#might need to add a day or two more to the episode to space it out a little until the riders and camicazi arrive to rescue them and tooth

[wickedcriminal]

An alternative direction for Stryke Out where Elder gets stuck in a cage, Toothless is the top competitor for more than a few dragon fights, and— what's this? By Thor, there's a colorful mood dragon here, and she can speak Norse! What are the odds of that?

Little does Elder know that wherever this mood dragon is, Camicazi will be close behind.

#hbau #half brothers au #i love this episode #put elder in a cage because free roam like in the actual episode my guy would be free in 20 minutes i gotta nerf him to make it fair #httyd #httyd au #rtte #race to the edge #i think in this version hiccup e and stormfly would have to work together to free each other from their cages #then they'd work on befriending the other dragons #might need to add a day or two more to the episode to space it out a little until the riders and camicazi arrive to rescue them and tooth #and believe you me camicazi is coming and she's PISSED #until now she's been with the wingmaidens so she doesn't show up in rtte before now #younger and little fish have met stormfly in book 3 but none of the other riders have met her yet that's why elder is so surprised

[jellalism]

Diluc x GN!Reader fic: In safe hands

You are having a depressive episode. Diluc takes care of you.

Word count: 1018

Genre: Comfort

Content warnings: Depression, not wanting to eat, and anti-natalist thinking (i.e. thinking it is better not to be born).

Notes: First published on AO3 a year and a half ago. Thought I'd finally post it on here, too.

Read below or on AO3.

You sit on the couch of the Dawn Winery Manor. Knees up, nestled under a blanket, staring into space. Comfy, but you’re not happy. It isn’t that anything is particularly wrong, but you’ve been feeling down today. The whole week, really. It’s just one of those episodes you have every once in a while. You know you’ll get through it, but that doesn’t make it any easier to bear. On the worst days, you can barely drag yourself out of bed, eating is a chore, and doing any actual work is an impossible task. Today is perhaps not that bad, but not much better either. Add to that, the terrible boredom. If you had anything to distract yourself with, it might be bearable – but what do you do if your very diversions seem insurmountable tasks themselves? You sigh.

“y/n?” Diluc stands in the middle of the room, taking his coat off. You hadn’t even noticed him coming in.

“Hey,” you say. You wish you could be more outwardly enthusiastic, but you’re too sapped of energy. Inwardly, though, you are quite happy to see him.

“I see you are not doing so well.” He pauses, then walks up to you, bends over, and kisses your forehead. “Hold on, I will make you some tea.”

You murmur a word of thanks, but probably too softly for him to hear as he leaves the room. He could just have one of the servants make the tea, but he prefers to care for you with his own hands. Besides, his expertise doesn’t only pertain alcoholic drinks. He knows the exact right way to make tea, too. None of the servants’ tea can match the Master’s.

You listen to Diluc making noises in the kitchen, as he left the door open. Bringing the water to a boil, measuring the amount of tea, taking the pot from the cabinet – all the while humming a soft tune. Diluc has told you before that humming is an indispensable part of making good tea. You have your doubts, but have no reason to complain; you’re quite content listening to his song. Diluc isn’t free of his own demons, but he can get into the tasks at hand and lose himself in it, which allows him to hum in such a carefree way.

After a couple of minutes, Diluc returns, carrying a tray. On it, a pot of tea, two cups, and… a croissant. Why must he be so perceptive? you wonder. He definitely noticed you haven’t eaten – it is like a sixth sense he has. Diluc places the tray on the table and, without a word, starts pouring the tea. Then he puts one cup in front of you, giving you a smile and a wink. The second cup he places next to yours, and then he seats himself next to you on the couch. His arm goes over your shoulder and pulls you closer to him. You relax, leaning against his body. It’s warm, comfortably warm. You close your eyes.

“Tell me what is on your mind.”

You are silent for a moment, collecting your thoughts. “I don’t know,” you start softly. Diluc murmurs an encouraging sound. Still trying to find the right words, you continue: “Sometimes I just feel so down without an apparent reason. And once I’m that way, the negative thoughts come pouring in, to keep me held down. I fear that I’m never gonna be alright. That I’m not worthy of love. That I’ve misled people into loving me, because if they truly knew me, they wouldn’t stick around. That it'd be better for everyone if I were never born.”

“I respectfully disagree, my love.” Diluc replied. “You are… quite someone, you know? There is no need to be afraid that people would cower at the sight of the ‘real you’. I have been with you for some time, and you have bared your soul. And I am still here, remember? I love you with all your insecurities and wounds, all your mistakes and the things you think are imperfections. I have seen all of you, and I am ‘sticking around’. I love you, and I love being with you.”

A single tear runs over your cheek. “Thank you,” you say. The response feels inadequate, but you can’t quite put your feelings into words. “That means a lot,” you add, turning to face him. He smiles at you in a loving way. His right arm still wrapped around your shoulders, he brings his left hand to your face, holding your chin. His touch is ever so gentle, like you’re a beautiful yet fragile flower. You close your eyes as he leans in. His lips touch yours, press upon them with reservation betraying unparalleled devotion. He tastes like apple cider, with that slight taste of cinnamon.

As the kiss comes to an end, Diluc doesn’t lean back, but rather embraces you tightly. “You mean a lot to me,” he murmurs in your ear. “Don’t you ever forget that.”

You make no sound, letting yourself melt in his arms. They are so warm, so safe. Diluc breath tickles your neck.

After a while, Diluc lets go of the embrace, though one of his hands searches yours and holds it. With the other hand, he reaches for the plate with the croissant and picks it up. “Eat something, sweetheart.” You look at the pastry with aversion. Diluc doesn’t fail to notice. “I know you do not want to, but I do not wish to see you neglect your body. If you cannot do it for yourself, do it for me, alright?” He looks at you imploringly and softly squeezes your hand.

“Alright.” You remove your hand from his hold, take the croissant from the plate and take a small bite.

“Good,” Diluc mumbles under his breath. His now-freed hand goes to your head, and starts playing with your hair. “It’s so soft.”

As you slowly eat the pastry, Diluc continues his play with your hair. His fingers are so delicate, so careful. If it’s under his care, eating isn’t all that bad, you suppose.

Notes

Thanks for reading! I really enjoy reading your comments, whether that's as an actual comment or just your reactions in the tags of a reblog. So if you enjoyed, please leave a comment!

#genshin impact #diluc x reader #genshin x reader #diluc #diluc ragnvindr #diluc x gn!reader #diluc x you #genshin x you #genshin x gn!reader #my writing

[notfreetoday]

MPW Ep 2 Subtitle Corrections

Subtitle Corrections: Ep 1 here

Cultural/Language Tidbits: Ep 2 here

Same translation disclaimer applies. Thanks to everyone reading the first post and geeking out with me in the notes, I really appreciate it XD Ok, Ep 2, let's go! Sorry in advance for the length!

If you're wondering why Yoh's freaking out about the rainy season even though they've been together for 3 years, the manga artist posted a clarification on twitter:

By the way, “it’s been 3 years since then” – that phrase refers to it being 3 years since that conversation regarding the slave contract. As for living together, they’ve only just started (to do so) around Mar/April*, so (at this point) it’s only been a few months (for them). What if (I) got it wrong…. I remember making a note of it, but the file that I wrote it in and passed over (to the crew) couldn’t be found right, so… (was it) a dream?” *Japan's rainy season comes around June/July, so this means that this is the first rainy season these two have been experienced together.

[Y: まずっ] Y: Tastes bad In case the original "that sucks" sounds like Yoh might be talking about the news of the young forecaster - he's really just talking about the food here.

[S: 遅くなるからいらねぇっつっただろう] Original: I told you not to bother since I returned late Mine: I told you I wouldn't need it cause I'd be late right? This is actually a pretty harsh sounding line tbh. It's sort of inkeeping with Segasaki's curtness, but still pretty harsh - so this tells us he's tired after a long day, and explains the frown on his face that Yoh just wipes away with his cuteness

Nikujaga literally means meat and potatoes. It's a stewed dish and a very well-loved comfort food. Super easy to make too (link goes to an easy to follow recipe, and the site also explains a little about the dish).

[Y: 本当、顔だけはいいよな] Y: Really, it's only his face that looks good.

I've talked about this in my cultural/language tidbits for this episode (linked up top) but I'll add it here for completion's sake

[Y: あ、いや。なんでもない…です*] (Ah, iya, nandemonai…desu*) Y: Ah, no, it's….nothing* Yoh let's his sentence trail off before tacking on a "desu" at the end. "Desu" is an ending verb characteristic of "polite" speech, which Yoh doesn't use frequently with Segasaki (in fact, by this point, he has not used polite speech with Segasaki at all, except for maybe saying the full form of the word "welcome home", and even that's pushing it). Here he adds it at the end as an afterthought (the polite form of "iya" would be "iie", if he had wanted the whole sentence to be polite from the get go), which tells us that Yoh's feeling a little off-kilter here, and does introduce the slightest distance between him and Segasaki. We'll see this distance increase as the episode goes on.

[Y: いや、どう考えても食べ過ぎだろう] Y: No but, no matter which way you look at it, (he's) eaten way too much hasn't he? Btw, if your hair started standing at the spoon scraping the pot - in the manga artist's post about visiting the shooting venue (as well as during Ep 1 twitter space) it was mentioned that Mashiko, the actor, can actually cook, so during filming they had to tell him what someone who can't would likely do, and also asked him to do the housework poorly (because Yoh's not supposed to be good at cooking or housework hahaha)

この人*、明日も朝早いんだよな。たぶん。 Original: This guy, has an early morning again tomorrow. Probably. Mine: This person*, has (to leave) early tomorrow morning too. Probably. *The word here is "kono hito", literally "this person". There's actually nothing wrong with the translation "this guy" tbh because that's a fairly neutral term in English, but I'm highlighting it here because in his monologues, Yoh usually refers to Segasaki using much rougher language, such as "koitsu, aitsu", except when he addresses Segasaki directly in his head. I'll talk more about how Yoh addresses Segasaki in the analysis post, but for now - this sentence hints that Yoh has clocked Segasaki's tiredness (subconsciously or not) and is feeling a little bad for him. Then again he quickly hides that by adding on "probably". (Adding the word "probably" behind your sentence is a common way to express doubt/negate what you just said, and incidentally is commonly used by comedians to deliver a punchline).

[Y: あの*…あの…寝るなら部屋でとおもって。] Original: Um… Hey… You should go back to your room. Mine: Um*... Um... if you're going to sleep then, (it would be better to sleep) in your room - at least that's what I thought...

*"あの…" (ano…), translated as "um" here, is a common sound you use when you want to get someone's attention but don't want to sound too demanding - it actually isn't being polite per se, but it does show the hesitancy with which Yoh approaches him. Contrast this with the way Segasaki gets Yoh's attention (so far it's just been "Yoh" or "Oi" - the latter of which you would NOT use unless you were close to the person, or looking for a fight).

As a general rule of thumb, the level of politeness in Japanese is directly correlated with the length of the sentence and just how far you can beat around the bush. So, Yoh's suggestion that Segasaki goes to sleep in his room is literally just "if sleeping, then room..." and everything else in that translation is assumed. He may not being using polite speech forms here (that would be "to omoimashita" instead of "to omotte") but this is still a common way to be polite because he's making a suggestion that is so mild Segasaki can choose to ignore it. This is a great example of Brown & Levinson's "negative politeness" which we'll revisit when analysing their speech patterns, and which you can read about in entirely too much detail here (free to read).

[Y: じゅあ、俺は寝るので** あの、その、そういうことで、おやすみ] Original: Then, I’ll go to sleep. That…sort of thing. Good night. Mine: So then, I'm going to bed, therefore**... Um... that... with that... night!

"Therefore" is an awkward translation for the word ので (node), which is more often translated as "so". I've chosen to use that word because "node", whilst again not a polite form per se, is less colloquial than the more commonly used "から(kara)", to mean the same thing. It tends to pop up more in writing than in speech. "Therefore" doesn't make a sentence polite/formal in English, but it's definitely less colloquial than using the word "so". The use of "node" is just that tiny bit out of place in this sentence paired with the informal pronoun "ore" for "I" as opposed to the more formal choice of "boku".

Again, Yoh answers Segasaki properly here with a "はい (hai)" as opposed to his usual "un" (which is a sound that expresses agreement), when told that Segasaki will be late again. There actually aren't very many moments where Yoh does speak politely to Segasaki (he's definitely rude when he talks about Segasaki in his head hahaha), so these moments stand out. This whole short exchange, together with the random -desu he added earlier, just make Yoh's sentences a little more stilted/awkward, and more distant. Individually they don't deserve much mention at all, but together, and in the context of his jealousy, show just how unsure Yoh is about where he stands with Segasaki.

[Y: あの人の帰宅が遅くなり] Y: That person returned home later and later

"That person" - similar to the above usage of "this person". This sentence is incomplete - the verb form of the last word - 遅くなり (osokunari) indicates that there should be a second part to the sentence (the "completed" form would be osokunatta). But after he says this, there is a pregnant pause, as Yoh puts his phone down and continues cooking alone. The pause continues all the way into the next scene, before the sentence continues, highlighting the loneliness that Yoh feels.

[Y: 当然、触れられることもないままに] Original: Of course, he did not touch me at all Mine: (and) of course, (I) remained untouched (by him) as well

The literal translation for this would be "(the situation in which I) was not touched (by him) continued on as well". Yoh uses the passive form of the word "touch", which places the emphasis on Yoh "receiving" the action of being touched as opposed to placing the emphasis on Segasaki "carrying out" the action of touching Yoh. Consider the difference between the sentences "I was hurt by him" and "he hurt me". The former is the passive form, and is super common in Jp, much less common in Eng. If this is confusing - welcome to Jp grammar just know that the emphasis of this line is more on what Yoh does not have, rather than what Segasaki has not done. It accentuates Yoh's feelings of emptiness and loss.

Y: すっかり日々は過ぎて Y: The days pass by completely ...

Similarly, this sentence is "incomplete", and is instead continued by Segasaki walking in and telling Yoh he'll be late again. (This whole bit just hurts my soul tbh, Yoh is so lonely. )

This is a teruteru bouzu aka a charm of sorts for good weather. See the cultural tidbits post for Ep 2 linked up top for more info!

This is said really strongly, and gives the "what the hell are you doing" feel. Yoh's truly upset here.

I try not to care about some of the subs in these side conversations because they don't add much to the main story and these posts are already too long, but this sentence should really be "Dammit, maybe I should (go) troll the chat" (and the previous sentence should be "If this was broadcasted in a certain country it would be instant death" aka N.Korea ^^;) and I just think it was a nice touch to hint at the fandom wars/flaming that goes on between fans hahaha

[Y: しんどい] Y: This is too draining The word here used is "shindoi", which is a term used when you're feeling mentally/physically exhausted/drained, and carries a sense of frustration (at feeling this way) and sometimes (emotional) pain.

This. Is. Huge. Segasaki does 2 things here - one, he rejects an after-work meal, which you rarely do because Japan is all about the group and rejecting a group invite, to welcome a new member, can make you seem like you aren't a team player - two, the guy who invites him is his senior, which you can tell because Segasaki sticks to polite speech forms whilst the other guy does not. It's still relatively casual, so you can tell he's got a good working relationship with them (probably why he's not worried about rejecting them) but still. In Segasaki's world, Yoh is the No. 1 priority.

This is more accurately "WTF". There are many sounds in Japanese that aren't exactly words, but carry a lot of meaning - "Haa?!" is one of them, and is a very rude way to express a lot of anger and shock. Please, never say this in real life. You will royally piss off whoever it's directed at and if you are outside a Shibuya bar you will get punched.

The word used here is てめぇ (temee), which is a really rude way to say "you", and has the same energy as "you bastard". Segasaki usually uses the informal pronoun "omae" for "you" when he talks to Yoh, he's definitely pissed off here.

This is the same word, "shindoi" again.

I'm going to put the rest of the whole argument here with just my translation because it's too long to screencap the whole thing.

[S: 何なんだよ？このエロい惨状は Y: うるさい。 Y: 俺は売れっ子エロ漫画家になるんだ S: なんだそりゃ。おい *takes away beer can* Y: 売れっ子さんが　シコリながらネーム描くと　いいのができるって言ってた S: なんも描けてなかったぞ。 S: おい、だめだっつってんの S: 飲みすぎ　出すもん出して　寝てただけだろう Y: 黙れ！ Y: 俺はエロくて　抜ける漫画描いて　いっぱい稼いで Y: 早く　こんなとこ出ていくんだ S: はあ？　おい、お前　どういうつもりだよ Y: どうもこうもないよ！ Y: 平気で抱かれてると思うなよ 。 Y: 俺のこと、好きでもないくせに Y: 便利な奴隷としか思ってないんだろう？そんなにやりたきゃ隣のキャスターとやってろよ S: お前　さっきから　何を... Y: 俺はあんな風に笑いかけられたことない]

Breakdown: S: What's up with this? This lewd disaster of a scene Y: (You're) annoying! ["うるさい (urusai)" is often translated as "shut up", but it literally means someone is being "noisy", and here is more of a complaint that Segasaki is being bothersome] Y: I'm going to become a hot-selling erotica manga artist! [the word used here is 売れっ子 (urekko), which literally means "someone who gets huge sales" and mostly refers to idols, entertainers, TV personalities etc. So Yoh is not just saying he's going to become popular, he's saying he's gonna be like a celebrity manga artist, which is why Segasaki snorts a little at this] S: What's with that? Hey. *takes away beer can* Y: The hot sellers say that if you jerk off whilst drawing your storyboard, you'll come up with good stuff [urekko-san is a pretty cute way of referring to these popular artists] S: You've not drawn anything, you know? [this is said with a really indulgent air, which contrasts directly with the more authoritative tone of the next line] S: Hey, I'm telling you no more *grabs beer can* S: You drank too much. You just shot what you shot and then went to sleep didn't you? [And this is back to an indulgent tone - also, everyone knows Segasaki is talking about cumming here, he just doesn't actually say it so directly] Y: Shut up! ["黙れ (damare) - contrast with "urusai" earlier. The former is used much less commonly and really does mean to "be quiet". This is why Segasaki pauses and looks at Yoh. Up until now Segasaki just thinks Yoh's gotten drunk and is whining cutely, but this word means things are serious.] Y: I'm going to draw manga that is erotic, that you can wank off to, and then earn lots of money [this is a call back to the conversation with Man-san over the phone in Ep 1, which I did not include earlier because I didn't think it was important to the story when Yoh says "the work that was released last month was amazing! There was a big buzz around the topic "I can't wank off (to this)" - Yoh was being sarcastic here, meaning that he got reviews that his work wasn't erotic enough] Y: and leave this sort of place soon! S: What? Hey - what (the hell) are you thinking? [Again, "haa?" here shows he does NOT like what Yoh's saying, but he does soften the end of the sentence with a "yo"] Y: I'm not thinking of anything! Y: Embracing me so easily - don't think you can (keep on) doing that [again, this is the passive form, so the emphasis is on Yoh being embraced, and here has the nuance of "don't think I'll just (keep on) being fine with being embraced (by you) like it's some sort of norm"] Y: when you don't even like me [this line has quite a bit of bitterness in it - the emphasis here is strongly on Segasaki and his apparent "non-liking" of Yoh my english is dying.] Y: You think of me as just a convenient slave, don't you? Y: If you want to do it that much, go do it with that forecaster next to you! S: You... from the start... what have (you been saying?) Y: I have never been smiled at like that before [again, this is in passive voice]

It's obvious from the acting alone that this entire argument is pretty emotionally charged - this is also reflected in the language because Yoh uses the pronoun "ore (I)" a lot. Pronouns are frequently dropped in Japanese - often you can go an entire conversation without ever uttering the words "I/me" or "you", in part because the pronouns are assumed and also because emphasis on an individual can come across as too selfish/narcissistic or direct. Segasaki uses them often enough with Yoh, which fits his personality, but Yoh normally doesn't. So, when he uses "ore" here it stands out - his plans to be successful and leave, his feelings, his interpretation of Segasaki's actions - all of the emphasis is on his own self. The message is very clear - Yoh is hurting a lot more than he is blaming or accusing Segasaki.

[Y: もう疲れた。あんたといると疲れる。嫌いだ S: お前　酒入るとめちゃくちゃしゃべるんだな Y: ねぇ、何で雨の時はだめなの？ S: はあ？　だって、お前が言ったんだろう] Y: (I'm) tired out. When (I'm) with you, (I) get tired. Hate it. [We've lost the "I" pronouns here, because the emphasis is on the extreme sense of physical and emotional fatigue as opposed to Yoh himself, and on how much he dislikes that feeling. Of note, "hate" here is closer to "detest/really dislike" - the word is "kirai" - which is not as strong as the word "nikui" which we talked about in Ep 1 when Yoh said he hated the part of him that always listened to Segasaki. Also, this is the first time Yoh has addressed Segasaki with the pronoun "you" out loud - he uses "あんた anta", which he also used in his head in Ep 1, after they did it. Again, we'll talk about this in the analysis post in the future, but for now just know that this term is usually used between older couples.] S: You... once you start drinking you really start talking huh? [literally, you "become able to talk"] Y: Hey...why is it when it rains, (we) can't do it? S: What? Because, you said so didn't you? [the last "haa?" from Segasaki! This time expressing his surprise and slight indignation.]

[S: 俺は優しいんだ] S: I. am. Kind. Great example of Segasaki's use of the "ore" pronoun here to quite literally emphasise how great he is. "優しい (kind)" in Japanese carries the connotation of being thoughtful, anticipating the other person's needs and wants and then meeting them etc. It's a characteristic that people often say they look for in their potential partners.

[S: そもそも、なんだ先の言いぐさは 好きじゃないだの　出ていきたいだの お前　俺のプロポーズを受けといてよくそんなことが言えんな S: 養ってやる*っつってんだ　プロポーズ以外になに] S: In the first place, what was with those things you said earlier? That you don't like me, that you want to leave... You... that was rich, saying all that after accepting my proposal. S: I was saying I'd provide and care* for you. If that's not a proposal than what is? ["養ってやる" is a pretty possessive way to say I'll provide for you - it's the same word used when referring to parent providing for a child, or an owner providing for a small animal. It's not rude per se, but it does imply a power imbalance. Segasaki actually sort of has a point here because... this is not something you say to someone else unless you're in a relationship ^^;]

S: ていうかお前、俺のこと嫌いなんだ S: どうなの S: Actually about that... so you hate me huh? S: Which is it?

S: ふーん。あ、そ S: Ohh..? I see. ふーん (Ohh..?) - Segasaki says this a lot, especially in this episode. This is another one of those sounds that isn't a word but carries a lot of meaning. It has a dismissive sort of tone to it, like you've already assumed something or when you're pretty nonchalant/not impressed about whatever the other person has said and are just playing along with them by giving them some attention (so again, if you use it wrongly, it can piss people off). Segasaki uses it whenever Yoh goes mute or shy, as a way to tease Yoh - though Yoh seems to think Segasaki is dismissing/not interested in his answer. あ、そ (A, so) - again, Segasaki says this a lot - can be interpreted as "oh really?/I see/is that so?" - Combined with the above, you can see why Yoh often thinks Segasaki isn't interested in his answer, and even when he does recognise it as teasing, he gets too flustered to do anything about it.

This seems to have gotten longer, if you reached the end - congratulations! I hope this makes it a little clearer why it's so obvious to us as the viewer that Segasaki is really quite patient with Yoh, and is waiting for him to come to terms with his feelings, but at the same time so confusing for Yoh, because of the way many of these interactions can be read both ways. In Ep 3, we'll really be able to get into their dynamics because they've got so much more interaction together.

#my personal weatherman #taikan yohou #体感予報 #MPW subtitle corrections #mytranslations #finally got it out #doing a breakdown of the argument was very fun #this is like the most indulgent t/n ever #i am indulging myself the same way segasaki indulges yoh #thanks to everyone for reading my indulgent notes #please geek out with me more #these two are so perfect for each other #sorry I wanted to get Ep 3 and the analysis out before Ep 4 but it's not happening

[liashinigami]

Was gonna gather my thoughts and write a post tmr on the general mood in the ofts space after the finale bc I feel like a whole bunch of people overthink the amount of editing that was supposedly the result of "promo couple fans complaining too much" but I literally cannot sleep before I get this off my chest so here goes nothing:

Do you guys not understand how tv show productions work....

The script was written, reworked, and then finalized before they even began filming. Yes they might have changed some stuff between the initial scrips draft they had before the mock trailer and the true beginning of production this year but considering that they booked two at the time new but well received promo couples (remember that this show was already in planning at a time when Enchené and The Eclipse were still very very fresh), TopMew and SandRay were always gonna be endgame. It's especially obvious now that the full series is out bc if you go back and watch the mock trailer, all the same storybeats are there. This is how the story was supposed to go from the beginning. They most likely cast two promo couples on purpose because of the added bonus of pre-established compatibility and chemistry needed for endgame couples in such a messy series.

Then they filmed stuff. They finished filming I believe the day that episode 3 aired, so they could not have changed any of the ending based on audience reactions (as I have seen multiple people suggest), since we were barely a few epiaodes into the story. The book based on the series was also already finished and in the last stages of preparing to be released. The only thing they actually did was edit out parts of scenes or full scenes that they found did not add anything at this point in the story (like the sandray garage scene) or would actively harm what we, the audience, are supposed to be understanding and feeling right now (like the Mew smashing shit scene and Top attempting to sleep with someone else, which both were explained to have been cut because audiences were reacting strongly negative to Top even a few episodes into his redemption arc, when we were clearly supposed to start being on his side). They might also have moved some scenes around to aid the story flow but I am unsure of that one (I suspect the scene where Ray and Mew finally solve their shit out was supposed to be directly before the SandRay donut scene bc of obvious clothing reasons, bc they either fucked up hardcore with clothing continuity or moved the first SandRay rehab discussion to after the RayMew talk because it made more sense that way when seeing it played out on screen. If that was the case I am glad for it bc it would have felt a bit weird the other way around idk...).

All of this is however not new. It happens all the time in film and broadcasting production (also in book publishing....this is why editors and alpha/beta readers exist. I mean Brandon Sanderson's books famously go through four (?) stages of feedback before they get published...). Some scenes just get dropped in editing because when you see it on screen it feels redundant or not quite right, so it gets taken out before it changes what they want the audience to take away from other scenes. Movies and tv shows that have months between filming and airing dates usually solve this issue with test screening audiences and several runs of editing. There have been instances of Movies having test screenings at cinemas and then having their release date scrapped because they have to be re-edited completely as a result of unexpected audience feedback. GmmTV series being on smaller budgets and timeframes results in this time window falling away and relying on observing audience reactions to already aired episodes closely and then editing the next episode close to its release is one strategy to still ensure that you bring across what you wanted to (Kdramas also do this very frequently). It might not be ideal but it's not unusual and it certainly does not mean that anything substantial from the story was changed. All the storybeats as well as the character and relationship development remained the same because they already had everything filmed. They did not do reshoots or we'd know it. The story was planned this way. It was in the script. If you did not like it, then you did not like it. But don't accuse the directors of "bending to the will of fans" bc that's just plain wrong.

I too have my issues with some of the writing and some of the characterizations. But let's keep the criticism where it is actually deserved ok?

Edit: I have also seen quite a few people over here and also on Twitter say how disappointed they are in the "editing based on audience reaction" and that they should release a "directors cut" with all the scenes but like....this IS the directors cut. THEY decided how to edit this because the original intent is not always what arrives in the brains of the audience. Storytelling is a two-way street and if a massive chunk of your audience interprets a part of your story so differently to how you intended it to be understood, edits are necessary. Because that means that your intent is not communicated well enough.

#only friends #ofts #only friends the series #I said pretty much the same things a few weeks back added onto someone else's post a few weeks back #back when that interview with jojo and ninew came out where they first said they look at audience reaction before they edit the next ep #I thought we got past that but apparently not #apparently people need to justify their own frustrations towards the writing and the storyline in weird ways #blame it on 'couple fans' #completely ignoring that realistically most people who got interested in this show found it through the mock trailer release #way back when the eclipse had barely finished airing and enchenté was also only a few months out #heck I hadn't even watched those two shows when the mock trailer came out and I went insane #haven't watched any other forcebook show to this day and while I liked the eclipse I certainly wouldn't have called myself a firstkhao stan #and still it was obvious to me from the mock trailer way back when and then the proper trailer a few months ago who would end up with who #I just feel like a lot of y'all were anticipating a different show than what it was advertising itself as...

[ahoppingmagician]

Nope

Alright, Viv just stop this train wreck, pull the plug, change your name and move to a mountain in the middle of nowhere. his woman is fully grown and I won't coddle her like the rest of the world.

Warnings: SA and Racism(If you aren't in the right head space please don't read these sections or this post)

SEXUAL ASSAULT

Alright, let's start with sexual assault. It shouldn't be treated like a joke or erotic because it's not. What else can I say to get it through people's skulls that SA isn't funny or sexy? If you truly need a post to understand why it's not acceptable, you are dangerous or too young to watch this show. This 30-something-year-old knows it's serious, but chooses when it should be taken seriously depending on her twink of the day. (You don't pick or choose when a topic is serious Viv, but go off)

Also, she needs to give things warnings, like I did for this post, for people to be

Happy

Healthy

Safe

Is it more hassle for you? Not at all. Will it be mentally damaging for the viewers? Yes, because you didn't warn them like a responsible creator about something they might have lived or have similar experiences with being shown on screen.

Goofy Rant

Now I'll brighten the mood by being a hateful bitch.

What is this plot? seriously how did we start with a hotel and then get to a threat of war between heaven and hell in like six episodes. That alone is two seasons, never mind every character's trauma, and other people that want the hotel cast dead, oh yeah and backstories for most of our cast...im six episodes.

VIV SLOW THE FUCK DOWN

If you have to cram every major plotline into your story then you failed. What she should of done is trim the fat off this burnt peice of bacon. Get rid of the Vees because they are pointless to the other plots or maybe the angel demon war because why would this show need it, or all the unfunny jokes.

Characters are shit adjacent but is that a surprise to literal any...wait her rabid fans. If your a fan of this series for god knows why then good for you...unless your a FAN fan. I have many words to say to them but that's for another day.

Edit: (Didn't even fucking know I posted this today, so sorry, onto racism)

RACISM

Now I am as Caucasian as can be so maybe I shouldn't speak on this, POC let me know if I can or if I should just shut up and let you do it.

I don't know much about voodoo/voodou, but I do know that it is a practiced religion, not a vibe VIV. You can't add a different religion to this show because it's a CHRISTIAN show, it explores the faults of God's judgement, heaven, and hell. Also, voodoo/voodou shouldn't be used as "evil" magic because we aren't in the 1900s to early 2000s anymore VIV. Also, you know it's a heavily if not completely black religion.

Alastor, Husk, Velvette, Emily, and Sera(Millie from HB aswell) don't look black. Now maybe I'm an asshole for this or even racist but where is the textured hair, like box braids, dreadlocks, afros, afro puffs, or just curlier hair in general. Why aren't you exploring the trauma that Alastor definitely went through because he was a biracial man in the early 1900s which could easily explain (not excuse) his behaviour, you could have a nurture versus nature theme.

Nifty feels...weird to me. First of all an Asian woman in the 50s who seems to have been raised or travelled to the USA, again racist trauma and all that being completely ignored. She feels like a stereotype, between the constant cleaning, obsessive behaviour, and her erratic behaviour. It feels like the crazy Asian woman stereotype.

Alright, that's it for right now, Have a wonderful day or night and wear whatever because it's all about your comfort because the world if making my own sanity crumble.

#anti vivziepop #hazbin hotel criticism #anti hazbin hotel #hazbin hotel #hazbin hotel critical #vivziepop critical #vivziepop

[neuroticbookworm]

I was not planning on writing a Step by Step analysis this week, because my mind was too frayed from all the anticipation for the next episode. But then @lurkingshan posted this, and it knocked something loose in my brain, and now here I am.

Shan talks about how even though Jeng and Pat felt the spark of desire when they met a couple of times before they became boss and subordinate, once they knew they had to be professional, they dialed it back using very different mechanisms.

Jeng chose to keep his emotions under control in the workplace, and he harbored and nurtured those feelings in private. Pat, on the other hand, was already under stress in the workplace, and as @ginnymoonbeam and @bengiyo discuss here, he also misinterprets the initial strict mentoring from Jeng as proof that the spark he felt must've been all in his head. That his gaydar made an error, and therefore Jeng must be straight.

So when episode 8 begins, the mutual interest from their initial interactions is the only thing Jeng knows for certain, to assume that Pat might want a relationship with him. He also tells Tae that Pat never looks at him the way he looks at Pat, which makes the confession a pretty huge leap of faith from Jeng.

In the dance floor confession, Jeng observes that Pat is not ready for another relationship yet. He still confesses his feelings, but adds that he can be the safe space for Pat if that is all he wants from him. And that he will never want for anything more. He has already resigned himself here to the fate that he might never get to be Pat's boyfriend.

@respectthepetty explains here that Jeng would've fully gone along with Pat's understanding that Jeng is straight. He was forced to show his hand and come out when Pat referred to himself as Jeng's friend. Here, Jeng was no longer planning on making his feelings clear to Pat. He had no choice but to do it.

In the aftermath, Pat reacts with confusion, dawning realization and horror, and we know that Pat is reeling from this information because his mind is now doing a speedrun of all of their interactions and reevaluating them with the fact that Jeng is gay. But Jeng, oh my poor Jeng, thinks Pat is horrified for two reasons: the previously stated reason offered by his rational and logical brain, and the reason offered by his panicked and frantic brain that Pat is horrified by his advances, and that Pat never liked him in the first place. That he was utterly and completely wrong, right from the glass jelly incident. This thought may not have found deep roots in his mind yet, but it is there, floating and waiting for confirmation.

Now, some speculation for episode 9 (aka clowning). We see Pat has taken the day off, which further fuels Jeng's fears. And later Pat looks visibly unmoored and exhausted, like he hasn't slept for a few nights in a row. I was talking to @chicademartinica and she mentioned how Pat looks like he is disassociating in this episode. And I agree, he looks fully out of it.

Whatever happens that forces Jeng to confess AGAIN, I don't know yet. But what I do know is that there is a high possibility that Pat might say no after this confession, because he needs more time to process things. But, in Jeng's mind, that floating thought will finally get its confirmation and take root, and it will go, AHA I KNEW IT, HE HAS NEVER LIKED YOU, EVER.

I know we are all anxiously waiting for the slowburn to end (hopefully it'll happen before the sun swallows us whole), but we may need to hold our horses. Because the possible roadmap I see right now is: Jeng confesses -> Pat says no -> Jeng thinks Pat has never liked him and drowns himself (and us) in angst -> Pat finally finishes thinking and realizes that he does like Jeng -> Pat tries to tell Jeng -> Jeng is already packing his suitcases to flee the country OR Jeng has built his mental walls so high that Put can't get through to him without a massive effort -> Pat convinces Jeng to hear him out -> They finally sit down and talk to each other -> JengPat FINALLY BURNS

My fellow sufferers of this cursed show, I will be the happiest clown if I get proven wrong, but I think it will take a while for these two to work this mess out, and I think it might take more than one episode *runs*

#step by step #step by step the series #step by step meta

[turbulentscrawl]

Identity(V) Headcanons: Luca Balsa

Next up!

Again, I am new to the IDV fandom, and I have never played the game, so these headcanons are informed by my ongoing lore dives sourcing the wiki, japanese twitter responses, comics, stageplay, and more! Some of these may relate to or even contradict character backstory, and some of them are just pure vibes for me. If you like it, consider shooting a request ;)

-So to start, I personally headcanon that Luca initiated the fight that led to the electrical accident. He’s always been hot-headed and impulsive, especially in regard to the source of his pride. I don’t think he intended for the confrontation with Alva to end anywhere near the way it did, but I do think he felt a good shove or two were well-warranted when he found out "his" ideas were being stolen. It’s when Alva fought back a little too viciously that the accident happened—and it well and truly was an accident. Not that it matters much when the only survivor doesn’t remember the event at all.

-He has headaches regularly, and terrible migraines at least once a week. He’s yet to find a way to relieve the migraines and, even worse, they are typically followed by an episode of more intense amnesia. Under normal circumstances, Luca’s memory problems are manageable. He doesn’t remember the accident, and there are massive blackouts in the memories beyond it, but on the average day he only struggles with small details of more recent events. During these post-migraine episodes, though, he completely loses all context for where he is, what he is doing, and who the people around him are. Most of the time, the important bits come back…but not always.

-Forgotten memories are also sometimes sporadically triggered by something mundane. A word, a texture, a sound, and suddenly he’s frozen stock-still in the face of a one-person cinematic viewing. By the time he turns to tell someone about it, though, the memory is gone again.

-To try to combat these issues, Luca keeps notebooks stashed everywhere. He writes down anything that might be important, as well as anything sentimental. The obvious issue with this, however, is that he doesn’t always remember where he keeps these notebooks.

-Despite his memory problems, his personality is largely in-tact. He maintains a lot of gentlemanly mannerisms and is cordial, if not outright friendly, to just about everyone he meets. Generally, he’s only “rude” in the sense that his attention tends to shift very abruptly.

-He’s the sort of person who appreciates variety. In people, food, scenery, just about everything. Part of why he gets along with so many people is because he can genuinely appreciate all manner of skillsets and hobbies. Likewise, to be a friend to him you only need to show appreciation for his work; understanding is not a requirement.

-It’s canon that he dislikes noise, but enjoys music. These might seem like clashing sentiments, but what it really comes down to is expected noise. Music can be relaxing, inspiring, rush-inducing! It holds your mind’s hand and hurries it along its thoughtful way. JUST noise is…chaotic, distracting, and sometimes startling. Plus, Luca likes being able to hum along while he works.

-It’s common to be static-zapped if you touch him. Long-term contact can even cause your hair to start standing on end. Unfortunately, it isn’t something he can control, so just be prepared to deal with it.

-The best Love Language to give Luca is Quality Time. He can honestly work with pretty much all of them, but Quality Time checks multiple boxes—especially if you’re good with parallel play. For one, he gets so busy with his work that it sometimes makes him feel guilty for neglecting the people he cares about. If you’re comfortable just hanging around his space, doing your own thing while he does his, it’s easier for him to check in with you between the erratic come-and-go of his thoughts. Those small bits of time add up, and he feels much better about his workaholic nature. Second, the more you permeate his memory, the less likely he feels he is to forget you. One of the few things he doesn’t struggle to remember is himself, his own name, and if you’re always there maybe it’ll be the same for you.

-He has trouble balancing his priorities. He often foregoes food, sleep, hygiene, and even his loved ones in favor of working on his invention. Sometimes he’s so absorbed in it that he doesn’t even understand the weight of hurtful decisions, but even when he does, he’d find it difficult to change.

-It’s also never impossible for the emotions that caused the accident to rear their head again. If someone were ever to intentionally sabotage Luca’s work or unapologetically steal his ideas, he may very well lash out with violence. Even if it were an accident, there’s no guarantee he wouldn’t be enraged.

-Luca has no idea what he’d do with himself if he ever did finish his invention. The guilt he feels for what may-have-happened is confused and warped, and he keeps it buried beneath his weighty obsession with the one thing he’s never forgotten…but if it were ever to be out of the way, Luca might be consumed by darkness.

#idv #identity v #luca balsa #idv prisoner #idv x reader #luca balsa x reader #turbulentscrawl #identity v x reader

[ekwolfwriter-blog]

I have said it before, and I will say it a millions times again: the animators were on point with the Southern Raiders episode.

I still want to break more of it down, but from this clip there is a range of emotions that are just chef's kiss perfect! Here is the tweet to follow along: https://twitter.com/zutaramedia/status/1660306841321226241?s=20

But from the scene, we get this beautiful shot:

We get a shocked Zuko that is shocked to hear the comment from Katara and how angry she still is toward him.

Next we get a grimacing Zuko. Wondering why she still is angry at him since everyone has shown the trust and accept him as part of the team. Especially after he saved her and from how she saved him. And also still feeling bad that she is still mad.

And Katara looks off, not really as angry as before - but definitely like she is trying to hold back from crying again. Could be the angle and the lighting but there is some emotions on her face too.

Bonus, Suki looking worried for Zuko and Katara between this scene and looked between them like there was some tension was clearly sensed. Definitely curious as to what caused them to have this dynamic

Next we get a determined Zuko to finally figure out why Katara is mad at him. Definitely reads like "I can't stand her being mad at me. I need to know why so I can make it up to her as she deserves it."

Also, Sokka's face is hilarious!

And finally:

He might look mad, but I would say more determined to understand why she is mad at him at him and understands that he has to talk to her face to face; following her when no one else was getting up or offering. Clearly breaking the mold as no one else ever seemed to follow her when she needed to be alone when mad and not looking into it more. But not our totally crushing on the powerful water bending girl fire boy. He can tell there is more.

And sadly I could not get a picture, but after this, you can so see him walking a distance behind her but clearly making sure to give Katara her space to storm off.

The range of emotions this boy shows all while trying to make things right for Katara and definitely realizing he needs to know directly from her as to why she is so hostile, just amazing! And even the small moment of Katara looking ready to cry before turning and leaving to add more emotions as well! The animators did not waste a moment as they certainly crammed in so much! I love it!

So wish we got the two parter for Southern Raiders. Would have loved to have seen how they would have added more.

Still going to break the whole thing down another day. But for now, hope you all enjoy!

#zutara #katara x zuko #zuko #totally crushing on #katara #2d animation #animators knew what they were doing #animation analysis #zutara forever

[ordinaryschmuck]

What I Thought About The First Doctor's Run

Salutations, random people on the internet who certainly won’t read this! I am an Ordinary Schmuck. I write stories and reviews and sometimes draw comics and cartoons.

So, I’ve made a discovery…Almost every episode of Classic Doctor Who is available FOR FREE on Tubi! You know what this means?!

“More people can watch the early beginnings of the most iconic sci-fi series of all time?”

That AND I can finally review Doctor Who as a whole!

I won’t lie, this has been something I’ve wanted to do for a WHILE. Either as a ranking of each Doctor or a ranking of their best episodes, I’ve been wanting to go in depth with this series for SO LONG. And since the odds are I WON’T become a writer for television like I’ve always dreamed, I might as well talk about my favorite TV shows! Starting with the son of a bitch who started it all: The First Doctor.

Here’s what I know about the First Doctor: Next to nothing. My experience with The Doctor as a whole started all the way with Number Nine, with the only taste of One being through that Christmas Special a few years back. He’s definitely more cynical and rude than present Doctors, but this is way back in his early beginnings. NO ONE knew what direction this character would take years later and just focussed on making an interesting character NOW. Er, then? Now? Then?

Eh, bibbly-bobbly.

The point is that I’m going to TRY and not be biased with One, look at him as if I were right there in 1963. Unfortunately, unlike everyone ELSE in the sixties, I don’t have access to all the episodes. During 1968-1978, most tapes that held Doctor Who episodes were reused for new film or deleted completely for space, leaving NINETY-SEVEN episodes erased from time forever and causing twenty-six serials either gone completely or incomplete. It’s basically what streaming services and studios are doing nowadays, but without pirating sites as a safety net to preserve the art from being COMPLETELY lost. Now, there are some audio tracks saved for commercial release that feature still images or commissioned animation, but that’s not the case for every episode, unfortunately. So things are going to get a little…weird for this review. For now, I’ll say that I’m going to stick to what’s on Tubi and improvise with what’s NOT on there. Also, I’m not going to go through every single episode. Just share my thoughts on each serial as a WHOLE, mainly because those practically add up to modern episodes anyway, just an hour or two longer.

Now, with that said, let’s take a step back in time as we discuss the first adventures with our first Doctor.

Decades Old Spoilers Below

THE SERIALS

We’ll begin by going in order of each serial, starting with his first adventure and ending with his last. Helps go through this journey together.

The Unearthly Child: Okay, full disclosure, this one’s NOT on Tubi, so I had to look it up through…other means. But to be fair, it’s not like I could just IGNORE The Doctor’s very first adventure. It’s here we see a sort of formula that still remains constant to this day. The Doctor meets new companions, they become shocked by how the TARDIS is bigger on the inside, they go to a place that’s filled with a temporary cast of disposable characters, and are forced to solve a problem for them or die trying. Of course, some things are different, and not just the inside of the TARDIS. The fact that The Doctor had a granddaughter was mind blowing and left me wondering what happened to her since she never showed up ONCE in the revival. And The Doctor was…surprisingly inactive despite being the titular character. He caused more problems than fixed them, like being the reason everyone was trapped in the Stone Age and later becoming the person who needed to be rescued. Honestly, Ian proved himself more as the leading man than The Doctor did throughout the whole ordeal, calling the shots and even being the one who came up with the plan that got them OUT of danger. Even when taking account that this was just the show starting out, it seems weird that the titular character isn’t the one who leads the group and is instead the whiney bitch that the others just tell themselves to ignore. As for the adventure, it’s pretty dull. Granted, you need to introduce audiences to the concept of time travel by showing them something easy to grasp like going back to the stone age. You gotta save weirder stuff for the future episodes. But the characters getting chased around by cavemen isn’t really that engaging, and it REALLY drags down a lot by part four where the conflict feels stretched out to meet the full twenty-three minutes. Overall, not that great of a first introduction but most of the best series of television rarely start off perfect. The question is if it makes me want to see more, and…it honestly doesn’t. If not for the knowledge of what the series would eventually become, I’m not sure WHY someone would stick around. But the Doctor Who fan in me is strong so I say we keep charging on.

The Daleks: The first encounter with The Daleks, the Doctor’s WORST enemies, and the serial is much better because of it. It’s actually interesting to see how these villains began with how simple they are to fight, the fact that they don’t INSTANTLY kill others they attack, and how they actually keep PRISONERS. And the serial does a great job at showing how they’re definite menaces to be feared, but not impossible to defeat, creating decent tension as the characters try to fight back literal killing machines. I also love how every character throughout the serial does something important, especially The Doctor who manages to do much more this time than whine and complain as he actually uses his intelligence to help his companions out of this troublesome situation. Although, he’s still the jackass that got them all trapped in this situation all for the sake of exploring a town that they know NOTHING about. There’s definite improvements to his character this time, but The Doctor being the cause for their current conflict is not one of them. And while we’re on complaints, this serial STILL feels like it stretches its adventure out for the sake of making the serial longer than it should be. There’s some definite excitement in the first half with our core four characters trying to escape the Daleks, but this serial still didn’t need to be seven gosh dang episodes long. I feel like there’s some meat to be cut out with making the Thals stand up for themselves, conceiving a plan of attack, and invading the Daleks’ base. Other than that, this is still a pretty decent serial filled with great tension from the Daleks and strong chemistry and dynamics between our core four. It’s definitely stronger than the last serial and a MUCH better introduction to the series. No wonder it’s the one that Tubi has.

The Edge of Destruction: A nice, short mystery where the first half does really well in making you feel as disoriented as the rest of the cast. There’s this solid unease where you’re not sure what’s going on and you’re left to pick up the pieces, bit by bit, to figure out what happened and if there’s anyone or anything responsible for this mess. Although, part two tends to fall a tad short because most of the clues we got were then explained to the audience and then given this big explanation that came out of left field because the biggest clue wasn’t revealed yet. So as a mystery, it definitely isn’t strong. Though, I do like how The Doctor is the one to figure things out and save the day in this serial. Sure, him being antagonistic towards the others wasn’t great but I enjoy how The Doctor has finally warmed up to his companions and that it’s implied that he no longer chooses to be suspicious of them. So while the mystery fell short, I can’t complain when it improves The Doctor’s character.

Marco Polo: Unavailable on Tubi due to the BBC deleting episodes. Yeah, unfortunately, this is our FIRST serial that can’t be seen in its entirety through official means…Though, no one said anything about using transcripts.

HAHA! Loophole! Because while I’m not going to steal audio-only episodes for the sake of reviews, who’s going to stop me from READING. It’s not stealing episodes if I’m just reading what happens! Although, unfortunately, it only gives me a PART of the picture. I won’t understand performances or fully grasp how characters look, but it’s no different from strictly LISTENING. There’s a lot that unfortunately goes missing when a visual media loses its visuals, and for a case like this it’s best to work with what we have. And what I have is the story pretty much described to me by someone else. It’s not preferable, but it IS what I can do for these times. Remember this every time a studio deletes episodes or entire shows off its platforms.

With that said, based on what I’ve read…Yeah, this one DRAGS. It’s The Doctor and company being forced to move from place to place and dealing with Marco Polo as they do. Doesn’t sound too bad, but each place they go to follows a specific formula: Someone does something Polo doesn’t like, he voices displeasure about it, The Doctor and others argue their case, Tegana points out how they’re actually evil, and Marco Polo, who flips from being reasonably cautious and unreasonably stupid, constantly tells them to get out of his face while still dragging them off to the next location. This goes on for SEVEN EPISODES, each one making the whole serial feel way too long and way too repetitive. I kept hoping this would be the end of the serial and we could move on to the next, only for it to KEEP. F**KING. GOING! It’s so dull that I needed TWO DAYS to read through the damn thing. But maybe that’s the problem: I had to READ it. There might be subtleties in the VISUAL performance that better conveys Marco’s personality, even if it DOES seem to flip/flop on paper. Plus, there are some things like the set designs and special effects that a transcript could gloss over and not properly convey. And there are SOME nice bits like The Doctor trying (and failing) to win the TARDIS back in a game of backgammon, which is all kinds of fun. And Susan made an endearing friendship with Ping-Cho. Those two are surprisingly adorable together and it’s nice to see Susan make a connection with someone her own age. Other than that, though, if this wasn’t that great of a story on paper, the original serial better have some MIND BLOWING execution to make it great. Otherwise, maybe fans aren’t losing much if this serial is lost to time.

The Keys of Marinus: A pretty clever idea with this one. The story for this serial is that The Doctor and his companions are out searching for the titular Keys of Marinus, presenting a story that’s a fetch-quest, with each episode dedicated to the characters finding one key. It’s smart because instead of stretching out one adventure to make the serial longer, it connects four adventures through this loose thread, keeping audience interest up as everyone tries to get out of the danger of the week. It’s fairly effective, filled with great moments like Barbara trying to save the core four from being brainwashed into mindless zombies, the entirety of “The Snows of Terror,” and The Doctor solving a murder. It’s all good fun, but not without some problems. An episode like “The Screaming Jungle” feels like it needs more time as there’s a lot of ideas that don't live up to its full potential or come out of nowhere. Like, a living jungle SOUNDS cool, but it only really comes into fruition until the end. There’s also the fact that the search for the last key feels stretched out because the writers didn’t realize soon enough that the finale for this serial was too short so they made the final hunt longer to compensate. But what bothers me the most is that The Doctor just…leaves the hunt just to spend time in a more civilized society. It works out for the murder mystery, but it also feels weird that the titular character bows out for two whole episodes, leaving his companions to do all of the work he neglects. Honestly, at this point, I’d say Ian should be the one the show is named after with how well he leads the party and even comes up with a clever plan to stop the big bads. And I know I keep harping on it, but why name the show Doctor Who when that same doctor hardly helps? Still, “The Keys of Marinus” is a fun serial that leads to solid short tales, even if there were some rough steps along the way.

The Aztecs: Oh, this one’s racist, isn’t it…? You know what? I’m as white as a ping-pong ball and have the patience of a goldfish to do proper research myself to make any judgments to decide something that I have no official standing on. So I won’t be the one to say what is and isn’t racist…Aside from the fact that those are obviously WHITE people playing the Aztecs.

But possible racism aside, this serial is more on the dull side. I do like this conflict between The Doctor and Barbara, where Barbara tries to change history for what she thinks is for the better (Which means changing the history and culture of Aztecs–Let’s not get into it) where The Doctor tries to convince her that there’s no way to change history. Future episodes continue to dive deep into the idea that history cannot be altered no matter what the characters want, and it’s interesting to see one of the first instances where the characters learn this the hard way. I also love how it ends on this idea that while they couldn’t change what happened, they still touched the lives of those they’ve made relationships with, meaning that it ALL wasn’t a loss. It’s a shining light of optimism within the tragedy that becomes a reoccuring theme through a lot of future episodes, and I love it each time. But other than that, this serial is another one that DRAGS. It’s just The Doctor and his companions screwing around with Aztecs for two hours while this boring subgroup conspired against them. It makes the whole serial feel like it’s running in place for too long, and I feel like if it cut out ONE episode or maybe shorten it down to two, the serial could be stronger for it. It’s also weird how Barbara is, like, a different person in this. Like, I get it, she’s acting like a goddess, but she seems TOO good at her performance, almost as if the writers wrote her as an ACTUAL goddess and not a character PRETENDING to be one. It feels off a lot of the time, and it’s just one more thing that makes this serial weak. Even though I like the idea of characters trying to fight hard to change history, that’s something done MUCH better in the future. It’s a charming first attempt, but not one I’m willing to revisit.

The Sensorites: A pretty…substandard serial. The titular Sensorites start off pretty scary and intimidating, being unlike anything the show has produced so far in this run. It presents a bit of uncanny horror for a good while…But then the serial reveals that they’re mostly peaceful creatures, aside from a few devious outliers, who actually need help. It’s a decent twist that also leads to The Doctor being the most active he’s ever been. The way he goes about finding a cure for this mysterious illness and taking charge in dealing with any dangerous Sensorite made it feel like, for the first time, he deserves to have the show named after him. I like it…but it doesn’t stop the serial feeling like it’s a little aimless at times, almost as if it’s drifting by for six episodes. We get some good stuff from it, but storywise it feels like we’re just bouncing from scene to scene as if the writers are making stuff up as they go and presenting coincidences that foil some villains’ plans. And then there’s this out of nowhere idea that this subgroup of humans lived under the Sensorites for so long, but there was never any indication of this and it’s presented in the VERY LAST episode, making it an almost pointless idea that went nowhere. I’m glad to see The Doctor become more  of a leading man, but I would have preferred it in a better, more coherent serial.

The Reign of Terror: MOST of the serial is intact…aside from two episodes. Meaning that it’s incomplete and not available on Tubi, so…ONTO THE TRANSCRIPT!

On paper, this whole thing seems like a drag. It starts interestingly enough with The Doctor being separated from his companions as they’re taken prisoner during the French Revolution. It leads to Ian, Barbara, and Susan trying to escape while The Doctor tries to reunite with them (instead of pissing off for half the serial), creating this situation where everyone’s putting in the work as they share the same goal. The problem is that, like the REST of the serials before, the characters fart around for too long just to stretch the story out to reach a goal. They will escape and then get recaptured for the sake of forced tension, and by the time Susan and Barbara were in prison again I just wanted the serial to come close to an end. Thankfully, by then, there were two episodes left, but it doesn’t change how it’s all two episodes too long. The only thing to catch my intrigue later was Barbara wishing they could help Robespierre from getting killed and The Doctor reminding her that they can’t change history. I still love an idea like that, but here, it happens near the very end and there’s barely enough time to appreciate it or dive deep into it. In fact, this could have been a great “Can’t mess with the past” episode, but it’s just…the characters trying to escape a situation and spending too long on it. The worst part is that this is the Season One finale, the time to go for broke, and it’s just…the same old thing with the same old problems as previous serials. Maybe it worked better visually or even through audio, but on paper it’s just as slow and boring as ever. Hopefully the next season starts big.

Planet of Giants: Huh. Guess it did. Just…literally.

Jokes aside, I am impressed with the set design in this serial. I can tell everyone worked so hard to set the scale, making you feel how small these characters are. Sure, you can tell exactly HOW it was done, but for the sixties this all must have been mind blowing work, especially for a TV show. As for the story, it’s…adequate. The characters are trying to prevent these two men from making an insecticide that could do more harm than good while also trying to find their way back to the TARDIS to reverse their size. It’s not the BIGGEST (ha) danger in the world and it’s something they could have stopped easily at normal size. If they focussed on growing again, they could have stopped the main evil prick within seconds, so the majority of the serial is just them messing around by trying to stop him while they’re an inch tall. And there’s also the fact that Barabara held the idiot ball throughout the serial, touching something in a lab when she shouldn’t have and keeping that information to herself for far too long. Like, WHY didn’t she tell the others she was infected with the insecticide? We never got an answer for that and it’s kind of frustrating as it adds unnecessary tension to a serial that doesn’t really need it. The characters trying to get big again is more than enough, we don’t need a nefarious plot about an insecticide gone wrong or one of the characters getting sick from it. But while the story definitely could use some improvements, the set design really does carry it, being an impressive visual display even if it’s for an inferior serial.

The Dalek Invasion of Earth: OOOOOOOOOOOOOOOOOOOOOH, so THAT’S what happened to Susan…Anyways, the best way I could describe this serial is two steps forward and one step back. The cinematography is impressive, looking like a feature film at times with dynamic shots and cool ways that the camera follows the characters. BUT the direction seems to be all over the place. Most of the time, it’s fine, but then you get stuff like actors interrupting or talking over each other or moments where peripheral view is…not a thing. There’s even a part where a Dalek is looking RIGHT AT THE DOCTOR as it’s moving away…and it just continues moving onward as if nothing happened. It’s actually kind of hilarious at times. And speaking of the Daleks, this serial did a great job showcasing how threatening and evil they can really be. The twisted way they used humans as slaves to destroy a planet is sick and seeing how that broke the human mind and ruined their families proved that the Daleks are nothing to be messed with. The problem is that the serial shows how easily they can be messed with. Like, even if they doubt the intelligence of normal Earth people, it’s not a smart plan to have a way for them to escape their prison cell WITHIN THE CELL ITSELF! And how is it that they can blast away people no problem but struggle with the robot slaves they made? I don’t know how it’s possible, but this serial manages to make these tin salt shakers MORE and LESS terrifying. On the upside, our heroes are at least competent in this adventure. Much like the last encounter with the Daleks, everyone does something of value, only this time they’re all split up to accomplish their own task that actually helps the others in a way they wouldn’t expect. It DOES feel like some plot lines are a little aimless with some of our cast waffling about a little longer than they should, but it all leads to a great ending when they reunite once more. 

And, of course, there’s the sad departure of Susan. It’s performed well and does a decent job of making me FEEL a little sad when The Doctor allows Susan to leave so she can live a life of her own without being forced to travel everywhere with him. I liked it…though I do have issues with how the reason that she wants to leave is because she fell in love with a man she’s known for a few days. It’s part of the writing of the sixties, I know that, but it doesn’t change how WEIRD it feels that Susan is willing to give up everything she knows for someone she recently met. So while I enjoyed the scene, it felt very flawed, which is the same for the whole serial. I enjoyed it a lot, but there were a few imperfections here and there that made “The Dalek Invasion of Earth” a messy, albeit fun, serial.

The Rescue: This was a blessedly short serial. The big twist was fairly easy to figure out after Part One, and if this serial was stretched out for more than two parts it would hurt it significantly. We don’t need four parts of the characters farting around, picking up little clues, and then solving the big crisis within minutes. So having the story last for about two episodes leaves for a brief adventure that works well on its own while also introducing the audience to Vicki. And I’ll admit…I’m not too sure about Vicki in this serial. She comes across as a less competent Susan who cries more and doesn’t have the same intrigue Susan did as being The Doctor’s granddaughter. It’s obvious that she’s there as a replacement for the “The Young One” in the group and it doesn’t work for me. What DOES work is how The Doctor is presented, as he acts much more like The Doctor I know now. He’s active towards figuring out what’s going on, caring towards Vicki and consoling her when she needs it, and is the one to confront Bennett in the climax of the serial. I do like how it’s sort of a slow burn with The First Doctor, showing him eventually grow from the bitter old man who couldn’t care less about anyone else to a more kind and proactive character due to the adventures he went on with his companions and the people that they meet. I still say it was off to name the show after the guy who didn’t do much, but The Doctor’s slowly earning his role as the leading man and I enjoyed that this is one of the earlier starts of them becoming the hero we know now. So while this is a standard serial, it does give us one of the better presentations of The First Doctor.

The Romans: *INSERT DATED ROMAN EMPIRE JOKE HERE*

Anywho, this one’s pretty entertaining. There’s basically two sides of this serial’s story: The Doctor and Vicki hanging out with Nero and his hysterical nonsense and Ian and Barbara being stuck in the slave trade…Yeah, probably sounds like the tones would heavily clash with this one, but it surprisingly flows well. You laugh at the hijinks of The Doctor acting as a close friend towards Nero while feeling empathy for Barbara and Ian as they’re forced into the worst possible position in Rome. There’s even equal attention to both plotlines, making them balance each other out fairly well that leads to the serial feeling fast but fun. The only thing that drags it down is how it begins and ends. The cut between the TARDIS falling and The Doctor and Ian chilling out in Roman attire felt jarring. Same goes for the reveal that they willingly stayed in Rome for a whole month instead of focussing all attention on fixing the TARDIS. I suppose it would come across as a pleasant holiday, but then they say they’ve been hanging out in someone else’s house while they were away and that’s…odd. It’s odd that it worked out like that for a whole month. Same goes with the ending, where The Doctor feels giddy at causing the fire of Rome. Even for the First Doctor, it doesn’t seem right that they would take joy in causing such destruction and mayhem. But aside from the problems in the beginning and the end, everything in the middle of the serial offered great entertainment for a pleasant viewing for me.

The Web Planet: AAAAAAAAAAAAAAAAAAAAH! MY EARS! For whatever bizarre reason or another, SOMEONE decided to give these giant ants the most ear-piercingly irritating sound for how they communicate. It was already grating by the first episode, yet they still thought it was a good idea to use the same sound, continuously, FOR SIX EPISODES! Halfway through the third, I genuinely considered skipping the rest of the serial entirely because I couldn’t STAND those f**king ants! Thankfully, I remembered that subtitles were a thing, so I just played the rest of the serial on mute and just read the subtitles. Trust me when I say that is the only way to make the damn thing watchable. And even then, it’s not that great of a serial anyways. It’s the characters helping these anthropomorphic bugs with slightly less annoying (but still pretty annoying) voices in a rebellion against the ants. I’m all about it, because screw those things, but it’s still a bog-standard adventure with some admittedly impressive costumes and effects for the time. I don’t know, maybe it’s because I couldn’t stand LISTENING to this episode, but I would have been completely fine if this was one of the few serials lost to time.

The Crusade: Speaking of which, HALF of this serial is missing and not on Tubi either. So ONTO THE TRANSCRIPTS (Gosh dang it…)

I think the problem with this serial is made clear with how it begins. We have new characters talking about political nonsense as if we, the audience, should already know the context of what they’re saying. Then when we’re introduced to the core four, they’re thrown into the middle of a battle with no proper set-up that their conflict of Barbara getting kidnapped happened so fast that it barely registers. This slow pace of boring politics with characters we don’t know and fast paced attempts of Barbara trying to escape her kidnappers remains throughout this whole serial. MAYBE it was handled better visually, but the way the serial constantly introduces new characters to discuss politics while The Doctor and his companions are barely there makes the whole thing feel like its priorities are disjointed. There should be more focus on Barbara trying to escape while the others go out to save her, but there’s so much attention on the politics and trying so hard to be historically accurate or whatever and it…doesn’t keep my interest. Not to mention that the constant new characters to keep track of as they steal attention is not all that entertaining and causes the whole serial to seem like it forgets who the show’s really about. I just wanted it all to end, as I feel like this is one of those serials that aren’t better on paper nor through execution.

The Space Museum: This one starts off pretty confusing, first intentionally and then unintentionally. I’m just as lost as the characters are, wondering what happened to them and what’s to come of it. It effectively puts me in the mindset the serial wants me to have, but then they give this explanation that just makes my brain hurt when I try to think about it too long and hard. Thankfully, the premise that the serial tries to sell is simple enough to shrug off the nonsense of time and relative dimension or whatever the hell. Basically, The Doctor and his companions saw a vision of what COULD BE their future, and the whole serial is them trying to make sure that never comes to be. It’s a solid premise that’s effectively tense in a lot of scenes as the characters seemingly get closer to what could be an inevitable future. Added with some fun moments of The Doctor being a giggly old goof as he screws with his enemies and it’s a fun time. The only weak part is this subplot involving the most ineffective rebellion I’ve ever seen, where it’s a miracle that they survived this long until they received help from Vicki of all characters. Though, even then, the subplot does well to show how independent Vicki can be in a situation AND adds to the theme that a person’s future can be changed if they changed the lives of others. It’s a decent message that helps make the serial a surprisingly good time. And yeah, that ending sting made me excited for the next one. Speaking of…

The Chase: This was…not what I was expecting. In the last two encounters with The Daleks, it was a big, tense adventure with the characters struggling to find a way to beat them. Here, it’s more like “The Keys of Marinus,” a collection of small adventures as the characters are chased through space and time as they try to escape The Daleks. It’s less of an epic adventure and more of a mixed bag of fun escapades and…awkward distractions. For example, watching the characters get stuck in a haunted house or fighting a robotic Doctor can be entertaining, but them interacting with this weird, underground civilization or this man from Alabama just drag it to a halt. Thankfully, the worst of it is only in the first half, making it a serial that starts slow but picks up momentum as things go on. There’s also some decent money put into this, having some impressive sets that change each episode, some crazy special effects for the sixties (the part where there’s two Doctors still looks good), and some creative camera angles that give a more cinematic feel. I dare say that this would be an impressively put together serial that is mostly fun despite some awkwardness.

But the real meat of this is that “The Chase” ends with the departure of Ian and Barbara. I will admit, the pacing upon their exit felt a bit too fast, with their decision to leave coming out of nowhere and their return home not giving us enough time to appreciate them appreciating Earth. Although, as weird as the pacing is, The Doctor’s heartbreak to see them go is well-acted and believable. You can tell that he’s less upset about the risk that comes with using The Daleks’ time machine and more upset about the idea that they want to leave in the first place. It’s odd that he feels more upset over two humans than his granddaughter, but this is still a moment that introduces the tragedy of The Doctor. They’re a character that’s always on the move, going from one part of the universe to the next and having to say goodbye to every friend and companion they ever make. They WANT to keep company, but know that their companion’s departure is always inevitable. Yet it breaks their heart just the same. I FEEL that tragedy here way more than with Susan, where The Doctor seemed more than willing to let her live her life. But with Ian and Barbara, these two humans who left an impact on him, they’ll stick with The Doctor’s heart for a long time.

The Time Meddler: The premise of this one is great. A time-traveler disguised as a monk is screwing with time to make himself the most important person in the universe. And The Doctor, being the biggest defender of time and space, tries to stop him. It’s a perfect idea that fits perfectly with who The Doctor is while giving him a true foil that he won’t have again until meeting The Master. It’s actually a ton of fun watching what’s basically the Beta Master trying to mess with history just for the pure selfish reasons of self-importance. And I do say that the serial perfectly captures that idea…by Part Four. Yeah, the majority of the first three parts are about hinting at what The Monk has been doing and padding out the runtime with characters screwing around in the woods or the monastery. By the time we get to Part Four, it does work well with the premise, having The Doctor and The Monk try and outsmart each other for victory with The Doctor, of course,  coming out on top. And I’ll admit that it was great seeing The Doctor take charge without someone else stealing the show as the leading man. What, do you think that the new guy STEVEN is going to take Ian’s place as the take-charge companion? Get the hell out of here…

But, yeah, while the first three parts DRAG, “The Time Meddler” at least ends on a high enough note where I say it was worth the watch. I’ll likely only return to that final episode instead of watching the whole thing, but what are you gonna do?

Galaxy 4: Unfortunately, this is another that’s been deleted from history. HOWEVER, it’s still on Tubi…Sort of. Because the audio logs are still intact, they had the whole serial reanimated by Digitoonz Media & Entertainment. And it’s…distracting. Not because the animation is bad. I mean, yeah, it’s not GREAT, but what’s distracting about it is that the animators tried their hardest to give this serial a cinematic feel, having grandiose backgrounds and doing things the actors and set designers wouldn’t be capable of doing. It’s entertaining to see, but leaves me questioning what the original episodes would have looked like. Because there is NO WAY this animation is an EXACT reenactment of what happens. But I’m not really complaining because there are some good stuff that comes from making this serial animated, like having all of Maaga’s forces exact copies of one another or actually seeing the destruction of the planet as Maaga is forced to watch it fall apart around her. I like a lot of this stuff, despite the distractions. As for the story, it feels blessedly quick, albeit simple. I saw the twist of Maaga and her weird ass clones being the real evil a mile away, but this WAS likely one of the first instances when a story presents the nice looking creatures as evil where the ugly looking ones are good. I can give it a little leeway for that, especially since “Galaxy 4” makes it clear that it’s MAAGA who’s the real villain whereas her clones are more or less drones following orders to appease their crooked master. There’s actually a bit of tragedy to the clones where they don’t get a chance to think on their own and do what their master says because it’s all they know. It effectively makes you feel bad for them as you also feel grateful that Maaga dies knowing it was all for nothing. And, again, it all goes by fairly quickly, making a serial that feels short and to the point. I couldn’t ask for better and I REALLY wish there were more lost episodes that were animated. Would have at least made for a more unique experience than reading transcripts to ones that are lost.

Mission to the Unknown: Speak of the devil! At least it’s only ONE episode…And a pretty decent one at that.

This is the first time where we don’t follow The Doctor or any of their companions, but instead some one-off characters. This would happen on occasion, with one of the most popular examples being the episode “Blink,” showing great tension as we watch these characters try to survive without a Doctor to save them. It’s no different here, as “Mission to the Unknown” features two men trying to warn the galaxy of a master plan of the Daleks, setting up a future serial while also standing well on its own for a quick adventure that ends in unfortunate death. It doesn’t give us enough time to really CARE about them, but that might have something to do with me reading it too fast. It’s still a solid episode that leaves one fearing for what’s to come later.

The Myth Makers: And another for the transcripts. Son of a bitch…

It’s not easy to tell strictly through text, but I think this is meant to be a more comedic adventure. In past serials like “Marco Polo” and “The Crusade,” they bore me by forcing in politics and dull characters, likely for the sake of “Historical accuracy.” Here, it’s The Doctor and his companions dealing with idiots on both sides of the Trojan War, with historical accuracy most definitely thrown out the window as people are more familiar with the version in Homer’s Odyssey. It is much more entertaining to see The Doctor try to appeal to the whims of a meathead like Odysseus and watching Priam and his family bicker about Cassandra and the legitimacy of her visions, rather than getting lost in the politics. It’s fun, but I’m curious if it’s meant to be. You have obvious comedic moments like Steven’s quickly failed rescue attempt and Menelaus wanting a drink after hearing The Doctor’s Trojan Horse plan, but the majority of the lines also don’t strike me as TOO humorous. That’s largely because the way an actor delivers a line versus how it’s written can give two different reactions, and it’s why READING the lines doesn’t leave as big of a comedic punch as hearing an actor say it in a funny way.

“Well, then listen to the audio versions.”

I’VE READ SO MANY TRANSCRIPTS AT THIS POINT! I’M IN TOO DEEP NOW!

But I will say that if the point WAS to make this adventure more comedic, then it makes the inevitable fall of Troy feel all the more tragic. I didn’t want the Trojans to die! They were FUNNY! And because they made me laugh a little, it hurt seeing them killed, even if I should have expected from the beginning.

One thing I didn’t expect, though, was that this was Vicki’s departure. Which I wouldn’t have minded if not for how it’s weirdly unceremoniously done. There’s no final goodbye and it feels like it breezes past The Doctor saying he’ll miss her. And her reasoning is just…dull. She leaves because she liked a boy, much like how SUSAN left. I guess there WAS a bit of foreshadowing given how Priam changes Vicki’s name to Cressida, a female character in retellings of the Trojan War who famously falls for Troilus. But even then, it still feels weak and even strange that Vicki would willingly choose to stay in a time she doesn’t live in for Troilus, a boy she knew for about two days. I know it’s something that just…happens back then in 60s fiction, but makes for an off addition to an already entertaining serial.

The Daleks’ Master Plan: SWEET MOTHER OF ALL THAT IS HOLY, this is the LONGEST serial yet! Possibly the longest serial in the show’s history! And the weirdest part is that only three episodes of it still exist, which is crazy not only because of the length but also because it features The Daleks. Even back then, it’s pretty clear that The Daleks are the fan favorite villains of the series, with the writers inserting them in when they can. And you would think that major characters such as them would be more valuable to protect, but no. All we have are mostly audio logs…And transcripts for yours truly.

Which is a shame too, because…this is a frickin’ GOOD one! Quite possibly the best serial I’ve ever read yet! The plot is basically characters playing keep away from each other, chasing after this insanely impressive element that The Daleks want to use for another doomsday weapon. And I just loved that the second The Doctor saw The Daleks, he knew that they needed to be stopped. He wasn’t forced into it or was trying to survive The Daleks attacking first. After three whole adventures of dealing with them, The Doctor finally put two and two together to realize that The Daleks just existing is enough to know that nothing good can come from it. So he takes charge on an adventure that’s definitely a little too long but reads as incredibly grand. It’s sort of a repeat of “The Chase,” where The Doctor and company go from place to place, planet to planet, so they can avoid The Dalek’s capture, but there’s some things that make this serial stronger. For one, the stakes feel real this time, with characters who assist The Doctor and Steven on their journey getting killed unceremoniously or tragically. You’re given enough time with Bret, Katarina, and Sara that when they meet their end for the sake of saving the group, it makes you feel a little something. The whole serial comes to a close with this idea that while victory was met in the end, The Doctor and Steven still take a moment to reflect on the lives they lost to win. It really sets how grim and deadly this adventure was, showing characters could die whether they’re ones you care about or even enemies to The Doctor. Speaking of, this serial also works in giving more unique foes outside of STRICTLY The Daleks. You have Chen, an arrogant and egotistical dilweed who’s maniac drive to be ruler of the Universe and doing anything to get it makes you enjoy his untimely demise all the more. There’s even a surprise return of The Monk, who sets himself more as this pathetic failure of a villain as he stumbles constantly to one-up The Doctor only to be outsmarted every turn. Both mix things up well while also making it clear that The Daleks are the real threats as Chen and The Monk follow every command due to fearing for their safety. It helps make the serial feel like a more unique adventure compared to past ones with The Daleks, adding more life, energy, and intensity to it. The only time I was taken out of the whole thing was this random Christmas special that got inserted halfway through. It distracted from the plot way too long and was filled with jokes that were probably funny VISUALLY and maybe AUDIBLY, but not so much when you’re reading it…like I did. Still, that’s ONE episode in a twelve episode long serial. Being entertained with eleven out of twelve episodes is still a great feat that makes “The Daleks’ Master Plan” a masterclass serial. Now can we go back to actually WATCHING these episodes again?

The Massacre: Guess not…

And this one’s one of the worst, if not THE worst. “The Massacre” has the same problems as “The Crusade.” So much of this serial is focussing on the politics of the historical event taking place, watching these characters you barely give a shit about with the main cast you love getting pushed to the sidelines. Except that while “The Crusade” had the charming cast of THE DOCTOR, Ian, Barbara, and even Vicki, “The Massacre” focuses on Steven. And I’ll get into the specifics in a moment, but I do NOT care for Steven. So to have four episodes focusing on boring historical politics and a character I do not like, it’s pretty easy to pick up why I dislike this serial the most out of all of them. I’m not kidding when I say that the best part about it is the moment where it seemed like Steven was leaving. Before you say anything, it’s not because it gave me hope that Steven was gone for good…Okay, it’s partially because of that, but it’s mostly because of this moment where The Doctor reflects on the people in his life and how he misses them. He even corrects HIMSELF when getting Ian’s last name wrong, showing us that he cares enough to get it right now because he misses his friend. It’s a bittersweet moment that proves how much The Doctor loves each companion they’ve made, even the first few people they’ve met in this first life. It was beautiful…and then it got undercut immediately to introduce Dodo and shove Steven back in as he changed his mind. The one thing I liked about this serial, and it’s ruined by itself. Yeah, this one’s definitely the worst, and I’m not missing it.

The Ark: FINALLY, something I don’t have to READ!

“The Ark” surprised me for a second. I knew going in that it was a four-part-long serial, but by the time Part Two met its end I was confused. It seemed like the story was wrapping up as The Doctor and company cured a ship of the common cold and went off to a new adventure. Only for the TARDIS to appear in the same exact spot many years later with a new problem caused by their actions in the past. Already, I love this premise. We almost never return to the same place twice with The Doctor, where after they save people from this great threat they always head off, assuming everything is fine. This is the first time we actually see what happened to the people that The Doctor saved, only to find out something worse happened to them. It’s a solid premise with good enough execution. I like that this whole thing started with an accident. Dodo just happened to have a cold and didn’t expect the consequences that could come to a species that never experienced it. It puts The Doctor and company in a situation where you don’t BLAME them for what happened but you understand that they have to clean up this mess they caused. I also find it brilliant that the first half of the serial has The Doctor and his companions dealing with rouge Guardians and the second is rouge Monoids, giving this message that both parties aren’t innocent creatures and that peace can only be made when they learn to live together instead of treating one species as slaves. It’s a bit muddled as we don’t really see much of the extent that the Guardians treat the Monoids and how disrespected they are. It gives the idea that the creepy-looking creatures who look different are more at fault, especially since the human Guardians are the ones who assist The Doctor in both halves. There’s never any assistance from the Monoids, which makes it feel like peace might not be the best option. I wouldn’t harp on it if not for the fact that several serials back in “Galaxy 4,” we had the same message of “The ugly ones aren’t evil” with decent results. Still, the idea and meaning is clear as no one’s really, wholly good. Just could have used some cleaning up on showing the good side of the Monoids, making “The Ark” having a strong story ARC.

HAHAHA–Kill me. Next one!

The Celestial Toymaker: All but the last part of this serial is missing, so…onto the transcripts.

I mean it, kill me.

(I don’t actually mean it. Just…been doing this for a while)

This serial introduces The Toymaker, a character that would only reappear once more…fifty-seven years later with the incomparable Niel Patrick Harris playing the role. And speaking as someone who got introduced to this character through NPH doing random accents and a random ass dance sequence to “Spice Up Your Life,” I wasn’t sure what to expect from the version in the sixties. Turns out, while he’s not as bombastic and jovial as Niel Patrick Harris, The Toymaker is still the most unique villain that The Doctor and others have come across so far. The Doctor isn’t kidding when he says that The Toymaker loves using people as his playthings, sending out dolls, board games, playing cards, and all sorts of other traps to entertain himself with The Doctor and his companions. And while Steven and Dodo aren’t the best duo in the world,, they’re at least paired up with despicable and hilariously incompetent antagonists as The Toymaker sends out his toys against them. You’re entertained by them, but at the same time you feel bad for them when they fail because they’re all trapped souls captured by The Toymaker. Or are they? The serial cleverly keeps you guessing whether or not these toys were once people, leaving it up to interpretation on if it’s all a part of a trick he’s playing. It adds a bit of tragedy to the goofs and gags, which I certainly appreciate. Then you have The Doctor’s game with The Toymaker that adds intensity, as he’s trying his best to stall to win the game until Steven and Dodo find the TARDIS. And, sure, I would have loved MORE to actually SEE The Doctor beat The Toymaker in a battle of wits as opposed to watching Steven and Dodo going through a goofy, silly adventure, I’m not complaining too much for the end result. “The Celestial Toymaker” is still an incredibly entertaining serial that has every character working well together to survive and being competent as they win their own game. Although, I do have to call nonsense towards Fourteen in “The Giggle.” Saying that cheating is the last thing The Toymaker would do when that’s all he does in this serial…Nonsense.

The Gunfighters: This serial finds the characters in a wild, wild west adventure, and this one’s definitely meant to be a more entertaining ride rather than an epic adventure with huge stakes. You’ve got fun stuff like Steven being forced to sing at gunpoint, an outlaw playing dentist as he rips out The Doctor’s tooth, Dodo fainting as she attempts to hold a man at gunpoint, and British people trying to do western accents. It’s definitely a good time, but it also feels like the writers leaned too hard into this being a western. All the tropes and cliches seem present and it’s definitely enjoyable, but it doesn’t feel like a Doctor Who story. The characters are pretty much in the background as we follow the narrative threads of these outlaws and a sheriff. Sure, they’re entertaining as well and don’t make the serial drag like “The Crusade” and “The Massacre” did, but at the cost of abandoning who we really follow this series for: The Doctor and his companions. What’s crazy is that ten (eleven?) regenerations later, The Doctor would go on another wild west adventure, facing down a space robot playing bounty hunter as The Doctor protects a town that’s inexperienced with this kind of threat. Not only does that episode have a concept that works perfectly for this show but it makes the story revolve around The Doctor and his companions trying to save this town. In “The Gunfighters,” The Doctor and company are pretty much absent for most of the story, either being dragged along by characters with more narrative importance, or stepping out of the entire climax. And yes, there are instances when the show follows random characters for the entirety of a story, but that’s still done in a way that it feels like it matches the show. Like how in “Mission of the Unknown,” where we follow characters trying desperately to stop The Daleks. Goofy or intense sci-fi nonsense and seeing The Doctor and co. reacting to history is what makes Doctor Who one of the most engaging science fiction shows ever made. While a western can be entertaining, something like “The Gunfighters” tends to make you forget what show you’re watching.

The Savages: Deleted. And a shame too, because this is another good one. The concept of this civilized society using living people as an energy source is already chilling, and the serial does well in showing how messed up it is for the supposed Savages. Though, if this was written in Modern Doctor Who, I feel like  the results of this power draining would be MUCH darker. Especially if Steven Moffat wrote the episode (The sick bastard). As is, it’s still great with how they made the power draining as dark as it could be for the sixties, all while adding a classist message that still manages to work NOW with its themes of the high and mighty sucking the life of what they think is savage. I love it and I also adore how The Doctor quickly picked up on how sick this whole idea is, wanting to shut the whole thing down immediately. THAT’S The Doctor I know, and it’s pretty fun that what saved the day is their leader taking some of The Doctor’s essence. Even when temporarily beaten, The Doctor still wins.

It’s all pretty great, but do you wanna know what’s better? STEVEN! IS! GONE!

Again, I’ll get to WHY later, but I am so glad to see Steven go. He wasn’t really the best companion out there and it is pretty nice that in his last adventure with The Doctor it’s all about Steven finally learning how to be useful. It’s to better sell that he’d be a capable leader to these people and…under his leadership, they’d probably die, but I can take it. Seeing Steven gone makes me willing to accept any nonsense of making him a leader and it’s nice that the show lets him leave with dignity. Even with the worst companions, it’s great the show at least treats them as people and lets ones like Steven leave happy enough instead of injecting him out the airlock or something. His departure is very welcomed and makes this serial stand out a little higher.

The War Machines: The final serial available on Tubi, and it’s…alright? Yeah, I honestly have no strong feelings one way or the other towards this one. The premise itself is what I love to see in Doctor Who, as this machine meant to help humanity ends up wanting to conquer it, with The Doctor being a key factor in securing the victory only to become the machine’s downfall. It’s all decent enough, with actors doing well at portraying these disturbingly obedient human puppets and there being some impressive puppetry on display with WANTON’s war machines. But as decent as it all is, none of it really WOWED me. The techno babble that The Doctor used to explain how he outsmarted and bested the war machines lost me due to how convoluted it was. Same goes for how WANTON was able to hypnotize human beings. I don’t even know if it was ever explained because of how much non-scientific science was thrown in this entire serial. It’s the central part of this entire premise, and it makes little sense how a computer was able to hypnotize anyone, even if it was supposedly advanced.

Another thing that bothers me about this serial is that this is supposed to be Dodo’s exit. She’s out for half the adventure and doesn’t even get to say goodbye in person. She just takes a nap, lets her replacements do most of the work, and then she’s gone for good. It feels cheap and gives her the weakest exit out of any companion in this run. Possibly the weakest exit ever. It’s another little aspect that makes the serial not BAD but not outstanding, either.

The Smugglers: Not much to say about this one. Just a fast romp as The Doctor and his companions fend off pirates in their hunt for a legendary treasure. It drags a little bit and there’s a lot of flip-flopping in terms of certain characters’ loyalty, but it has some fun moments, like The Doctor outsmarting opponents and Ben and Polly proving their worth as companions fairly quickly. Not a spectacular adventure, but entertaining enough.

The Tenth Planet: Here it is. The final serial in the First Doctor’s run…And it’s incomplete.

Yeah, the final adventure with William Hartnell’s Doctor, and you can’t see it in its entirety. You can watch the first three parts, but the fourth? Not a chance. It’s quite disappointing and, you know what? If I could cheat with his first adventure, I can cheat with his last. Let’s use “other means” than Tubi to watch those first three episodes and read what happens next.

And I’ll just say…it’s ALMOST perfect. It has a STRONG premise, introducing the Cybermen, a longtime enemy of The Doctor. It was so fascinating to see how humanlike these monsters began, moving and speaking like everyday men just with a slight robotic lean to it. It actually makes the more robotic, emotionless Cybermen more chilling in the modern age as it now becomes clear that the Cybermen perfected their goal to be more robot than human. The serial also cleverly makes it where the Cybermen aren’t the ONLY threat. I truly love that the bitter and impulsive General Cutler is just as much of an antagonist as the Cybermen are, with his desire to kill them before they kill Earth being potentially more damaging if he ever got away with his plans. It goes along with a recurring theme of this show in the modern age where those who try to be the victor in an unnecessary war tend to destroy themselves. Cutler dies because he attracted Cybermen attention with the warhead and the Cybermen die because their planet burned up when they could have asked for assistance with their problem instead of destroying the Earth for survival. It’s handled really well, with Polly and Ben still continuing to be useful additions to the cast as they do all they can to stop both Cutler and the Cybermen. Mainly because they have to with The Doctor checking out for when things get their most deadly.

Speaking of, the one thing that holds the serial back is The First Doctor’s exit. This was his final adventure, and he doesn’t do much aside from telling people what to do and taking a nap. By the time his regeneration begins, it all goes by so fast that it feels like he’s being rushed out the door. In a way…he kind of is. Due to age catching up with him, William Hartnell was forced to leave the show because his memory problems and exhaustion were getting difficult to film around. So now they had to get him out of the show for his own good, all while making one last serial as a final goodbye to this actor. However, it doesn’t change how…off his farewell feels. He’s not the triumphant hero who stopped The Cybermen and he didn’t get any final words to make his goodbye feel haunting or bittersweet. Future Doctors got this chance, even ones who decided to leave on their own accord like David Tennant or Matt Smith. It’s actually kind of sad that William Hartnel didn’t get the same treatment and that the writers would only learn their lesson for FUTURE generations. His flawed departure is the one thing that holds back what is admittedly a well-made serial.

And that’s it. That’s the last adventure with The First Doctor. But before I talk about my overall thoughts with this man, I should first discuss some other characters. Characters who are important to any Doctor no matter WHO (haha) they are…

THE COMPANIONS

Doctor Who would not be the show that it is without the companions. They’re frequently the audience surrogates, experiencing new adventures alongside The Doctor while assisting them across space and time. One thing that Chris Chibnall did correctly is point out that the companions are the true power of The Doctor and are worth talking about within the same breath. However, it DOES get a little tricky on who’s considered a companion or not. And trust me when I say it’ll get trickier as time goes on. So, for the sake of sanity, I’ll say that a companion is a recurring character who travels with The Doctor in the TARDIS and is there for more than one episode (Or serial, in this case). With those rules that I’ll probably break in the future out of the way, let’s begin with each companion as they left us.

Susan: I have…complicated feelings towards Susan. She had great chemistry within the group, did well as the wide-eyed, naive child who was excited for everything, and I was truly sad to see her go…But while my heart was sad, my ears were eternally grateful.

Yeah, as sweet a character as Susan is, she wouldn’t. Stop. F**KING. SCREAMING. Every time danger happened, she would always go, “AH! AH! GRANDFATHER! IAN! BARBARA! AH-AH!” Everytime. And when Susan was part of the group, having fun with them, being just as silly as the others, THAT’S when Susan worked. She was “The Young One,” acting as someone who the others would look after but still treat with respect as they knew Susan was capable of so much more than SCREAMING. As a member of the group, Susan worked great. As someone who could face danger…Let’s just say that my ears will be bleeding less now that she’s gone.

Ian: It’s weird that a college professor has more of a hero’s heart than the titular character of our show, but I’m not entirely complaining. Ian was a solid companion, willing to take charge for the sake of the group and having some great interactions with The Doctor. You could tell he wanted to strangle the old man, but also enjoyed The Doctor’s company as they shared a similar spirit. They both consider themselves leaders of the party and find conflict when one has an idea they believe is better than the other’s. After a while, they learn to work together and you feel that trust they have thanks to them realizing they’re basically the same kind of men who want the same kind of things. It DOES tend to feel that Ian steals the show at times, but it doesn’t change how much of an entertaining and perhaps even inspiring character Ian can be. He went through so much for The Doctor and the others, being the hero that they need and being charming as hell when doing it.

Barbara: Barbara’s sort of the character that has a well-defined relationship with everyone in the TARDIS. She’s a supportive, motherly figure to Susan and Vicki, treating them with respect while calming them down during intense times. With Ian, she’s a good friend and ONLY a friend. I’m actually glad that she was never forced into a love-interest role with him. There were so many moments where that could have been a possibility with how often those two are paired together, but it’s nice that they remained as close friends who can rely and help one another when the time comes. Not every man and woman needs to end up dating in the end. As for how Barbara is with The Doctor, where Ian and The Doctor are the same in a goal-driven level, The Doctor and Barbara are the same through an INTELLECTUAL one. They often share the same kind of thoughts and curiosity for each adventure they go on, and when they argue, you can tell it’s between two people who are of the same mind but with different opinions. It’s done well and I appreciate seeing these two interact the most. I also appreciate that Barbara stood strong in the face of danger, being just as valuable of a helping hand as the others are and not being a damsel in distress. Sure, she was like that SOMETIMES, but for the sixties this was likely the most independent a woman could get on television. Barbara was a strong character, and likely my favorite amongst the original companions.

Vicki: I was very worried that Vicki was going to turn out to be Susan 2.0, and in a lot of ways, she is. She was very much the young one who was commonly paired up with The Doctor or Barbara as she oozed with childish naivety. Even her exit was nearly identical to Susan’s, except that Susan’s was handled better because The Doctor at least said goodbye. Still, while very similar to Susan, there were some things that I did like a little more with Vicki. For one, she didn’t scream as much…thank FRICK! And two, she was a bit more proactive. Instead of screaming for Ian, Barabara, and The Doctor, Vicki found solutions herself and was frequently the one who helped save the day. I appreciate that, as it helps set her apart more from Susan and gives fans a different kind of naive character that’s endearing in her OWN way. I will say that it feels weird that The Doctor treats Vicki with more respect than his actual GRANDDAUGHTER at times, but this one isn’t screaming too often, so I don’t blame him. Vicki’s a little too much the same, but in some ways, I’d definitely say she’s a bit of an improvement, as mean as it is to admit.

Katarina: Does she count? She doesn’t really go past a single serial…Aw, screw it. She traveled in the TARDIS and helped the group for some time. I’ll say she counts.

And there’s not much to say about Katarina. She was along for the ride for such a short time, not really given a chance to stand out between the young characters like Susan or Vicki. There is this bit of naivety due to her seeing technology for the first time and mistaking The Doctor as a god, but there’s not enough time to develop that idea further and show her capabilities. I will say, though, that she gets the DARKEST exit of any companion I’ve seen. It’s sudden and unceremonious, dying because of some stupid maniac trying to escape his personal Hell. What’s worse is that it’s left to interpretation as to whether or not her death was an accident. Because she was from the distant past and had no knowledge of technology or buttons, it’s unknown if she sacrificed herself to stop the others from going back to The Daleks or because she didn’t know what button opened the door. A character that got to see the universe for the first time, thinking she was a part of something perfect, only to die in an unpredictable circumstance. She had a short amount of time, but I’m with The Doctor. I hope she found that perfection.

Steven: I. Do. NOT care for Steven. It feels like the writers were trying to make him Ian’s replacement as the heroic figure that was often at odds with The Doctor. Except that Steven is very much NOT that. He’s more like this bumbling buffoon who caused more problems as he constantly needed to be rescued by The Doctor and even Vicki at times. The very SECOND that proves how useless he could be was during his introduction when he ran to get back his teddy bear during a grueling escape from The Daleks. You COULD make the argument that the writers wanted to slowly develop Steven into a more heroic character, but there was barely any progression with him constantly being the butt of every joke. The only time he felt useful was during his last appearance, which I can appreciate. Again, they let him leave with some dignity intact and I’m grateful that he and The Doctor left on good terms. The two of them had a lot of one-on-one times with Steven having a great amount of trust towards The Doctor despite the constant jabs The Doctor gave. The Doctor admires every companion he lets tag along, and I love that it’s no different with Steven, even if I was more glad to see him gone.

Dodo: I…am incredibly indifferent towards Dodo. I don’t HATE her, I guess I could say that. She never really made my ears bleed like Susan did, but, at the same time, she wasn’t really the most useful companion. Dodo was either a damsel for The Doctor to save or someone that CAUSED a problem instead of leading to a solution. In a way, she’s more of what I expected Vicki to be: A downgrade rather than an upgrade who never really got a chance to shine as a worthy member of the group. Even Steven seemed more proactive than her, and that is a crime. And I’m pretty sure even the writers weren’t sure what to do with her either, given how they just…kicked Dodo out of the series without any proper exit. If Steven could get a proper ending, then so could Dodo. Regardless, I wouldn’t exactly say I’m going to miss her. Not too much, anyway. I didn’t mind her existence in the show, but I won’t lose sleep with her being gone. Sorry.

Ben and Polly: Yeah, might as well lump these two together. They weren’t on this run for long, and I assume they’ll be more dynamic characters when we talk about Number Two. For now, I’ll say that they’re fairly useful, saving the day with cunning and bravery. I wish Ben was a LITTLE less whiny and Polly a lot less of a damsel, but who knows? Maybe they’ll improve with The Second Doctor.

But that’s enough with the companions. Let’s finally talk about the man who started it all…

THE DOCTOR

The Doctor, no matter the iteration, is one of my favorite fictional characters. I ADORE a character who solves problems through wit, prefers not to use violence but will if pushed to their limits, and is the kindest being in the universe who will also destroy you if you hurt anyone they love. The Doctor is a being of many contradictions, who’s personality may fluctuate throughout the generations but still, at their core, is a caring being who won’t let ANYTHING stop them from doing what’s right.

…So to see The Doctor start off as this old fart who constantly complains while everyone does everything, causes problems for others, and sometimes cowardly bends to the will of enemies was a definite SHOCK to the system. The Doctor did NOT start out as the nobel hero I know them now as. It was actually kind of frustrating to see him stand off to the side while Ian took charge of everything. THIS would be the person who defeated countless enemies all over the universe? The person who sets out to save lives and regrets the ones they lost? That all started with someone who purposely trapped him and his companions on a distant planet just so they could explore? I couldn’t believe it, but thankfully the writers knew this neat little trick to storytelling: Character development.

Slowly but surely, The First Doctor does become more and more like the character I now adore. He fought Daleks after knowing how dangerous they are, weeped for the friends he had to let go, and outsmarted enemies rather than overpower them. He even gained The Doctor’s silliness and sense of humor. Just look at his grin as he scared enemies off after pretending to be a Dalek. The man relished in the chaos he brought, and it was fun to see…Except when he got giddy for being the one who caused Rome to burn down to the ground. Still have no idea what that was about.

Now, things weren’t always perfect. The First Doctor, while improved over time, still never became the heroic badass I know him NOW as, relying on his companions to do most of the work while he’s off having his own fun. Still, that’s where him being the FIRST comes into play. I can absolutely buy that it would take a few regenerations before he became The Doctor I know and love. As is, I’ll say that The First Doctor is an interesting, albeit off-putting, look into what The Doctor USED to be. It wasn’t always good, but I had my fun and I’ll miss this goofy old man.

And with that, we close off The First Doctor’s run. Most of it was fun, a lot was more dull than I expected it to be, and there were both good and bad surprises given to me through this journey into The First Doctor's adventures. It was great to finally see how this show I love started out, and it’s only the beginning from here. Tune in next time when it’s out with the old and in with the…significantly less old as we talk about The Second Doctor’s run.

#doctor who #classic who #classic doctor who #the first doctor #the doctor #doctor who susan #ian chesterton #barbara wright #doctor who vicki #long post #it was nineteen pages on one google doc #sorry #what i thought about #doctor who reviews

[jadebread64]

time for me to post my bullshit ramblings on the new doctor who episode in no particular order like a maniac lol

(SPOILERS AHOY, DONT CLICK ON THE READMORE IF YOU HAVENT SEEN THE EPISODE)

obviously seeing tennant and tate back in their roles is so cool, they feel exactly as they should, it doesnt even feel like 15 years have passed when you watch them its great

DONNA CANONICALLY HAS A NONBINARY DAUGHTER AND IM SO FUCKING HAPPY ABOUT THAT

NOT ONLY THAT BUT HER ALSO BEING PART OF THE METACRISIS TIME LORD SHIT IS SUPER COOL

lmao im not even joking when i first saw the meep™ i literally thought "aww it's so cute i hope it doesnt end up being evil" and LO AND BEHOLD

OH MY GOD DAVID TENNANT JUST SUDDENLY PUTTING ON A FUCKING JUDGE WIG AND DOING A COURTROOM SCENE WITH THE MEEP AND THE WRARTH WHILE DONNA AND HER CONCERNED FAMILY JUST OBSERVE

also i think the wrarth voices are so funny cause in the trailers they're like *auurhghghg scary monster sounds!!1!* but in the episode they just sound british like every doctor who space alien should

i think the new TARDIS looks really cartoony and i think it's kinda fun, idk if ncuti is gonna end up with this TARDIS set (i'd imagine the bbc doesnt have the budget to make a whole TARDIS set for 4 episodes then just make a new one lol) but i think it looks kinda plain at the moment? idk if they added some chairs and bookshelves n shit like the capaldi one and make it look more lived in overtime it might be one of my favourites just for the whole classic who vibe it has. either way it's perfect for david he gets to run around like a little kid in there and thats all that matters lol

also tennants new suit looks so fucking good and honestly wish he just had that in series 2-4 instead of the brown suit

i think it's so funny how literally not even 5 minutes after entering the TARDIS donna just fucking spills her coffee on the console and the whole thing just explodes and goes to shit immediately lmao

ALSO WE'RE GETTING A FULL ON TENNANT/TATE ADVENTURE NEXT WEEK???? AM I IN 2008 OR 2023 I CANNOT TELL ANYMORE TIME HAS NO MEANING

im really hoping we get to see whoever the fuck neil patrick harris' character is in the next episode, im 99% sure it's gonna be the celestial toymaker but only because the doctor who youtube account kept posting celestial toymaker clips and i think they're being cheeky bastards lol (/positive)

(/sarcasm) i cant wait to see all the queerphobic assholes shitting on this episode for having the few pronouns/binary lines in it and going "dOcTor wHo iS wOkE nOw yUcK" even though doctor who has been progressive since literally 1963 with the daleks (which got a fancy new colourization that i need to check out still but thats a whole OTHER THING LOL)

oh yeah and david's acting is really fucking good in this, like when he thinks wilf has died and he just sorrowfully says "i loved that man." like MY HEART CANT TAKE THIS

plus when he thinks he has to sacrifice donna to save everybody, holy shit his perfomance is incredible

this is just a me thing but seeing a doctor who episode live as its broadcasting is so cool, i've been watching this show for like 8 years (i think??) and i usually just ended up finding it on dailymotion or some shit like a day or two after the episode aired so i'd always be late for it lol (btw for the people coming after me i dont pay for disney+ at all lol) so watching it the at the same time as everyone else was very cool especially since i nearly slept in through it lmao

anyways i think thats all if i remember any more things i'll add em in lol

plus some bonus ramblings before the episode aired

#doctor who #doctor who spoilers #doctor who specials #the star beast #rambling

[emptymanuscript]

You know, I just saw a post supporting the writer's strike and saying there are plenty of old shows to watch... and it occurred to me that it might be good to share some shows we love just in case people haven't seen them yet.

Places that make it easy to find where to watch things: Reelgood and JustWatch. Check both, they sometimes conflict, get it wrong, etc.

My Recs (in hopes others will add) (admittedly the low hanging fruit):

The X-Files, 1993, 11 Seasons, free on freevee, available on Hulu, can rent or buy other places. If you haven't seen X-Files, you're missing out. It was a smash hit in the 90's for a good reason. Two detectives, a believer and a skeptic, try to solve unsolvable mysteries in the midst of grand conspiracy. And find, somehow, that as much as they annoy each other, they need each other.

Babylon 5, 1993 / 1994, 5 Seasons, free on Roku and Tubi. An Epic Space Opera that never quite got the success it deserved. It is one of those things whose influence is written all over modern sci-fi and fantasy without much acknowledgement. This is the interplay of empires and mythology, double dealing and political cruelty.

SPACE: 1999, 1975, 2 seasons, free on Crackle, Peacock, Fubo, Pluto, Freevee, Plex, Shout, and Roku. I dare you to listen to the theme song and not feel the groove of this classic campy space opera. When Earth's moon is ejected from orbit to hurtle through the galaxy, the people of Moonbase Alpha have to confront new alien weirdness every week. Part of what makes it so good is that the show takes itself completely seriously, there's no wink and nod in here.

Kindred: The Embraced, 1996, 1 Season, available as a slime tutorial. It's Vampire: The Masquerade as a cheesy soap opera. There are constant reminders of what the clans are like in the most pointed, ridiculous dialogue you can imagine. Had the lead actor not died, this show might have found its place in a couple of more seasons, as it is, it is deliciously campy and dumb. Days of our LARP.

Profit, 1996, 1 Season, available as a slime tutorial. What if the Antagonist was the Main Character. Profit was ahead of its time. It would be right at home in the modern streaming era but it absolutely didn't fit in its own day and age. Profit is dark and twisted (For people who follow me, see if you can find an early inspirations for JJ) with mature and uncomfortable themes. One of its benefits is that it was network televison, so it couldn't show all the gratuitous violence and sex that it would be given if it was made today. It's psychological violence and murder off screen, which, if you let yourself get into it, can grow into worse things than can be shown. Profit is about power, greed, and ruthlessness and what happens when someone even more ruthless and immoral than you shows up.

Farscape, 1999, 4 seasons and a TV movie, available for free on crackle, peacock, popcornflix, shout, freevee, pluto, roku, and tubi. In spite of my picture, this is live action space opera, but it is looney tunes, literally in one episode. This is what happens when the Jim Henson company decides to make a space opera as far away from Star Trek as possible. It's zany, over the top, sometimes hilarious, often creepy, and there's only one human who is far out of his depth.

Blake's 7, 1978, 4 seasons, available on BritBox, and you should be able to find all of it with a little searching on youtube. Like Farscape, this show focuses on escaped prisoners but when they find an advanced spacecraft, they decide to become freedom fighters against their fascist regime instead of just trying to escape. Darker than most of what you could find on US tv until fairly recently. These are wounded people in hostile space.

The Outer Limits, 1995, 7 seasons. Free on Roku. This is a sci-fi anthology series. Some episodes are more interesting and thought provoking than others but overall a lot of good stories.

There are now 12 series with 44 seasons between them totaling up to 880 episodes of Star Trek. That's about 3 months straight of 24 hour programming if you ran it back to back with no pauses at all. That's a lot of show. Mostly on Paramount+ but it's probably not terribly difficult to find the material less officially. It may not all be your cup of earl grey but there's a lot to try out to see if you like it.

1899, 2022, 1 season (cancelled), available on Netflix or wherever else one finds shows. This is my only modern show because I know it didn't get a lot of viewership in spite of being brilliantly twisty. 1899 is one of those shows that it is very hard to talk about without spoilers. I think it is however immediately obvious that the cruise ship Kerebos, en route to New York, is not at all in the situation it appears to be in. It is magnificently multilingual with the ability to communicate when you can't speak each other's language front and center in the narrative. It's sadly cancelled and the creators are on record that they don't want to finish it in another medium so we'll never know exactly what happened but there is wonder to be had from this first season.

Magnum P.I., 1980, 8 seasons. Free on freevee and Roku. 1 season available with Amazon Prime, rest for rent or purchase. Mix a lovable goofball naval vet with PTSD and a very stiff necked British curmudgeon vet with PTSD and you get a fun mystery every week in paradise. Magnum shrugs off most of his work and pawns it on to his friends getting by on charm and some wit.

Murder, She Wrote, 1984, 12 seasons. All available for free on Roku. 6 seasons available for free on freevee. Note that one of the primary writers for Murder, She Wrote was J. Michael Straczynski, this is the job that got him the ability to make Babylon 5. Jessica Fletcher is a charming and clever lady who has retired to the placid sea side village of Cabot Cove to write mystery novels but somehow always ends up at murder scenes. It has been estimated that if Cabot Cove was real, it would be the murder capital of the US.

Tales from the Crypt, 1989, 7 seasons, available as a slime tutorial. To get it to lucky number 13, I present another great anthology show. Every episode a different tale of the macabre or horrific. The crypt keeper is a charmingly gruesome host and there are a few episodes that have stuck with me since I first saw them in the 90's.

Hopefully one among these number can fulfill your needs and if not, hopefully someone else will tack on a few more. I know I left out plenty of my own favorites. There's lots to see while your current faves are on hiatus. There might be a brand new fandom waiting for you.

#writer's strike #tv recommendations

[outrunningthedark]

It feels like I'm the only one who doesn't really like the scene. It looks hollow and superficial, the line delivery is stiff in some places, and the camera feels off in a way I can't describe. Sorry for bursting on people's bubble, but other than a few things that can be molded into something shippy it's underwhelming.

No need for apologies, this is still a space for differing opinions (as long as what we're disagreeing over is fictional stuff).

We'll have to see if the episode cuts back to the poker game or if we jump right to the aftermath, but on its own...that scene doesn't tell me anything except that Buck is still grasping the fact that he died. He has no idea what Miranda is referencing when she says "So three minutes, huh?" and then when Eddie corrects her to add the seventeen seconds (because every second mattered!) Buck's body language (keeping his head down) makes it obvious that he has no clue how to respond. It'd be one thing if he looked at Eddie like "How do you remember that?" via his eyes, but all I see is a guy who is uncomfortable with reliving the experience, and it's especially tough when he's working his way back to the 118, trying to prove to himself that he can continue on as if the possibility of dying is not permanently etched into his brain compared to the Buck of seasons past who didn't care if he died as long as someone else got to live. TL;DR That poker scene helped solidify my belief that "mixed feelings" is about Buck trying to make sense of the different emotions he's battling as he rejoins the 118 more so than any "mixed feelings" Eddie might be having about his BFF. [Sorry, guys, but ~two minute scenes is not a proper attempt to advance this story and if that were truly the plan because the future is not guaranteed I'd be pissed that they wasted people's time. My whole basis for saying that the show can wait until the very last episode to make it official is contingent on the show actually putting in the work from day one of what they believe to be the final season so that it's not coming completely out of left field. If season seven - possibly the final season - is when they're given the room to grow, I will absolutely feel differently. But doing anything before than feels like we're getting the LS treatment ie "Just give 'em Buddie and they'll be happy no matter what we do to the characters next."]

#anonymous #tina speaks #911 spoilers #buddie #tv: 911 #tv: 9-1-1

[doctor-caparty]

SPOILERS

UPDATE:

Okie dokie artichokies now that I’ve had time to think more about the episode and refine my thoughts and not on my half hour lunch break at work let’s do some thinking. Updates are in pink.

There was a lot to process in this episode and I would love conversations and thoughts about it too.

Anyway that was a backslide episode all around and I’m sad for them.

Olivia, Olivia, Olivia… I’m disappointed but not surprised. It seems jealousy and jumping to conclusions is a Valdovinos trait. I don’t want to seem like I’m demonizing her but if I was an adult witnessing all of this first hand I would of told her not to take it out on her girls or make any rash decisions, I understand she’s a teenager and that she herself had an overwhelming two days, what with deciding to let Mr. Predator go, being forced to trust Susan’s word about presenting to the PTA and then the whiplash of Jane hugging Susan like she missed something crucial during drivers Ed, the dance being accepted by the PTA, having a boy she has a “flirtationship”with ask her to said dance, setting up for the dance, then being told that her not meeting mr. Predator made him realize he wants her (typical narcissistic behaviour I might add), being told he’s left his fiancé for her, him kissing her, her rejecting him, then Susan walking in but not saying anything (which is sus to Olivia but we as viewers know she’s trying to be genuine), being excited for her date and the dance, suddenly being barred from said dance and thinking Susan is to blame and all this before there’s the spontaneous sharing circle which admittedly would ruin anyone’s fun. Susan does have some apologizing to do before she makes the progress to do better in good faith but Olivia, she didn’t say anything about Mr predator until you spilled her beans. She got Johnny Vavoom to the Frosty Palace. It’s also not Jane’s fault that Richie and Buddy got into a fight. She decided to go with her girls, which didn’t work for her but she did decide instead of back tracking with either of the boys to just go stag which good on her. Jane even let the boys down gently without lying to either of them. Olivia you could have gone after Gil and cleared things up saying he kissed you and you rejected him. Instead you backslide and go see the predator anyway (I understand Olivia is a child and a victim but I can still be disappointed that the progress she made last episode seems at the moment for nought it just means I’m invested in her story and characterization) I truly think if Olivia would’ve taken a calming breath none of the problems in this episode would have happened.

Cynthia, I am sad for you and your desires in the time you’re in. It looked like Lydia really wanted to go with you and I think you could’ve asked her even under the cover of as friends but I understand you don’t know your feelings fully but yelling at shy guy and insulting him isn’t chill and I hope you can come back from it and be friends.

Nancy and Jane seemed to be the only level headed ones this episode but Jane already had her backslide episode.

I feel I was partially right about Richie and Dot in that he was trying to make her feel better about potato and wasn’t trying to make Jane jealous. Also her poor nose.

I’m kind of glad Richie was the one to tell Jane about the stolen election and not drunk off his ass Buddy. Buddy had multiple chances to come clean but chickened out and even though he said he went to the FP to tell Jane, there was nothing to show that was his intention in the preceding scenes.

In conclusion, EVERYONE NEEDS COUNSELLING

I know I’m skipping over a bunch of things that happened but I have no space in my brain for organizing my thoughts and I invite conversations and opinions on the episode so please!

#grease: rise of the pink ladies #richie x jane #grease rotpl #spoilers #olivia x gil #episode 8 spoilers #jane facciano #richie valdovinos #olivia valdovinos #cynthia zdunowski

[life-and-love-in-a-myst]

The Proposal(s) – Part 1

Following on from my last post I wanted to treat you all to a little bit of Hotch fluff. So I present to you a little snippet of a chapter will be coming up 'soon'. There will be not one, but two proposals! Who will pop the question first? Btw, Aaron was the first to get the ring 🤭 with help from Jack (instead of the round cut garnets, think of square cut garnets - for the brilliant red colour, gold leaf is used on the back of the garnets)

The CM episode referred to is the Season 11 episode 'Drive'. Boston was my OFC's home for just over a decade, first she went to university there, then stayed in the city because of work. The walking tour is one way Aaron learns more about the city that Kez called home and also serves to remind Kez why she loved Boston in the first place.

The first day of the case was tough, everything seemed to overwhelm her. Kez was quiet, clearly pre-occupied, but insisted on going to work and going about her life. He, on the other hand, kept an eye on her, ready to do whatever might be necessary. He tried hard not to hover, not to over-anticipate or make decisions about her needs for her, tried to support her silently. Then it happened in the afternoon, he couldn’t stop himself from asking, “What can I do?” 

All she could do was look at him, eyes shining with the hint of tears and the unspoken emotional pain. He knew what she was asking of him. Can you just hold me, please. He didn’t have to be told twice. He closed the space between them in a few strides and wrapped her up in his arms. He moved them into the corner where they couldn’t be seen from outside the room. Hotch held her tight, as she clutched at the lapels of his suit jacket and buried her face in his chest. She inhaled and he could hear the breath trembling in her chest. She choked up on the exhale and he kissed the top of her head. 

“It’s alright,” he murmured. “Let it out, sweetheart. It’s okay. You’re safe.” 

He held her through the shudders of memory and the cathartic release of continuing forward, moving away from the point of trauma. He kept his arms wrapped secure around her body, as he whispered his love, support and pride. He’s proud of her – her strength, resilience, courage and kindness. He’s proud to be with her, proud to be allowed to hold her like this, to see the whole of her and, most important of all, proud to be hers. 

As her breathing calmed down, slowing and evening out, he pulled back enough to look at her, kept one arm draped loosely around her waist, as he brought his other hand up to her face.

“Thank you. For everything. You are…” She sighed. “You are more than I ever thought I deserved. I love you, Aaron. So much.”

He felt her words land in his chest, warm and soft, settling among the rest of her love he carried within him. “I love you,” he said, as he briefly considered reaching for the little velvet box hiding in his briefcase, before deciding against it. Better not to overtake the moment, or to add to (and contradict) the already strong emotions of the day.

#aaron hotchner #original character #criminal minds #fanfiction

[twotangledsisters]

Quick Update

So I've been going through some stuff, from anxiety attacks to depressive episodes to insomnia... Just not a good mental healthy week! I've got food, I'm taking my meds, don't worry about it! Just know that because of that, I'm not very 'interactive' on tumblr!

Things aren't always tagged correctly, the dashboard can be overstimulating... It's not about any specific person or specific posts! (except whoever the fuck is reposting my art without consent that specific person is in my bad books)

If you wanna continue chatting about fandom stuff with me though, I am very active on discord and will happily exchange discord with mutuals!

Yesterday I found some of my art reposted without my PERMISSION and without even giving CREDIT. This is terrible for a number of reasons:

1.- It's disrespectful!

2.- AI art theft made easier by spreading my stuff around!

3.- The continued separation of the artists from the art within fandom spaces making fandom into a less enjoyable environment for artists! Especially for small artists who average less than 10 notes on an art piece only to find their stolen art receiving tons of attention! Can you imagine how that feels? I don't have to use imagination! IT FEELS LIKE CRAP.

DEEP BREATH.

Yep, I am still emotional. But I brought this up just to say I will be using watermarks from now on. I will also probably be going back and editing old pieces to add in watermarks.

It's upsetting that this is needed.

But it is.

The normalization of just taking art because all you have to do is 'right click', 'save image'.... The fact fanfic authors are having to insert scripts into their fics so people can't 'copy and paste' their work... All of this is so depressing to me.

And I don't have the mental health to really muse on it.

So yeah... I would love to stay in contact with people on discord, and I will be posting some art later today before the depressing reality in which we live overcomes me and I quit art for another year or two because of it (trying not to do that again).

I'm not leaving tumblr, but right now tumblr and its lack of respect for artists and authors and just those who create stuff... It's making me sad. So until I stop being sad I will be less present on here. And that means that I might have a good day where I'm active followed by going inactive again... I just don't know.

I would like to start posting my art on other more effective platforms but haven't actually decided which ones yet. So any suggestions from artists are greatly appreciated!

I hope you are all doing well! And although I probably don't need to say it, but in case there are worries: my fic is not being affected by any of this, daily updates as usual! Prince Eugene and Three Thieves to return shortly!

I also have a nearly complete AU of the AU where Cass went ahead and cut Rapunzel's hair when they were 8 and 4 years old....!

#update #ramble #rambles

[cuppachar]

If Ted lasso characters had superpowers, what would they be? I’ve been thinking and this is what I’ve come up with so far: Jamie - super speed (because he has a tendency to run from his problems), Phoebe - force fields a la Violet from the Incredibles (because we have to protect him at all costs), Dani - empath (because he’s such an emotion driven character), Henry - teleportation (so he can visit his dad more often)

Seeing this prompt, after the last episode, all I can really see is

Isaac and the ability to chop things in half with his hand.

For me, I picture Jamie: Has Gambit/Remy Lebeau (X-Men) style powers: Kinetic Energy, the ability to charge objects into explosive energy. Jamie has repressed this most of his life, just like his childhood trauma, which might explain why he seems so 'charged' and energetic on the field. This version of Jamie's powers also takes inspiration from an epic fanfic I read back in the day, that also had Remy accidentally revealing he had suppressed empath skills. In Jamie's case, he's prickish behaviour, and his ability to wind up his opponent's (and Roy/his own teammates back in S1) was actually Jamie subconsciously (and times deliberately - Jamie knows he has this ability, just not enough control) so that they end up fouling him was Jamie pushing anger, hate and self-hatred onto others. In S2 Jamie has a psychic blast in the Man City episode and if no one knew about Jamie's abilities before, they did after this (a combination of built up kinetic energy and suppressed emotions and trauma) forcing Roy to help Jamie control this and also develop the Signal for when to use it appropriately.

It explains one thing, though: Anytime Jamie ever played, the atmosphere was always felt or described as 'charged' and electric'.

Marvel.com also describe Remy as 'he seeks redemption for sins past by playing an unlikely role – hero' which also kind of describes Jamie's journey and potential S3 arc.

(also can you imagine this  👇 👇 👇 👇 in Spandex)

Roy is basically SuperBob. This needs to be declared before signing for any team.

Phoebe: Strength, she is the niece of Roy after, all. Also has ability to form force fields.

Dani is also an empath, but he has control over it most of the time, and helps Roy in helping Jamie. Also explains his instant affinity for Jamie when he first arrived, and has some unresolved guilt over the fact that he had not picked up on Jamie's ability.

Banned powers (basically anyone who has these abilities need to declare and register said ability and take suppressants if they are members of football teams, or in affinity of said football match (fans are required to take suppressants for at least one month prior to a match or for the entire season if they hold a season pass);

Telekinesis -the act of mentally controlling/moving the ball (or making someone fall head over arse)

Cerebrokinesis - the ability to manipulate the mind and mental processes of others (or making someone fall head over arse)

Pyroknesis - ability to create and control fire with the mind. (No accidental fire or burning of the field or an opponent in the heat of the moment or burning the arsecheeks of your opponent's shorts off)

Psychic - No ability where you can read someone's next move or use any suddenly acquired information to your advantage (or know who's sleeping with who)

Teleportation - the ability to have instantaneous travel between two locations without crossing the intervening space . Unfortunately Henry is only allowed to use this on the off season as it's banned during matches.

Bonus:

Ted doesn't know what to call his ability - he as the ability to cook his feelings into his baking (a la Sarah Michelle Gellar in Simply Irresistible ). He soon learns not to stress bake or bake when he's angry. Working Title: Food Empathy (Ted: Not to self, do not add tears to baking mixture).

SuperVillains:

Rupert Mannion: Machiavellian - manipulative, callous, and indifference to morality (no hope for redemption)

Zava Egomanic - an excessive importance of themselves and their own life experiences, tends to talk excessively about themselves and have an insatiable desire to be above others (no hope for redemption)

Nate Shelley The Wonder Kid (possibly can still be redeemed).

#prompt #ideas #writing #fic #superhero au! #abilities!au #jamie tartt #roy kent #isaac mcadoo #phoebe #dani rojas #ted lasso #afc richmond #ted lasso tv #rupert mannion #zava #nate shelley #srsly jamie would look great in spandex