everyone's got a story
if you would have told me i'd wake up nearly five years later married, with child and sober, i would have thrown my jack and coke in your face.
today i'm sitting at a desk and recalling how it was i got here; remembering all those days that looked like this one: a rainy, glazed over morning. the difference is i'm not looking out the window through a cloud of bong smoke, smashing pills down my throat and taking a shot to try to quell the hangover from my one person party the night before.
anxiety stirs, my nostalgia gland contracts and i start a dance number of rushing thoughts in my mind. i've only found one way to counter it.
shake my head violent for a second and say aloud, "good thing that's never going to happen again".
that's been it, one day at a time, for about five years now. i remind myself that there's a tomorrow and just for today i'm gonna do some other thing for myself. one day at a time.
i feel my future daughter kick my innards. reality sets in. i pat a little morse love code back to her.
one day at a time.
4 notes
·
View notes
We don't talk enough about the fact that Amelia Pond, s5 Amelia Pond, before the timeline is reset, isn't just a normal orphan. Her parents didn't die, didn't abandon her, and didn't send her away. They never existed in the first place.
And if her parents never existed, then Amelia cannot exist. She is a causal impossibility.
"People fall out of the world sometimes, but they always leave traces." A photograph. A face carved into an apple. Yes. Sure.
A child.
Now that's too big, surely.
But that's what she is. She is exactly the same as these things. A trace. An echo of something that could never be, never was, never could have been.
And the universe should never allow it. A whole person, that's just too much. She could not have continued to exist indefinitely, in normal circumstances, after her parents never existed.
In normal circumstances.
Because the Doctor didn't just save her from things coming out of the crack in her wall. He saved her from going into it. And he didn't just save her from the threat of going into it simply because of its vicinity.
No, by arriving when he did, he interrupted a process that was probably already in motion. And then by arriving again only moments later on a cosmic relative timestream (too quickly for the process to complete) and yet in the local relative timestream, years later --- years of a potential future caught midway through the process of rewriting -- he solidified that existence. Amy is a creature from another timeline, caught in amber. The Doctor prevented her from never existing, but only after she could already never exist.
And so, no one around Amelia thinks about it. Neither does she. There's some kind of consciousness block, because if you thought about it, really thought about it, for two seconds you'd realize she cannot exist. And the human mind can't deal with that. So, to protect itself, everyone's brain simply slides off it before ever noticing. They just assume that her existence makes sense, and don't question it, and don't notice what they don't question, that is staring them in the face.
But of course, to some extent they do notice. They can't think it, but they notice subconsciously that there's something they can't think. They notice there's something wrong with her, something uncanny. And they don't like it, and they alienate her even more because of it.
"Does it ever bother you Pond that your life existence doesn't make any sense?"
285 notes
·
View notes
Vlad has Pit Rage
So, we all know the idea of Pit Rage. When you are submerged in a Lazarus Pit, you will become insanely mad for a while, and in the Fanon it is permanent.
Well, in Danny Phantom we do know of one other person who was infused with Ectoplasm (aka Lazarus), who had a personality change after his accident, who had years to build up his hatred, who never got the help he needed.
Vald. It's Vlad. Due to a fuckup when making the Proto-Portal, Vlad was blasted with Corrupted Ectoplasm rather than the Pure Stuff, which gave him Pit Rage.
Pit Rage is basically a Chronic Condition, and once Vlad figures out that he needs help while on his whole Redemption Arc (read A Glitch In Time, I beg you), he goes to the Far Frozen to seek their help.
He gets some Medication that helps suppress the Pit Rage, and goes on with his journey of Redemption.
Then, one day while he is wandering through Gotham, he meets a Kid who is seriously I'll. Like, he's almost as Bad as Vlad himself was before he got the Medication he needed!
So, he gets some of his Emergency Medication and has the kid take some. Thankfully it helps him calm down and gets him to stop Shooting Vlad. (He jad been unloading clip after clip into Vlad until he finally calmed down)
Now he needs to take this Kid to Frostbite so he can get his own source of Medication, and the easiest way is to just kidnap him. Not like he was being watched at all, honestly people need to take better care of their Kids.
...
Batman is panicking.
Some Vampire guy just fed Jason some weird drugs that made him calm down significantly and them kidnapped him through a Glowing Green Portal.
Was his son just Drugged and Kidnapped?
522 notes
·
View notes
What do Fiction Podcasts have to say about the future?
Whenever you write a story set years from now, how you construct the world around it creates a new way to see the future, a fictional image to a reality we could be headed towards.
Fiction podcasts love to play within the sci-fi genre, and the thousands of audio dramas they have given us new pictures of what our world could look like in the next century (or a few years closer).
In this article I want to analyze the settings in the following shows: Hello from the Hallowoods, Desperado and The Strange Case of Starship Iris.
Hello From the Hallowoods
Hello From the Hallowoods welcomes us to a world ravaged by black rains and capitalism’s greed. After a natural (but man-made) disaster involving acid rain and flooding the world’s successions gave birth to two different types of beings: those who prefer to dream in a company’s “Prime Dream” and those who stay awake to continue living.
Even though the world is post-apocalyptic on paper, it never feels like it. Rather it is enchanted, there are woods where gods, revenants, devils, giants and zombies fall in love with themselves and with each other, places where community is found.
This, I attribute this to the fact that most characters don’t lament a nebulous “end of the world”, since this is the world they have always been living in and they are going to make the best of it: find family, friends, lovers, build homes and destroy bigots.
You leave the world of Hello From the Hallowoods knowing that even a doomed world is worthy of being awake for.
Desperado Podcast
Desperado Podcast also takes us to a world that was looted, but this time mainly by religious colonialism.
Neo-colionalism has made itself tangible through genocides and direct targeting to believers that worship other than the “Old man in the Sky”. In its first episode a community in México which revere La Catrina (a goddess in the show inspired by a popular figure in mexican art) is wiped out by the crusaders.
From there our protagonist Elio is the sole survivor of his people, however all is not lost as he teams up with Talia (the chosen of Baron Samedi) and Shinji (whom I believe is a death kami?).
Elio now literally carries the memories of his community as the vessel for her goddess. Likewise in Desperado, the magic of the characters is the legacy their ancestors gave them, and it is what keeps them alive in the violent world.
Though if we are ever to worry that our protagonist could fall into its clutches, the structure of the world soothes our preoccupations. You see, it is the characters within the story that are narrating their own experiences to the audience so we know that after all the pain, they ended up safe.
What Desperado tells us about the future is that, even with the ongoing genocides, white-washing of our culture, and neo-colonialism in general we will end up victorious in the end, and that our history will be forever within our memory.
The Strange Case of Starship Iris
The Strange Case of Starship Iris, is the most sci-fi audio drama out of the bunch. It follows the crew of the Rumour, a smuggler's ship, as they try to uncover the dark secrets of the Federation and evade persecution.
As with the other two properties, the future is not an easy world, but our characters are making the most of it.
In a post-war galaxy, the crew of the Rumour is smuggling space-ship parts, medicine, and erotic magazines until they find a help alarm coming from the Starship Iris and rescue biologist Violet Liu. From there they are involved in a mystery which, if the truth comes to life, they could be charged with treason against the Intergalactic Republic.
Throughout the two seasons of the podcast, Violet Liu and company heal together the scars that the war and its result: the Intergalactic Republic left them. They fight against the government not only through robberies, infiltration, and coordinated efforts with rebel groups but also by eating latkes, drinking, singing shanties, and getting gay jewish married.
To conclude
if queer podcasts are telling us something about the future, it is that it may be equally messed up as the present but that queer, disabled people of color will exist beyond the end of the world and that even in the bleakest of futures we will continue to love and thrive.
211 notes
·
View notes