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#personally i think i'm good at writing emotions!
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"Let's Have a Talk, First"- Stereotypes, pt 1
Come sit down. You and I, before we get into any of the things I'm sure you're impatient to know: we need to have a come to Jesus talk, first.
There are some things that I've been asked and seen that strengthens my belief that we need to have a reframing of the conversation on stereotypes in media away from something as simple as "how do I find the checklist of stereotypes to avoid". Because race- and therefore racial stereotypes- is a complex construct! Stands to reason then, that seeing, understanding, and avoiding it won't be that simple! I'm going to give you a couple pointers to (hopefully) help you rethink your approach to this topic, and therefore how to apply it when you're writing Black characters- and even when thinking about Black people!
Point #1: DEVELOP THE CHARACTER!! WRITE!!
Excuse my crude language, but let me be blunt: Black people- and therefore Black characters- will get angry at things, and occasionally make bad choices in the heat of the moment. Some of us like to fuck real nasty, some might be dominant in the bedroom, they may even be incredibly experienced! Others of us succumb to circumstance and make poor decisions that lead to crime.
None of those things inherently makes any of us angry Black women and threatening Black men, Jezebels and BBC Mandingos, and gangsters and thugs!
Black people are PEOPLE! Write us as such!
If all Black characters ever did was go outside, say "hi neighbor!" and walk back in the house, we'd be as boring as racist fans often accuse.
I say this because I feel I've seen advice that I feel makes people think writing a Black character that… Emotes negatively, or gets hurt by life and circumstance, or really enjoys hard sex, or really any scenario where they might "look bad" is the issue. I can tell many people think "well if I write that, then it's a stereotype" and to avoid the difficulty, they'll probably end up writing a flat Black character or not writing them at all. Or- and I've seen this too- they'll overcompensate in the other direction, which reveals that they 'wrote a different sort of Black person!' and it comes off just as awkwardly because it means you think that the Black people that do these things are 'bad'. And I hate that, because we're capable of depth, nuance, good, evil, adventure, world domination, all of it!
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My point is, if you write your character like the human being they are, while taking care to recognize that you as the writer are not buying into stereotypes with your OWN messaging, you're fine. We have emotions, we have motivations and goals, we make decisions, and we make mistakes, just like anybody else. Write that! Develop your character!
POINT #2: YOU CAN'T CONTROL THE READERS!!
Okay. You can write the GREATEST Black character ever, full of depth, love, nuance, emotional range, all those things…. And people are still going to be racist about them. Sorry. There is absolutely nothing you can do to control a reader coming from that place of bias you sought to avoid. If it's not there, TRUST AND BELIEVE, it'll be projected onto them.
That passionate young Black woman who told the MC to get her head out of her ass? Yeah she's an angry Black bitch now, and bully to the sweet white MC. Maybe a lesbian mommy figure if they like her enough to "redeem" her. That Black gay male lead that treats his partner like he worships the ground he walks on? Yeah he's an abusive thug that needs to die now because he disagreed One Time with his white partner. That Black trans woman who happened to be competing against the white MC, in a story where the white MC makes comparable choices? Ohhhh they're gonna be VILE about that poor woman.
It really hurts- most especially as a Black fan and writer- knowing that you have something amazing to offer (as a person and creative) and people are gonna spit on that and call it "preference". That they can project themselves onto white characters no matter what, but if you project your experiences onto black characters, it's "pandering", "self insert", "woke", "annoying", "boring", and other foul things we've all gotten comments of.
But expect that it's gonna happen when you write a Black character, again, especially if you're a Black writer. If you're not Black, it won't hurt as personally, but it will probably come as a shock when you put so much effort in to create a lovely character and people are just ass about them. Unfortunately, that is the climate of fandom we currently exist in.
My favorite example is of Louis De Pointe Du Lac from AMC's Interview With The Vampire. Louis is actually one of the best depictions of the existential horror that is being Black in a racist White world I have ever seen written by mostly nonblack people. It was timeless; I related to every single source of racist pain he experienced.
People were HORRIFIC about Louis.
It didn't matter that he was well written and what he symbolized; many white viewers did NOT LIKE this man. There's a level of empathy and understanding that Black characters in particular don't receive in comparison to white counterparts, and that's due to many of those stereotypes and systemic biases I'm going to talk about.
My point is, recognize that while yes, you as the author have a duty to write a character thoughtfully as you can, it's not going to stop the response of the ignorant. Writing seeking to get everyone to understand what you were trying to do… Sisyphean effort. It's better to focus on knowing that YOU wrote something good, that YOU did not write the stereotype that those people are determined to see.
POINT #3: WHY is something a stereotype?
While there are lists of stereotypes against Black people in media and life that can be found, I would appreciate if people stopped approaching it as just a list of things you can check off to avoid. You can know what the stereotypes are, sure, but if you don't understand WHY they're a problem and how they play into perception of us, you'll either end up writing a flat character trying to avoid that list, or you're going to write other things related to that stereotype because "oh its not item #1"... and it'll still be racist.
For example: if you wrote a "sassy Black woman" that does a z formation neck rotation just because a store manager asked her something… that's probably stereotype. If you thought of a character that needed to be "loudmouthed", "sassy", and "strong" and a dark-skinned black woman was automatically what fit the profile in your mind, ding ding ding! THAT'S where you need to catch your racist biases.
But a dark-skinned Black woman character cursing out a store manager because she's had a really bad, stressful day and their attitude towards her pushed her over the edge may be in the wrong, but she's not an "angry Black woman". She's a Black woman that's angry! And if you wrote the day she had to be as bad as would drive anyone to overstimulation and anxiety, the blow up will make sense! The development and writing behind her led to this logical point (which connects to point #1!)
I'm not going to provide a truly exhaustive list of Black stereotypes in media because that would ACTUALLY be worth a college credited class and I do this for free lmao. But I am going to provide some classic examples that can get y'all started on your own research.
POINT #4: WATCH BLACK NARRATIVES!
As always, I'm gonna push supporting Black creators, because that's the best way to see the range of what you'd like. You want to see Black villains? We got those! Black heroes? Black antiheroes? Assholes, lovers, comedians, depressed, criminals, kings, and more? They exist! You can get inspired by watching those movies and reading those books, see how WE depict us!
I've seen mixed reviews on it, BUT- I personally really enjoyed Swarm, because it was one of the first times I'd ever seen that "unhinged obsessed murderous Black fan girl" concept. Tumblr usually loves that shit lmao. Even the "bites you bites you bites you [thing I love]" thing was there. And she liked girls, too. Just saying. I thought it was a fun idea that I'd love to see more of. Y'all gotta give us a chance to be in these roles, to tell these tales. We can do it too, and you'd enjoy it if you tried to understand it!
POINT#5: You are NOT Black!
This is obvious lmao, but if you're not Black, there's no need to pretend. There's no need to think "oh well I have to get a 100% perfect depiction of the Black person's mind". That's… That's gonna look cringe, at its best. You don't have to do that in order to avoid stereotypes. You're not going to be able to catch every nuance because it's not your lived experience, nor is it the societally enforced culture. Just… Do what you can, and if you feel like it's coming off hokey… Maybe consider if you want to continue this way lol. If you know of any Black beta readers or sensitivity reviewers, that'd be a good time to check in!
For example, if your Black character is talking about "what's good my homie" and there's absolutely no reason for him to be speaking that way other than to indicate that he's Black… 😬 I can't stop you but… Are you sure?
An egregious example of a TERRIBLE way to write a Black character is the "What If: Miles Morales/Thor" comic. I want to emphasize the lack of good Black character design involved in some of these PROFESSIONAL art spaces, because that MARVEL comic PASSED QA!! That comic went past NUMEROUS sets of eyes and was APPROVED!! IT GOT RELEASED!! NO ONE STOPPED IT!!
I'm sorry, it was just so racist-ly bad that it was hilarious. Like you couldn't make that shit up.
Anyway, unfortunately that's how some of y'all sound trying to write AAVE. I promise that we speak the Queen's English too lmao. If you're worried you won't get it right, just use the standard form of English. It's fine! Personally, I'd much rather you do that than try to 'decode AAVE' if you don't know how to use it.
My point is, if you're actively "forcing" yourself to "think Black"… maybe you need to stand down and reconsider your approach lmao. This is why understanding the stereotypes and social environment behind them will help you write better, because you can incorporate that Blackness- without having to verbally "emphasize how Black this is"- into their character, motivations, and actions.
Conclusion
We need to reconsider how we approach the concepts of stereotypes when writing our Black characters. The goal is not to cross off a checklist of things to avoid per se, but to understand WHY we have to develop our Black characters well enough to avoid incorporating them into our writing. Give your Black characters substance- we're human beings! We have motivations and fears and desires! We're not perfect, but we're not inherently flawed because of our race. That's what makes the difference!
And as always, and really in particular for this topic, it's the thought that counts, but the action that delivers!
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daosies · 1 day
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l(over)
when someone else flirts with you in front of them.
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heizou, wanderer, neuvillette ♡ gn!reader
warnings: not proofread, neuvillette may be ooc, wanderer is a little crazy 😊
notes: i played heizous hangout quest and he got me 😭😭
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frankly, heizou is amused.
"you're beautiful," some random stranger states, "do you happen to be free this weekend?"
you blink in confusion, glancing back and forth between the detective and the strange person. does he not see the way heizou's hand is linked with yours?
"well, someone clearly isn't a detective," heizou states, not bothering to lower the volume of his voice. when the person still doesn't quite understand what heizou means, he lifts your laced hands up to eye-level, emphasizing the fact that he's not letting go anytime soon.
"please don't interrupt," the stranger states, suddenly feigning ignorance to heizou's presence.
"oh!" heizou exclaims, unbothered. "sorry about that!" you can tell by the look on his face and the tone of his voice that shikanoin heizou is, in fact, not sorry. he's not sorry at all.
heizou brings the back of your hand up to his lips, staring directly at the stranger whilst doing so. still, the random man does not budge.
"what's up with this guy?" heizou mumbles, loud enough for just you to hear. you laugh, and heizou can't seem to tear his eyes away from you, his gaze belonging wholly to your existence.
when the stranger glares at him, heizou merely shrugs, a smirk fixed onto his face. the oblivious person then turns to you, a gentle smile on his face.
"might i have the honor of knowing your name? i am kenzaburou kadenokouji, and seeing you has blessed me with the inspiration to write my greatest upcoming novel: 'i was reincarnated as the raiden shogun's plane of euthymia, where i did nothing for 500 years before finally meeting the love of my life in the middle of the city?!'"
your mouth hangs agape, flabbergasted at this surreal experience.
heizou, however, is not fazed in the slightest. "is this based off of true events?"
"do not interrupt an artist's craft," kadenokouji replies, before extending a hand towards your free one.
so he knows i'm holding their hand, is all heizou thinks. without another thought, the detective pushes the writer's palm away, tugging you towards him.
"you're going to need to find inspiration from someone else! my intuition tells me that this isn't going to work out," heizou declares, his thumb coming to rub the back of your hand, as if he's trying to reassure you.
(you think that it's more for him, though. because although heizou is a self-assured, confident man, he is sometimes shrouded deeply in fear, swayed by the same emotions that make him so human, so lovely.)
(it also doesn't help that you adore novels. a majority of heizou's worries are attributed to how you devour those absurd reincarnation stories.)
"no, no... together," kadenokouji trails off, dismissing heizou with the flick of his hand. "together, we will defy fate! and with you, beautiful stranger, i will publish the greatest novel known to inazuma!"
"he's delusional," heizou mutters, but it sounds as if he's more impressed than incredulous.
"i have a boyfriend," you reply, still recovering from shock. "he's right next to me."
kadenokouji takes it the wrong way. "wow, you move pretty fast! although we just met, and i still don't know your name, i am completely fine with this sudden turn of events!"
"wow," heizou mutters to himself, almost amazed, "this guy's pretty good."
"he's like the opposite of you," you whisper, leaning closer towards heizou, "completely oblivious."
that gives heizou an idea.
"sorry pal, but they only like detectives," he declares.
"that's okay! i've been meaning to write a detective novel, you know, i am always switching things up!" kadenokouji exclaims, not taking the hint (but it's not even a hint, it's a full blown answer).
"oh, really? have you ever heard of shikanoin heizou?"
you and heizou exchange not-so-discreet glances (it's not like kadenokouji notices, anyway). heizou winks at you, as if urging you to stay quiet so he can get the spotlight in a novel that he's always been dreaming of.
"yes, yes! i love doushin shikanoin's work—in fact, i've been meaning to ask him for some information regarding his famous intuition! i plan on basing the main character of that novel off of him, really!"
"that sounds great! you know, doushin shikanoin believes that he needs the publicity, so your novel would be the perfect match!"
"is that really so? that's incredible! i must reach out to him immediately!" kadenokouji says, his attention belonging wholly to this newfound idea.
"i can relay the message to him," heizou replies, "what would you like to ask?"
"yes, thank you! please ask him if he's willing to meet me outside the tenryou commission for an hour or two for me to ask questions! and if he's willing to tell me about his intuition and how it works! my novel's main character will also have something akin to his intuition, but not exactly because i am always original and meaningful with my work—"
"alright, i will!" heizou declares proudly, "he'll hear of it by today!"
"thank you, kind sir! if i might be so bold to inquire, what is your name?" kadenokouji asks, suddenly becoming heizou's biggest fan whilst forgetting about your presence. how the tables have turned.
"shikanoin heizou," he states, the smile on his face never wavering. "my intuition tells me you're going to fall to the floor in utter shock!"
his intuition, as always, is correct. kadenokouji collapses to the floor as if he had just witnessed the most terrible thing, all the color draining from his face while his jaw hangs wide open.
"d-doushin shikanoin?!"
"that's me! also, could you include me in the novel's credits? you know, being a detective isn't always just about skill. in this day and age, we need publicity! we need a name for ourselves!"
kadenokouji faints.
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"did you come from another world?" someone asks. "'cause you look otherworldly."
"that was ridiculous," wanderer mutters, "and redundant."
"is he bothering you, your highness?" the person queries, taking a step towards you. their hand reaches out for yours, as if they're trying to take you away, but wanderer is quick to intervene.
he blocks you with his figure, the vision on his chest beginning to glow vividly as a gust of wind rushes through the akademiya's library, sending papers and books flying. scholars panic as their research projects flutter all across the marble floor, and usually, that'd be enough to deter a sane man.
unfortunately for you, your admirer (the other one) is no sane man. you suppose that you attract a certain group of people.
"so you think you're a big shot 'cause you have a vision, huh?" the stranger asks, unimpressed.
"hah! you don't even know who you're talking to," wanderer replies, clenching his fists. he takes a step toward your admirer, the air around him becoming tense and unwelcoming as it begins to manifest into something grim, something violent.
you're not in the mood for a suspension right now.
"wanderer!" you exclaim, tugging at his sleeve. "let's go somewhere else. this guy's just weird."
"you go first. i have things to deal with," wanderer replies, irritated. but the way he looks at you doesn't quite match the tone in his voice, because when the wanderer's cornflower pupils fixate on you, they melt. you mold him into something quiet, something lovely, when you do so much as exist.
briefly, the wind brushes past your face, kissing you with its tender touch.
(all you have to do is exist, and that'll be more than enough for him.)
"he's not worth your time," you say, not releasing your hold on the puppet's wrist. even though wanderer could easily escape your grip, he chooses not to—instead, he basks in your touch, inching closer towards you, letting you hold the strings of his artificial limbs to move him as you please.
wanderer relinquishes himself to you. wholly. and he trusts you with his fate, with his severed strings.
"whatever."
his severed string manifests anew, wrapping around his pinky and yours, turning red—not red from blood, but rather, from love—and knotting.
you are bound to him.
and then he gives in.
(he does a lot of that when it comes to you.)
"surrendering already, huh?" the stranger asks, clearly not knowing his place. "i knew you were nothing but bark."
oh, you think, sighing, this guy's an idiot!
"does the akademiya accept anyone who applies?" wanderer asks, contemplating murder. still, he doesn't release himself from your hold.
"that's what i was thinking when i saw you. leave us alone!"
a category 5 hurricane begins to brew in the akademiya library at the word "us." scholars begin to evacuate the premises whilst the insane man stands amidst it all, still trying his best to court you despite getting blown away.
i tried my best, you tell yourself, glancing away.
you let go of wanderer's hand, and then you close your eyes.
"let me know when you're done," you mutter, voice drowned by the whistle of the winds and the screams of scholars whose projects are getting engulfed by the storm.
wanderer, of course, hears you. he can always hear you, picking out your voice from the cacophony, taking the sound and placing it deep within his empty chest, letting it resonate and replay there. instead of a heartbeat, wanderer has your voice echoing throughout his torso, fusing into his artificial ribs.
he is bound to you.
a breeze wisps past your nose. even with the whirling winds and the threat of suspension lingering around your figure, no harm ever comes your way.
you are in the eye of the hurricane.
the eye of the beholder. it melts.
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neuvillette is flabbergasted.
back in fontaine, he had the luxury of comfort. everyone knew that the two of you were together, so he never had to deal with someone trying to court you, much less in front of him.
this is how he experiences culture shock. not by the customs of other nations, but rather, by the sheer audacity that some people have. especially when your hand is laced tightly with his.
"i think... i think..." the stranger trails off, his voice filled with an adoration that makes neuvillette's stomach churn. "... i'm getting lost in your eyes, beautiful."
the stranger reaches his hand out to give you a rose, a dashing grin on his face. you smile awkwardly.
"sorry, i'm taken."
"taken... by my good looks?" the stranger asks, putting a hand under his face to emphasize his features. neuvillette squeezes your hand.
"no, they are taken by me. we are partners," neuvillette explains, his tone remaining polite.
"partners in work?"
"yes, but—" neuvillette starts, but is quickly interrupted. you spare him an endearing glance, charmed by his honesty.
the tips of his pointed ears begin to blossom red. again, he squeezes your hand.
"no, we are married," you state blandly, and the stranger's gaze flickers over to your hands, searching for a ring. neuvillette doesn't like the look on the stranger's face; it's evident in the way the iudex narrows his eyes, the way he steps forward a little even though he'd usually try to avoid confrontation.
"i could get you a ring," the stranger says, clearly not getting the hint, "and you wouldn't have to lie about being married."
"there is nothing we owe to you that requires us to prove our marriage. we are married, and that is all you need to know," neuvillette declares firmly, his tone becoming harsh.
"but words alone don't mean anything," the stranger replies with a shrug.
neuvillette furrows his brows, clearly stumped by the stranger's statement. he disagrees—words don't mean everything, but they are definitely worth something.
"just back off," you suddenly chime in, tugging neuvillette closer to you. he lets you string him along to your whims, allowing his figure to inch towards yours, finding its place by your side.
"i'm not interested in you. i already have a lover."
the stranger rolls his eyes.
"ugh. i didn't even like you anyway."
neuvillette frowns. "now that is completely incorrect. just moments prior, you were—"
"just shut up!" the stranger yells, not even bothering to listen to neuvillette's explanation.
clouds begin to form.
"let's go, neuvillette," you say, rubbing the back of the iudex's hand with your thumb. "don't worry too much about that guy."
he looks at you, and the sun emerges.
"you're right. thank you, [name]."
a ring dangles from the silver chain on your neck; it's a vibrant shade of blue.
it glows.
"and you wanted to try this land's water, right?"
he lets you string him along, a gentle smile on his face.
"yes," he vows, "i do."
his hand slots perfectly into yours, and the world is engulfed by a radiant glow.
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korlkorl · 3 days
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YAY! i greatly enjoyed your shoujo au!!! it was amazing to read, ty for your contribution to humanity u r doing god's work frfr!!! would you be willing to write a hanahaki au for the twst second years? (preferably an angsty ending, but if you would prefer something happier, that's 100% fine with me!! i'm not picky!!) 🤭♥️
hanahaki + second years
hanahaki: a fictional disease caused by unrequited love in which you vomit blood and flower petals (flowers tend to relate to the person you) and although there is an option for treatment, you become numb to emotions. if you don’t get treatment, you die.
(I decided to add how the twst seconds years would treat the disease— will they get treatment or not?)
not very good angst warning under the cut!!!
riddle rosehearts
riddle grew up alone, mostly. every time he seeked for comfort, for company, it’ll fall apart. it would always go wrong, he’d lose everything the moment he got too greedy.
riddle still struggled to properly face trey and chen’ya after all those years, even if he got better with it. it was too embarrassing, too lame. he felt like a loser. a sore loser who deserved nothing. oh sevens, did the world have something against him?
things were looking on the bright side. he was out of his mother’s furious grip, he has more freedom than he ever did (even if he goes by strict rules) he could make as many friends as he liked and hang out with them as much as he liked.
he still preferred being private, however. he liked his friends, you included. they were more understanding of him than any other member of the school. although he’d twist and turn in bed when he thinks back to his overblot (how embarrassing of me! he thinks) he would still much prefer being with those who accepted him a long time ago.
you weren’t too big on sweets. you liked them, sure, but the more you ate the more your mouth felt itchy. knowing riddle’s sweet tooth, sometimes, you’d secretly pass your unfinished slice of cake or unfinished strawberry tart to him. riddle rosehearts, the strict, germaphobic, lowkey a dictator, heartily took it.
if it were anyone else, he’d just stare at them in disbelief. but the thought that you bit into the very sweet treat, it threw him over the moon. he’d read of indirect kisses before, in cheesy romances he read in his spare time. he doesn’t know if this is actually an indirect kiss, but don’t make fun of him, he’s still learning!
riddle has a lot of firsts, like the first time he tried that strawberry tart, or the first time he learned that playing with friends is fun, or the first time he ever overblotted, or the first time he fell in love.
you were his first love.
he turns red when alone, imagining your face and your laughter and your joy. your silly mishaps that he has no heart on lecturing you over, or your inability to understand some of the assignments. he finds all aspects of you cute— wonderful? he doesn’t know how to describe what he’d feeling, but it gets him all giddy.
he’s frustrated often, the way he started blushing violently when you ever get in close contact with him and how you always, always seem to be unaware of this. oblivion would send you to hell.
he’s been feeling quite nauseous lately, probably because of his failed attempts of clumsily sending you signals about how he feels.
it was to a point where he threw up… petals? petals…??????? oh my god, he’s throwing up petals!!!
riddle distinctively remembers reading about this during his first year, a disease of romance, love, and failure.
his heart sinks. maybe that’s why you failed to notice.
things never go his way, riddle thinks. he’s always feeling alone. every time he gets greedy for comfort, he loses it at the highest point of his life. when things are getting better, it takes turns for the worse. that’s why riddle likes to follow the rules.
by his third year, riddle’s back to being his strict, controlling prefect. except something’s different, he’s not as angry anymore.
that’s to be expected, though. ever since the surgery, riddle has never been the same.
ruggie bucchi
he has grown up to treasure everything he has.
ruggie isn’t as financially stable as others, he wasn’t lucky to be fortunate enough to get what he wants, whenever he wants.
so when he does get what he wants, ruggie makes sure to keep it close to his heart like it means everything. most of the time, it does mean everything, all of it. his life.
he hardly gives away his things (please don’t mention the kids at the slums, he’ll turn awfully shy.) and takes anything he’s given.
when you would give him the tiniest amount of food, he’d gladly snatch it from your hands and walk away snickering.
easy target for food is what you are, he thinks.
most of the time, when people give things away to him, ruggie just assumes that it’s unwanted. he’d take leftovers no problem. it’s only when you’d constantly hand things to him, always have something to give him and remember he exists, does he think you’re odd. I mean, he’s fine with taking the forgotten leftovers, but what could he possibly do when you don’t forget him?
watch ruggie clumsily fiddle around with his fingers, scanning the area for your presence. he has learned to not worry, as you always manage to come find him everyday without fail. he feels noticed.
he starts to crave for that attention.
ruggie treasures things. he keeps them close in his heart very carefully. but what would he do when you steal his heart instead? where can he hide all the things that mean everything to him?
somehow, he doesn’t mind. he wants you to see him more, ruggie bucchi, his true self.
the crave he has for you is for some odd reason, unmet. you’re oblivious to his shy antics, the way his ears turn flat when you walk away or the way he holds onto the hem of your shirt just for a second longer.
notice him.
notice him.
notice him.
when you see the way he unconsciously covers his mouth whenever you meet eyes with him, or the how he’s constantly going to the infirmary, will you finally notice him?
there’s a trail of your favourite flowers.
ruggie bucchi keeps all the special things close to his heart. when you take his heart away, how else can he express his pathetic, unrequited love? by coughing up a disease ruggie would’ve called embarrassing and shameful if it weren’t for you.
azul ashengrotto
azul is sensitive. he notices things way too easily. the tiny, insignificant details of someone and how they react, he will notice. that is how azul finds out how a person truly feels about him.
even if azul and that other person were considered close friends, azul would still notice the tiny little details that make him unlikable to them even just a little. it’s been a habit for as long as he could remember.
everyone always had something they disliked about azul. it was fine with him, that was normal. everyone dislikes everyone about anything. it’s not like it deters long lasting relationships. azul shrugs it off, it doesn’t bother him. it’s comforting, even, knowing what people think about him.
so it was obvious to say it was near-horrid when no matter how much time azul spent time with you, he could not spot anything off about you, anything that said you didn’t like him.
as much as azul notices how people act around him, he also notices other people. he knows all their flaws, their good sides and their bad sides. even if he couldn’t read your thoughts about him at all, he still expected to see something out of the norm about you, a bad trait, something that made you human.
to him, you had none.
were you god? how come you were near-perfect in his eyes? during cold months, the tips of your nose and ears would flush pink like a cute plum while azul turned embarrassingly red. he thought it was ugly and didn’t make him look good, but there nothing to prove that you thought the same. he couldn’t tell anything about you at all.
you were like a confusing puzzle piece to him. unsolvable, unreadable, flawless. perfect.
it took a while to adjust, but his unwavering respect for you turned into wavering thumps of his heart and dodging eyes. maybe you weren’t perfect after all, maybe azul just likes you.
the terrible urge to impress you grew stronger everyday.
he wanted to look as perfect as you did to him.
but how can he possibly ever look perfect,
when he is sick?
hovered over the toilet, azul clutched his chest as petals slid out of his mouth as if it were apart of him. well, it is apart of him, I guess. his love for you is one with him after all.
azul is sensitive, but he tries not to show it. not only is he good at catching the little things, he’s quick to anger or get hurt. the best he can do is hide them. so he hides the feeble emotion he calls love and comes back after winter break just as the same. he’s dutiful and runs his business like he normally would, and still hangs out with you time to time. he just feels more… empty? you’ll never know why he seems to be this way, no one really knows about the surgery.
jade leech
jade is often avoided by many people.
people find him creepy, odd, off-putting, unnerving… and more comments he hasn’t bothered to find out about.
those names don’t really bother him. in fact, he enjoys it. he loves watching people squirm in fear over something he says out of the blue. It’s exciting to watch a person try to decide if they should run away or not, unaware of jade’s capabilities.
he’s used to people avoiding him. for the sacrifice of entertainment, he isn’t all that popular. jade leech is used to it.
you were different, however.
your simply didn’t find him creepy. anything he said that was weird, you’d laugh it off and say something weird back too. jade’s height, creepy smile or the way he talks, it doesn’t seem to throw you off at all. you’d smile and wave at him when no one else dared to, you’d easily graze your skin against his and pay no mind, you’d approach him without second thoughts. It was like mutual trust, something jade has learned is difficult to find when you’re him.
so you meant everything. you were just as new and exciting, a pleasant surprise from the predicted fear everyone else has. you made him feel… seen for the first time in his life.
soon, everything you did was like a horror movie (weird analogy, I know. but it’s jade leech we’re talking about!) the intensity of when the killer would approach, or when the character is alone and vulnerable, his heart pumps like wildfire as he watches expectantly to see what the new surprise would be. his favourite feeling was when the victim would die or escape, the tightening in his chest releasing as he excitedly watches what would happen next. that was you. you were his favourite feeling.
he loves the way your eyebrows moved in expression when you talked, he loved when you sneezed and looked around expecting a “bless you,” he loved the odd ways you attempted to hold your mug comfortably and most of all, he loved you. he love you very, very much.
jade leech is used to all kinds of things. he’s used to people avoiding him, he’s used to his brother’s tendencies to groan and complain at everything, he’s used to azul’s creepy capitalist tactics.
what he’s not used to, however, are the bubbly, excited emotions he feels when he gets to experiment with his beloved mushrooms, the way you took over his thoughts like the plague and most of all, he wasn’t used to the flowers spilling out of his mouth.
this was odd, per say. jade knew of the hanahaki disease. he knew of all the downsides of it. but he never worried, because, how could he, jade fucking leech, ever love someone so pathetically?
he hoped that you’d love him back too. he oh-so deeply wished he was just as new and exciting to you as you were to him.
the blood meticulously dripped amongst his fingers, flower petals sticking to it alike. he laughed at himself. he’s always imagined that if he’d ever possibly get this disease, it’ll be flowers related to the water like lotuses or water lilies. he never thought he’d start coughing up such pathetic land-dweller flowers.
it was fine, though. jade would get used to it, eventually.
because after all, he’d rather die than stop loving you.
floyd leech
floyd is scary, he knows that. He’s quick to anger, moody, tall and intimidating. He’s doesn’t really care, though. He just does what he wants. He doesn’t think it’s that big of a deal.
he likes fun surprises, something new, exciting. he thinks you meet that of that.
you’re not as scared as others, you respond to his pranks and squeezes positively, you respect his mood swings and he even caught a few glimpses of you defending him. he thinks you’re so cute!
it’s not odd to talk about the leech twins without mentioning you. floyd follows you every and jade just goes wherever floyd goes. it’s like a little trio.
you don’t get scared like others when he gets upset, return his squeezes (hesitatingly…he hugs tight!) and find him rather silly than scary.
jade thinks you were almost made for floyd, considering how well you two get along. although jade has been with floyd the longest, he can only tolerate to a certain point for you, however, it seemed to go endless. you were so much more patient with floyd then with anyone else. although floyd made be subtle about it, he’s grateful.
floyd adored you. you were everything he loves, for he loves you.
loved you.
loved? (love)
floyd started to ignore you. you’d tilt your head in confusion— you were upset. why would your best friend suddenly act like you weren’t even there? he wouldn’t even get mad, he’d just turn the other way.
it was only so long ago when floyd was hunched over in his bed from a terrible stomach ache. jade was horribly surprised to see bloody petals staining floyd’s bedsheets.
floyd never bothered with these things. for the first time in a while, he read a book out of his own volition to figure out what it was, only to rip the pages apart when he read what hanahaki was.
childishly declaring that he loves you no more, floyd would stay away from you like the plague, whilst secretly filling his system with flowers that will kill him for ever loving someone so deeply.
floyd is gonna disappear from your life completely eventually. you’d wonder what caused your best friend to suddenly hate you, while his family mourns over the loss of a loved one, as floyd refused treatment, because he foolishly decided to love you.
kalim al-asim
kalim grew up very sheltered in a loving family. The only concept of love he has is of his parents, who hold hands tightly and gush over the cutest things. they often warn him of the danger of love, and that he must be careful about the person he wants to spend the rest of his life with.
kalim, although clumsy and stupid, always kept that in the back of his mind.
you were like a breath of fresh morning air. growing up knowing very little, you were the newest, most brightest experience there was. kalim was sure you were the one. he was completely sure, why else would his heart thump so fast?
he’d hug you and hold your hand, give you gifts you could never even imagine having and tell you how much he appreciates you.
kalim hasn’t gone around to mouthing the word “love” yet, but he knows that you know anyway.
so when he started coughing up petals, jamil was quick to inform the al-asim family. kalim was confused, he didn’t understand. this love wasn’t unrequited, there was no way!
it doesn’t matter, though. he’s gonna continue loving you, you and him are gonna be happy together someday, eventually. maybe not in this universe.
kalim woke up in a hospital bed, his heart heavy.
he loves you. but he forgot what that feels like. he loved you. somehow.
jamil viper
jamil is smart. he’s smart and knows his worth. this is why he hates being in second, he knows he deserves so much more.
why does he always to have do worse than kalim? why does he always have to be second place? jamil is smart enough to know his potential. he also knows how much he’s holding himself back for the sake of hierarchy. he hates it.
it’s not a surprise when jamil finds himself unconsciously doing slower than certain people to appear normal. his main purpose in life is to not stand out, hide in the shadows, survive. like predator hiding from prey because if found, it will be caught by the silly humans.
you’re completely different from him, though. you’re as normal as a person can be, yet you aim to reach for the stars and hold it close to your heart. jamil understands your desire to outshine people all to well. he’s been in that spot, is in that spot. he pities you.
so he sticks around. he’d casually follow you, hang out whenever he can, help you with assignments so you can be the best version of yourself. he’s voraciously living through you. if you achieve your goals, that’s enough for him. at least he was apart of something meaningful for once.
it catches him off guard, however, when you encourage him to reach for his goals as well. it’s like you’re holding his hand and pull him amongst the galaxies to gently place your hands onto the hot touch of a star.
he knows that’s near impossible to reach, from the moment he was born, his life was chosen for him. but he thinks he could reach the small goals.
jamil secretly pats himself on the back for grazing against your skin for a second longer than usual, treat you to a nice meal or help you ace a test. he hopes that at least one of the goals he could reach in this lifetime is to be with you.
jamil is smart enough to know that he’s not just sick. not when blood trails down his chin to his arms, as flowers spill from inside him.
he thought that maybe, just maybe, he could have something for himself for once. not hold himself back, grasp tightly to what he wants the most.
jamil is smart enough to know his own worth. he’s definitely not worth enough to you.
silver
silver likes the little things. he enjoys the way birds chirp in the early morning, or the way the dandelion petals flow against the wind as he watches you scrunch your nose and blow on it. and then both of you guys start sneezing. ah, summer pollen, a reminiscent part of nature.
he loves the way you hold your pencil, the way you like to tie your shoelaces, how you cut your sandwiches. these small, unnoticeable traits catch his eye quite often, and he’s developed a fondness for them.
he’s a man of little words. silver doesn’t talk much, so when he thinks of these things, he never says it out loud. maybe that’s why it took you so long to notice how he felt about you.
he was so calming, and so gentle, it tugged at your heart when he’d smile softly and tilt his head ever so slightly so the cute birds could carefully place a beautiful flower crown on his head. he’s so princely, you think. a perfect knight in shining armour, loved even by the nature.
often you’d tell him how lucky any girl would be to be loved by him. your comments made silver hopeful.
silver is a man of little words, he likes to spend his days watching rather than showing. when he does finally speak his true thoughts, he genuine, honest. his words roll off his tongue so easily and smoothly, perfect fit for such a princely man (as you call him)
so when silver does finally open his mouth to speak, talk, say of what he felt in that very moment, he throat closed up. maybe he was nervous, maybe he was lame, because to both of your guy’s horror, blood spilled.
he didn’t really know what was happening. only when he felt the urge to throw up in the infirmary did he realize what was going on.
he was familiar with hanahaki. his father always told him stories of how fae would love so strongly to humans who hated them, that those who were unlucky would be induced to vomiting flowers.
when silver thought he was fae, just like his sweet old father, silver swore to himself that he’ll never love a human. now that he knows that he is, in fact, human, silver starts to doubt himself. maybe is, in a way, a fae.
it’s alright, though. silver is man of few words. he likes to watch rather than show. he doesn’t mind what could happen to him, he won’t tell anyone. he’ll just watch you from afar, filling his heart with melancholy love until he reaches his end. which might be soon, for he loves you so strongly.
a.n: my phone is on 6% as I type this I will edit this tomorrow morning when I wake up. sorry for replying so late I had tests coming up and I had to study!!! </3 thank you so much for the kind comments and I’ll catch up to requests soon! feel free leave any requests :3
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the purpose of this post is for me to figure some stuff out so i'm open to feedback and discussion
disclaimer: i love Halsin, he's my precious bear man
but damn i am pissed
i started to really dig into the epilogue, specifically that last morning after the brain goodbye scene in the room at the inn where he says he has nine wagons of kids and he will aid the people in Thaniel's realm
sadly i can't find any footage of what he says when Tav goes "oh a community built with your own hands, i'd love to see that" (or something to that extent) bc i think that is the one option that nullifies the goodbye and i think? he just asks if Tav is sure and then happy end bells
but even so
the interaction practically starts with "why does this sound like you're saying goodbye?" - oh that's because he is. at least for now. but Tav can visit, he's very eager for them to visit - and then narrator is like a tenday later Tav went to the commune and then the party invite stuff, not important
and I'm like....
it just hit me how - yes, Halsin has abandonment issues and he wants to help those orphans and all the homeless refugees and all the great stuff but like…… HOW DARE YOU DECIDE FOR ME THAT I DON'T WANNA GO WITH YOU????
watching that on a loop three times seriously hit me hard and i don't like it (as in me, personally, not in the sense that it's bad writing or it makes no sense for him to do that, maybe it does - if somebody can help me wrap my head around that, I would be super grateful bc atm I'm stuck in my own emotional reaction to Halsin making decisions for me)
in my head Tav's response to that should be: fuck you, i don't want to visit - fuck that! i wanna go with you and move in with you bc I love you but i guess you don't really want that huh? oh you do? then I guess we are at an impasse, huh?
bottom line is - what do I want to do with it in my fic?
i could ignore it bc i kinda wanna, i don't want them fighting like that
on the other hand it would be great to have this devolve into a conflict, bc i already sprinkled a few tiny bits of them saying not the best things but then the other kinda steps past it or around it and they are fine, but it would add some realism for them to have a serious disagreement about their (joint) future and about communicating and making decisions and could be something to be revisited as a work in progress for them to grow into as their relationship keeps going
i don't mind exploring difficult shit in my fics, i already decided to commit and give Tav my trauma and it was very cathartic just drafting that bit, and this turning into a conflict could play into that I suppose, could work really well
I guess my problem is the dissonance between Halsin doing that unintentionally bc of his own issues and him generally being very considerate and respectful of others, especially Tav imo, he was perfectly happy to follow their decisions as a leader but now I guess they are no longer the leader and this is his thing, his commune, his new purpose in life and ofc he could never be selfishly happy when he could be doing good things for strangers but like.... i can't grasp that step how from that he goes into "therefore I shall not offer this as a choice for them but instead make that a foregone conclusion that this is goodbye, at least for now" - is it bc asking means risk of rejection and he'd rather reject himself to spare them both the interaction?
sorry this got rambly XD but anyway - thoughts?
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moonlightazriel · 2 days
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Chapter 14: Into the lion's den /// Azriel X F!Reader
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Summary: Y/N enters Koschei's lair and finally confirms some suspicions
Word Count: 2K
Warnings: Again mentions of trauma and grief.
Notes: I'm so glad that I have almost all the chapters written cuz my fingers are fucking useless now and I can't write 🙄
Main Masterlist
Worlds Apart Masterlist
The dark living room was immediately illuminated by faelights, papers scattered around the table, potions and a liquid simmering in a cauldron near the fire. She scrunched her nose at the rotten smell. A screeching, like a trapped creature sounded somewhere behind the closed doors that led to the basement, she shivered thinking what could be suffering in his hands. 
Drawings adorned the walls, receipts and terrifying creatures. Her breath hitched as she recognized the circle with wyrd marks used to summon the ridderak. This was even more scary than Baba Yellowleg’s tent, the Matron would send her there regularly to check on the older witch and her home always made her bones cold. 
“So..” He cleared his throat, those golden eyes turned to her direction, pinning her in place. “Tell me what. What troubles your heart?” He once again extended his hand and she quietly placed it onto his.
Mantyx almost gasped with the swirling of emotions that hit him when he touched her skin. Anger, hatred, pain, grief, pain was what burned brighter in that array of feelings that clouded her mind. He tried to take a look but he was met with a wall made of pure steel, unbreakable, unbendable and impenetrable. 
But another thing caught his attention, singing beautifully to no one hear, a mating bond stood, he had learned everything about it in the years he was trapped there. A bond shared by two people that was stronger than everything, once the bond was accepted nothing could break it. He tugged at the string lightly, watching closely as she startled, her free hand flying to her heart. She didn’t understand what this was. 
Near that cabin, a worried shadowsinger yelped in surprise as he felt a tug in his chest, like someone was pulling a string tied to his soul. Lucien looked at him with a raised eyebrow, asking him if he was alright. Azriel just shook his head, hand rubbing circles in his chest, in a soothing manner. His eyes focused back on the cabin door, he wanted to go there and kick it down, rescuing her but he knew he couldn’t.
“I see that you lost someone very important to you.” He pointed it out, going for the easiest approach, usually wasn’t hard to know what troubled people, they were too simple to read, always thinking they were good at hiding their emotions and thinking of him as a god for being able to read them like a cooking book. 
“I lost everything.” She quietly replied, Y/N never really opened up to anyone after the war, just brushing their concerns off and focusing on her work to suffocate those drowning feelings. “I lost my sister, the only person that truly loved me, I couldn't even say goodbye. I lost my way, I lost myself after she was gone, and I don't think I'll ever be able to go back to what I was.” 
Mantyx looked at her, the despair pungent on the tip of his tongue. The shadows in her eyes darkened as she frowned, tears glistening in the corners of her eyes. He took a deep breath, feeling all of her negative emotions fill the void in his chest, he had to suppress a smirk at it, he fed from negative emotions, draining them and leaving the person numb. 
“You can’t ever go back, all you can do is keep  going and adapt to the change.” He offered and she scoffed. 
“I would give anything, do anything to get her back.” Mantyx approached her. It was like the light couldn’t reach it, being sucked into a black hole, not reflecting. If it wasn’t for his proximity she wouldn't even have noticed. 
But there it was, resting with an unsettling melody, the wyrd key that opened the gate atop Ramiel, what she needed to get home. She couldn't risk getting it just now, or else he would kill her and all of their efforts would be useless. 
“What if I told you that I can bring her back?” He offered and her eyes lifted from the key to his gold orbs. She never knew about the extent of the other Kings powers, if Erawan was that powerful she imagined how powerful Mantyx and Orcus would be.
“You can do it?” She inquired, doubt  started to coat her thoughts, she missed Asterin, what if she could see her one last time, or even better, get her back fully? 
“You just need to do me a simple favor in return.” She closed her eyes, that was the only way. She shook her head in agreement. 
“What do you need?” She opened her eyes, determination burning in that gaze. “I’ll do anything.” 
“Bring me Nesta Archeron.” He said and she nodded, Mantyx smiled. His hand extended towards the door that slowly opened to reveal the green island he lived in. “I’ll be waiting for your return.”
Y/N bowed to him, her eyes tracing the key that moved up and down with each breath he gave. She turned around, slowly walking outside, she could still feel his eyes on her when she crossed the bridge, so she didn’t dare to look to where she knew they would be, she kept walking forward until her frame disappeared from his line of sight. Just then she let out the breath she was holding. 
⋆˙⟡☾𖤓☽ ⟡˙⋆
Azriel and the others reached her halfway back to the Manor, she hadn't even noticed she had walked so much, her tensed muscles and shivering body were the only indications of the fear she had felt alone in that cabin. Azriel touched her arm, making her spin in her heels, collapsing against his chest. Shuddering breaths left her lips as she tried to calm herself. 
“Did he hurt you?” She shook her head and Azriel breathed with relief, his shadows moved around her in a protecting way, ready to strike at anyone who dared get too close to her. 
“We should go back, we don’t know what is lurking around in those woods.” Lucien advised, also worried about the fragile form that clung to Azriel for dear life. 
They all started to head back, being surprised by the giant wyvern baring his teeth at them, poison dripping from his fangs, he looked anxious, like he felt all of her distress through the connection he shared with his rider, and by the way she pushed Azriel out of the way, stumbling until her chest and forehead were pressed against his nose, he probably felt. 
Meraxes instantly relaxed with her touch, sniffing her scent and declaring she was alright. Y/N sobbed against him, her hands rubbing his leathery skin up and down, until she calmed herself down. 
“I’m okay, I promise.” She breathed and the wyvern nodded, giving one last look to the males before stepping aside and allowing their access to the house. She let go of him, following the rest of them inside, plopping herself on the couch. 
“Why did you go inside? You could be dead now.” Lucien slowly started, worry filled his voice, Y/N had become someone important to him and he couldn’t fathom the idea of her being killed by that damned monster. 
“We needed answers.” She simply replied, shrugging. 
“And did you get them?” Jurian asked, leaning against the wall that led to the kitchen. 
“His name is Mantyx, the middle brother of Erawan and Orcus, a Valg King.” She started, all of the males looked at her. “He was the one who summoned the ridderak that attacked me, he was after Nesta and her powers.”
“Does he have a key?” Azriel asked, his eyebrows furrowed as the engines in his brain worked.
“He carries it around his neck.” Lucien cursed loudly, how would they get it? 
“How did you get out?” Jurian once again asked all the right questions.
“I promised him that I would get Nesta.” Azriel's eyes widened. “I just needed to get out to tell you all this, chill.” She said to him, her blue eyes piercing him back in place and he didn’t dare to argue. 
“What do we do now?” Lucien inquired, rubbing his temples.
“I don’t know about you, but i’ll have a bath, i’m feeling disgusting.” She said getting up, leaving the males behind her. 
⋆˙⟡☾𖤓☽ ⟡˙⋆
Her chest ached as she sat in the scalding water, trying to rub all those feelings away from her, but it was useless. She then reached for the book Morrigan had found in the Hewn City, not having time to read it in the trip until now. She opened the book and focused on the fancy handwriting, allowing her brain to shut down from the real world and just pay attention to the words in those pages. 
“It was during the night that he came, talking with a sweet voice, promises of a better world and absolution to those who bowed to him and allowed his angels a home. The god of conquest was how they called him. 
He brought her, with dark hair and dark eyes, she feeded from life and used the remains to build weapons made of human bones. They called her The Weaver, and her twin, The Bone Carver, one more terrifying than the other. They weren’t angels, they were the gods of death, draining life from the earth and eating our souls. 
They talked about how lucky we were, claiming to be princes and princesses from their homeworld. No one knew how they came or where they came from, but all we knew was that it was all related to that necklace, made of a dark stone and with an unknown shape. They had come from the north, many guessed they were a plague sent by the Night Court to terrorise us, but even the High Lord feared them, he couldn't control them, no one could, so they took what they pleased. 
It was Celeste Vanserra, the Fireborn that brought us hope, the most powerful fire carrier the world has ever seen. She locked The Bone Carver with the help of the cauldron in the prison first. This made the fae wars easier, but their army was too big to be brought down, so they had to change their strategy. 
Divide and conquest is what they called it. They managed to separate The Weaver, and once again, with the help of the cauldron, Celeste and her fire locked Stryga in the woods, in a cabin no one dared to get close to. Whenever a general fell, their army fell with them. 
The High Lords followed Celeste to the battlefield, following her command and doing what she said. The final battle was in the lake, where Celeste used her powers to create a fire circle around Koschei and his monsters, trapping him inside, not knowing this was his biggest weakness, her fire was the only thing that could kill him. But before Celeste could, he killed her, piercing her heart with a sword.
The High Lords seeing their strongest fall, decided that they weren’t enough to kill Koschei, so they used the cauldron imbued by their powers to trap his soul to the island. As long as this world still exists, Koschei cannot be killed, his soul is bound to the Earth itself. Only the power of the cauldron or the fire of Celeste can free him from his prison and finally kill him.
With their failure to end the biggest threat our world has ever seen, they erased Celeste’s name from history. If no one remembered her, no one would remember how weak they were compared to Koschei. But her fire was still alive in the blood of her offspring, and the family Vanserra is the closest we have to a chance of killing him, unfortunately those who don’t learn their history tend to repeat it.”
Y/N gasped, the water already cold as she discarded the book and jumped out of the tub, opening the door to her and Azriel’s room. He sat on the bed, eyeing her up and down, following the droplets of water that ran down her curves, but her sombre expression brought his eyes back to her face, ignoring the temptation of looking down.
“What happened?” He asked and she took a deep breath.
“I know how to kill him.”
⋆˙⟡☾𖤓☽ ⟡˙⋆
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20 questions for fic writers
Hey @cha-melodius thanks for tagging me in this!
How many works do you have on ao3?
23
What's your total ao3 word count?
329,905
What fandoms do you write for?
RWRB and A Marvellous Light (The Last Binding trilogy). I've been thinking about writing for We Could be So Good by Cat Sebastian since I read it last week. I loved it so much I binge read 3 other books by the same author straight after, and then turned right back to WCBSG. Book rec for everyone who's not read it!
Top five fics by kudos:
Deep Blue
Just Like That.
Oxford Days
In His Wildest Dreams
A tie for fifth! Have One (On Me) and Tumbled Down and Tangled Up
Do you respond to comments?
Yes! Unless they're a bit dodge lol
What is the fic you wrote with the angstiest ending?
This is the question that reminds me I've done this game before hehe. I'm only interested in happy endings so this is hard to choose, but Don't Wanna Be A Fool For You is quite angsty and ends just as they're getting over the angst, so I have to go with that.
What's the fic you wrote with the happiest ending?
I always write happy endings, BUT, if I must choose, I'm gonna go with a non-RWRB fic here. in your room, like a temple is an epilogue of sorts to A Marvellous Light, and it makes me SO HAPPY to have written this settled future for Robin and Edwin.
Do you get hate on fics?
Not usually, though I did get a couple of annoying comments on my first threesome fic from people who thought their own vision of monogamy for Alex and Henry was something they had to come and tell me about 🙄
Do you write smut?
hahahahhaaaaaaaa yes
Craziest crossover:
Never done one
Have you ever had a fic stolen?
Not as far as I know
Have you ever had a fic translated?
No! Someone did ask me about translating Deep Blue but I don't think they've followed through with it. I'd love it though
Have you ever co-written a fic before?
No
All time favorite ship?
Alex and Henry
What's a wip you want to finish but doubt you ever will?
Oooh, I don't have any WIPs on ao3 to feel guilty about. What sits on my hard drive is between me and my atheist god (also me)
What are your writing strengths?
Yikes, ok! Here are things I like about my writing: I like the way I write smut that's super emotional AND super hot, and all the different ways I've come up to make smut scenes different from each other (because writing them can sometimes feel repetitive from my perspective). I like the way I play with rhythm in sentences and build tension in scenes. I like the way I build emotional and sexual tension in a piece overall. Please no one drop into the notes to tell me they disagree 😂
What are your writing weaknesses?
I CANNOT come up with external obstacles! Whenever I'm trying to plot something out and I'm trying to come up with BIG PLOT REASONS to keep people apart, my brain just freezes. I love internal obstacles, the emotional reasons why people choose to do the things they do, but as for external things to move the plot along (think Jeffrey Richard leaking emails, Queen Mary telling Henry how to live his life) I'm just... ultimately uninterested in them. Which is fine if it's a choice, and I love a lot of writing just like that, but I wish my brain could at least TRY.
Thoughts on dialogue in another language?
Like it.
First fandom you wrote in?
RWRB
Favorite fic you've written?
Haha good one. Changes all the time. Current fave: Paper Chains, I think (a personal stab to my heart how much it's underrated). I tried something new for me with the structure, and I think the emotional punches hit so hard, I'm so proud of it. Or maybe the new one for RBB, called Foxden Park. Coming soon!
No pressure tags (and sorry if you've already done this and I've missed it!): @thesleepyskipper @firenati0n @welcometololaland @inexplicablymine @sparklepocalypse
@onetwistedmiracle @tintagel-or-cockleshells @historicallysam @cultofsappho @14carrotghoul
@suseagull04 @magicandarchery @itsmaybitheway @porcelainmortal @anincompletelist and anyone who fancies joining in! 😘
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I'm not really sure how to introduce this one. It's a continuation of the Zevlor story that's quickly becoming a novel. But I'm posting it for you guys because it's kind of a snippet. It's after we find our man in the illithid colony, and he finds out what happened while he was enthralled. A brief warning. There is some angst, emotional pain, a little self-harm, and major feelings here. No smut in this one. It's also a pretty long scene. I did cry while writing it. I'm not sorry.
Tav is based on my current, who is a noble high elf silver dragon disciple. Highfalutin, I know, but that's what was in my head.
You approach Gale with a bit of trepidation. You're not sure if he'll agree, or even if your idea will work, but you have to try. Zevlor needs his people on his side. Or, at least, for them to understand what actually happened in those dark lands, when he was taken by the Absolute. But you couldn't be the one to do it.
As you move to stand near the wizard, sitting cross-legged on a mat and reading some dusty book you'd found in the house of healing, he looks up and smiles. "Greetings, Tav." Seeing the expression on your face, he rises with a look of concern. "My, you seem agitated. How can I help?"
You bite your lip and take a breath, then speak, your voice tight and apologetic. "I need a favor. If it's not... if you can manage it." 
He nods, taking your hand and pressing it. He can be so sweet sometimes. "If it is in my power, I shall do my utmost. What do you need?" 
You nod and squeeze his hand, grateful for his friendly devotion. "How are you with... mental domination?" 
His eyes widen a little, but he smiles. "I can cast the spell. Depending on the intended victim, I suppose I could maintain it almost indefinitely, as long as there are no other distractions. The power and duration really depend upon my concentration and the target's resistance. But so can you. Why? Who are we dominating today?"
You worry your lower lip with your teeth again and shake your head before continuing. "It cannot be me. They all know... look, Gale. We both know how powerful the elder brain is... with an unprepared mind, it would be almost impossible to resist its influence. Is that right?"
He nods slowly. "Yes, of course, but... oh, I see." He catches on quickly, you reflect, as he works out for himself what you want. "Let me see if I can guess your thought process. I assume this is in reference to your Hellrider and how his people have been treating him since... all that. You want to show them that what happened was not his fault, and you think a little demonstration of that kind of power would be a good way to do that. You can not perform this feat yourself because of your known association with him, so you want me to make a tiefling stand on one foot or something to demonstrate how easy it is to lose oneself in the face of strong magic." He ruminates for a moment, looking thoughtful, then shrugs and smiles. "I don't see that it could hurt to try. Courtesy dictates that I must warn the person I am to control, but even then, I should be able to hold them to my will for some time. May I involve another of our group?"
You nod. "If you think it will help. I can't really keep secrets from any of you anyway. Who are you planning to bring?"
He squeezes your hand and nods decisively before releasing you. "I had a thought to take Karlach with me. She's a tiefling, and she well knows how it is to be compelled to do things she doesn't want. I will go immediately. I saw a group of refugees in the inn recently. I imagine they haven't gone anywhere. I shall do my best to make them understand. Who is the intended target?" 
You watch Gale as he nearly bounces on his toes, seeming eager, as always, to demonstrate his skill. "Whoever is the strongest. But... well, don't hurt anyone or humiliate them too much. Just... never mind, you know what to do. It is in your capable hands."
Gale grins and bows. "My lady, I live to serve. Rest a while. You've been burning the candle at both ends lately, and you're a bit overwrought. Stay near. I'll come find you when I'm finished."
You watch him as he heads off to find Karlach and the other tieflings. You are overwrought, nervous, your concern over Zevlor and the refugees, the remaining Chosen, and the Elder Brain mingling and draining your mental faculties. You wander back to your own tent, sitting on a cushion just outside the flap and trying to meditate for a little while to clear your head. 
After what seems like ages, but is probably closer to half an hour, you sense Gale and Karlach returning, open your eyes, and struggle to your feet, trying to read their expressions. As they draw near, you can see that they are both smiling. Gale with an expression of satisfaction and Karlach a cheeky grin, bouncing a little as she approaches. She looks around when she arrives, before speaking at half her normal volume. "It worked! You're a genius, Tav. Cal volunteered. He hopped on one foot and everything! Gale was even going to make him slap Lia, but I stopped him, so he grabbed Dammon with the spell too and made them dance together! There was nothing they could do about it." She slaps Gale on the back, and the wizard wheezes, but looks pleased nonetheless. 
"Yes indeed," he continues with a smug expression. "Rolan has the strongest mind, but I do not think he would have taken my meddling with it lightly. So I thought maybe, if I dominated two of them at once, when they were prepared for it... and I made it quite clear that my powers do not nearly match those of the brain. I think it's had the desired effect. I believe Tilses went to look for him. She has been on his side the whole time anyway, and the others seem prepared both to apologize and forgive."
You blow out a breath and sag with relief. It was a long shot, and could have gone quite badly, especially with Rolan being so protective of his siblings... But hearing that your plan had worked was a welcome bright spot in an otherwise trying day. You pull them both into a hug, Gale grunting with wounded dignity and with the pressure of the grinning tiefling’s muscles crushing you both, thank them profusely, and then head off to look for Zevlor. Maybe this news would help with the deep depression he'd been struggling with since you rescued him.
The soft call of the scale you'd planted on him leads you toward Rethwin Town. As you approach the mason's guild, you see that Cerys, as well as Tilses, are standing near the doors, heads together in a fervent whispered discussion. You are opening your mouth to greet them when you're startled by a crash from inside, and the crunch and rattle of splintered wood. Cerys notices you first, and waits for you to arrive with a concerned expression. They're both looking at you nervously as another burst of noise echoes from beyond the half open doors, causing them both to flinch as you hurry over. 
Noting your concern, Tilses raises her hands, palms facing you. "He's not in any trouble. At least, not from fiends or undead. His only enemy is... well, himself." 
Your eyes widen. "Zevlor is making those noises?"
She nods, voice low, "yeah, the Commander is in a state at the moment. We came looking for him and heard the crashes... we thought he was being attacked. But... He's alone in there. At first he was shouting about being weak and unworthy, but then... well, he just started tearing the place apart."
You turn to go into the building, but Cerys catches your arm. "You might not want to go in there, Tav. He's unhinged. I've never seen him in this mood before. He might be... dangerous." 
You smile reassuringly and pat her hand. "He won't hurt me." Though, with the sounds coming from beyond the doors, you're not quite so sure as you pretend. "Go back to the inn. Please. If... if anything goes wrong... I can defend myself, but I don't want you in the crossfire. Just in case."
They exchange a long look, but then nod. "Very well," Tilses says quietly. "If anyone can help him, it's you. We know him, but he may be embarrassed... I know he thinks very highly of you." She grips your arm, a plea in her eyes, and then she and the other woman move off, looking over their shoulders once or twice. You wait until they are out of sight, and then take a deep breath and turn toward the doors. 
It is dim and dusty in the building, golden motes drifting through the newly revealed sunbeams that are filtering through holes in the battered roof. There is a flurry of movement in the back room, and you pass through the second set of doors just as Zevlor seizes a thick, rotten log from a cradle by the ruined fireplace and rips it in half with his bare hands. He casts the pieces aside and paces the width of the room, his hands shoved into his hair. There is blood on his face and hands, spattered on his dully gleaming armor, and a wreck of shattered crates and tools is scattered about. Your heart aches for him, but you hold your tongue for a moment as you sidle through the door and stand next to it, leaning your back against the wall. 
He doesn't notice you at first, so great is his distress, and in the relative quiet, you can hear him whimpering to himself, his voice hovering on the raw edge of sanity. "I tried. I'm so sorry. I wasn't strong enough. They're dead. They hate me. They're right to hate me. It's all my fault. If I had only been stronger..." He grabs another crate and sends it hurtling into the stone wall, where it explodes in a shower of splinters and small nails. You turn your head, but don't move, feeling a few shards pepper the side of your face. He turns back to pace in the other direction, stumbling and nearly falling over as he finally catches sight of you. He freezes and his eyes go wide, orange rings in deep black, shining in the gloom. His mouth wags for a moment, but then firms as he turns his face away. 
His words are a low, pained growl when he finally speaks. "You shouldn't be here." His hands flex, and you see that some of his claws are broken, his fingertips bloody. "I couldn't bear it if I... I  killed them. Leave, before I..."
You stand away from the wall, approaching him slowly, staying well out of his reach, but preparing a shield just in case. "We both know that's not true," you say quietly, your own hands wringing at your robes. "You weren't in control of..." 
He cuts you off with a roar, swinging his fist until it meets a supporting beam with a loud crack of splintered wood. The edifice sways, and dust and bits of ancient birds nests filter down from above. He's not a big man, but in this extremis he's terrifyingly strong, and you hope he doesn't manage to bring the whole roof down on your heads. "But I am responsible! I led them, it was me that... I..." He winces, looking at his hand in confusion, and you see the flash of white bone peeking through his scraped, ruby skin. Dark blood drips onto the floor from his torn flesh, drops scattering among the dust and ashes. "I wasn't good enough for them. I'm not strong enough, couldn't resist her. They're dead because of me. You don't want to associate... I've failed everyone. You deserve someone who..."
He stands there trembling for a moment before looking up and quickly striding toward you, raising his wounded hand to shove you back against the wall, your head hitting the stone so hard you see brief stars drift across your vision. He's on you in an instant, mouth crushing yours, bloody fingers pulling at your clothes. You feel all of his rage and shame and desperation as he kisses you frantically, his teeth cutting into your lips. You let him tear at you, neither returning his violent kiss nor trying to push him away. You're slightly dazed when he suddenly gasps and rips himself away from you. He pants, eyes blazing... "Gods I... I'm... you see? Im no good to anyone. I could have..." He reaches out as if to touch the drop of blood oozing from your bruised lips, a horrified expression on his face, but the lowers his eyes and drops to his knees before you. He covers his face with his hands and keens. "You don't want to be near me. Nobody wants to be near me. I see their faces when... you should leave me. I could never... never be good enough for... I'm not the man you..." he stops, shaking silently in the dust, ragged breaths filtering through his hands. 
You stand still for a moment, stunned, but then slowly let yourself sink to the floor, sliding your back down the wall until you’re sitting before him. You keep your tone gentle, "I am perfectly capable of judging for myself what kind of man you are. Here." You reach out and, ever so gently, ease his hands from his face, being careful not to put pressure on the broken one. He resists at first, but then relents. You inspect his bloody hand, lamenting to yourself that you cannot heal him, but you let coolness flow from your fingers, hoping to soothe him and ease the pain into numbness. "Hold still," you say as you release his fingers and reach beneath the hem of your robe to tear a strip from your linen under tunic. He flinches at the ripping sound, but keeps his hand stretched out before him, breathing harshly. You carefully wrap the linen around his hand, sinking a deeper cold into his inflamed flesh as you delicately press on the exposed little bone, easing it back into place and pinching the skin together before wrapping his palm firmly and tucking the end of the makeshift bandage under itself. You cradle the wounded appendage and reach out with your other hand, cupping his cheek lightly. His eyes are wide, sparkling with unshed tears, his mouth working in shock, lip trembling. You lean forward a little to hold his eyes, keeping your voice soft, soothing, "you do not have to carry the world on your shoulders, my love. Let me take some of the weight. Come here."
A silent tear tracks down his ravaged cheek, but he allows you to draw him toward you, laying his bandaged hand on your lap and shifting him so he's sitting before you before pressing his face into your shoulder, lifting your chin to avoid his horns. He curls his tail around himself and hesitantly wraps his good arm around your back, and you hold the armored tiefling close as his lean frame hitches and trembes with silent, heart-wrenching sobs.
The fading beams have crawled a long way up the wall before a low voice nudges you out of your doze. "My. Aren't you two a mess." Zevlor is cradled in your arms, having fallen into a deep sleep after crying himself out. Shadowheart crouches next to you, her expression unusually soft, and looks you over. You know you must look shocking, with your lips bruised and cut, and little streaks of dried blood on your face, your eyes puffy from weeping with heartache over Zevlor's pain. She reaches out and brushes a lock of hair out of your eyes, dropping her voice to a quiet whisper. "We saw the other two return, but it took a while to get it out of them. We waited as long as we dared, and then I came because, well, I'm the most subtle." She smiles. "Good thing too. You look like you both could use a little attention." You nod and shift slightly, letting her see Zevlor's hand, wrapped in the bloody bandage on your lap. He tenses a little, tightening his grip on you and murmuring into your robe, but doesn't wake, such is his exhaustion. Shadowheart reaches out, very lightly touching her fingers to his, and whispers the spell. His breath hitches and he shudders as the tingling power filters through him, but then sighs, seeming to feel the relief even in his sleep. She heals you next, the sensation making your skin prickle with gooseflesh, but you feel the small cuts close and the bruises fade.
"Thank you," you mouth silently, and she nods, leaning back on her heels. 
"We will leave you alone as long as you wish. We just wanted to know you were safe." Her expression becomes thoughtful. "You love him." Her own nod follows yours, and she reaches out to brush one knuckle down your cheek before standing. "I'm happy for you. Truly. I will tell the others you are both alright. Take as long as you need. You deserve to be happy." Her smile is almost sweet as she turns away and silently exits the room. 
The last light is fading when Zevlor stirs against you. Slowly he turns, easing himself around in your grasp until his eyes, just a flicker of fire in the darkness now, gaze up at you. His voice is a husky whisper, "did you mean it? What you said, before. You called me... or, maybe I was dreaming." He closes his eyes for a moment and sighs, a soft, happy sound. "If so, it was a wonderful dream."
You look down at him with a soft smile and bend your head to place a light kiss on his full lips. "I did. And you are. Ai armiel telere maenen hir, Zevlor, and I can only hope you feel the same." He sits up, keeping his arm about you and chuckling softly, looking at you with undisguised adoration. 
"I don't know what that means, but I think I can guess. I can see it now, in your eyes." He cups your cheek with a gentle hand. "Are you certain this is what you want? Me? Because, I know... my heart is yours for as long as I draw breath. I love you. So very much." You nod yes, and he slowly leans toward you, taking a deep trembling breath before pressing his lips softly to yours. 
Zevlor kisses you chastely for a little while, his lips and hands full of tenderness, before placing a kiss on your forehead, and then resting his own against yours. "Very well, my lady. Together, then." His words are a feather brush against your lips. "But you need me at my best if we are to prevail in this... I will seek the Oathbreaker Knight."
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moonyinpisces · 1 day
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Hi! I finally read HDWTOTL after seeing the cover art submissions on my dash for days. I won’t be emotionally the same ever again. Thank you, genuinely. But anyway, I was wondering if I could get some general writing advice?
I haven’t ever finished a story, and my problem is this: I can’t propel it forward. I have ideas for the beginning or middle of a story, but they’re just vague, disconnected scenes or emotions. I can never bring it to an end. And I can’t seem to bring people from location to location in a way that doesn’t feel very awkward.
Sometimes I look back at the writing I’ve done in a day and I realize it’s nearly all dialogue. Is this just my sign to be a screenwriter?
Or is there another angle to telling a story I’m not seeing?
How does one go from being a shit storyteller to a good one?
Thank you❤️
oh my gosh, thank you for reading hdwtotl and reaching out!! and yes, i can absolutely help you out, i'll throw my thoughts + advice down under the cut <3
i've always struggled with exactly what you're describing until relatively recently. i could get the barebone structure of a story down (beginning, end, vague plot points, dialogue-only scenes, etc.) luckily you mentioned you have disconnected emotions as one of the building blocks, which is, imo the most important thing you can have as a writer.
all that writing is is having an emotion and using all the tools in your arsenal to make someone else experience that same emotion.
that's all it is. what you're describing re: pacing and progression are all valid concerns, but i think you should remove that from the equation for now and just focus on what certain plot ideas make you feel, and how to evoke that feeling in others. personally, i struggle with properly explaining myself UNLESS i'm writing fiction. like, i can't tell you what i'm feeling, but i can make you feel the same way, and in the end we're now on the same wavelength. i don't think that's THE way to write, but it's the way i approach it and i couldn't do it any other way.
as to how to grow/push past what you're specifically struggling with: i think what helped me the most to develop myself as a writer is write the world around you. if you saw a sunset over farm hills in late october, how would you describe that to depict the feeling it evoked in you? the chilliness, perhaps spookiness, the beauty WITH the context that it's ushering in darkness, the dying plants, the cows huddling for warmth, the sound of a passing train. both the material and the immaterial work together in tandem in fiction -- what does the narrator sense from both? do that until it becomes second nature; if i see something incredible irl, you best believe my mental typewriter is going nuts. (the bentley scene in chapter 11 of hdwtotl had existed in my brain for MONTHS sentence-by-sentence WITH paragraph breaks before i finally got it down lol)
so if i were you, that's what i'd work on first before trying to bring it bigger picture with a beginning-middle-end as i think your pacing will naturally develop from it as well. what do you see, how do you feel, and how can the reader come away with both of those things without having been where you are themselves. also single scene oneshots to get in some practice translating that to fictional spaces.
good luck, i hope you break past this!! we need more storytellers out there
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coffeebanana · 1 year
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Sorry if some of these overlap a little/if I left out something obvious kajbdsjkd I tried my best haha. And that's why there's an "other" option!
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eff-plays · 7 months
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Astarion: I don't understand why you keep offering people songs or performances instead of real payment. And I understand people who accept it even less. They are so stupid. Absolute clowns. I respect your grift exploiting those imbeciles though.
Hiraeth: Yeah man totally lol. Anyway check this out *reads him a poem that momentarily shifts something in his soul and makes him feel A Thing he can't name*
Astarion:
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I know multiple of these are likely important to people, but I'm asking in terms of like - which of these do you tend to focus on the MOST, enjoy the most, that is most essential for you to actually care about the media, etc.?
(For example: someone finding "Relatability" most important would likely not enjoy a show much if they have trouble empathizing with the characters/relating to it, even if it were good otherwise. Or, someone might be able to overlook bad acting and ugly costumes, as long as the Character Dynamics are fun to them, because they value that more than Aesthetics- while for others, bad costumes would be a dealbreaker.)
Also feel free to reblog and explain your answer or more information in the tags- I've always been curious about people's relationships to media, how they conceptualize it/what they get out of it, how some people value some parts more than others, how that informs their overall taste and genres they may be more inclined towards, etc. :0c
#I was having a conversation with a friend about our favorite type of media and they said the reason they DON'T like historical or fantasy#media or etc. is because they can't imagine themselves being in those situations like it's too detached from anything that they can relate#to personally. they put themselves in the shoes of the characters and apparently like feel emotions while watching stuff and actually#get into the way the characters are feeling so they kind of judge how 'good' or 'bad' a show's writing/setting/etc. are by how it makes#them feel and if they think the characters reacted realistically based on what they were feeling in the moment/what in their head they#would be feeling if they were in the postion of the character. SO apparently the distance of it being in an unrelatable setting or too#detached from our reality makes it harder for them to relate to and less able to really engage with it on that level. WHEREAS I watch#things exclusively in a very like.. detached way?? I'm INTERESTED.. it's like im intellectually analyzing everyhting that's happening and#can be intrigued by events but it's not in an emotional way? More of like a distant 'intellectual curiosity'. Maybe the premise or the#aesthetics or something about it has piqued an interest for me to observe it. to see what it's like or how it plays out. how the idea#is executed or etc. But like.. I cannot remember EVER really relating to any character or situation or projecting onto a character#or having those sorts of feelings or investment in it. That is just not a central part of why/how I watch things or what I care about#BUT after this I was thinking maybe this is my disconnect? I do not seem to conceptualize media the way some other people do and I often#walk away with an entirely different take on things. etc. So I wonder if maybe it's part of how everyone values different things probably?#maybe I literally just watch stuff and percieve it from a different frame of mind that others. More of a like detached curiosity#vaguely bemused analysis mode. Instead of a 'I am deeply emotionally invested in this and am feeling for all the characters' mode#And also I bet people who care more about plot/story are also the people who mind spoilers. Whereas for me I literally seek out spoilers#intentionally because that element of 'suprise ooh what will happen next!' is not central at all to my enjoyment. I could know literally#everything that will happen and still can find it interesting to observe - since for me#that's not the point. I'd rather know the ending so I can determine whether I want to invest the time in it in the first place. etc.#ANYWAY!! If I had to choose - I would say I'm usually heavily focused on world details and aesthetics. With only a slight preference#towards characters individually being interesting. Group dynamics can sometimes be okay but I get tired of everything being about relations#hips and romance - especially when sometimes it seems to be like. people who could not stand on their own as a character/are fundamentally#boring otherwise lol. I would watch a series of just one guy locked in a closet talking to himself as long as he was interesting and saying#things that were amusing or notable for some reason lol. I actually tend to dislike plot because most 'plot heavy' things like action focus#ed shows ALWAYS feel to me like they're moving so fast just to get from one thing to another that I'm not getting enough details. Part of#why I tend to not like movies. the time limit makes them too quick. I need a 95 hour expostion dump of the history of the entire world#and a series of 17 episodes straight where a guy is trapped in a room & the audience is just psychoanalyzing him. hghj.. Maybe I find all#characters annoying/unrelatable bc people w my personality type make bad characters/are not often represented (or are done BADLY). so then#I'm just picking 'who is the LEAST insufferable? who could i study like a lab rat?' whilst my main focus is the worldbuilding&costumes lol
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camellcat · 9 months
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I wonder if Scott's alpha teeth made him nervous even after he got used to them just Being A Thing Now. If, when he would catch the glint of red eyes staring back at him, he had to still an instinctive flinch and try not to think of all the people who have threatened to or almost ended his life with that same vibrant hue. If the feeling of blood under his claws, on his skin, in his hair and soaked into his clothes ever became normal, if it was ever something truly able to be numbed and ignored. If seeing his shadow with pointed ears and elongated claws and shredded shirts gave him day terrors like the Nogitsune never went away; a paranoia that everyone could see how fucking messed up (how scary) he was. If Scott ever truly moved on from feeling afraid of being a monster, of becoming a Monster. Not all monsters do monstrous things, but all Scott has ever seen is monsters who choose to act like their namesake.
If he continues to be cautious and aware of his teeth, of his eyes, of how blood is overwhelming and what it's like to be afraid --- because if he looses his humanity, his tie to slow healing and faulty lungs and what it feels like to be prey to somebody else, how will he be any different from the monsters that plague him?
Scott is the outlier, and he does not let his monstrous features define how he chooses to behave and who is chooses to be.
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bereft-of-frogs · 3 months
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I wrote a longer and more overwrought version of this post when I was slightly drunker (yay distillery book club) but the shorter, more sober-clarity version is: it's so ridiculous that about 50% of my current fandom experience is based on things that are now 25 years old (thanks for the reminder, lucasfilm) and yet I'm terrified of being left behind because I 'can't move on' from something that is now barely 5 years old
you could probably attempt to make some sort of sweeping statement about this, like the lifespan of media now versus the early 00s, but what it's really about is my own issues with abandonment which is affecting both my ability to move on (I really struggle with the 'crew breaks up between installment thing', always have) and also the general fear of behind left behind, rather than any real trends in fandom as a whole
ok I think that's enough for superb owl sunday
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pandaemoanium · 3 months
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thank you old gamefaqs walkthroughs i love you old gamefaqs walkthroughs
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floating-in-the-blue · 3 months
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https://drive.google.com/file/d/1UvXzAZyaRBTqjsrdPUZdIY4lANTLWdHR/view?usp=sharing
Hope the link works... my first attempt at recording a fic and I wanted to do Take Me Through the Storm because it's beautiful and I love the way the words flow. It's not perfect but it's as close as it's going to get for now.
Here's the link again without the https:// just in case. (I've never sent anything anonymous before)
drive.google.com/file/d/1UvXzAZyaRBTqjsrdPUZdIY4lANTLWdHR/view?usp=sharing
Hunny, I am BLOWN AWAY! I don't even really know what to say except THANK YOU SO MUCH!!!! 😭😭😭😭😭
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(gotta say, at first I thought it was another spam message until I actually read it 😅)
But I LOVE IT SO MUCH!!!!! And I feel so honoured you chose my fic for your first podfic recording!!! And thank you so much for the kind words on the fic. It's still very dear to me so I'm always thrilled into glee if people like it.
Also: you did a FANTASTIC job on that reading even though god knows I did not make it easy for you with that story (or that username tbh) so I hope you will continue to podfic and delight us with more of your readings because I know every author would be just as thrilled as I am to receive such a lovely gift.
I'm just gonna roll around in happiness some more now but once again:
THANK YOU THANK YOU THANK YOU THANK YOU ❤️❤️❤️❤️
(Link to the fic on AO3)
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