that film and television's capable of giving, and just as Grand-Guignol started out relatively ordinary (focused mainly on naturalistic horror) before it completely spiraled into a perpetual race for excess, we've gotten so desensitized so quickly to surprises that you can see in real time the growing needs for content that's faster and more chaotic and funnier and more dramatic and more absurd and more well-produced but also worse produced and, yeah.

I definitely wonder how we may see future filmmakers and cartoonists and creators be influenced by, not just the above, but also the rapidly changing landscapes of meme culture and social media and the gradually less-funny theater of the absurd that reality's become. I definitely imagine we'll be in for some interesting times.

Y'know, if we make it that far.

Alternatively you could also argue Jackass is also a modern Grand Guignol and they just cut out the narrative middleman to get straight to the "people getting fucked up for your amusement" part, but at this point I'd just be inviting a retread of all the "Is -X- pulp" questions I got for "Is -X- Grand Guignol", and I may have stepped straight into a rake with this one.

#replies tag #grand guignol #fantomas #pulp fiction #tf2 #team fortress 2 #poultrygeist #youtube poop #ytp #sus

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fyeah-bangtan7 · 3 years

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V: “I have a desire to perfect one cool thing about myself”

As he’s being interviewed, V speaks his mind at a relaxed pace. But there was one moment where he kept on speaking without taking a breath. Look for that moment in the interview below. You listen to a lot of old music on vinyl. Has any particular artist’s music excited you since your last interview with Weverse Magazine? V: I was listening to Louis Armstrong’s music again. And I picked up some albums with a pretty jacket that’s also got a lot of really good hits on it.

How do you feel when you’re listening to those classics? V: I feel like I’m beginning to relax a bit. If I listen to a song when I’m feeling depressed and then really get thinking, the things that are frustrating me disappear, and I can feel myself becoming more peaceful. And it makes me picture things in my head. For example, some songs might make me think of seeing something in front of me while walking down the road somewhere at night when I listen to them. I think setting the mood for listeners is the most important thing. The mood will presumably be different for everyone, but for me, those songs are the ones that are good at setting a really beautiful mood in the moment.

You said that you got inspiration from artists of the past like Sammy Davis Jr. for your performance in “Dynamite.” Was there any artist who inspired you for “Butter”? V: Well, there was Billy Joel. When I shoot a music video, I think of a movie more than any one artist. And when I perform on stage, for some songs I think of the way movies like Reservoir Dogs look. For “Butter,” I watched a lot of teen movies. And musicals. After that I randomly ended up seeing a video on YouTube of some scenes from an old teen movie Johnny Depp did [which turned out to be the movie Cry-Baby]. The image I got from that was really intense. That’s the look I used in “Butter.”

“Butter” felt like a teen musical to me and now I know why. V: I did it like a teen musical, just like you say. When we shot the “Butter” music video, I really, really tried to shoot the part in the elevator so it would feel like a teen movie. Although a lot of takes were edited, so not all of it’s there. (laughs)

What kind of feeling do you get from that kind of teen movie that you find so charming? V: For me, teen movies show a youthfulness that’s appropriate for the age. I think there’s an appropriate mix of emotion, energy, and a completely different and peculiar mood that everyone necessarily experiences at that age. If you watch teen movies, they’re overflowing with energy and full of sunny emotion, but behind it all they’re not as bright as they seem. They are really bright, but the color itself almost feels like some kind of filter. They feel like they have a different filter than other movies, so I tried thinking of teen movies when we shot the music video and put on performances.

That teen movie feeling seems to be divided in two between “Butter” and “Permission to Dance.” By the looks of the thumbnails for the fancam focus videos uploaded to the BANGTANTV YouTube channel, “Butter” seems to showcase a really cool character, while “Permission to Dance” is more teenagers smiling brightly for children. V: The teen movie vibe in “Butter” and “Permission to Dance” are different from one another. We showed the sunny image people usually think of when they think of teen movies in “Permission to Dance.”

Do you think that going with the teen movie vibe influenced your vocals to be the new style that you used? In “Butter,” you still had your signature vocals but without the deep notes, giving them a new feeling. V: That’s because, when we’re given a concept, we have to come up with vocals that fit with the concept. I think my singing style matched up with the concept, so I feel relatively satisfied. There was nothing majorly difficult about actually changing the style itself, since unlike changing your voice, you only have to change your vocal technique. Having said that, even though the notes in “Butter” were high for me, I still hit them! (laughs)

I guess hitting the high notes was your assignment this time around as a vocalist. V: I’ve been working a long time to make up for my weak points. For example, I thought I was weak when it comes to high notes because I sing low parts a lot and I tend to sing in a flowing way. But I had trouble when we were recording “Dynamite” and I had to sing the high notes during the chorus. I got so mad (laughs) so I practiced a lot.

How does it feel to see the results you’re seeing with “Butter” now after all that effort? V: I’m just trying not to rest on my laurels. Like instead of savoring the feeling, I feel like I should go to bed early for everything I have to do the next day? Getting back in tiptop shape quickly is what’s important, so I haven’t really had time to bask in the joy very much. I’m just working hard at the work I had like I always do.In your

New Year’s greeting on YouTube, you said you regretted not being able to put on the show for ARMY you wanted, and that your 2021 resolution is to “follow my own pace and pattern” when you work on music. Do you think your personal pace and your professional pace are in step this year? V: No. [My professional pace is] fast, so fast. (laughs) We have a lot we have to get ready for since we’re always promoting. It can be challenging sometimes, but in a way, I think it’s also given me a good opportunity to become a little stronger.

I imagine it’s meaningful to do the work for your own songs, because you can slip into your own world. You also made “Blue & Grey” when you were having a hard time, and it consequently became a song that allowed you to empathize with many people and vice versa. Looking back now, what kind of song do you think “Blue & Grey” will be remembered as? V: I think with “Blue & Grey” I just wanted the song to let people know how I was feeling, and how we were feeling, at that time a little better. Obviously everyone was having a hard time, but I think I wanted to share those emotions with ARMY as-is, including the pains we went through in our growth process. And, to put it another way, I think I just felt like making it obvious. (laughs) I thought it was okay to be that obvious, seeing as I couldn’t put those feelings into words. I just hope people could understand how I was feeling; it’s okay if it becomes forgotten later on.

In the “BE-hind Story” interview on YouTube, you talked about the first line of “Blue & Grey”: “Where is my angel?” You explained how, when you have any kind of issue, you close your eyes and wish for your angel to come and think. Are there times when it seems like your angel understands your feelings, as you just mentioned? V: I get a ton of answers by doing it. I’m not religious, but whenever I have some kind of issue, I close my eyes and think about it. Is this right, the way I’m thinking about this, or not? They’re just yes or no questions, like, Does my outfit look good today? Instead of just worrying about what you should do, if you tackle it in the form of a question, you get a response with the answer.

I guess it could work when you’re looking for inspiration in your life, but what about for your music? In your previous Weverse Magazine interview, you said you make a note whenever you feel something. V: I write in my diary in hopes that it’ll help with writing lyrics and so I don’t forget those feelings. I do it constantly—I open up my diary whenever something comes up. I copy melodies that pop up in my mind, lyrics, and other things from my diary to my notes app temporarily, and when I’m taking a break or I get the urge to work, I open my notes and say, Let’s try this out today, and run over to the studio.

You released “Snow Flower,” featuring Peakboy by V, on Christmas Day. Is that another song you ran to the studio to work on after the feeling came to you? V: For that song, when I was drinking with some older musicians, we were talking about doing a song together, and then we were like, Well, do you think we’ll have time to do that? So we decided to do it right then since everyone was available. My mixtape was delayed, so I at least wanted to play a different song for ARMY, and I thought, since I’m a bit tipsy (laughs) I thought I should try writing something. So I made the song really quickly. In maybe three hours.

Even though you made it quickly, the composition is somewhat complex and it has the same unique atmosphere that “Blue & Grey” did. V: There’s times when I’m, like, in the zone (laughs) and can make a song all in one sitting, but when I’m not feeling it, I end up revising it more and more. And I don’t want the composition to be too obvious, so I try to change up the way the melody flows. With that kind of sharp image coming to you almost immediately, what were you imagining for that song? V: You might think “Snow Flower” is about a type of snowflake, but I was actually thinking about snow and flowers separately. I started hoping that flowers wouldn’t wither away and just keep on blooming on snowy days. But in reality, when it snowed, all the flowers were crushed, the world became blanketed in snow, and I felt like the flower buds turned into snow flowers. I wrote that song about how I felt after watching that happen.

It must be important to feel things intuitively when you’re trying to express yourself through song. V: If it sounds pretty to me: approved. (laughs)

On the other hand, as a member of BTS, you have a job where you have to deal with a packed schedule and keep various situations in mind. How does that make you feel? When you celebrated your Billboard Hot 100 win on V LIVE and the topic of your clothes came up, you joked that you wore them to give off an idol vibe. V: It’s fun. It’s fun, but I could also say it’s hard. The performances are fun. I think idols should shine in a way that’s suitable for their age, and it’s important to do lots of things for fans like ARMY. Not just performances, but also posting pictures, having conversations on social media, making content. We’re artists and idols, so we think each and every one of those things is important. That sentiment won’t change just because we’ve achieved so much success.

You recently held an impromptu event on Weverse for ARMY. V: I’m sure there’s lots of ARMY out there who are tired of not being able to see us in person. But since the only thing we can do for them is to be on stage and stuff, I was worried that we’re not doing enough for them. And I love being able to talk with ARMY so much that now it’s like a habit that I read their posts. I have a thing today. I have a test today. I’m moving today. Somehow I feel better when I hear their stories. When I end up reading things like about how ARMY are living or what kind of lives ARMY have, I can’t help but write a response, and because of that ARMY respond, so I try to become friendlier in a more fun way, too. I want us to be more than the Billboard number one Bangtanies—I want to be ARMY’s partner, their best friend, the friend who’s always by their side when we’re not on stage. It feels like business when I talk about communicating with ARMY. (laughs) I just want to talk with a close friend. I wanna talk with a close friend—that’s exactly how I feel. It’s been a long time since I could see my friend, ARMY. Usually when friends can’t see each other they keep in touch all the time. I can talk about all kinds of things like that with ARMY thanks to the Weverse platform, and because I can hear all about their lives, I think I was able to go on Weverse and hold that kind of event.

You’ve been talking about ARMY nonstop for a few minutes. I was going to ask you how you feel about ARMY, but I think you already answered the question. (laughs) V: They’re just, well, friends I would hate to lose. Friends who seriously give me strength whenever they’re around. Sometimes you find friends like that in life. It’s like that with the other members, and I have other friends who I can share my feelings with. And I have ARMY. So I can’t help but do whatever I can do to make those people smile and make them feel happy.

Well then, is there a song you’ve heard that you want to let ARMY know about? A song that shares your feelings. V: Umm, recently … “No. 1 Party Anthem” by Arctic Monkeys. When I hear that song … I get emotional, somehow. I don’t usually listen to a lot of rock music, but I can instantly feel the band’s emotions with that song. I seriously get goosebumps listening to it, and emotional, and just all kinds of feelings. It’s to the point that, as soon as I hear that song, I think about how I really want to live well.

That song really means a lot to you. V: Actually, I don’t really know what’s up with that song. I don’t even know the lyrics, but I’m quite clear on what sort of emotions the melody and the band’s performance give me.

Don’t you feel like that’s an emotion you want to express to people, as an artist? Like you don’t have to explain your messages in detail? V: I don’t know. I just want to exchange the good, and be the one to embrace the bad. So I have a desire to perfect one cool thing about myself.

So how close do you think you are right now to becoming an artist who has perfected something cool? V: I’ll say 2%. It’ll go up someday later. (laughs)

#bangtan #v #m:weverse magazine #210729

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pacific-rimbaud · 3 years

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Rules: It’s time to love yourselves! Choose your 5 (ish) favourite works you created in the past year (fics, art, edits, etc.) and link them below to reflect on the amazing things you brought into the world in 2020. Tag as many writers/artists/etc. as you want (fan or original) so we can spread the love and link each other to awesome works!

Tagging @dreamsofdramione @scullymurphy @feelingofthesea @heyjude19-writing @niffizzle @ms-merlinblack @anneamm @frumpologist @raven-m-3 @ravenslightwrites and anyone else who would like to do this!

(I made a separate post, the other one has grown vry lorge)

Les Pèlerins

Draco x Hermione, Rated M, 10k words complete one-shot

I still cannot believe I was asked to write for D/Hr Advent. Thank you again to anyone who put my name in that hat. 🤯 I had a few ideas for Advent (Mall AU where Draco and Hermione are elves at the North Pole, Bletchley Park codebreakers AU) but really wanted to do an urban walking-and-talking piece just to see if I could write something that was actually readable. I particularly love what you don’t see: a broken Draco sitting in churches contemplating redemption, trying to glue himself back together and discovering his shape has changed, Hermione trying to make life and love work through sheer force of will and then learning to ease her grip, what it looks like for D&H that morning, the rest of the winter, in the spring.

Bright Objects

Pansy x Neville, Rated E, 17.5k words complete multi-chapter

This is less about the piece itself and more about the process of creating it with @grangerdangerfics @scullymurphy and @provocative-envy I am SO proud of what the four of us built as a whole, and our time working on it was one of the very best parts of a really terrible year. 25/10, would die for this crew and also for this soft soft Neville and this vulnerable, relatable bébé Pansy having a watershed WTF moment at the threshold of adulthood.

The Secretary

Pansy x Percy, Rated E, 45.9k complete multi-chapter

This was my second completed short multi-chapter after A Dress with Pockets, and it was a total pleasure to write. I have a lot of feels for these two. I loved this office AU so much I wrote in it again. Also I sometimes think about how smutty this is and want to hide my face, WHAT HAVE I DONE?

Notes on the Temptation of Peter and Heloise

Pansy x Percy, Rated T, 3k complete one-shot

This was exceptionally satisfying to write. I don’t know about anyone else but I loved watching this Pansy Parkinson lose her goddamned mind over this Percy Weasley. The absolute ache of these two. This is tied with Field Guide to North American Dragons for my favorite of the pieces I wrote in Death by Quill 2020. I grew tremendously over that competition and am deeply grateful for that experience.

One and Done

Draco x Hermione, Rated E, 35k complete multi-chapter

I know this is just a small slice of zesty Hermaco cheesecake, but it’s also probably the most Me thing I’ve written. My soul looks like this fic. Gawain Robards: a self-insert. This is my very, very favorite Draco (although he is very much adjacent to Draco from Love and Other Historical Accidents). I LOVE HIM. I love how much he loves her. I LOVE PANSY in this, I love that Pansy “Dislocated Cunt” Parkinson is the woman who loses her shit for Percy “Keep Calm and Carry On” Weasley in this AU, and for all its frivolity and spice, the scene where Pansy narrates Draco’s fantasy is structurally one of the more elegant things I’ve ever written.

Also, I’m not burning down the fandom art world, but I am SO proud of the art that sparked One and Done. I drew this from absolute scratch (this is a very art-nerdy thing to be excited about!) including that lace, and FUNNY STORY: to make it look right I had to draw and shade her bare breasts and then add the lace over her skin as a separate layer, which was a much, much spicier place than I was ever planning to go with fan art.

#Year in Review #2020 #my fic #my art #best of 2020

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sailorspazz · 3 years

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10 Dance Vol. 6 Special Edition overview

Volume 6 of the 10 Dance manga was released in Japan on March 18th, 2021. As with volumes 4 and 5, there are both regular and special editions available. In this post, I will provide an overview of the release, including observations on changes that were made to the chapters compared to how they were printed in the magazine, plus summaries and select scans of content from the special edition booklet.

It is often the case that when chapters come out in the manga magazines, they aren't always fully polished, and since I became highly familiar with this run of chapters from the summaries I made, several things immediately jumped out at me as I went through the book. First of all, though chapter 29 was split into two parts and released in subsequent months in the magazine, these two halves were combined into one chapter, with no indication they had ever been separate. I assume that they were always intended to be one chapter, but since the full chapter was not completed before the deadline (and it was a month when 10 Dance was being given the cover image, so not possible to delay its release), it was simply split over two months instead.

For visual changes, the most common alteration was scenes that originally had little or no screentone having it added in:

There were also some instances of either slight panel redraws, or complete replacements with new panels. None of these were from particularly important scenes, so it could just be Inouesatoh or someone on her team didn't like the look of the original panels and wanted to change them. The following example has a bit of both, with Suzuki in the upper left corner being replaced, and his eyes being redrawn in the lower panel:

Personally, the most amusing addition I noticed was when Max was thinking about throwing a party. Originally, we didn't see what he was envisioning, but in the volume, an addition has been made in the background: the New Year's piece Inouesatoh drew with sexy men dressed as cows, except now they're bunnies!

As for dialogue, it appeared to be almost the same in both versions throughout. Some minor exceptions include a spot I found where the dialogue was put in a different order, swapping Sugiki’s lines between this panel and his first line on the following page (in addition to another altered panel example):

As well as in this shot of Suzuki describing how they tug at the thread that connects them through their dance. Whereas before it put the word “dance” next to the part about tugging on the thread to specify what was meant by that, it was deleted in the volume. And while it was originally described as “affirming that we’re connected”, this was also tweaked a bit to be, “affirming our connection”.

There were a couple instances of character names being different from when they appeared earlier in the story. In this volume, two characters who were last mentioned back in volume 2 (Lucas Calvo, one of the champions at the table in Blackpool, and Deeks, who Ernie said hated Sugiki because he "stole" his girlfriend), either from typos or intentional changes, weren't the same as before. Lucas' last name was written with a 'g' sound (ガルボ) instead of a 'c' (カルボ), and this change carried over to the volume. On the other hand, Deeks' (ディクス) name got transposed as Disc (ディスク) in the magazine, but was fixed in the volume.

There was a typo that unfortunately made it through to the volume (but could perhaps be fixed in future printings). In chapter 34, when Norman is testing Suzuki's skills, he flashes back to Sugiki taking the national title from him several years earlier. The text in this scene, written in English, incorrectly states that Suzuki won the championship, rather than Sugiki.

The volume also includes the usual additions that are not present in the magazine, such as the under the cover flap comic, and Inouesatoh’s notes about each chapter.

The cover flap comic (which looks very much like a sketch, compared to previous ones that have had more complete art), features the Shinyas during a practice session earlier on in the series in December, where Suzuki complains that Sugiki’s Latin just isn’t sexy. Sugiki suggests that he can practice being sexy by wiggling his butt around to write a message in the air. Suzuki worries that if he starts writing out “love” or something, he’ll have to run away and escape. Sugiki gets started, and Suzuki calls out each letter that he can make out from his elegant butt bouncing. After figuring out he’s written “M-E-R-R-Y”, Suzuki guesses that he’s writing “Merry Christmas”. Sugiki gets mad that he said it aloud before he finished writing his message, and says he’s going to leave. Suzuki says, “Wait, I love you,” as narrative text says that this somehow turned into a love story in one panel.

And here are some tidbits I found interesting/amusing from the chapter notes:

She thinks readers who are fans of pecs will like Saichi.

She’s not sure if readers will love Max or hate him, but she personally likes him (sorry Sensei, I kinda hate him lol)

As of chapter 32, a portion of the art is now done digitally.

The epic “last dance” scene from 33 was something that she had planned since the beginning of the series, and it ended up being 8 times the cost for a typical chapter.

Special edition booklet:

The special edition comes with a 48 page hardcover booklet that includes a variety of different extras, divided into 8 sections called “heats”.

Heat 1 is a newly drawn, 12 page parody manga. Back in September 2020, Inouesatoh put out a request on Twitter for fans to send in their suggestions for an erotic side story. Putting the characters in a high school setting was the most requested scenario, so she chose this idea as the basis for the story. The title is “And All That Jazz” (the premise makes this somewhat confusing to summarize, so keep in mind that I’ll mostly be describing their actions based on the soul rather than the body, but will use quotation marks if it’s about other characters and who they think they’re addressing. It’ll all make sense, I promise...I think :P)

(The title page actually depicts the ending of the story, so I’ll come back to it later). It starts with Suzuki narrating his introduction, saying that he’s a transfer student to the Standard Academy. He really doesn’t get along with a guy named Sugiki, but for some reason, the two have now switched bodies with each other. Sugiki opens his shirt and inspects his new physique in front of other students, as Suzuki yells out asking what the hell he’s doing to his body. They look at themselves wearing each other’s expressions, Sugiki seeming surprised his mouth can gape open like that, and Suzuki wondering what happened to his body’s facial expression muscles. The bell rings and Sugiki heads off to class, as Suzuki is baffled that he can act so calm about this.

Sugiki perfectly reads a passage aloud in English class, something everyone (including the teacher, who looks like Norman) find unusual coming from “Suzuki”, as they wonder where his usual hearts are. Suzuki makes the decision to enjoy living as Sugiki for a bit, and is shown getting flirty with several girls. He notes that the more serious personality in his regular body is also strangely popular, though with a very different crowd.

A student named Alberko (Alberto in a girl’s uniform) shows up and says that “Sugiki” was supposed to have lunch with her(?) today. Suzuki says that he thought Alberko was going out with Dorou (a masculine alteration to Dolores’ name). Ernie and Suzuki watch as his harem falls apart with Alberko running amok. Ernie comments that both “Sugiki” and that transfer student have been acting weird all week, and he asks if something happened. Suzuki internally reflects back to one week earlier, when he was relaxing in bed in the infirmary. Sugiki comes in and accuses him of skipping class, and Suzuki tells him to mind his own business. He thought this would turn into one of their usual fights, but he can’t believe that actually happened instead...

After school, Sugiki asks Suzuki if they can go home together today. As they’re walking, Suzuki asks if Sugiki realizes what it was that made them switch places, and Sugiki says he does. Suzuki says that in that case, they know how they need to fix it, and they should go over to his house. Sugiki asks for clarification of whose house exactly he means by that.

As they start to get undressed, Suzuki says that he always thought his mom and sisters were annoying, but after a week apart he really misses them. Sugiki promises that he’ll make sure he can see them soon. Suzuki claims that he’ll be the one making Sugiki come, and Sugiki asks how he can talk like that when he was the one who looked like he was about to cry when Sugiki first touched him in the infirmary.

Sugiki peeks into Suzuki’s pants and wonders if he won’t get hard unless he touches him. Suzuki thinks it’d be weirder if he could get hard while looking at his own face, and wonders if Sugiki has AI in his crotch or something (Sugiki contends that it’s not his body). They fool around with each other until they finish, and Suzuki wonders why they didn’t change back yet. Sugiki suggests that maybe it needs to be just like the last time to count as a complete set, when they went at it until they fell off the bed, so both agree that they need to go for one more round. This then ties back to the title page, where they’ve finally managed to get back into their old bodies, but have now sprouted cat ears and tails.

Heat 2 of the booklet is 8 pages long, and contains short comics and illustrations that were not previously included in the volume releases. The comics include “How to 10 Dance”, a one-page comic with the Shinyas demonstrating the tango. Their privates end up touching, and Sugiki seems highly amused, gleefully asking Suzuki how it feels. Suzuki says that he was the one who got all bent out of shape over that back in volume 1, and tells him to lay off the sadist mode since they’re not dancing Latin right now. The second comic is “2nd Step”, and shows a glimpse of how the Shinyas were with each other after Suzuki gave the go-ahead for kissing. In fact, Sugiki ends up kissing him so much that Suzuki’s lips get sore and swollen. Sugiki then tries to kiss his neck as an alternative, but Suzuki’s not having it. The third comic depicts Suzuki’s first time in a public bath, where he realizes that Japanese people aren’t fully shaved everywhere like he is. Some of the old guys talk to him and slap their balls with their towels, and Suzuki, seeming a bit confused, gives his own balls a slap, too. After the comics are a selection of illustrations that were never used in the volumes, including this one from a Real 10 Dance event in 2018:

Heat 3 is 18 pages, and contains a variety of colored versions of both chapter covers and scenes from the manga, a couple of which I’ll share below:

Heat 4 includes 3 pages of insight from the professional dancers who consult for the manga, in which they explain the moves shown in specific panels.

Heat 5 is a single page look at Inouesatoh’s work space.

Heat 6 is 3 pages worth of advertisements that have been used to promote the series, including things like ads that were posted in subway stations:

Heat 7 is a single page look at the storyboard for chapter 1 of the manga.

Heat 8 is a single page showing the covers for foreign editions of the manga (Taiwanese, Korean, North American, and French).

Finally, there’s one last page with a thank you message from Inouesatoh, including an absolutely precious illustration of the Shinyas in happier times.

And that’s that! This really is an incredible release, and I’d definitely recommend picking up the special edition if you can. CD Japan offers direct international shipping, and I’ve also seen that Kinokuniya lists it as “available to order” currently (though they don’t appear to have stock on hand, so might take longer).

#10 dance #10dance

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ayuuria · 3 years

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Yashahime Translation: Da Vinci Magazine December 2020 Edition

Please do not repost this translation without my consent! This includes screenshots. If you wish to share this translation, simply link to this post.

“Hanyou No Yashahime” Tripartite Cast Talk

Matsumoto Sara X Komatsu Mikako X Tadokoro Azusa

Inuyasha and Kagome’s daughter and Sesshomaru’s two daughters play an active role in “Hanyou No Yashahime”. As an original anime with no original work (translator’s note: As in not an adaptation of something like a manga or light novel), the subject is the next generation of “Inuyasha” done in the same style. Being “Inuyasha” fans themselves, we had the three lead voice actresses talk about the charm of the series.

The main character design was done by Takahashi Rumiko!

Towa

A 14-year-old middle school girl. 10 years ago, she time traveled from the Feudal Era to the Modern Era and became the adopted daughter of Kagome’s little brother, Souta. Upon reuniting with her younger twin sister, Setsuna, after she time travels to the Modern Era with Moroha, Towa decides to return to the Feudal Era. She is Sesshomaru’s daughter.

Setsuna

14 years old. Towa’s younger twin sister. A member of the demon slayers led by Kohaku. She has lost her memories of her childhood and is unable to fall asleep. She has the gold rainbow pearl in her left eye. While she does not believe Towa is her older twin sister, she travels with her as she tries to take back Setsuna’s memories and sleep.

The 3 of you reacted shocked with “What you mean daughters?!”

Moroha

Commonly known as “Monster Killer Moroha”. A 14-year-old bounty hunter. When she puts on rouge stored in a shell with the red rainbow pearl on it, she becomes “The Country Destroying Beniyasha” and goes on a rampage. While she is Inuyasha and Kagome’s daughter, she does not know her parents and has lived mostly on her own apparently.

Komatsu: When the work was announced, the world was shocked like “Sesshomaru has a daughter?!” and we were the same. When I opened the audition documents, it was written that the setting takes place over 10 years after the conclusion of the original work and that Setsuna, who I was auditioning for, is Sesshomaru’s daughter. I thought “What does this mean?” and reflexively grabbed the last volume of the manga.

Matsumoto: I was handed Takahashi Rumiko-sensei’s character design and a simple correlation diagram. In regards to Towa, who I auditioned for, it was also written that all that was known was that she is Sesshomaru’s daughter. I was given lines without knowing the context or anything so I wondered what to do. However, at the same time, I was so happy to the point that I was like “The “Inuyasha” world is coming back!”

Tadokoro: I completely freaked out (laughs). Also, my manager knew I was big fan of “Inuyasha” and calmly told me before I looked at the audition documents “Azusa, you absolutely can’t miss out on this. This a huge opportunity.”

Komatsu: A lot of pressure!

Tadokoro: Then when I looked at the documents, I saw that Moroha, who I was auditioning for, was the daughter of Inuyasha and Kagome. After getting excited like “They had a child~!”, I saw Towa and Setsuna and screamed “I will be upset if they’re not XX’s children!” (translator’s note: they’re referring to the mother)

Komatsu and Matsumoto: I know!

Tadokoro: As a fan, I worried endlessly but as a voice actress, I thought I couldn’t miss out on this. However, when I went to the studio audition, I was told “Keep the base but try to say these lines a little more like a middle-aged man”. I became flustered like “Even though she’s a 14-year-old girl?” … I felt like I didn’t respond properly and was really down going home.

Komatsu: Me too. Maybe it was because I was pulling too strongly from Sesshomaru’s image but I was told “Not only coolness but we would also like for you to show the cuteness of a 14-year-old” and I couldn’t make the switch the very well. I didn’t get the reaction that I got the part at all.

Matsumoto: I over considered the setting of (Towa) wearing a boy’s uniform and I was told “Don’t make her a boy”. After that no matter how many retries I did, the direction I took didn’t match up… I cried a lot when I got home like “I totally bombed it”. That moment, I realized that I had really wanted the part and was surprised. “Inuyasha” was a work that was more special to me than I thought.

Overcoming different boundaries, their feelings melt together

Komatsu: For me, “Inuyasha” was also a textbook on love. Especially the relationship between Inuyasha, Kagome, and Kikyou. It’s a little hard for kids to understand and I thought, “Why does Kikyou always get in the way?” and “Inuyasha too, make up your mind” but in a certain scene, Kagome asks Inuyasha “I… What exactly am I to you?”. In between the feelings of it can’t be helped that he overlaps her face with Kikyou’s and this has nothing to do with her, she properly checked what her existence meant to him. Seeing that, I realized. Not only in love but that’s important in life in general as well.

Tadokoro: It’s so cool isn’t it? She acknowledged all her feelings of jealousy and hate towards Kikyou and still saved her on top of that. She showed us her resolve to properly face her heart and Kikyou and accept them. It was so cool that I cried. Then when I became an adult, I came to understand Kikyou’s feelings and it hurt.

Matsumoto: Well she was also a victim… I think when you read “Inuyasha”, you become emotionally attached to each individual character because depictions that give you a sense that they’re “alive” are inlaid in all sorts of places. For example, the scene in volume 1 where Kagome offers food to Inuyasha whom she had just met. While Inuyasha makes his wariness known, he takes a bite of the radish in the next frame. I always laugh like “Even though you say it’s annoying, you’re still eating it!” but at the same time I feel that it’s really “like” him. From those ordinary depictions, over time we accept “something” without realizing it. That accumulation turns into a big emotion that overflows when you get to the important scenes.

Komatsu: At times when those complexly wrapped emotions sublimate, even sad endings become beautiful. For example, Kagura. Even though she was born from Naraku, she was guided to good through Inuyasha and the others who were supposed to be her enemy. Kagome and Kikyou’s relationship too but ally or enemy, good or evil, all sorts of borders are crossed and seeing drawings of humans and demons coming together I think is the charm of “Inuyasha”.

We haven’t been told the answers to the mysteries

Matsumoto: Continuing onward to “Hanyou no Yashahime”, the character I play, Towa, passed through space-time and got sent to the Modern Era at age 4. However, possibly because she was raised by Kagome’s little brother, Souta, even though she is Sesshomaru’s daughter, I feel like she’s also similar to Kagome.

Komatsu: While blood inheritance is important, the person who raised you has a big influence as well. Also, what environment you were raised in. Setsuna lost her childhood memories due to certain circumstances. So of course, she doesn’t remember her older twin sister, Towa, whom she got separated from at 4 years old. Due to that hole and being raised in an environment where you could be killed by anyone at any time, she gives off an air of not allowing others to get close to her. But just when you think that, there are times where you can feel that she’s actually kind and that makes it heartrending.

Matsumoto: Feeling she (Towa) needs to fill in the 10-year void with Setsuna who became like that, the highlight is seeing their relationship change as Towa closes the gap between them. Add Moroha in and there’s a lot of chattering.

Tadokoro: Moroha speaks in a vulgar manner (translator’s note: it actually translates to abusive language but abusive didn’t sound right to me) but in reality, I have a feeling that she truly enjoys traveling with the two of them. To her, those two are probably the first friends she has ever had. That form is so precious and I feel lonely when I wonder what sort of environment she grew up in. I wonder why she’s desperately earning money by slaying demons. We were only told who she was raised by but at this time, we have not been told things like happened to Inuyasha and Kagome.

Matsumoto: This includes who Towa and Setsuna’s mother is. This is something fans have been wondering the most but the answers will be revealed eventually and I have faith that this work will properly continue on what was drawn in “Inuyasha”.

Tadokoro: That’s why we would like everyone to watch over them until the very end and love the 3 Yashahimes as they survive with each of their individual strengths.

Komatsu: While there are a lot of cheerful episodes, there will be times when the inlaid depictions within those episodes will be collected in an instant which I think people will enjoy. For that, we will give it our all!

We Asked Takahashi-sensei!

Q: What did you especially focus on when doing the character design?

A: Series composition writer Sumisawa (Katsuyuki) requested me to draw the image of Towa as a white Sesshomaru and Setsuna as a black Sesshomaru. Upon reading the scenario, I designed them incorporating their father’s facial look. Moroha was the same, being Inuyasha and Kagome’s child. As such, I made it so that Inuyasha’s mischievousness came through.

#Yashahime #Hanyou No Yashahime #yashahime: princess half-demon #translation

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murasaki-murasame · 3 years

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Thoughts on Higurashi Sotsu Ep3

In which Higurashi reminds us all that it can be a really good dark comedy when it wants to be :)

Thoughts under the cut.

As expected, this was the final episode of this arc, and things ended up being a whole lot more straightforward than I thought they’d be even after the last two episodes. But it was still executed well enough to outweigh the almost complete lack of surprises.

Basically everything in this arc went the way most people thought it did, and the whole ending to it ended up being pretty much exactly as it was shown the first time around, with no apparent hallucination-based misdirection. Which is a little underwhelming, but it might have just made the story a bit too convoluted if they sprung that sorta stuff on us now.

In a lot of ways I think this arc is an example of how this entire new series really is designed with new fans in mind, with how so much of it is spent on stuff that’s just kinda obvious and predictable to old fans, but I also think this arc serves a somewhat unfortunate role of being an example of a loop going exactly the way Satoko wanted it to, which works out to be kinda boring in practice. But there’s all sorts of hints that starting from the next arc her plans start to veer out of control until eventually she gets completely desperate in Nekodamashi, so things will start getting shaken up a lot more in the next arc.

Though to be honest I kinda appreciated the relative simplicity of seeing exactly what happened in Onidamashi from Rena’s point of view, especially with how much they leaned into the self-aware dramatic irony and dark comedy of the entire situation. The idea of tragedy becoming comedy after it gets repeated enough times has always been a theme in the series, and this really focuses on that, with all of the misunderstandings and miscommunication being extremely obvious, while Satoko has the time of her life watching it all unfold.

In general the direction of this episode was really good at depicting the tragedy and irony of this whole situation, but in particular the part where it kept cutting between Rika thinking that she’d averted the events of Onikakushi and Keiichi and Rena beating each other to death was extremely funny in a really morbid way.

[Also, since a lot of people seemed to get confused by it, even though those two scenes were edited together like that, Rika left before the fight started, since we know that it took several minutes for it to get going. So it’s not like she just happened to not hear any of it while it was happening]

A lot of the episode was still directed really well in a straight up horror sense, though, even if it’s intentionally undercut by the fact that everyone watching it knows exactly what’s going on, and how all of the things people are getting scared about are basically just in their heads. Stuff like the scenes of Rena burying Rina’s corpse in the forest, and then moving it to different locations as she gets more and more paranoid, were really well done, and her voice-acting in this entire arc was incredible at showing how genuinely traumatized and afraid she was.

I thought they’d go over the part of Rena’s backstory where she moved away from Hinamizawa more than they actually did, but I guess they went over it already in Gou. As a reminder, she and her father moved out of the village after the divorce happened, and her existing stress mixed with leaving the village caused Rena to develop Hinamizawa Syndrome and have a total mental breakdown which ended with her going on a violent rampage at her school, and then she moved back to the village after that. I guess it’s not super relevant to what happened in this arc, but it was the cause of Rena believing so strongly in the idea that she’d been cursed by Oyashiro-sama, and Keiichi hearing about the incident was a big part of why he got so paranoid about her in this arc.

And on that note, I guess the idea is that Keiichi didn’t really hallucinate anything that happened in the fight, and the cliffhanger scene of him at the hospital probably wasn’t very important. I kinda expected that the hospital scene didn’t really mean anything, since it just came across as a relatively innocent situation that Keiichi got paranoid about, but it’s a little odd that the entire fight scene just went the way we saw it happen, down to the amount of bloodshed. I guess at this point we just have to accept that when the show starts having extreme amounts of blood splatters and screen filter effects, it’s basically just to make things more spooky, lol.

I don’t really think it’s that unbelievable that he got stabbed in the stomach that many times and survived, though. I don’t think the stabs were very deep to begin with, and in general people underestimate how lethal those sorts of wounds can be, and how long it’d actually take to die from them. On the other hand, they probably could have made Rena’s head injury a bit more intense, but basically any kind of head wound can be extremely fatal, even if it doesn’t look that bad at the time. It’s also still possible that Rena didn’t immediately die and ended up going L5 and scratching her neck out.

Other than that, we also found out exactly how Rika and Satoko died. Which was also really straightforward as soon as we found out about Satoko being the culprit, but it’s still satisfying to finally see how it played out.

There’s not really much to say about that scene, but it’s kinda interesting how different their methods of suicide are. One thing to keep in mind is that, until the end of Tataridamashi, Rika never actually remembers how she dies, so from her perspective, each time she has to kill herself is probably the first time she has to do it. Which would at least explain why she goes overboard with it to make sure that she dies, whereas Satoko has done this countless times, and remembers all of it, so she’s had the experience to figure out how to do it as quickly as possible.

I don’t want to get too much into it since it’s a touchy subject, but I also feel like Rika’s methods here are almost like a kind of self-harm, whereas Satoko is just doing it as a way to jump to the next loop.

And as a reminder, Satoko’s whole game plan here is to put Rika through a series of loops to wear her down until she accepts staying in the village, and to do that she has to make sure that she can link herself to the ‘same’ Rika across all the loops, which she does by having Rika die first so Satoko can follow her to the next loop. Otherwise I guess Satoko would end up in a loop where Rika doesn’t remember anything after the chandelier incident, and she has to start from scratch to try and mentally break her.

Anyway, I also thought it was potentially interesting that Satoko mentioned Rika being subjected to Oyashiro-sama’s curse at the end, even though nobody was there to hear her. It makes me wonder if, even after meeting Eua and witnessing how all of Rika’s loops went and what actually caused all the tragedies, she genuinely still believes in the existence of Oyashiro-sama, and the idea of being cursed by them. We know that in Nekodamashi she has a whole scene where she yells at Rika about how she’s being punished for wanting to leave the village, but I kinda figured that was just something she was saying to make Rika feel bad.

Now that this arc’s done, I guess we’ll be moving right into the Watadamashi answer arc, which should also be three episodes long going by the blu-ray volume contents. I’m really excited to see how that arc plays out, since compared to this one there’s a lot of stuff in Watadamashi that’s still unclear to me. But I guess we’ll get into that next week.

I know I said this last week, but with how fast the pacing in this arc was, I really wouldn’t be surprised if the third arc just covers Satoko’s perspective on both Tataridamashi and Nekodamashi in five episodes, and then the fourth arc just wraps everything up in four more episodes. It’s entirely possible there’s going to be some sort of secret fifth arc that hasn’t been revealed yet which will take the season to a more standard episode count, but I could also just see it only being 15 episodes long. I don’t think there’s actually a whole lot that needs to be shown from Tataridamashi and Nekodamashi if we just follow Satoko’s point of view, especially since Satokowashi spent a lot of time showing Teppei’s whole ‘redemption arc’, which will impact a lot of how Tataridamashi ended up playing out behind the scenes. And in Nekodamashi we really only need to see a quick montage of Satoko injecting everyone in each loop, and then ending it off with their confrontation in the classroom.

At the very least I think that the only real reason we’d get another full arc after all this, especially if it’s long enough to take Sotsu to around 24 episodes, would be if things start going in some totally unexpected directions once we loop back to the end of Nekodamashi. At that point it’s anyone’s guess what might happen, but if we get a whole chunk of the season that they’re going out of their way to hide, I could easily see it being along the lines of them even more explicitly connecting Sotsu’s story to Umineko, and maybe even Ciconia. I still hope they commit to the idea they seem to be going for with Satoko and Rika effectively becoming Lambda and Bern from Umineko, but I also don’t want it to get to the point where it feels like this stops being a Higurashi anime partway through and just becomes an Umineko anime for the final arc. I'd rather it just end in a way that sets up for a separate series that acts as an Umineko remake or something.

#murasaki rambles #higurashi sotsu

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earbuds-and-hightops · 3 years

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An Open Letter to Supernatural

[ Spoiler warning for 15x20, obviously ]

I understand that a well-contemplated complaint about this ending cannot be made without first reading the original, pre-COVID, script of 15x20, but in the long run, the initial plan is not what will be remembered.

What will be remembered is what this show created. What it became beyond two brothers driving around the country, hunting monsters. Characters were introduced and developed, and in that, Sam and Dean Winchester become so much more than two kids living on the road. In the past 15 years, the cast, and thus the family, grew to something that would be unimaginable to those who started this project back in 2005. Not only did the characters and their stories become meaningful, but the show itself grew into, well, a family. The fans who have kept this show alive since Day 1 have come together to form what I believe is the greatest community in pop culture.

What hurts the most is that this finale did not do any of that development justice.

The finale (and consequently the episodes leading up to it) reverts back to the story between only Sam and Dean. While some see this as an ode to who they are--their brotherhood and familial bond being the heart of their values and the root of their characters--I cannot help but see this as a rejection of their experiences this past decade and a half.

What’s worse, episode 15x18 confirmed one of the most pure and powerful and goddamn beautiful romances that television will ever see. This story of an angel who abandoned his family and the only beings he’s known for thousands of years, all for one person. I knew from the instant the screen faded to black on November 5 that the story of Castiel will always be remembered, even if his feelings were unrequited. Castiel will always be remembered.

And then there’s Destiel. I was genuinely impressed that this show would even grow to include a queer angel, more importantly, a queer character in a leading role. The queer-baiting and the “bury your gays” trope both make this confession and its lack of acknowledgement that much worse (and is worthy of an entirely separate open letter for another night). It matters less if Dean does or doesn’t reciprocate these feelings and more that it’s wrong that he completely ignores it. Cas’s love confession, this beautifully tragic and tragically beautiful emotion coming from a being who wasn’t supposed to feel emotions at all, is something that, unfortunately, will become a secret that dies with Dean Winchester.

It’s truly a shame that the writers of this show let that happen.

We haven’t even touched the fact that Castiel’s death was an act of sacrifice to save Dean. Dean’s limited reaction and lack of mourning* tears apart this phrase that has become pivotal to the entire show and fanbase: “Family don’t end in blood.” While it would be a lot to ask that Dean rescue Cas from the Empty and resume their cycle of rescue and resurrection, I think it’s only fair that Dean take the time to fully accept Castiel’s actions and words for what they mean instead of simply moving forward as if they never happened.

What’s more, Misha Collins is one of the greatest and kindest people in this world, and he’s poured his heart and soul into Supernatural, just like everybody else. He’s spent 12 years on this project, and the final two episodes hardly mentioned his character. He didn’t deserve this. It’s heartbreaking that his last credit on this show will be a prank call from someone trying to impersonate him, and not something that pays tribute to such an important character and important actor**

The most devastating part of this ending is what happened in 15x19. Pardon my French when I say that that episode, the ultimate climax of the season and latter half of the series, was a piece of dog shit. It’s incredibly frustrating to invest in 15 years worth of television and look forward to this ultimate battle between two average boys and God the Almighty Himself and to instead watch a 6-minute long fist fight on the beach with the only dialogue being variations of “seriously guys, stay down.”

My issues with 15x19 lie less in the storyline that was chosen and more in how they were presented. I am completely on board with Jack taking God’s power and eventually becoming the new God, but the episode was far too quick to have any real meaning, and, as stated before, Castiel’s sacrifice, which allows Sam, Dean, and Jack to do what they do in 15x19, is hardly mentioned.

Most fans agree that 15x19 was far too quickly paced. The plot with Michael and Lucifer was questionable to begin with, but should have been an episode on its own if it were to be perused at all. Michael’s story in particular could have been fleshed out to reiterate this theme of overly loyal sons and their fathers, as well as their relationships with less loyal siblings, but was instead reduced to about 20 minutes of screen time.

Though this is less important, Lucifer’s plan to make a new Death felt like a cheap cop-out just to close the storyline with Death’s book, but we can finish that discussion another day.

The general fan reaction to this atrocity of an episode was that this was meta, and according to Becky, the ending was supposed to be dog shit. This, along with the untouched storyline started when Cas died, gave fans so much hope that the finale would be this amazing piece of art that puts Supernatural in the history books.

While it’s obvious that an hour cannot perfectly tie up every single event and arc with a pretty little bow, it can at least...try. Any finale should, at minimum, pay tribute to what the show started as (which 15x20 did well) and what it became (which 15x20 failed to do miserably).

In addition, a reference to character back in season 1 is incredibly frustrating when recurring characters with actual, well, character go unnoticed. I mostly reference Eileen here, but this also applies to Jody and Donna. Nobody even mentions the other wonderful friends who have helped Sam and Dean along their journey to Heaven. If family doesn’t end in blood, then why doesn’t it extend to include Castiel, Jack, Mary, Rowena, Charlie, Kevin, Jody and her girls, Donna, and so many others?

Dean’s death was sad, I’ll give them that (and honestly, I was expecting it). However, considering that this man has defeated apocalypses, killed Death, and taken down God, his death via nail in the wall was incredibly anticlimactic, and something that could literally have happened at any point over the 15 seasons. While Dean’s death was obviously not my ideal ending, I think it could have worked if it were done properly, and in this case, it was not. That said, I do appreciate that Sam did not try to bring Dean back, as that would indicate literally no growth at all.

Dean’s funeral was...pathetic, to say the least. Sam being the only person there was depressing considering that Dean had lots of other close friends (and you’d think that Jack would pay his respects, but apparently not), however, this is likely a scene that was impacted by COVID and the availability of some of the cast, so I will not dwell on that scene.

Dean’s time in Heaven complicates matters even more. Firstly, Bobby confirms that Castiel is no longer in the Empty and has been in contact with Jack. I would have loved to see this reunion; Cas is essentially Jack’s father, and I would have loved to see how their upgrading/remodeling of Heaven brought them closer together. I understand that the writers were trying to focus this finale story on the brothers, this goes back to my earlier point that you cannot simply ignore everything that that this show has grown to include. Bobby’s explanation also begs the question of why Dean had no intention of seeing Cas (or Jack, for that matter) again now that he has the opportunity.

Secondly, Dean’s instinct to go directly for the Impala was very in-character, however, the editing implied that driving was all Dean did until Sam died. As we know, Sam dies of old age, likely (completely guessing here) upwards of 40-50 years from Dean’s death, and that is a very, very long time for Dean to simply driving around the mountains. It would have been nice to see Dean reunite with other family and friends who are also in Heaven, however, again, COVID restraints.

Sam’s ending was similar to what I and a lot of other fans imagined (not necessarily wanted, but predicted) it to be: kids and a wife, living a normal, monster-free, life. I hate to believe that he doesn’t end up with Eileen (to my recollection, his wife was a blur in the background, and it is unclear if she was meant to be Eileen) however that might just be my bias and appreciation of Shoshannah Stern. While I’m glad that this storyline gave Sam the room to grow and develop without his brother, it also completely ignores everything that he’s been through this past decade and a half, and that is something that should not happen. Sam grew and changed so much since he left Stanford and leaving that life, the life of a hunter, behind feels very counterintuitive.

Let’s not even discuss the wig that Jared wore. It reminded me of the Cain wig that Rob wore in the Hillywood parody.

What shocked me the most at the beginning of this episode was the lack of a “The Road So Far” compilation. I hoped for the full song with a recap of all 15 seasons, or, at minimum, the typical single-season recap. “Carry On My Wayward Son” is such an important part of the show and the culture of the fan base, that it seems almost sacrilegious that the season finale not begin with this song and a memorial to the events in the past season (or series).*** I’m very happy that it was included at all, but I was shocked when Neoni’s cover took over.

No disrespect to Neoni; those girls are incredibly talented and I love their music, however, a series finale of a 15 season long show does not feel like the place for a cover when they already have the rights to the original, and the original is so iconic.

Lastly, I want to acknowledge Jensen Ackles’s reaction to this conclusion. At a con panel about a year ago, he said that he needed to be talked into agreeing to this script by Erik Kripke himself, because the ending just wasn’t sitting right with him. So many fans took this to believe that he was homophobic and afraid that of Destiel becoming fully canon, and he got so much more hate than he deserved, because ultimately, he was right in his first opinion. This isn’t the way this story should have ended. Jensen explained that he had been “too close” to the story, and that it took a more holistic view from a step backwards (the audience’s perspective, as he puts it) to agree on this ending, but honestly, nobody knows Dean Winchester better than Jensen, and he knows what’s best and what would be the best way to finish this character’s arc. I think fans and Jensen alike agree that this wasn’t it.

I sympathize with all of the cast and crew members who disagree with how this show ended but are bounded by contract to support this show no matter what. Especially Misha and Jensen.

Over all, I believe that Supernatural will go down in history (in internet communities, at least) as one of the greatest shows ever. While I do agree that the writing quality in terms of both dialogue and plot declined as years passed, the community, the family, that this show created cannot be ignored because of a poorly written/planned ending. I think that the fandom will collectively let go of this disaster of an ending that we were given and will, just like Sam and Dean, write our own stories. I have full faith and confidence that Supernatural will not be represented by this finale episode, but by the beautiful stories, amazing characters, and the family that this show created and what the fans have chosen to do with it.

Sincerely,

A Fiercely Frustrated but Fiercely Loyal Fan

* I do not count that last clip of Dean crying on the floor as mourning. In my mind, that was a reaction, not an emotional healing and overcoming, if that makes sense. I argue that if Dean were to fully mourn and process everything (like Sam did in 15x20) we would have seen at least a bit of that on screen.

** This is where I would have loved to see some of the original scripts. I hope that the writers initial intentions were to have Misha more involved in these last two episodes than what was likely a voice memo created in 10 minutes tops at Misha’s house.

*** The strange montage at the end of 15x19 makes so much more sense. I still would have preferred that montage at the beginning of 15x20. This also shines light on the video that Misha posted. What would we do without him :)

#supernatural #spn #spn season 15 #spn finale #spn 15x20 #an open letter #no beta we die as men #destiel #deancas #dean winchester #sam winchester #castiel #jack kline #erik kripke #robert singer #andrew dabb #that god awful finale #i spent 4 hours drafting this

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fanfic-corner · 3 years

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Sabriel

I genuinely have no idea where this ship came from, but it is pretty cute, and I was curious to read a couple fics of them. Besides, I’m currently on season 13 and we deserve more Gabriel content in this time of stress. All of these also have Destiel in them, but which one the fic is focused on varies. I hope you enjoy them!

Rewriting the Book by MonPetitTresor on AO3. (37,224 words).

Tags: Dimension Travel, Alternate Universe, Gabriel in the Bunker, Angst and Hurt/Comfort, Emotional Hurt/Comfort, Sam Remembers Hell, PTSD, Post-Gadreel, Mark of Cain, Hurt Sam, Scared Sam, Emotionally Repressed, Sam Has Panic Attacks, The Cage.

My Rating: 5 stars.

Description: When Sam gets a little too close to stopping Metatron’s plans, the angel decides to use some of his extra juice to get Sam out of his way by sending him to a completely different reality. He never could’ve predicted what Sam might find there – or what he might bring back home with him.

Notes: The trauma in this was written so well, and it is part of what made this amazing. It was really respectful, realistic, and clearly well researched. And, as a bonus, an excellent plot!

In All Your Borrowed Finery by vanishingact on AO3. (67,950 words).

Tags: Winged Dean Winchester, Winged Sam Winchester, Winged Castiel, Winged Gabriel, Spells & Enchantments, Hunters & Hunting, Case Fic, Harpies, Canon-Typical Violence, Major Character Injury, Slow Build, Slow Burn, Fluff and Humor and Smut and Angst, Wingfic, Fan art.

My Rating: 5 stars.

Description: Dean finds an interesting symbol in Kevin's angel tablet notes and, against Sam's counselling, uses it in the heat of battle with a pair of angelic assassins. Side effects include pain, disorientation, and uncontrollable new appendages for the Winchesters. A disgruntled Castiel and a delighted Gabriel show up to help. Hunting (and life) gets interesting when wings are involved.

Notes: Okay this was literally adorable and you can not convince me otherwise. Every time I read a fic with everyone’s favourite archangel, I miss him just a bit more.

Black Swans by omphalos and Wolfling on AO3. (66,455 words).

Tags: Post-Apocalypse, Road Trip, Blasphemy.

My Rating: 5 stars.

Description: A post-apocalyptic road trip with a still recovering archangel wasn't how Sam had envisioned the aftermath of their big plan, but it sure beat a lot of the alternatives.

Notes: This was absolutely brilliant, so well written, and the plot was phenomenal! The misunderstanding was painful, and the original characters were great.

omni gladio ancipiti by lifevolutionary on AO3. (10,892 words).

Tags: Wingfic, Telepathy, Psychic Bond.

My Rating: 5 stars.

Description: The archangel Gabriel had never chosen a Bearer for his sword. Until now.

Notes: This was so freaking sweet, and I love the idea of Sam just casually having a flaming sword.

Dies Irae, or Something by AlchemyAlice on AO3. (51,223 words).

Tags: Alternate Universe - Apocalypse, Blasphemy, Alternate Universe - Canon, Biblical References.

My Rating: 5 stars.

Description: It starts with headaches, and it ends in a clusterfuck. So, business as usual, Apocalypse-wise.

Notes: I know it says Good Omens as well, but it is just a brief mention of Aziraphale and Crowley, so you don’t need to know anything about it! And this fic was written beautifully. Is it bad that I miss the apocalypse days?

That One Time Sam Winchester Googled Something Weird and It Had Pretty Awesome Results by quitepossiblyjanuary on AO3. (2,587 words).

Tags: Romantic Fluff, First Kiss, Stars, Humor, Courtship, Short & Sweet.

My Rating: 4 stars.

Description: In which Sam Googles something and his curiosity doesn't kill the cat. Or him. Or anyone. It's a pretty awesome feeling.

Notes: This was so adorable! Gabe was so sweet, and his mind reading skills made me laugh.

Bing Crosby’s Pennies From Heaven by twentysomething on AO3. (9,613 words).

Tags: Castiel, Dean Winchester, Gabriel, Sam Winchester, Bobby Singer, Death.

My Rating: 4 stars.

Description: Sam always asks inappropriate, poorly-timed questions, so what comes out of his mouth doesn't exactly surprise himself. "Where were you?"

Notes: This was brilliant - the little gifts that Gabe left for Sam were adorable, and I burst out laughing at the image of trying to get Bobby’s wheelchair on top of a toilet.

‘Star Wars is Overrated’ by leftdragonpainter on AO3. (38,186 words).

Tags: Soulmates, Soulmate-Identifying Marks, Pining, Drinking, Writer Castiel, Mechanic Dean, Neighbours, Swearing, Winchester Logic, Big Brother Gabriel, Clueless Dean, College Student Sam, Awkward Dates, Pie, Dean Cooks, Slow Burn, Injured Sam, Fixing Cars, Emotional Constipation, Angst, Confessions, Smut, Love Confessions, Temporary Amnesia, Star Trek References, Star Wars References, Angst with a Happy Ending.

My Rating: 4 stars.

Description: When Dean Winchester turned sixteen he was disappointed by the words that appeared on his chest. He never expected that it would take so much to find his soulmate. He never expected to not remember meeting them…

Notes: Every time I thought I knew what was going to happen, it either went in the complete opposite direction or something totally different happened, and I loved it.

Start Quoting Shakespeare and We’re Done by pyrebi on AO3. (15,579 words).

Tags: Romantic Comedy, Misunderstanding, Banter, Libraries, Food, Ridiculousness, Alternate Universe - Library, Alternate Universe - Human.

My Rating: 4 stars.

Description: In which Dean has the hots for a librarian named Cas, Cas may or may not have the hots for a mechanic named Dean, and Gabriel joins Sam in the peanut gallery in the hopes that he might just get to do a horizontal tango of his own.

Notes: Damn, the misunderstandings in this were so unbelievably painful. Overall, though, it was very funny and quite cute. Also, I love the idea of Gabe owning a sweet store.

Bring it On Home by lilyleia78 on AO3. (34,482 words).

Tags: Romance, Alternate Universe, Drama, Bonding, Angelic Soulbond, Angels, Alternate Universe - Fairy Tale.

My Rating: 3 stars.

Description: When John sells his sons to Heaven in exchange for the Colt, Dean and Sam find themselves separated from each other and in the care of two very different angels. Dean and Cas work together to find out why Heaven wants Sam and how they can reunite the brothers - all the while growing closer every day. Meanwhile Sam should hate Gabriel and his endless string of conquests, but Gabriel's twisted sense of humor and attractive smile inspire something much more complicated.

Notes: First of all, I would like to say that John absolutely does not deserve any redemption or forgiveness in this fic, but okay. The idea - especially the Sabriel side - was a little creepy, but it was executed fairly well.

Our Mornings by entanglednow on AO3. (2,155 words).

Tags: Morning After.

My Rating: 3 stars.

Description: That would be the sound of his brother having sex with an angel three rooms away.

Notes: This was fairly cute, but a bit short for my tastes.

And, for all the Sabriel fans who don’t ship Destiel:

Highway of Love (Or: How Sam Winchester Learned to Stop Worrying and Relax Already) by Jassy on AO3. (24,536 words).

Tags: Sam Winchester, Dean Winchester, Bobby Singer, The Trickster.

My Rating: 5 stars.

Description: AU. Sam noticed a few things weren't quite right after they killed the Trickster. After going back to check things out, his life will never be the same.

Notes: This was probably the first Sabriel fic I ever read, and honestly I just didn’t understand it. I mean, not complaining, because I’ve read Mystrade fics before and we all know they don’t even share a scene, but I was still confused. Then, I read a really nicely done thing on Instagram explaining it, and I kind of got it. So I read this, and I really enjoyed it, and now I ship Sabriel.

So, they may be this fandom’s crack ship, but I hope you enjoyed this edition of Destiel + other ships. I’m thinking that I might do a Saileen one in the future, because she may have only been in one episode I have watched but oh boy she was an icon, and it’s good for my heart to ship things that actually happen (I think. No one tell me otherwise. I will cry).

#sabriel #ficrecs #fanfic #spn fanfiction #spnfamily #supernatural #destiel

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rubyjcat · 3 years

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[Behind-the-Scenes] HELIOS Rising Heroes: Animation Showcase

“HELIOS Rising Heroes: Animation Showcase” is an English voice fan project I worked on all by myself (barring voice actors) that took five months to make.

The original plan was to make just one video, but it ended up being eighteen of them!

Link to YouTube playlist:

https://www.youtube.com/playlist?list=PL0UbdFyWSx0n_ewcd-t0iAB0adGe5lghH

In this write-up, I’ll be discussing details about the response to the project, recording all the footage, video editing, voice acting + audio processing, script translations + rewriting, which fonts were used, and even the emulator used. I’ve organized it into sections to make it easier to find certain things. Also, this is directed to English-speaking readers since I’m not gonna bother translating the entire thing to Japanese.

THE DREAM

I wanted to make this fandub ever since the game was released (in Aug 2020). I just knew that English voices would be extremely fitting to the world of HELIOS with a setting inspired by America and characters, places, and terms mostly in English. I was disappointed to hear that the studio behind the game, Cacalia Studio of Happy Elements K.K., had no interest to localize their games outside of Asia, which meant the chances of an English dub, let alone a global release were close to zero.

I was able to understand how to play the game thanks to the fan translators, some of which came from other Cacalia Studio games, and got inspired to continue learning Japanese (there was a previous attempt to translate Japanese lyrics years back).

What I thought was just the silly dream of one overseas player’s became something much more!

THE TIMELINE (BRIEF OVERVIEW)

I played the game for about two months prior to working on the project. Before starting the project, I had to sort out graphical and technical issues on my end first as I was unable to play the game smoothly until November.

November 2020

Finding all the in-game battle lines

Writing transliterations (romaji) of lines by ear

Learning and translating lines to Japanese

Started recording footage

December 2020

Further translation revisions

Held a casting call

Script rewriting and finalizing

January 2021

Completed casting

Started video editing (learning process)

Started audio processing

Recorded more footage

February 2021

Recorded more footage

Japanese script revisions

Finished working with VAs

Finished audio processing

Continued video editing

Published Preview video

March 2021

Recorded the last of the footage

Japanese subtitle revisions

Finished Showcase video

Finished Individual battle clips

Gave recommendations to VAs

The exact start and end dates were Nov 1st, 2020 to March 31st, 2021. Pretty neat.

RESPONSE TO THE PROJECT

I was absolutely shocked with the response to the preview video, which at the time of writing has just hit 10K views and almost 600 likes on Twitter and YouTube combined. Not bad for an unpaid hobby fandub (a joke only I find funny...) of an otherwise “niche” Japanese-only mobile game.

As of Apr 4th, 2021 - Thank you so much. This is more than I could’ve asked for.

The preview video blew up way more than anticipated, setting up for a bit of disappointment when the Showcase video was released.

The amount of views I expected for this project within its prime were a couple hundred views, so I’m content that the Showcase video reached that amount (it had ~500 by the end of March).

The expectations for the battle clips were an average of 100 views and a handful of likes - and each one got roughly that amount (or more) - so I’m also content with that, especially for something that’s just “bonus material”.

I tried my best to promote this project on Twitter with three main tweets. My one regret with promoting the project was making the second tweet after publishing the Showcase because the Japanese I wrote there was pretty terrible (as I was all worn out from editing and was in a haste to tweet about it). I tried to make up for it in a follow-up reply the next day, but it was too late. I was satisfied with how my third and final tweet and thread of battle clips turned out, but it sadly didn’t garner much attention. A reason for this was probably due to bad timing. I knew that the timing of the last tweet was awful as HeliosR did something special for April Fools’ day, plus the Easter event was being hyped around the same time, but I really wanted to finish up the project within March (my timezone, at least. It was already April 1st in Japan).

It was important to also make the videos accessible to the Japanese audience as they were a large portion of the viewers. This proved to be a challenge as my knowledge of Japanese is limited - at least for me, it’s easier to translate grammar-correct Japanese than it is to write my own sentences.

I ultimately decided against posting any of the videos on NicoNico because I wasn’t sure about Japan’s laws regarding copyrighted material. I knew it was already risky enough posting on social media and didn’t want to take any additional risks.

ABOUT THE FOOTAGE (1) – HEROES & ATTACK ORDER

HeliosR uses a gacha system, so to be able to even make something like this, you’d first need access to all 16 ★4 OG Heroes in the game.

I had them spread across five different accounts, four of which were reroll accounts. Asakou from the Cacalia RPG server gave me two of those accounts, and I rerolled myself for Keith and Ren during their Birthday Orders (one free 10-pull per account). Every account is also given a free ★4 selector ticket which I made good use of.

3,000 rubies (in-game currency) were sacrificed to pity the ★4 OG Dino when he was released in December just for the sake of the fandub!

Besides covering all of the Heroes, I also needed to play through each account to unlock certain story chapters, event stages, and evolve the Heroes for their shiny evolved CG art. Some of the Expert event stages (that had the Nighttime backgrounds) proved difficult to clear with a new account.

When using skills, the order of the Heroes were edited such that everyone was able to have the majority of their lines used at least once. All Heroes had two “receiving support” lines, two or three “supporting” lines, and two or three “skills against the enemy” lines. Some of the extra lines didn’t make it into the Showcase, so they were used for the individual clips instead.

I should’ve used Gray instead of Marion for the account that had Billy because you can see Marion’s sprite in Billy’s image. xD

In the Showcase, you may notice that the "Union Attacks" consist of all the ★4 CG images. These were spliced together; I never had all four Heroes of the same sector on the same account. For example, I would have Gray, Asch, and Jay on one account and Billy on another account, recorded their ★4 Bursts separately using the same background (from unlocking the Expert stages on both accounts), and then edited all the footage together.

Jay’s Burst was later re-recorded with a different attacking order so that he wouldn’t link to Billy.

It was also important to keep the same order of Bursts as well as use all four Bursts in the same turn. The ★4 Burst order was usually determined by who didn’t link skill with one another (with the exception of East sector as I was still figuring things out) because I didn’t want the link skill activation getting in the way of the animations.

As a little bonus, I also showed off the exclusive damaging skills of the Chapter 6 and 7 ★4 frames that I was lucky enough to pull from the gacha: Marion’s "Invitation To The Dance“ (roses), Faith’s “Synthetic Vibes” (beats), and Dino’s “Crow Mark Dead End” (claw marks).

ABOUT THE FOOTAGE (2) - BACKGROUNDS

Since I didn’t want to use the same battle music and backgrounds for all of the videos, I decided to use some of the themes from the limited-time events which went as far back as Nov 2020.

Each background has three variants (Daytime, Afternoon, Nighttime) and so I carefully picked them based on the colours. I ended up using mostly Expert stages - or Nighttime backgrounds, since Daytime versions were only used for Normal difficulty stages (which are too easy to clear).

The backgrounds used for the Showcase, all from limited-time events.

I decided to mix up some of the Heroes from other sectors in the individual clips for fun, basing it off of their relationships with each other. Using South sector’s background for Gast’s clip was a purposeful choice because I already used the North sector’s background for the other three North sector Heroes. I made sure to include Akira and Will of the South sector in Gast’s clip so it didn’t feel too random!

The only default background I didn’t use was Chapter 2’s because I already made use of the Casino theme for OG West sector’s individual clips. (...Plus I didn’t really like that background :p)

Here’s a list of all the backgrounds I used:

Escape the Prison (Nov 2020) - used for Showcase [EAST]

Mission of CASINO (Nov 2020) - used for Junior, Faith, & Keith clips

HAPPY NEW YEAR SHOW! (Jan 2021) - used for Showcase [SOUTH]

Help! Cooking Hero! (Jan 2021) - used for Will and Oscar clips

A Sweet Spell Garnished With Chocolate (Feb 2021) - used for Showcase [WEST]

Grandiose Chinoiserie (Mar 2021) - used for Showcase [NORTH]

The Hero Is A Detective!? (Mar 2021) - used for Billy and Jay clips

Default backgrounds: Chapters 1, 3, 4 (shared with 7), 5 (shared with 6) - used for all other clips

The Christmas event was the only event that went unused during the Nov 2020 - Mar 2021 period.

I didn’t record the East sector event (Christmas) in Dec 2020 because I was actually too busy with the casting call! I also didn’t think I would make use of it after already recording the Prison event intended for East sector. The project ended up taking so long that it actually benefited from having a wider selection of events over the months, which also showcased the beauty of the game.

ABOUT THE WORK & VIDEO EDITING

Hardware:

A decent computer.

A pair of no-name earbuds I found while cleaning out some junk.

Software:

All FREE!

*There’s a catch

NoxPlayer* emulator (debloated, read more about in its own section) and Open Broadcast Studio were used to record game footage and sounds.

Davinci Resolve was the main tool I used to edit the videos. A very demanding program that I only recommend using if you have a mid to high end computer.

MediBang was used to edit some of the art like the logos, but I ended up using Resolve for the majority of the graphics, including the thumbnails.

Audacity and Cakewalk were used to edit audio.

Many aspects for this project took longer than I had hoped because there was a learning process with using Resolve for the first time. I’m also a bit of a perfectionist, re-exporting videos tons of times just to fix small mistakes. Lastly, the time it took to make all the fancy effects was longer than I’d estimated. As the project dragged on, there was pressure to not delay the release of the videos any longer than I had to. A lot of this was self-imposed though.

There were days where I just did something else other than work on the project, which helped re-fuel my motivation when I decided to pick it up again.

Pretty much everything in the videos were taken from the game itself. The only graphics that were taken from the official website instead were the Substance symbols (the pictures with HERO at the bottom).

Additional overlay graphics were custom-made. It took two whole days to make the 3-second long sector intros and another two days to create and animate the arrow graphics for the credits. These were made using Resolve’s fusion and colour features. Much of the edit was inspired by the official HeliosR designs.

Left: Official in-game graphics // Right: My fanmade video (sector intros)

Sector intros were inspired by the four Heroes version of Union Attacks in-game.

Left: Official HeliosR video // Right: My fanmade video

The Preview video took after the ★4 Burst mini-previews as part of HeliosR’s promotional campaign, uploaded before the game was released.

Left: Official HeliosR video // Right: My fanmade video

The credits at the end of the Showcase were inspired by a different video, this time being the Half-Anniversary video.

The Showcase - which had a duration of 29:07 - was 11.5GB large in size. It took almost three hours to render (which I re-rendered to fix things) and two DAYS to upload to YouTube because I experienced multiple uploading interruptions. It’s a good thing you can re-upload the same video to continue where you left off without having to restart the entire process.

The individual hero clips didn’t take as long to make (but they took a while anyway as I re-uploaded some of them to fix minor mistakes). The recommendations for the VAs that were given alongside the publishing of each clip also spanned over another five days as I wanted to personalize and think about each one carefully.

A pretty frustrating part of the project was the prevalent lag when recording footage, which may have been due to the emulator and/or some technical things on my end. The Prison event used for the Showcase was the very first one I recorded when I wasn’t as aware about the lag, and so it suffered a bit as a result. The Union Attacks were the worst offender. I re-recorded the same battle scenes several times each just in case, then went through the footage frame-by-frame in Resolve and chose the ones with the least amount of lag. If all of the recorded footage suffered lag at different parts, I would even compare and splice together parts of them that didn’t lag. There was also audio lag (a known issue of NoxPlayer) so I had to move all of the audio forward by 1/3 of a second.

By the end of the project I had over 200 videos of game footage with a total size of over 24GB and a total duration exceeding 9 hours, not even counting all the ones that went unused.

The Heroes weren’t the only ones who evolved. MS Paint not recommended for thumbnails.

Overall, (despite the few mistakes here and there that nobody other than me would notice) I was happy with how everything turned out, down to the gorgeous thumbnails! I am an artist, after all~ :^)

I also have much more respect for video editors. They should be called VIDEO ANIMATORS!

ABOUT THE VOICES & AUDIO PROCESSING

When making a dub, it doesn’t mean we want to replace or best the original language, we just want to give it a new interpretation. In fact, the characters’ voice descriptions and direction provided in the scripts were heavily inspired by the seiyuu (Japanese VAs) and how they performed their lines.

Honestly, this was THE dream cast!! Some of the VAs had comparably similar voices to the Japanese ones which was an amazing coincidence. The ones that may not have sounded as similar had unique interpretations that I felt still suited their characters well. I also chose actors based on their performance, and everyone delivered!

Voice actors were not expected to imitate the Japanese voices and lines. They were provided direction and reference videos to help time their lines, but were otherwise given liberty when it came to their own interpretations.

You shouldn’t hear any jarring differences between the voice actors’ microphones and setups. That’s because I took the time to process the audio. Faith’s audio was submitted to me post-processed so it was used as a guideline for what the audio quality should sound like. Some of the others had comparable quality to Faith’s, so I only added compression to balance their volumes. Most of them benefited from equalization of various levels - this took some experimenting back and forth with the frequency spectrum. Lastly, a couple more benefited from clip fixing, noise gate, de-essing and/or click removal. It was very important for VAs to have at least decent room treatment; while small differences between mic frequencies can always be altered, echoes are difficult if not impossible to remove completely.

I feel that audio engineering is highly underrated and more important than ever as voice actors continue to record from home studios.

And in case it wasn’t already clear, this was purely voluntary work. No VAs or myself were paid to contribute anything for the project. Though, the experience alone was worth more than any amount of money.

ABOUT THE SCRIPT & TRANSLATIONS

HELIOS Rising Heroes「エリオスR」English Translation - Battle Lines

https://docs.google.com/spreadsheets/d/1ImWrAfvS_hgp6qr5qt30vCP63uHEk2o79uqY0h-3wL4/edit?usp=sharing

This spreadsheet consists of the literal translations for all the battle lines I could find in the game (it still isn’t done -yet-, plan to finish it when I get the chance). These are only fanmade and are not guaranteed to be accurate, especially as I wasn’t able to find another translator to help or proofread it.

After translating the lines, I made many additional revisions from the literal meanings such as changing the intention of the line slightly to flow better, having extra words added in to provide more context, or changing them completely. Thus, the lines used in the video are NOT literal TLs!

Another thing of note that may not seem apparent, but is what I feel an important aspect of character writing, is to remain completely unbiased towards all the characters. Personal favourites aside, I ensured that every Hero had their own spotlight as well as lines written in a way that remained faithful to their personality, no matter how unlikeable they were (looking at you, Asch Albright).

Even after giving voice actors their scripts, I made another revision in February after the release of the aforementioned Half-Anniversary video with the transcriptions for the ★4 Bursts, which is when I discovered a couple of mistakes with my transcriptions. This resulted in me having to edit out a part of one of the voice actors’ lines (Billy’s “String Show” line in his ★4 Burst) because of a translation mistake! I’m really glad I was able to double-check the correct lines before releasing the Preview video, or it would’ve looked pretty silly to Japanese viewers.

The last set of revisions were just minor edits to the subtitles (such as using kanji instead of kana) while I was working on subtitling all the videos.

Notable changes included:

WILL SPROUT

During attacking combo

Original line:

tanonda zo... ike! / “Counting on you... Reach!”

Rewritten line:

“I’ll become stronger... For everyone!”

The rewritten line is a condensed version of one of Will’s ★4 Evolved CG lines (“For everyone... I’ll become more and more stronger!”). He had “Reach!” in both his attacking combo and regular Burst, so I gave him an extra unique line.

★4 Burst

Original line:

warui kedo... kore de oshimai da! / “Sorry, but... it ends with this!”

Rewritten line:

“I’m sorry, but... it’s over for you! HAAAH!”

There were a couple of oversights I made with the script, and this was one of them that didn’t fit the animation properly. Props to Ryan for coming up with the extra shout at the end! So yeah, we kinda winged this line.

OSCAR BALE

When using skills against the enemy, during attacking combo, and in the ★4 Burst (repeat line)

Original line:

osoi! / “Slow!”

Rewritten lines:

“Too slow!” / “You’re slow!” / “Over here!”

Rewritten simply because I wanted to minimize repeated lines and change things up.

GAST ADLER

When supporting an ally, and during attacking combo

Original lines:

tetsudau ze / “I’ll help (you).”

itchouagari / “All done.”

Rewritten lines:

“I’ve got your six.”

“Target eliminated.”

I wanted to add in a few military terms to reflect Gast’s background.

FAITH BEAMS

★4 CG line (for the credits)

Original line (literal TL):

“It’s not terrible or evil, right? Surely this isn’t punishing... I guess?”

Rewritten line (with “mistake”):

“I’m not doing anything horrible or evil, alright? This is just business as usual... I suppose?”

Faith’s CG line had a mistake when I first translated and handed it off to his actor. I accidentally wrote “oshigoto” (work/business) instead of “oshioki” (punishment). The original has him pretty much saying the same thing twice anyway, so I would say the intention was still retained.

KEITH MAX

When supporting an ally

Original line:

gambare yo~ / “Do your best~.” or “Hang in there~.”

Rewritten line:

“Stay alive, would ya~?”

I know Keith’s meant to say “serious” things in a sarcastic or snarky way, but I just had to add in this fun line!

DINO ALBANI

Using skills against the enemy

Original lines:

haa! / “Haah!”

hei! / “Hey!”

Rewritten lines:

“I can do this!”

“Leave it to me!”

The Japanese lines for Dino’s offensive skills were rather basic, with the third and unchanged line “Here goes!” being a repeat line Dino also says when attacking. I wanted to give him some more lines - as standard as they are - to show his personality a bit more, along with having an additional fun West sector interaction. The changes fit the animations better too. (I actually had his VA say the "Haah!" line, but ended up using a different take of “Here goes!” in place of it.)

ABOUT THE FONTS

Fonts were taken from various sources and were either FREE for personal use or had an open font license. I didn’t have access to the commercial fonts (such as Futura) used in-game, so these were the following fonts I made use of:

Techna Sans looked similar enough to Futura when capitalized, and still looked decent in lowercase.

Jost* is a font that was derived from Futura. Some of its uppercase letters are sharper than Futura's, but it worked pretty well for the text in the credits.

Gau Font Over Drive was used for the ANIMATION SHOWCASE text.

Gen Jyuu Gothic LP was used for the majority of the Japanese text and its English letters were also used for the battle clip subtitles on Twitter.

Meiryo UI (default font) was used for the Preview videos’ subtitles.

Noto Serif JP (default Google font) was used for the serif Japanese text in the credits.

ABOUT NOXPLAYER ANDROID EMULATOR

ETA: AS OF VERSION 1.1.18 (04/23/21), EMULATORS NO LONGER WORK WITH HELIOSR (AS WELL AS OTHER CACALIA STUDIO GAMES). THE BELOW INFORMATION IS OUTDATED.

If, for whatever reason you’re interested in using NoxPlayer, you should take caution when installing it onto your machine. I don’t advocate for or recommend installing Nox. I had to resort to emulation so that I could record the footage and sounds directly from my computer using OBS. The reason why I used Nox specifically is because Cacalia Studio doesn’t like emulators, blocking most of them from running their games. I found further instructions on how to run the game in Nox from the Cacalia RPG Discord (via Twitter @HeliosR_en).

First, not all Nox versions are safe. It should only be installed from the official website, Bignox. More recent versions (I believe from 6.3.0.6 and up) may contain malware such as Segurazo and Chromium packaged with the installer which can be annoying to remove. The version of Nox I used was 6.3.0.0 (you can install older versions, then just don’t update it), which has Android 7 and doesn’t contain packaged malware (AFAIK).

Second, NoxPlayer may be “free” to use, but it comes with bloatware and profits off of its users’ data by collecting and sending it to many different servers. The below guide is what I used to debloat Nox and minimize communication to these servers. Scroll down the comments for additional domains to add to the hosts file.

Debloating & Optimizing Nox:

https://gist.github.com/Log1x/12d330ef7685d6fbc611d1d57efb5c29

This is another good guide that makes use of command prompt to remove additional bloatware from the emulator.

How to Remove Bloatware on Nox and LDPlayer Emulator:

https://codefaq.org/emulator/how-to-remove-bloatware-on-nox-and-ldplayer-emulator/

ENDING NOTES (TL;DR)

Images of the first and last video for the HeliosR project. We’ve come full circle!

One very tired and average person decided to translate, script, cast, direct, and edit an ambitious project all by herself using only FREE tools, and ended up taking too long to finish it. But at least she finished it, right?

Translators = RESPECT

Voice actors = RESPECT

Video editors = RESPECT

Audio engineers = R E S P E C T (their work is especially behind-the-scenes)

Hell, I even like Asch now.

During my time working on this, there was one question I always had in mind: “What would the fans want?”

I hope this follow-up has given you a bit of insight into the makings of the HeliosR project. Thank you for reading!

~RubyJCat

#heliosr #helios rising heroes #animation showcase #english #fandub #dub #voice #voices #voice acting #fanmade #fan #behind the scenes #my projects #english translation

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aer-in-wanderland · 3 years

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I am sorry but you have to do a part two as well as every other part up until 16 of your descriptions and your translations of the episodes. With all the background you know and explain. I am sorry but if you don't do it, I will definitely sue you for doing the first part in the first place! Now I am addicted and it is your fault.

Now 3 questions. What do you think about all the scenes with Ji- Ah before he knew she is Ah-Eum? Was he interested in her? I mean what reason would he have had to keep an eye on her always?

Did you ever think about the question wheter he loved Ji-Ah differently than Ah- Eum? After all she's STILL another person? And she had a point in saying that after that first kiss?

And finally... Were all the women looking like her before then completely other people- or was she reborn then as well, but it came never to a moment when he got to see the fox bead?

It's a lot. But you have to answer, I might go crazy otherwise.

Thank you!

Hahaha I’ve never been praised with apologies and threats before, but thanks? Your strategy is interesting, yet oddly effective. Don’t worry, I’m currently working on a write-up of episode 2. I’m glad you enjoyed the first one. ^ ^

As to your questions, I can only give you my educated opinion as a fan, but to my sense:

1) When you say ‘keep an eye on her always’ did you mean once they reunite when she’s an adult? I’m fairly sure that, while he did come back to check on her when she was little, he hasn’t been watching over her for the past 21 years. TvN released a deleted scene in which he looks her up on the internet to see what her deal is after Shin Joo tells him she’s trying to track him down. If he’d been watching over her, he wouldn’t have needed to do that. Also, his line to her at the end of episode 6, ‘So that’s how you’ve lived until now,’ implies that he didn’t know how she’d lived in the years since he saved her as a child.

As to whether Yeon was interested in her, I think the answer is yes, but not romantically. As Yeon says, foxes mate for life, so he had no interest or intention of falling in love with anyone other than Ah Eum (or rather, her reincarnation). He also tells Taluipa that it doesn’t matter to him what she looks like. I believe him on both fronts. At the same time, I think not being moved by the sight of Ji Ah when she looks exactly like Ah Eum would be pretty much impossible. She’s the living, breathing image of someone he loved and misses desperately.

But more than her looks, I think it’s who she is as a person that he’s drawn to. Ji Ah is smart, driven, and fearless. In the scene in episode 2 where she tells him, ‘I’m not threatening, I’m gambling,’ you can see from his expression that, despite his irritation at her having literally broken into his house and tranqed him, he’s also quite impressed with her for it. It’s worth noting, too, that it’s only after this encounter that he goes to find Taluipa guessing that Ah Eum has been reborn (with the same face, no less). Similarly, the reason he checks for the fox bead again when they’re on the island is that - despite having already tried and failed - he can’t help but see Ah Eum in who Ji Ah is, not just how she looks. And that’s, I think, why he can’t help but look out for her. Because he admires her as a person, and because he recognizes her. He only doubts himself because she doesn’t appear to have his fox bead.

2) This is a hard one. Ji Ah and Ah Eum are different people in the sense that they’ve lived different lives and possess different memories, and obviously our experiences and memories are an integral part of who we are. At the same time, they are the same person in the sense that they possess the same soul. Ji Ah is Ah Eum reborn. It’s not as if Ah Eum exists somewhere separate from Ji Ah. Ah Eum was reborn as Ji Ah, and Yeon, I believe, loves who that person is regardless of what path she’s walked in life or what memories she does and doesn’t possess. He tells her more or less as much in the letter he leaves her: ‘I liked the attitude with which you faced the world. I liked that, despite bearing a terrible fate on your shoulders, you didn’t thoughtlessly despair.’ I think this line really gets at the heart of what drew Yeon to Ji Ah in addition to being what he loves about her, and it’s a statement that was equally true of Ah Eum. Ji Ah and Yeon are kindred spirits in this way: the way in which they bear up under adversity, and the strength of character they each possess which allows them to do so.

When Ji Ah tells Yeon, “I’m not the shadow of your past,” I think she absolutely had the right end of things, and I think Yeon is wise enough to recognize that as well. Ji Ah can’t be ‘Ah Eum’ for Yeon one, because she doesn’t share those memories of their past with him, and two, because she has an entire lifetime’s worth of memories that Ah Eum never had. Moreover, 600 years have passed. Even if she did somehow remember her past life, in this life, she’s no longer an abandoned princess, and he’s no longer a mountain god. For them to live trying to recreate the days they spent together 600 years in the past would be an exercise in futility, if for no other reason than the fact that the world itself has undergone tremendous change since then. Ji Ah is asking Yeon to be in a relationship with her as she is here and now, and I think that Yeon should be commended for the grace with which he did exactly that.

3) I had this thought as well early on, and all I can say is, if that had been the case, then what a terrible tragedy that would have been. But I believe the answer is no, for a couple of reasons.

First off, Yeon was under contract to work for the Ten Kings of the Afterlife as a sort of enforcer in exchange for them allowing Ah Eum to be reborn. Because Ah Eum’s death was considered a suicide of sorts, she should have been ineligible for reincarnation. But Yeon cut a deal exchanging his service to the Ten Kings for her rebirth. Rang describes this as a sort of karmic ‘mileage points’ plan whereby Yeon builds up mileage points through his service, and once he has enough, Ah Eum gets to be reborn. If you flip that around, it means that he’s only under contract until she’s reborn. So since Yeon was still under contract at the start of the drama, I think we can safely assume that those other women were not, in fact, reincarnated versions of Ah Eum. That still begs the question of why he wasn’t let off the hook 30 years previously when Ji Ah was born, and I honestly don’t have a good answer for that. [Edit: tvN published something that says the contract ended when he realized Ji Ah was Ah Eum’s reincarnation].

Second, even barring the previous point, multiple supernatural characters - including Imoogi, who was reincarnated part and parcel with her - have stated that it took 600 years for her to be reborn. If those other women had been Ah Eum, they would also have been Imoogi as well, and I can’t imagine Imoogi would have just not tried to get revenge on Yeon if he’d had the chance before now. Moreover, the fortune-teller (whose true identity is Tenth King of the Afterlife who presides over reincarnation) also says that Ji Ah was a princess in her previous life (i.e. the last time she was alive), and I would consider that to be fairly conclusive evidence.

So why bother with the look-alikes at all, right? On a narrative level, I mean. Very simply, I think we as viewers needed probable cause to believe that Yeon could meet someone who is Ah Eum’s spitting image and yet somehow not immediately realize it was her. If Yeon hadn’t seen women with her face over the centuries, then her appearance alone would have clinched it. So I view those other women as a way of introducing probable doubt. I don’t believe they were incarnations that Yeon failed to recognize.

Believe it or not, that is my short answer to your questions haha It’s ultimately only my own opinion, but hopefully it was helpful. =) @me-dreaming-out-loud

#ask #tale of the nine tailed #totnt #lee yeon #ah eum #nam ji ah #me-dreaming-out-loud #구미호뎐 #이연 #아음 #남지아 #lost in translation #totnt ask

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curiousartemis · 3 years

Text

Year-end Writer’s Round-Up: 2020

Thank you for the tag, @musetta3!! (And your kind words about my story)

I will tag as many writers as I can think of: @r2smuse @tishinada @curiousthimble @razrogue @knightdawn @alxxiis @schrodingerthings @maraleesquill @themushroomqueen-ao3 @wardenari @fandomn00blr @ahufflepuffhobbit @archesa @oui-lele @odekiax @daedriclorde @pemfili and anyone who sees this and wants to do it! (I’m sorry I forgot you!!)

EDIT: None of these usernames are showing up as tags on my dash, yet when I go to edit the post, they DO show up. So I’m sorry if they aren’t working :( There appears to be nothing I can do to fix them.

Word Count:

343749

Not bad! Oh what am I saying; THAT’S INSANE!!! I’m genuinely shocked by that number. I know Laurie’s fic is 130k words long at present, and I finished the latter half of Casien’s book 3 this year, too, but still.

New things I tried this year:

Probably my most notable thing I tried this year was Laurie’s story, which is almost exclusively focused on romance (along with main character development). I was very nervous to write “just” a love story; I didn’t know if I had the ability to do so, and was extremely anxious about how to plot such a story. I pretty much just closed my eyes, took a deep breath, and started writing. It was really nerve-wracking because normally I have these big scenes in mind as I begin a long story, and this time all I had a was a balcony kiss scene...!

I returned to the DA fandom briefly with my Karl x Anders fic! I never felt like I fit in with DA fandom, not sure why. Unfortunately, the story wasn’t too successful, but I did get a few comments, and most importantly, I really had this sudden urge to write them together, and I did a rare thing: I gave in to the urge 😁 I’m pretty happy with how the fic turned out, though I don’t think my one-shot game is all that strong.

This year I also separated my one-shot collection into multiple collections, sorting them by pairing. In the Ulfrien collection, I’ve been editing every story, cleaning up typos, story inconsistencies, and just plain bad writing. I’ve also been giving the stories names! I deleted a few stories I didn’t care for, too.

Lastly, I drew outfits for my OCs! I realized one of my favorite things to do is imagine and describe the clothes (and armor) they wear. So I decided to try drawing it, too. I’m really proud of how they came out.

Fic I spent the most time on:

Laurie’s story, without question. I worked on it nearly every day of the year. There was a time after the first hurricane when I barely wrote at all. It was a very difficult time, but returning to writing, and to Laurie, actually helped me deal with all of that (or at least not think about it).

Fic I spent the least time on:

All of my one-shots are tied for this. I write all my one-shots in one sitting. It can take anywhere from a few minutes to a few hours.

Favorite thing I wrote:

Well there’s just no comparison to Laurie’s story (because otherwise all I have are one-shots). If I had a favorite chapter, though, it would be the first dancing chapter, when Falk admits his feelings and kisses Laurie for the first time. I really enjoyed writing his confession, how sweet and nervous he was, and how overwhelmed Laurie was... and how happy they both eventually became.

Favorite thing I read:

The Inevitable Love Story between Two Oblivious Idiots I’m pretty sure I read this one this year. I’ve read a LOT of bagginshield (it’s still 90% of what I read) but this one really stood out. The letters Dis and the others exchange back and forth are freaking hilarious.

It Runs in the Family Bilbo gets jealous of a handsome cousin who comes to visit. Said cousin seems to be attracting the attention of a certain dwarven king, and... this sounds really cliche and lame (because I am bad at summaries), but NO it’s really cute and hilarious!

A Handsome Stranger I ventured into a new fandom this past month: Cody x Obi-Wan !! 💗 This was a really cute fic, and I love AUs so much, not to mention slow burns... and although the time the passes is only a matter of days, we get to experience all these little moments between them, and it’s just great.

Something to Start With Whelp, yes, it’s another adorable bagginshield fic! And of course it’s a lovely slow burn. Read it!!!!

Writing goals for next year:

They are... ambitious 😱 I plan to write two long fics at once, the next Casien book and my new BG3 fic. I actually have more planned for the BG3 fic and am pretty excited about it, but very nervous to be breaking into a new fandom, too. BG3 fans are very knowledge about DnD and... I am not 😅 I also have a tendency to just make up my own lore. Forgive me in advance!!!

Casien’s story is more of an “I can’t quite you” situation. Should I really continue it? Honestly, the story probably should have ended with Book 3. But I really wanted to write Laurie... and now I really want to write them being friends together in Windhelm... also murder... (which I’m very nervous about because I’m not a mystery writer). And I still want to write them having adventures in Hammerfell. Sigh.

Lastly, COVID and the hurricanes put a massive damper on my original fiction plans. I did nearly finish the first pass of edits to Casien’s book 1, but obviously there is still a lot of work to be done. My goals are to COMPLETELY finish edits by the summer and pitch in the fall. Wish me luck!

#writing #fanfiction #bagginshield #skyrim #codywan #about me

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honeytama · 4 years

Text

Don’t Just Watch

Spinner (Shuichi Iguchi) X Fem!Reader

A/N: This is my first time writing fanfic, let alone smut. I’d appreciate any comments. Also, I wanted to thank @thotsforvillainrights for giving me helpful feedback on how to write this one!

Summary: You’re a camgirl and your best friend Shuichi is your trusty assistant. Viewers ask for a longer video from yourself performing a full-on sex scene, and Spinner ends up being your partner.

Warnings: Smut (18+), cussing, cumshot, double penetration, camgirl, filmed sex

Word count: 3.2k

Your side job started off as taking lewd photos for villain fetishists online for a quaint fee. After a few months of working alone, you now had your good friend Spinner help film and edit almost every one of your recent solo masturbation and role play videos for a premium porn site. The first anniversary of your channel is coming up soon.

Since becoming close to Spinner, it wasn't difficult to ask him to be your business partner as he’s such a kind-hearted guy. As the year you spent together went on, you became more and more capable of separating business and pleasure, so he eventually obliged in participating in some sexual scenes to entertain your growing audience.

In private, you love to touch yourself at how Spinner’s blushing face came out from behind the camera the first time you asked him to use his strong tongue to massage your clit as you pump yourself with a glass dildo. Or, you’d think about the few times he was charitable enough to reach out with his right hand to finger your pussy while shakily holding the camera in his other. The feelings you hold for him are mostly professional, but seeing his commitment to you after all this time only makes you yearn to have him in other ways.

—-

While talking over new video ideas with your partner at the empty bar, he mentions that newer followers have been leaving comments demanding for full-on sex content. With your channel open on his computer, he turns it slightly so that you can see the top comments on your most recent upload.

“Y/N’s videos always get me to come in five minutes or less, I'd love to see her do it to another hot piece of ass…?” Spinner recites. He shifts his eyes towards you to gauge your emotions before swallowing and turning back to the screen to read the next one. “Don’t get me wrong, I love watching her play with that- that uh... little pussy of hers... but watching her get railed by an actual c-cock would get me to stay,” Spinner reads. He looks up at the ceiling from the laptop on the counter in front of you, slightly blushing.

Finally, Spinner turns to look at your face and assures, “Your numbers and tips are coming in just as great as before, but that last comment had 53 likes Y/N, so maybe—.”

While Spinner was walking you through the comments, your mind flipped through the potential sexual partners you could bring into your secret world. It felt nerve-wracking to think about choosing exactly who you wanted to be in front of the camera. However, going through the list in your brain, there truly was only one option. It had to be him. You knew that the sexual experience would be something you want to go back to over and over — plus the fans would die to see the rest of the body connected to the hot tongue and thick digits they did see so often. However, once you thought about approaching your masked friend to ask for such a favor, your heart nearly beat out of your chest.

You shook your head after realizing you’d been staring at the bottles of liquor on the wall, and turned to face your friend. “I want to do it.”

“Really?” he said, raising his eyebrows and widening his eyes. He took a moment to close the laptop and turn his body to you as much as he could in the bar stool. “Y/N, you know I’d do anything for you...your channel, I mean.” Spinner closes his eyes before continuing, “So, if you really want to, then I'd like to volunteer.” I’ve wanted to go further with you since the day you first spoke my name, he thinks. Please say yes. Please.

“Shuichi… yes, I’d appreciate that so much,” you smiled. “Maybe we can call it ‘Villians’ First Time’, or something like that,” you laughed. You were so glad that he chose to speak up before you did. “I think it’ll work out well, we could easily set up a tripod.”

“I like that idea,” he replied smiling while rubbing the back of his head.

—-

On the day of filming, you prepare your room as usual by setting out your play outfit. Arriving at your closet, you choose to pull out a black lace bra with matching underwear and a short, white, silk cover-up that ties at the waist. Moving back to your queen-sized bed, you open the bedside drawer to take out the Stain mask you’d been keeping since joining the League. The video is about two villains sharing their first time together, so the mask could help set the scene. Maybe he would enjoy seeing me in this again, too, you thought. You choose to tie it loose around your neck as you look around the room at the lights and camera tripod you set up the night before. Hearing a knock at your bedroom door, you breathe in and out deeply before walking to open it.

“Hey Y/N,” he greets with a smile. He walks to lean on the wall by your bed like normal, “Do you want to talk about anything before starting?”

“Yeah, actually,” you say, following him from the door to sit on the edge of the bed. The hem of your cover-up pulls slightly up your plush thighs, and you catch your partner pretending he didn’t just watch it happen. “I had an idea of how we could start because the rest should come naturally right? I mean, we are both villains… and this is kind of our first time together,” you say.

“Yeah, yeah it should be fine”, he nods quickly. “I’ll be fine with whatever you do to me, uh, whatever you want, you’re the director.” He watches you with wide eyes as you stand from the bed to saunter over to stand in front of his leaning body. You smile at him while reaching to lay your hand on the center or his chest and rub soothing circles to calm his nerves.

You continue to rub up his chest towards his neck and also choose to take one of his hands into your own, “Just know I’m very excited to do this with you, okay? There’s no need to be nervous while I’m here, I promise.” I have to be brave for him, you think. Deciding to make the first move to break the ice, you lean slowly into him and kiss his lips in earnest. Spinner hums into the kiss and pulls you in by the hips. You can already feel the growing bulge in his pants and this was something you normally got to see while working together. Seeing his pants tighten as you’d put on a show in front of the camera was a pleasure, but feeling him rub against your hip sends jolts of extreme heat towards your core. Pulling away before going too far, you notice him clenching your hand tightly.

“Is this just business, Y/N? Tell me, do you actually find me attractive? I need this to be more than it looks,” Spinner admits.

He feels the same way, you yell in your head. You grab his chin and whisper, “Just like the fans, I want to know everything about you, too. Please, show me everything. I want you, Spinner— I-I’ve always wanted you.”

He watches intently as you start to grind your hip into his pants. “F-fuck… I’ll turn the camera on, we should start,” he stutters and slips from between you and the wall to quickly press record.

He hears you giggle as you rush to sit on the edge of the bed again. You pat the space next to you in front of the camera to invite him to sit. Shuichi’s muscular frame dips the cushion next to you as he sits on your right. It’s your moment to do what you’ve always wanted to.

“Let’s go slow, Y/N,” he says putting his hand in the small of your back, “we have time.” You gasp as he decides to take the chance to lean in and kiss you again. So much deeper this time. Your hand goes straight back to its place on his chest, while his free hand travels to lay on your thigh. He squeezes and massages your thigh as if to test if it was alright to move it upwards.

You nod into the kiss and test the waters yourself by pausing to drag your lips down his jaw towards the side of his neck. Shuichi breathes heavily as you start to kiss and suck his tough skin. You mewl in his ear as you feel his hand slide between your thighs, hand underneath your cover-up. His nails lightly brush against your skin.

“Lay on your back,” you softly instruct him. He nods and crawls to the head of the bed to lay down as told. Lizard's eyes stay stuck on your flowing body as you move to stand at the foot of the bed. You’re not too nervous yet, as he’s already seen you completely nude and in more humiliating positions before. However, this felt so different. Slowly pulling the silk tie at your waist, you allow the cover-up to fall off your shoulders. It’s so difficult to look Spinner in the eyes right now.

“Holy shit,” Spinner gasps. Pulling himself up onto his elbows, he says, “Y/N you look, you look really beautiful.”

You try to cover your chest again, not realizing you're being filmed for the world to see your bodies. It's just that, him laying there in front of you feels like the moment isn’t meant for anyone else to see.

You place your hands on the mattress and begin to crawl up your friend’s body, stopping to straddle his waist. Your back stood tall so that the camera and your partner could see your breasts clearly. Shuichi could not take his eyes off your chest, he could probably hear how fast your heart was beating. You took his hands and placed them on your waist.

“Please touch me, Spinner,” you plead. Your core was hovering above him, and you couldn’t wait to sit down on his hard lap. He took your permission immediately and ran his scaled hands up your stomach and waist to reach for your breasts. Both of them being massaged curiously, you couldn’t help but let out a relieved moan.

“Could I-,” he whispers. “Could I take it off, Y/N?” starting again a little louder, also realizing he was on camera. His face felt unnaturally hot as you looked down at him with dark eyes. You bite your lip hard and nod. Shuichi’s arms wrap around your bust to reach for the clasps in the back. You felt yourself instinctually lean forward at his touch, chest lightly touching the front of his face. Once he got the lace garment off, he tossed it to the side and laid back. “You’re wearing Stain’s mask around your neck like that, is it for me?” he questions shyly.

“Yeah,” you giggle, “Everything that I do- do tonight is for you. And only you.” Finally, you sit on his hard bulge while still straddling and start to roll your hips.

“Mmmph,” Spinner moans. Quickly, each one of his hands grabs a side of your hips to guide you even further up and down his lap. He loves your sweet words making him feel like the only man in the world. “Please, give me more, Y/N.”

“I love your skin. I love your handsome face. Your combative talent. Your laugh. Your hands. Everything. I’ll give you all of me soon, don’t worry,” you breathe out. “If it’s ok, I’m going to take your shirt off now,” you state. Luckily, Spinner decided not to wear the plenty of leather belts around his torso today, so it was much easier to lift up his white top and red bandana. Once you saw his face again, your heart warmed at seeing his big toothy smile.

You want the night to be about him. He gives you his all while you touch yourself and talk to a camera in front of him all the time. It’s his turn to whine for the lense. You slowly sink down his torso and throw one leg over the side of his waist so you can kneel in front of the aching tent in his trousers. Without talking, you start to grab at his button and zipper planning to pull them off and go to town. Your wrist is grabbed softly before you can even start.

“Wait, Y/N, I didn’t realize. You don’t know… what I look like. I’m kind of different,” his rough voice stuttering again.

“Spinner… Shuichi, like I said before,” you massage the large mound of hard flesh waiting for you, “I’m so excited to see all of you. I’ll make you feel so good. Would you be comfortable if I go down on you?” He nods slowly and decides to let go of your wrist. Before starting again, you lean into him and give a quick kiss to his lips. You bring both of your hands back to his zipper and pull downwards. Spinner takes control of pulling his pants and underwear down his legs and kicks them off the bed. You were kind of surprised at how fast he did it. Looking at his body in front of you made your cunt clench. It takes you having to rub your thighs together to give yourself some relief. “Wow,” you gasp, “I must be the luckiest girl in the world.” Fuck, he has two cocks, you squeal inside.

“Yeah? But I’ve seen you fill your holes with much more strange things, Y/N,” he says bravely, running his hand through your hair.

You blush hard before lightly smacking your friend’s thigh as his remark. “I bet you I could take them both, babe. First try,” you teased.

Holy shit, he thinks. I’m sure she could… Did she just call me babe? Fuck. “Then go ahead, I’m ready for you now,” he says blushing back.

You giggle again at his attempt to be strong about this. You decide to kneel in between his spread legs and grab one cock into each hand. You lean down and look at him through your lashes as you give one of his pink, throbbing cock’s tip kitten licks. The other hand pumps his second member at a medium pace.

“Yes, please keep going,” Shuichi pleads.

Going faster with your pumping hand, you then focus on your mouth’s actions. You lift off to spit on his weeping cock and then sink back down his member to take more of him in. You continue to please him, bobbing your head up and down as he gripped the sheets on his sides. He squirmed as your pumping hand moved to his tip to rub tight circles into him.

“Shiii,” he’s panting hard now, clenching his fists and eyes to try contain his moans. “I want to be inside of you, Y/N.”

You let go and pop off of his dicks to scramble up his torso again. He grabs your face to kiss you deeply and can taste himself on your tongue. Suddenly, he flips both of you over, now supporting himself above you. “The masks stay on, right?,” you giggle.

“Right,” he responds, “I want to take these off now though, is that okay?” You notice him pulling the thin fabric off of your hip, so you help him slide them down your legs before he can say anything. Spinner takes the lead by spreading your legs open wide so that he could kneel between them. Lining one of his cocks up to your entrance, he takes the other in a hand. “I know you can take both at the same time Y/N, but since you’re not warmed up…,” he pauses, pressing his cock slowly into your cunt.

You breathe in quickly as his size surprises you. “Fuuu, Spinner…,” you mewl.

He lets go of the cock outside of you to hump your inner thigh with it as he rocks his hips even more into your pussy. “Damn it, you feel so good.” He continues his motions while you moan his name. You can’t help but reach out to wrap your arms around his neck to bring him in closer. “God...You have no clue how long I’ve been waiting to do this with you,” he grunts into your ear. If the audio could pick it up, your audience would surely believe he was the best actor in the world, but all that was said today is true.

You’ve longed to hear those words. “Yes, yes, yes please keep going, fuck me, Shuichi!” you moaned out. Pulling away for a second to look into his eyes, you knew you had to ask, “C-could you put both in now?” He quickly turned your wish into reality by grasping his loose cock and slowing his pace to push the other one inside. “Ahh, oh yeah,” you both moan. “This is the most full I-I’ve ever felt,” you wince. “It feels so good!” Both of your faces contorted into different pleasured expressions as you reach your limit after some time.

“Fuck, you feel so tight, Y/N, do you want to cum?” You nod quickly at his question. Spinner spread your legs further to pump himself more deep and quick into your sopping cunt.

“Fuck, uh, you’re gonna make me cum, Spinner, please!” you yell. You felt yourself tighten completely for an instant before your whole entire body let itself go in ecstasy. You felt as if your body was on fire as your partner continued his passionate handling of you. You could hear him groan more unevenly than before, knowing his end was coming up as well.

“Y/N, could I cum on your face?” He pleaded. You nod and shift up the bed as he climbed to straddle your hips. You watched, panting from your high, as he pumps both of his cocks together quickly while hunching over. His eyes were closed, so you decided to roll out your tongue to catch anything you could. “Ok, shit, I’m gonna-,” he groans. He opens his eyes to see you beneath him staring intently with your tongue out. He gives one more pull before coming into your mouth and onto the rest of your face.

You both spend a minute riding out the heaviness you felt in your stomachs. Then, Spinner jumps up off the bed to turn off the camera and rush to your bathroom for a damp washcloth. Returning, he hands it to you like after your usual filming hours together.

“Can you do it tonight?” You ask, hopeful.

“Uh, yeah, sure,” he responds softly. He takes his time to wipe your face and then moves to your thighs to clean up.

You want to show him how to do it properly, but it was sweeter to watch him fumble around with your limbs. You liked him just as he was.

A/N: Hope you enjoyed it! I had no clue how to end it lol.

#my first time writing anything fanfic related #i hope it’s good :)#either way #enjoy!#spinner x reader #reader x spinner #spinner bhna #spinner mha #shuichi iguchi #mha spinner #bnha spinner #league of villians x reader #league of villians #spinner smut

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benmcm18 · 3 years

Text

Group 7 Independent Project!

Pre Production -

This is the second time I’m working with Group 7. It is truly an honour to be surrounded by such talented people. We have learnt from last time and we thought it would be interesting to switch up the roles. Here was what we ended up with:

Director - Jack

Cinematographer - Bonnie

Producer - Heather

Production Design - Ben

Editor - Heather

Writer - Tom

Here were also the tasks we sorted ourselves:

Write a 1-page proposal (synopsis and directors statement) - JACK (13th May)

Make the movie - Jack

Make a plan and a schedule for your work - Heather

Create a mood board (Each character) - Ben

Create a sonic world for the film (no dialogue / no voice-over) - Heather and Ben

Cut together a series of still images or sequences of footage to create a 2min film - Heather

Record some sound effects using objects you have in your room/ house - you can record on your phone. - Heather and Ben

Source and use sound effects and Atmos sound on Freesound. - Tom

Make a storyboard + animatic - Bonnie

Source footage - eg shoot, take stills, source stills, or work with stock footage from Film Supply to envision your idea - Bonnie

Shot list - Bonnie

Scriptwriting and development - Tom

Present it at the crit - receive feedback - Everyone

Write a short critical reflection on your blog. - Everyone

Songs - Everyone

As Production designer I had to create a mood board. We had discussed in meetings what aesthetic we wanted to go for and I believe we ended up with a mixture between films like “Moonrise Kingdom” and “Fight Club”. Either way, these were two of the films I took inspiration from when working on the mood board of the film.

Additionally, I had to think of the costume for both actors. For the man I chose to instead of having major differences in the two separate costumes to instead change them subtly to give a feeling he is still grounded in reality. So that means I added the glasses, changed the tie and gave him a watch to switch up how he looked. The Imagination costume is inspired from Ewan MacGregor’s character in “Big Fish'' we wanted to give him a full blue costume originally but I realised fairly soon that that wasn’t going to happen. So I adapted and decided to use his ties as a means of stating which reality he was in. When he is in the “dream world” he has a very colourful yellow tie but when he returns to his office I believe we went with a black/red tie.

For the woman, I chose to give her a very colourful look. This was purely so she could match the imagination around her. I discussed with Bonnie about possibly putting flowers in her hair but for some reason we couldn’t find anything. In regards to the rest of her costume I gave her shades so that there would be a physical separation between the two. If he can’t make eye contact with her how is he supposed to connect.

Overall, I’m very happy with the costumes and for a first attempt I’m actually quite proud.

Finally, set design. I had recently worked on a project called “Pied” where I had to create a whole set for my actors. That was pretty much my crash course for this independent project. Using the knowledge I can gain from creating that set I tried implementing it into the office workspace and the picnic arrangement. I’m happy with it but it will honestly be down to you to decide if I did a good job. If I could mention any little “fun facts” about what I did here would be a few:

I used a ping-pong table as the walls splitting the workspace

I tried spreading the food along the picnic like a wall that separated the two of them.

There is a jar of pickles in one of the shots. I don’t know who would bring a jar of pickles to a picnic but I thought it would be funny

On the back wall of the office there is a bunch of hidden Easter eggs *HOWEVER* David’s massive head covers them up!

In regards to how the other team members did. We developed the script ideas until we landed on this one. Jack had a great idea about filming some really nice shots of food. We were actually quite a big fan of this idea. I just thought Heather’s idea would allow us to experiment more.

Tom then wrote a (very) detailed script in collaboration with Heather, Bonnie drew a genuinely fantastic storyboard (she is too hard on herself haha) and Jack prepared for the shoot. One issue that presented itself fairly soon was the fact we had two actors on set. However, our Producer (Heather) handled it like a pro and we managed to get the all clear. Overall, a very hardworking start with the promise of Bonnie doing a short animation for the storyboard. (I’m looking forward to hopefully seeing it)

Production -

The shoot day was very fun. We all arrived at 11:30am and we made our way over to the location. Originally, we had planned to film on top of a hill however, things quickly changed and Jack said there was a fantastic path to film on. I was fairly set on the hill idea (As I had imagined the scene being somewhat similar to the UP opening montage) but he said it was a better location and I trust him.

So this is where it got a bit funky. It turns out the location had been converted into a dirt road since the last time Jack had been there. This was a bit demoralising as we had carried a lot of props out but luckily we had seen a location closer to the beach that could possibly work and the rest was history. That very location near the beach ended up where we would film.

With Jack directing and myself on camera we began to make our way through the storyboard Bonnie had devised. I have to be honest there were parts where we deviated from what was on the storyboard: For example, there is a section where he falls over however it didn’t look natural so we thought of another way to film it. This was where I got a bit carried away with VFX. In the long run I’m pretty sure everyone is happy with it but I wasn’t too sure at the time.

Jack did well as a director, he worked well with David and Kady especially when it came to movements of the actors. There isn’t any dialogue in the scenes so it's mainly physical language instead of verbal. My only advice for Jack would be to do a bit more research on the project before going onto the shoot because there were parts of the shoot where actors would ask questions about their character and I wasn’t confident he knew the answer.

In regards to me, I find it very hard to create something someone else envisions because I’m used to directing and filming projects on my own. I definitely think I improved on this project and having the storyboard and detailed script was a big help. I also felt I should have been more prepared as it didn’t look very good in front of the actors with me fiddling around with the camera because I had set it up in the wrong position.

Overall, I think it was a very fun shoot and it went pretty smoothly. You're going to hit speed bumps on the way but I believe Jack and I handled them well.

Oh also, forgot to mention that I had to also record sound and label all the audio and footage for Heather (why do I almost call you Clair XD) It didn’t take as long as I expected and was actually somewhat therapeutic if you can believe haha.

Post-Production -

The post production process has been going well. We have plenty of time until the deadline and we have already got a very solid draft edit so I’m not worried. I just kind of want to get it finished.

First and foremost, Heather has been doing a fantastic job editing the video. She works efficiently, takes feedback on board and seems to me to have a very solid feel on the fundamentals of editing. Looking at the edit now, there are definite issues but nothing that can’t be solved in 10 minutes. It’s clean, fluid and most of all enjoyable to watch. I’m worried without a synopsis people might not get it but I guess you could see it as “up for interpretation” haha!

Before I talk about my role in the Post-Production process, I just want to mention who else is working on the edit as well. Bonnie is planning on adding some very small animations to the edit to give it that feeling of “not-reality” I think this is crucial because without the animation in the shots. When the man defies the laws of physics it will seem really strange. I believe Tom is doing sound, I’ve supplied them with plenty of audio from on set and am free at anytime to get more for them so it will just be down to when it is completed, I have faith that Tom will create something really special with the Sound design as he will probably blend the sound of the surrounding nature with cold office sounds. I’m excited.

Now onto the part I play. I offered to do the VFX for the film and I’m very happy with them. It’s nothing incredibly tedious to create. It’s very basic motion tracking and keyframing but I think using it in small doses works well and with it accompanied by the animation and sound it will take the film to new levels of quality.

I’m just going to talk about the final VFX shot as it was the most challenging (but fun) part to work on. First, I had to figure out how I was going to get the image of Kady onto the wall without printing her because I realised I would be able to match up the shots if I had just zoomed out from an actual image. So I went for a bit of green paper. I motioned tracked it through After Effects and then played with the colour so it matched the scene. I then added an artificial zoom in Premiere and I got the final result. Now, it is not perfect in any means. I wasn’t able to track back any further than I did so the image in the paper actually moves but with the help of Heather and the use of changing aspect ratios I think it really works. I guess we will have to see how people respond.

So that is about everything on the project. I will be back to reflect next month on the finished project. Hopefully it turns out okay. Hopefully, it doesn’t turn into a train wreck. I’m sure it won’t :)

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