#might make a different post on that since this one has a Topic and id like to Stay On It for once | Explore Tumblr Posts and Blogs

daresplaining · 8 months

Text

Mike Murdock's Sunglasses: On Character Design and Autonomy

I've written a little in the past about character design in regards to the translation of zany alter ego 1960s Mike Murdock into slightly-more-grounded, at least 85% more real 21st century Mike Murdock. Specifically, I talked with artist Phil Noto about Mike's outfits in Daredevil #606-612, and analyzed the clothing choices made by the creative team in the 2020 Annual. However, one specific detail that I find interesting in Mike's transformation from Matt's hyperactive id to his own autonomous person that I haven't really written about yet is his sunglasses-- when he wears them, when he stops, and how this shift may or may not align with his journey.

Matt: "Let's see now-- I'll just muss up the mop, to give myself that carefree tousled look! A fella like Mike wouldn't be caught dead with a simple Ivy-League hair comb! And, I'll have to give my specs a coffee break for a while, as I cover my sightless eyes in a more colorful way-- If the attorney-at-law business ever gets slow, I might just decide to open a school of method acting! Yessir! Stanislavsky had nothing on me! Now, all I've gotta do is change my personality! I figure a clown like Mike Murdock is sure to be on all the time!" Daredevil vol. 1 #26 by Stan Lee, Gene Colan, Frank Giacoia, and Artie Simek

Matt and his dark glasses were inseparable in the 60s-- literally, to the point that he even apparently wore them under his Daredevil mask (fortunately, he doesn't do that anymore). The clear hesitance of DD artists in this period to draw their blind protagonist's uncovered eyes is likely one of the reasons that when it came time for Matt to invent himself a fake sighted twin, the sunglasses stayed on. This has not always been the case. In the years since, Matt has taken on several sighted identities in which he does not wear glasses at all-- notably, con artist Jack Batlin in the 90s. Of the two approaches, the former makes slightly more in-universe sense. As someone with no vision at all, who was blinded in a physically damaging accident, logic suggests that Matt's eyes would look different from those of a sighted person-- most likely due to chemical burns/scarring, but at the very least from things like a lack of eye contact. Thus, the choice for Matt to simply switch up his style of shades for the Mike look, rather than taking the risk of foregoing them entirely, feels logical (even if it doesn't always match up with the way Matt's eyes are actually depicted, but that's a topic for another post).

As it turned out, the oversized, colorful shades ended up tying perfectly into the loudness of the rest of "Mike's" outfits, becoming a memorable staple of the look that Matt crafted for his fake twin-- a look that was as distant from the classic Matt Murdock suit and tie (and simple, dignified shades) as he could manage. These shades were iconically, undeniably Mike's. However, they were still born from the use of sunglasses as a visual shorthand for-- and Matt's in-character response to-- his blindness. A Daredevil reader in 1968 might have looked at ol' Loudmouth Mike and asked the question: If this guy were a real person, independent of Matt, with his own backstory and reasons for dressing the way he does-- would he still choose to wear dark glasses?

Mike: "Well, as I live and breathe! You're Daredevil, right? Friend of my brother, if I don't miss my guess. Real pleasure to meet you at last." Daredevil vol. 5 #606 by Charles Soule, Phil Noto, and Clayton Cowles ("As I live and breathe" is such a funny thing for him to say in this scene.)

Enter: Fragment-Boy Mike, and the beginnings of an answer.

When it came to transforming the concept of Mike Murdock into a fully realized character of his own -- not to mention pulling him out of the 1960s and into the 2010s-- some core Mike Murdock elements were dropped by the creative team, both for the sake of streamlining the narrative and in order to match the tone of the contemporary comic. Fragment Mike is no longer Daredevil's alter ego; in fact, he claims in his first appearance in Daredevil #606 that he has never even met DD before. Gone are the loud clothes, the primary colors, the waistcoats, the fedora with the feather in it. Curiously, all that remains of his original Look(TM)...is the sunglasses.

Foggy: "That is...correct. How did you...?" Mike: "Because I ain't him. I'm me. And now, Foggy...you need to call my brother." Daredevil vol. 5 #608 by Charles Soule, Phil Noto, and Clayton Cowles

Fragment Mike existed in a kind of limbo that neither he, nor Matt, nor even his "creator" Reader really understood-- a tortuous state of both being and non-being, in which he believed himself to be real and then had his worldview shattered by learning that no one else saw him that way. Mike claimed his autonomy and fought for his right to live throughout that story arc, but the simple truth was that he was born out of Matt-- specifically, out of Matt's case files, from which Reader accidentally spawned him-- and the memories he possessed of being anyone/anything else were false. He was nothing but a twisted, reanimated echo of an identity his brother had created, dark glasses included; Matt but not Matt, physically separate but still bound to his brother.

Mike: "I'm Matt Murdock's twin brother, but...but I'm not. I've got some fake memories. I'm like a shell of a thing...but inside...I can tell I didn't live through anything...and I think...I think it's driving me crazy." Daredevil vol. 6 Annual #1 by Chip Zdarsky, Manuel Garcia, Le Beau Underwood, Chris Mooneyham, Rachelle Rosenberg, and Clayton Cowles

But! Fragment Mike, just like Matt, maybe because of Matt, is a fighter. He does not take being fake lying down. Through some Norn Stone magic, our fragment became a Real Boy, with real memories of a real backstory. And if we take a look through that backstory, we finally receive an answer to that 1968 DD fan's hypothetical question, because...

Daredevil vol. 6 Annual #1 by Chip Zdarsky, Manuel Garcia, Le Beau Underwood, Chris Mooneyham, Rachelle Rosenberg, and Clayton Cowles

The moment Mike Murdock becomes a real person, the sunglasses vanish.

Look back through Daredevil volume 6. Once he is officially, cosmically real, the only time we ever see Mike wearing dark glasses is when he is dressed up as Matt (ohhh, the poetry of it all!). He is wearing them, standing in Matt's apartment, when he dies in Matt's place-- fated, in the end, to never entirely escape his brother's gravitational pull-- but what matters is that the sunglasses tied Mike to his origins as his twin in a costume, and the loss of them indicates fully and utterly that Mike has broken away and become his own person. We even get this fascinating scene at the beginning of volume 7:

Matt: "...It was Matt. He came back from rehab, went to his apartment... I don't know what the #$@% Fisk was thinking, but I know they've got history and... Ah, Butch. He killed my brother." Daredevil vol. 7 #1 by Chip Zdarsky, Marco Checchetto, Matthew Wilson, and Clayton Cowles

This is Matt Murdock, in the year 2022, once more pretending to be Mike...post-Norn Stone reality rewrite. And this time? No sunglasses. In fact, Matt claims that the key to a foolproof Mike Murdock disguise is in the eyes: "Not just making sure they faced the right direction...but that no matter what, he had kindness in them..."

Do I love Mike Murdock wearing smarmy shades? Of course I do. But I love a good piece-of-clothing-as-allegory just as much, and I love peeling back the layers of identity to discover who Mike really is when he is not his brother.

#Mike-ing like I've never Miked before here...#Daredevil #Matt Murdock #Mike Murdock #Mike Murdockalypse #Adventures in Continuity #ID in alt text

76 notes · View notes

juni-ravenhall · 5 months

Text

sso vs the concept of good gameplay. yeah its another fucking book length post >:3

thoughts from someone with a brain full of what good game design means and tons of years of studying and analysing that topic etc, bc of game design being one of my main interests.

basically the major thing i want to say about the hollow woods update aside from "yay forest kinda pretty :)" is that most of it doesn't really consist of what i would call gameplay. this is ofc something u can argue back and forth that im also open to, bc respectful analytical discussion is healthy.

the firefly stuff id personally call something more like "satisfaction play" than gameplay (idk if there's a widespread term that anyone else made up already). there is zero challenge to gathering fireflies - it's on the level of poking a glitter slime simulation app. it might feel satisfying to collect them, but there is no practised skill needed, no thinking or planning or anything. so i don't consider this "gameplay", but "satisfaction play" in itself isn't a bad thing, either. it's not that "gameplay" would be inherently better than "satisfaction play" in every case.

the puzzles are gameplay, i think - not very challenging gameplay (the answers are right there as soon as the puzzle is presented), but it *is* arguably gameplay, since we do call puzzle-solving "gameplay" in general. there is some argument there to be made about what a "puzzle" really means, and what is a simple "request and task" rather than a "puzzle", or what "knowing a real life fact" (what is 180 degrees?) versus "having to figure something out using information available inside the game" might mean for how we view what is or isn't a puzzle. but that's not specific to sso at all (a question for tons of various "puzzles" as seen in tons of various games).

there's nothing wrong in itself with satisfaction play, or with easy puzzles. sometimes that's exactly what an audience wants. but sso has a bigger issue, in that the main gameplay until now has been races (or courses, tracks, but let's say races) and that those races are not especially well designed. that there is very little of really challenging, fun, satisfying, rewarding gameplay in sso - in the terms of what people usually expect from videogames (of the gameplay-based type, not satisfaction play-based).

don't jump to conclusions here, but: i often make a comparison to mariokart, a game with a primary race mechanic. i used to play mariokart a lot because it was just really fun. it was fun alone or with friends or strangers, and it was fun to try to beat my best score, and it was fun to explore different ways of beating the same track. when you design a game, you have to think really heavily about: is the core gameplay loop fun? what makes people want to play this? to *re*play this? does it feel satisfying and exciting? is it better or at the same level as its competitors? what kind of things appeal to the target audience? and so on.

somehow sso has never felt like mariokart (except that one rainbow race, obvs), and i don't mean that sso could just "copy mariokart", this isnt the point. what i do mean is that there has to be a way to make your racing mechanic (if it is a primary mechanic of your game!) actually fun, engaging and challenging in the right way - the good game design way, not the clunky, frustrating and broken way. (yes, i know the engine is spaghetti garbage. no, i don't think that's a get-out-of-jail-free card for every problem that sse has.)

they made some progress with this when they added a completely out-of-place, more challenging race in one of the more recent story quests (i forget exactly when that was, but the race was in hollow woods). the problem then was that within the context of sso and what they have taught the players about their game, this race was thrown at us with no preparation for its challenges, which is bad game design. you want to introduce your player to different challenges and allow them to practice and learn, which didn't happen when we jump from "races with basically no skill needed to pass" to "a race with new things happening everywhere you need to react to while also successfully following a new path" out of nowhere. the intent was good - more challenging and exciting, dramatic races - the execution wasn't great.

they also made some progress with this when they revamped a few of the champs. the revamps aren't perfect, but they're good, and it was a good step towards improving core gameplay mechanics, that not only are genuinely enjoyable to many players but also *fit into the theme of the game* (as in, beating others at horse sports is a common theme within the equestrian theme). (i'm personally in shock that we don't have more champs across the map since all of these years, and that they aren't better already, since it's one of the most "regular videogame quality" content this game has and it shouldve been relatively easy to add more as well as maintaining and improving what was there).

so, back to the new valedale stuff.... sort of. there have been some puzzles in sso before, and some random gameplay (the click timing of searching for gold). the stuff we've had before: it's usually very basic puzzles and random gameplay, partially on behalf of that - for a long time - there doesn't seem to have been that much resources put into fighting with the engine to create new things that weren't in the code before, and partially because of a view held by some people at the company that games for young girls don't need to have any actual well-designed challenging gameplay, and that it's better to make it ridiculously easy so that nobody ever really loses or gets stuck on anything. you don't have to practice to beat any of the races - you might have to practice to get a top score or win a champ, but none of those are required for progress. similarly, there wasn't any real challenge that i remember to the absolute majority of non-racing quests, either. you might have to hit a thing with the right timing once in a while, but it's always easy (other games do this too - see QTE in certain AAA games!), or you might have to remember a number or a word for a minute and answer a question or type in a code correctly.

more or less everytime that there were puzzles in sso, they held your hand through it - whether you wanted to or not. the same is true for the rune puzzles, which have their solution blatantly in front of you as soon as they load. there is no changing actual difficulty level to make it more fitting to the player (which doesn't necessarily have to be a literal level setting - it can come organically, such as giving extra explanations, or slowing a timer down, after a player has failed a task 3 times, etc). yes, you can make the rune puzzles more complex in some sense - a bigger grid, or choosing the type of moves you are worse at - but the solution is always right in front of you, regardless. they hold your hand whether you like it or not, by the type of puzzle that they introduced.

races in sso have a "gold, silver or bronze" system, but we don't actually see that the races have been correctly playtested to properly reflect what a time worthy of each medal should be, and we also don't really gain anything from reaching any medal. i never feel a thing about getting this or that medal, because they mean nothing. it might be a good thing that we're never asked in a quest to "complete this race with a gold medal" or "complete this race under a certain time" or "complete this jumping course with no faults", since that could lock some players out of completing quests (while this is the case for most other games, there is also an important discussion happening around accessibility in game completion).

there are ways to make the medals in races matter, feel accurate, and feel rewarding. there are ways to make races more challenging or more interesting without just being more clunky or frustrating. there are ways to do that while keeping them more or less grounded in reality, and ways to do that while incorporating non-realistic elements that are fun and feel fitting (remembering that this is a game with magic and fantasy from the start). they could have added faults to jumping courses forever ago, they could have added dressage forever ago, and improved on gameplay like pole bending and barrel racing, and so on, and all while allowing players at all skill levels to still complete tasks and complete races, but also allowing players to challenge themselves for rewards.

if the core gameplay - around races and championships, around horse care, horse bonding and horse training - or around magic and protecting what's dear, or around rescue missions with the rangers, or tons of other stuff i can think up that would fit this game - if that stuff felt like actually well designed gameplay, something fun, not frustrating and buggy, challenging in the right ways and rewarding. if all that was done well, then adding some "satisfaction play" with fireflies or some simple puzzles with blatant solutions wouldn't be as easy to criticise.

the closest thing we got to challenging gameplay that you can really clearly *lose* at - that there is a risk and a skill involved - were some of the druid training missions. they still suffered from some clunky frustrations and non-ideal design decisions, but it was an attempt at more regular gameplay (among the non-racing gameplay). comparing the new gameplay in valedale to the druid training, you can see that the risk of failure has gone down a lot or been removed completely, rather than being built upon any more. they also didn't continue to update druid training in any way afaik or to build upon that foundation for other gameplay. (i'm open to that druid training may have been too difficult for a small subset of players, and that's a valid discussion. but i also think it was optional?)

i don't have a really nice tidy thought to end this with, and im really sleepy rn and going to bed. but the overall point is that if sso had other, well-designed and well-functioning gameplay that felt satisfying and rewarding for players, the flaws of the new valedale stuff would be less glaring. as things are, the lack of challenge and the lack of fun gameplay are really glaring problems with it, as well as the lack of reasonable rewards. (it makes very little sense that you have to purchase the items you unlock, but this is the same company that charged whatever x starcoins it was for those recoloured balloon pets, so.)

#ssoblr

20 notes · View notes

fetish4juggalos · 1 year

Text

Gotham villans with their s/o pt.2

Ive decided that since im tryna post more frequently that Id do a part 2 to my 'Gotham villans' post since after alot of procrastination i finally finished the show around 2 months ago

Id also like to apologize for the quality since my last post was on oct 3rd so this is a little rushed

I apologize in advance for both grammatical errors and spelling errors:)

Jervis Tetch

Hes absolutely obsessed with you no doubt about it

Because of the loss of his sister he automatically is gonna have a near ridiculous attachment to you

Constantly keeping tabs on you, KEEPING YOU FAR AWAY FROM JIM GORDON, and following you around from time to time

Constant reassurance is necessary to make sure he knows you love him

Your past relationships are trivial to him because you're his now and there's no changing that but if an ex comes into a picture he's pissed

Goes from rhymes and dilly dallying to an absolute psycho in a matter of seconds

Kissing is something he uses to calm himself or take control of a situation especially when hes overwhelmed. Its also something you can do to him to reassure him and keep him calm

If you're up to the challenge he might even let you cut his hair seeing as his hair and facial hair change lengths throughout the show:)

Gifts from him are always extravagant and meaningful. Things like teaparties, watches, antiques, jewlery, and various items that he's selected just for you

I feel as if he'd be a great cook since he has such well put together teaparties with cakes, sandwiches, sweets, ect.

Has crazy personality switchs. One second he's overly excited the next hes seething and on the break of insanity

I feel like he too just like jerome commits crimes as a declaration of love. Things like making your ex jump off of the clock tower or hurting people to show how far he'll go for you ect.

Edward Nygma

Pre-riddler

Ed would be an absolute sweetheart

A little strange and a bit creepy but with good intentions

He'd be a little overprotective/territorial but that would only be the case if people around the GCPD started making moves on you/flirted with you

He wouldn't have any inherent issues with you dating others previously since you're your own person and he respects your past but if an ex came around we might have another officer dorty situation

Gifts normally consist of wordplay or riddles. Like cards with riddles in them or gifts that go along with a riddle. All the things he gives you always have an Ed touch to them

He also like oswald follows you around but in less of a needy way and more of a wanting to get to know everything about you way. Like learning your interests, telling you riddles, listen to you go on and on about different topics, ect.

Post-riddler

Edward is alot more confident and alot more unhinged than Ed

Very foward and very jealous

Unlike Ed the idea that you've been with others irks him. And as much as you reassure him that your exs are out of sight and out of mind he'll always have this itching feeling that they're still in love with you

His gifts I imagine consist of about the same things. Riddles and wordplay. The only difference is instead of them being more nerdy sweet gifts they're more complex, intricate, possibly stolen gifts (Bigger budget when you're a criminal I guess)

Hes not as clingy as pre-riddler Ed if anything he'd be a bit more reserved, only realizing the true impact that his feeling for you have on him later on

Would he be super affectionate? I cant imagine him being incredibly affectionate but he enjoys it as much as pre-riddler Ed just not as open about it

Jeremiah Valeska

If you want utter honesty I cant image him being very clingy or incredibly lovey-dovey

I just cant imagine him following you around or keeping a incredibly close eye on you

The thing about Jeremiah that makes him so different from Jerome is how cold he is. Very well composed, takes control of any situation, doesn't go with the flow, always has a plan. If he wants to have tabs on you he'll just ask echo to follow you around

That being said it doesn't mean he isnt territorial of you. It doesn't have to be said for everyone to know that you're Jeremiah's

In the case that an ex was to come into the picture they would be dealt with privately and by someone other than Jeremiah but if he sees fit I doubt he'd be opposed to allowing you to watch as your ex is tourtured

Physical affection is something that can also be used to calm him when stressed out about a plan going wrong or just in the case that he feels like showing you off

He doesn't have a very wide range of emotion

He's either cold and composed or pissed and stressed out on the break of a mental breakdown

Gifts from him are almost always luxury items like jewelry, timepieces, clothing, and shoes.

Even though he is very public about his relationship with you he keeps you out of his crimes for the purpose of the bigger picture. Turning you from a possible accomplice to the poor girl who suffered from Stockholm syndrome all comes together in his big plan and also gives you a out of he ever is taken in

I cant imagine the two of you would go on dates very often. He spent most of his life as a recluse in a maze so I doubt he got out much. Most of the time hes hunched over a desk or blackboard planning his next attack on gotham but if you were to ask to go out me may have something private arranged for the two of you

#jervis tetch #jervis tetch x reader #jeremiah valeska x reader #jeremiah valeska #edward nygma #edward nygma x reader #the riddler #gotham

376 notes · View notes

ca77um-ilo77 · 5 months

Note

alright you have me convinced!! what should i know before i watch indycar next season??

yooo i'm so glad i convinced you!! this is a pretty long post, and is kind of all-over the place. i tried to break it up by general topic, but i'm adding randomly as i think, so just a warning. i'll add some info links i like at the bottom. (if you or anyone wants to talk indy or f1, asks or dms are so very welcome, i love making friends <3)

one thing about indy is unlike in basically every else, many cars look very different even when on the same team as well as special liveries that are nothing like their normal ones, so i'd recommend getting the indycar app (it's free and user friendly once you figure out the weird layout) as it has a spotter's guide. it also has onboard cameras and radios for free (!!!!).

indycar is (usually) a pretty friendly sport, but as is the case with american sports, we like chaos, so the drivers can pretty much say anything except swear words lol. there's a few different clips of drivers threatening each other, which is great. id say most drivers are friends or at least acquaintances, expect santino ferrucci (huge bigot, pay driver, got kicked out of f2 for extremely dirty driving, and i personally hate his hair) and often romain grosjean as he hits people a lot. as for 2024 rookies, kyffin simpson's dad bought him his seat, and kyle larson saying the n-word in 2020 means he has some really, really racist fans.

the safety rules are strict and the cars are very durable which is good for high-speed crashes. the safety people (shoutout amr indycar safety team i love y'all, amr the company i hate you more than i hate the fia) travel with the races and have extensive training. they are also stationed in places that allow quick access to any location on a track. this is most apparent at ovals as they are much faster and more dangerous. at the other races, they are stationed where there is higher likelihood for a more dangerous crash that needs faster reactions. they take trucks to the site that are full of basically anything that might be needed. this is especially important as indycar refuels and are at high risk of combustion compared to f1. the calling yellow flags is also a lot more liberal which is nice. during longer yellows, and reds at ovals they'll run a sweeper truck to clean the racing line so people don't slide into walls.

for flag code info, as i don't have the patience to write it out, it is is section 7.2 of the rule book (page 27). i've linked it at the bottom of the post.

with the cars, they're all required to have the same chassis and aren't allowed to change a huge amount, so the racing is mostly down to skill, though andretti, ganassi, penske, and mclaren are better as they have more money. there are two engine suppliers, honda and chevrolet, iirc (don't quote me here) chevy is a bit more powerful, but honda is a bit more handleable. fast pit stops are usually about 7 seconds due to smaller pit crews (7 people maximum) and refueling. each car also has it's own pit box as teams have variable car numbers based on what they can afford. firestone provides tires, and there are two compounds, primary and alternate, as well as a wet tire. primaries are the harder compound and have a black sidewall. alternates are softer and have a red sidewall, except at street circuits where it's green to signify all natural rubber. use of both compounds are required. on broadcast you'll hear them mention "sticker reds" which are just the brand new ones.

more tire info in section 15 of the rulebook (page 84). there's some complex rules if you like tires.

the biggest difference between indy cars and f1 is f1 has power steering, indy doesn't. if you watch onboards, the drivers are wrestling the car the whole time, and most of the racing comes down to skill. the actual racing is often chaotic (indycar app helps with this. i keep it open always) and since there are many pit stops in a race (the cars use a lot of fuel) the leaderboard will change a lot.

the points system is very different, i'll try to cover it as succinctly as i can but i'm going to put a link for the wiki on it at the bottom anyway. (this is going to be formatted real weird, but i want to be brief). p1 50; p2 40; p3 35; p4 32; 4th-10th decreases by 2; p10 20; 10th-25th decreases by 1; everything p25 down is 5 points. drivers get points for finishing the race, basically. (unless there's more than 33 finishers, then 34 down get nothing, but that doesn't really happen). there's some bonus points also, 1 for leading a lap, 2 for most laps led, and 1 for pole position. the final bonus is for indy 500 qualifying. top 12 get points from p1 getting 12, descending by 1, to p12 getting 1.

as for the circuits there's three types: ovals (6 races, 4 tracks), roads (6 races, +1 non-championship race), and street (5 races). ovals are very high speed with little to no breaking. road courses are just your average circuit made for racing, the roads tend to be a bit rougher than f1's but that's kinda just how american tracks are. street circuits are, well, on the street. american roads suck major dick. the smoothest indycar street circuit is comparable to the worst of f1's. very bumpy, usually some good crashes (watch 2023 st. petersburg start. shit was insane).

as a fan, i cannot recommend irl indy more. some races are busier than others, obviously, but it's cheap considering it's a big racing category. 3 day entry for the less major races is usually $60-ish, and paddock passes are an additional $120-ish. not 100% on the price for pit access, but that is a bundle with three day tickets usually. the races aren't super crowded and there isn't assigned seats which is nice. the paddock is super open (check my "fenrir indycar" tag, quick access on my pinned) and you are able to walk up to and touch the cars if you really want (i wouldn't) as well as have conversation with engineers if they're not busy. if you have pit access the drivers are usually just wandering around and are often happy to stop and talk/sign something when not busy. there's also a high risk of nearly getting run over by drivers on their scooters. will power is notorious for this.

for my non-americans, (love y'all) we are very happy to have a conversation with strangers. the indy fans are often thrilled to talk about their favorite drivers and thoughts with anyone. when i went id say the only bad experiences i had was getting overwhelmed (my fault, i went to a place that i knew would cause a meltdown) and my dad getting hit twice by a man in a golf cart twice (same guy, not my dad's fault, the cunt didn't try to move, warn him, or apologize, just hit him, let my dad stumble, hit him again. i'm still mad). the seats are usually right on the track, so it's extremely loud and smelly. 10/10 can not recommend irl indy enough. i am biased to the pnw and it's the only race i've been to, but the portland race is great. it's not got masses of people, you can walk right up to the track to watch with the only thing between you and the cars being a concrete wall and a fence, and as it's a smaller race with less fans compared to the east coast and mid-west races, it's cheaper. biggest con is its built on a swamp, so super humid. (another pro, i'll be there <3 [joke.])

any questions you've got or clarification needed, my notifications are on and i'll respond to relevant stuff as soon as i see it.

LINKS:

rule book (clicking on a section of the table of contents will take you there)

points format wiki

schedule (tickets can be bought here)

app link

2024 series wiki (so helpful)

#f1 #indycar #fenrir indycar #indy 500 #2023 indycar #2024 indycar #formula 1 #anti santino ferrucci #portland indycar #ask #anonymous #anon

19 notes · View notes

orowyrm · 14 days

Note

Could we learn more abour Seiber?

YESS ABSOLUTELY!!

tragically i’m at work rn and have much to be doing so i can’t go TOO too in depth rn, but i CAN give a quick summary of who he is and what his deal is and then link to some other posts i’ve made that go into more detail . he is my silly guy and i liek him :)

- Seiber Starwalker is a NPC in the dnd campaign i’ve been a part of for the past few years now, Feywild’s Folly! He’s an aasimar priest of Mystara*, Goddess of knowledge, who resides in the port town of Horton, which has been kind of serving as the party’s ’home base’ for the past few story arcs. While the chief deity worshipped in Horton is Njord (a god of the sea is going to be pretty popular in a place where a large amount of the population are sailors or dock workers), the religious district is home to a lot of different altars and tertiary places of worship for a myriad of other “””lesser””” deities

( *very early on in the campaign, every single one of us somehow managed to confuse ‘Mystra’ as ‘Mystara’, and it’s been so long that we’ve just rolled with the change. the entire campaign is homebrew anyway so it’s probably like the most insignificant difference from ‘dnd canon’ LMAO but it can cause confusion so i thought id clarify

- to help give our lovely DM a break here and there and also to better involve us all in the worldbuilding and give us chances to shake things up since this has been a very long and convoluted campaign, each of us players get to come up an additional NPC that we can RP as during the course of the campaign in addition to our actual PCs. seiber is mine! :3

- one of the most significant things about him is that, as a part of his vows to mystara, he cannot willingly say or suggest anything that he knows to be false — basically, he can’t lie, and also if anyone asks him a question he knows the answer to he’s compelled to tell them. this is unfortunate for him because despite being a holy man, he’s also not exactly on the up-and-up legally speaking a lot of the time, but if he ever got caught he would be compelled to confess immediately. also because the party uses this to ask him embarrassing questions that he has no choice but to answer because they find it funny to torment him. which is fair. it’s pretty funny to put him in situations

- mystara has no actual problem with any of his antics. she actively encourages him in most situations. he’s her favorite and she’s motivated by curiosity, so on top of egging him on to get into bar fights and send letter bombs to people (long story), she will occasionally physically compel him to do some impulsive thing to satisfy her curiosity. like putting a raw egg in his mouth or touching a hot stove. he’s capable of resisting her if he sees it coming, but he’s often deep in thought and doesn’t notice what’s happening until it’s already been done. there’s no malice on her end — she simply doesn’t always remember that mundane beings have bodies that can sustain permanent harm. he often has to gently remind her that people die when they are killed.

- on the topic of mystara, she knows Literally Everything which in turn makes her quite forgetful. even a god can’t possibly store all the knowledge in the known universe at once, so she’s in a constant state of forgetting and relearning things. this is why her preferred method of ‘worship’ is for her followers to engage in rhings like researching the world around them or learning new hobbies, and why her favorite offerings are academic papers or textbooks or personal anecdotes — she subsists on knowledge and the act of learning itself is what sustains her

- if you squint you might notice he vaguely resembles a certain erm. video game astrophysicist from a bad team shooter whom i still hold dear to my heart. he was originally meant to be a one-off joke reference character but we all got attached to him very quickly and hes just a part of the campaign now despite being a dollar store sigma ovw. it’s fine im better at writing than blizz will ever be. i’m treating him right.

here’s a few more posts about his background / personality / relationship with mystara as well as some art of him and his gf rilith (who is a WHOLE OTHER CAN OF WORMS but as much as i adore her i can’t possibly type any more rn. there’s more about both of them in their respective tags though)

#seiber #ocs #feywilds folly #dnd #he’s a MESS but he’s my mess <3 someone help him

7 notes · View notes

nimbus-writes · 1 year

Text

Shackle and Chain Timeline

the zelda timeline as a whole is something of a mess, and its easy to get confused trying to parse out the inconsistencies and how everything fully ties together. ive seen a lot of different interpretations and how they differ from the canon timelines supplied by nintendo (none of which ive ever really agreed with, particularly the more recent idea of having the timeline split during minish cap, but thats another topic i wont get into here), but for my story i figured id give my shot at one that makes the most sense to me. there arent too many differences, but i feel any differences from the canon example at all are deserving of an explanation, so ill get into that here (along with my kinda shitty timeline graphic i threw together in like 5 minutes)

to make things simple, ive outlined every iteration of link in a square, and listed all of their games they appear in! also, the gaps in time arent really to scale, but in general are just there to help spread it all out. this doesnt feature EVERY character that i plan on having appear in the story though (such as how ravio has already made an appearance in chapter two, and i plan on him sticking around for a while because i love ravio) but lets get into the differences! like i said, this mostly follows canon, since i find a simpler option to be better, but there ARE some important changes ive made!

first off, ive included two non-canon games! im not planning on bringing in any others aside from the hyrule warriors games, but i felt these were necessary for the timeline as a whole. the first hyrule warriors is the only way to easily resolve nintendos stupid "breath of the wild is in all 3 timelines!" bullshit, since thats not how time works. at all. but if you take hyrule warriors as having merged the timelines back into one (with three parallel worlds as opposed to three timelines), then the problem is solved! and since i included one warriors game, i might as well include the other, which leads to the second timeline split as a result of terakkos actions. (and like, yeah i COULD have added in another "link dies" timeline there, but since neither that nor the post age of calamity timeline will ever get another piece of media, i dont see a reason to explore that concept)

the next change ive made is combining what canon considers two separate iterations of link (specifically the one from a link to the past and a link between worlds). i understand WHY theyre two different links, but a lot more of the two games just makes sense in my opinion if they arent different at all (specifically how a link between worlds has the same map, characters, dungeons and themes, AND the actions of link at the beginning of tri force heroes, where he tries to hide his identity. that just makes more sense to me if hes been through a LOT more quests, including one where he was labeled a criminal, than just one quest where he wasnt ever vilified)

the last change i made has to do with four swords and four swords adventures, and this change is a hill i will die on. THESE GAMES ARE A PAIR. DO NOT SEPARATE. i KNOW the timeline has them centuries apart. i KNOW this. but its wrong! at the beginning of four swords adventures, it directly references both the hero from minish cap and four swords, but only vaguely referring to minish cap while specifically calling the hero from four swords "link", which, along with implying the hero from four swords adventures already knows what happens when you draw the four sword, leads me to believe that these two games feature only one iteration of link! but then that leaves the question of where in the timeline both games fall? is it directly after minish cap? or after twilight princess? well actually, its neither! several things featured in four swords adventures shows that the two games can only exist during a brief window of time, namely the presence of zora as an enemy, and the existence of the dark world. both of these things are only found in the downfall timeline, after link is slain in ocarina of time, meaning both games have to take place there (not to confuse the dark world for the dark realm, which only exists in the adult timeline as far as weve seen. im pretty sure they have the same origin, but the dark realm was influenced less by ganon since he was sealed somewhere else in that timeline). the dark world narrows it down the most, since it gets restored back to the sacred realm after the events of a link to the past, so the game has to take place before then. this means the two games actually fit nicely into the period of time known as the imprisoning war, where ganon is properly imprisoned within the dark world (which, to those of you who played the game or read the manga, know that this is what happens in four swords adventures!). in my opinion, not doing this is the single most aggravating thing nintendo did to the timeline. everything else i can excuse, but THIS angers me to no end.

anyway, thats the timeline ill be working with! at least, assuming tears of the kingdom doesnt have MORE fucked up time travel bullshit. ill take a look at this again once the game comes out, but hopefully it wont change anymore!

#the legend of zelda: shackle and chain #tloz sac #the legend of zelda #shackle and chain drabbles #nimbus speaks

2 notes · View notes

cashapplogiinn · 11 months

Text

How to invest in crypto and stocks through Cash App?

Cash App has always given us several reasons to use it and one such common reason why people like this app is because it is not only limited to sending and receiving money. Hence, in today's blog post, we shall be having a closer look at the process to make a visible increase in our funds. Now, you might be wondering how that is even possible. Well, Cash App allows you to make investments in stocks of different companies along with Bitcoin trading. And, all of this is available right after you do your Cash App login.

So, if you are a new Cash App user and you wish to put your money to work, then you surely can take a look at the topics that I am going to include in today's read. So, stay tuned to learn more about it.

Buy stocks through Cash App after Cash App login

As you know that people usually invest the surplus money that they have so that they can extract more benefits out of their money. So, if you are planning to use your surplus money to make an investment in any of the popular stocks, then you can easily do so with the help of the Cash App platform. This allows you to make sure that you receive good returns when the stock market goes up. And the same is the case with crypto assets.

Here we are with the steps that you can take for buying stocks through Cash App:

Open Cash App and sign in with the Cash App login code

Followed by this, you can use the search bar to look for the preferred company name

Or, use the given list to find out your desired company

Followed by this, make a selection for the desired company and select "Buy"

Right after this, you can select a preset amount or enter a custom amount for the same

Now, complete the verification process as prompted on the screen

To complete the process, enter your PIN or use your Cash App sign up Touch ID

If you have enough funds in your Cash App account, the purchase order would be processed immediately. In case you do not have sufficient balance, the amount shall be debited from the card that you have linked with your Cash App account.

As soon as you complete the process, you can track or view the status of your investment by choosing the "Investing" tab available on your Cash App home screen and then navigating to the "My Portfolio" tab.

I hope you understood this process and now we shall have a look at the process to purchase Bitcoin through Cash App. Have a look.

Buying cryptocurrency i.e. Bitcoin through Cash App

As you know that crypto investing is one of the biggest alternatives to stock investment and people are extracting a lot of benefits from it. So, in this process, we shall be guiding you on how you can invest in crypto through Cash App. Since the only crypto available for trading on Cash App is Bitcoin, therefore, we will be taking a look at the same.

Here's what you got to do:

Open the Cash App application on your device

You can also open its official website Cash.app/login

Now, feed the Cash App sign-in code to access your account

Once done with that, you can go to the "Bitcoin" tab which is available on your home screen

Now, spot and select the "Buy Bitcoin" option to proceed further

At this stage, choose a pre-set amount or enter a custom amount

Now, review the given details and lastly confirm the transaction by entering the PIN

As the last step, you need to select the "Confirm" option

I hope now you got an idea of how you can trade crypto assets or invest in stocks through your Cash App account.

Concluding note:

As you can clearly witness, one-time Cash App login opens several gateways for you to make great financial moves and strategies. If you are a beginner with this platform, then you might be interested to know that you can actually put your money to work by investing it through Cash App. And, we have already explained to you the me

#csahapplogin #cashappsignin #cashappsignup

0 notes

welcometomy20s · 2 years

Text

September 6, 2022

This is a spin-off of a post I made on a different account. I might do something like this, although it would likely be the case it won’t be. We shall see.

Pioneers - The success of the main JP communities induces some people to start streaming in their own language. These groups are small and well-connected, bounded by passion and the general obscure nature of their hobbies.

Nijisanji Fails to Capitalize the Market - I do not know why this is a step, but in the three markets I’m referencing, ID/EN/KR, this step is quite a prominent one. The success of Hana Macchia in late 2019 and early 2020 are highly underrated. Without the success of Hana Macchia, Kiryu Coco’s legendary influence would have been severely reduced since there would be less general interest for VTubers so Coco would be reaching out to fewer people, and more importantly Cover wouldn’t look to expand if it weren’t for the success of Hana Macchia so there would have been less institutional support. Coco would have been localized to JP, but that’s not the point, the point is that Nijisanji infamously did not try to capitalize on Hana Macchia. They did not went out of their way to make physical merch, a major component of revenue for an VTuber agency*, and they did not create a 3D studio, which would have been viable for what was to become a 20-member agency. Similar things happened with KR and with the fame of Shin Yuya and Nun Bora, but in this case, they couldn’t because the KR administration was just plainly awful at doing business.

Indie Growth and Breakout - The market which has been fertilized but not seeded, now grows independently, mostly former utaites and streamers who decided to jump ship, and one independent company eventually takes over the helm. For ID, it was MAHA5, for EN, it was Vshojo, for KR, it was Isegye Idols. The important thing for all three breakouts is that they chose to not expand their business. Since they did not expand, they would eventually stagnate, hopefully to a comfortable position. And there is more room to breathe…

Enter Hololive. HoloID actually came in early stage 3, but didn’t become dominant after HoloEN became a thing, which was solidified with Holoro’s success. HoloEN obviously filled the niche that people were craving, and HoloKR? Well, we can talk about that later…

Rise of Tier 3 Agencies / Saturation / Return of Nijisanji. This is where the different market start to differ, while T3A in EN went roughly intact (3 out of 5 ain’t bad), the T3A in ID went mostly bust (thinking Yume, Metanoia, AOI ID), and T3A in KR sometimes failed to even materialize. (Curse on you, Plumverse). Meanwhile NijiEN was able to capture the secondary audience and basically the whole budding indie sphere, leading to a severe downfall in the EN indie scene, least with people who are relatively popular. NijiID… that also comes later. And NijiKR has basically become a quirky fourth category of NijiJP, which is fine, I guess.

Consider this as a prerequisite for future topics I might discuss in a couple weeks or so.

*It’s interesting how the distribution of revenue changes for internet companies. Complexly’s biggest block of revenue is ads and grants, while for Linus Tech Tips, it’s sponsorships, and for VTuber agencies like ANYCOLOR, it’s merch. Remember that all three companies do all three things but the proportions are just wildly different.

#vtuber #musings #society

1 note · View note

rq-described · 3 years

Note

hey is it ok if i ask for a bit of advice with writing ids? /gen. i've seen quite a few posts about people over-describing in their ids, and i have a feeling that i do that (i tend to overcomplicate everything i do skdsksjd). what kind of information is unnecessary in an id that i can try to cut out in future? thank you so much!

Hello! It’s totally okay to come to us with questions, we’re always happy to try and help!

To be completely honest this topic is something that a lot of us are still working on. The line between under and over-describing can be a bit hard to place, especially since it differs depending on the piece, and the person using the IDs. It’s impossible to make it perfect for everyone, but here are some tricks we’ve found helpful.

1) Ask yourself what the purpose of the piece is.

Art showing off a character design will have very different priorities than a comic or a meme. A drawing of a character just standing in a cool outfit suggests more in depth descriptions of their design whereas a long action filled comic should center the action or dialogue. Trying to describe characters and actions in the same part when a piece has multiple characters and/or significant action will often bog it down.

For example writing:

"X enters the room. They have blonde hair and pale freckled skin, and they wear a sweater vest over a white collared shirt and a pair of dangly cherry earrings. They are drawn from the waist up. They say to Y, 'What’s up?'"

doesn’t flow as well as writing:

“X enters the room and says to Y, 'What’s up?’”

Understanding the purpose of the piece often means being succinct for the sake of comedic timing, too. Putting the punchline of a comic in the middle of a paragraph of description makes it less impactful than saving it until the end, and breaking up dialogue with several sentences describing a background or outfit means people may lose the thread of the comic.

This doesn’t necessarily mean you can’t describe the character design if you can find a way to significantly shorten the description or include it separately. We’ll go over one possible way of including them in the line breaks section.

2) When dealing with complex settings, backgrounds, or clusters of items, ask yourself what needs to be described individually, and what can be generalized.

Complex and/or cluttered surroundings can get incredibly wordy when describing each component as it’s own thing. If certain components are not individually important to the viewer’s understanding the piece, generalizing or sometimes even leaving them out can significantly cut down on words. For example, writing:

“A mahogany shelf sits above his head. On it sits a blue mug with a spoon sticking out, a ceramic container filled with utensils, and a set of salt and pepper shakers.”

is significantly wordier than writing:

“A shelf holding various utensils and kitchen items sits above his head.”

Sometimes you can bear to cut individual details entirely if they aren’t particularly relevant to understanding the image. For example, if describing a drawing of characters at the beach, and there’s a buoy in the ocean way out in the distance, you probably don’t need to describe it unless it plays an active role in the piece.

3) When describing the appearances of characters, keep in mind what features are important to understanding the artist’s depiction.

Certain aspects of a character’s appearance can say a lot about how the artist wants them to be interpreted. Things like body frame, hair and clothing style, and especially race can vary drastically by artist, and in result change how the character is understood.

Other things like eye color, nose shape, or specific body proportions often do not change the general understanding of the character, and can cause the character description to become bloated. They typically should not be included.

There are certainly exceptions to this however, for example, if a character has unnatural features like glowing eyes or a snout, it changes how the character is meant to be perceived and should be described.

4) Play around with line breaks.

Sometimes pieces are just too complex to avoid having a long description. In order to make sure all important details are included while also including action, consider breaking the description up into chunks. Putting the action first and then writing out the character designs allows the people who want to know what’s going on in the image but don’t particularly care about designs to skip to the next post after the first paragraph, while still providing the descriptions for the people who do.

5) Be aware of what your audience already knows.

When there’s a reasonable expectation that your audience might already know something, it’s okay to use some shorthand. This comes up often when describing memes.

For example, writing:

The Spiderman pointing at himself meme, where one Spiderman is labeled X and the other is labeled Y.

is much more succinct than writing:

A screencap of a cartoon. Two people in identical Spiderman costumes are standing in front of an NYPD vehicle, with one facing away from the viewer and one facing toward the viewer. They are both pointing at each other in identical poses. The Spiderman facing away from the viewer is labeled X in white text. The Spiderman facing toward the viewer is labeled Y in white text.

You’re writing for an audience of Tumblr users, so you can assume most Tumblr users are familiar with the meme. If they aren’t, you’ve given them enough information to look up more about it.

This is also something to consider when describing fanart. Most podcast characters by nature don’t have canonical appearances, so the choice of how to portray a character is often intentional on the part of the artist and something worth paying attention to when considering the purpose of a piece. This isn’t the case for all media, though, and re-describing characters with canonical appearances over and over again isn’t necessary unless those appearances differ significantly from the norm.

We hope this was able to help! If anyone sees this and would like to add anything, please feel free to do so, and as always, if you have any more questions, feel free to reach out.

~The Mods

#not rq #not id #accessibility resources

358 notes · View notes

lestatslestits · 2 years

Text

I wanted to share my analysis of “The Curse of the Blackened Eye,” both the song and the video.

[Image Description: Country singer Orville Peck is walking down the middle of a road. He is wearing a two-toned tan jacket and a tan cowboy hat, and his mask has a darker tan fringe. He has his hands in his pockets and he is looking over his left shoulder to see a monstrous looking person in a long black coat and black hat following him at a distance. End ID]

Content Warning for discussions of abusive relationships, domestic violence, flashbacks, dissociation, and trauma.

I’m going to put the bulk of this under a cut. I have added screenshots when possible, and image descriptions are below each one.

Obligatory note that this is my personal interpretation, based off of articles, Orville Peck’s other music, and even some of my own experiences. If you interpret something differently, that is totally okay! Music, and how we interpret it, is very personal. These are just my observations, for anyone who might be interested. I’ve been compiling all of my thoughts since I first heard the song and saw the music video, so this post has been through an embarrassing number of drafts over an embarrassing number of hours.

All opinions and text are my own, unless otherwise stated. All screenshots were taken by me, from Youtube.

For the sake of clarity, I will be referring to the two main characters of this video as “Orville” and “the Curse.”

The theme of “The Curse of the Blackened Eye” is briefly discussed in a Junkee interview called "COVID Saved My Life.” Orville Peck On The Deep Depression That Inspired ‘Bronco’

But Chapter 2 alone covers dark topics like abusive relationships ('The Curse of the Blackened Eye'), deep longing ('Hexie Mountains') and depression ('Trample Out the Days'). This is nothing new for country, and Peck is surprised that his queer perspective on these themes is still considered an anomaly.

I definitely interpreted the song itself, as well as the music video, to be about abusive relationships, even before I read that article.

The phrase “The Curse of the Blackened Eye” already has a connotation of violence to it. “I can feel it coming every time,” and “I can feel it getting closer with every kiss” both reflect that to me, as well. There’s a sense of threat. You can even see the “Curse” seeming to make a fist or rub his knuckles right after the line “I can feel it coming every time” in the video.

[Image Description: The “Curse,” as portrayed by the actor Norman Reedus. He resembles a monster or zombie of some kind, and is wearing a black coat and black cowboy hat. He has dirty looking reddish hair and gray skin. His elbows are propped on a table out of frame, and he is making a fist with one hand and rubbing his knuckles with the other. He appears threatening. End ID]

The first scene takes place in a diner, and you can see the Curse appear to get frustrated and leave when Orville sings “left it all and now I can see the night,” as though he is frustrated that Orville is getting farther away and harder to control.

The next thing I want to highlight is the shot where Orville is sharing a bed with the Curse. The Curse has removed his hat and seems generally to have made himself comfortable, and is taking up the majority of the space in the bed. In the meantime, Orville looks like he’s trying to make himself smaller and has his arms crossed in a protective/closed off posture. Orville has also shed most of his public cowboy persona, including his typical long sleeve shirts and jackets and his cowboy hat, and looks more vulnerable as a result.

[Image Description: Orville and the Curse lying side by side on a bed. On the right, the Curse is still in his black outfit, but he has removed his hat and is now holding it on his chest. He is taking up a lot of space on the bed. On the left, Orville is wearing a white tank top. He wears a mask with orange fringe, and a trucker hat. Orville has bare arms and many grayscale tattoos. His body language is very uncomfortable and closed off. His arms are wrapped across his chest and he appears to be trying to make himself take up as little space as possible. End ID]

Next we see Orville alone, wearing the same outfit as he is wrapped in tentacles, presumably from the Curse. There seems to be something playing on a television off-screen, because we can see light flashing in the darkened room and on Orville’s face. I think there are two possible interpretations of this sequence. One is more literal: he is trying to relax and escape from thinking about the Curse, but it still has a grip on him.

An alternate interpretation is that he is experiencing a flashback, which we see represented by his frozen posture and dissociated expression (what we can see of it), the images literally flashing in front of him, and the tentacles constricting his chest, similar to the feeling of a panic response. This is my personal interpretation of this shot, because I feel like it is more in line with the symbolism in the rest of the video. I’ve tried to capture this moment in a screenshot, but I feel like it doesn’t do this moment justice. It doesn’t quite capture the sense of tension or dread that I feel watching this bit.

[Image Description: Orville, wearing the same mask and hat from the previous image, is being wrapped in large, dark tentacles. He has a distant or dissociated look in his eyes, as though he is focused on something far away. End ID]

The line “you gotta beat ‘em or join ‘em, try to act surprised. Just flip a coin, ‘cause I’m too bored to lie,” sounds to me like Orville addressing someone who suspects he’s in an abusive relationship. I interpret this bit as meaning that he isn’t ready to leave yet, so he feels safer taking the abuse at the moment. But in the meantime, he also doesn’t have the energy to lie about the situation, so he’s saying “flip a coin” to avoid giving a straight answer to someone who cares about him.

During this section of the video, we see Orville at a children’s birthday party, seemingly performing. Even during this happy event the Curse is watching him from a distance, but goes unnoticed by the rest of the partygoers. The majority of people in Orville’s life probably do not see the Curse at this point, and he is not ready or does not feel it is safe to be honest with the ones who notice signs of it.

[Image Description: A children’s birthday party. Orville Peck is in the background, wearing a bright blue Cowboy outfit with bright yellow fringe. He is wearing a black mask with yellow fringe and light colored cowboy hat, and he is singing into a microphone. Children dressed in Orville Peck inspired costumes are playing around him. In the foreground we see the Curse from behind, seated at a long table with party decorations on it. He is wearing the same outfit as before, but has a colorful party hat on top of his regular hat. End ID]

The next scene takes place at some sort of club, where Orville is the singer onstage as well as an audience member. I believe the abuse metaphor is supported by Norman Reedus’ character appearing as a monstrous version of himself during the majority of the song, but as a person who IS apparently making Orville happy for a few moments during the lines “Always said I should work on my escape, have a heart too long it’s bound to break.” Not only does this suggest that Orville knows he needs to get out an unhealthy relationship, but the imagery reminds me of the dual nature of abusive relationships—both in the sense that there is often a public and private image of the relationship, as well as the complicated feelings of knowing that there WERE good times, and the anxiety that those somehow “negate” the abuse or make it less harmful. I see this reflected as well when he tells himself, a little sarcastically, “boy, just sing the song, for Heaven’s sake.” In between, “acting out the opus of your last eternal ache,” could be about reliving something traumatic, and the frustration of feeling stuck there rather than healing. The Orville onstage appears to sadly observe the Orville in the audience, as though he is reliving a memory.

[Image Description: Orville is sitting at a table in some sort of club, apparently having an animated conversation with Norman Reedus’ character, who is now dressed like a normal man wearing a nice suit. Orville is also dressed up and wearing a black cowboy hat and mask with black fringe. End ID]

[Image Description: A closeup shot of Orville onstage in front of a microphone, wearing a green velvet tuxedo jacket and a black cowboy hat with rose details on the brim. His mask has black fringe. His expression is incredibly sad. End ID]

When the camera returns to the Curse he is alone, but we now see skulls on the table beside him. This seems to foreshadow him becoming something more monstrous.

[Image Description: The man Orville sat with earlier in this scene now sits alone at the table, watching Orville onstage. He has a thoughtful, possibly unhappy look on his face. Beside him on the table, along with normal decorations, are two skulls. One is more stylized and the other more realistic. End ID]

Before I wrap up this post, I want to point out the lyrical parallels between “The Curse of the Blackened Eye,” and “Big Sky” from Pony. “Big Sky” references an abusive relationship, and I don’t think it’s an accident that lyrics like, “I’ve been hiding out, running from the Curse of the Blackened Eye,” “I sat around last year, wished so many times that I would die,” and “Have a heart too long, it’s bound to break,” seem to mirror, “Fell in love with a boxer, stayed awake all year. Heartbreak is a warm sensation when the only feeling that you know is fear.”

As the chorus repeats for the last time, the lyrics change from “wouldn’t miss it, anyhow” to “lost it all, anyhow.” Although he has “nothing to lose” and escaping from the Curse is a ultimately a good thing, he still experiences a sense of loss.

Things start to change once there is a physical boundary between Orville and the Curse. We can see the Curse trapped behind the door, but he isn’t able to reach Orville. This setting is also the first time he hear Orville sing the “Northeast sun” outtro.

[Image Description: Orville stands in an industrial looking gray hallway he is wearing a black shirt with white barbed wire trim, a white cowboy hat, and a mask with white fringe. He is leaning against a wall, and behind him we can see the Curse’s silhouette behind a frosted glass door as he struggles to get through. End ID]

In the last part of the song, as Orville sings “Northeast sun,” repeatedly, we see him start to escape from the Curse. The tentacles he was wrapped in earlier begin to unwind. Orville sits next to the Curse at a bar, but he looks away to speak to the man beside to him, and when he looks back the Curse has disappeared. Lyrically, “Northeast sun,” seems to suggest that Orville is looking forwards and upwards, towards a new day.

In the end, when Orville finally seems able to move forward and he notices that the Curse isn’t beside him at all anymore, he looks completely lost, like he has no idea what to do or how to act when he isn’t haunted by the past. I have referred to his expression here as a “thousand yard stare.” The feeling that you have lost so much of your life that you have almost, effectively, lost your sense of identity and who you are outside of the abusive relationship is what I interpret from that final shot. He has distanced himself from the Curse, and while he now has the opportunity to reclaim his life, the future feels uncertain. The video leaves us, the audience, in this same state of uncertainty as it ends.

[Image Description: A cropped image of Orville at a bar, wearing an off-white jacket with black trim. His cowboy hat is black, and the fringe on his mask is white. He stares blankly and directly into the camera. His expression is haunted. End ID]

#orville peck #bronco chapter 2 #the curse of the blackened eye #meta #yallternative #abuse cw #domestic violence cw #dissociation cw #flashbacks cw #trauma cw #is this an over-analysis?#maybe!#do i care?#no #anyways uh yeah #i put way too much work into this #so if you enjoy it or have any thoughts on it or basically anything please consider a reblog?

46 notes · View notes

goosemixtapes · 3 years

Text

ok i’ve elected to just Make The Damn Post My Damn Self because i need something to link back to when i inevitably get into arguments about this because i have run-my-mouth disorder. so. slightly-more-generally-applicable companion piece to this post:

“but how can lesbians use he/him pronouns???!?1???”

1: pronouns =/= gender.

one of the arguments i see a lot with this topic is “pronouns = gender, & saying otherwise is transphobic.” i GET this, because pronouns are important & often correlate with gender, but saying pronouns = gender is oversimplified. pronouns are a method of gender presentation - same as clothing, name, & so on & so forth. society genders all of these things, but names & clothing do not prescribe gender. a man, cis or trans, who decides to wear a dress does not become a woman because of the dress; a woman, cis or trans, with a traditionally “masculine” name (ex. bailey, taylor, cameron), does not become a man because of the name. closeted trans people, if they must use names and wear clothing correlated with their agab, are still trans & are still the gender they are.

yes, most binary-gendered people choose clothing & names that “match” their gender, but some might not! think of butch lesbians -- they are women, just deliberately gendernonconforming women. pronouns are the same way -- the majority of men use “masculine” pronouns, & the majority of women use “feminine” pronouns, but this is because pronouns are a form of gender expression/presentation.

“pronouns =/= gender” does not equate to “i can misgender whoever i want.” pronouns should always be respected.

2: nonbinary people can use whatever pronouns they want.

this follows from #1. yeah, i’d say the majority of nonbinary people use they/them pronouns. but not all nonbinary people dress totally androgynously; some present more feminine or more masculine. the same is true for pronouns. nonbinary people may use she/her or he/him pronouns as part of their presentation - think of jonathan van ness (uses primarily he/him) or rebecca sugar (uses she/her along with they/them). this isn’t even getting into neopronouns; that’s a whole different post. the point is that restricting nonbinary people to they/them pronouns really misses the point of identifying as nonbinary: it’s not a third slot in the gender binary; it’s the general state of existing outside or partially outside of it.

(note: cis people can also use whatever pronouns they want. some cis lesbians use he/him; i’ll get to he/him lesbians a few slots down, but i just want to make it clear that sometimes cis people also use pronouns to express gender nonconformity & that’s their business & the same idea!)

3: lesbians can be nonbinary.

nonbinary =/= totally genderless. sometimes, for some people, it does mean that! but not for everyone. see #2 again, on trying to make nonbinary a strictly defined third gender.

(note: this doesn’t only apply to lesbians. this honestly applies to anyone. i’m just talking about lesbians because that’s My Lane.)

lesbians in particular often have complex relationships with gender, & have for literal decades. as womanhood is to a large degree constructed in contrast to & in relation to manhood, lesbian gender has kind of taken on its own thing since we just... are never in relationships with men, ever, which muddles the whole thing up. (also, womanhood is often a generally uncomfortable and muddled thing because of, you know, misogyny, so there’s that.) thus, a lot of lesbians feel disconnected from “womanhood” as an idea.

a lot of people like to protest nonbinary lesbians by saying “but a lesbian is a GIRL who likes GIRLS!!!1!!” yes. we... we know. the thing is, though, that if any nonbinary person identifies as a lesbian, they are probably close enough to womanhood to count as a wlw! the term “lesbian” automatically brings “women who love women” to people’s minds. if a nonbinary person is uncomfortable associating with womanhood at all, literally why would they use that term. it stands to reason that the people who DO use that term feel at least a tangential connection there.

a lot of lesbians define their gender solely as “lesbian.” in my own experience, the ONLY connection i feel toward womanhood is liking girls in a gay way. the attraction i feel toward women is gay attraction - i am attracted to women who like women. i do not want to date a straight woman who sees me as a man. if i didn’t like women, i wouldn’t have this connection & would probably identify otherwise - but i do like women & as it is that’s pretty much... what my gender is. (this is why people may say their gender is “butch” or “femme” -- it’s the same idea of a gender defined by attraction & the way you relate to women!)

for some people, nonbinary does mean totally genderless. for others, it just means anything that isn’t strictly binary. hence why some lesbians may consider themselves nonbinary - not entirely woman, but woman enough to be a lesbian. an example in layman’s terms: you know how “berry” lacroix tastes like it maybe saw a berry, once, from a distance? my gender is lacroix and the flavor is woman.

4: lesbians can thus use whatever pronouns they want.

i think this one is like... a geometry proof. #2 (nonbinary people can use any pronouns) + #3 (lesbians can be nonbinary) makes this one pretty simple. while the rest of this post will be about he/him lesbians, because that’s what i see the most “discourse” about, lesbians can use she/her or they/them or he/him or it/its or xe/xem or Any Other Pronouns They Want. Any.

5: “but why would a lesbian ever want to use he/him pronouns?”

people who ask this are usually asking one of these more specific questions:

“but if you use he/him, aren’t you a man?” see #1.

“but why would lesbians want to use masculine pronouns when lesbianism is about women?” i don’t know. why do butch lesbians dress masculinely? why do they often use masculine names or nicknames? it’s about the deliberate gender nonconformity, something that has been central to lesbian communities for literal decades. pronouns are another form of presentation (see #1); using pronouns other than she/her is another form of nonconformity.

“masculine clothing and names i get -- but why pronouns? that feels a little much.” i do get this! i used to feel the same way! but the criteria for being a lesbian is like... 1) not a man 2) a woman or at least sort of connected to being a woman (see #3) (yes, this includes trans lesbians, who are not men) 3) attracted to women and not men. that’s the criteria. that’s all.

& i would like to think that some of you have the best intentions. but i would really, really caution you away from trying to disqualify people from iding as lesbians because of the pronouns they use. saying “well, clearly lesbians can wear masculine clothes and have masculine names, but the pronouns are a step too far” doesn’t make any sense -- where do you draw the line? at what point are you trying to define when someone is “too masculine to be a lesbian?” and why do you feel the need to do that?

this goes double for nonlesbians. i’ll repeat: really, honestly ask yourself why you feel the need to do that.

(note: butch lesbians aren’t the only lesbians who are gender nonconforming and they aren’t the only ones who use he/him pronouns! but i’ve found this is very common among butches, more so than other lesbians, + it’s another space where i can speak from personal experience.)

6: “wait but this feels kind of TERFy. are you saying trans men can be lesbians?”

oh no. oh god no. lesbians = not men. trans men = men. (& trans women = trans women, & TERFS can choke.)

i think there is a misconception among some trans men (especially transmedicalists) that he/him lesbians are trying to tell trans men they aren’t “real men” & thus undermining their identities. the idea is that we’re saying, “hey, look, lesbians can use whatever pronouns we want! thus, you don’t need to transition :) you can use he pronouns and still be a gay woman :)” to which the obvious response is “i’m not a woman and this is transphobic.”

but i... honestly truly have never seen a he/him lesbian say that. we aren’t the same! even if we use the same pronouns, even if we may take some of the same steps to feel gender euphoria (ex. wearing more masculine clothing, binding/going on T for afab lesbians), we are not the same! trans men = men. men cannot be lesbians. he/him lesbians = people who are not men, but have a complicated relationship to womanhood. thus:

he/him lesbians =/= trans men.

there is no correlation.

(note: i lied. there is one correlation. the correlation is friends and allies. trans men i’m on your team and i hope you’re having a good day. my right to exist is not mutually exclusive with yours; we’re fighting similar battles.)

7. “okay, i guess, but i still don’t really get it?”

that’s okay!! gender is confusing as shit (plus this was a long & slightly repetitive post, because i wanted to make sure i covered all my bases). here are some things you can do if you still don’t understand:

a) talk to more he/him lesbians! maybe my explanation doesn’t really do it for you, but someone else’s will! (if you’re interested in lesbian history, i can recommend stone butch blues, which can be downloaded as a PDF from leslie feinberg’s website. the main character’s relationship to gender isn’t quite the same as the one explained in this post -- jess has to use he/him & pass as male to stay safe -- but it’s still a good read that gets into the complexity of lesbian gender. the lesbian mc participates in butch/femme culture, gets top surgery, & later has a relationship with a trans woman -- so, basically, corroborating what i’ve said about how lesbians can do all of these things & still be lesbians.)

b) if you don’t have the time/energy/desire to talk to more he/him lesbians, that’s fine! just respect us. respect our pronouns. don’t misgender us; don’t call us men or say we aren’t lesbians. you don’t have to get it to accept us.

c) here’s a secret. if you still don’t understand, but you are no longer seeking help understanding & you’ve decided to just vibe and respect us without totally Getting It - that is totally fine. you don’t need to tell us this :) saying “hey, i don’t really get it, could you help?” is one thing. saying “hey, i still don’t get it. not asking for help, just letting you know” is uh. is like. um. okay thanks for informing me?? i guess ??

i understand that not everyone will Get It. but if you’re using my pronouns & respecting my identity, i do not need to hear that you don’t actually get it because my gender is super complicated. it is a little, er, how you say, impolite. (again - not the same as asking for help! i’m totally open to answer any questions anyone has.)

_______________________________________________________________________

source: i am a he/him lesbian.

you are allowed & politely encouraged to reblog this post.

if anyone would like to add to this post -- particularly other lesbians and/or trans women (as i’m tme and don’t want to overstep) -- feel free!

if anyone would like to ask me to elaborate on something, feel free to ask in the reblogs, replies, or in my inbox/dms!

if anyone would like to clown on this post and say some lesbophobic or transphobic bullshit without reading what i wrote, please block me, log off, & go trip over something <3

#max.txt #long post #WOOF. long post. im so sorry i have a lot to say #he/him lesbians

800 notes · View notes

legends-live-in-memories · 3 years

Text

Super-Rockin’ Wedding of the Century

AYO! Day 2 of MGI Trope Tussle! Team Enemies-to-Lovers for the win. I bring you another oneshot. but this time i used 3 prompts like a dumbass.

Fics Masterlist

Daminette Oneshot 4.3K words (no warnings except slight cursing)

Summary:

“Marinette is invited to the Super-Rockin' Wedding of the Century and she needs a date. Alya is both her best and worst wingman.”

Day 2 of MGI Trope Tussle, I used 3 prompts to make this thing: 1. "You don't have to like me, you just need to pretend you do." 2. "I like your costume. You look very cute." "Are you making fun of me?" 3. 'Write about a very unusual wedding proposal.' this is the culmination of all my efforts.

without further ado:

It was the biggest news on the internet. Global sensation, international rockstar, Jagged Stone, was officially engaged to childhood friend turned manager, Penny Rolling. Memes and fan theories stormed every corner of the web. Trending topics including #rockstar_wedding and #RollingStone permeated every social media platform. Guest lists were speculated, dress designers were tagged in every post that even mentioned the words ‘wedding’ or ‘bride’. It was total mayhem but none felt it worse than up-and-coming Parisian designer, M. D. Cheng, privately known as Marinette Dupain-Cheng.

The young adult was up to her neck in design templates, and was drowning in half-baked ideas and sketches. While the internet has only heard about the proposal for a solid two weeks at this point, Marinette was in the know for six months. Jagged Stone had contacted her in advance because he needed her help with the proposal itself.

And what a proposal it was.

Jagged had outlined his idea in simple terms but it was still so mind-boggling that Marinette needed him to draw some visual aids to completely convey his idea. Initially it sounded simple enough but the more the man spoke, the more Marinette felt her brain fry at the mental picture. It first involved recreating a scene from Penny’s favourite movie. Which sounded rather romantic, if you ignored the fact that her favourite movie was Bride of Chucky. Then it involved Jagged dressed as the Tinman from Wizard of Oz. Oh, and the proposal had to happen on Halloween because that was the anniversary of their first date apparently, and based on everything else this plan entailed it might as well have been. Marinette’s role in all of this was to simply re-make the white wedding dress Chucky’s bride, Tiffany, wore because Penny already had the leather jacket to match. Of course she did. She didn’t even want to know how Jagged acquired the Tinman suit. Not her barrel of monkeys.

While many thought Jagged was the eccentric one of the pair, due to his loud personality and being an actual rockstar, the more Marinette worked for the two of them over the years, the more she learned how absolutely wrong they all were. It turned out it was Penny’s idea for Jagged to dye his hair purple, and she was the one to ask him out on Halloween all those faithful years ago. Her calm and collected demeanor was an impressive cover for the absolute weirdo she actually was. And Jagged had planned a proposal that was undoubtedly perfect for her. Regardless of how abso-fucking-lutely bizarre it was.

To each their own and let’s move on.

The set-up for the proposal started with Jagged, dressed as the Tinman, playing the part of Chucky, who begins the body-switching chant from the movie. Everything from that point on was resting on Penny’s love for the movie. Without hesitating, Penny, dressed as Tiffany, and playing her part, knew the lines by heart and immediately began reenacting the scene with Jagged. Her lines involved telling ‘Chucky’ to kiss her while she reaches for a knife that’s supposed to be in his pocket. Instead, as Jagged was still dressed as the Tinman, Penny pulled out a slip of paper. On said paper, the words ‘All the Tinman wanted was a heart’ were written in Jagged’s almost illegible chicken scratch. When Penny was distracted with the piece of paper, Jagged had gotten down on one knee and pulled out the engagement ring. The actual words of his proposal were never actually said because, upon seeing the ring, Penny flung herself into the man, clipping her chin into his metal-plated shoulder, but she wasn’t complaining.

So that was how the proposal went.

Wedding planning started almost immediately since the newly engaged had already picked a theme. And this is where Marinette began to regret every life choice she has made since she was thirteen; starting with opening the mysterious box she found on her desk and ending with agreeing to being the main designer for the Rockin’ Wedding of the Century. One thing that wasn’t well-known but not a secret about Jagged was that he was a superhero fan. He grew up enjoying the fictional ones in his childhood comic books and he adored the real ones he witnessed in his adult life. His song that he dedicated to the teenage Ladybug was only one part of his… appreciation. His hero-worship went so far as to beieve that a hero-themed wedding was appropriate. Or he didn’t, but also didn’t care about adhering to societal propriety and went with that theme anyways. So the Rockin’ Wedding of the Century was now the Super-Rockin’ Wedding of the Century. And twenty-three year old Marinette was incharge of the entire wedding party’s outfits.

Perfect.

As a small mercy from some god, both the bride and groom to-be had a rather short list of people in their parties. Marinette was also able to design appropriate hero-themed outfits for all of them and scheduled them for fittings in the coming weeks. That, surprisingly, was the easy part as there were plenty of heroes to draw inspiration from. However, that wasn’t the cause of her current crisis right now.

No. Marinette was up to her neck in unnecessary designs and ideas because she’s been avoiding one particular contingency in her acceptance of the wedding invitation.

She needed a date.

She needed a date because she had promised Penny that she wasn’t overworking herself and to prove it, she would bring a date to the wedding. Rather than call any of the people who expressed interest in her at some point in time, she designated herself to wallow in her situation and distract herself with designs. In the midst of her one person pity party, her phone rang under the sea of ripped out pages. She scoured for the device and hastily answered before she could accidently send the caller to voicemail.

“Hello?” She didn’t check the caller ID and was delighted at the sound of her best friend answering her.

“Marinette! How’s it going over there?” Alya’s voice was mixed in with the busy street life of Metropolis. She had moved there immediately after high school, snatching an internship with the Daily Planet and attending the local community college. She and Marinette don’t call often due to time differences, but when they do it’s like they’ve never parted. She always looked forward to her calls.

“It’s going great, Als,” if she ignored her current dilemma, then yeah, everything was perfect. “But you wouldn’t happen to have an available bachelor willing to be my date to the ‘Super-Rockin’ Wedding of the Century’ in your back pocket, would you?”

Alya’s answering laugh was both comforting and teasing and Marinette felt herself missing her even more. What she said next, however, took Marinette by surprise.

“Actually I do.”

“Pardon?”

“Well,” she took a pause to build suspense. “I know a guy who knows a guy. But it’s nothing shady, I swear.”

“That’s not comforting.” Oh god. What has she unintentionally signed herself up for?

“You know my coworker, Jon? The guy who does the photography for all my field work?” Alya had met Jon as soon as she had started her internship. Both of his parents were top journalists at the Daily Planet so he volunteered to act as tour guide for all the new interns. He and Alya, from the exasperated stories Marinette has heard from Nino, got along like a house on fire. If he was involved, Marinette was starting to doubt even further that this was going to end well for her.

“Yes, I know Jon. How is he by the way?”

“He’s fine, but I remember him telling me how he tried to set up his best friend on several dates over the years and how they all ended poorly. He’s as approachable as a brick wall; not just a prick but the whole damn cactus. Or so Jon says.” How does that sound like someone Marinette wanted to bring along with her to the wedding? “But he’s totally your type so I could ask Jon to wrap him up in bubblewrap and send him your way whenever you want.”

“How,” and Marinette said this with a lot of feeling, “is he my type exactly?”

“Green eyes with daddy issues.”

“ALYA!” Marinette was absolutely floored at her bluntness. She wasn’t even sorry about shouting into the receiver.

“Am I wrong? You have a type and he fits that type. Jon mentioned how this guy and his dad hit several roadblocks when they first met. And I’ve seen pictures of him so ‘green eyes’ checks too.”

“That is not my type of guy.” She can’t believe this was how this conversation was going.

“Adrien.”

“I didn’t even know who his father was at the time, Alya.”

“Felix.”

“His dad is dead! That doesn’t count as ‘daddy issues.’” She can feel her cheeks flaming as the call went on. Any hotter and she was going to set her sketchbooks on fire. “Besides, I dated Luka so he doesn’t fit the criteria.”

“He’s an outlier and that’s only because his eyes are blue.” Okay, fine she had a type. “And besides, you don’t even have to date the guy. You only need him to accompany you to the wedding and you both go your separate ways after. No harm, no foul.”

Right. That was true. No strings attached. She could do that.

“I can’t believe I’m saying this but,” she held her breath and let it out loudly, ignoring Alya’s chuckle at her dramatics.” Give Jon my number to give this guy. And send his number to me.”

“Wahoo! Look at you, girl,” Alya was hooting and hollering over the speaker and Marinette found herself going along with the theatrics. “Okay, I will. But I gotta go, my cab is here. Bye!”

“Bye! Stay safe. Oh before you go, what’s Jon’s friend’s name anyways?”

“Uh, Damian, I think.” The call ended before Marinette could respond, but it was okay she mused. Tossing her phone onto her couch, she flopped down onto her floor and stared at her ceiling contemplatively.

What could go wrong?

~~~~~~~~~~~~~~~~~~~~~~~~~~~

When Alya had described this Damian guy as ‘not just a prick but the whole damn cactus,’ she was right. Marinette had been texting back and forth with Damian for a month, and the guy was making this idea seem less and less worth it by the day. Whenever Marinette tried to learn more about the guy, he would ghost her for days on end before replying with a half-assed response at best. She knew nothing about him other than that his first name was Damian and that he was from Gotham. She had no idea how the ball of life that was Jon was even friends with someone like Damian. She asked as much to Alya in their most recent call.

“How did they even meet?” She was pacing the floor plan of her apartment, ready to tear her hair out. “Did Damian bully him in school or something?”

“Apparently their dads knew each other and introduced them,” Alya sounded half awake, stifling a yawn; probably because Marinette had called her at 1 am, Metropolis’s time. “Their brothers being friends also forced them to get along.”

“And that’s another thing!” Marinette had paused in her pacing and was now staring intently at a potted plant in the corner of her living room. Any more rage in her glare and the plant would have wilted and died. “He doesn’t tell me anything about him. I don’t need to know all his personal information, but if he’s going to be flying out to Paris on my behalf, I think I at least deserve to know his last name.”

“Hey, M,” another yawn echoed through the speaker, “I love you, truly, but maybe this could wait for holier day time hours?”

“I guess,” a vindictive part of Marinette felt like this was payback for all those inopportune calls when Marinette was busy with clients. “Sorry for interrupting your sleep.”

“It’s no big deal. But have you tried talking to him about it? If he’s ghosting your texts, try calling him. If he ignores you then too then maybe you should try finding another person to be your plus one.”

“The wedding is in two weeks, Alya!” Marinette partially regrets waiting so long to vent her frustration about the situation but she had tried to tough it out. “I would have much preferred if you were my plus one. You sure there’s no way to convince your parents to skip out on the family trip?”

“Sorry, M. Once the news about the proposal hit the internet, I tried everything. I even tried to use work, saying that I could cover the ceremony for the newspaper. My folks won’t budge though. My dad’s aunt is important to him and he wants us all at the funeral.”

“Right, right, I forgot about that.” Now she felt like an ass. “Send you dad my condolences when you see him again.”

“Will do. Good morning, Marinette. And don’t worry too much about the guy. Everything will turn up great. I can feel it.”

“Thanks, Alya. Good night, get some sleep.”

The line went dead and Marinette let out a rather weary exhale. She had no idea how this was going to work. She pulled up her contacts and searched for what she had Damian saved as.

‘Douche’ flashed on her screen and she hit the call button without remorse. She didn’t care that it was also currently 1 am in Gotham. He didn’t deserve that much consideration from her.

“What?” His voice was gravely and deep. And also really pissed if his clipped tone was anything to go by.

“Damian? Hi, this is Marinette, the girl you’re accompanying to the wedding in two weeks?” Her voice was pitched as if she was dealing with an irritating customer. Fake and polite.

“I know who you are. Why are you calling me at this unreasonable hour?” Fair, but Marinette was still aggravated at him so she wouldn’t concede.

“I’m calling because we need to talk.” She heard him scoff over the line and she felt her blood boil even hotter. She took several calming breaths to reign her temper in. “Don’t hang up.”

“Look,” She didn’t give him a chance to refuse and kept talking, getting everything off her chest. “This wedding is important to me and I promised the bride I would bring a date. After that you can delete my number and we never have to speak to each other ever. You don’t have to like me, you just need to pretend you do.”

“Whatever,” he sounded less annoyed from when he first answered the phone. “I will act as cordial as the situation requires, and nothing more. I also have my attire secured for the wedding and accommodations in Paris already prepared. I will see you at the wedding.”

“Than—” The sound of the call ending interrupted her and her frustration was back tenfold. With a cry in anguish she flung her phone onto her couch and stomped into her kitchen to channel her rage into baking.

Three loaves of bread and a dozen eclairs later, Marinette felt calm enough to finish the final touches on her outfit for the wedding.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

It was the day of the Super-Rockin’ Wedding of the Century. The Rolling-Stone’s, as they were asking to be called, had kept the ceremony small. Relatively. Only two hundred invited guests, few of which were asked to bring a plus one. Marinette was over the moon at the array of outfits people were sporting. Some chose full-on cosplay while others, like herself, went for more subtle nods to the heroes. In honour of a previous Ladybug, Hippolyta, Queen of the Amazons, Marinette based her outfit off of Wonder Woman’s uniform, Hippolyta’s daughter. A navy blue sequined halter top bodice that flows into a blood red A-line skirt. She paired it with a thick silver belt, silver gladiator heels rather than boots and broad silver arm cuffs. It was simple but effective. Besides, all attention should be on the bride and groom today.

A tap on her shoulder caught her attention and she turned only to come face first with red with black spots. Ladybug. Someone chose her as inspiration. How flattering. Looking up to see who was wearing the Ladybug-themed suit jacket, she stared at a pair of deep forest green eyes and a sneer to ruin that ridiculously handsome face. She recognized him from the photo Alya had sent some time ago. Damian.

“Hi, Damian,” at least one of them had to be civil and Marinette knew it was going to be her. But the idea that of all the heroes for him to choose from he chose her sent her into poorly stifled fits of giggling. Images of him going ‘Lucky Charm’ and ‘Miraculous Ladybug’ were almost too much to bear.

“I don’t know what’s so amusing about my choice of attire,” his face was starting to flush in similar shades to his jacket and that made Marinette laugh harder. “Ladybug is a well respected heroine and I thought it appropriate to pay homage while in her home city.”

“No. No no. There is nothing wrong with it. I like your costume, you look very cute.”

“Are you making fun of me?” His irritation was rather cathartic for the still giggling woman.

“No, I just didn’t think you would have put that much thought into your outfit for today. You always gave me the impression that you were ready to back out at any time.”

“I made a commitment and I had all intentions to see it through the end.”

“Could have fooled me.” And her snark was back. Now was not the time to pick a fight with the guy, he did fly all the way to Paris on her behalf after all.

“I’ve been meaning to ask,” and Marinette wanted to know how he managed to sound so condescending with that statement. “How did you even get an invitation to this wedding anyways? You’re not a celebrity and you don’t look like family either.”

“Actually,” she said it with more force than what was probably necessary but his slightly accusatory tone was just so irritating. “I am the lead designer for the wedding party,” her chest was swimming with confidence at the chance to talk about her job. “I’ve worked with the bride and groom for years; M. D. Cheng, Marinette Dupain-Cheng.”

Marinette will deny to her grave the rush of satisfaction at the absolute gobsmacked look on Damian’s face. A real fish out of water. Mouth open wide ready to catch flies. She wished she could capture this moment forever.

The moment was over too soon because Damian was regaining his composure and slipping into his default stoic expression. He cleared his throat and fixed a look at Marinette. It was rather intense.

“I believe I owe you an apology then.” He looked put-out at admitting something so menial. “I believed you were nothing more than a socialite chain climber.”

“A what?”

“When Jon reached out to me saying that a friend of one of his coworkers needed a date for an event, and when that event turned out to be the wedding of someone of such popularity, I figured you were only trying to increase your own social status by showing up with me on your arm.”

“And you said ‘yes’ anyways?” Marinette was confused but pieces of the mystery that is Damian were starting to fit in place. But something else stuck out as odd to her. “Also, how would you being my date increase my social status anyhow?”

He scoffs before answering. Bitch.

“What? It wouldn’t be the first time one of Jon’s set-ups ended that way. Besides, we’ve had an agreement that I can’t turn down an offer until meeting the person face to face.” Weird deal but some friendships are just like, Marinette supposes. “And being seen with me is enough to make anyone more popular.”

“...And you are?”

“Damian… Wayne…” He spoke as if he was talking to a small child. As if it should be obvious who he was like he was some celeb— Oh shit.

A name had flashed into her mind. On the finalised guest list, Marinette had only seen it once in passing, there was a name that belonged to someone Jagged was rather excited to see. He said the friend was an old college buddy. She remembered that much. She had completely forgotten that ‘a billionaire playboy’ was also attached to the name. Damian was the son of Bruce Wayne. Suddenly everything in the past few months made perfect sense. The cold shoulder, the ghosting, and his prickly disposition. He was overly guarded because he had justified reasons to be. Now she felt like an ass.

“Oh.” Real intelligent, Marinette.

“Oh? What, you didn’t know?” He sounded incredulous at the notion and he had every right to be. Marinette could only shake her head. Words were failing her now, her brain trying to rewrite the memories of every interaction the two ever had.

She was saved from further mortification by a call for everyone to find their seats. The wedding was about to begin.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

The ceremony was beautiful. Penny’s dress was a silver grey, tied back with a golden belt. Instead of a long train, Marinette had attached a black cape that shimmered in the right lighting. Penny wore a tiara with two peaks to imitate the ‘bat-ears.’ A Batman-themed wedding dress was not something she ever saw herself making, but she was proud at how beautiful and confident Penny looked in it. Jagged was adorn in a royal blue suit with bold red lapels. He also had a matching red cape. His hair was styled in the familiar sleek way Superman wears it. The two made quite the pair.

The reception was a lively affair. Jagged had dedicated several songs to his new wife and they dazzled the crowd on the dance floor. Marinette didn’t pay much attention to the speeches beyond a quick glance at Damian when his own father stepped up to the podium. He had buried his head in his hands, looking like he wanted the floor to swallow him whole. A courtesy pat on the back was all Marinette gave to him.

The two hadn’t really spoken much since the revelation that they had completely misjudged each other. The awkward tension was almost palpable. As Marinette was gathering the courage to speak to him, to try and officially clear the air, she was being dragged by one of the bridesmaids onto the dancefloor. It was time for the bride to throw the bouquet. All the unmarried women were being corralled into a tight cluster and Marinette got swept up in the tide.

Marinette wasn’t focusing on the actual game, trying her hardest not to get trampled, when she saw something move in her periphery. Years of being Ladybug had left her with finely honed instincts so she could not be blamed when she immediately jumped and caught the incoming object. The bouquet. She had caught the bouquet. Oh that was just her luck. Deafening squeals of delight brought her out of her own head and she was suddenly being embraced in Penny’s arms. She returned the hug, sharing in her delight, before breaking away to sit down.

“Nice catch.” His voice had surprised her, she hadn’t expected him to speak to her for the rest of the night.

“Uh, thank you. Just lucky, I guess.” Damian didn’t get the chance to respond because he was being dragged by his own father to join all the bachelors in catching the garter. Marinette was equally uninterested in this spectacle and had let her mind wander to other things.

A loud uproar caught her attention again and her eyes zeroed in on Damian holding the tossed garter. He made his way back over to her, dropping himself into his seat gracelessly. The two sat in silence, contemplating the implications of them both catching the garter and bouquet. The games were done purely for tradition’s sake, with total disregard of what it was supposed to symbolise. Still. One’s mind couldn’t help but wander. Minutes ticked passed and Marinette was beginning to wonder if someone was going to talk about the elephant in the room.

“So,” Damian’s voice was slightly strained, like he wasn’t used to being this flustered. It was kind of endearing. Wait what?

“So.”

“While marriage seems far out of reach for right now,” Oh god. He was going to talk about it. “How does dinner sound, next Friday?”

“Wait,” he wanted to spend more time with her? After their disastrous first impressions? “Really?”

“Really. I believe we started off on the wrong foot,” he let out a soft chuckle, almost self-deprecating. “Which isn’t really new for me, but it’s not everyday I meet someone who doesn’t recognise me at first glance. I think you’re someone who I would like to get to know better. If that is something you are also interested in.”

“Yeah,” Marinette knows all about wanting to get acquainted with someone who she’s had a bad first impression of. Just look at her past relationships. Wow, she really does have a type. Damning thoughts for later. “Friday works for me. Seven pm?”

“Perfect. I’ll text you the details then.”

“Wonderful, I can’t wait.”

The rest of the evening was spent in companionable silence with small bouts of conversation in between. They shared a couple dances on the floor and parted ways at the end of the night with budding anticipation for Friday.

As Marinette was preparing for bed that night in the comfort of her apartment, she sent a text to Alya that her friend would see later in the day.

You were right, I do have a type :(

#maribat #daminette #maridami #mgi trope tussle #mgi- server event #enemies to lovers #speedrun #i #like a dumbass challenged myself to use three prompts and i delivered #i hope #i hope yall enjoy #tumblr do me a solid #dont hide my posts #please #im begging #ml x dc #mlb x dc #tumblr please stop hiding my posts #no beta this is tussle

233 notes · View notes