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fawnforevergone · 8 months

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The Ultimate List of Dante References in Hozier's "Unreal Unearth" !!

Hello and welcome to my new-and-updated ultimate compilation of all 'Inferno' references I found in Hozier's new album! If I think of anything else, or if anyone else suggests something, I will be sure to add it, but, for now, enjoy this ridiculously long (you've been warned) list I made!

Since I didn't wanna make a post for every individual song and spam you all, the songs are separated by their respective circles! I hope that organises stuff a bit more :]

Usual disclaimer: I could be wrong about some stuff! I've read 'Inferno' and try to stick to the objective references, but sometimes I let subjective interpretation bleed through. If anyone has any corrections for anything, just lmk!! Okay, cool <3

DESCENT:

"De Selby (Part 1)"

We start the album not in the circles, but instead at the Gates of Hell. One of the main themes of Inferno is darkness, and these first two songs are embodiments of that.

The lyrics mention the idea of this being a "new empty space", suggesting that Hozier is being introduced to the feeling of Inferno through the relationship he's singing about, and, so, we begin the descent.

"The likes of a darkness so deep that God at the start couldn't bear." God is obviously a large theme of Inferno and is, biblically, the creator of light, hence the absence of it in Inferno. In fact, the first three stanzas all reference the heavy darkness of the threshold and its estrangement from God.

The Irish/Gaeilge lyrics roughly translate to: "Although you're bright and light, you arrive to me like night fall. You and I, together. You and I, metamorphized. Although you're bright and light, you arrive to me like night fall. The art of transformation is a dark art." The imagery of light and dark mixing together mimics the idea of walking from the brightness of Earth into the darkness of Inferno.

This entire album appears to be the recounting of a relationship and how it feels like walking through Inferno. Here we see the beginning of this relationship, of Hozier losing himself to the threshold.

"De Selby (Part 2)"

Part one appeared to be the step through the gates, whereas part two seems to be Hozier being enveloped by the threshold. In 'Inferno', Dante says the entrance to Hell is a darkness that no stars could shine in. We hear this shift from Earth to Unearth through the production alone; the weightlessness of part one falling into the heavy grunge of part two.

"Your heart, love, has such darkness, I feel it in the corners of the room." The theme of dark continues, as it will through the entire album, but, this time, Hozier feels it radiating from within his lover rather than the space around them. Though, him saying his lover carries darkness is not an insult. This extra depth to his lover is something more to know, something more to love. This idea actually differs from Dante, who sees the darkness as deceitful.

"I want to be so far from sight and mind." Inferno is a lawless place. He would be far from sight due to the darkness, and far from mind due to the insanity that persists within the circles.

"Let all time slow, let all light go." This lyric shows me that he has been submerged in the threshold. Again, the lack of light, but also the slowing of time. Punishment after death is eternal, something that time has no grasp on. Hozier is willing to let these aspects take a hold of him.

"I'd still know you not being shown you, I'd only need the workin' of my hands." Christianity is a heavy theme of Inferno, and this lyric plays on the proverb 'Idle hands are the devil's workshop', a proverb Hozier also hinted at in his song "No Plan" (from 'Wasteland, Baby!') - "My heart is thrilled by the still of your hand."

Now, though, Hozier's hands aren't idle, instead the opposite, his hands are working as God intended. Drawing us back to that idea we were given at the end of part one, we get the feeling that Hozier is bringing something light/Godly to Inferno, and he and his lover are fusing the ideas of Heaven/Earth and Hell.

FIRST (LIMBO):

"First Time"

We now enter circle number one, 'Limbo'. Limbo is an uneventful circle for those not worthy of punishment but also not fit for Heaven. It is mainly for those who do not believe in God, the unbaptised.

Firstly, to get to circles, Dante and his guide, Virgil, must be chaperoned by the Greek Psychopomp Charon down the river Acheron, and we see that in Hozier's first couple stanzas.

"And the soul - if that's what you'd call it, uneasy ally of the body - felt nameless as a river, undiscovered underground." This appears to be Hozier mentioning the river Acheron, one of the five rivers of the Underworld that surround Hades, and, in 'Inferno', are used to transport the souls of the dead to their respective circles.

"The first time that you kissed me, I drank dry the river Lethe." The river Lethe is another one of the five rivers, and is one that causes anyone who drinks from it to forget everything they know. Hozier is simply saying that kissing this person wiped his mind clean, similar to the end of "De Selby (Part 1)" where he mentions partaking in a transformation.

"Some part of me died / Some part of me came alive the first time that you called me 'Baby'." Relating to the previous quote, souls that drink from the river Lethe usually do so before being reincarnated, so they forget their past life. Hozier seems to experiment with the idea of being reborn by his partner's love for him - an idea prevalent throughout his entire discography.

"To share the space with simple living things, infinitely suffering, but fighting off - like all creation - the absence of itself." This lyric tells us that we should not ignore the privilege of living just out of the fear of dying. This lyric is reminiscent of "All Things End" and the circle of Heresy. Since Limbo is home to those who don't believe in God, the theme of Heresy is a very fitting one.

SECOND (LUST):

"When I was young, I used to guess 'Are there limits to any emptiness?'" The punishment for those in Limbo is to exist eternally with the curse of a hollow, empty feeling meant to represent the lack of God in their lives. This punishment seems referenced in this lyric.

[ i ended up thinking about this song more so if you want even more "first time" content, here ya go: "first time dante references." ]

"Francesca"

Into circle number two, 'Lust', we have the story of Francesca Da Rimini, a woman Dante spoke to during his visit to circle two. Francesca fell in love with her husband's brother, Paolo, and when her husband discovered the affair he murdered them both.

Hozier seems to be singing from the perspective of Francesca/Paolo but throughout the album we see Hozier liken his lover to aspects of Inferno - darkness in "De Selby (Part 2)" or Lucifer in "Unknown / Nth" - so the story of Francesca and Paolo is fitting as another metaphor here.

"Do you think I'd give up? That this might've shook the love from me?" Even in Hell, Paolo and Francesca physically cling onto another. They do not let their death affect their love.

"My life was a storm since I was born. How could I fear any hurricane?" The punishment in Lust is an eternal storm meant to replicate the throws of passionate love - a storm also depicted in the production of the end of this song. Hozier/Francesca/Paolo says that it's impossible for them to care about this punishment when life was already as treacherous as it was.

The whole chorus emphasises the imagery of Francesca and Paolo not being able to let go of each other.

"When the heart would cease, ours never knew peace. What good what it be on the far side of things?" Francesca and Paolo lived their love secretly and anxiously, so what good would peace be in the afterlife when they've already become accustomed to difficulty?

"Heaven is not fit to house a love like you and I." In the opening songs of the album, Hozier describes his lover as darkness, akin to something God cannot bear. Due to the depth of his lover, the mix of light and dark they've made, he believes Heaven would crumble beneath the weight of their relationship. That something as corrupt as Inferno is the only place suitable for them to live.

"I, Carrion (Icarian)"

Still in circle two, Hozier plays on Dante's own metaphor. In Canto 17, Dante refers to his own dread of descending Inferno to the same dread that the 'ill-fated Icarus' must've felt on his fall from the sky.

Hozier twists this, instead comparing his love to the hope Icarus must've felt as he flew towards the sun. He said, during a live show, this song is based on the idea hat Icarus never realised he fell, and woke up dead, too clouded by joy to realise what had happened.

"If the wind turns, if i hit a squall, allow the ground to find its brutal way to me." Again, we mention the storm of circle two. Lust is also said to have treacherous terrain - sharp rocks and jagged stone - that seems to be hinted at in the second half of this lyric.

"While you're as heavy as the world that you hold your hands beneath." This imagery seems reminiscent of the Greek Titan, Atlas, who holds up the Earth on his back. Dante talks about seeing Titans and Biblical Giants at the transition point of circle eight to circle nine, 'Fraud' to 'Treachery', which makes this lyric a sad hint to where Hozier will end up finding his lover; Taking the place of Lucifer in the deepest part of Inferno.

THIRD (GLUTTONY):

"Eat Your Young"

We enter the third circle of Inferno, 'Gluttony'. There are no specific references to Inferno, but the concept of gluttony is apparent. Hozier does what he frequently does throughout this album; He refuses to see the sin as "right or wrong" as Dante so stubbornly implies.

Hozier often divulges in a grey area, a spectrum or sale of severity, when it comes to the sin. Hozier's perspective seems more nuanced than Dante's, seeing sin as layered rather than objectively bad. In this specific song, he displays the different sources of hunger in humans, and where the line should be drawn.

"I'm starvin', darlin', let me put my lips to something, let me wrap my teeth around the world." We start, and reference back to in verse two, a sexual hunger, a harmless passion between two people. This is an innocent side of the sin, not deserving of the punishment of Lust which is to be ripped apart by Cerberus (the three-headed dog from Greek mythology) for all eternity.

However, Hozier moves onto the hunger of politics.

"Pull up the ladder when the flood comes." The government refusing to help the people when the sea levels rise.

"Throw enough rope until the legs have swung." When you don't have a ladder, you use a rope. This lyric plays on the notion of when governments give the impression they are helping, but are only making things worse - a take on the saying 'Give someone enough rope and they'll hang themselves', since what else are they meant to do with it?

"Skinnin' the children for a war drum, puttin' food on the table selling bombs and guns." The hunger for power manifests in war.

"It's quicker and easier to eat your young." Here, Hozier uses the common saying in a more literal sense, saying that if these politicians are hungry enough to destroy the world, they may as well physically eat their young, since it'll have the same effect.

FOURTH (GREED):

"Damage Gets Done"

This song takes place in circle four, 'Greed'! The title of the song alone is already very meaningful. In circle four, the main punishment is that the inhabitants are split into two groups and are forever forced to charged into each other and fight. Dante describes them are being so injured and damaged that they have become 'unrecognisable'.

The song is about greed within the changing of the world. It's about growing up and losing the naivety and innocence you once had, no longer able to ignore the burden of politics and money. Hozier and Brandi sing about the excitement of being young and in love, but, with the rise of inflation, it's hard to exist like that anymore - You need greed to survive.

"Wish I had known it was just our turn being blamed for a world we had no power in." This seems to be a reference to two things. One, the idea that governments blame the people for their own poverty, and Two, the idea of arriving in circle four by no fault of your own. It's not their fault they wanted more money with the world being how it is, but, nevertheless, they're being punished for it.

"I haven't felt it since then. I don't know when the feeling ended, but I know being reckless and young is not how the damage gets done." They talk about the enjoyment of the love they're singing about fading, and how they miss that, but they know that, again, this is not their fault. They know they didn't change, the world did, and they won't take responsibility for their 'sin' when all they did was adapt.

As aforementioned, the inhabitants of the fourth circle suffer extreme injuries, so Hozier saying "I know being reckless and young is not how the damage gets done" is him saying "I know that we are not at fault for being served the punishment of Greed."

FIFTH (WRATH / ANGER):

"Who We Are"

We enter the fifth circle, 'Wrath', where the inhabitants spend their time fighting to stay at the surface of the river Styx, another one of the five rivers of the underworld.

"Falling from you drop by drop." / "To hold me like water." These lyrics obviously give the idea of water, representing the river Styx.

"Or, Christ, hold me like a knife." This lyric comes in quite loudly, Hozier's voice strengthening with it. The subtle blasphemy of "Christ" and the violent imagery of "knife" comes across as a sort of anger. Being held "like a knife" is representative of how those is Wrath must feel - like they are something particularly dangerous, but still desperate to be held.

"We're born at night, so much of our lives is just carving through the dark to get so far." Again, this theme of darkness that is so frequently displayed in Inferno is mentioned again. After this song comes "Son Of Nyx", which Hozier said was the transition into the darker half of the album, and Nyx is the Goddess of the Night. Being "born at night" would make Hozier the son of the night, the son of Nyx. This gives the impression that, if the album is following on chronologically, this is the point where the relationship portrayed in the album begins to fray as Hozier starts to be consumed by the darkness.

"And the hardest part is who we are." Those in the circle of Wrath possess a 'savage self-frustration' that Hozier seems to represent throughout this whole song - A fierce annoyance with the way he and his lover let things go: "We sacrificed, we gave our time to something undefined", "Chasing someone else's dream", Etc.

SIXTH (HERESY):

"Son Of Nyx"

We have no lyrics for this song (though you can hear him faintly saying some things, one of which is him saying "who we are...") but we know it takes place in circle six, 'Heresy'. Heresy is a belief or opinion that is contradictory to religious doctrine, especially Christianity. As aforementioned, Hozier said this track is a transition song meant to replicate a descent into the darker half of the album.

Nyx is a Greek Goddess and is often known as the personification of night. She had many children all representing different things but the title would essentially mean 'The Son Of Night', and, as dissected in the previous song, we can see that Hozier sees himself as reborn into the darkness.

Once again, darkness is a large theme of Inferno, but Hozier saying in circle six that he is the Son of Night is particularly meaningful due to the association of light with God. He has been reborn as something that could not be further from God, something that opposes the idea of God, something of a Heretic.

Nyx was feared and respected by all, including Zeus, and, though I believe there is no reference to her in Inferno, she was described as residing in the dark recesses of the Underworld, which is heavily incorporated into Inferno.

"All Things End"

This song does not have many overt references to circle six but definitely incorporates the idea of heresy. As mentioned, heresy is an idea that contradicts (especially, but not always) Christianity. In this song, Hozier talks about the ephemeral nature of all things, particularly romance.

"When people say that something is forever, either way it ends." Whether it be death or a break-up, God doesn't plan for you to be able to spend eternity with your lover.

"Movin' on in time and taking more from everything that ends." Hozier, however, argues that things still have meaning beyond their end. That, even after moving on, we will remember and learn from the things we have lost.

"Just knowin' that everything will end should not change our plans." Throws back to the idea of the second verse of "First Time". If you avoided something just because it was going to end eventually, you would never achieve anything. That's like refusing to finish a movie just because you don't want to get to the credits.

When this concept of ignoring the end comes to death, we ultimately cross the concept of God. There are many rules people follow in religion, avoiding certain things because they are against 'God's Will'. Although this practice can be kept in moderation, it can quickly become self-imprisoning.

Not living your present life out of fear for an unproven afterlife can be limiting, especially if you dictate who you love due to what supernatural punishment may or may not follow. Hozier sings that we should not let God's plan interfere with what we need from life, allowing ourselves to indulge in love even if it will end - ultimately, Heresy.

SEVENTH (VIOLENCE):

"To Someone From A Warm Climate (Uiscefhuaraithe)"

This song places in circle seven, 'Violence'. Violence is split into three subcategories, or 'rings'; Violence against others, violence against self, and violence against God. I believe this song gives an overview of all three.

With this song, we recognise that the title says "To someone..." and Hozier said this song was a gift to someone who was from a geographical warm climate, but there is also a lot of heat in circle seven.

"A joy, hard learned in winter, was the warming of the bed." Throughout this song, Hozier describes himself as cold, and his lover as warm. The idea of warming the bed is a concept Hozier mentioned in his song "Nobody" (From 'Wasteland, Baby!') where he sings that, if he had a choice between the warm bed of his lover or performing on stage, he'd go home to the bed. Since this song comes after "All Things End" (the break-up song), this call back to "Nobody" could be instead referencing a permanent distance, rather than a temporary one (like the temporary distance in "Nobody").

"And, darlin', all my dreaming has only been put to shame." This could have two meanings. One, Hozier waking from a dream about his lover to find them not here. Or, two, Hozier's expectations of his lover falling short as their relationship has finally fallen through. These expectations could be a form of violence against self, the second ring, as he set himself up for heartbreak.

"And I wish that I could say that the river of my arms have found the ocean. I wish I could say the cold lake water of my heart- Christ, it's boilin' over." As mentioned, Hozier is cold, his lover is warm. His wishes he could find something to to fill the loss of his relationship, but he still feels the heat from his lover in every part of him.

"It's boilin' over." References the river of boiling blood in the first ring, violence against others, Hozier could be talking about the way his partner loved him, how that was almost an act of violence with how hard it is to now let go.

"Butchered Tongue"

This song has less references to 'Inferno', and is more of a commentary on the act of violence itself. Hozier sings of places and cultures lost to the violence of man, and he mourns this deeply.

"To say 'Appalacicola' or 'Hushpukena', like 'Gweebara'. A promise softly sung of somewhere else." This grieving for a time when native land wasn't colonised and culture wasn't violently erased is prevalent throughout the song.

In the second verse, he sings very strongly of the brutal acts inflicted upon Irish rebels by the British forces in the Wexford Rebellion of 1789. As we know, Hozier is from Ireland, and he incorporates both the Irish language and history into this album, and recounting such violent acts for this song feeds into the grieving of what has been lost: "Between what is lost forever and what can still be known."

In the context of 'Inferno', it feels as though Hozier is listing the sort of actions that would land someone within the circle of Violence whilst also appreciating the efforts those above ground take to preserve erased culture. Altogether, the song is a very moving commentary on modern violence.

EIGHTH (FRAUD):

"Anything But"

The eighth circle is 'Fraud', split into ten subcategories that are positioned around the circle in trench-like ditches, known as 'Bolgia'.

"I wanna be loud, so loud, I'm talking seismic," follows up with, "I want to be as soft as a single rock in a rain stick." Who he wants to be fluctuates between moderation and severity. He is changing, unreliable, possibly referring to bolgia one, Panders and Seducers. Seducers tend to 'lead astray', as Hozier's unreliable narration does.

The punishment of bolgia one is to be marched backwards and forwards rapidly whilst being whipped, very much evoking the imagery of a stampede: "If I were a stampede, you wouldn't get a kick." This alludes to the fact that if Hozier were sent to hell for the various sins he commits for his lover, he wouldn't resent them for it at all.

"If I was a riptide, I wouldn't take you out." The second bolgia of Fraud is for Flatterers, 'the act of giving excessive compliments, sometimes for romantic courtship'. Obviously, the song is filled with these compliments.

"I hear He touches your hand and then you fly away together. If I had his job, you'd live forever." The imagery of "fly away" gives the idea of ascending, perhaps to Heaven, as hinted at again by the idea of the longevity of living. Bolgia three is for Simoniacs, those who would sell church roles, offices, or sacred things. This seems to fit with Hozier saying that if he had a divine role, he wouldn't follow protocol, he would allow his lover immortality.

Simoniacs were sinners because they were disobeying God's trust, because the selling of divine roles would lead to corruption in the Church. Hozier is using this hyperbolically, saying that if someone were to sell him the role of God, he would most definitely be a corrupt power.

"I'd lower the world in a flood, or better yet I'd cause a drought." In bolgia four we have Sorcerers. Although Dante used this term in a more logical sense for fraudulent sorcerers - false prophets, fortune tellers, those who lied about the plans of God - Hozier uses the term in a supernatural sense. Sorcerers were punished for trying to interrupt God's prerogative, whereas Hozier is blatantly saying he would summon another flood, usurping God's plan overtly.

"I'm talking seismic." The bridge that leads to bolgia seven was collapsed by the great earthquake and, as we know, seismic activity leads to earthquakes.

"Worry the cliff side top as a wave crashing over." There happens to be a cliff near the entrance of circle eight that a large waterfall plunges over.

"Abstract (Psychopomp)"

This song appears to be the crossover point from circle eight to circle nine that I mentioned when discussing "I, Carrion (Icarian)". Before we get to that, the title itself is significant.

A psychopomp is a chaperon of death; Someone like the Grim Reaper, or Charon from "First Time", or Dante's guide through Inferno, Virgil. Here, Hozier is describing the act of hitting an animal with your car as taking on the role of a psychopomp, whilst also relating this idea to the act of letting a relationship die, leading it from life to death.

In the crossover point from eight to nine, Dante and Virgil stand and look at the large well that leads down to circle nine, 'Treachery'. The Titians and Giants burst out of the well, to big to fit, but their feet stand stubbornly in Treachery. I believe that, at this point in the album, Hozier stands here, too. He's visited all eight circles, and has one last place to go before he leaves Inferno, and ultimately his lover, behind. This song is him realising he has to let his relationship end, he has to act as a psychopomp for his love.

"Sometimes it returns like rain that you've slept through." Circle nine, 'Treachery', is a frozen over lake, aka a memory of water, similar to the residue of rain. With viewing this song as the predecessor to "Unknown / Nth", we can take this as a hint of what's to come.

"The Earth from a distance." Since Inferno is arranged in rings (like a circular staircase), Dante could feasibly look up and still see where he started his journey. The same way Hozier could look up and see where his relationship began, "De Selby (Part 1)", The Gates.

"Streetlights in the dark blue." We have the mix of light and dark again, as mentioned in the opening track, referencing back to Hozier and his partner falling in love.

"Darling, there's a part of me I'm afraid will always be trapped within an abstract of my life." Of course, Hozier is talking about the memory of the animal hit with the car here, but the way this relates to circle nine is beautiful. As we'll properly dissect with "Unknown / Nth", sat within the most central point of circle nine, the deepest part of Inferno, is Lucifer, the fallen angel. Lucifer was thrown down to Hell from Heaven, and found himself trapped in Treachery, his body too big to escape. Dante says that the more he struggles, the more stuck he becomes.

That moment he was struck down to hell is a moment he finds himself forever stuck in, just as Hozier is saying here. In the next song, Hozier relates his lover to Lucifer, but these lyrics are a gorgeous mirroring of Lucifer's experience, and another hint at the final circle we will now head to.

NINTH (TREACHERY):

"Unknown / Nth"

Okay, buckle in.

The ninth circle, 'Treachery', is also one split into subcategories, yet Hozier appears to be singing about the centre. The frozen over lake of Treachery gets more frozen the closer you get to the centre. The inhabitants start half-submerged in ice to fully plastered in it. Throughout Inferno, and the deeper we descend, a soft breeze becomes a strong wind, that, as we reach the centre, we find is caused by the violent flapping of Lucifer's wings. Here he sits, stuck and chewing on Judas, another one of God's biggest betrayers.

After "Abstract (Psychopomp)" Hozier is now exploring the final stage of his relationship. The circles of Hell had mirrored the love he once had, and Treachery is where it shall be buried. He also represents his lover as Lucifer, though not maliciously. In interviews, Hozier spoke about the song being about a heavy betrayal he suffered from someone he truly loved, and likening this to God and Lucifer is just heartbreaking.

"You know the distance never made a difference to me." The song is about knowing someone in their entirety, discovering their best and worst parts. Hozier uses Inferno to talk about the tiresome journey of finally knowing someone. He says he would've made the trip all the same, that he would've walked this far for his lover no matter what.

"I swam a lake of fire, I'd have walked across the floor of any sea." This mirrors the previous lyric, but also references specific parts of Inferno. The are many fires in Inferno, particularly in circle seven, 'Violence'. The sea floor lyric reminds me of the lake of Treachery. Though a surface, not a floor, the lake would still be below any seabed, since Inferno is geographically below the Earth.

"Funny how true colours shine in darkness and in secrecy." You guys are probably sick of hearing me say it but... Darkness is a big theme in Dante's Inferno. It is meant to represent the deceiving nature of humans when light is not being shone. Secrecy is a running thread through 'Inferno', too, as Dante finds many people he thought had done no wrong residing there. Hozier is simply saying how (sarcastically) funny it is that he only truly knows his lover in the remains of their relationship; How he only knows them after seeing them in their cruellest form.

"Where you were held frozen like an angel to me." There are many angel lyrics, but this one specifically references the ice of Treachery. The fallen angel is indicative of Hozier's experience: Seeing someone he regarded highly, even heavenly, falling from that pedestal and turning into something that couldn't be further from God's work.

"You called me angel for the first time, my heart leapt from me. You smile, now, I can see its pieces still stuck in your teeth, and, what's left of it, I listen to it tick. Every tedious beat going unknown as any angel to me." Hozier references his ex-lover chewing on his heart the way Lucifer chews on Judas. He listens to it somehow still ticking, however slowly, and at the end of the song we hear something akin to a heartbeat. The beats are "going unknown as any angel to me" since he can no longer recognise his own heartbeat after it has been mangled by another, and, since he mistook someone alike Lucifer to an angel, the idea of angels must be "unknown" to him.

"Do you know I could break beneath the weight of the goodness, love, I still carry for you? That I'd walk so far just to take the injury of finally knowing you?" We again have this imagery of walking far, referencing the journey of Inferno, and, even though he's aching with the realisation of who his lover truly is, he can't help but be grateful that he does now know them, no matter how painful that may be. That he would do this all again if it meant he at least got to the answer of who they are.

His weak heartbeat follows him through to final track as we begin the Ascent.

ASCENT:

"First Light"

The title is very meaningful for the Ascent. The song references both Dante and Virgil's ascent and the creation of light by God himself. Dante and Virgil leave Inferno through a tunnel that Lucifer left in the Earth as he was thrown down to Hell, and they emerge on the other side of the hemisphere. This song signifies Hozier stepping away from the relationship as he also makes that journey out.

"One bright morning changes all things." Dante is disorientated when he exits Inferno. He'd become so accustomed to the darkness that he asks Virgil, 'How is it that the sun progressed so rapidly from evening to day?' Hozier seems to recognise here that his relationship is no longer fit for him, that the darkness has become too encompassing, just as Dante realises on his ascent.

"The sky set to burst, the gold and the rust, the colour erupts...the sun coming up." Not only does this give the imagery of the birth of light, but it also represents Dante's view on his exit: 'Until...I saw the lovely things the sky above us bears. Now we came out, and once more saw the stars.'

"Like I lived my whole life before the first light." Hozier says that the darkness from his lover was so overbearing that it was hard to believe he'd ever felt light before - that light could not have exists with a darkness this heavy alongside it. It is a call back to "De Selby (Part 1)" - "A darkness so deep that God at the start couldn't bear."

"One bright morning comes. Darkness always finds you either way, it creeps into the corners as the moment fades." He speaks of bringing light to a moment between them, but has it quickly smothered by the darkness inherent in his partner. Another call back, this time to "De Selby (Part 2)" - "And your heart, love, has such darkness, I feel it in the corners of the room."

"After this I'm never going to be the same, and I am never going back again." This lyric is heart-breaking. Hozier states that Inferno has changed him, but he has no wishes to re-enter it. At the beginning of this album, he was begging for the likes of Inferno - "De Selby (Part 2)": "Let all time slow, let all light go." - and now he is desperate to get away from it. In "Francesca", he said, "At the end, I'd tell them, 'Put me back in it.'", yet, now, he's at the end, he's ascended, and he has no desire to go back at all.

He is letting go of his lover because he recognises that this pain was not worth it, that this love was not worth the punishment he received, so he leaves.

---

That was Hozier's Inferno !! I hope this was helpful to some people since it was very fun to make (I'm exhausted) and it's very enlightening to see how these lyrics relate to Inferno (I'm heart-broken) !! Okay, wooooo !! Enjoy !!!

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binsito · 5 months

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I loved your idea of hannie with his nail tech crush.. yk what i think though? OBVIOUSLY the nailtech kinda knows abt this little crush of his. She doesnt know how severe it is but she does notice the way he blushes slightly when she compliments his hands, or the way his eyes sparkle when she finally giggles at one of his jokes. Also who am i kidding the nail tech obviously ALSO finds hannie v v cute and v v hot bc,,,, he's hannie??? He's charming and handsome and he keeps his fingernails clean soooo maybe the next time he comes around, and she is feeling a little frustrated bc her own hands aren't enough fun for her.. she'll hint at wanting his fingers inside of her? Maybe she'll be kinda distracted and shy this tine or maybe she's bold and just straight up teases him by saying things that could be considered dirty but also might just be his pervy mind interpreting the wrong thing. Aaa idk i'm not a writer but yourw giving my head THOUGHTS

OHHHH MYGOD. thank god you left this ask bc i was dying to write more for this JASHDJA

warning: fingering, hand worshipping, swearing, slight perv!han jisung, lmk if i missed anything but it's pretty tame

wc: 914

hannie has to act normal.

hannie has to be cool.

hannie has to act like he doesn't go home after every appointment and edges his cock thinking about how nice it would be to have your lips wrapped around his tip.

so when he walks into the salon, straight into your suite and takes a seat at your chair - he makes a mental promise to himself that:

he. will. not. get. hard.

he won't get hard if you hold his hands, it's all part of your job.

he won't get hard if you smooth lotion on him, it's just a courtesy.

he won't get hard if you compliment his nails, they're only pretty because you made them pretty.

"hannie do you even put your fingers to use?"

what?

"you come here so often and yet they're rarely chipped or overgrown. you must not lift a finger." you smile.

oh.

he felt so stupid, of course he read into it in such a dumb, perverted way.

"you must take good care of yourself hm?"

fuck.

why couldn't he be normal? why couldn't he just have nice, clean thoughts? why was he getting hard? why couldn't he just keep his promise?

"your hands are always soft. i wish i had nice fingers like you. they're long and pretty.."

he clears his throat and laughs awkwardly. he was being such a loser.

"oh yeah.. they're definitely long, alright.. hah.." he says

who the fuck says that?

he literally wanted the ground to eat him up.

"yeah, they are. longer than mine." you giggle as you work on his polish.

"yeah.. way longer.."

and why he kept going? only god knows, but he definitely noticed your face flushing (and was he crazy or were you pressing your legs tightly together under the table?)

hannie doesn't think he's ever seen you this quiet, this concentrated on his hands before. after the conversation died out, there was no other topic to bounce off of. and normally han jisung would just start talking about random shit, would tell you your hair looked pretty or that he noticed your subtle eye makeup and that it looked nice.

but not now.

not today.

"hannie have you ever had problems reaching things with your fingers? i-it could just be because mine aren't as long as yours but.. you know they're never quite enough to reach."

"oh uh.. n-no but do you need help reaching something? i could help.."

"could you really? that's so sweet of you, hannie.." your smile could melt him into a puddle. you smile at him so sweetly, just for him and han jisung can't really handle that well.

"so what is it you need help with? something too high up or-"

"well.. i just can't seem to cum. doing your nails frustrates me so much. they look so nice so why can't i have them inside of me?" you pout at him.

the wind feels like it was knocked out of him. he thanks god that you have your own little suite and no one else was around to hear that.

"f-fuck, are you serious? holy shit, why didn't you say something sooner?"

"well because i'm a little shy and because i wanted to finish doing your set first, of course..

you really mean it though? will you actually help me?"

"yes.. fuck, yes i'll help you."

his eagerness was cute. unluckily for him, he still had to wait for you to cure his gel polish. his leg bouncing impatiently as you gave him a look to quit it.

he smiled shyly and let out a nervous chuckle as he tried to contain himself. once you were done, he damn near jumped out of his chair towards you. you put some of your supplies away and walked past him to lock the door. as soon as he felt the coast was clear and no one would walk in, he grabbed you - kissing you deeply and pressing you against his lean body.

it was an intense kiss, full of want and desire but you welcomed it because you had been feeling the same way. you pulled away slightly to grab his wrist, bringing it up towards your mouth so you could take two of his freshly manicured fingers in between your lips.

you made sure to get them nice and wet, saliva connecting them to the tip of your tongue when you pulled them out.

han jisung felt weak.

he found himself pressing you against the nearest wall, your pants long forgotten as he pumped his fingers inside you, finally leaving you fuller than your fingers ever could.

the pads of his fingers massaged your gummy spot and curled against it making your knees buckle. it was all too perfect and better than you could ever imagine. you knew the orgasm he was going to pull from you was going to be intense. you felt it bubbling up already and he hadn't even been touching you for long.

but when he brings his other hand forward to rub at your clit and you look down to catch a peek of his baby blue nails, you lose yourself to him and feel yourself cream around his fingers. clenching your cunt tightly against them, not wanting him to ever pull out.

however when he does pull out, he makes sure to have you watch as he sucks your essence off his fingers. rolling his eyes back at the taste and humming in satisfaction.

please refrain from reposting, modifying, translating, copying or stealing my work. - © binsito

#binsito #stray kids smut #skz smut #skz hard thoughts #skz x reader #💌 : binsito #han jisung smut #han jisung x reader #han smut #skz han #han : binsito

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torialefay · 3 months

Text

🗝️ Sun in Scorpio ♠️

minho as your boyfriend!!! (pt. 1)

(based on astrology) 🔞

✨minho x reader (f); possessive fluff, slightly suggestive at the end

✨take a look into lee know’s natal chart to see what type of boyfriend he would be! in this post, i will be talking about his sun in scorpio. this is a series!!! so follow up later if u want more <3

✨i will give a brief synopsis of what each chart placement means (for all my non-astrology friends out there <3) and how that would affect minho in a relationship :)

✨word count: ~2k

✨ author’s notes:

★★ (1) i do do brief astrological compatibility readings if anyone wants one! if you’re interested, message me your birth date, time, and location OR lmk your placements. i’m gonna limit the reading to include you x 1 skz member only! just specify who you’d like.

(2) i am wanting to get better at using neutral-gendered pronouns so more people can feel included in my posts. i’m really struggling since i use phrases like “my girl” a lot. anyone who has some good alternatives or tips, please message and lmk! i really want to be able to start cranking out more gn options!

(3) the aspects in this reading are based solely on my opinions and interpretations! nothing about a person is set in stone simply because of astrology. please don’t use anything i say as canon :)

(4) i will not be going into ascendant or house placements because lee know’s birth time has not been confirmed for AM or PM

✨warnings: some explicit language

✨ tl/dr: minho as your boyfriend will spoil the shit out of you and charm you until you can’t help but live and breathe him. he’s got to keep a grasp on you at all times- literally AND figuratively.

Sun in Scorpio: Sun signs are all about personality- the face you show the world! It is also the lens through which you usually see yourself and how friends would describe you.

• Scorpio has two planetary rulers- Mars and Pluto. Mars is the ruler of action and aggression, while Pluto is the ruler of transformation and rebirth. Scorpio is an amazing mixture of the two, as it embodies strong desires, innate control, and deep mental and supraphysical understanding.

• Scorpios encapsulate passion. They tend to have a deep understanding of others and can utilize this power to their advantage. They are able to influence others to do as they wish. Scorpios have a deep understanding of beauty and admire things that could be seen as dark, different, or strange to others.

• Scorpios have a tendency to become obsessive, controlling even, if not careful. They get fully engrossed into who other people are and want others to fully engross themselves in them as well.

• Scorpios are known for their creative and expressive nature- something that comes naturally to them. Because of this, they can really shine in areas such as art or drama, historian or detective, intuitive research or psychology, and are amazing for dabbling in the occult.

As your boyfriend:

• He is super protective over you. He’s always watching behind you as you do something to make sure you’re okay and no one is bothering you… And to be honest, I don’t think many people WOULD bother you, knowing you were the person with a psycho boyfriend (in a good way <3).

• He would bring you lunch any chance he got. If you were at work/school and he knew you hadn’t brought lunch or hadn’t had lunch that day, he’d definitely bring you something- whether he picked it up or made it himself. It also gives him an excuse to see you and check on you during the day.

• He knows when you are having a bad day. And he knows exactly how you need him to act in order to help you deal with it. When he senses something is wrong, he will pull you onto his lap in a hug and tell you to talk to him about it.

• Other people think he’s cold, but he’s definitely not with you. He loves you and nurtures you. He takes pride in knowing every part of you. He loves that there is a side of him that is specifically for you and not for the rest of the world. He’d like it if you were the same.

• He loves when the both of you have a chance to get dressed up. To look good for one another and just enjoy the other’s company.

• He loves nice dates, ones where he can make a grand gesture to make you feel loved and special.

• That’s why it was no surprise when he’d texted you earlier to dress up pretty for him and he’d be at your apartment to pick you up at 8.

• This was a monthly occurrence. Him surprising you with a nice date- and when I say nice, I mean NICE.

• Yes, you went on smaller dates a lot too, but he made it a priority to spoil you with something bigger at least once a month.

• So here you were, all dressed up in your favorite dark blue satin dress. It looked absolutely enchanting with it’s spaghetti strap and cowl neck top with a deep slit running up the side.

• You made sure to do your hair his favorite way- loose curls all brought to one side.

• You gave yourself one final look in the mirror, swiping on a glossy coat over your lip stain before heading out the door. Minho was already waiting on you downstairs.

• When he saw you like this, he always smirked.

• ‘Looking so beautiful all for me,’ he thought.

• Once you got to him, he just smiled at you, taking your hand in his.

• “Now, are you going to tell me where we’re off to?” you asked.

• “Shhh, you’ll see,” he kissed your hand, leading you out to the car.

• He always made sure to open the car door for you and make sure you were buckled before you took off.

• And of course he always had to rest one hand in his favorite spot- gripping onto one of your thighs. It was harder when you had a dress on, but he’d never let that stop him. He needed to always have a hold on you.

• Arriving at your destination, it was a quaint building you didn’t recognize. You’d never been here before, but it seemed to be a small restaurant with only a few (very nice) cars in the parking lot.

• The valet rushed to the car to speak with Minho and grab the keys.

• You smiled up at your boyfriend as he walked around to your side of the car, opening the door for you and taking your hand in his to help you stand.

• As you made your way toward the restaurant, he made sure to hold tightly to the one hand, while the other stabilized on your hip, making sure you were safe while ascending the few steps in front of you.

• “Hello, can I get your name please?” the host of the restaurant asked as you stepped inside. It was a beautiful restaurant- dark and sensual. There was very minimal lighting, but what they did have gave a beautiful warm glow. The sleek bar to the right shined bright from the sparkly crystal bottles aligning each of the shelves- luxury liquor only.

• “Lee,” he said, matter of factly, only taking a brief moment to look at the host. Tonight, his eyes were only on you.

• The host presented a big smile before stepping to the side and motioning for you to follow him. “Great, Mr. Lee. Right this way.”

• Minho let you walk just slightly in front of him, always watching your back to make sure he had a full view of you. One hand continued to rest on your hip. It was like it was glued there. He never wanted to lose contact with you.

• The host led you down one of the dimly-lit aisles and to the back of the building. Off to itself, he rounded a corner to lead to a beautiful, private, screened-in room in the back. It sat adjacent to a huge lake, which could be seen through the mesh netting of the “walls” that enclosed you. With the moon shining bright over the water and the stars on full display, it was a captivating view.

• Minho pulled your seat out for you to sit before pushing you in towards the table. You allowed yourself this moment to look around the beautiful secluded room. It was still dark like the interior of the building, with the nice, warm lighting. But there was an even more bewitching feeling to it through the beautiful scenery and soft music that was emanating from afar. It was absolutely breathtaking.

• If there was anything Minho knew how to do, it was how to wine and dine you. He made sure to start the evening with ordering a full bottle of your favorite reserve red wine. He loved the way you looked and smiled at him after a glass or two- how lovey dovey you got for him and how you began to try and charm him, getting all giggly, before the night was over with.

• He encouraged you to get whatever you wanted off the menu- even if it was the most expensive thing by far, he wanted you to have it. He was never going to let you pay anyways.

• Once you decided what you wanted, he always wanted you to tell him so that he could order for you. It wasn’t that he thought you were incapable of ordering for yourself, but he wanted you to know that you would always be taken care of when he was there. He didn’t want you to have to take your attention off of him for one second.

• Your heart always swelled as you watched him order- for some odd reason. And he never ordered just what the two of you wanted. No way. He made sure to always order at least 3 or so dishes so that you could share with each other and sample everything. He would make sure to have something on the table that his baby loved.

• Even if you were absolutely stuffed, if he noticed there was still wine in your glass, he would always order a dessert for the two of you to share. And although he wouldn’t admit it, this was also a way to extend his time out with you.

• He’d make sure to do all the gross romantic stuff with you, like feeding you a bite of the crème brulèe straight from his spoon. He definitely didn’t want to overdo it though and would NOT do it unless you two were in private.

• At the end of the evening, after your head felt light and bubbly from the wine and your stomach was full, he made sure to tip the waiter very generously. You loved that about him. That’s why the restaurant owners and workers always loved to see the two of you back.

• Taking the last sip of your whine, you leaned in with a smile, half-whispering “thank you for dinner, jagi.”

• “Thank you for being here with me, love,” he said back. Slowly, he stood from his chair, so naturally you waited in yours as he always requested, so that he could again pull your chair out before you stood.

• He made his way over as usual, but he didn’t put his hands on the chair.

• Instead, he placed one hand on the nape of your neck, bending down to plant a soft kiss to your shoulder and then to the side of you neck.

• You let out a giggle as you started to blush. “Stop itttt, you know we can’t do that here.”

• “I know, but I had to at least get a little bit out,” he smiled smugly.

• Suddenly, you saw his hands both in front of you and a cold sensation on your chest. You looked down to see a beautiful silver pendant resting just between your collar bones.

• “What’s this?” you asked, as you felt his hands secure the latch at the back of your neck.

• He walked to your side so that he could see your face and bent down, resting one knee on the ground.

• “Why don’t you look at it and tell me?”

• You picked the small-ish pendant up to examine it. On the front, in dainty cursive font read “LMH”. Lee Min Ho.

• The back had a single, small diamond implanted in it. Around it’s edges, it had a Latin phrase inscription. You read it aloud. “Aut viam inveniam aut faciam?” You tried to make the words out, looking to your boyfriend for confirmation.

• “That’s right jagi. ‘I will either find a way or make one’. For you.” He smiled up at you, as your looked at him with eyes of endearment. The love you had for this man was unbearable. You could hardly stand the emotions that he made you feel.

• He gently reached out for your hand, planting a gentle kiss to it, before standing up and motioning for you to do the same.

• Once you were upright on your feet, he leaned in next to your ear. “It looks beautiful on you, by the way,” he whispered seductively.

• You smirked, the boldness of the wine starting to manifest out of you. “I’ll keep it on for you later. Everything else is coming off,” you winked.

• His eyes grew large for a split second before turning himself so that he body was right up against yours. He swiftly let his hands wonder to your waist, then hips, then grab lightly at your ass.

• “That sounds perfect,” he planted a small, sweet kiss to your lips. “But that necklace is never coming off of you. Promise me. Promise me you’ll wear it at all times, and I’ll always be with you.” He looked at you, his face full of sincerity and genuine lust.

• “Anything for you,” you gave in to him before leaning in for another slow kiss.

• You knew that’s exactly what he wanted. For you to give yourself fully to him. You’d play around with him later, but for now, you would give yourself up. He knew you were his.

———————————————————————————————————

✨ author’s note: lowkey thinking this man put a tracker in the necklace lol. he just wants to know you’re safe and also wants to be able to know where you are at all times. but it’s up to you what you want to think 🤷‍♀️

✨ if you enjoyed, please consider liking, commenting, or re-blogging <3

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ryin-silverfish · 20 days

Text

Heart and Mind: An Analysis of Tripitaka

I've been wanting to write this since…since I came across some good ol' Tripitaka discourse in the LMK fandom ages ago. Couldn't remember the specifics, but as y'all probably know, it falls under the "Is him an abusive master" and people's strongly worded retort to that question.

On one hand, I dislike the "abusive" take because so often, it is an excuse to reduce a character to an 2D caricature for cheap angst purposes, and both JTTW and its historical context deserve more nuances than that.

On the other hand, I don't agree with some of the defenses either——that Tripitaka is Kind and Wise and The Virtuous Monk, Actually, and people who said otherwise just had their views colored by adaptations, or were ignorant westerners misreading the book.

Because trust me, Chinese readers absolutely have gripes with Tripitaka too, and sass him mercilessly.

We may have a better idea of the historical context, namely, the common usage and acceptance of corporal punishments, but quite a few of us don't think he's a good Buddhist either.

Instead, I'd like to focus on his allegorical role, and how it ultimately forms the basis for my interpretation of his character.

It is commonly acknowledged that each pilgrim represent an aspect of the enlightenment seeker: Monkey is the Mind, Dragon Horse the Will, Pigsy the Desire, Sandy the Determination/Ideation.

Tripitaka is either the enlightenment seeker as a human, or the Heart, the Compassion.

But how can someone represent Compassion when his behaviors don't look all that compassionate, when he seems to care more about what a good Buddhist looks like on paper than in spirit?

How can a compassionate man punish his disciple with a migraine spell and disown him twice, be okay with some violence but not others?

Well, to answer that question, I feel like you have to look at Tripitaka in conjunction with SWK, and what the monkey represents. He is literally the Mind Monkey, the boundless potential of human intellect, and that, by itself, is neutral.

In the word of one of the best poems in JTTW:

"He could be good; he could be bad; present good and evil he could do at will. He'd be an immortal, a Buddha, if he's good; wickedness would cloak him with hair and horn."

To put it simply, SWK is one's wits, one's problem-solving skills, the ability to discern good and evil on a cognitive level.

Whenever Tripitaka, the Compassion, is deceived, it falls to the Mind to see the opponents as they are, and take action to protect the human from harm.

But just as blind compassion without judgement can be exploited by evil, the reverse is true for a mind without compassion, driven solely by their own ambition and whims and practical knowledge.

The Mind knows that robbery is a crime, so these robbers deserve death, but has no idea how disturbing it is for a regular guy to witness six people being brutally murdered in front of him.

The Mind knows that abandoning your wife and family to become a bandit is shameful and unfilial, but cannot comprehend why the bandit's father may not want his son killed for these offenses.

The Mind knows right and wrong, but has trouble seeing the human behind those acts, and why one should care in the first place.

And to see what the Mind looks like without any of Compassion's restraint, one needs to look no further than SWK's "Second Mind", the Six-eared Macaque.

Just like how "Heart" sounds like a lame power for a character, Compassion isn't flashy, nor as useful in a strictly ultilitarian sense. In fact, having compassion makes you vulnerable. It hurts. And unscrupulous people will absolutely use it against you.

So why hold onto your weakness and wallow in it? The world doesn't need another sanctimonious wuss, it needs strong, clever people making hard sacrifices, ruthless, logical decisions! Tough up! Stop caring, and you'll never be hurt again!

Much like a certain crowd who think basic human decency is somehow political propaganda, perhaps, when SEM struck Tripitaka, he was trying to do the same thing.

Kill the embodiment of compassion, the sniveling, useless, fragile human that keeps holding SWK back. Replace him as the true Mind, the one strong enough to break all bonds and seize glory with his own two hands.

But without compassion, without humanity, one is no longer a whole person, and cannot reach enlightenment. In fact, just like how Buddha would only give the True Scripture to Tripitaka, if you are not brave enough to make yourself vulnerable, to suffer and feel other's suffering, you will never transcend it.

At best, you can have some pale imitations of the parts you have willingly shut out from yourself.

And that's what SEM does. He thought he could do it on his own, singlehandedly replace SWK and reap the benefits of enlightenment, but he is no Monkey Awakened to Emptiness.

He is just empty; cut off desires because it is base, cut off determined ideation because it is foolish, cut off compassion because it is weak, cut off the altruism and curiosity and creativity from the mind, and you are left with a grand total of NOTHING.

A shadow of a self, desperately clinging onto external validation and stolen stories, reading the pilgrim's travel paperwork out loud as if that would actually make the journey his.

Tripitaka needs to trust SWK and learn from him, because compassion, much like good intention, doesn't solve problems on its own, and mercy is not the same as enabling harm.

SWK needs his master's guidance, because even at his most selfish and impulsive, he cares, and only by extending that care to others and accepting the vulnerability that comes with it can he truly mature and become awakened to the ultimate truth.

Thank you for coming to my TED Talk.

One last bit of ramble: I feel like there is something to be said about Tripitaka's tendency to trust Pigsy, and how the pursuit of enlightenment is often derailed by worldly desires.

Unlike the demons they encountered, however, Pigsy is not the personification of mental obstacles that must be destroyed, because you cannot destroy bodily needs, nor the very human tendencies to slack off and avoid trouble.

You should stop listening to its advice, sure. Poke fun at it, absolutely. But what Pigsy represents is part of the human condition, just like every other pilgrim, and also something one must make peace with.

#journey to the west #xiyouji #jttw #tripitaka #tang sanzang #sun wukong #six eared macaque #pigsy #zhu bajie #character analysis #lego monkie kid

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ffsg0jo · 20 days

Note

I loved your Ramadan works with the JJK characters. It's so nice to see another muslimah who writes for JJK :)). I am not sure if you are still actively posting, but would you consider writing a piece with the cast's reaction to the hijab and abaya? JazakAllah!

jjk characters with a muslim/hijabi reader [gojo edition]

gojo x reader [platonic or romantic it's open to interpretation]

w/c: 955 words

a/n: i got so carried away writing gojo's i realised if i added more characters, it'd be an incredibly long post. so i took them out and i'm gonna post them over the next couple weeks <33 so far i have megumi, nanami, itadori and nobara lmk if you want anymore characters :)) also guys pls feel free to send requests/suggestions :))

also anon you're the sweetest person every thank you so so much you've single handedly given me motivation to keep writing and ive got more works coming out. i hope you're having an amazing day inshaAllah bestie 💗

Gojo definitely thinks you’re doing a cosplay of some sort. It’s not uncommon in certain parts of Tokyo, so it’s safe to assume so most of the time. Even he’s been mistaken for Kakashi cosplays a lot of the time, with his black get-up and blindfold.

But then he sees you wearing different colour hijabs and abayas, and sometimes even a cute lil jilbabs and it confuses him. Suddenly, the thought occurs to him that maybe you’re not in a 24/7 cosplay, like him, and actually just dress covered head to toe.

As soon as he reaches that epiphany you best believe he pesters you and badgers you for answers. “y/n are you cold? is that why you’re always dressed like that?”

At first, you think it’s funny to give him nonsensical answers because he keeps saying stupid things, but you realise he's being deadly serious. plus, he gets increasingly bothersome, so you eventually get annoyed from all his questioning and just tell him about how you’re a Muslim and observe hijab.

He actually takes it quite seriously and apologises for lowkey making fun of your shitty cosplay in his head. He’s ignorant, not prejudiced, so he defo takes it back and, for once, takes accountability and apologises for his actions. He’s personally not a believer, but he respects it.

Once, you complained about how expensive abayas were becoming and how you just wished someone would just buy you a whole wardrobe of them to all the students, and he happened to overhear.

Literally days later he’s at your door with multiple bags full of abayas and hijabs and all sorts of modest clothing. You’re completely shick shack shook and don’t know what to say. You defo cry and try to hide it with your headscarf.

He barges into your room (after making sure you’re fully covered, he's learnt from that mistake) and spends the next 5 or so hours showcasing each item and telling you where in the world he got it from, the materials and everything.

He has really good taste in colours and styles and knows what would look good on you. You’re literally set for life. Absolutely refuses to let you pay him back. Every single time you mention money, he shuts you down and changes the topic entirely.

In summer he’s shocked you look relatively calm and okay. He’s literally boiling his bum off with a tank top (I’m laughing at imagining Gojo in a white tank top like an immigrant dad lmaoo) and you’re looking as fresh as daisies with everything covered. He asks how you're not melting and you’re waffling to him about airflow and how it’s actually quite breezy, and you’re not wearing anything underneath, so it’s fine, and he stops breathing and short circuits.

He looks at you with his eyes wide, and his sun reddened face goes a shade darker. "You’re not wearing anything underneath?" He takes it the completely wrong way, and you realise what it sounds like, and you’re both a bumbling mess.

It's the first time anyone’s ever seen Gojo that flustered.

Also some quickfire headcanons:

He genuinely thought you slept and showered with your hijab on, so he burst into your room one day and you screamed and he immediately warped somewhere else when he saw you wearing pyjamas (he didn’t see anything above your clothed knees, he panicked and left so quickly plus he was scared to look).

Gets you cute little clips to put on your hijab. He thinks they’re pretty.

Is absolutely devasted you can’t have mochi and some other desserts because they have pork gelatine in them and he always tries to find vegan alternatives.

Purposefully steps on your abaya/dress when it's flowing and he's behind you to annoy you.

Has extra pins pinned onto his uniform for you just in case you need them.

This is a secret he’ll take to his grave, but he actually tried to make you one of his favourite desserts you couldn’t eat (he threatened the bakery for the recipe), but it went so disastrously wrong he gave up and didnt want to face the embarrassment.

I’m talking melted plastic in the oven, small kitchen fire, eyebrows singed, and potential carbon monoxide poisoning bad.

You wore this specific shade of light blue once with a cream khimar, and for some reason, he was absolutely obsessed with that outfit. It wasn't until Nobara pointed out that your outfit matched Gojo's colour scheme did he finally realise why <33

The abaya sizing really confused him and he was so baffled as to what the numbers meant. Wdym size 52 what does that even measure 😭😭

He was faffing about for 2 hours before he realised he could've just googled it, and he felt absolutely stupid about it.

Whenever he sees a bit of your hair accidentally peeking out he covers his eyes and screams at you to "cover yourself woman goddammit". He's so dramatic honestly.

Thinks it’s hilarious seeing you run in your abaya. He thinks its the funniest thing in the world.

Once (he's lying defo more than once) he was zoned out while watching you and his heart started beating faster when he realised how beautiful you are with your long dress blowing in the breeze and your hijab lightly fluttering. You looked ethereal. He didn't know what to think, and he pushed his feelings back down. Deep deep down.

He doesn't need unnecessary feelings complicating things, but for some reason, his heart still yearns for you.

He also makes terrorist jokes about you to you. I will not explain that one, but he 100% does.

#🌻.sunspell #🌻.nonny<33 #jjk x reader #jjk #jujutsu kaisen #jujutsu gojo #gojo satoru #jjk satoru #satoru gojo #gojo x reader #satoru x reader #gojo satoru x reader #satoru gojo x reader #jujutsu kaisen x reader #jujutsu gojo satoru #jjk gojo satoru #jjk satoru gojo #muslim reader #gojo x muslim reader

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