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#she straight up kills like multiple in that song its so funny
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Me: my fav hazbin character is the one who drugs people into a fabricated "happiness" to better manipulate them into doing what they want and also openly sexually assaults people
Them: oh so u mean valentino-
Me:
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wileys-russo · 7 months
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boyfriend lessi on holiday in Ibiza just looking after you when you have too much to drink and both of you just having a great holiday
lucky II a.russo
alessia sipped at her drink with a small smile watching you cheer loudly and crash tackle ella and georgia into a hug, slinging your arms around them with a tipsy grin.
"less you're gonna burn a hole in the poor girls head if you keep staring at her like that." lotte teased from where she sat beside her, nudging her best friend with her knee who rolled her eyes.
"yeah well someones gotta watch her, we both know what she's like drunk." alessia gave the girl a pointed look who had to hum in agreement, both of them having had multiple experiences with you when you'd had just one drink too many or ten.
and so alessia kept a watchful eye over you as you danced and drunk your way late into the night, not having seen half of the girls you grew up with in months you weren't wasting any time celebrating your reunion.
"hi gorgeous, you alright?" you heard the familiar accent rasp in your ear and felt the blonde press into you from behind, admittedly not having spent much time with her today. "lessi baby!" you grinned with a slur, turning to face her and cocking your head with slanted eyes.
"how about we slow down and have a water together hm?" your girlfriend smiled, wrapping you in a tight hug as you laughed and smacked her on the shoulder. "funny joke!" you winked and attempted to wiggle out of her grip to no avail.
"not joking, i think you've had enough for the minute babe." alessia spoke a little more firmly now as you pouted, trying to break her resolve but it was to no avail. "fine! buzzkill." you groaned as the taller girl pressed an affectionate kiss into your hair and stepped away back to the table to grab you a water.
"oi, neck it." georgia whispered as she appeared suddenly beside you with a fresh drink, grinning at you mischievously as you did as she instructed. "oh fuck gee!" you winced with a gag as the straight tequila burnt its way down the back of your throat.
"warn a girl next time you try to kill her stanway!" you coughed, georgias face paling as she caught alessias narrowed eyes of suspicion, hurrying off as the striker returned. "what did you just do?" the blonde sighed as you smiled innocently, already feeling the effects of the straight alcohol begin to kick in.
"nothing! dance?" you grabbed her hand and attempted to tug her away to where the rest of the group was but the taller girl remained rooted in place. "come here." alessia ordered, grabbing the back of your neck and feverishly connecting your lips.
though before you could properly kiss her back she'd already pulled away, looking down at you sternly. "you taste like tequila."
"do I?" you gasped mockingly, sending the blonde a charming smile and grabbing her hand again, pulling her toward the dance floor. "you're an idiot. you know that?" alessia sighed, biting back a smile as you stumbled and she reached out to steady you.
"maybe, but you love me baby. can't deny it!" you sung out, pressing your body into hers and grabbing her hands, placing them on your waist as your friends cheered and the italian shook her head.
"...you're lucky you're quite cute, i'll give you that."
~
"ah! baby no more." alessia sighed in frustration, catching you sipping on ellas drink when you thought she wasn't looking, pulling you to sit on her lap with her arms locked securely round your waist.
"why!" you whined, your head falling back to the taller girls shoulder with a pout, alessia wincing slightly at the intense smell of alcohol on your breath. "you've had enough babe." the taller girl responded quietly, rubbing circles into your thigh with her thumb.
"oh go on less let ya girl live a little!" ella grinned drunkenly, maybe even more drunk than you as lotte hurried to help her sit down. "i love this song! lessi baby lets dance." you perked up, throwing her hands off and standing, only to go toppling right over into georgia and ellie's lap unable to hold yourself up.
"okay! i think we're gonna go." alessia decided, grabbing your bag and slinging it over her shoulder, reaching out to help you up.
ignoring your drunken protests alessia said your goodbyes to the group of girls for both of you, agreeing to meet them for brunch tomorrow as her phone pinged that your uber was out the front.
finally wrestling you into the car and getting a seatbelt on you alessia apologised to the driver and took a seat beside you, your whinging about not wanting to leave only lasting a couple more minutes before you inevitably passed out on the blondes shoulder, her arm wrapped protectively around you.
"thank you." alessia murmured to the driver, nudging you awake as he pulled up outside your hotel. "give us a piggyback." you demanded, alessia rolling her eyes but obliging as she helped you out of the car, hauling you onto her back effortlessly.
"are we going to another club?" you mumbled in her ear, head slumped on her shoulder as the two of you stepped into the elevator. "no you're going to bed darling." your blonde lover chuckled with a shake of her head.
"why? we're in ibizaaa baby, let loose. party time!" you cheered loudly as alessia hastily shushed you, well aware it was nearing two thirty in the morning as she struggled to find the key card in your bag while balancing you on her back.
finally finding it she opened the door, breathing a sigh of relief as she lowered you into the mattress. sitting down at the end of the bed your girlfriend slid off your heels, tossing them behind her and gently massaging your feet as you groaned in relief.
leaving you temporarily she rummaged through your cases, quickly stripping and slipping on a tank top and shorts, grabbing an oversized shirt for you.
"good god woman, stop that." alessia chuckled, swatting your hands away when you attempted to pull off your dress, getting it caught over your head with a grunt as you flailed around blindly.
pulling you to sit up the striker easily slipped the dress off and tugged her shirt over you, the height difference between you two meaning it hung down to your knees.
"do you want me to take your makeup off love?" alessia knelt down with her hands on your knees, lips curling into a smile at just how quickly your drunk mood had shifted into utter exhaustion as you nodded tiredly.
"come on then." your girlfriend helped you to your feet, basically carrying you into the bathroom as she placed you up onto the counter, back resting against the wall.
"my girlfriend normally does this for me." you mumbled out with your eyes closed as alessia gently held your chin in one hand as the other tenderly wiped away your makeup.
"does she? that's nice of her." the blonde chuckled as you hummed. "yeah she's pretty nice. dunno where she went though, who are you again?" you squinted through narrowed eyes at the blurry figure in front of you.
"your girlfriend." alessia finished, tossing the last wipe in the bin and looking at you with a shake of her head.
"really? lucky me." you shot her a lopsided grin as alessia hummed, picking you up again as you wrapped your legs around her waist and your head slumped to her shoulder, the blonde carefully peeling back the duvet with one hand as she gently settled you into the bed.
"lucky you indeed."
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hazshit-hotel-hater · 1 month
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What are your opinions on each of the songs? (you can answer with as much or as little detail as you'd like)
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Big shocker that the songs from the 2 good episodes are in S and the only one that isn’t is still B tier/sar
The first 2 songs in S made me either tear up/shake violently or cry, and therefore they deserve to be up there IMO. Out for love is also just genuinely catchy and had actual build up to it. Also God “Ready for This” just. OOUGGGHHH IT SCRATCHES MY BRAIN SO GOOD LIKE A WARRIOR CATS MAP. I like it a lot. You cant have multiple characters sing about working together and expect me to NOT cry.
“Stayed Gone” isn’t one I listen to often but it’s so peppy and fast and full of hatred I can’t help but enjoy it. Also everytime the song starts my brain does this
I dont know anything about Welcome Home
I have. Issues. With “Loser, Baby” but aside from those the song holds a lot more weight to it than I usually give it credit for. And for as cheesy as the start if it is, the line before of Angel talking about self destructing resonates with me a lot. Also Husk lays down in a puddle of vomit and no one talks about that ever.
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I think the first song in B is “Happy Day in Hell” and I’m adding it there 1. Because it is the first song 2. It gets a reprise thing 3. Charlie almost gets hit by a truck. Other than that it’s not really my favourite but I respect the impact it has.
“Hell is Forever” just fucks. End of story. Alex Brightman killed it.
“Respectless” is good I love Velvette’s VA, but the sudden start of the song and the ending are so out of left field the first time me and my friends watched this show we had to pause cause we lost our fucking minds. Could’ve been better but I’d listen to it again, yeah.
“Hell’s Greatest Dad” is silly and funny and maybe I’m biased as a violin player and jazz enjoyer but a lot of the instrumental tickles my brain so nicely. I will say though it confuses me so much because why does Alastor care about being seen as a father figure?? My mom said it could just be him wanting to show up Lucifer and that’s it but I dunno.
“More than Anything (Reprise)” AKA “Charlie and Veggie Kiss Scene - Hazbin Hotel”
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This song sounds like it’s straight out of Barbie & Th Diamond Castle and I’m honestly pissed the girls in the movie didn’t kiss so I’m coping with this. ALSO THE FACT ITS A REPRISED SONG ABOUT LOVE MAKES ME A BIT CRAZY. I never noticed this was the same song Lucifer sang to Charlie SOMEHOW but that’s actually really cute.
“It Starts With Sorry” Has a big part in Sir Pentious’s character growth and just his character in general. I’ve been working on this in my Pentious rant but I never see people mention how much this song probably meant to him. Yeah it’s super corny, but he was fully expecting to be killed and had just been told to kill himself. This was definitely huge for him and I’m not gonna be convinced otherwise.
“You Didn’t Know” is really good but Lute’s part is by far the best and I pray to GOD she gets her own song in S2 her voice actor can SING. GODDAMN! I am very interested in Lute’s character development and I love seeing what people do with close-minded characters like that and hopefully Vivzie doesn’t condemn her to Vivziepop Woman Syndrome. If she isn’t important in S2 I’m going to be pissed but I dunno maybe S3 if we get one.
“More Than Anything” Wish my dad was like this! This song is incredibly sweet and I appreciate it a lot. Honestly might go way higher on the list if I keep thinking about it.
“Whatever It Takes” Sorry you will never be Imagine Dragons. Vaggie doesn’t sound anything like herself cause her VA is making her voice so much more gruff for her character, which is fine! I like her voice (the voice direction is not very good but I digress) it’s just her voice is so high in this I can’t even tell it’s Vaggie.
“Welcome to Heaven” is boring, but we got a Molly cameo!
“Poison”. Read this and this and this. -10/10. I’d rather make out violently with Elon Musk.
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visionofhope04 · 3 years
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Hii I was lowkey wondering if you would do something maybe like a one shot of neglected where reader is older (18-20) and dipped out of the house and became a singer and one of her songs basically exposed them for how they treated reader and in like an interview she full on tells them how she doesn’t even talk to them and like only Jason
This is literally perfect. I love this idea! I was planning on making a singer batsis reader anyway so here you go! I'll be making this part 4 of the series instead of a one shot. There’s a bit of angst. Btw, thanks so much for your support everyone! I'm glad you enjoy this series! Feel free to request anything you'd like besides smut as well!
This is the longest thing I have ever written so there will be a part 5. I planned on this being the last part but it's just so much. It’s not proofread and neither are all of the other parts because I post at 1 am most of the time lol. Hope you like it!
f/n = friend name
Y/G/N = your group name
N/S = news station
Part 1 Part 2 Part 3 Part 4 (Current) Part 5
---
You were sick of it. Sick of how even after confronting them about how you felt and almost dying because of it, they still neglected you. You couldn't wait to move out at the age of 18, even if it proved to be a struggle. You had taken mini jobs since you turned 15 and saved up since then. You just couldn't see them anymore as it would remind you of how they treated you that day at that hospital. None of them apologized either. They just pretended it never happened and continued to ignore you. The media had a field day with speculation of what had happened but eventually stopped because Bruce had claimed it was “just a bad case of the flu” which they believed.
Jason was always the only one that would talk to you. He was the only one that actually cared enough to make sure you were taking proper care of yourself and that you wouldn't have a repeat of what happened. He took you places, spent time with you and gave you advice. You even had a tradition where you'd always meet up at the manor's library every week at the same time that same day every week and just have a mini book club together. He always made time for you and never bailed on you.
So on your 18th birthday, he helped you move out. You managed to rent a small apartment in Star City with the money you had saved up. It wasn’t that close to the manor which was a good thing. The neighborhood wasn’t good but it wasn’t as bad as Gotham’s neighborhoods so you would be fine. You could handle yourself with your assassin training if needed. You also managed to get hired at a cafe which was about a five minutes walking distance from your apartment.
It had taken a while but eventually, you had packed all of your belongings into color coded containers and moved them into Jason’s car with his help. You didn’t say goodbye to anyone as you had no friends to say bye to and you knew that your so called “family” couldn’t care less about what you did with your life. ‘This is it, hopefully the last time I’ll ever be near this place.’ You thought. You didn’t plan on stepping foot in Gotham ever again after you left. It would bring back too many memories you prefer to keep buried away deep inside your mind.
The car ride to Star City was entertaining. You and Jason conversed the whole time, telling jokes and listening to his funny tales with the radio playing softly in the background. Eventually, a song you both loved came on and you both started yell-singing along to the lyrics. You wished those moments could be permanent. You were both so carefree and nothing else mattered besides having fun and enjoying yourselves.
You now stood in the doorway of your new apartment, admiring your new home. Jason and yourself had just finished unpacking all of your belongings. You really liked how it looked and thought you both did an amazing job at designing the place perfectly according to your style. Jason, unfortunately, had to leave in order to avoid raising suspicions. Once you both said your byes, he left you to your apartment.
Jason drove back home in silence. He hated to admit it but he would miss you dearly. You were always there for him and helped him with anything. You tried your best to always comfort him and make him feel better on his darkest days and it would always work. Somehow you seemed to always have the right words to say or knew exactly what to do to help him. Out of everyone he was closest to you. He assumed it was because he could relate to you the most. More so how you felt. He’d felt like the black sheep of the family before you came, and he was. When you came, you took that role from him. It pained him to see how much their insults would affect you, even if you were good at hiding it. He could just tell.
Jason made it back to the manor after a while and went straight to the library. He didn't want to deal with the others. After the whole hospital situation, he'd never really bother interacting with them. He hated how they treated you as if you didn’t exist and hated how much pain they had caused you and that they didn’t even care. He guessed that they'd probably be doing something for Damian's birthday and forgot that you were his twin. They probably couldn’t even remember that Damian had a twin.
He made it to the library and pulled out one of his favorite books. He’d read it so many times you’d often joke that he could probably recite the whole book by heart at this point. Sitting down in a chair, he started to read. However, he couldn’t bring himself to stop thinking about what it would’ve been like if they treated you how they did Damian. The both of you were Bruce’s real children. You both even looked like clones of him! At first, Jason thought you would’ve been the favorite twin due to your personality. Even though you were twins, your personalities were polar opposites. You even refused to kill! You were trained by the League so why didn’t you kill as Damian did?
Jason knew you would benefit them greatly if you joined. You had self control, didn’t kill, could act perfectly, lie perfectly, do well under pressure, and not to mention your skills. Being raised by the League may have been torture, but you managed to gain incredible skills out of it. You could take on at least ten guys who doubled you in size and beat them within five minutes. You even bested Damian in spars and he was supposedly dubbed the “better twin” by Talia, so why hadn’t they let you join their nightly crusades like they had let Damian when the both of you first arrived?
Damian passed by your room but noticed something was off. He decided to take a look. He twisted the doorknob and pushed. The room which was once occupied by you now looked extremely plain and bare, stripped of all of its accessories. The only things left were the bed itself, multiple dressers, and a vanity. It looked as if it had been vacant the whole time. It might as well have been. Damian couldn’t really remember what it had looked like since he’s never paid much mind to it but he could tell there was a drastic difference. He knew that you disliked just leaving your room plain unlike himself and wanted at least something to make it look less boring.
He couldn’t help but wonder what had happened. Had you finally been kicked out by Bruce? Did you get shipped off to a boarding school like he had been suggesting to your father for years? He decided to go ask. He exited the room and closed the door behind him, taking off for Bruce’s office. Walking down the hall, he suddenly remembered that he had seen you leave with Jason. This meant that you were not at a boarding school like he had originally thought. But then why was your room vacant?
Instead of going to see Bruce, he decided to go see Jason and bring up the matter with him instead. He changed directions and headed to the library where he knew he’d find Jason. It was no secret that Jason was a book worm so Damian had a fifty percent chance of finding him there.
He entered the library and was immediately greeted with the sight of Jason sitting comfortably on a chair, legs crossed with a book opened in his hands. Jason didn’t bother to look up from his book as he spoke.
“What do you want Demon Spawn?”
“I’ve come to obtain the whereabouts of my sister.”
“You mean my sister?”
“She’s not your sister!” Damian exclaimed.
“Well I act more like a brother than you do.”
“Where is Y/N? Her whole room is bare.”
“That’s for me to know and you to find out.”
“Just tell me, you imbecile!” Damian said, growing increasingly frustrated by Jason’s blunt answers.
“She’s not here.”
“Then where is she?”
“Not here.”
“Just tell me already Todd, I have no time for your foolish games!”
“She moved out.” Jason said, giving in.
“What?! Where.” Damian demanded.
“Why would I tell you?”
“Because I demand to know!”
“Okay and?”
“Tell me!”
“No.”
“Why not!”
“Because you don’t even care.”
“And you do?”
“Yes, I actually do Damian! I’m there for her when she needs me the most. I’m there for her while she’s watching you live the perfect life that she’s just a background character in! While you and the others ignore that she even exists! I’m there for her when she breaks down and has panic attacks! And what were you all doing to try and help her? Nothing! Absolutely nothing!” Jason snapped.
“Y/N’s fine, I know my twin!” Damian screamed.
“Do you even know what her favorite color is?” Jason questioned in a harsh tone.
“...” Was Damian’s reply.
“Exactly! You don’t! You and the others have never cared about her, so why all of a sudden do you care now? You don’t know anything about her so don’t act like you do!” Jason then stood up and walked out of the room in a fit of rage.
Damian stood there, shocked. Had Jason just refused to answer his question? He was about to follow him but decided against it. Why was Damian going to chase Jason down just for her? She was just an annoyance, a mistake, imperfect. He had been wanting to get rid of her for so long, so why doesn’t he feel relieved? Why does he feel guilty? He decided to stop dwelling on it and get on with life. He figured it would happen eventually if it hadn’t happened then.
---
It had been a year since that day. The day you left your old life behind and started a new life, a better one. One where you weren’t constantly ignored. One where you actually had more than one person care about you. Instead of seeing yourself as a failure and disappointment, you now saw yourself as an amazing person (which you always were). You had been going to a community college in Star City. You made many friends there and started up a music career with three of them.
Their names were f/n, f/n and f/n. You all started off by taking random gigs anywhere you could. You performed covers of songs and would receive standing ovations all the time. Seeing as your group was well liked, you decided to write and produce your own songs. At the age of 19, Y/G/N released their first album. It went viral within a day and everyone was talking about it. After a week, several articles were posted, praising your work. News Stations talked about all the records Y/G/N managed to break. People started to stream it like crazy, and you couldn’t be happier with all the positive feedback you were receiving.
You had been a Wayne once, meaning you had experience in dealing with the media. Since you had already been used to it, you knew you’d all eventually be invited to interviews. So, when you had received an email stating how N/S wanted a one on one interview with you, you weren’t sure how to feel. You weren’t looking forward to interviews with your whole group, let alone one where you would be alone. You knew how unfiltered interviewers could be and didn’t feel comfortable with it.
However, you decided it would be best to go. So here you were, sitting in front of the interviewer in an uncomfortable chair preparing for the interview to start. You had somehow managed to keep a smile plastered on your face the entire time while you were a nervous wreck on the inside. You hoped none of the questions would be sexist as they usually were towards women. However, you had no more time to think about that. You heard clicking, signaling that you were about to go live. Once you heard the last click, you knew you were live and the interview had begun.
“Hello everyone, welcome back to N/S. My name is Jerald Tangleberry and I’m here today with songwriter, singer, and celebrity, Y/N Wayne! How are you?”
You waved to the camera and then answered, “Hello everyone! I’m doing good, how about you?”
“I’m doing great, thanks for asking! So by now I’d assume everyone knows that you’ve released an album with your group. How does it feel to gain more fame?”
“It doesn’t feel any different. Fame wasn’t our goal when we released the album. It was to express ourselves.”
“Mhm, well Ms. Wayne, what inspired you to write songs?”
“Well we know people may be in a tough spot in their life right now and want them to know they aren’t alone.”
“That’s so true. Some fans have been speculating that every member has three songs that specifically relate to them since there are twelve songs in total and three of the songs have the same group member as the introduction part of the song. Is this true?”
“Yes, it is true.”
“So all three of your songs relate to family issues of some sort. Is that hinting that you have family issues?”
“Yes, actually. My family isn’t the best. They ignored me all the time, even when they weren't busy. The only person who didn’t was Jason.”
“You’re saying it in the past tense.”
“I moved out about a year ago. When I was around 14, I suffered from anorexia. My family would always ignore me since they were either busy doing work or hanging out with each other. The only family member that acknowledged me was Jason. I assumed it was because there was something wrong with me. I started to hate myself so much to the point of starvation. One day, I passed out right before a gala and my oldest brother Dick found me passed out on the floor. They took me to the hospital and when I woke up, Bruce, Dick, Tim, and Damian started fussing about how I’d ruin their image if the media knew what actually happened. They started to yell at me and told me how I was a useless burden. I started to have a panic attack so I kicked them out. Jason stayed behind with me and comforted me. Ever since then I made a planed to save enough money so I could move out when I turned 18, which I did.”
“Oh, wow. So Jason was the only one who interacted with you?”
“Yeah.”
“Looks like the Wayne family isn’t as perfect as they seem.”
“No family is actually perfect.”
“Did your family try contacting you at all after they found out about Y/G/N?”
“Not yet. They’re probably too busy or don’t care.”
“I’m sorry to hear that.”
“It’s alright, I got over it. What’s the next question.”
“Oh-” He cleared his throat and continued the interview. (So basically I don’t wanna bore you all lol)
---
Jason had woken up late into the afternoon that day. Patrol that morning had exhausted him. There was a huge breakout at Arkham they had assisted with. They successfully locked up every escapee, so today, Jason just wanted to relax until it would be time for patrol again. Even though he was exhausted, he knew he couldn’t take a break. The others wouldn’t and it would be unfair to them if he did.
He headed over to his couch with his phone and a bowl of popcorn in hand, ready to watch random movies the entirety of the day. He set down his phone on the coffee tables and grabbed the TV remote. When he turned on the TV, he almost dropped the popcorn and remote. You were sitting on a chair, giving an award winning smile while you politely answered the man’s questions. He was baffled. He didn’t know why you were being interviewed, let alone on TV at all! You made it clear you didn’t want to have any relations with your family any longer and you couldn’t stand publicity, so what were you doing?
He placed the bowl down and snatched his phone off the table. Unlocking his phone, he quickly dialed your phone number. However, he realized that the interview was live and that he would be interrupting it if he called you then. Deciding to wait, he placed his phone back down, picked up the bowl, and then got comfortable.
---
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just-a-dumb-gay · 3 years
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I Love Human Stupidity - Lady Dimitrescu X Reader - 1914 Words
Danger follows the reader wherever they go and Alcina gets the joy of witnessing them have the most disaster filled week.
Tags: Reader gender is not specified, I made Daniela a little bitchy but its funny, 5+1 Things
1 .
For once atop the mountain the weather is beautiful. You and Alcina head into the woods out back for a while. But after lunch you got restless and decided some tree climbing was a good idea. 
Alcina sits on the blanket she brought out and watches with pride as you scale one of the tallest trees with ease. You have your camera around your neck, taking pictures of every strange bug or leaf on your way up. 
You hear Alcina laugh down below when you let out a victory yell as you reach the top of the tree. 
You take a few more pictures, the surrounding woods is a stunning sight from so high up. There's also a few crows nearby that you manage to get some good pictures of. 
A dark cloud has started appearing on the horizon, and it looks like it's heading straight for Castle Dimitrescu. You start making your way down, not exactly in the mood to get caught in any heavy rainfall.
You make your way down the tree mostly with ease. Although your jeans get caught on a branch and wind up with a hole in the left leg, thankfully you are left uninjured.
When you make it nearer the bottom you hang yourself upside down from a branch, peaking your head through the leaves to say hi to Alcina.
"My dear Y/N, whatever are you doing?" She laughs.
You don't reply, you just go to pull yourself back up. But Alcinas' laughter distracts you, making you accidentally grab a weak branch. It snaps off in your hand, causing you to fall the last couple meters out the tree.
You land with a solid thud and Alcina is immediately by your side asking if you're okay. But you can't reply, you landed straight on your back and it knocked the air out of you.
A few painful moments later once you've got your breath back, you look to the branch still in your hand.
"Fuck" is all you say before laughing, 
"Please do not scare me like that." Alcina says, relieved to see you're okay.
2 .
Later in the day you and Alcina are sitting on your shared bed. She is reading and you're attempting to fix the hole in your jeans and a spot where the stitching attacking the sleeve to your shirt came undone as you fell. You were taught from a young age how to sew, but you've never been good at making it look as if there was never a hole at all.
You've already stabbed yourself a few times and Alcina always reminds you to be careful after you mumble swears under your breath. But unfortunately your needle is a little blunt and getting it through your jeans is a much larger task than your shirt. 
You push a little too hard and accidentally stab the needle into the side of your thumb, your much louder swear this time catching Alcinas attention. 
She puts her book down and retrieves a plaster from the bathroom while you're trying to inspect how deep the needle went. 
"That's twice in one day you've hurt yourself." She says as she gently takes your hand and covers the hole.
"Not really my day is it?" You laugh.
"Please at least try to be careful." 
"Believe it or not, I do try." 
Alcina just stares, waiting for an explanation. But the truth is you don't have one, danger just follows you. 
3 .
It's a quiet afternoon in the castle. You're looking around the library, looking for some inspiration to paint. You notice what appears to be a few old sketches of the castle sticking out from books on a top shelf. But there's one problem. They're almost five feet above you.
You look around for a ladder but the only one there looks ancient and ready to break if a rat tried to climb it. So, what do you do instead of asking for help like a normal person? Climb the shelves.
As you begin climbing, Daniela appears next to you nearly scaring you half to death.
"What's all this?" She asks with near to no emotion. 
"Trying to reach those sketches up there." You manage to take your hand off the shelf just long enough to point.
"Now this I want to see." She says making herself comfortable on a nearby arm chair.
You decide to just ignore her and continue your climb. 
You make reasonably quick progress, making it nearly two feet away from your goal, but the higher you go the less of a grip you can get as the books cover more of the shelves.
Pausing for a moment you try and figure out if there's an easier way to do things, but the movement as you look around causes you to lose your grip. You desperately try to grab at anything before you fall but all you succeed in doing is dragging a few books down with you.
As you're laying on the floor you can hear Daniela laughing, almost fully cackling, nearby. And barely a few seconds later you can hear Alcina's footsteps down the hall.
"What's going on here?" Alcina asks, kneeling beside you to make sure you're okay.
"I love human stupidity." Daniela says through laughter.
"Out. Now." Alcina yells, loud enough you're sure any mice in the walls just ran away.
Daniela follows her mothers order and leaves, still laughing the whole time. 
"Are you okay, my love?" Alcina asks once she thinks Daniela is out of earshot, but a loud fake gag comes from the hallway.
"Leave!" Alcina yells in her final warning tone. "What on earth were you trying to do?" She asks, her attention back to you.
"Those damn sketches on the top shelf are being stubborn." You sigh.
Alcina rolls her eyes fondly before helping you up. As you're dusting yourself off, Alcina hands you the sketches.
"Next time please ask for help." She says softly.
You pause for a moment and then simply reply with "Maybe." 
4 .
And much to Alcina's frustration, you did not ask for help the next time something was on a high shelf.
You're attempting to make yourself a late night snack, really craving pancakes for some reason you can't figure out. Daniela and the others are out hunting and as far as you're aware Alcina is in your room halfway across the other side of the castle.
You've got everything prepared. Except for the flour and sugar. Which are both on the top shelf. 
This time you're smart enough to use a chair to stand on. And all seems to start well, you get the sugar down with ease. But as you stretch on your toes to get the flour you lose your balance.
You fall to the ground, accidentally kicking the chair over as you fall. And you land with your stomach upwards covered in flour. 
You sigh in defeat, creating a flour cloud above you, and as you're wondering how you're going to explain this to Alcina the kitchen door opens.
"Y/N, I was just coming to check on you when I heard the crash. Are you okay?"
"No." You say weakly.
Alcina is immediately beside you again, checking for injuries. When You sigh again and say "I don't think there's enough flour left for pancakes." as sadly as you can manage.
Alcina looks down at you and all she can say is "What am I going to do with you?" while smiling.
5 .
You've known since you arrived at the castle that there's multiple hidden passages in the walls. From the small amount of knowledge you have of the castle's structure you've figured out the passages would be only just big enough for an ordinary sized human which is why Alcina never uses them but Daniela can be found using them to sneak around to avoid trouble.
Alcina never wanted you to explore them, she doesn't know what kind of bugs or rats are hidden in them and considering how often danger follows you she doesn't want you to get hurt. 
But eventually after a lot of asking, she handed you a torch and led you to the hidden entrance that leads to all the other passages. She leaves to read a book and allows you to explore at your own pace, and as she's walking away she warns you to be careful.
For the most part you do well guessing which room each passage ends in, and so far the hidden doors have been fairly easy to open except for a few which you've had to squeeze your way out of.
You reach the end of the final passage which you think has led you to the library, where Alcina currently is. 
You start to push the door open and quickly realize it's going to be one of the stubborn ones. You manage to squeeze half your body out, but then the worst happens. You get stuck. 
You take a moment to try and push the door, but even with your full weight it barely budged so now it's not even slightly moving. 
Alcina hears you attempting to kick the door and comes to check on you, and immediately starts laughing when she sees the position you're in.
"This is not your week is it?" She teases.
"It really isn't." You say as you toss your torch onto a nearby chair and continue trying to wiggle yourself free.
Alcina watches you for a moment to see if you can free yourself without help, but after a moment you sigh in defeat and ask her for help.
She manages to pull the door open without hurting you too much and you instantly flop down into the chair your torch is on.
Alcina sits beside you, gently taking your hand in her own as she asks if you're alright.
"I think I might've got a few splinters in my legs and stomach from that damn door, but otherwise I'm alright."
Alcina leads you back to your room to help you remove the splinters, but not without giving you a safety lecture on the way. 
+1
Daniela tracked some mud in with her late during the night probaly from hunting, but has been nowhere to be found all day to clean up the mess she's made. Alcina had to go into town so you decided to clean up the mess to kill some time.
You started by the front door and have made your way upstairs to the balcony that overlooks the main entrance. But you don't hear Alcina come in over the sound of your headphones.
But what you dohear during the quiet second between songs is a loud thud from down below.
You look over the balcony and see Alcina sitting stunned on the floor, with a freshly mopped and still wet spot by her feet.
"Careful, it's slippery." You tease, Alcina gives you a playful glare and you hold your hands up in defense. "I'm just glad that wasn't me." You laugh, finally happy to be the one danger doesn't hit.
"Did you really do all this without falling once?" Alcina asks as you make your way down the stairs to greet her.
"Yes, I di-" your proud sentence gets cut short as you slip and fall down the last four stairs.
You're stunned for a second but soon the only thing that can be heard is you and Alcina laughing at each others clumsiness.
The End
Prompts from 4 anons:
1 - Lady Dimitrescu with a reader who does a lot crafty things like sewing or something with sharp objects but are also accident prone and pricks themselves or something.
2 - the reader somehow imjures themselves and Alcina scolds them for not being careful but it's bc shes really worried so she takes care of them and comforts them in the end
3 - I'm just imagining Lady Dimitrescu with a very clumsy reader / s/o would be like. Just umagine maybe it's a chill afternoon and it's quiet in the castle. Alcina might be reading something in that main area, down the stairs, and suddenly there is a crash from one of the rooms. She rushes over in concern, opens the door and sees us just lying on the floor. She jst hears a small "I'm okay!" and she goes over to us to gently help us up. maybe going "What on earth were you trying to do, my love?"
"Trying to reach the top shelf for >Insert supply here<"
+1 - Imagine Alcina slipping and falling, like, the noise that's bound to make, and you'd know it was her cause you'd just hear a loud ass thud LMAO
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itskyleeyo · 3 years
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hadestown brain dump (songs)
SPOILERS FOR HADESTOWN/THE STORY OF ORPHEUS AND EURYDICE
ok so it may have been more than a few days, but what're you gonna do about it?
so i wanted to do another brain dump, and i wanted to listen to hadestown, so i'm doing a song by song brain dump as i go along. this means that my thoughts are going to be even more stream-of-consciousness style (if that's even possible.) also i'm talking specifically about the original broadway cast recording bc i haven't listened to any other version. (also this was completed across multiple months so it is even more chaotic lmao).
also i highly recommend that you listen to the musical and/or pull up the lyrics as you go along! enjoy!
road to hell. the way andre brings in the chorus is flawless please. also the way that hermes is both a narrator and a character in the story he's narrating? beautiful. "the king of the mine." he sounds so nice here for some reason. also love his self-introduction "maybe it will turn out this time" no it won't but thank you for trying. also breaking the fourth wall to acknowledge the chorus and crew is so nice, here comes reeve ;) mans sounds like an angel. you can hear amber's voice stick out of the chorus and i literally love it so much. i'd die for amber gray but we'll get to that later.
any way the wind blows. the fates literally sound so perfect together. Eva's intro throws me off every time, she sounds so pretty. dear god the harmonies with the fates hit so different. can this cast please narrate my life? there's the wind comparisons ;D the "ooos" are so good. "and it ain't because i'm kind" idk i just like how andre sounds here. oh and the funny behind "so i took him underneath my wing" because hermes has wings on his helmet and shoes.
come home with me. orpheus is so oblivious but i love it. also eurydice is literally such a mood. the wordplay with "come again". the "oh, he's crazy" is my favorite part of the whole song. also eva's voice acting is so good.
wedding song. the way she says "lover"? my ass cannot handle this. eva sounds so smug in the beginning of this song and i love it. "sing the song ;)" eurydice is so fantastic. the chorus of "la" is so pretty. eva joining in during the end is just. so perfect.
epic i. hell yeah introduce the king and queen (both literally and figuratively). reeve's falsetto <3 the way orpheus looks to hermes for approval throughout the musical. hermes narrating over orpheus singing.
livin' it up on top. HELL YES THE QUEEN HAS ARRIVED. i love amber gray so much. the gravel and the rasp. please step on me. also i love the idea of persephone being the wine aunt, especially because media usually portrays her as soft and breakable. the way she says "haaard". the way the music gets more upbeat and energetic when hermes says "the world came back to liiife!" the instrumental/dance? break is so good. please kill me with that trumpet good sir. the leadup to when amber starts singing again. orpheus really knows how to give a speech. "i will ;)" amber please step on me i am not joking.
all i've ever known (intro). thank you for the intro king. the music is so pretty. the way it picks up with the piano part <3
all i've ever known. eva sounds so pretty dear god. yay more wind references! the wordplay with "hold". and also the references to hot and cold throughout the musical. "i don't wanna ever have to let you go." lol ironic because she ends up going with hades. "i knew you before we met, and i don't even know you yet." the fucking wordplay. like holy shit. the "love at first sight" feelings. this line gets me every damn time. the wordplay from 2:10 - 2:38 is so fucking incredible. i lose it every time istg. the instrumental portion is so pretty. the wind! "we'll always be like this" i fucking love irony so much. its so underrated and adds so many layers to the story.
way down hadestown. amber gray. that's it. "you either get to hell or to hadestown, ain't no difference anymore". i fucking love this line so much. not really sure why but the delivery is perfect. also the whole thing with it being a train? i love that so much. all the allusions and comparisons they can make are fantastic. more amber gray appreciation. and ofc. the fates. more fantastic instrumental breaks. "and you better forget about your wishing well." this line is so good but so sad because its literally persephone saying that "hey, fair warning, life is shit down there" and i feel bad for her. like the way she's super sassy and shit, but just stops singing when hades gets there, you can tell that she's definitely not ok. speaking of hades, holy shit patrick page. sounds so fucking fantastic. thank you for existing good sir. eva with the breathtaking single lines. and eva's voice standing out when she sings "ground".
a gathering storm. the constant references to weather and nature throughout the whole musical. eurydice with the common sense. the wind again! "did you hear me, orpheus?" he did not, in fact, hear her.
epic ii. the different names for hades in each epic make me so happy. hades thoughts: "i think my wife might not come back cause i'm super controlling. whatever shall i do? oh, i know! be even more controlling!" lmao dumbass motherfucker. that might not work out so well. i fucking love the transition into "chant" so much.
chant. this is one of my favorite songs from the musical. the wordplay within the entire song is so fucking fantastic. hades singing about desire and then orpheus singing the "song of love" was definitely done on purpose and i'm living for it. every single one of eva's lines make me emotional. ma'am why are you good at everything?? the band! more weather references! patrick page singing "lover" hits different. orpheus singing about hades and persephone being blind and deaf. lmao irony because he's not paying attention to anything around him. the wind! weather! "the song of love" is what brought orpheus and eurydice together, but orpheus' devotion to finishing it is what drives eurydice to hades. "did you think i'd be impressed" i was right ;) it didn't work out so well.
hey, little songbird. the strings <3 patrick page is a god (lol i'm so funny). how does he manage to make manipulation sound so good? bird references! the vocal contrast! eva's voice has this kind of "innocence" to it. especially compared to patrick. not sure if that's on purpose or not, but i love it. also the low note kills me every time. the octave jumps between patrick and eva's voices is just. ugh. and also eva's entire second verse is so fucking good. the emotion she portrays in her voice is so spectacular. seriously hades with the manipulation is so interesting and its so good. (manipulation is not a good thing i just mean that its done so well in the show. do not manipulate people!)
when the chips are down (intro). "your ticket ;)" yes pls sir i'll take a ticket cause life sucks ass.
when the chips are down. i fucking love the fates dear god. gambling references! eva has literally one line and still owns my heart. the band! "shoot to kill" sounds so good like i love it so much pls. also this fucking line "cast your eyes to heaven, you get a knife in the back" is so good. i'm gonna have to get into quite a few lines throughout the musical in a different brain dump because i have so much thought.
gone, i'm gone. darling eurydice. its not your fault that you're starving stop apologizing. "talk of sin" lol she do be going to hell. that's funny. the harmonies.
wait for me (intro). the piano. heremes trying to change the subject hurts my heart. and orpheus' reaction is so sad please. "no.." just rip my fucking heart out, why don't you?
wait for me. the transition. andre coming in clutch with the narration. reeve sounds wonderful, as always. the fucking fates. just kill me already. they literally sound so good. the strings' build up between the "la"s. the chorus. the buildup at the end.
why we build the wall. the total 180 in the vibes. call and response has a special pace in my heart. mr page killing it again. god, hades is such a piece of shit and its perfect. he really is a master manipulator. fuck capitalism. the chorus sounds so good. i want to platonically smooch all of them. jesus fucking christ burn capitalism to the ground. the end is amazing. also the not-so-subtle references to slavery/forced labor.
why we build the wall (outro). i'd die for andre. "anybody want a drink?" yes ma'am. yes please. (don't drink, kids) i love you so much.
our lady of the underground. its so jazzy! jesus fucking christ. oh my fucking god. i would literally sell my soul for amber gray. what did we ever do to deserve her? god the raspiness fucking kills me. also love that she breaks the fourth wall to acknowledge the band. when she comes back in after the instrumental break? consider me dead. "what the boss don't know, the boss won't mind" she sounds so good here. also i love that she straight up doesn't give a fuck about hades here.
way down hadestown (reprise). hell yeah i love reprises. the fates. andre. the chorus. i love them all. i'm such a whore for reoccurring lyrics. the strings! fuck capitalism! eva's emotions are just so fucking good. "you've already forgot?" holy shit. this shit hurted. the "ahh ooh"s are so good.
flowers. the intro <3. eva sounds so pretty. the fucking symbolism in this song is incredible. i'm gonna get into this in another brain dump bc it's a very sensitive topic. the fact that she can't actually fully remember orpheus makes me so sad. so pretty <3
come home with me (reprise). hell yeah another reprise. the way the music is much more upbeat when orpheus shows up. their excitement! eva's vocal emotions are literally so fantastic pls.
papers (intro). "young mannn" kill me patrick. train references! hell yeah persephone. the way andre gets louder when he says "raised up his voice." eva <3. reeve just always sounds so pretty. ohmygod the laugh. kill me good sir. mans straight up admits to owning people and is like "it's cool tho cause they signed a piece of paper. def not taking advantage of people that are literally starving or anything. it's fine." fuck you hades. go step on a fucking lego. orpheus is so sad :(
papers (instrumental). yes. sounds so good. i'm imagining an epic chase scene. the transition into nothing changes <3
nothing changes. respectfully? the fates could kill me any day and i'd thank them. the weather reference! that "anyhow" is so fucking good istg.
if it's true. another one of my favorites. pop off intro. the broken "is this how the world is?" sadly, yes. "but everybody knows that walls have ears." is literally such a powerful line to me for some reason. it does a great job of bringing in the chorus. and by calling the workers "walls" it shows that hades views them as "less than." they aren't even referred to as people. "what's the use of his backbone if he never stands upright." oh my god. because they literally cannot stand upright. anais mitchell is literally a fucking genius. fuck the 1%. gambling references! the chorus backing him is just so pretty. the way orpheus looks to the chorus for advice and support. "we're standing." ugh its so good.
how long. oh my fucking god. amber fucking gray. (that's it, that's the post). the way she sounds resigned/disappointed when she says "i've had enough" makes me so sad. there are no words to describe how i feel about 0:25 - 0:41. like their relationship is strained, and super mega fucked up, but it's obvious that they still care about one another. the emotion in their voices throughout this song is fantastic. the play on light and dark. also more bird references! how they view themselves/their self importance. hades is a most importantly king. persephone is most importantly a wife. it really show that hades views power as more important than anything else. "nothing comes of the songs people sing." holy fucking shit. cause their song is the "song of love," but they can barely stand each other and their relationship has fallen apart. persephone commenting on his love of power over his love of her. amber's voice during "the earth must die" is so nice and for what? god i love her. they sound so nice together <3
chant (reprise). another favorite hehe. the strings! it's all just so pretty. when the piano comes in i die a little. the self realization coming from the chorus when they're like "oh shit, this is wrong. i don't deserve to be treated like this." is so fucking fantastic. the "young mannn" again! hades really be like "manipulate her! make her depend on you financially! i've been ding this a while kid! i know how to successfully control women!" reeve sounds so pretty pls. the way that eurydice has basically become part of the chorus (since she's just another worker now). more self realization! the different ways that hades and orpheus view the "song of love." "sing before i kill you so i can use it to manipulate my wife and make her feel like shit." patrick's voice tho.
epic iii. reeve coming in with that falsetto like nobody's business. orpheus really about to bite you in the ass with your own damn song. amber gray <3. the "ooo"s in the background. the way the music picks up when reeve gets to the "la"s. it's just so fucking good. that falsetto again. orpheus really looked at the king of hell, a literal god, and said "i want to ruin him psychologically" and it fucking worked. which is some of my favorite irony because hades wouldn't have shit if it weren't for that fact that he's a good manipulator and takes advantage of the needy. that last line <3
epic iii (instrumental). i have no words for how fucking beautiful this is. i so desperately want an extended version. like for real love this so much. if i get married, i want this to be the song for the first dance.
promises. eurydice is so proud of him for finishing. the way that eurydice realized that she cares about him more that material objects. wind and weather references! "if we can do it so can they!" she sounds so excited. :( "hand-in-hand" lol nope. not them refencing wedding song, anyway the wind blows, and then giving their "i do"s. absolutely heart wrenching.
word to the wise. the fates. pls step on me ladies. the lyrics throughout this are so fucking good. lol hades being damned. cause he's the king of hell. honestly its solid advice tho. humans are really fucking stupid.
his kiss, the riot. give us them adjectives king. " how dare people want rights! >:(" hades is really trying to make himself the good guy rn. the music! 2:15 - 3:03 is so good pls. the lyrics are just so spectacular.
wait for me (reprise) (intro). hello again andre! hermes literally says "he's trying to psych you out and manipulate you. he wants you to doubt everything" and orpheus says "are you sure tho?" and then procedes to doubt everything. the way the music changes is <3. the song transition.
wait for me (reprise). my absolute fucking favorite song in this musical. the first fucking lyric is so good. it really sets an expectation for the song and i am not disappointed. lyrics that talk about how fucked up any single person's brain is are so fucking cool to me. god i love this song. how soft the first set of "wait for me"s are. the support/pressure from the chorus. the entire exchange between hades and persephone. the way amber's voice sticks out of the chorus. the fates coming in clutch again. train references! more brain talk! amber gray please end me. eva sounds so pretty. and the final note is so good!
doubt comes in. the long intro that builds up suspense. the first time that orpheus's "la"s aren't echoed by the chorus/music. wind! weather! the fates sound so pretty like always. reeve genuinely sounds so scared. the way the music picks up and the chorus joins in when eurydice starts singing. the music is so unsettling and i love it. god i love his voice. 3:44 - 3:57 always hits so different. you realize just how much she means to him. how it all goes to shit when the music reaches the climax. the fact that the music clashes on purpose. the sadness in their voices.
road to hell (reprise). it all comes full circle. god andre sounds so sad. the way you come to really hear the lyrics because there's no upbeat music to distract you this time, "its a tragedy" lol because the actual written story is a tragedy. "i learned that from a friend of mine" poor orpheus :(. the way the chorus slowly joins in and the music slowly picks up. the "can you feel it" is literally so fucking powerful. fuck yes amber. fuck it up queen. amber and eva sound so nice together. the "its a love song, its a sad song" is so sad. the final lyric is just. ugh.
we raise our cups. yes pls amber. this song is so pretty. good night queen.
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riverdale-retread · 3 years
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Riverdale S3 E22 Finale (Spoilers!) 
- Life would lose its meaning, if I lost you, my love is the song lyric that sends us out of Season 3 and I kept thinking about S5a. This lyric is the expression of the central tragedy of this show, namely, Jughead and Veronica, the person with the biggest heart and the biggest brain, respectively, yearning to have their love  & devotion properly reciprocated by Barchie, and not getting it. (I hate this place. I hope S5b takes me somewhere better).
Toni is the True Serpent Queen
- Toni assembles everyone and their weapons so quick, both the Serpents and the Poisons, and they know what’s what and follow her command. 
- But first, she gets drugged. Toni Topaz I feel like wouldn’t have been into Harry Potter, maybe because she would’ve figured out Rowling’s issues faster than everyone else.  Nevertheless, if she had, Toni would have known better than to accept food or drink from Penelope Blossom, especially when Penelope calls it ‘calming tea.’  When I first saw this I was convinced that Penelope had straight up killed Toni, but I am so glad she didn’t. 
- Toni is awoken by the ever wonderful Grandma Blossom who always knows whatever the hell is going on.  Grandma Blossom wants Toni to participate as a side player in the Main 4′s plot but Toni is very firm:  I NEED TO SAVE CHERYL.  Because you know, the main four always do that to Choni. Go Toni with your proper priorities.  Because when Choni do come to the rescue of the main four, NOBODY SAYS THANK YOU. 
Sidebar: Girlfriends well met, because after her valiant self sacrifice for her lady, Cheryl saves her own self, more or less. She also runs, several miles, in the dark, in heels, holding a baby, and her hair is still perfect at the end of it.  Cheryl Blossom is a witch, nobody can tell me otherwise.  And I very much enjoyed the multiple archers.  Yeah, a solo archer is really of limited utility, but I agree that a gang of archers can be all that.
I also liked the very brief, very tiny, Alice and Cheryl scenes.  They both  have snappy bitch energy. Alice answering the question from Cheryl about Why should I trust you! with What choice do you have? is the most persuasive anyone has ever been with Cheryl.  Betty could learn a thing or two. 
So then Alice stays for Polly and wants Betty to be safe from the Farm.  So it’s sometime AFTER she married Edgar that she met Charles and became the secret mole? Alice hates herself, so she can’t love her daughters and that’s why Charles’ intervention works.  I would feel bad for her, but she’s so shit.
Penelope Blossom is a Terrific Villain
-  Penelope, like a good madame (I assume?) lets people be who they are.  That has to be the key to her success as a sex worker. She understands people.  Penelope Blossom understands that Edgar’s greed for money outweighs his need to indulge in his various perversions, and so she buys all of Betty’s organs, in bulk.  (I am a sicko for finding this funny, but I mean seriously, Penelope has a way with words). She got Dagwood (Jason Jr. The Second)  because she understood that Edgar really only wants to keep girl children and gay boys. 
The total filth and lack of any sort of hygiene at the Farm’s organ harvesting surgery room gives me absolute heebie jeebies.  Edgar is such a pervert, but it’s useful that perverts in tv and film are such ornate, fussy people because otherwise he’d just straight up murder Betty and there’d be no more show.
- By the way Penelope doesn’t want to rescue Cheryl, just Betty, even after she knows Evernever is harvesting organs. Damn that is cold.
- Penelope has been observing Jughead very closely during their repeated interactions this season, so she knows that Jughead loves to give Poirot monologues, and she lets him!  And Jughead just has a whole selection of these speech openings in his head, all the time, to pull out whenever.  Use quote from Conan Doyle re: Impossible, Improbable, Truth, In Real Life, now crossed off the Jughead Master To Do List!  Oh and Jughead talks to Hal Cooper for the first time in his life, and so calls him Mr. Cooper because Jughead politeness compulsion is so ingrained.
- Penelope only wears her long opera gloves on her left hand because that’s the site of the worst injuries sustained in the Blossom Fire. I want to know where she keeps all the right handed gloves.  
- Penelope also understands that Betty is basically Alice in a Gothic Wonderland, and knows that she will, without question or attempt at escape, just obediently follow written instructions that say “Put This On, Come Downstairs.” Especially if you make the gown pink.  (Pause here to say, OMG Betty is so! very! beautiful!  Penelope voice to purr:  Elizabethhhhh Pretty~~~~)
-  Penelope is the OG Game Master.  Penelope is a homophobe but I mean she is all about that drag queen showmanship. She juices up the game like a grown up: ALL OF THE CHALICES WERE POISONED. It’s just  slow acting. And maybe there is an antidote which might work and maybe there isn’t. Or maybe it was never poisoned to begin with. LULZ  you just have to finish the game!   The singsong delivery of the line:  Tick To~~ck is so fan.tast.ic. 
Hal Cooper Is A Gormless Woman Killer
- Hal Cooper is not scary. Once more - Hal Cooper Is Not Scary.  He just isn’t.  No disrespect to the performer, but he just isn’t threatening, at all.  Chic is unsettling and weird, at least, but Hal Cooper is not scary.    What he is though, is hateful.   
I find it hilarious that Hal Cooper’s final benediction, delivered by Penelope, is:  YOU WERE A TERRIBLE SERIAL KILLER.  This neatly echoes Alice Cooper bursting out in hysterical laughter when Betty first accuses her father of having killed Jason Blossom - The man is just not capable teehee.  And it’s true that if Hal had been tasked with killing Jason Blossom he wouldn’t have succeeded, but not for the reasons Alice thinks.  Hal is a woman killer, not a plain serial killer.
Hal’s a misogynist with control issues about women,so  his heart was only in it when he was out to kill women, and that’s why he fails so badly at killing men.
Compare to Sister Agatha, who killed all of her sister nuns to tie up loose ends, and to Penelope Blossom, who mostly kills men who have directly harmed her or get in her way.
Mary Andrews Gave Her Obtuseness To Her Son, Who is Just Not Bright 
- Does Mary know who Veronica’s father is?? Fred Andrews was often a little bit uncomfortable around Veronica. He didn’t openly approve of the Varchie relationship the way he did Valerie, for example.  FP, Failure Father Jones, expressed grave concerns when his child went into business (for a bit) with Veronica Lodge, but Mary is like, So Archie, are you and V endgame? Where do you stand?  I mean, she herself is queer, so that must be why relating to her straight son (if he is) (all his most important emotional connections are with boys and he keeps needing to find Jughead replacements soooo....) are so awkward.
- Archie, going off to fight the Bear Man, asks in the most super casual way that his friends tell his parents that he loves them, if he dies, and then adds as a total afterthought, “You guys too.”  This little bit reveals everything there is to say about Archie being both so, so dumb and yet so loveable.
Sidebar: Giant Unexplained Man who is willing to wear a bear head hat and beat a teenager to death in the woods (what was the wanted ad for this job like?)  is so Riverdale.
- Archie has played two whole rounds of live action  G&G with real death stakes and still doesn’t know that it’s Gargoyles and not Gremlins because that boy is just not smart.
Veronica is the Smartest of the Main Four, says the Show
- Veronica keeps saying sensible things that are directly contradicted by Jughead and I don’t like this.  I saw this in a really well put together film commentary once - that women often ask questions in movies that are answered by the nearest man, that women posit things that are sensible but then the nearest man shows  them to be wrong by saying the opposite thing that comes true. And this exact thing keeps happening to Veronica by Jughead here and it does them both a disservice. Jughead listens to women (all people really, but especially women) very closely and carefully, you know? And Veronica is the smartest one of the main four, the all-rounder.  I know Betty gets the best grades but come on, she’s not the smartest.   
Example 1:  Archie says “The invites say not to tell anyone or bring our phones,” to which Veronica explains, to Archie, “So it’s a trap.” Archie’s face is like OMFG WHAT I NEVER THOUGHT OF THAT but Jughead glares at Veronica like she’s stupid and snaps, “What that ever in doubt?”   Um. Hey now.
Example 2:   Veronica, who has never played any version of G&G, is the one to say,  “We don’t even know where to go!”  and immediately, Jughead answers, “Actually, Enchantress, we might.”   Let me reiterate, Archie has played the real life version because Warden Norton and Hiram Lodge forced him to from when he was in prison and he knows the rules enough to hallucinate the game when he has Bear Claw Fever, but he still doesn’t know what the game is called!  Betty must’ve gotten a quick tutoring session between when she didn’t know anything about the game and when she moved into the Farm and was comfortable addressing Jughead as Hellcaster. So there is no justification for Jughead to be so irritable with Veronica for her questions.
Example 3:  When given the Poison Roulette game, Veronica at first refuses to participate, which is also a sane response, and yet again, Jughead, who was waiting for her to object,  then reads her the rest of the instructions.  Jughead, why are  you being so mean to Veronica? 
Example 4: In the throes of the game, Archie wonders aloud WTF  is going on because he’s slow, and Veronica says, as she’s dying of poisoning, that maybe they can figure out the whys and wherefores later, which is a sensible thing to say, and then Jughead goes, Nope, figuring out how all this is connected is the answer!
Example 5:  Jughead then goes on this Bible infused ramble (Did FP put Jughead in Sunday school at some point?) - Jason Blossom death begat the Black Hood  which begat Gargoyle King, but our Cafeteria Catholic Veronica isn’t having it because it is wrong, and so she points out that Black Hood existed before the Blossom murder, and Jughead goes, in essence,  Oh oopsie but I am still right.
BUT!  After all that, the Show realizes that in order to shoehorn Charles into the story, and make the character turnaround for  Alice have at least half a chance and  establish that law enforcement does sort of exist in this universe, they have  to have Veronica say, “Actually, it kind of tracks.”   This is a signal to the audience that since the smartest person in the show has accepted that this tracks so we all need to just fall in line. 
Performance sidebar: Betty’s chuckle of surreal disbelief is a golden piece of acting genius in this show and I love it, and Jughead’s mind getting wiped completely clean as he figures out that he shares a half sibling with his girlfriend is just as classic. 
Jughead Loves Archie & Betty, in this order
-First up, Jughead loves Archie more than Veronica does.  I love how the one reaction you see of the remaining three when Archie gets slammed by the Bear Man is Jughead, and Jughead’s legs just give out from under him when he sees Archie take the blow.  Both of the girls are dry eyed, but Jug definitely starts to cry.   It’s dark and it’s hard to see, but I swear.  The Archie POV shots are fascinating too.  He does look at Veronica first, and that helps him decide to fight harder, so he grabs a big branch.  Then he gets flung in a way Archie does not get flung, and this is when he seeks out Jughead, and his eye contact with Jughead is what gives him the critical second  wind to win.  
-  By the way, is Bear Man dead?? Is he the second man Archie has killed?  
- Before Betty’s solo challenge, Jughead tells her he loves her.  (Betty just doesn’t do that for Jughead. I know, it’s petty, but girl, learn to take a moment.)  Anyway, they share a long kiss, in the dark, and I am annoyed because I can’t see. Show me!  And when she’s drinking the poisons he doesn’t take his eye off her for even a second.  Oh Jughead.
Veronica Loves Betty & Archie, in this order
- ‘K so ... grabbing and downing a goblet that you both think is full of cyanide that will make you die a gruesome death immediately, and declaring that you did it BECAUSE I LOVE YOU is the most piercingly romantic thing anyone has ever done for anybody on Riverdale.  I feel like this is neck and neck with Jughead making that final phone call to Betty before letting himself get Aslan-sacrificed by the Ghoulies in the S2 Finale.  You’re my best friend... and... and  says Veronica and my heart is breaking and so is hers because she can’t finish the sentence. To which Betty says, I love you too.  
OK primal howl break here to ask Betty how could you! How! Could! You! How!!!! And WHY???  And what did it get you?
- Oh golly I am so upset. 
- Veronica is supposed to choose her closest companion, and Betty volunteers.  So Betty knows that Veronica loves her most.  Note the very careful wording of this - Veronica has to choose the companion she feels closest to. Betty knows. 
- And fucking Archie, after witnessing how much Veronica loves Betty, and how golden and perfect and whole Veronica’s love can be for a person, picks the worst possible fucking time to say he loves Veronica. Sure you do Archie. Yup. Uh huh.
- Oh, and then we find out that nothing happened with Reggie after Archie cockblocked him that night after Reggie gave up everything for Veronica once again. Veronica is committed to Archie and wants Archie, and I love Veronica so I want her to get what she wants (even though I know she’ll never get it - sob!), but also, justice for Reggie when?
Chic v Jughead. 
- I absolutely love Jughead’s WTF disbelief throughout the final quest.  When Penelope announces, Let the final quest... Begin! in the same theatrical way he himself had when he was gamemaster, he quirks his eyebrows at her like, Is that the best you can do?  
Sidebar:   Penelope’s very gender traditional ways of thinking are revealed - the girls have to poison themselves and boys have to fight off an attacker.  
- Jughead learns that learning the motives of a serial killer are unilluminating.
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gif by @rudys-pankow​
I mean, this is the Wow, OK, heard ‘round the world.  The single best delivered line of meta commentary in a television show ever. No, just, ever, ok? No contest. Just accept it.
The Farmies
- When Cheryl first finds them in their room at the Farm, Kevin and Fangs are doing some sort of hand holding, loving-eye contact type of semi-dance ritual, and ... but for the cult context this looks so adorable.  The fact that they both overcome this experience enough to be in a long term stable relationship, both finish college, both work out a stable (enough) adult life, and want to start a family together is so heartwarming to me. (And yet sad, because it just breaks apart in S5a.)
- The Worthy ascended and we’ll never see them again. Dun dun. Except they just.. moved. What does Kevin thinks has happened?   The Ascension of the Farmies is a weird misdirect, because Ascension just means We Move Houses. Farmies are such drama queens.   Riverdale is down in some sort of valley, right?  So they just literally ascended to a house geographically higher up!
Set Up for Season 4
- I mean obviously, the S4 set up is the Is Jughead Dead but that was never a true cliffhanger, to begin with, and now I know Jughead lives into his mid twenties at least, so Betty insisting the other two stand naked in the forest burning the beanie was just her being very dramatic.  And her pronouncement about ‘We never speak of this ever’ is contradicted immediately because they involve the entire village almost immediately.
- Cheryl has Jason all to herself, finally. Cheryl discovering Jason’s corpse and her horror at it contrasts nicely with how casual she is about this corpse in the next season. 
- Hermione arrested for attempted murder of Hiram.  Oh, and Mad-Dog Monroe and Archie want to create a community center. 
- Meanwhile, Preppy Jughead was my jam so I am very hyped for S4 retread.
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Family Relations - Part 4
Summary: Your criminology teacher is acting all kinds of weird, which is the norm, except for the part where his eyes glaze over and he tries to kill someone. Stiles, the hero he is, tries to stop your professor with little avail until he gets some unnoticeable help from you. Stiles seems to find himself with you at the location of multiple attacks, just barely making it out alive. Through the bloodshed feelings, family, and friends mix to create a perfect blend of chaos and calm.
T/CW: Blood, gore, like a lot of fucking gore, swearing, body horror?
A/N: Sorry this took so long, I hope it's worth it. This is a long chapter but because the first part is short I put a time skip in the middle of it, that's what the = means. P.S - Happy mother's day!
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You'd convinced him to stay with you for the night because of what you were absolutely sure Allison and Scott's "after-pack-meeting" activities would include. It wasn't hard, as soon as you mentioned the prospect of Stiles' precious sleep being interrupted by their shenanigans he was on board with staying at yours. Your dorm had two beds, you'd been lucky and not gotten a roommate, a blessing and a curse really. You'd laid the sheets out and gotten your extra pillow, all ready for Stiles to get to sleep. The only problem was, Stiles wasn't particularly interested in sleep yet. You'd had a long day, mostly it was just that bout of magical fighting that wore you out but still, you were tired, and Stiles simply didn't want to be in silence.
"So, Y/n..." You'd been listening to the sound of Stiles fidget like mad, and you were wondering when he was going to snap and finally talk to you.
"Yes." Your tone was smooth and song-like. Despite needing sleep desperately you wanted to talk to Stiles, he was fun to talk to. You'd always been kind of a loner, it was easier to stay hidden that way, but you didn't need to hide with Stiles and it felt fucking amazing.
"What's D.C like?" He didn't look at you when he asked, staring straight up at the ceiling, but you were happy to stare at him, studying the moles on his cheek and the way his hair laid against the pillow.
"It's, interesting." He snorted, turning to you as you whipped your head away so you didn't get caught staring.
"Care to elaborate on that?" He had a dopey smile on his face, looking at your side profile like his life depended on it while he waited for you to respond. You felt his gaze burning your skin, it was a burn you could get used to.
"I don't know what you want me to say. Traffic's a bitch if you live in D.C, that's for sure. It took me half a hour to go eight miles from my house to school." He sucked in a breath at the statement, like simply hearing about traffic that bad was physically paining him.
"Good thing is if you live in the city you don't really need a car. My mom didn't have a car, neither did any of my babysitters, so we took the metro and the subway everywhere." He hummed, like the thought of the subway actually pleased him.
"I'm going to be in the city, that's for sure. FBI headquarters is on Pennsylvania ave." His muttering made you giggle, surprised that he knew so much about the landscape.
"You've been there before?" Your smile was wide from laughter and you didn't even care if you looked like an idiot, you were having fun.
"Yeah, once. I looked at going to George Washington so when I toured we stopped by. It's a really ugly building by the way, they should fix that." He was quirking a smile as well, glancing between you and the ceiling to try and look discreet.
"Yeah they should." You were trying to be quiet for the sake of your dorm mates but you were having trouble, Stiles was funny and it felt so good to laugh. You hadn't laughed like this in years, always too stressed to find anything amusing.
"So, what's is like rooming with Scott?" He made a vague hum of mediocrity, shrugging and leaving it at that.
"Care to elaborate on that?" You giggled using his words against him.
"It's good, we've been like brothers since we were little kids so it's really not that big of a difference. We spent a lot of time together at my house because my dad was gone a lot so living with him is kinda familiar." You felt a pang of sympathy when he said his dad was away, you thought back to your dad and how absent he'd been. The memories cut off almost as suddenly as they'd started.
"What about your mom?" He took a deep breath, he had a slight frown on his face and you knew immediately that you'd hit a nerve.
"She died, when I was a kid. She had a type of dementia and it, killed her." He was fully frowning now, and he was no longer fully with you, his eyes had glazed over and he was staring right through you. He shook his head and came back, frown gone and a small smile took its place.
"I'm sorry, both for what happened and that I brought it up."
"It's ok, it's been a long time and it brought me and my dad really close so it wasn't all bad." His silver lining was slim, slimmer than was arguably debatable to even count as a silver lining, but you didn't argue. He'd shared enough of his past with you, and you felt honored by the confession even if you did accidentally cause it to happen by asking. The fact that he shared something with you meant a lot.
"My mom died too, she was hit by a car when I was 13 and she died in surgery." The air was tense, but Stiles' expression and morphed from fake stability to real sympathy as your eyes locked and you tried to comfort each other without words. You fell asleep shortly after that, Stiles had stayed quiet for more than five minutes and that was all it took for sleep to wave its wand and take you under it's control.
==
Screams woke you up, screams from within your dorm. They woke Stiles up too and you both sprung to get re-dressed properly, rushing out the door as soon as you'd slipped your shoes on. The screaming was coming from down the hall and you already had a sinking feeling what had happened.
It wasn't uncommon for your fellow dorm dwellers to leave their doors open, it helped circulate cool air in the desert that was California. Being born and raised in D.C left you significantly more paranoid than most of them however, and so you decided you'd rather just suffer the heat than the possibility of getting robbed blind. You'd told some people in the common room at the beginning of the year about your fear and they'd all but laughed at you, saying that nothing like that happened here. You'd never wanted to have been so wrong in your life.
One door was already wide open, and blood was smeared on several other doors, also open. It seemed that the killer had gone down the hall, checking who decided it was too hot to save their lives. The first body was in the doorway of the room three doors up from yours. It was sprawled out on the floor and you and Stiles nodded, agreeing not to go into the room considering the carpet was currently soaking up the victim's blood. It seemed there were plenty of others anyways.
Room after room, one slaughtered college student after another left you feeling ill beyond belief. You didn't need to be told what had happened, you already knew. You had never actually had the chance to see what happened when the killer was finished with their dirty work, what they did to the people they used as instruments of mass murder. Sadly it seems you didn't have to go searching to find out. At the end of the hall was another body, this time with a knife in its hand, most likely from the kitchen in the common room. Its throat was cut, much like all the other victims.
The screaming had long stopped, you assumed it came from one of the other residents who peeked out into the hallway and saw what looked like a scene from an upcoming Scream 5. Stiles was bent over the body, examining what you assumed was its deadness.
"Whatcha looking at?" He gave you a vague noise of acknowledgment before standing up and looking at you with a face slightly paler than it was before he bent down.
"I think you should see this Y/n." You squatted down next to the corpse, examining its overall lack of life and raising an inquisitive eyebrow up at Stiles.
"Look in her throat, through the cut." You'd really planned not to come this close to a corpse in your life. What's that saying? Make a plan and the universe laughs.
The throat was indeed, mostly just bloody and disgusting, but also intriguing. The windpipe and both carotid arteries were slashed straight through, a feat that was essentially impossible to do for the normal non-possessed human. In the back of the windpipe, which you could just barely see through the cut, there was a small mark. You dug your phone out of your back pocket, almost dropping it with how much your hands were shaking, and turned your flashlight on to it's brightest setting so you could see the mark clearly.
It was a small symbol, lines and swirls within a small circle that struck you as soon as you saw it. With a soft thud your ass met the ground as your precarious balancing act failed and you fell from your squatting position.
"Are you ok?" Stiles' voice was lost as your brain went into panic mode, the new found information stirring up a whirlwind of anxiety.
"We need to get out of here. Like, right now." Scrambling up from the blood soaked floor you made your way back to your dorm room, dragging a confused Stiles behind you asking a million and one questions.
Without answering any of them you grabbed your nearest backpack and started destroying your dorm room in an attempt to gather all of your most important belongings, a mix of underwear, clothes, and books thrown into your worn backpack.
"Are you going to keep ignoring me or do I get an explanation for why we need to leave your dorm room? Y'know other than the murdered college students..."  Stiles had passed the stage of being thoroughly confused by you, that ship sailed when you fought off the vine that attacked you both. Now however, he was fed up with not having answers to the predicament you now found yourselves in.
"Can I explain it to you in the car? We need to leave ASAP."
"The car has a name, it's Roscoe." You rolled your eyes, of course he named his car, and of course now is the best possible moment to tell you.
"Less talking more walking please."
"Sorry." The keys jingled as he grabbed them and yours, tossing your purple keychain to you so you could lock up. You took the stairs two at a time, almost tripping over Stiles in your haste to get out of the building.
The car seats were cold when you got in but you couldn't be more awake than you already were, adrenaline and fear coursing through your blood, the symbol seemingly burned into the back of your eyelids, haunting you whenever you so much as blinked. Stiles booked it out of the parking lot, Roscoe's tires making an awful screeching noise as he turned while reversing, a move that would have scared you had there not been the max amount of fear already happening.
"So, explanation." He raised an expectant eyebrow at you, biting his tongue to let you answer before he spiraled into asking questions without enough time for you to answer them.
"Uh, do werewolves have symbols for different concepts, like danger and stuff?"
"Y-yeah they do, there's one for revenge it's a spiral. Why?" A spiral, of course the supernatural weren't creative when it came to symbol differences.
"Ok well witches do, it's called the witches' alphabet, it's a few symbols they mean stuff, the one we just saw in the corpse was the symbol for revenge. It's used to channel the chosen energy into whatever magic you cast." Your voice was shaking, the lack of oxygen in your system making you feel light headed, or maybe that was the endorphins, who knows.
"Ok, so what does that mean?" Stiles was shaking as well, not liking the sound of any more revenge business. He had to deal with this once before, he didn't want a repeat supernatural problem.
"It means that whoever cast the spell is one, vengeful, two, meeting the victims beforehand to get the symbol on them. This is bad, like, really bad." You had to actively sit on your hands to stop their fidgeting, the nervous energy bubbling inside your body like a volcano.
"Just what we need, a witch who wants vengeance. Was a normal evil witch not enough?!" Stiles' comment made you chuckle, the breathy act brought a twitch of a smile to his face, your happiness spreading to him in the midst of your crisis.
"Apparently not. Where are you going, the dorms are the opposite way."
"I don't know, I didn't want to take you back to Scott until I knew what was going on so I kind of just started driving around." Had you not been stressed beyond belief at the moment you would have been endeared by Stiles' care for his friend and roommate, but at the moment it was just irritating.
"You just drove us in the middle of the night down a street you have no idea where it leads? Really Stiles?! Take us to Scott, now." You were fuming but upon seeing the dejected look in Stiles' eyes at your harsh tone you were reminded as to how hard this entire situation must be for a normal human, werewolf pack member or not.
"Please. Could you please take us to Scott." Your manners had escaped you for a moment but with the regaining of your senses they came back.  A pang of guilt struck you at how mean you'd been to the brunette next to you. Reaching out for his hand which was resting on the stick-shift you hoped silently that he would accept your unspoken apology. He did accept, a blush rising to his cheeks at the skin-to-skin contact that you initiated and a smile creeping on his face.
Moments after your mutual flush and giddiness over the contact Stiles pulled up into the parking lot of his own dorm, the tar lit up just barely by a floodlight near the sidewalk. Unwinding his fingers from yours he was the first to get out of the car, you following shortly after, the cold air hitting your bare shoulders per your tank top which you just now realized was covered in blood.
Rushing to Stiles' side you wrapped your arms around your torso to try and cover the evidence of your dorm's activities, only to realize that your arms were the source of the problem. A mix of various people's blood was coating your arms, the red solution drying crusty on your skin. Thankfully it was the middle of the night, the darkness mostly covering your blood-stained everything.
Looking over at the mole-covered man next to you you took in the sight of him, surprisingly not covered entirely in blood. He had spots of it on his hoodie, only barely visible thanks to the floodlight, but he'd managed to stay clear of the mess, something you were currently jealous of. You wouldn't be able to take a shower until you were back in your own dorm and you were really dreading the idea of having to wash off both of your arms in the small dorm sinks.
Stiles opened the door for you and the heat influx from the building was a welcome change, the goosebumps immediately vacating your skin. You both headed up to his dorm in relative silence, trying not to wake his neighbors up. It was a harder feat than it should have been, given how often Stiles almost tripped on the single flight of stairs up to his shared room.
You could hear snoring coming from one of the beds, presumably Scott's, and the embarrassing situation you'd found your friend in made you momentarily forget your current predicament. In the darkness you could see two bodies in Scott's bed, the smaller one of which you assumed was Allison, tucked under her boyfriend's arm. They were sleeping so peacefully you almost felt bad to wake them, Stiles however, did not. With a loud enough greeting and the swift act of turning on all of the lights in their dorm, he woke his roommate and his roommate's girlfriend up with a startle.
"Stiles! They were sleeping!" You'd wanted to put up a semblance of good will with the woman you'd met less than 24 hours ago but in reality you were stifling a laugh, biting your tongue to keep from bursting out. The couple let out groans of protest at being woken up in the wee hours of the morning but got up eventually anyways, thankfully somewhat dressed after what you were still convinced their nightly activities consisted of.
"What the hell dude?" The were-wolf's voice was groggy from sleep and the rough scratch in his throat reminded you of Stiles' voice less than two hours ago when you were woken up by screaming neighbors.
"Sorry but you really can't be asleep right now, also yes that is blood on Y/n's, well everywhere, I will explain that in a minute. Allison could you help her clean up? Scott I need to talk to you." Nodding Allison took immediate heed to Stiles' request and looked carefully for a space to lead you that wasn't covered in blood before eventually deciding 'fuck it' and grabbing one of your slowly drying arms, washing the blood off of the area in the small sink.
There wasn't a lot of space in the dorm for a private conversation but you and Allison made small talk in an attempt to give the boys some facade of privacy.
"So, rough night I guess?" She let out a small chuckle at her own joke while you allowed a smile to creep onto your face at the problem you had earlier found yourself in.
"You could say that. Someone decided it'd be a good idea to murder a solid percentage of my floor mates so, y'know, the night could have gone better." She gasped at that, the light air of the conversation having gone as soon as you brought up the traumatic events that had occurred.
"Murder? Oh God. By 'a solid percentage' you mean how many people exactly?" Your mind flashed through the bodies you'd seen, counting at least six in the haze of the night.
"Six, maybe more. I don't know for sure, it was a lot. We found who did it though, kind of." You wished that you were dealing with a normal murder where finding who did the killing actually solved your problem. Sadly, that wasn't the case and the situation was getting more and more fraught in your mind the more you stressed about it, the images and circumstances pulling the strings in your mind so tightly they were beginning to fray.
"Are you ok?" Allison's eyes were kind and you noted in the back of your brain to thank Scott that he had such good taste in girlfriends.
"Yeah, I think so. I'm not hurt or anything, just a little shaken up." She nodded silently before going into nurse-mode and scanning your now-clean left arm.
"No scratches, all of this blood seems to be someone else's. I think most of the blood is other people's but I need to wash off the other arm to be sure."
"Be my guest, I wasn't feeling the whole blood-sleeve look anyways." You shrugged and let out a small giggle at your own joke, Allison following suit as she lathered up the ruined washcloth for another round of scrubbing.
You were in the process of cleaning the blood from underneath your fingernails when Stiles and Scott crept up behind you, interrupting the light bonding that you had started with Allison.
"Ok, we need to get out of here and go back home, right now." Scott took on more of a dominant personality when in charge and it made you glad that someone knew what to do, even if you didn't. You'd already grabbed spare clothes from your dorm room so you and Allison waited by the door nervously while Stiles and Scott scrambled to gather their most important belongings.
"Where is home?" You knew where you were from and where your home was, but you doubted that everyone would be game for catching a flight at almost 4 a.m.
"Beacon Hills, it's where we all met. Stiles and Scott are from there, so is most of the pack, I moved there sophomore year. The pack started in Beacon Hills, the town is like a beacon for the supernatural, it's probably the safest place to be because it's home territory, Scott's pack has been protecting it for years now."
"So Scott's the alpha?" It made sense given his natural leadership abilities and his friendliness, but it was still a little odd to see your friend as the strongest were-wolf out of the entire group you saw the other night.
"He's a true alpha too." You'd heard of true alphas, mostly by myth however, they were rare but the more you thought back on Scott's character the more it made sense. He was easily one of the most loyal people you'd met, and he was brave as well, fighting for people he didn't even know, or people he didn't know well. He was willing to risk his life to save the barista on the day of that attack, even willing to let her see him shift, it was only logical that he was a true alpha.
Your conversation was interrupted as it took all of five minutes for the two best friends to pack their things, swing the backpacks stuffed full of items over their shoulders before they led the way back down to the Jeep that was parked out front.
The ride was quiet and tense, Stiles in the front with you and Scott in the back with Allison, explaining the specifics of the situation that you had purposely left out because you didn't know how to explain it without making a joke out of it. Dark humor was quickly becoming your most solid coping mechanism for morbidity.
Scott went to protect Allison as she ran up to her dorm to grab her things as well, insisting that she tell her roommate she was going home so no one would file a missing person's report and make the entire situation more complicated.
She came back downstairs quickly, Scott in tow looking noticeably dazed as he held on to his girlfriend's hand when she plopped in the back of Stiles' Jeep. You let out a snort at what had most likely been a 'our lives are in danger' make out and let them have their secrecy as Stiles started up for what was the drive to Beacon Hills.
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latetaektalk · 3 years
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tag games
tagging : @cosmoguk ​ @jtrbluv @yeojaa @opaljm @sleepyjhs @gyukult @jentwt @cafemiya​ @masterninjacow ​​ @gamerkooks ​ and everyone else that has tagged me
tag game one : fic writers ask game
tagged by : @luvdsc​ thanks cat! this is super fun ✨
Which new trope would you like to try writing?
ex-friends-to-lovers!! in general i love any ex type of tropes!! a heist! au would be fun too
Which trope do you want to write again?
exes! like, i genuinely love that trope so much and feel like theres not enough out there!
Which draft are you most excited to post?
i dont write multiple stories at the same time, so the newest chapter of love to hate you
Is there any new genre you want to explore?
hm i guess fluff? i kinda write angst by default because i think fluff is kinda... boring and not dramatic enough, so i guess i wanna try out fluff!
Do you have a favorite line in any of your drafts up to now?
“Can’t you at least pretend like you think I’m funny?”
“Yeah, that costs extra.”
“And you scolded Jisoo for exploiting me,” Jungkook bit back.
“Well, you said you’re all mine to exploit, didn’t you?” you hummed, scrunching your nose. “You are my boyfriend after all, right?”
Jungkook stared at you, blinked three times before tilted his head to the side and tongued his cheek, defeat.
“Touché.”
Have you decided on any creative goals for 2021?
not really! i just try to write, have fun and improve honestly!
Describe your journey on this blog last year in three words! And three more words for what you hope for 2021!
2020: growth, friendships, fun
2021: growth, friendships, fun (dont really wanna change anything! im having fun!)
tag game two : 10 songs, 10 people
rules : you can tell a lot about a person from the type of music they listen to. put your favorite playlist on shuffle and list the first ten songs. then tag ten people. no skipping!
playlist chosen : love to hate you
kiss me - sixpence none the richer
anything you want - jawny
can i call you tonight? - dayglow
heartbreak in a box - juice
daydreaming - marc wavy
lover boy - phum viphurit
let’s fall in love for tonight - finneas
dontmakemefallinlove - cuco
strangers in a dream - phum viphurit
afterglow - taylor swift
tag game three : interview
rules : answer questions and tag 20 blogs you are contractually obligated to know better!
tagged by : @lcksndkys thank you so much! these are a ton of fun ✨
name/nickname : linh 
pronouns : she/her
star sign :  scorpio 
height : around 170 cm or 5′7 
time currently : 10:30 pm
when is your birthday : nov 9th
favorite band/groups : exo, red velvet, bts, nct, superm, blackpink, twice
favorite solo artist : taylor swift, olivia rodrigo, harry styles, finneas
song stuck in your head : gone by rose
last movie you watched : get smart, i think
last show you binged : taskmaster
when you created your (main) blog : like april 2019 maybe?  
last thing you googled : how many seconds in a year
other blogs : this and my recs blog
why i chose my url : like late night talk, so i turned the night into taek because of taehyung, baekhyun and taeyong afdfsa
how many people are you following : 305
how many followers do you have : around 1.7k
average hours of sleep : uh not much? idk online class is kinda killing my sleep schedule
lucky number : 7
instruments : piano
dream job : dont know, but something that i enjoy and make good money at?
dream trip : vietnam, china, south korea, japan, england, france, netherlands
favorite food : potatoes, salmon, dim sum 
nationality : chinese 
favorite song : cruel summer by taylor swift,, its literally my most played song of 2020
top three fictional universes you’d like to live in : marvel, atla, we bare bears
tag game four : this or that 
indoor plants or gardens // cloud-watching or star-gazing // water or fire // paperback or hardcover // running or hiking // sleeping with socks or without socks // fruit or vegetables // hanging plants or succulents // dark wood or light wood // handwritten or typed // instagram or pinterest // braids or pigtails // dc or marvel // books or movies // oceans or meadows // forests or fields // sweet or salty // ice cream or chocolate // hoodies or sweaters // long hair or short hair // piercings or tattoos // summer or winter // boots or sneakers // cars or motorcycles // curls or straight hair // castles or cottages // sunny days or storms // reptiles or birds // disney or nickelodeon // strawberries or watermelon // essays or posters // phones or laptops // glass or stone // dark or light // photos or paintings // circuses or theatres // reading or writing // dogs or cats // poetry or novels // monsters or ghosts // thrift shops or libraries // fiction or non-fiction
tag game five : ten biases tag
rules : write down your top 10 biases and answer the following questions
seulgi
baekhyun
taehyung
joohyun
jungkook
jennie
chaeyoung
nayeon
mark
jongin
1. between 1 and 4 who would you rather kiss?
uhm cant i just kiss both? i could never choose between the two sadfsd
2. between 2 and 7 who would be your best friend?
chaeyoung because she speaks english but also because i feel like she and i would hit it off better
3. between 5 and 10 who has the better voice?
love jongin and his voice, but yeah jungkook 
4. between 1 and 8 who is the funniest?
ohh thats hard, but i think its nayeon adsfas 
5. between 6 and 9 who would you date?
jennie. if i have the chance to date kim fucking jennie, im dating kim fucking jennie. bye mark im not even sorry
6. between 9 and 10, who would you do a collaboration with?
mark! i feel like working with him would be so funny because he just talks and talks and talks asdfdas
7. between 4 and 8 who is the best dancer?
joohyun! 
8. between 3 and 5 who would you most likely marry?
uhm uhm uhm- i think im gonna go with taehyung? mainly because of yeontan asdadsf
9. between 1 and 7 who would you nurse when they are sick?
seulgi no fucking question asdfsd like sorry, bestie chaeyoung, but seulgi just owns my heart :((
10. between 2 and 3 who has the better smile?
i dont think this is fair at all?? because both have such gorgeous smiles?? im not choosing asdfs
11. between 6 and 8 who would you vacation with?
jennie! feel llike she would pay for everything and kinda spoil me,, also feel like she would want to do the craziest shit
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wheremytwinwatches · 3 years
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[Where My Twin Watches]: Full Metal Alchemist Brotherhood Episode 51
Last Time: The Bus Came Back, Al really needs to learn Morse Code, and the Golems woke up. Onwards!
Oh snap, new opening. Soft music as Ed and Al stand together in Central, looking at the lit-up castle until Ed looks away to blue pictures of Roy’s Crew wait I just saw Hughes in there. Oooh no. That’s not a good sign. Ok it’s including everyone from Armstrong the Great to General Grumman so unless this show’s heading towards a Total Party Wipe (which is not as unlikely as I’d like) it must just be stylistic. Wait what that was a white Truth outline that looked a heck of a lot like Winry. Please tell me she’s ok. Aaaand now it’s all red and black as someone (Ed?) screams and other flashes of red souls oh it’s the Goths. Aw hell it’s the Goths! And Uncle as well looking annoyed until GAH it’s one of those freaking Golems. Ok back to calming blue pictures of the Good Guys, then Al’s Soul still sitting at the Gate of Truth with his empty armor behind him, and Truth laughing like the jerk he is. Winry! Wi- wait why are you standing in a white dress at the edge of a cliff? Young lady that’s far too close, step back right now. Also stop crying and/or point me in the direction of whoever made you cry. We get a title for this song (“Rain”) as townspeople and villagers look up at the storm clouds in concern, and Military soldiers run out alongside tanks whaaaaat is that? What is that there’s a hunched figure standing in flames, zoomed in to show glowing white eyes and very big teeth. Now it’s Bradley in a bloodied white shirt sitting in the rain acting all calm and collected, switch to complete opposite of Scar tossing aside his jacket ooooh are we gonna get Scar fighting Bradley in this arc? Yeah I know that the trailers always lie but there tends to be elements of truth like the arms that grabbed Al coming up in a later arc. Now it’s the Chimera Army (sadly not under the command of General Al), and the Armstrong Siblings standing alongside each other and Mrs. and Mr. Curtis! Good to see you guys again! Wait Roy why do you look so upset? Riza why are you crying in an alleyway with your dog? And now Ed and Al are standing on opposite sides of a tree damnit are they gonna get separated again? Ok finally the sun’s broken through NOPE NOPE DEAD PERSON ALERT THAT LOOKS LIKE MAMA ELRIC BUT IT PROBABLY ISN’T EITHER RUN OR PUNCH IT ED. Nevermind he was just dreaming. While being watched over by Winry. Kinda cute, but kinda creepy too. Episode 51 - “The Immortal Legion” Oh great, this episode is gonna focus on those creepy Golems. Just what I wanted to start the new year with, yay. So a bunch of pipes are disconnecting from the gasping artificial zombies who land kneeling on the floor, before standing GREAT they’re in that uncanny 3D modeling that Titan!Envy used. Officer laughs at the labcoat’s insistence that they needed more tests, pointing at the undying, obedient, invincible soldiers. [Officer]: “We have our Title Drop, at long last!” Now he’s ordering the Golems (“Papa” NO) to deal with the renegade ele- Uh What So… One of the Golems walked forward and just… tore out his throat with its teeth. And a bunch of other Golems have pounced on the screaming Officer. Who’s no longer screaming. Aaaand now they’ve stopped, and turned with bloody mouths to the labcoat. … … … How fucking stupid are these guys? I mean really. REALLY. How has Amestris lasted as a country this long if this is what its leadership and researchers are like? How could the labcoats have failed so spectacularly to create Zombies when the goal was to create Golems? What kind of shoddy “tests” were they running to not figure out that their supposedly obedient soldiers were mindless killing beasts? Was there no prototype? Did they literally build an army of these things just assuming that they would all work? You fail, my good sirs! You fail at Science! And you, Officer! You completely ignored the guy whose job it is to know things, who told you that the weapon wasn’t ready, and you just set it off? You were so blinded by your arrogance and desire for command over others that you unleashed this army of Zombies without any assurance that they wouldn’t kill you for standing in front of them? Uncle. I get that you’re a bad guy. I get that you view humanity as a lesser species, no better than fuel for yourself and your Goths. And frankly, after seeing this Kimblee level of incompetence, I can see your point. But you have to have seen this coming. You had to have known that your minions were this stupid, this incredible level of dumbfuckery that has me storming around my room, ranting at the utter failure of this Officer and researcher. Clearly this is the reason you made your Goths, because if this was the level of ability you led before you made more competent henchmen? It’s a miracle that the whole country hasn’t gone up in flames without even the slightest effort by the Conspiracy.
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Ok. Ok, we need to move on. So while that whole mess is kicking off, Ed’s reached the Door beneath The Third Laboratory. Oh hey, Barry’s still there! Miss you, you were funny when you weren’t killing innocents or trying to flirt with Riza. Giant door, check. Now how to open it. Actually, do we want to open it? Is it connected to the Transmutation Circle, is opening it playing into Uncle’s hands? Ah well, Ed’s gonna try anyway, struggles for a bit pulling at the seam (maybe it’s a push door?) until Scar gets bored and prepares to HoD it oh hey it’s opening CLOSE IT CLOSE IT CLOSE IT ZOMBIES CLOSE IIIIIIIIITTTTTTT Oh hey Armstrong the Great. Still haven’t killed the second General? Yeah he’s more useful as a bullet shield right now, and he’s still a General so he can order the Central Forces to stand down. Only he’s not giving the order? Huh. I’m actually kinda impressed here, guy’s been stabbed multiple times and has a gun to his head but he still gives an order to seal all entrances to Central. Still a bad guy and Armstrong the Great’s absolutely going to kill him now, but still. Ooor instead of Armstrong the Great, it’ll be Sloth literally crushing him. Ouch. Oooh dear, seems Sloth’s been ordered to kill Armstrong the Great for interfering, and she doesn’t have a tank or a snowstorm this time. She’s still laughing though, thanking the Goth for opening up another General seat, and brandishes her blade. [Armstrong the Great]: “This sword was passed through the Armstrong Family for generations. Now I don’t have to sully it with his filthy blood!” Adventure Strings continue as Ed’s fighting the Zombie Horde, the Chimera’s are throwing punches and Scar’s breaking out the HoDs to kill… oh dear. Scar’s One Hit Kill isn’t killing. That’s not good. The Zombies groan and shuffle around them- [Zombie]: “Big Brother!” NOPE NOPE NOPE NOPENOPENOPENOPENOPENOPENOPENOPENOPE FUUUUUUUUUUUUUUUUUUUUUUUUUUCK YOU, WHOEVER WROTE THAT LINE YOU DO NOT TARNISH ONE OF THE SADDEST MOMENTS IN THIS SHOW WITH THESE MONSTERS SCREW. YOU.
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Ed’s reacting in shock, realizing that they used human souls to make the Zombies, even somehow poor Nina’s. And for all the Zombies already, more and more come pouring through the door. Scar’s right, if these things escape outside to where civilians are just standing around wondering at all the Military soldiers running around, it’ll be a slaughter… Oh. Ok, I get it. Uncle deliberately set this up so the Officers (who are still IDIOTS) would set off a slaughter of the Central populace, probably to fuel the Transmutation Circle like Kimblee orchestrated the Drachman’s destruction up north. Back inside, Ed seals off the exit to keep the Zombies in ok sorry I have to say something, did the animation budget get cut for this episode to focus on the Zombies? Because for whatever reason Ed just seems off-model today, his face keeps looking rounder and younger. Anyways, the Chimeras are eager to let loose in a fight and transform, the group charges towards the Gate to plow through the horde and reach “that bearded bastard”. Outside Military forces are trying to close off roads and keep the Armory Ice Cream Truck from escaping, until a certain Briggs Officer arrives to express his displeasure. [Central Officer]: “A- a bear! A bear with a mohawk! Aaaa-” So Roy and his Crew are safely out of town, but now they’ll have some trouble getting back in. Although the Military are looking for an ice cream truck specifically. Almost makes me wish Ed was here to Transmute up a disguise for the vehicle. Almost mind you, things aren’t so desperate we need that just yet. Lion’s still at the Dome, wondering how things are going with the others. With nothing better to do he goes to talk to Al, ask what that annoying tapping noise is FINALLY thank you so Al didn’t know but Lion with his military experience was able to identify the dot dot dot dash dash dash dot dot dot and realize that Al needs to shut Pride up, NOW. He’s been broadcasting your loca- Uh oh. Kimblee’s here. And as much as I insult the guy, I think he’s probably strong enough to brush past an injured Lion and break Pride out- Or straight up kill Lion while knocking a hole in the Dome. Damnit. Pride is loose. Mid-ep pictures of Zombies (“Mannequin Soldiers”) doing the See-Speak-Hear No Evil poses, and Alphonse Elric looking pissed. Aw shit May’s getting chased by Zombies in the tunnels! Run May! Run Shao May! Screw Envy, leave him to get eaten by the monsters! She screams at Envy for tricking her while he yells that her source of Immortality is still further inside, then she takes a moment to lay a beautiful if ineffective beatdown on some Zombies before catching oh shit I was joking about Envy getting eaten nobody deserves- Uh oh. [Envy]: “I’m baaaack!” Soooo, Envy’s kind of… melded with the Zombie, who ate another Zombie and then melded with all of the other Zombies to make Titan!Envy, who shrunk down into standard Envy. Ladies and Gentlemen, we have a Goth back in play. Crap. In the village near the Dome, Yoki’s panicking at the Military presence, trying to persuade Marcoh to stay quiet and not draw attention to themselves. But Marcoh’s upset at not doing anything. Also, what’s that smoke coming from the Dome? Pride’s sauntering out, Kimblee actually sounds a bit unnerved at the news that Pride ate another Goth. Pride’s justifying it as them coming from the same father, they’re just in a combined form again. Oh hey, Lion’s still alive! Kinda. Not looking or sounding too good, though. Al rushes forward damnit he just got grabbed by Pride’s shadows, he’s gonna get possessed again and Ed’ll have to fight him damnit. But Al transmutes the ground for a Big Boom, ok so dust to block out the shadows? Or not, Pride still has Al’s feet… aha! He only has Al’s feet! Al pulled a Lan Fan! Back to Battle Drum music as Armstrong the Great’s fighting Sloth, who’s smashing up the room with his chains. Armstrong the Great, honey, don’t waste your bullets on Sloth, it’s doing nothing. Maybe your sword? Damnit Military grunts, stop bothering Armstrong the Great by threatening to shoot her for treason. See, that’s what you get for threatening Armstrong the Great, she just dodges so you take the hit from Sloth. Thanks for the grenade, btw! So that’s not going to do much to Sloth (besides be funny as he “Huh?”s at the grenade right in his face, but maybe Armstrong the Great can use the smoke to- [Sloth]: “Hey, look! I caught you! And this time, I won’t mess up.” Well that aint good. Sloth’s got her trapped against a pillar and is squeezing her to death, Armstrong the Great’s actually in pain and-
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YES [The Mighty Armstrong]: “HEELLLOOO, SISTER! AAAARRREE YOOOOOU ALLLRIGHT?! HAH HAH!” *sparkles and explosion because AWESOME* He’s back! The Mighty Armstrong is back, and after sending Sloth flying with a single punch is ready to fight alongside his snarky sibling! Armstrong the Great updates The Mighty Armstrong on the plot (that’s a Goth, bullets are useless, I want my tanks back). [The Mighty Armstrong]: “You don’t say? *sparkle* Fortunately dear sister, that is my specialty! Why don’t you let your brother have a crack at it! I’ll take this atrocity down! Come on, you monster!” [Sloth]: “Ugh. What a pain.” Hey! Hey hey hey don’t you skip away from the Armstrong Fight! Go back to Best Characters! Ugh, ok fine Al’s current situation of trying to drag a grievously wounded Lion away from the dome while his own legs are stumps is sufficiently dramatic enough I’ll accept the scene switch. This time. But yeah, Al and Lion are in a tough spot. Lion’s even telling Al to leave him behind, which Al is having none of. But really now, Al’s down a few limbs, when the dust clears they’ll be facing Kimblee and Pride together, and Lion’s coughing up blood. Now Al’s knee has blown out and he’s resorting to beating the crap out of it in frustration. [Lion]: “You brothers… are really something else… You’re still determined to help another person, even when you’re falling to pieces yourself.” Now Al’s talking about his promise, to never let anyone else die. So now the show’s going to either force Al to break his promise abandon Lion at the Chimera’s insistence, or he’ll keep trying until the dust fades and Pride walks up and kills Lion before repossessing Al’s armor anyway. This sucks- wait, what’s Lion have in his pocket?
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HOLY LETO IT’S THE PHILOSOPHER’S STONE! I completely forgot that Lion pocketed it ages ago after Ed’s injury. Has the dude been carrying around one of the setting’s most prized MacGuffin’s in his pocket this whole time? Dude. Also, is this going where I think it’s going?
So they’re discussing the dilemma: with their own Stone they might be able to fight against the other guy armed with one and the ‘kid’ powered by two, but if they use the Stone they’ll be using the souls used in making it. And if I remember, this was Kimblee’s first stone, the one made with Ishvalan Sacrifices. Lion talks about Ed’s conviction to not use Stones on their bodies. Instead, he says to “use it to save the entire world instead”. [Lion]: “You deserve it. Because even if they’ve been put into that Stone, you still recognize them as people. I know… those people… even though they’re trapped in Stone, they still want to fight to protect what matters to them. Let them fight. They deserve the chance!” I’m picturing the Ishvalans in the stone cheering. “Heck yeah let’s kick some ass! That jerk in the tacky suit used us to murder our own people, we want to tear him apart!” Al agrees. They’ll fight together. Thank you. For all my ranting at not using the Stone to heal Ed back then, I can appreciate this take. Using a Stone is Wrong, and it cannot be something that our Protagonists ever truly accept. But when faced with no other options, and using it specifically to help others, not themselves, it is acceptable that Al uses the Stone to fight back. Outside the cloud Kimblee asks if he should blow it away, but Pride’s overconfident and says they’re trapped without Al’s legs- BOOM! Flash of red, Kimblee loses his hat in the windblast, and Al strides out on newly-Transmuted legs. Kimblee smiles. New Outro! We’ve got… I can’t tell if it’s Beardless or Al, going by the stonework I’m going to assume Beardless. Still Beardless, hair blowing in the wind...still Beardless...still Beardless...what is the whole Outro just Beardless never mind it just switched to Mama Elric’s grave, then a crowd of Xerxes folk hey it’s that picture Keaton used to show Xerxians have no black outline to their hair. Then either Beard or Uncle walking through the desert in a white cloak, and the Elric Household complete with the swing that Beard nearly broke his back setting up. Whoop speaking of we have a grumpy Beard surrounded by white light and shattering stone, then Homunculus sulking in his flask. Also, A+ on putting the only credit this screen (Mixing Engineer Adrian Cook) right in front of the one-eyed circle monster.
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Ooh, but now we’ve got an orbital view of the planet, with a giant circular shock wave coming off of it. Implying the Nationwide TC is activated? Now Ed looking serious in his red coat, and poor skinny Al’s soul smiling in front of the Gate. Now it’s his armor form standing in front of a sunset (Ending Theme “Ray of Light”), and a final shot of the road leading to the Rockbell home.
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deans-baby-momma · 4 years
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Rebel Without A Cause- Ch 18
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A/N: NSFW chapter will be added to this DOCUMENT. (By tonight)
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Maggie turns to look at the girl standing behind her and rakes her eyes over the woman. Crossing her arms she prepares for the dispute. “So?” Rayne smiles up at Maggie; she is about 3-4 inches shorter than Maggie. 
Maggie quirks an eyebrow at the grin on her possible nemesis’ face. “You got something to say about it?”
“No,” Rayne denies. “I didn’t mean it like that. I just, uh….meant you must be someone special to Dean for him to settle down. I actually haven’t seen him this happy as long as I’ve known him.”
“Oh, yea?” Maggie asks, dropping the confrontational stance “How long have you known Dean?”
“Well, I caught their first concert about 8 months ago...and then a couple of months after that, I met Sam and we hit it off and I’ve been to every performance since. So I’ve seen a lot- and I mean a lot of the women Dean has gone through he never seemed truly satisfied with. It was like he was looking for something in them and just couldn’t find it. Then he picks you a month ago and now here you are, being introduced to the band as his girlfriend.” Rayne sits on the leather couch that is in the room and pats the seat beside her, motioning for Maggie to join her, which she does. “Dean seems happier now, jolly even. I have never seen a true smile on the man’s face.”
Hearing the fact that Dean had had multiple partners didn’t affect Maggie as much as hearing that she was the reason for the change in Dean. She smiled at the prospect that people thought she was the contentment he had been searching for. “You really think so?”
“Yea, girl. I do,” Rayne responds. “Dean is definitely a changed man now that you’ve come into his life.”
Maggie and Rayne continued talking about everything they could think of. Once Maggie got comfortable enough with Sam’s girlfriend she decided to bring up the one issue she was having problems with. “Rayne, can I ask you something personal?”
“Sure.”
“You say you’ve seen a lot. Have you ever seen…..Dean with any of the band members? Benny, to be specific?”
“Well, I wasn’t going to bring it up,” Rayne hesitantly says. “But yea, Dean and Benny regularly share whatever girl is willing to. Is that why you were so closed off and detached when Benny was around? Did he try something? Because if he did, I’ll kill him!” Rayne vehemently threatens. “Sam says he hasn’t seen his brother so cheerful and pleasant in like ever. If Benny screws this up, I will murder that Cajun reject.”
Maggie can’t help but laugh at the way Rayne is so fiercely defending her new friend. “No, he hasn’t. Not recently, anyway. This is probably TMI but the first night Dean and I slept together…after it was over, I looked up and Benny was standing there jerking off to us. Like, it threw me for a loop. I was not expecting that. And now you tell me that they usually share girls. I don’t know Rayne. It kinda makes me reconsider this whole thing. What if they want to share me? I’ve never done that before.”
“Threesomes aren't all that unusual in a band, Maggie,” Rayne affirms. “Hell, I’ve been known to have had a threesome once or twice. But usually, it’s just Sam and me. And since we’re sharing, I’ll let you in on a little bit of TMI also. Sam is almost more than I can handle. If we were to have a threesome, it’d have to be with another female.”
“I’ve heard stories about bands, not only this band but are orgies actually a thing? A room full of people having sex?”
“Yep, sure is. Sam and I have participated in that a couple of times. But I like it with just me and him. I feel more connected to him when it’s private and personal. I don’t feel like I’m having to compete for his attention.”
“Don’t you feel like a slut, though? Sleeping with two people at the same time?”
“Not one bit,” Rayne says as they hear the crowd go wild when a popular song begins. They both smile, knowing that soon their men will be coming backstage to join them. “You aren’t a slut if you only fuck one man during it. And hell, if you did decide to do it then who cares. Don’t let anyone slut-shame you. But also-” Rayne says, laying a hand over Maggie’s. “-don’t do it only because you want to make Dean happy. If you want to do it, talk to him first. Don’t just jump in the sack with him and whoever because that’s what you think he wants. Do it because you want to.”
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A few women follow Brad, the same guy who had approached Maggie before, into the room. Maggie watches as they walk around, some finding a place to sit while the others discover the drink table and grab themselves a bottle of liquid courage. She momentarily wonders if Dean has reverted back to his old ways of finding women in the crowd to enjoy. But then she remembers that he had promised to only pick the ones that Benny points out to him and relaxes. Rayne steps up beside her and the two of them share a smile. Moments later, the door opens again and the band enters. Dean makes his way straight to Maggie while Sammy beelines to Rayne. 
“Hey, baby,” Dean says, throwing an arm around Maggie’s shoulders and kissing her, his tongue sweeping against hers.  “Wanna get out of here?” 
Maggie smiles up at her man and nods in earnest. They turn to see Sam and Rayne standing by the door, holding hands and smiling at them. The four of them exit the room as they hear Benny speak up, “Hello, ladies!” Exiting the building, the Winchester brothers, along with their women, head toward Dean’s prized possession- a mint-condition 1967 Chevy Impala that was a gift from their father. 
Knowing that there’s no possible way for Sam to sit in the backseat with Rayne, Maggie rounds the vehicle with Dean, to get into the back. She smiles at Dean as she opens the door and slides in behind his seat. Once they are all situated inside the car, it is decided that they would go find a bar and grab a couple of drinks to celebrate another successful show. 
The Rebel Canteen seems to be the hot spot in Milford, Delaware. The parking lot is full of cars and once Dean finds a parking spot and they get out, the sounds of music and voices overlapping fill their ears. Taking Dean’s outstretched hand, Maggie and he follow Sam and Rayne to the front door. Inside, the place is just as packed as the outside and Maggie briefly ponders how they are going to be able to hear one another speak. Her query is answered quickly as Dean leans in close and speaks into her ear. “Want your usual?” 
“Yes, please,” she practically yells to be heard over the commotion. She watches as he and Sam head toward the bar before Rayne grabs her wrist to pull her toward a vacant booth against the wall. Once inside the booth, Maggie is amazed to find out that with the high back of the benches, the sounds of the bar are reduced greatly. The sounds were so diminished, that conversation was going to be easy to carry on. 
“So, I saw that look when Brad walked in with those women,” Rayne says to Maggie. “You were worried, weren’t you? Afraid he had decided to try to introduce someone new to your relationship.”
Maggie just stared at her new friend. How is it that this woman could already read her so well? How was it that Rayne knew what had crossed her mind almost before Maggie understood what it was? It was amazing and shocking how perceptive she was. 
And she couldn’t deny it. Maggie had thought that and it had terrified her. She wasn’t sure if she was or ever would be ready to do something like that, and she was fearful it would run Dean off. She was afraid that he would get bored being with only her and would walk away. Maggie didn’t know whether she could handle that. In the three months that they have been a couple, Maggie had already fallen pretty hard. It was easy, seeing as some of those old feelings from her teenage years had come crashing back once she had spent time with Dean.
Dean and Sam found the girls easily enough; Dean sliding in beside Maggie while Sam joined Rayne. Dean handed Maggie her drink and joked about her “girly drink with the umbrella.” They all shared a laugh about that and then Sam and Dean began talking about the show and how things could be tweaked and made better and how it was time to change up the song lineup. Maggie was only half paying attention, twirling her straw in her drink.
“Hey,” Dean said, catching her attention. Maggie looked up to see that they were alone in the booth. ‘When had Sam and Rayne left?’ she thought as she looked out to see the couple on the dance floor; some slow song was starting its first crescendo. “Are you okay? You seem to be a million miles away,” Dean asked and Maggie could hear the worry in his voice.
Rayne wasn’t the best dancer, she had never claimed to be, but she enjoyed being in the arms of her boyfriend. She gazed up into Sam’s hazel eyes and smiled. “Ya know, Maggie is still nervous that Dean is gonna get bored with just her. You can see it in her eyes.”
“Well, that’s crazy. Dean is more in love with her than I’ve ever thought possible. She has nothing to worry about.” Sam had to bend down a bit to really be able to hear her over the din of music, but he had caught every word.
She shrugged. “I know and I keep telling her that. I’ve even told her that I’ve never seen him so happy. And it’s true. I just wish I could do something to ease her mind. I hate seeing her stressed. She’s my friend and you know how I am.”
Sam nodded. He did know how she was. Rayne was very protective of her friends. While she was kinky as hell and a bit of a freak and nerd, the petite woman was also a total mama bear. He loved that about her and he, like her, hoped they could find a way to help Maggie stop worrying about Dean leaving. “If only she saw how in love he is.”
Rayne almost snorted. “A blind man could see it. Those two are so madly in love it’s not even funny.”
Back in the booth, Maggie looked at the table. How could she tell Dean about what it was that she feared the most? How could she explain to him that knowing what he had gotten used to when it came to sex was something she just couldn’t fathom doing. She didn’t want to lose him, not after getting him after all this time, not when he was finally hers. So she took a breath and lifted her head. “I’m fine,” she lied. “Just happy to be out with you. Spending time with you, seeing how you are after a good concert.”  She leaned over and kissed him chastely. “I’m just tired. But I’m good. I promise.”
And that’s how the next few weeks went. Maggie worked all week long as the entertainment columnist at the Ft. Garrison News and on Fridays headed out to whatever venue in whatever city Dean and his band were playing, just to spend time with him. She and Rayne also became close friends and Maggie looked forward to hanging out with Sam’s girlfriend while their men were on stage rocking the masses. Maggie squealed and rejoiced with Rayne when the young woman informed her that Sam had finally muttered those three little words. She couldn’t help but speculate if she would ever hear those same words from the eldest brother. Only time would tell. 
The party was in full swing, the delight of another successful concert making the ambiance in the room palpable. The pub was full of people who had attended and enjoyed watching the Winchester Sex Bombs on stage, the sheer amount of both men and women stopping by their booth congratulating Dean was a shock to Maggie. 
She had gotten accustomed to women making advances and flirty comments to her boyfriend but she highly enjoyed watching the disappointment cross their face when he informs them he is 'spoken for'. 
"Come on, girl," Rayne yells as she grabs Maggie's hand and pulls her away from Dean's side. "This is a good song!" Maggie lets Rayne drag her onto the dance floor and laughs as Rayne begins dancing erratically. She, herself, wasn't the best dancer but she did at least try to match her movements to the beat and melody of the song, unlike Rayne who had her own beat going, apparently.
Watching Rayne wriggle and bop around, Maggie's taken back to a few nights ago, when she had had an eye-opening dream. Her imagination had conjured up a mind-boggling vision. She and Rayne had been dancing around in an establishment such as the one they were in tonight but instead of having the Winchester brothers there, they had one another. In her dream, Maggie and Rayne only had eyes for one another. As they danced closer and closer together and began to grind upon each other, Maggie had laid a kiss on Rayne. It was a kiss to rival every other kiss in the history of kisses. The dream had been unexpected but gave Maggie a new perspective. Apparently, she wasn't as opposed to the thought of adding another member to her and Dean's relationship as she had previously thought. Watching Rayne shimmy and wiggle,  Maggie realized that she wanted Rayne. Wanted to kiss her, to touch her, to fuck her.
Bringing herself out of her reverie, Maggie joins Rayne walking up behind the shorter woman and placing her hands on Rayne's waist. Rayne, in turn, begins swinging her hips side to side and laughing. Maggie wonders if Rayne has any idea the thoughts that have surged through her friend's head. Maggie matches Rayne's motions, pulling her hips back to her. Looking over her shoulder, Rayne looks at Maggie questioningly. Taking a chance, Maggie leans down to whisper in Rayne's ear.  "I want you."
"Wha-what?" Rayne stutters out, in complete disbelief. The statement had caused her to stop all movements and she turned to look at Maggie. 
"I want you," Maggie reiterated. "I want my first time with another female to be with you, Rayne. I trust you and I know you'll be considerate of my inexperience."
The two of them stood in the middle of the dance floor, their eyes never wavering from the others. When the song playing cuts off and another equally loud one starts up, Rayne grabs Maggie's hand and heads toward the little hallway she knew the bathrooms were in.
Rayne opens the bathroom door, going and looking under each stall before turning and looking at Maggie. "Now, I believe my ears were deceiving me," she says. "You couldn’t have possibly said what I think you said out there."
Maggie smiles and steps toward Rayne. She once again says the words, "I want my first time with another female to be with you, Rayne. I trust you and I know you'll be considerate of my inexperience."
Rayne lets the words sink in for a moment, looking Maggie over. She closes the space between them and cups her friend’s cheek. “I would be very considerate. Take it slow and easy. If you don’t like something, say so and I’ll stop. I’m willing to be with you but I want to make sure this is what you want.” The last thing she wants is to upset her friend and ruin their friendship.
Maggie smiles and cards her fingers through Rayne's silky locks, palming the back of her head. Leaning in, Maggie hesitantly places her lips upon Rayne's. The kiss immediately turns passionate and Maggie reluctantly pulls away when she can no longer catch a breath. "Let's go back to my room." Rayne smiles and nods and together the friends leave the bathroom to head out. 
Thankfully, the tavern is connected to the motel they were set up in and, with Dean and Sam busy signing autographs and discussing music with their fans, Maggie and Rayne can escape and get back to the room quickly. 
Once inside the room, Maggie pulls Rayne to her and begins kissing her again. Her hands roam the other's body, gripping her sides and hips. Maggie wraps her arms around Rayne and runs her hands down the girls back, carefully sliding over her ass. Her hands stop and she squeezes the ample flesh. Maggie hears Rayne whimper and it brings a smile to her lips. 
In no time at all, both females undress the other and they collapse on the bed, limbs entangled and full of giggles. Maggie rolls Rayne onto her back and hovers over her. "What now?" Maggie asks, abashed at her innocence. "What do I do since you know, I don't have a dick?" She tried to cover her shame with a joke.
Rayne smiles up at her, laughter in her eyes and says, "Well you have fingers and a tongue."
Maggie was knuckle deep inside Rayne, crooking her fingers and massaging her g-spot while Rayne writhed and panted above her, hands fisted in the sheets when Dean and Sam walked in.
"What the fuck?" Dean stated as he pulled his brother into the room and quickly closed the door.  When he and Sam couldn't find their girlfriends in the bar, Dean had been afraid that all the attention he had been getting from the females had pissed Maggie off and she was stewing in their room. He never imagined that she had been in here, fingering Sam’s girlfriend’s pussy. It was a sight for sure. He looked at Sam as Sam took in the activities on the bed and then looked to Dean. "Holy. Fucking. Shit!" Sam exclaimed. 
Maggie had stopped her ministrations when the guys had entered but her fingers were still buried in her best friend's sopping cunt. She looked over her shoulder at Dean and smiled. "Hey, baby," she said, nonchalantly. 
Dean raked his eyes over his girlfriend's sexy body and felt his dick twitch in his pants. Apparently fingering her friend was a turn on because Maggie's juices were practically soaking the bed. He palmed himself as he took it all in. 
Sam, who was more accepting of it all, stepped to the head of the bed and squatted down by Rayne's face. "Hey, kitten. That feel good? She fingering you well?" he asked, a chuckle in his voice. 
Rayne bit her lip and nodded. “Mhmm really good. She really knows what she’s doing,” she mumbles, reaching out for his hand.
Sam grabs her hand and kisses each fingertip. "Didn't know you were into Maggie. But goddamn is it hot as fuck. Walking in and seeing you all laid out like this. Only problem is, Dean has seen what’s mine now." He takes his gaze off his girlfriend to look over at his brother. 
"Baby?" Dean says as he approaches the bed, his eyes on Maggie. "What are you doing?"
Maggie giggles and looks up at him.  "What does it look like?"
Dean glances up at where her fingers are submerged in Rayne. He quickly looks away, not wanting to look at Rayne's pussy, although he couldn't help but appreciate it. The way it enveloped Maggie’s dainty fingers and the way Rayne’s juices covered Maggie’s hand. His dick jerked in his jeans and he could feel the precum already leaking onto his boxers.
Dean puts his attention back on Maggie, laid out on the bed naked and body slightly twitching. "I can see what you’re doing," he says with a playful roll of his eyes. "What I meant, is why?"
"Because Rayne is hot," Maggie states, matter of factly. "And because I wanted to have this experience with someone I trusted. And," Maggie continues, now beginning to doubt everything. "I wanted to be prepared in case you wanted to do something like this. She's been teaching me how to pleasure another female." With that, she removed her fingers from inside Rayne and sat up. "I'm sorry."
Dean's heart swelled at the admission that Maggie was doing something so far out of her comfort zone and that she was doing it to please him in future endeavors. He realized then just how far she would go for him and realized he would go just as far for her. He had never imagined doing this with his younger brother but then again he never thought he'd be in a relationship with his ex-girlfriend's little sister either. Getting into character, he pulled Maggie up and crashed his mouth to hers, subconsciously disappointed that she tasted like herself. "You haven't tasted her yet?" he whispers and he pulls back and open his eyes. "I bet she tastes good." He raises his voice, to include his brother in the conversation. "Sammy, does lil Rayne here taste good?"
Sam's eyes never leaves Rayne's as he answers. "Like heaven. Sweet and delicious." He smiles at Rayne who grins back.
"Go on, baby," Dean urges. "Taste that sweet pussy." When Maggie turns around to get back between Rayne's thighs, Dean pulls her up until she is kneeling on her knees. "I'm going to fuck you while you eat her out."
Maggie's first swipe against Rayne is cautious but as the sweet tang of her friend's arousal hits her tastebuds she loses all coherent thought. Using her fingers she spread Rayne's lips and dives in, licking and sucking her clit into her lips. She barely even registers as Dean slides inside her, bottoming out. He begins hammering into her at a fast pace.
Dean never dreamed that this would happen but watching Maggie devouring a pussy as he fucks into her was beyond his wildest dreams. And the fact that the other girl was his own brother's girlfriend? Inconceivable. Others would probably think of it as taboo and yes, it probably is but they were all four consenting adults so who cares? Plus, Sam seemed to be enjoying the interaction just as much, Dean speculates, as he looks up to see Sam pistoning his own length into Rayne's willing mouth.
Dean could feel Maggie's walls flutter around him and he watched as she suckled on Rayne's clit, causing the girl to moan and mewl around his brother's cock. Dean felt his dick harden even more at the litany of moans and groans and the sound of skin slapping against skin. 
Maggie pulls back from Rayne's quivering pussy, watching the juice sluice out and slide down her asscheeks. She turns to look at Dean,  fully focused on his dick being swallowed. 
"You want a taste?" She asks when he glances up at her. Pushing up to a kneeling position,, Maggie turns and kisses him. He moans out loud as he tastes the sweet, tangy cum that invades his mouth. Sam wasn't lying,  Rayne did taste marvelous. 
"Fucking hell!" Dean breathes out when they part. He knows that Maggie tastes just as wonderful and before he knows what he is doing he speaks up. "Sammy, you want a taste of Mags?"
"Dude! I'm not sucking your dick," Sam exclaims, causing everyone to chuckle. 
"That is not what I meant, smartass," Dean demands with an irked eyeroll. "Just thought we could change positions."
In the blink of an eye, Sam takes Maggie's place between his girlfriend's thighs as Maggie settles herself over top of Rayne's awaiting mouth. Dean stands back and watches as Maggie lowers her pussy onto Rayne's face and starts grinding. Sammy slides into his girlfriend's cunt and Dean steps up so Maggie can suck him off.
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The next morning, Dean and Maggie wake in one another's arms, not a stitch of clothing between them but alone in their room. They look at one another and see the same thing, worry. 
Did that actually happen? How many lines were crossed last night? Would things be awkward and confusing now? Could they look Sam and Rayne in the face ever again? Neither had an answer. 
Dean's cell rings minutes later and he answers only to hear Sam asking if he and Maggie were interested in going out for breakfast. Dean silently asks Maggie and she tentatively agrees. As they get dressed, the same worries keep going over and over in their heads but when they meet up with the other couple, those doubts are alleviated and they learn that's not the case at all. Sam and Rayne act as if nothing weird or freaky ever happened. 
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@pink1031​ @spnbaby-67​ @winecatsandpizza​ @joseyrw​ @kricketc28​ @tftumblin​ @markofdean79​ @sandlee44​ @michellethetvaddict​ @lyarr24​ @travelingriversideblues-x​ 
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phoebenavarro · 5 years
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in honor of bmc closing here’s some notes I took on my phone after I saw the show in may and never actually got around to posting lol
under a cut cause long
Jeremy’s striped shirt is very reminiscent of Ness’s shirt in Earthbound (hc: Jeremy is a huge Mother fan, he loves Earthbound and he’s played fan translations of Mother 3) (he always wanted a group of friends like Ness has in Earthbound, people he could save the world with. He’s always had Michael of course, but he wanted to be part of a party like in an rpg) (and by the end of the show he does)
Love all the details behind Jeremy’s bed-- empty soda cans, the n64 and NES, and ROB
All the details in the set are great, like the posters at school and in the mall. There’s a poster for the GSA that says “Don’t fear queer”
Jeremy sounds like he’s about to cry as he says “I was just trying to get to my locker” when Rich is writing on his bag :(
“No, I always sweat this much” *furiously wipes forehead with sleeve*
“I get it, you’re a virgin!” the look of pure MORTIFICATION on Jeremy’s face
Christine touching Jeremy’s chest and he clutches his heart and looks like he’s about to have a heart attack (MOOD)
Christine stopping herself from info dumping at the beginning of ILPR but then seeing that Jeremy’s interested and the words spilling out of her is SUCH an ADHD mood
Jeremy mouthing “fuck, no” when Jake first is talking to Christine
Anthony Chatmon is a very cute Jake. He makes him very endearing. He’s very earnest but also a complete dumbass LMAO
When Rich’s Squip glitches and he’s laying on the ground, Jeremy just walks away lol
When Rich is singing about his penis in the Squip Song, Jeremy points at his crotch and is like “your....?”
The projections behind the Squip people are SO COOL (all the projections are super cool I love them)
“All I have to do is give the Guy Who tor........... ments me six. HUNDRED- yeah he’s scamming me”
I adore two player game!!!!!! The choreography and the projections are great and its a super creative way to make a song where the characters are doing something as visually boring as playing a video game interesting to watch
Michael when Jeremy and his dad are talking is really the epitome of “your friend and their parent are arguing in front of you and you don’t know what to do”
“I think I just blew my bar mitzvah money on a wintergreen tic tac” is SUCH A GREAT line I love it
The squip: “You make everyone around you nauseated” Jeremy: huge smile, mouths “wait what”
The Squip likes to be tall
Literally being able to see the gears turning in the Squip’s head as it watches Jeremy interact with people. It’s absolutely fascinated
The Squip looks so happy and supportive when Jeremy does something good unprompted? Like it gives Jeremy a little thumbs up when Jeremy adds the “She’s french” line when talking about Madeline
Sync up is so awesome and I straight up can’t imagine the show without it now that it’s there. Like I love how Jeremy masters the Squip hand choreography and he’s totally in sync (ha) with everyone else
Okay but I am DYING at the play being set in Athens............. Georgia (like... I went to school there! Go dawgs!) (I saw a production of midsummer once where the “you’ll know him by his athenian garb” meant that Demetrius was wearing a bulldogs sweater)
The Squip is absolutely BAFFLED when Jeremy is talking with Christine and being a huge fucking dork and she’s actually into it. And it’s just fascinated by here. Love it. I think it realizes then and there that she can’t be as easily manipulated as someone like Brooke, and I think that’s why it tries to kind of steer Jeremy away from her.
The Squip is like. So pleased with itself during all of Guy I’d Kind of Be Into
“DID YOU KILL EMINEM” “Noooooooooooooooot exactly” (low key the funniest line in the show)
Brooke and Jeremy are actually really cute and I get really sad for her cause she clearly likes him a lot and he just ends up hurting her (which was not his intention, but like, it still happens)
You can see the beginnings of the Squip’s plan forming as it watches everyone sing “I’m tired of being the person that everyone thinks that I am” during Upgrade
Loser Geek Whatever is. God. So relatable. And so many lines in it hit me so hard because like, someone put that experience into words
You can see Michael on the screens in the set walls saying Jeremy’s name for a second after the “optic nerve blocking on” line
I need a recording of the intermission music it’s so funky and I love it
I LOVE brooke’s dog costume it’s adorable
Jeremy says “fucking incredible” while the Squip is dancing during halloween
The Squip rolls its eyes at Jeremy for not realizing that Chloe is hitting on him and gives Chloe a look like “I know, he’s so oblivious” when Chloe laughs at Jeremy for not getting it
Chloe falls over on the bed during Do You Wanna Hang
The Squip flops face down on the bed when it gets shut down because of the alcohol and then it just stays there for the rest of the scene
Literally everyone in the audience gasped when Jeremy called Michael a loser
Michael does some of the same choreography from Two Player Game during Michael In The Bathroom and it hurt my heart
“pucking your way through the cast of midsummer” okay but what cast of midsummer HASNT had that one person that dates/hooks up with multiple people in the cast
I realized that the reason the Squip tells Jeremy that he has to leave NOW is cause it knows Rich is about to set the house on fire, not because everything else went poorly for Jeremy
Rich set a fire is SUCH a fun number, I love everyone’s slippers/pajamas and I love Brooke throwing her banana peel off stage and flinging her headphones off
I love Jeremy’s outfit in the scene where he yells at his dad. He looks really good okay, even if he’s being a dick
Pants song is lovely, also at the “do you love him” line there was like a record scratch sound effect (Michael: yup, that’s me. You’re probably wondering how I got into this situation.)
God... I love Pitiful Children. It manages to be funny at the beginning and then it turns into an incredibly threatening villain song by the end of it... Extra disturbing because Jeremy is so into it
I LOVE everyone’s costumes in the play - all the sequins, and I love Brooke and Chloe’s wigs. (Bit unrealistic that those would be costumes for a high school play but they’re so cool I’ll let it slide)
Gotta mention Jeremy’s vocal glitches, they blew my mind. Can’t believe Will Roland just does that (also I’m sad the line about vinyl isn’t on the cast recording cause that was low key my favorite glitch)
Jeremy flipping off the Squip and then the Squip twisting Jeremy’s arm >:(
The Squip’s death is so cool... I love the effects. Technical theatre rules
I love everything about Rich realizing he’s bi. Compulsory heterosexuality really do be like that sometimes
“Hi Rich........ Bye Rich” Michael I love you
Rich like, trails his hand up Michael’s stomach and Michael laughs and smacks his hand away and then he’s horrified cause he hurt Rich’s burns
I gotta mention the Hello Kitty shoes because I still can’t believe they’re real!!!! I love them and I love Jeremy with all my heart!!!!!!!
“Embrace the traits that make you so odd!” Love is stored.... In the Brooke (She’s so sweet and also I think she really did like Jeremy in part because he’s “odd” so get fucked Squip)
Troy Iwata’s Michael has a different jacket for VIMH. He’s got a Japanese flag patch and there’s a different thing on the back. I couldn’t read it but it’s different from George’s. The details!
Voices in my head is lovely and it makes me so happy
(Sorry I still can’t believe BMC didn’t get nominated for at least sound design cause the sound design was amazing. Imo it also deserved a lighting design nom. Sigh. Maybe if they’d gotten more Tony noms it wouldn’t have closed so soon.)
But yeah. It’s been two days and I already miss BMC on broadway. But I am looking forward to the show having a very successful future being licensed for school productions and other local productions!
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grimelords · 5 years
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My August playlist is finished and while it does unfortunately begin with Tool it also has two of Elvis’ gospel songs on it so please believe me when I say it takes a turn! Everything you could ever want over three hours of music from 70s christian hippie cult music to a funky remix of Also Sprach Zarathustra to Ante Up.
If you’re interested in getting these emailed to you instead of having them mysteriously appear and clog up your dash, I’ve started a tinyletter you can subscrine to at tinyletter.com/grimelords
but in the meantime,
listen here
Lateralus - Tool: Tool is on streaming now and they've got a new album out and so it's a very nice time to reinterrogate a band that meant a lot to teenaged me that i have almost completely exorcised from my life since. What's interesting firstly is how much better it is to consume their music digitally than it ever was in any physical format. They apparently resisted making it available for so long for nebulous reasons of artistic control and intention, wanting a say in how their music is listened to - they design these long and overwrought albums to be experienced as a whole. My contention is that as a whole album, start-to-finish, is one of the worst ways to listen to this band. Tool have maybe 12 great songs across four albums and every single album is around 70-80 minutes, pushing the limit of the CD. Which means for every great song there's at least two ambient interludes, Bill Hicks samples, 90s alt comedy bits (Die Eir Von Satan is just menacing music and a menacing voice reading out a weed cookie recipe in german, now that's what I call comedy) that really add nothing to the experience of the album on a casual listen. Being actually able to listen to these songs on their own, and playlist them and pull them apart from the mire is so refreshing and makes experiencing this extremely exhausting band actually pleasant for once. That's not to say ambient interludes and sketches and whatever aren't worth it, I absolutely love that shit and a lot of my favourite albums are absolutely chock full of that sort of thing - just like, don't make me do it every time. Their new album seems to reflect this at least a little bit, with the more overarching themes and arcs of the previous albums replaced by more singular and self-contained long songs interspersed with dedicated 2 minute interlude tracks. The runtime blows out to an hour and a half unrestrained by physical limits but it seems to contain more actual music and less funny than any other Tool album which is a welcome change. I'm still lukewarm on the album itself, it seems to just be a complete rehashing of the ideas on 10,000 Days (to the point of almost note-for-note repetition of some old riffs and themes) which is a bit disappointing considering how long they've apparently been working on it. I'll give it more time because Tool albums always unfold over multiple listens but for now they kind of just sound like the dad-rock version of a once extremely edgy 90s band - which I guess they are now so that makes sense. As for Lateralus, I think it's their best song. The perfect combination of Joe Rogan spirit science woo-woo sacred geometry fibonacci sequence 'open your mind' bullshit and good old fashioned riffs, it's the best of both halves of Tool and great starting point if you've never listened to this band and are interested in becoming insufferable.
Mars For The Rich - King Gizzard And The Lizard Wizard: This album is so good and it's finally converted me to being a full time King Gizz guy so look out for a lot more of that in the future. It's a thrash metal concept album about ecological collapse forcing the rich to flee to mars and the poor to flee to venus where they lose their minds and fly into the fire. I spent a little while the other day obsessing over the insane vocal leap in this absolutely incredible song when he jumps down an 11th on 'mars for the riiiiiiich' somehow effortlessly.
Pattern Walks - Cloud Nothings: The interplay between Cloud Nothings second and third albums is something I think about a lot. Attack On Memory is a visceral experience of depression and living in your own head where Here And Nowhere Else is about being able to finally move past it, and living with it. There's a good quote from the singer on the Genius page for this song where he says "It was almost a response to “Wasted Days” on the last record. It ends with “I thought I would be more than this” over and over and this one ends with “I thought” over a beautiful bit of music which is an easy way to explain the way I was thinking when I was writing this record. I wasn’t as depressed as I was when I was making the last album. Before, I felt like nobody liked the band and I was doing it for three years. I was not in a good place. Now, I had more time to think about why I felt that way. It’s a positive song."
M.E. - Metz: Metz put out a B-sides and rarities album a couple of weeks ago and then they put out this Gary Numan cover on it's own for some reason. It's very very good! I love just putting a generally harder edge on it without taking anything away from the spirit of the original. I also, somehow, didn't realise that Where's Your Head At by Basement Jaxx was a Gary Numan sample until I heard this cover so we're all learning every day.
The Ocean And The  Sun - The Sound Of Animals Fighting: Here's what's good: having the last third of your song just be a monotone voice reading from a CrimethInc anarchist zine over swirling guitar ambience. The drums are so good in this, Chris Tsagakis makes me want to muscle through the ska and listen to RX Bandits more, he’s just that good. The extremely crunchy part in the chorus especially, it switches through like three different distortions and sounds absolutely great. I’m a big fan of anyone that can make a very straightforward groove like the main one here really work just by absolutely leaning into it.
Uzbekistan - The Sound Of Animals Fighting: Uzbekistan is the most out-there and wild song on this album which was sort of mostly a way back into post-hardcore for TSOAF after Lover, The Lord Has Left Us.. which was perhaps a little too-out there for most. (seven minute closing track of a guy singing John Cage's Experimental Music essay over formless tabla and mandolin). The drums alone in this are worth it. The way they transition in and out of the super distorted electronic parts is so good. This song fortunately also has a section where someone recites poetry over electronic noise and a second voice whispers 'who holds your strings? wake up..." over the top near the end. I will love and defend dum-dum pretentious music until the day I die.
Gangsta - Tune-Yards: I love Tune-Yards and I'm incredibly interested in the way she interrogates whiteness. It's a complicated thing to get into in this playlist post but when she first turned up, a lot of people assumed she was african american just by the sound of her voice and music - it reaches and pulls from a lot of african music in a very postmodern sort of way and when people found out she was white, straight, cis and from New England it kind of felt like a betrayal for some people. On her 2018 album I Can Feel You Creep Into My Private Life she digs into it a lot in a way that becomes almost uncomfortable for what is ostensibly a pop album. An NPR article about it at the time said "Ever the student, the Smith-educated Garbus, who writes most of Tune-Yards' lyrics, designed an anti-racist curriculum for herself. She attended a six-month anti-racist workshop at the East Bay Meditation Center. She read the work of noted anti-racist educator Tim Wise and explored the activism of Standing Up for Racial Justice, a nationwide, progressive activism network dedicated to "moving white people to act as part of a multi-racial majority.". That's a lot. This song, Gangsta, from her 2011 album when all the hype was fresh feels like a pretty early look into the mindset she'd later fully fledge out of interrogating white identity and cultural appropriation while also participating in it. The lyrics are simple but they get to a simple point, "What's a boy to do if he'll never be a rasta?" is basically making the same point as Ras Trent by The Lonely Island except it's asking where else does Ras Trent fit? Can a white guy participate in anything like that in a way that's not cultural appropriation, and how can a culture like that participate in the larger world without being appropriated? It's 2013 tumblr discourse but it's still churning for a reason I suppose.
Ante Up (feat. Busta Rhymes, Teflon & Remi Martin) - M.O.P: An all time great Violence Song, in the same genre as Knuck If Ya Buck and X Gon Give It To Ya. Opening with "'this shit feel like a whole entire world collapsed" is such an insane way to open a song but the absolute whirlwind of threats that follows makes it feel warranted. "Fuck hip-hop, rip pockets, snatch jewels" is sooo good. I don't even care about this song I am just straight up robbing you. The absolute power in the rhythm of the overlapping getemGETEMgetem hitemHITEMhitem part is just so, so strong. It's like a VR experience of being fucking robbed.
Awake (feat. JPEGMAFIA) - Tkay Maidza: It seems like Tkay is finally nailing down her sound and she’s absolutely killing it. She’s been through a few different styles since she started out and now she’s really hit on something that’s very distinctly her with this and her other new song Flexin and I cannot wait for the album.
Big Head - Ms. Jade: Ms Jade had one album in 2002 and then basically disappeared which is a shame because she's got a very interesting approach. The star of the show is as usual, Timbaland. The man is a singular voice somehow making the tabla and a wikiwiki noise his signature sound. I love the drone of the raps interspersed with the vocal spikes and I love the chorus as the gospel vocals surge up from underneath. This whole song is just completely bizzare in its construction in a way that works perfectly and feels strangely.
Titanium 2 Step - Battles: Battles are finally back and I’m fucking bouncing off the walls. They’re a two piece now and it does not seem to have slowed them down at all which is very exciting. I can’t think of any band that has ever continued with only half of their original members and also moved forward radically every time. Everything about this song is great: the super strength drums, the hypercolour guitar and the vocals that are just screaming absolutely whatever you like whenever you like. It feels closest to Ice Cream, and Gloss Drop in general more than La Di Da Di but i’m so excited to see how the new album sounds - and how they adapt their old material live now that there’s only two of them.
Dancing Is The Best Revenge - !!!: I’ve never actively listened to !!! for no good reason, but plenty of times in my life I’ve heard a song playing and been like damn what the FUCK is THIS?! and it always turns out to be !!!. This is yet another example.
Skitzo Dancer (Justice Remix) - Scenario Rock: The first clap in this is one of the best sounds ever. Right after 'so you think you've seen and heard it all' everything drops out of the mix for this one very comedy clap and it makes me smile every time. The rhythm of the Disco!... Disco! Disco! part near the end is one of those things that's just always playing in the back of my mind, which as far as constant reminders go it's not the worst. I've also over the last week or so been a big fan of this 11 year old youtube video I found of some guy covering the bass on this song. https://www.youtube.com/watch?v=G0DLAUaV3f8
16:56 - Danger: Danger had a new album this year that I don't think I gave enough attention to because I relistened and it's very good. He spends the majority of it refining his original sound but it's such a distinct and original niche that it works out great. The songs are so densely layered and frankly just sound so beautiful! Which is a strange thing to say about 80s inspired electro but it just does. The strings and timpani in this about halfway through are just a gift as well, I love it.
Also Sprach Zarathustra - Deodato: As part of my ‘thinking about Elvis’ I was looking up a live album of his called Aloha From Hawaii Via Sattelite which has a very good cover which doubles as an illustration of how my proposed international peacekeeping satellite will function, projecting an immense Elvis themed blanket of darkness over ‘troublemaker’ regions to immerse them in an eternal freezing night until they’ve settled down. Anyway his entrance music for this this concert in Hawaii is Also Sprach Zarathustra, which is a very very funny thing to do and I think gives an appropriate measure of his status at the time. When I told my girlfriend about this she directed me to this bonkers jazz funk version of it by Deodato which deservingly won a grammy in 1974 for Best Pop Instrumental Performance.
Hollywood Forever Cemetary Sings - Father John Misty: I’ve resisted listening to Father John Misty for a long time because he just seems like a real asshole. A big brain man genius that saw what Lana Del Rey was doing and thought “what if.. me?”. But I can’t deny this song, it’s absolutely magical and as far as songs about fucking in a cemetery go it’s definitely one of the most singable.
Remember / Medicine Man - Yma Sumac: In reading about the Hollywood Forever Cemetery and who was buried there, I learned about Yma Sumac. Yma Sumac was a Peruvian soprano with one of the most incredible voices I've ever heard who was an absolutely huge deal in the 50s when Americans were clamouring for the exotic, real or imagined. She made extremely good mambo music and claimed to be descended from the last Incan emperor. Her popularity faded after the 50s and then for an unknown reson in 1971, ten years since her last album, she made this rock album. It is insane. It's the best example of 'voice as an instrument' that I've ever heard. She is making every kind of sound possible with a human voice and her range seems completely limitless. She's just as comfortable in a piercingly high whistle register as she is in deep guttural growls. About 2 minutes into Remember she just straight up jumps four octaves in a row just to flex. She also sings in a way in the second verse of Medicine Man that I've never heard before that sounds like she's blowing out her cheeks and then singing with her mouth almost closed. It's absolutey bizzare and I love it so much.
This Thing - King Gizzard And The Lizard Wizard: Listening to the other album that King Gizzard put out this year is really making me appreciate how much of 180 Infest The Rats Nest was for them. This album is basically a Black Keys album of groovy fun songs about fishing for fishies with fantastic harmonica work and it makes it look even more like they just snapped when they did the next one.
The Warrior (feat. Patty Smyth) - Scandal: I've been very passively watching GLOW since the second half of season 2 and now I'm very passively watching season 3 and this song was the opening credits theme for the first episode. It fucking rocks I don't know why they don't just make it the theme song all the time. This sort of 80s hard-rock pop is very good when it's good and extremely bad when it's bad and I wonder if we'll ever see any sort of revival of it once 80s nostalgia nostalgia takes hold in 2030. Being a singer named Patty Smyth is very funny also. She's billed as a feature even though she was in the band because she left to try a solo career as soon as it was released, possibly even before. She is also John McEnroe's wife I just found out. What a life.
A Girl Called Johnny - The Waterboys: I found this song because I was googling to see if it's possibly to get a random album from spotify and instead foumd a guy on rateyourmusic who was generating random rym album pages and then listening to whatever came up if it was on spotify - which seems just as good. This was one of the albums he talked about and he seemed to like it so I listened and I did as well. Sometimes the best way to find new music is throw dice on the internet and see what comes up.
New Year's Eve - City Calm Down: The new City Calm Down is one hundred percent great and I have such admiration for them for making a complete left turn with their sound and sounding like a completely different band since their last album but being equally as great in both forms. It's very inspiring and it's also the second song of the month I've heard for the first time while walking around Richmond that's mentioned Richmond. Very spooky.
Cruel Summer - Taylor Swift: It's fucked up how good Lover is when ME! and You Need To Calm Down were so bad. It feels like they changed direction at the last minute and changed the tracklist dramatically because those two songs seem sort of wildly out of place, along with London Boy. It's so uneven it's basically two albums in one but when it's good it's extremely good. This song is fucking powerful. The way she straight up screams "he looks so pretty like a devil"? Amazing. What a crazy thing to shout. If you're interested I also resequenced Lover and took London Boy off it and it's a far better album in my opinion https://open.spotify.com/playlist/3LN1uAhp8BS8Ms4bgmHiVP
Kelly - Van She: I have no idea why but this is in the opening paragraph of Van She's wiki page: "Their label introduced them as a "new band from Sydney fresh on ideas, fresher than Flavor Flav, fresh like coriander, fresher than the Fresh Prince, fresher than fresh eggs."[2] Despite these claims, the band began with a sound very much rooted in the 1980s, heavy on synthesizer." which really makes me laugh. Van She had a very specific mid-2000s indietronica thing going that was really good as this song proves but they also did a bunch of remixes under the name Van She Tech that are very out there and completely different to the main band. Their remix of UFO by Sneaky Sound System I'm sure I've yelled about in these posts before, it's absolutely phenomenal. Anyway I guess what I'm saying is get you a band that can do both.
Shadow - Wild Nothing: Somehow I missed Wild Nothing back when they were a big thing and only listened to them this month. I listened to this whole album while I was doing housework and when it finished I though 'that was nice' and could not remember a single thing about it. That's the beauty of shoegaze! I had to listen to it about five more times for it to stick and now I'm getting more and more out of it every time, I love it.
Heaven's On Fire - The Radio Dept.: Years ago when I was having a major 'depressive episode' for about a fucking year I listened to this album Constantly and as a result for a very long time I couldn't listen to it without inviting megawatts of bad vibes back into my brain. Thankfully through hard work and time passing it appears I've fully healed my assosciations with this album which is fantastic news because it is delightful start to finish and worth getting obsessed with again.
Crystalised - The xx: It's nice to see news articles posted almost every day about which albums are turning ten years old. It makes me feel one million years old and viewing the world from a television in my hermit's cave. It feels hard to overstate just how much quiet influence the xx have had over the music landscape since 2009. Without The xx we don't have Royals and without Royals we don't have You Need To Calm Down, so. Something beautiful of theirs that I think is sad hasn't caught on in the intervening years is the idea of writing romantic duets when duets had been out of fashion for so long. They wrote a whole album of them and continue to! There's a beautiful contextual depth to it, in that it's two queer people singing not exactly to each other but with each other. In an interview they've called it 'singing past each other' which is a very nice way to put it.
Aspirin - Tropical Fuck Storm: I really appreciate the continual development of the guitars in Tropical Fuck Storm where they sound so pencil-necked and reedy in these angular little melodies and then sometimes explode into thick cacophanous howls, but what's especially good is in songs like this when they don't explode and instead just sort of sprout tendrils and crawl around each other. They're really drilling down on a very singular and very unsettling sound and I really love it. It is also a very interesting feeling to be walking around Richmond listening to this album for the first time and having him mention Richmond. Spooky even.
Pasta - Angie McMahon: "My bedroom is a disaster / my dog has got kidney failure" is an all-time great opening lyric for me. I love the way this song kicks up from the doldrums, like forcing yourself to do something just so you've done something today. Angie McMahon is so great and I'm getting more and more out of her album every time.
If I Had A Hammer - Johnny Cash and June Carter Cash: The way this song is performed here is so fucking cool. The guitar tone, June's voice and the general energy of it is just absolutely electric. It feels like Highway 61 Bob Dylan where it's still folk but it's got this massive power in it. The solo fucking rips in that very old fashioned way and when it finishes and that riff comes back in by itself it's just great.
Elvis Presley Blues - Gillian Welch: I was thinking about this song because I too was thinking about Elvis. I thought for a long time that the lyrics to this were ‘didn’t he die?’ and not ‘day that he died’ and I think I prefer mine more. Idly thinking about Elvis like “whatever happened to that guy? Must be old now. Wait, didn't he die? No way to know I suppose.”
Everything Is Free - Sylvan Esso: Rolling Stone had a very good article and interview about how this song about napster has had a resurgence and remained relevant through the streaming era which is a very good read. I love the original and really this version is very similar except for the one key difference where they really dig into the anger and frustration at the heart of it in the 'fucking sing it yourself' line.  https://www.rollingstone.com/music/music-features/gillian-welch-everything-is-free-courtney-barnett-father-john-misty-725135/
It's Nice To Have A Friend - Taylor Swift: This is the strangest song on Lover and one of the best, I absolutely love it. It's a very old fashioned kind of Taylor Swift Love Story type song but it also has a a fucking trumpet reveille in the middle, so that really spices it up a bit. I also keep accidentally listening to this backwards - there's a few phrases like when she sings 'it's nice to have a friend' where the 'friend' lands on the offbeat but is accented like it should be ON the beat and because of the way the music is in this where it's just the steady pulse it's hard to tell whether the chime is supposed to be on the beat or on the offbeat. It feels like it sort of slides back and forth throughout the song depending on what everything else is doing around it. I don't know if that's intentional or not but it's a very interesting effect. This song is also, in my estimation, about a woman and is detailing a fantasy Taylor Swift is having where she can come out to the world with no fuss and enjoy a simple fairytale love story as a gay woman.
Psalm 42 / Chant For Pentecost - The Trees Community: I have a mental list of albums I google every few months to see if they've been added to streaming and by the grace of god one of them finally has been. Years ago I used to listen to this almost every night to fall asleep and I think it brainwashed me slightly in a delightful way, and now I finally have it back again! This is proper hippie music: a bunch of long haired new york christians who drove around the country in the early 70s in a school bus playing their elaborate and beautiful music for anyone who wanted to hear it. The multilayered, multi-movement construction of these songs is completely entrancing to me. It's not a hollow beauty, but one that brings new meaning to old words in the way they stretch and snap and waver throughout the song, moving past each other and through each other as it moves forward. I absolutey love it. Chant For Pentecost is a good illustration of the other side of them, a short song that starts sweet and turns almost maniacal. There's a wild-eyed feeling to the harmonies and the way this melody sits on a single tone for such long stretches before the frankly scary conclusion.
In My Father's House / Working On The Building - Elvis Presley: The backing vocals in these, and especially the bass vocals are so incredible. The way they work in the second verse of Working On The Building is so great, Elvis is the lead vocal but the middle harmony and somehow it just works perfectly. The harmonies is In My Father's House are amazing. The bass solo is mind blowing and the part about halfway through where Elvis swallows the mic and says "jesus died upon the cross [VRRMER] sorrow" is very funny. It's got it all.
The Greatest - Lana Del Rey: Norman Fucking Rockwell is an absolute masterpiece and this is the best song on it. Lana has always had a knack for this apocalyptic feeling but this is a whole other level.  https://www.stereogum.com/2056565/lana-del-rey-norman-fucking-rockwell-review/franchises/premature-evaluation/ The Stereogum writeup for this album was really great, and really nailed my opinion of her whole character thing as well, but he described this song as her version of that video that Ted Turner commissioned for CNN to play at the end of the world and it's really a perfect description. The part at the end where she says 'Kanye West is blonde and gone' is so chilling to me. Like Kanye losing the plot makes sense because he's only a few months ahead of the rest of us. He’s been a thought and culture leader for so long and it only makes sense that he’s spun off into space in these last days before it all wraps up.
listen here
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idonthaveanaccent · 4 years
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Just a little rambling and then a few bands I really like and you should totally check out, so expand it if you wanna see them :)
I know this isn’t a normal update, I just have to talk about this with someone.
Music is a vital part of everyday life for me. Everything I do has a backtrack. If I’m not watching a show in my room, I have to have music playing. When I write I have headphones in, blasting music, like right now. To go to sleep and sleep easily I have to play music, ever since I was young I’ve done it. I can’t remember not falling asleep without music playing. Music even helps inspire what I write. 
Point is, I love music. 
However, I am extremely uncomfortable with sharing my music. My freshman year I was made fun of the type of music I listen to, which has evolved a bit in the 3-4 years since that time, however it hasn’t ventured too far. 
When I was eleven my parents gave me a windows phone with no sim card, but it had a music app. They downloaded a bunch of child friendly songs and it was the first time I could control what I listened to. Before I had an old MP3 which was filled with Disney songs, Anamaniacs tunes, and ABBA’s Golden Hits. I can sing all them by heart, dances are a fun time for me. Now, I could look up songs. 
My best friend was into the alternative scene as her sister is six years older than us and as such had a more ‘adult’ music sense. She introduced me to the classic bands, Fall Out Boy, My Chemical Romance, Panic! At the Disco, etc. I loved their music, we’d listen to it on the bus to middle school. However, as time went on, I began expanding my music taste. I got into My Three Days Grace, Shinedown, and other similar bands. Then, Freshman year came.
I remember the moment clear as day. I was working on my photography notebook the week before finals like the dumbass I was am, with Pandora open and listening to one of the many radios. Then, a song came on. It was by a band I hadn’t heard of before. It was called Bad Company, and the band was called Five Finger Death Punch. Now, little fourteen year old me was a little shocked by the name but the song wasn’t unlike anything I’d heard before. I decided I liked that song and favorited it.
A little while later more of their songs began popping up, but they were a little different. Heavier. Angrier. And I loved it. I don’t know what it was about the gruff vocals or pounding drum beats or glorious guitar solos, but I was hooked. I then moved onto Spotify and listened to their albums, headbanging all the way. This was my first experience with Metal, and you better believe I was a fan.
As time went on I explored more bands. Alesana, Asking Alexandria, Crown the Empire, A Day to Remember, Halestorm, Ghost, etc. I tried showing people my favorite bands but they made fun of my music taste, mimicking their screams whenever I looked up. It was disheartening, and I never wanted to share it again. Not until I knew they were okay with it. I had people tell me they were scared of that music, and asked me to never play it in front of them. You can see how that would make me never want to tell anyone about it, right? Well, I kept it to myself, electing to share music with only a few people, one being my friend. She always jokes about how she showed me Fall Out Boy and all them and then lost me along the way. 
During Junior year I discovered even more bands, including one of my favorites, Ice Nine Kills. Amazing band, you should definitely check them out, but the advertising comes later. My music taste also diversified a little and I began listening to softer bands, like grandson and The Ghost Club. 
Now, to the main show. My recent music taste.
It all began with one Instagram video. A meme video that really isn’t all that funny. I was actually just looking through what I saved and it happened to be in a  really small folder, so I clicked it. Here is the exact video
View this post on Instagram
A post shared by positive memes (@positive_and_negative_memes) on Feb 23, 2019 at 6:14pm PST
So I was interested the song and band and decided to look them up. What I found was simply...amazing.
Okay, here comes the advertising of my favorite bands :)
I. Gloryhammer
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The first Power Metal band I discovered and still my favorite. Here’s how Gloryhammer describes themselves:
“And lo, Planet Earth had been destroyed by the Hootsman, with an explosion so powerful it ripped a hole in the very fabric of spacetime. And yet, Zargothrax was still not defeated, for he managed to use his last shreds of power to escape through the dimensional rift. Vowing to defeat the evil sorcerer, Angus McFife XIII followed him into the portal, with no idea where it might lead…“
That may seem confusing, and it is, but trust me, when I tell you a bit more, it will all make sense. 
So Gloryhammer is one of the best bands I have ever heard before. Their concept is absolute gold and is the only of its kind I’ve seen before. Basically, every single one of their songs tells a story of the Land of Fife. The Lead singer (Thomas Winkler) is Prince Angus McFife (the 1st and 13th), keyboard/backing vocals (Christopher Bowes) is the Evil Sorcerer Zargothrax, guitar/backing vocals (Paul Templing) is Sir Proletiues, leader of the warriors of Crail, drums (Ben Turk) is the Ancient Hermit Ralathor, and last but never least is bass/backing vocals (James Cartwright), the Mighty Hootsman! 
Each album follows a part in the epic saga, with three in total. The first album tells the story of the original Angus McFife the I whereas the next two follow his ancestor, Anguc McFife XIII. I don't want to give too much spoilers but let's just say that all three are filled with so much creativity and twists that it’s like listening to a movie! I cant even express how if you are looking for something to listen to that has dragons, goblin kings, evil sorcerers, hammers, and space, then this is the band for you! 
I am going to put one song by them down because you can only have five and I’m big mad about it.
Gloryhammer - Legends from Beyond the Galactic Terrorvortex
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So yeah, that’s band numero uno!
II. Sabaton
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What is there to say about Sabaton that hasn’t already been said... 
Unlike Gloryhammer, Sabaton is older, formed in the nineties. Here’s what they say about themselves on their website:
“In the nearly two decades since their launch, Swedish metallers Sabaton have carved out a reputation as one of the hardest working bands in the business – gaining a legion of loyal fans across the globe, delivering eight highly-rated studio albums (including two certified platinum-sellers), and scoring multiple industry award wins and nominations… not to mention launching their own annual festival and cruise.
Combining soaring power riffs with vocalist Joakim Brodén’s instantly-recognisable gruff baritone, the band refuses to be simply slotted into a genre. Fans need only know them as Sabaton: the heavy metal band that sings of real life wars and the people who played a part in them – of gruelling campaigns and dazzling acts of bravery, of magnificent victories and touching personal struggles – true stories more fantastic than any fiction,”
Sabaton is, as they stated, a band dedicated to sharing stories of true battles throughout history. On their website they even have a whole calendar dedicated to historic events, so you can see what happened in history on whatever day you’d like! 
As a huge history geek, this band is amazing. I would watch the World War documentary series before I went to bed in middle school because I thought all of that stuff was so interesting. If I didn’t love writing and English as much as I do then I’d go into a career where history was involved. They were actually a part of my Spotify Wrapped this year where I explored 27 of their songs, listened to six of their albums, and spent over 39 hours listening to just them this year. 
Unlike what I did before, I am just going to showcase three of my favorite songs by them because they have way too many albums and I’m sad to say I didn’t listen to all of them. 
The Lost Battalion - The Last Stand
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Now, onto the third band and a good one too!
III. Powerwolf
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I’m not a religious person, I grew up being taught all that stuff but I consider myself to be more agnostic rather than Christian or any of that stuff. But, if there’s one religious thing I don’t mind bumping its the Priests of Metal, Powerwolf! Here's what they have to say about themselves:
“After spilling gallons of blood and fighting tirelessly, after only two albums with Napalm Powerwolf shot straight to the pole position of the official German album charts (and another album made it into the top three!). After selling out venue after venue and thrilling bigger and bigger hordes of fans, the time is right for a new chapter: The Sacrament Of Sin which offers eleven metal psalms forged for all eternity!
Powerwolf entered Fascination Street Studios in Örebrö, Sweden starting in January 2018 to work on their seventh manifesto together with renowned producer Jens Bogren (Opeth, Arch Enemy, Amon Amarth). The result is brimming with the Germans` trademark sound, and yet the band have recorded their boldest and most adventurous album to date! ‘Where the wild wolves have gone‘ even marks the first ballad in Powerwolf history – whereas ‘Nightside of Siberia‘ does the exact opposite and turns out to be one of the heaviest tunes the fivepiece have ever written. ‘Incense And Iron‘ simply MUST be part of every future setlist with its folky nature and anthemic catchiness; and epic single ‘Fire & Forgive‘ brilliantly melts infectious melodies into timeless, heavy shredding. The Sacrament Of Sin overwhelms both with sophisticated songwriting and sheer aggression – and proves once more why Powerwolf are the one and only true high priests of heavy metal!,”
The band is made up of vocalist  Karsten Brill as "Attila Dorn", lead guitarist Benjamin Buss as "Matthew Greywolf", bassist/rhythm guitarist David Vogt as "Charles Greywolf", keyboardist Christian Jost as "Falk Maria Schlegel" and drummer Roel van Helden. 
They’re really awesome and here’s my favorite song by them.
Army of the Night - Blessed and Possessed 
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Now onto the fourth band ;)...
IV. Brothers of Metal
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Oh boy, if you thought the bands might’ve mellowed out a little then you are sorely unprepared for this glorious group...
When I was younger I was one of those Percy Jackson kids, but my love for mythology started long before I read one of those books. As I grew older I expanded my knowledge, moving away from Greek and Roman and into Norse and other mythologies. You can imagine my joy when I found Brothers of Metal. They have no Wikipedia or website so here’s what Spotify says about them:
“BROTHERS OF METAL consist of eight powerful Viking warriors that originates from the glorious kingdom of Falun, far up in the north. Falun is a mighty town that lies within the dark iron woods where only true metal warriors reside. BROTHERS OF METAL are known to most as the strongest metal band in the nine realms. 
Before time, our eight warriors would travel through the realms and protect the good folk against evil. It was one of those nights that the legacy of metal was born. They came home from some pretty intense giant slaying and felt the common urge for mead and entertainment. The mead was generously flowing from the teats of Heidrun, but the music was really bad. The warriors took what instruments they could find and started playing, thus they wrote their first song Son of Odin, creating a tribute hymn to the strongest god they knew. 
The mortals of the kingdom was so impressed with the music that they couldn't get enough, our warriors looked at each other and so a band was formed. Together they swor an oath to keep the flames of true metal burning and to continue to play until the earthlings had worthy entertainment of their own, it's yet to come,” 
They haven’t released a ton of music when compared to the bands I listed before them, but they are absolutely amazing! All their music videos make me chuckle and when I watch Q&A’s they’ve posted they feel so down to earth that a person whos probably a decade younger than them if not less/more can relate to them. All their music has to do with Norse Mythology, but here’s my favorite music video yet:
The Mead Song - Prophecy of Ragnarök
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And yeah, that’s it!
I hope you all weren't too bored and I hope you at least somewhat enjoyed this. It feels good to talk about my favorite bands. I’d love to put more videos in but Tumblr won’t let you so I guess we’re stuck with only one per band. I planned on doing three each but I guess that’s dead in the water. 
Oh well.
If you like any of this music/band honestly just reach out and talk to me, I love chatting about music. I don’t know a ton about the logistics or anything like that but we can share bands or songs or whatever. I sound really lonely which is true but please don’t feel shy.
See you all later! 
-Paige
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