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doomedandstoned · 30 days

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VIGIL Offer Roaring Catharsis on EP ‘...And The Void Stared Back’

~Doomed & Stoned Debuts~

By Billy Goate

Nothing is worse than the emotional burden of hurt, loss, betrayal, and grief. It is often overwhelming, consuming thoughts and giving rise to depression and physical distress that can last for months, years, even a lifetime. Music comes as a welcome respite, as it not only identifies with our pain but offers an outlet for mourning, insight, perhaps even healing.

Thus, death-doom was born, a melding of death metal with doom metal that began with groundbreaking acts such as Paradise Lost, My Dying Bride, Katatonia, and Draconian in the 1990s and continues strong well into the second decade of the new century. A hallmark of this style is slowed down tempos, gruff vocals, double kick drumming, and plaintive guitars, with the genre expanding into melodic realms as well. To onlookers it may seem harsh, morose, even distasteful. However, to those in the throes of misery it can come as a welcome salve to the soul.

Today, we introduce you to the grim New Hampshire blackened death-doom crew VIGIL, which rose from the ashes of another Kingston area band: Onera.

Justin Christian (bass, guitar) and Craig Simas (guitar, synth) have aimed not only for a heavier direction than their previous project, but also something "beautiful and emotional." Dave Petillo (vox), Joe Davis (bass), and Brandon Phinney (drums) round out the formidable ensemble on the band's debut EP, '...And The Void Stared Back' (2024), which Doomed & Stoned is premiering.

"One of the original building blocks of Vigil was to be as heavy as we could," the band says, "This led to the decision to have two bass players. As the songs started to take shape and each member was putting their own touches to the arrangements, we realized quickly that we succeeded in our goal. Combining that with our love for post-rock, thrash, and progressive metal, Vigil is a showpiece for all our influences filtered through our ears, hands, and emotions. We take the listener down a dark road of sorrow and anger."

The four-track affair begins strong with one of my favorites of the record, "Descend To Extinction" -- a song that puts our mortality into perspective.

You must all face The truth of life We end in spite Of our strife All must pay A toll sometime Let our being Be a moment in time

A sanguine guitar lead greets, interlaced with dire growls personifying our great common enemy: Death. Juxtaposed to this is a melodic chorus with appealing vocal harmonies that address the cold, hard reality of human suffering. At 4:22 there is some arresting riffwork that harkens back to the metal glory days of the '80s. It feels as if the rushing winds of Fate are sweeping us away. The song closes with a return to the dissonant rhythms and the bittersweet riff of the start.

Next comes the "Words of a Dying Man". Rainy repeated chords set the stage and are soon contrasted with contemplative picking, spacey synthesizer, and dark octaves on the piano. This is accompanied by gnarling vocals and that both snarl and whisper. Emphatic bass and drums shake us awake from this dream state, and downtuned guitars embrace a return to reality.

After this, we're visited by "Erosion of the Soul". Gut-wrenching black metal vocals are reminscent of Enslaved and the tension increases with strumming chord progressions, tremeloes, and aggressive drumming. You can really feel the rumble of the dual basses here.

The pain you gave me rots inside I cannot tell you I can't believe The hatred still living blind I can't let it breed inside Spirits live fighting Right inside my head

"Convulse Ways From A World Beyond" finishes us off with a wild hailstorm of drumming, chugging groove rhythms, and flashes of dissonance, interrupted by some doomy moments on guitar that are genuinely moving. Twin guitars offer sorrowful strains that intersect and contrast. Solitary bass lines usher us to the EP's closing moments.

Vigil's ...And The Void Stared Back is available on compact disc, with singles available for download (get 'em here). Stick it on a playlist with Serpentine Path, Heavy Death, and Hooded Menace, and Marche Funèbre.

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#D&S Debuts #Vigil #Kingston #New Hampshire #doom metal #death doom #black doom #blackened doom #progressive doom #D&S Reviews #Doomed and Stoned

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gbhbl · 1 year

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Album Review: Stoned Jesus - Father Light (Season Of Mist)

There are many reasons to be impressed with Stoned Jesus’ new output. Such as their notable progression in musical styles, their expansive blend of genres, their imagination, and how that is channelled into something wholly unique.

Father Light is the fifth studio album from Ukrainian prog-doom-grunge trio, Stoned Jesus, set for release 3rd March 2023 via Season of Mist. Written as the first half of a double LP, Father Light is the opener to a much larger musical world; an introduction to this deep new chapter of Stoned Jesus. There are many reasons to be impressed with Stoned Jesus’ new output. Such as their notable…

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#Album Review #Father Light #Progressive Doom #Season of Mist #Stoned Jesus

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thatone-highlighter · 7 months

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I love you albums. I love you songs connected by similar themes. I love you listening to songs in a specific order picked by the artist. I love you reoccurring motifs throughout the same album. I love you album covers. I love you albums with extended editions. I love you songs that reference each other.

#guys i fucking love listening to albums fr #best thing CDs have done for me is forcing me to listen to albums in order #this post is about. so many albums and artists #bad suns #imagine dragons #Set It Off #bastille #FUCKING HELL BASTILLE #theyre albums are SO GOOD #guys seriously. give me the future + dreams of the past. go listen to it. its so fucking good #doom days also fuckin slaps man. my fav oart is the fact the first 3 songs merge together for me until i realise million pieces is playing.#<- and ofc it has another place on it #also Imagine Dragons‘ Mercury 1+2 OUGH #the tone shift as you go through the double album until it does a full circle #sometimes a good album can be made up of songs that are banger after banger #<- All This Bad Blood-bastille Night Visions-ID smoke+mirrors-id apocalypse whenever-bad suns elsewhere-sio etc #and sometimes a good album can be made of songs that tell a progressive story while referencing eachother to enhance meaning and connect wit #-with the artists lived experinces #<- give me the future + dreams of the past-bastille mercury act I+II-ID Duality-sio #Tree Man Posts #music

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captainjonnitkessler · 4 months

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"Obviously Americans don't have a real culture, so in order to heal yourself spiritually you have to find another more exotic culture to become a part of. But ONLY!!! if you have a genetic connection to that culture!!!! Whether you are being respectful or appropriative depends not on your actions but only on whether you have the mystical Blood Connection or not. Again, you HAVE to heal yourself spiritually, because I know for a fact that you are spiritually damaged by not caring about your heritage as much as I do, and specifically you have to return to your ancestor's traditions and reject any culture other than your own. This is progressive."

Bestie this is starting to sound a lot like blood and soil nationalism with extra steps

#americans who don't know their ancestry are doomed to remain spiritually bereft i guess #should i have something better to do on christmas than vagueblog about yet another progressive spouting ethnonationalist talking points?#probably. and yet!

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bl00dfroma-fairy · 1 month

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ladymelisande · 8 months

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My problem with this implication that Crowley is the Selfish One™ for panicking and wanting to run instead of going with Aziraphale to Heaven and Aziraphale being a supposed saint that wants to save humanity (or fix Heaven just for love of Crowley, which is quite reductive and I will to that in a minute) is that it just acts as ir Aziraphale knew that the Second Coming was happening all along (which he didn't) and that once again just ignores that 1) he was pretty excited at the idea of coming back there, 2) that he did imply he misses reporting to Heaven AKA he is struggling to be part of The Company™ - Michael Sheen also mentioned this before the season started - and 3) Aziraphale was spiraling and in denial of the situations happening around him all season.

There are some points I disagree with so much and they are just... Not in the show?

'That Aziraphale didn't know that Heaven tried to kill him.' Yes, he did, he didn't know the whole dialogue word for word, but Crowley says in the first episode that Gabriel tried to cast him into hellfire.

'That Heaven has good angels and that's why Aziraphale was doing the right thing by going.' Okay, I hate this point with passion. Heaven having nice, innocent angels like Muriel doesn't make it less of a cult/totalitarian environment/dystopia/you pick your metaphor. Just because some angels are good doesn't mean the system is not broken. In any case, those angels deserve to get the fuck out too.

Crowley can't let go of his hate of Heaven and that's bad for some reason. This point is so... victim blamy. Why in the hell should Crowley feel anything but hate for Heaven or God by the matter? Huh?!

The point that argues that Aziraphale only wanted to go back to Heaven because of Crowley and to keep him safe deserves a paragraph of his own because I think it's such a 'reduce into shipping' reading. Aziraphale has been struggling with letting go of Heaven, he hasn't been eating, he is playing humans like fiddles during that ball and denying the danger around him, he accepted Gabriel in his home when anyone with some self-preservation would have thrown him out of in the street. All of this, plus his line in Season 1 when he still hesitated about 'his side' not liking him staying with Crowley, all of this is a build up that goes up to the moment where he presents Metatron's offer to Crowley.

Because as much as I ship them and I do think Crowley going was a mayor factor on making him accept, I don't think it's only about Crowley, it's about Aziraphale's inability to let go of his perception of Heaven as the side of goodness.

Crowley going back to Heaven is how Aziraphale thinks he can have his cake and eat it. Crowley is safe from Hell (because he thinks in terms of Hell being more harmful to Crowley than Heaven) and Aziraphale gets to 'fix' Heaven and never, ever confront the fact that Heaven is not the side of good, most importantly, never confront the fact that God is not a force of good.

Aziraphale's acceptance of the offer is not just doing Good and Save Earth™ (because remember he didn't know about the Second Coming when he accepted), it's him regressing (in the psychological term, not in the character term) and not wanting to accept real change, which sort of goes with his character being the sort of slow and frozen previous eras (contrasting with Crowley 'going too fast'). It's the same thing with him just believing Crowley is a good person because he is fundamentally an angel Deep Down™, and not because he developed his own moral compass.

Like, I'm sorry, but I don't think him accepting that offer had anything to do with some super mega selfless impulse to save Earth. He doesn't mention Earth in his whole speech. He goes around how Heaven is 'the side of truth, of light, of good' and he looks at Crowley confused as if he doesn't get why Crowley wouldn't want to go back to The Side of Truth, Light and Good™. I don't see Earth and humans mentioned there. It's not about them and deep down is not even about Crowley.

It's about Aziraphale and Heaven. It's about how he, as much as he loves Crowley, he still wants Heaven, he still wants their praise, he wants to be needed by them and how he can't and (in that moment) doesn't want to accept what they truly are.

This is why he will fail in Season 3. There won't be growth if he suddenly manages to change an unchangeable system. He needs to fail, he needs to have this view of them and God broken or he will never grow out of it.

#go ahead call me a hater now 🙄#aziraphale #good omens meta #good omens #I swear this relationship therapy speech rubbish applying to fictional characters is just ruining storytelling #fandom always wants to twist situations in 'they are both wrong'#because weirdly they think that if only one of the characters are wrong then that character... Becomes an abuser I guess?#because that's totally how it works I guess!#one person can't be wrong in a relationship ever #it's has to be the two of them exactly in the same level or the relationship is Doomed™#but even then is not about that is about character progression

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s-e-c-t-i-o-n-8 · 7 months

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#job for a cowboy #doom #sun eater #demonocracy #genesis #ruination #death metal #deathcore #progressive death metal #rivers of nihil #beyond creation #decapitated #obscura #the faceless

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muninnhuginn · 2 months

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Thinking about "your weakness is how you always want to be the hero" and how the series returns to this at the end

Li Lianhua hated how he acted as Li Xiangyi and spent years trying to distance himself from it, but ultimately he still fell back into the similar patterns, for all his added experience

His main priority was always to "do the right thing" regardless of how that would impact on those around him. And it *did* impact those around him. From Qiao Wanmian and Shan Gudao as Li Xiangyi to Fang Duobing and Di Feisheng as Li Lianhua

Giving the Styx flower to the emperor so he could use it as leverage to guarantee Fang Duobing and his family's safety. Using the last of his power to save Yun Biqiu. Constantly putting others above himself whilst actively refusing to recognise that his self-sacrificial nature would hurt those he cared about most

And sure, he thinks he's going to die anyway. They're going to be hurt regardless and he can't do anything about that. His odds are low of the Styx flower even working. But ultimately, he refuses to even consider trying. Li Xiangyi has been dead a long time and Li Lianhua is just there to tide things over. What value is the life of a ghost

To the end, he lives and dies a hero. To the end, he refuses to live for himself.

#sth about how he almost managed to live for himself but his past and need to do right doomed him.#those missing years before canon starts were probably the closest he got but even then the knowledge he couldn't use martial arts #must have killed him (no pun intended). because he'd put so much stock in his identity as sigu sect leader + hero + prodigy #so to have such a massive part of his identity stripped from him... honestly it doesn't seem that he ever fully comes to terms with it #but he makes progress and he tries to do better. + that leads to him becoming a different type of 'hero' than the symbol he was originally #deep down he wants to help people with all he has but his capacity isn't infinite + at some point can only be taken from himself #mysterious lotus casebook #mlc spoilers #also to be clear I mention shan gudao not to say lxy should have realised earlier bc for a lot of the time he was too young to notice #and later on sgd did better at hiding his intentions. but more for how lxy tunnel visioned towards his idea of righteousness #and steamrolled over everyone else. both sgd and qwm were placed far below the importance of the sigu sect #and lxy's arrogance made it such that sigu became reliant on him alone as he shut others out (hence domino fall once he went).#idk if he could ever have 'fixed' what was btwn him and sgd bc it was so deep rooted but I do think that his actions #helped convince sgd that sgd was entirely in the right to choose his path #mlc #edit: just went and checked the exact wording of the TL and it's actually 'you like being a hero' rather than 'you want to be the hero'#which is different but still close enough in implications for my point to stand (I think)

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kaurwreck · 4 months

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I think Dazai, while young, became attached to Natsume when Natsume was lonely and so was he (which is why he calls him Sensei in the Dark Era, like the protagonist in Kokoro); that Natsume brought Dazai to Mori after Dazai attempted suicide (which is why Dazai never touches him in Bar Lupin, why Natsume follows him from the Port Mafia to his meeting with Taneda and then to the Agency, why Dazai knows Natsume well enough to allude to his history to Tanizaki and to recieve the jump drive Natsume brings him in the Cannibalism arc— Dazai knows him); and that Natsume performed a partial skill transfer similar to Kyouka's mother to ensure it could not come that close ever again (and that's why Dazai is one of the few if not only touch/contact-based skill users whose is involuntary).

I think No Longer Human isn't merely nullification, I think (similar to how Bram's skill reverses death but through the framework of vampirism and Atsushi's slices skills and regenerates in addition to his transformations), there is more to Dazai's skill such that it precludes him from dying (which is why he can stand in front of a hail of bullets and be thrown by Chuuya through several buildings in the Port Mafia, why he can't seem to commit suicide successfully, why Kunikida and Chuuya remark on his preternatural inability to die, why Dazai says to both Atsushi and Fyodor with such certainty "you can't kill me," and, cheekily, why Kunikida tells Dazai in 55 Minutes "You're no longer human! You've lost that right!" when Dazai says he finally managed to die, however briefly).

I think Natsume's skill bends reality in the shape of the narrative structure over which he had such mastery and he decided that whoever he failed to snatch from the cyclical jaws of misery and suicide before (again, borrowing from Kokoro), he would not let this boy die; and how cruel that must have felt at first (which is why Dazai hates pain— he's been denied the easiest escape from it that he knows), but how reality bent to weave a narrative such that Dazai could be saved again and again in such a way that might shatter Koroko's inescapable loneliness (this is why, in 55 Minutes, it's implied HG Wells might not have existed, might have been an apparition from an earlier era, as if reality itself rippled space and time to reconjure someone who made sense to protect Dazai when it seemed unlikely anyone else could; why Akutagawa happened to have business there; why Akutagawa and Atsushi happened to cross paths).

It's well known that the titular cat in I Am a Cat is a calico. But, the story was based on Natsume's IRL cat, who was a black, striped cat. And aren't Dazai's bandages a little like stripes?

#bsd #bungo stray dogs #bsd dazai #bsd natsume #bsd meta #It's utter nonsense #But it would fracture the cycle presented in Kokoro #the plot is nonsense and the power scaling is silly and the escapes from certain doom are ridiculous because reality bends to save dazai #but while protected #dazai is frozen and unable to move forward #not unlike sleeping beauty preserved in her coffin of glass #and its atsushi's tiger #his relentless tiger that never lets him stop #that drags him forward #and akutagawa whose ability can eat space and who relentlessly strives to progress forward #who will conclusively shatter the cycle of loneliness imprisoning the narrative #anyway #is it anymore ridiculous than the rest of the story #because i dont think it is

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herasoufleeart · 3 months

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Work in progress...

#shadow the hedgehog #sonic x shadow generations #wip #work in progress #fanart #shadow fanart #sonic fanart #black doom #doom's eye #sth

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imsaanvikhanna · 2 months

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hey guys! i could use some support

so most of y'all who've been following this blog for any amount of time probably know that i've written a book that has been waiting to get published.

the book is called 'the messengers of doom.' full of humor, it is an urban fantasy revolving around hindu mythology, for young adults but it can be interpreted differently by any age group, and tackles themes like love, life, pain, purpose et cetera.

currently in the publishing process, it is out around this may! yes! finally!

if you'd like to get to know more about this book, find out about me as a writer & my writing process, be one of the first to find out when the book is finally out & get the book as soon as possible, or if you'd simply like to support a friend, you can find my official instagram here:

i've made this account pretty recently, so there's all sorts of updates regarding 'the messengers of doom' that are going to be out soon!

thank you!

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doomedandstoned · 2 months

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UK’s FROGLORD Delivers Visual Spectacle for Kaleidoscopic New EP

~Doomed & Stoned Debuts~

By Billy Goate

Artwork by Shane Horror

All Hail the Mighty FROGLORD! We've covered previous releases by the band and featured them in our Doomed & Stoned in England Vol. II compilation. Suffice it to say, we're believers!

Now the mysterious UK project is back with a new EP, and today Doomed & Stoned is giving you a first look 'n' listen with the music video premiere. LBTF((((or))))DBTS (2024), e.g. Live By The Fuzz or Die By The Slime is a three-track work where ominous tones mesh with tongue-in-cheek humor.

So, the gods decree, spoken unto thee Play it low and slow don't rush, live by the fuzz!

Our trip to the swamp begins with psychedelic blues rising like vapors in the warming sunlight. Welcome to "Live By The Fuzz," where guitars pulse like ripples on the water and we hear the sound of the hurdy-gurdy with mysterious Near-Eastern groans. You might be reminded of OM or Zaum in the first two minutes (and that's a good thing), but no worries if you're seeking a headbaning moment because it's coming with the all crash of an alligator jumping out of the bog to snag a heedless crane (at 2:38). Later, a blast beat and ferocious throaty voices take us to the edge of sanity -- or, if you're ready for it, enlightenment.

Cleanse yourself from pain, numb away the fear Hiding from impermanent endings growing near

Middle track "((((or))))" ushers us into the haze of the sun as the day dawns, and this time we're in ancient desert places and there's the addition of enchanting female vocalizations, pedal effects, and what sounds like the didgeridoo. Acolytes of the Froglord recite their purpose in hushed, drugged tones. Then the power of this mysterious force bursts forth with wild drums and intimidating roars (at 10:35). The song at last returns to those chill opening moments, taking us all the way to sundown.

In the swamp where darkness dwells A figure emerges, casting spells Creature arise, a presence so grand Deity of doom of this cursed land

Closing doomer "Die By The Slime" begins by asking Why do the living disturb the sleep of the dead? Indeed, why would one awaken such a fearsome creature of Old? It's a slow 'n' low ride, with boisterous outbursts of percussion, guttural singing, stinging guitar licks, damning riffage, and a cultish chorus. Strange rituals are afoot, and one imagines this gathering turning into a very messy bacchanal before long.

Meanwhile, the visual accompaniment is at various junctures meditative and disturbing, with trippy mirror effects and a veritable collage of hypnotic imagery. Hints of frogs (or tadpoles) lie around every corner. Maybe don't watch it on LSD!.

Froglord's 'Live By The Fuzz or Die By The Slime' (2024) to release this weekend, March 9th, on CD and cassette (get it here), as well as digital format (here).

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SOME BUZZ

Since the dawn of time, mystics have long prophesied the coming of an ancient amphibian bestowed with death ray vision and ectoplasmic slime. Emerging from deep within The Mystic Swamp, Froglord arise bringing their unique blend of stoner groove and psychedelic doom. With face melting fuzz and foot stomping grooves, Froglord’s reign of amphibious terror shall begin.

Having released four full length albums in the last three years, Froglord returns once more. This time with a shorter three track EP, 'Live By The Fuzz or Die By The Slime.' Adopting a distinctly more blackened-psychedelic-doom sound for this release, Froglord once again showcase their ability to blend genres across their already vast discography.

Previously, Froglord records have been entirely recorded and produced as a one-person operation, however this EP sees collaboration with other artists, to bring in haunting cello and vocal acapella arrangements. 'Live By The Fuzz or Die By The Slime' is the perfect record for fans of Om, Conan, and Batushka.

Formed during the pandemic as a one-man project, Froglord released their first EP in 2020, followed soon after by their debut album. To date Froglord has built up an extensive library of releases, including, 4 albums, 3 Eps, 1 split, 1 live album, and 2 singles. In 2021 just after the release of The Mystic Toad, Froglord developed into a 4-piece band as live venues began to reopen. Since then, Froglord has quickly gained a reputation for their commanding and theatrical stage performances.

Whilst Froglord's sound leans primarily toward stoner doom, they have been characterised for their genre-bending sound, with each album taking on its own distinct style, taking strong influences from psychedelia, prog, sludge, grunge, groove and blues; to deliver the tale of The Froglord through a concept-based discography.

Currently, Froglord are set to release a single in the spring of 2024, written for the upcoming found footage horror film Frogman (dir. Anthony Cousins). As well as this original, the film also contains several older Froglord tracks.

Rooted also in environmentalism, Froglord has worked closely with Save The Frogs, the world’s largest amphibian-based conservation charity, raising over £2500 through "Save The Frogs" EP sales and campaigning, as well as £300 for the Human Dignity Trust.

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#D&S Debuts #Froglord #Bristol #England #doom metal #progressive doom #meditative #HeavyBest2024 #D&S Reviews #Doomed and Stoned

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haveyouheardthisband · 18 days

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