#so it's clear there IS a parallel there. so i love writing those parallels in

[hajimehinata]

gone fishing

day 9 : wound ( from @adfaugust )

this isn’t the war they were promised, not even close. no safety in trenches, no bombs deployed from the air, far away from any damage. instead, they’re thick in the jungle, getting their heads blown off by traps, assailants nowhere to be seen. paul didn’t even want to be here, fought the draft to the last second, and now here he is, clutching a rifle and feeling sick to his stomach. wishes, not for the first time, that he’s just one of the ladies in the sick bay. sure, the injuries are horrible, but it’s better than being out here. 

he’s playing nurse right now, surprised by his own strength as he starts lugging bear to the bushes, rifle swung dangerously over his back, where he can’t take it out if someone attacked. he needs his arms, anyway; bear’s in no shape to walk. he’s losing blood fast, a bullet in the side. and when paul pulls up his shirt to check, there isn’t an exit wound. considers, stupidly, if he could just pluck it out with his fingers, but he knows that’ll be worse, that he’s gonna give bear an infection. which he’s sure the poor guy already has, or maybe he’s just delirious from the pain.

“paul,” bear coughs, and he shows his teeth in a smile that’s gnarly, but not in a good way. it still seizes paul like his hand’s got a heart in its vice grip, and the sight of him must do something for the guy, since that grin only gets wider. “at home, in the barn… we got this kayak.”

bear’s got a tone in his voice that tells paul he’s on some long-winded story. he debates telling bear to save his strength, but there’s a real chance he’ll die out here before paul can get him help, so he lets it go. “yeah? what … what kayak?”

“beautiful — ” and bear cuts himself off with a series of coughs, blood coming up on his shirt in a way that makes paul feel faint — “beautiful boat. some men like their fancy cars and impressing women with ‘em. like their… their speedboats. but there ain’t no better joy than being the engine to your own vehicle.” still smiling broadly, bear claps a hand over paul’s. “i’ll take you out one day. once the war’s over. once the fish come back.”

“you’ll get there,” paul promises, shirt off so he can use it as a bandage, ripped all the way around and then some so he can get it wrapped. bear’s always been a big guy, hence the nickname, but he’s stronger than anyone else paul’s ever known. a little rough around the edges, and dante never liked him, but paul’s never liked dante much either. at least, he don’t got a lot of faith in the guy. paul didn’t know much about bear before getting drafted, where bear was already on his last few years. seemed like, if all went well, paul’d get out of this place four months before bear’s time was up. he signed up, twice — but he’s still in the trenches like all the other draftees. makes paul wonder if there was ever much of a choice. but bear sticks up for the little guy, and he prays with whoever needs it. lotta guys here are turning to faith. hard not to when people’s legs and arms are getting blasted off, when they go flying. and bear always matches paul drink for drink, indulges him when they get too drunk to keep pretending there ain’t an issue with what they’re doing.

he remembers now, suddenly, how many times bear has clapped him on the shoulder and told him he’s a good man. asked him earnestly if he’d make sure sharon’s cared for if he don’t make it back. paul has to wonder if bear knows. if he knows what feelings paul’s had for his girl. what feelings he used to have about bear — jealous and envious and hateful and awed all at once. similar, he guesses, to how he feels about his cousin. 

bear squeezes paul’s hand. “we’ll get there.” paul’s always wondered why bear talks like he’s older than he is, like he’s on his deathbed. it makes it all the more chilling, knowing this is just a normal conversation, that bear could be anything, could be drinking or taking a swim or laughing by the fire, but instead, he’s dying and he talks the same.

paul flags down a tank and a couple of guys work to hoist bear up onto it, planning to take him out to where the copter can pick him up, take him to a hospital. can barely bring himself to let go of bear’s hand. “just take it easy, buddy. don’t you dare die on me.”

the guy only laughs, soft and self-loathing. “take care of sharon for me. take care of her.”

and when paul sees joyce with the bottle of alcohol, his lips twitch. gaze drifting to the woman bleeding out on the couch. and when he’s asked how she’s doing, he says, hard to say. i’ve seen it go a lot of different ways. cause it’s true. what’s also true is that a lot of those guys that made it still strung themselves up in the end, or took a bullet to their skull, or drowned themselves in drink. sure, the physical wound mended up, no infections, but what they suffered up there? in their minds? it ain’t as easy as getting an operation done.

see, paul and bear both made it out of vietnam. but they never went fishing on that kayak.

#as dusk falls #paul hayes #bear holt #sharon holt #adfaugust2023 #pan writes #ive always been really fascinated by bear's and paul's dynamic esp since theyre both war vets that have clear ptsd and also served together #but i also really love thinking about what bear must have been like when he was young #since joyce compares dale to bear and even bear himself compares dale to him #so it's clear there IS a parallel there. so i love writing those parallels in #since it's not really ... i guess IMMEDIATELY obvious in the game itself? #also yes there is a kayak in the barn. idk why there is one but it's there so this fic kind of hinges on #the kayak + the parallel to dale's lines when he's about to get shot by the sniper #you know the ones. goddamn i can't wait to be on a beach somewhere ... #eating tamales ... drinking tequila ... #and im like paul if you were there you'd be SCREAM SOBBING 'you'll get there' #anyway this is just a quick and dirty little thing for bear x paul

[silhouettecrow]

365 Days of Poems: Day 5 (January 5th)

Pale Heart

a heart

calcified

hardened with bone

turned white as ivory

grown over with ossification

a heart

enclosed

surrounded in a glass prism

outlined with gold filigree

circled by wax and flame

a heart

spellbound

whispered into blindness

chilled by crystalline frost

held in a dreaming state

a heart

a̷ ̶h̵e̷a̵r̵t̷

а нҿаят

ʇ̴ɹ̴ɐ̴ǝ̴ɥ̴ ɐ̴

a̴ h̪ͥe̢̳̝a_̂rt̢ͨ͘

it's ₳ ⱧɆ₳Ɽ₮

- - - - -

Here's the link to the corresponding writing prompt post

#dont mind me playing catch up with these #ive fallen behind with posting them (and luckily i havent fallen too far behind with writing them) #so im hoping to catch up with writing and posting these poems in the next few days #anyway i wrote this poem with the magic: the gathering card dusk rose reliquary and mag09 a fathers love in mind #despite those inspirations i think i wrote something separate and its own #i just hope the horror of this poem is clear and felt #as for what i did on the 5th there isnt much to share other than i fell down a rabbit hole of job searches (sadly i didnt find much) #other than that i think i recall not feeling too well and my girlfriend and i working on art via parallel play #the magnus archives #tma #the dark #the dark tma #thanks for reading #writing #writer #creative writing #writing prompt #poem #poetry #writeblr #trying to be a writeblr at least

[opens-up-4-nobody]

Listen. Probably my favorite thing about The Terror is that because the story is one planned out season, the arcs and parallel scenes are set up so cleanly and nicely that it echos.

#listen. i safely traveled the 1st leg of my vacation journey and now im gonna rant abt the terror a sec bc god #i just want to line up all the parallel scenes bc theyre so good in my brain. i love it so much. even my dumbass can see what theyre doing #i dont have a good media analysis brain. i was in and English class full of other stem kids in college who got shouted at for mineing books #like we were looking for data and not going for the meaning lol. but ive watched thr show so many times. so many times and yet reading the #scripts is even better bc it makes it even more clear what theyre doing in each scene. i love it #im just gonna list scenes i remember that echo back. obv the more than god loves them via james as a parallel and an arc for francis. silna #y do u want to die. James god wants u to live. hicky bitching abt the dog thrn the crew bitching abt the dog. james assuring john abt his #being given command. francis reassuring james abt being given command. irving god sees u here more than anywhere. goodsir is god here? any #god? goodsir talking abt the radience when ppl die. goodsir hearing the angles as he dies. theres more but those r at the top of my head #i just wanna line them all up and stare at them. god. do i try to learn video editing for that? with what fucking time? but then i could #force my observations on other ppl in a way thats satisfying lol. maybe. id also want all the lines that echo constantly in my head edited #together. also. reading thr scripts they r obviously writing the apathy of god into the story. the sundog is a portentous celestial eye lol #im gonna have to write out my thoughts on god in the terror. whether or not i make a video. but the thumbnail would b Crozier staring at #the sundogs. i just have zero video editing skills and also zero time when im working lol. ugh but this idea is like a maligned tumor in #my head. and i must satisfy its demands. also just watch the terror. i beg of u. its so so good. also if u dont live in a city hellscape or #the god forsaken desert. go run around in the grass. it feels so so nice. i had to run around the house a few times when i got home lol #unrelated #the terror

[santacoppelia]

Putting the Meta in "Metatron"

(couldn't resist the pun, sorry)

Ok, this has been tickling my brain for a while. I've been thinking about how The Metatron designed his role and discourse specifically to manipulate Aziraphale into the end result we saw in the last minutes of S2. I become obsessed with it because… well, I'm a bit obsessive, but also because there were many really smart writing decisions that I loved (even when I despise The Metatron exactly for the same reasons. Hate the character, love the writer). If you haven't watched Good Omens Season 2, this is the moment to stop reading. Come back later!

We already know that in Book Omens, the role of Gabriel in the ending was occupied by The Metatron. Of course, the series introduced us to Gabriel and we won a lot by that, but I feel that the origins of The Metatron should be considered for any of this. He is not a "sweet old man": he was the one in charge of seeing over the operation of Armageddon; not just a stickler of rules, but the main promoter for it.

However, when he appears in the series finale, we first are primed to almost pass him by. He is in the line for buying coffee, using clothes that are:

obviously not tailored (almost ill fitted)

in dark tones

looking worn and wrinkled

This seems so important to me! All the angels we have seen are so proud of their aspect, wear clear (white or off white) clothes, pressed, impeccable (even Muriel), even when they visit the Earth (which we have already seen on S1 with all the visits to the bookshop). The Metatron chose a worn, comfortable attire, instead. This is a humanized look, something that fools all the angels but which would warm up someone very specific, can you guess?

After making quite a complicated coffee order (with sort of an affable and nervous energy), he makes a question that Crowley had already primed for us when asking Nina about the name of the coffee: having a "predictable" alternative and an unpredictable one.

This creates an interesting parallel with the next scene: Michael is discussing the possibility of erasing Aziraphale from The Book of Life (a punishment even worse than Holy Water on demons, because not having existed at all, EVER is definitely worse than having existed and ceased to exist at some point) when The Metatron arrives, interrupts the moment and signals having brought coffee. Yup, an amicable gesture, but also a "not death" offering that he shows clearly to everyone (even when Michael or Uriel do not understand or care for it. It wasn't meant for them). He even dismisses what Michael was saying as "utter balderdash" and a "complete piffle", which are the kind of outdated terms we have heard Aziraphale use commonly. So, The Metatron has put up this show for a specific audience of one.

The next moment on the script has Metatron asking Crowley for the clarification of his identity. Up to this moment, every angel has been ignoring the sprawled demon in the corner while discussing how to punish Aziraphale… But The Metatron defers to the most unlikely person in the room, and the only one who will push any buttons on Aziraphale: Crowley. After that, Aziraphale can recognize him, and Metatron dismisses the "bad angels" (using Aziraphale's S1 epithet) with another "catchy old phrase", "spit spot", while keeping Muriel at the back and implying that there is a possibility to "check after" if those "bad angels" have done anything wrong.

Up to this moment, he has played it perfectly. The only moment when he loses it is when he calls Muriel "the dim one", which she ignores… probably because that's the usual way they get talked to in Heaven. I'm not sure if Aziraphale or Crowley cared for that small interaction, but it is there for us (the audience) to notice it: the sympathy the character might elicit is built and sought, but he is not that nice.

After that, comes "the chinwag" and the offer of the coffee: the unnecessarily complicated order. It is not Aziraphale's cup of tea (literally), but it is so specific that it creates some semblance of being thought with care, and has a "hefty jigger" of syrup (again with the funny old words). And, as Aziraphale recognizes, it is "very nice!" (as The Metatron "jolly hoped so"), and The Metatron approves of him drinking it by admitting he has "ingested things in my time, you know?". This interaction is absolutely designed to build a bridge of understanding. The Metatron probably knew that the first response he would get was a "no", so he tailored his connection specifically to "mirror" Aziraphale: love of tasty human treats he has also consumed, funny old words like the ones he loves, a very human, worn, well-loved look. That was the bait for "the stroll": the moment when Aziraphale and Crowley get separated, because The Metatron knew that being close to Crowley, Aziraphale would have an hypervigilant soundboard to check the sense of what he was going to get offered. That's what the nasty look The Metatron gives to Crowley while leaving the bookshop builds (and it gets pinpointed by the music, if you were about to miss it).

The next thing we listen from The Metatron is "You don't have to answer immediately, take all the time you need" in such a friendly manner… we can see Aziraphale doubting a little, and then comes the suggestion: "go and tell your friend the good news!". This sounds like encouragement, but is "the reel". He already knows how Crowley would react, and is expecting it (we can infer it by his final reaction after going back for Aziraphale after the break up, but let's not get ahead of ourselves shall we?). He even can work up Muriel to take care of the bookshop while waiting for the catch.

What did he planted in Aziraphale's mind? Well, let's listen to the story he has to tell:

"I don't think he's as bad a fellow… I might have misjudged him!" — not strange in Aziraphale to have such a generous spirit while judging people. He's in a… partnership? relationship? somethingship? with a demon! So maybe first impressions aren't that reliable anyway. The Metatron made an excellent job with this, too.

"Michael was not the obvious candidate, it was me!" — This idea is interesting. Michael has been the stickler, the rule follower, even the snitch. They have been rewarded and recognized by that. Putting Aziraphale before Michael in the line of succession is a way of recognizing not only him, but his system of values, which has always been at odds with the main archangels (even when it was never an open fight).

"Leader, honest, don't tell people what they want to hear" — All these are generic compliments. The Metatron hasn't been that aware of Aziraphale, but are in line with what would have been said of any "rebel leader". They come into context with the next phrase.

"That's why Gabriel came to you, I imagine…" — I'm pretty sure The Metatron didn't imagine this, ha. He is probably imagining that the "institutional problem" is coalescing behind his back, and trying to keep friends close, but enemies closer… while dividing and conquering. If Gabriel rebelled, and then went searching for Aziraphale (and Crowley, they are and item and he knows it), that might mean a true risk for his status quo and future plans.

Heaven has great plans and important projects for you — this is to sweeten the pot: the hefty jigger of almond syrup. You will be able to make changes! You can make a difference from the inside! Working for an old man who feels strangely familiar! And who recognizes your point of view! That sounds like the best job offer of the world, really.

Those, however, are not the main messages (they are still building good will with Aziraphale); they are thought out to build the last, and more important one:

Heaven is well aware of your "de facto partnership" with Crowley…

It would be considered irregular if you wanted to work with him again…

You, and you alone, can bring him to Heaven and restore his full angelic status, so you could keep working together (in very important projects).

Here is the catch. He brought the coffee so he could "offer him coffee", but the implications are quite clear: if you want to continue having a partnership with Crowley, you two must come to Heaven. Anything else would be considered irregular, put them in a worst risk, and maybe, just maybe, make them "institutional enemies". Heaven is more efficient chasing enemies, and they have The Book of Life as a menace.

We already know how scared Aziraphale has always been about upsetting Heaven, but he has learned to "disconnect" from it through the usual "they don't notice". The Metatron came to tell him "I did notice, and it has come back to bite you". The implied counterpart to the offer is "you can always get death". Or even worse, nonexistence (we have already imagined the angst of having one of them condemned to that fate, haven't we?)

When The Metatron arrives, just after seeing Crowley leave the bookshop, distraught, he casually asks "How did he take it?", but he already knows. That was his plan all along: making them break up with an offer Aziraphale could not refuse, but Crowley could not accept. That's why he even takes the license to slightly badmouth Crowley: "Always did want to go his own way, always asking damn fool questions, too". He also arrive with the solution to the only objection Aziraphale would have: Muriel, the happy innocent angel that he received with so much warmth and kindness, is given the opportunity to stay on Earth, taking care of the bookshop. The only thing he would have liked to take with him is not a thing, and has become impossible.

If God is playing poker in a dark room and always smiling, The Metatron is playing chess, and he is quite good at it (that's why he loves everything to be predictable). He is menacing our pieces, and broke our hearts in the process… But I'm pretty sure he is underestimating his opponents. His awful remark of Muriel being "dim"; saying that Crowley "asks damn fool questions", and even believing that Aziraphale is just a softie that can be played like a pipe… That's why telling him the project is "The Second Coming" was an absolute gift for us as an audience, and it prefigures the downfall that is coming — the one Aziraphale, now with nothing to lose, started cooking in his head during that elevator ride (those couple of minutes that Michael Sheen gifted to all of us: the shock, the pain, the fury, and that grin in the end, with the eyes in a completely different emotion). Remember that Aziraphale is intelligent, but also fierce. Guildernstern commited a similar mistake in Hamlet, and it didn't go well:

"Why, look you now, how unworthy a thing you make of me! You would play upon me, you would seem to know my stops, you would pluck out the heart of my mystery, you would sound me from my lowest note to the top of my compass, and there is much music, excellent voice, in this little organ, yet cannot you make it speak. 'Sblood, do you think I am easier to be played on than a pipe? Call me what instrument you will, though you can fret me, you cannot play upon me."

I'm so excited to learn how this is going to unfold!! Because our heroes have always been very enthusiastic at creating plans together, failed miserably at executing them, and even then succeeding… But now they are apart, more frustrated and the stakes are even higher. Excellent scenario for a third act!

*exits, pursued by a bear*

#good omens #good omens 2 #good omens meta #good omens spoilers #aziraphale #ineffable spouses #ineffable divorce #narrative analysis #character analysis #the metatron #and a casual Hamlet quote #just because I love Hamlet

[asgardian--angels]

Izzy Discourse Masterpost

Hey all, given the amount of awful splintering and wank happening in ofmd fandom rn regarding Izzy's death, including the flat-out immature and unacceptable harassment of David Jenkins and Co, I wanted to just make this one all-encompassing post to address the various grievances and complaints I've seen (almost entirely on Twitter). If I've missed anything, please feel free to add on. I'm putting most of this under a read-more for length.

Please be aware, I say all of this as an Izzy fan. I've loved his character since season 1, and while I was sad to see him go, I completely understand and support David & Co's reasons for concluding his arc, and I think it was done respectfully in a way fitting to his character. So let's break down some of the takes I've seen. I am not referencing specific posts or people here, I just want to address the general themes that I keep seeing about why some people are upset.

Izzy's death served no narrative purpose.

Look, this is one that I'm sure fans will debate for the rest of the hiatus. It's completely within your right to disagree with this writing choice, but Izzy's death did serve a narrative purpose in the story that David Jenkins is telling - and he has spoken to this end in several interviews already. I can only summarize here, and fans may find other perspectives in time as well. What we need to remember is that Our Flag Means Death is, at the end of the day, Ed and Stede's love story. That has been made abundantly, explicitly clear. The show has been fantastic at fleshing out the other supporting characters, but that's what they are - supporting characters. They often have their own subplots but ultimately the narrative seeks to move Ed and Stede's story forward and they are tools to spur Ed and Stede's growth or mirror their struggles. Izzy has been a wonderfully complex, multifaceted character but we must remember that all characters are vessels through which stories are told, lessons are imparted, and metaphors are established. He's not a real person who 'deserves' any particular fate. David said he's always intended for Izzy to die at the end of his arc.

Firstly, Izzy (now canonically, through his own dying words) represents part of Blackbeard. He enabled and encouraged Ed's darker side, they were mutually toxic forces to each other. Ed is attempting to cope with and move on from this phase of his life, and like Stede in season 1, set out a free man, unshackled by expectations and loose ends of those he's hurt and been hurt by (though we realize this is an ongoing process that takes time). This lovely gifset sums it up nicely, with Izzy being the Mary parallel, and making s2 mirror s1. Blackbeard is both Ed and Izzy; Ed cannot be free of Blackbeard while Izzy is in his life, and when Izzy is gone he will never truly be Blackbeard again. They are each other's rotting leg!! Yet, they love each other - and David has said that for Ed, this has developed into a mentor and father relationship, and where Ed has previously despised his father figures (his actual father, Hornigold) he does not want to lose Izzy. This time, Izzy brings out Ed, not Blackbeard - and that's where we get the callback to 'there he is', bringing their impact on each other full circle, freeing Ed, getting approval of sorts that he never had, to be soft, to be loved (and there are parallels to Zheng and Auntie here as well that others have made) from that force that drove him to stay in line all this time. David has said in multiple interviews now that he was going for the idea of the mentor/father figure dying and the hero living on and trying to do justice to them.

From Izzy's side, Izzy cannot be free while Edward remains either (Mary cannot find peace while Stede remains). The scar never truly healed, the leg will always be a reminder. At this point the argument becomes 'yes, but why did he have to die? Why not just sail off with the crew of the Revenge?' David has stated that he feels they've done everything they can with, and for, Izzy; he's come leagues from season 1, he's found community, he's found hope, he's found new parts of himself, and he's made good memories. He's found worth outside of what he can be to others. That's more than most pirates could hope for. Where would his character go from there, when the Golden Age of Piracy he belongs to has burned to the ground? Would he stay around and whittle on the Revenge? If he were a real person, yes, that would be lovely, and he'd deserve all the quiet peaceful happiness in the world. But as I explain several points below, he's not interested in being a captain. He's not up for the hard physical labor of regular crew, and he's extremely overqualified for that besides. He has served his narrative purpose, and symbolically, to enter a new age, everything must go. He's connected to the old age of piracy, to the Republic of Pirates, that is now demolished. To him, fighting for what he believes in, for the family he's found, bringing down an army of British twats in the process, is how he should go. It's a pirate's death, and as Izzy's said, he's a pirate - unlike Blackbeard who's succeeding in breaking away from piracy, Izzy never wanted to stop being a pirate, throughout his arc. To me, that's why Izzy remains trapped in the narrative, trapped in history, whereas Ed and Stede will escape history. They leave piracy, and canon, behind, while Izzy was content to remain a pirate and face a pirate's fate.

Burying him on land, right next to Ed and Stede's beach house, shows that his sacrifice was not in vain - they start this new life together, thanks to Izzy's mentorship, his role in their lives that sometimes for worse, sometimes for better, made their love what it was and made their breakaway possible. The new age is built on the foundations of the old age, and is stronger for it.

As we're well aware by now, David tweeted that there's no version of ofmd without Izzy. Whether that's literal or not, symbolically it's true. Izzy's arc of growth affected everyone on the Revenge. Jim fondly remembered fighting for a time when life meant something on that ship; the crew helped give Izzy new meaning in life, and he helped them in return. When he dies, they mourn and have a funeral; that wouldn't have happened under Blackbeard's watch in episode 2. His life meant something to them. He influenced Ed and Stede immensely, and they will take that with them. As David's said, they're all a family, and Izzy was a part of that family, and his loss unites them and brings them closer to continue to fight for that family they've built. It's a tragic, sudden death of someone they've all grown to care for, and that steels their reserve to keep the torch lit. They literally sail off into the sunset to hunt down Ricky to avenge Izzy; he will always be a part of this show. And, of course, with the brief appearance of seagull Buttons, the door is left open for anything.

If this was The Izzy Show, then sure, we'd be content to see him simply engaged in shenanigans every episode. But the plot, and therefore the characters, need to keep moving forward, and Izzy got his growth and development. He got what he needed for his character to have closure, and he served his symbolic narrative purpose in Ed's (and Stede's) story. You may have your own ideas and perspectives, and that's great - that's what fandom is for. But we cannot say his death was pointless when David Jenkins and the writers clearly had a well-defined motive for pushing the narrative in this direction. I actually think the narrative around Ed and Izzy is the most well-developed in the entire show. I for one am so happy we got such an interesting and complex character, and had the brilliant Con O'Neill to portray him.

Izzy's growth & healing arc was rendered pointless by his death.

As this post so eloquently puts it, it's pretty bleak to have the outlook that taking steps to heal and find meaning in life is worthless if it's later lost. Seeking happiness and self-actualization is worthwhile for its own sake; no one knows what's down the road, and we all die eventually. Find meaning in life now. Would you rather have had Izzy not miss with his bullet in ep2? He was given the chance to experience joy, freedom, and hope for the first time in potentially a long time, and when he died he did so with those happy memories. As mentioned, Izzy's death was decided long beforehand given the narrative, and the point of storytelling is to make you feel emotions. We were given impetus to connect and relate to Izzy's character through his process of healing, so when he did die, we felt it keenly. That's how stories work actually! We felt what Ed felt. It moved us. It's not a bad thing that Izzy's arc made him more likeable to fans before his death. It's not a bad thing to lose a beloved character - guess what, it happens constantly in stories - and it's not bad to grieve over it either, but to say that it made his journey pointless is just not true. People saying that Con must be upset that they snatched his character away from him after getting to develop him so much - again I say, would you rather him have died in ep 2 before he had the chance to grow? Or how about in s1, when the crew tried to mutiny? How'd you feel when Stede killed him in his dream, in the very first scene of the season? I think Con's probably glad for the opportunity to have explored this character so much in season 2. Ask him if he thinks it was pointless.

Killing off Izzy was bad for queer rep/burying your gays/"Izzy was the queer heart of the show"

I'm putting 'bury your gays' on the top shelf so people can't use it when it doesn't actually apply. Most of the main cast of characters in this show are queer, and it's a show about pirates with a good amount of violence. Ergo, chances are a queer character will die in the course of Things Happening In Stories. Izzy didn't die because he was queer, and he wasn't the token queer rep. Please turn your attention to the boatloads (literally) of queer characters that are happy and thriving (how about the LuPete wedding immediately afterwards??). As for Izzy being the "queer heart of the show," this is literally the Ed and Stede show. You know, the two queer leads whose queer love the show revolves around, per David Jenkins himself. I'm glad folks connected with and derived joy from Izzy's growth and especially his performance in Calypso's birthday, but he is not the main character of the show. The queer heart of the show is in fact, the entire show, all of their characters and the community & found family they create aboard the Revenge. Not to mention the fan community as well. Izzy was never carrying the show's representation on his back, and frankly that's an absurdly wild take to have (esp when he spent most of s1 actively working against the main queer relationships in the show, attempting to maintain the oppressive status quo of pirate society).

It was bad and irresponsible to have a suicidal character die

Are we forgetting the entire first half of the season where Ed, who was suicidal, kept trying to passively kill himself because he felt he was an unlovable monster, only to be shown that he is in fact loved unconditionally and it gives him the strength to fight for life and triumph against his own self-doubt? The show has spent quite a lot of effort telling viewers that despite feeling damaged or broken you are worthy of love and that you are loved even if it may be hard to see it when you're in a bad place. That you don't need to be fully healed to deserve love and care, and that love and support will help you along your journey. It's incredibly wild to disregard this major plot point and fundamental message of s2 to try and spin this the opposite way for Izzy's character.

Secondly, where are people getting 'Izzy is suicidal' from? Are we going back all the way to episode 2, when he's at his lowest point and fails at his suicide attempt, only to be figuratively reborn after removing the metaphorical rotten leg? By the time of the finale he's shown to be in a good place, thanks to the arc of healing and growth he's gotten, through the support of the Revenge crew and his 'breakup' with Blackbeard allowing him to find his own way in life, realizing he doesn't need a purpose to have value and enjoying his time on the Revenge and the bonds he's made with Stede and the crew. He is, in the words of Ivan, "the most open and available I've ever seen him" by the finale. To take episode 2 as evidence he's suicidal is to erase his whole season of growth, which is an ironic thing to do in the context of these arguments. There's no canon evidence Izzy Hands was suicidal post-'Fun and Games'.

As for 'irresponsible,' once again I say, David Jenkins is not your therapist, he's not 'Dad,' and has no responsibility to tell his story any other way than he intended to tell it. Please find media that gives you what you want or need, and if the death of a fictional character causes you this much distress please seek help. I mean this kindly but seriously.

Killing off Izzy was ableist/bad for disability rep.

I point once again to the rest of the characters, several of which are disabled in varied ways. There are literally multiple other amputee characters specifically. It's not good storytelling to wholly avoid killing off any character that is disabled/queer/poc/female or [insert marginalized group here], especially when a) it makes sense narratively, and b) there's plenty of representation of these groups in the media in question. The answer isn't making such characters invincible and immortal, it's increasing the number of these characters in shows so it's not devastating when some do die in the course of natural storytelling.

OFMD was my comfort show/safe space show, now it's ruined for me

I am not trying to be insensitive here when I say that's a problem that is yours and nobody else's. David Jenkins created this show with a three-season vision and a story in mind, and he is telling that story to the best of his ability the way he wants to. It's already been said that he and the crew did not anticipate the fandom becoming as large and passionate as it has. The plot of the show was never intended to be 'fan service,' and it's ironic that there were people complaining this season that there's been too many fanservice tropes, up until David and the rest of the writers room made a narrative decision they did not like, then the complaints changed to not coddling the fans enough.

We as viewers can derive joy from this show, it can be a comfort to us, it can be important to us. But it was not designed specifically for that purpose, therefore it cannot fail in that respect. We do not have the right to harass writers for not steering the ship in the direction we want - it's their work of art, and we can choose to either come along for the ride or not. It's rare to see creators actually given the chance to tell their story the way they intend (budget cuts aside), so let him do that. He should not cater to fans, or cave and change the story to appease us. Respect his right to create his art, and remember you have the right to create your own. That's what fanfiction is for - write fix-its to your heart's content, but keep these realms separate. David Jenkins and Co hold zero, and I mean zero, responsibility to you. He could not please everyone no matter what he did, it would be fruitless to try, and it would certainly compromise the quality of the story he set out to tell.

You are absolutely allowed to dislike choices made in any show. Curate your media experience. If this show no longer brings you joy, stop watching. But it was never David's purpose nor responsibility to juggle the mental health of millions of fans. Trying to put that on him will only make him less enthusiastic about interacting with fans or continuing to make this show. This isn't rocket science. You're responsible for yourself, not this guy you call 'Dad' that you've developed a parasocial-therapist relationship with.

Izzy should have become captain of the Revenge.

Really?? Firstly, we did actually get that already in s1. He was tyrannical and the crew mutinied. But even if you think 'well after his character arc he'd be better suited to it,' it goes against the point of this arc. He's found value in not having a distinct role or purpose on the ship, decoupling his worth from the job he's expected to perform. He's found his place amongst the crew, not commanding it. There's no narrative reason to put him in charge when he's expressed no further interest in slotting himself back into a role full of pressure and expectations.

Con O'Neill was only told halfway through filming, it's cruel to just kill off the character he loves so much.

Guys, he's an actor. More than that, an actor with a theater background. I think he's used to characters dying. You don't need to look out for him. Con and David spoke one on one about it at length so they were on the same page, and David even said that Con took it well. I'm sure Con had input, just as other members of the cast have influenced their characters' stories, costumes, backstories, etc. Do you really think David Jenkins hurt Con's feelings or something? The writers (remember, it's not just David, it's a whole team of hard-working people coming up with these ideas) gave Con such a chance to shine this season, really developing Izzy beyond what he was given in s1 and letting Con show off his full acting range. Why are you only focusing on the destination rather than the journey? Sure, Con's probably sad to see Izzy go, but please do not project your distress onto him or try and accuse David & Co of being 'cruel' to their cast. That's really ridiculous. It's constantly evident how close they all are.

More importantly, do you actually, seriously think that Con O'Neill would want fans to harass each other or the writers over his character? The man who preaches being kind above all? There is no better way to make an actor uncomfortable about a show and its fanbase than to start treating fictional characters like they're more important than real people. He would not want you to bully people over Izzy Hands, and it's mind-boggling that some of you have convinced yourself otherwise.

Lastly, I just want to talk about the fact that some people are holding OFMD to absurdly high expectations.

Our Flag Means Death has been a pioneer series for its diverse representation, earnest storytelling, and themes of hope, community, and love. It's fine to discuss aspects of the show with a critical eye, but so much of the discourse has truly felt like folks are trying to find fault in a show that is leagues ahead of the average tv series that we still enjoy. How many fan favorites are killed off all the time? How many plotlines are scrapped, or drawn out without closure, or contradicted the very next season? How many shows are indifferent or actively hostile towards their fanbase? How many have any queer characters, or actually do bury them? The bar's so low, and OFMD has risen above to give us so much. Some are holding the show to astronomical expectations, waiting for it to fall from the pedestal it's been placed on. If something you don't like happens in the show, it's not suddenly ruined or demoted to being ~just as bad as those other shows~. Give them some breathing room, have some perspective on how progressive the show is, and that perfection is impossible, especially meeting every single viewer's idea of it. This is basically a repeat of the recent Good Omens drama, with an absurd number of people harassing Neil Gaiman for breaking up Aziraphale and Crowley and leaving the second of three acts on a very predictable cliffhanger. Let stories be told, let them unfold as they may, and you are free to leave anytime. It's so wonderful that more queer love stories are becoming popular and even mainstream, but let's not shoot ourselves in the foot by tearing them down when they don't go exactly the way you want it, which often seems to mean no drama, no character deaths, and therefore no conflict or even plot!

Just, please be civil human beings, and while this seems to be a difficult thing for so many fandoms to do, just keep your fan opinions in the fan space. Never bring your grievances to the writers, never bully them and persecute them for telling a story that you opted into viewing. That's something that goes entirely against everything this show, and this cast and crew, have imparted onto us - the importance of kindness, support, community, and love. I'll say it again because it bears repeating: the fate of a fictional character is never more important than how you treat real people. Just be kind in real life, which includes the internet. Thanks.

Now please, let's work together to ensure we get a season 3. There's so much more story to be told, and if you want to see Izzy back, whether that's as flashbacks, as a ghost haunting the inn, or in the gravy basket, we'll need more episodes! #RenewAsACrew

#our flag means death #ofmd #ofmd s2 #ofmd s2 spoilers #and after this i will speak of it no more ok #now once we're all calmed down i am really looking forward to meta about izzy's role in the narrative #i truly think izzy's one of the most well written characters on not just this show but on tv lately in general #suicide mention tw #I tried to put a read more under the first bullet point but tumblr's formatting basically deleted it #by automatically overriding it with an Expand #so sorry about the length and such

[david-talks-sw]

So that whole interaction between Ahsoka and Huyang, where they talk about Sabine's choice to help the enemy find Thrawn (in hopes that she can then find Ezra) is clearly meant to be subtext for what happened with Anakin.

I mean change the pronoun from "she/her" to "he/him", tweak some of the names and...

... it's just blatant.

The parallels were already clear in the previous episode, as pointed out in this post here, and it still holds true:

Sabine's struggle with attachment mirrors Anakin's.

We know Filoni's whole stance on why Anakin fell to the Dark Side: he'll usually acknowledge that Anakin was ruled by his attachments, got possessive of Padmé, but then adds:

"HOWEVER is loving that way really that bad?"

"HOWEVER he never stood a chance because Qui-Gon wasn't there to teach him properly and be the father Anakin needed."

I've already gone into why both these statements don't track with Lucas' intended narrative here and here... but I wanna touch on this notion that "Anakin wasn't trained enough to make a better choice."

He was.

You know how we know? Because we saw him overcome his attachments before.

We saw him explain the theory of the non-attachment rule, before.

In fact, wee saw him pass down a lot of the Jedi lessons, in The Clone Wars, including being disciplined, following orders and not acting impulsively.

The issue is that - while Anakin knows the theory, even has a few minor successes applying it - he never builds the self-discipline needed to master it because... deep down... he doesn't want to.

This is partially because you got Palpatine telling him he doesn't need to, molding him into an arrogant, power-craving person... but the fact remains that Anakin made the choice himself.

Which Filoni acknowledges, sure... but not quite. The difference between his thesis and George Lucas' is that the latter picks a stance and defends it.

"He started out as a very loving and compassionate person. And as he progressed, it was his inability to control his temper, his inability to let go of things, and his quest for power that were his undoing." - George Lucas, E! Behind the Scenes - ROTS, 2005

Anakin fell because he was greedy, just like any one of us can be.

Cool. Filoni, on the other hand, doesn't seem to land anywhere.

He dances around the issue (as can be seen by the debate between Ahsoka and Huyang, with no clear winner) and merely questions whether it's as simple as that.

Clearly he wants to justify Anakin's actions to some degree... but y'know, the narrative considers those actions so reprehensible that Anakin gets friggin' burned alive for it.

"I felt it was important that we actually see that happen so that we could see the consequences of these bad things that he did. […] He forces his friends to turn against him. Which is heartbreaking." - George Lucas, “The Chosen One” Featurette, 2005

Because Anakin's actions are not meant to be justified.

It's easy to see why Filoni likes Anakin. One of the earliest tasks he had when writing The Clone Wars was humanizing a character whose sole functional purpose was to carry out a narrative about how:

"Without self-discipline, greed [can] force a character off the path to freedom." - Micael Hearn, The Cinema of George Lucas, 2005

And Anakin is a very sympathetic character.

His flaws are flaws that we all carry.

Q: Is it fair to assess Anakin is kind of cursed by his own goodness/good qualities? "I wouldn't say that’s true. He’s cursed by the same flaws, and issues that he has to overcome, that all humans are cursed with. There's a lot going on there. [...] The whole point is—and the reason I started the story where I did—is that Anakin is a normal, good kid. And how does somebody who is normal and good turn bad? What are the qualities, what is it that we all have within us that will turn us bad?" - George Lucas, Star Wars Insider #52, 2000

But narratively, Anakin is selfish.

He doesn't want to save Padmé's life, he wants to save himself from the pain of losing Padmé.

And while you're supposed to sympathize with him, you're not meant to agree with him. He's Darth Vader, the space nazi. He messes up and consequentially "leaves the Force in darkness" for 20 years, instead of ushering it towards the light in the chancellor's office, when he has the chance.

So to shift the blame and say that...

HOWEVER, Anakin didn't have the proper support system or training to make a better choice.

... when the whole point of the narrative is about taking personal responsibility and being selfless instead of selfish... well, it is missing that point.

He did know better. He just didn't want to choose better, so he convinced himself he wasn't able to.

#anakin skywalker #george lucas #dave filoni #ahsoka show #ahsoka series #ahsoka #ahsoka spoilers #huyang #sabine wren

[pineapple-split]

Ok ALSO (and then I promise I’ll shut up and dive in to the celebratory rewatch): EVEN IF IT WERE TRUE that Black Sails only has queer subtext (and let me make it clear, it absolutely is not true) that still doesn’t invalidate it as a piece of media?? The queer characters aren’t the only reason we love this show. We love this show because it’s beautiful.

It’s heart-wrenching. It dares to ask the questions “what if your civilized society isn’t all that civilized? Who does it leave behind? Whose blood is it built on? What lengths will people go to and what will they sacrifice for even the tiniest bit of agency and freedom in a world that is actively trying to kill them? Are they justified? Can you even make that judgment call?”

It’s a story about storytelling. It has narratives within narratives and foils and tragic flaws and parallels and overarching themes that begin in the very first moments in episode one and last all the way to the end. It’s a Greek tragedy put to the screen. It’s still so hopeful somehow, even when so many things fall apart. It’s the epitome of “the love may not have been enough but it’s important that it was there.” The writing is wonderful (mostly, I have a few hangups but that’s not important here), the cinematography and score is almost reverent. People who worked on this show still gush 10 years later about how it was their masterpiece.

Those headlines of “the best show nobody watched”? There’s a reason for that. Those of us who love Black Sails love it passionately, and the complex and wonderful queerness of it is only one of the reasons.

#Black Sails #phew ok I’m done #only positivity from here on out

[ellastone-olsen]

Could I request something Rhaenyra x Stark!reader smut with them being feral codependent soulmates? I love that trope. They would totally be unhinged and in love wives together plus the fire and ice parallels 😭 Like after Laenor “dies”, Rhaenyra’s goes looking for a new spouse and runs into Stark!reader and it’s just love/obsession at first sight?

My queen is cruel | Rhaenyra Targaryen

★Pairing: Rhaenyra Targaryen x fem!Stark!reader

Summary: your family comes from Winterfell to the capital at the invitation of the Targaryen family. Princess Rhaenyra announced that she would choose a new spouse. Your brother was a contender from the House of Stark, but it seems to the princess that another contender from the rulers of the north is more interesting.

★Warnings: NSFW 18+, soulmates dynamic, mentions of blood and alcohol, innocent reader, virginity loss, oral, fingering

★Word count: 3.1k

★AN: omg my first House of the Dragon fic, I hope I translated some titles and names correctly. Thanks for the request, it took me so long to write this, but I love Rhaenyra so much 💕

Rhaenys's bitter, heartbreaking cry is heard in the silence of the room. The woman looks at the burnt body that just a few minutes ago was her son. “Who allowed this?! Why wasn’t anyone around?!” Corlys embraces his wife in rage and grief. That day, sadness became the main companion of the grieving parents.

No one knows that on the shore, the one who is now considered dead is running towards the boat. Laenor Velaryon sails away to disappear forever from this life in which he was imprisoned. Rhaenyra gave him a chance at happiness and Laenor will not forget this.

Rhaenyra Targaryen is officially recognized as a widow. It is expected that rumors about the death of the princess's husband began to spread like a plague, from servants to other servants, and those to their families, from there the plague was transmitted to all seven kingdoms. Some believed in the official story, others, like the grieving mother, blamed the Targaryen family for everything, they said that the princess ordered the murder, that she was tired of her husband. But for Rhaenyra it was enough to know that this was absurdity and slander.

“So what are you going to do next?” Daemon approached unnoticed. Rhaenyra didn’t look at him, her gaze was directed far out to sea. "I think I'm looking for a new spouse." Damon thought the hint was crystal clear. He thought that she still wanted him, wanted to finish what they started that night all those years ago. “Rhaenyra...” He was interrupted, “No uncle, leave it alone. Kiss me and let me go. If you do not...” A ringing silence hung between them. The phrase did not need to be continued; he already understood it.

King's Landing was filled with lords, princes and princesses from all over Westeros. The royal family invited all the noble houses, announcing that the heir to the iron throne would thus choose a new life partner.

“I don’t understand why you took me with you.” Your carriage was approaching to the King's Landing. Your parents were, as always, calm and cool, as befits the Starks, the rulers of the north. Your younger brother looked around the windows excitedly, clearly excited about his first trip outside of Winterfell. “Your mother and I think that you also need to see the capital.” Your father, as always, spoke directly and to the point. You smiled bitterly. “Only we’re here to try to marry Rob to this pompous princess.” You didn’t hide your bias towards this whole thing, which was more like an auction. “Y/N just try to say something like that about the princess in public and you will disgrace the entire House of Starks.”

For the rest of the trip you rode in silence, only occasionally fiddling with the hilt of the sword hidden in a sheath under your heavy black coat. Perhaps you had a little curiosity about the princess. What does the one who will take the iron throne look like, against whom there was so much outrage just because she was a woman. You thought that she must be strong and stubborn just like her ancestors. The same as the previously lived Visenya about whom you once read.

The carriage stopped.

“Do I have to wear this? How will I take my sword with me?” Your mother stood in the chambers that had kindly been allocated to you and watched as a maid helped you lace up a black dress with antique long sleeves. “You don't need the sword today, honey. This is a royal ball and you are not a knight in service." You looked in the mirror, and even though dresses weren't something you wore often, it didn't look bad at all for your taste. Still, the velvet in tandem with the large fur coat that you took from Winterfell looked harmonious.

“But what if something goes wrong and I’m left without a weapon?” You insisted. After so many years of training, the sword became an extension of you, and going out without it was akin to death. "The Royal Guard will protect us all." Your mother tried to be gentle and calm your worries. The woman came up behind you and put her hands on your shoulders. “For just one evening, be a princess and not a rude warrior. For me." You covered her hands. "Okay, just for you."

All arriving guests entered the huge hall in turn, after which they were seated at long tables, which were bursting with an abundance of dishes kindly offered by the royal family. “The Starks of Winterfell,” the man shouted and your family entered the hall. You followed your parents straight to the table in the center, at which the Targaryen couple was already sitting with the king and that famous Princess Rhaenyra at their head. Finally, you were close enough that you could see a woman with dazzling white hair and sharp purple eyes. Your breath caught somewhere in the depths and you couldn’t look away. It seems at this moment the ice and skepticism inside you broke, burst into a thousand pieces. You had to lower your head according to the rules of etiquette, but you couldn’t tear yourself away from contemplation. And when she finally looked at you, when your eyes met, you realized that you had problems. “Your Grace, this is our son Rob and eldest daughter Y/N.” Your father, as the head of the family, introduced his children and added, “I hope that Rob can claim the place of your husband Princess Rhaenyra.”

At these words, you remembered why you were here and a little jealousy pricked somewhere in your chest. You were almost jealous of your brother. But who are you to be jealous, because you just met. This is all becoming too strange, but so tempting. You sat down and the evening began.

Wines of different varieties continually filled the glasses of rich gentlemen, everyone laughed, joked and discussed who the heiress would choose as her husband. The Lannisters were sitting next to you and you could hear snatches of greasy jokes about how their eldest son could have Rhaenyra in all poses. Anger boiled inside you, how could this bastard say such things about this woman. “And they also say that her sons are bastards, and she is a whore.” The loud laughter of the Lannisters infuriated you even more. “Then your house is no better for having sworn allegiance to a whore.” You thought you said it quietly, but they apparently heard you.

“I didn’t hear what the pup from Winterfell was barking just now?” Everyone who was at your table fell silent and the whole room also paid attention to this. “I said what I meant.” The man was already deeply drunk and clearly in the mood for a fight. He stood up and you stood up next, you were the same height. “If you are so brave, then say out loud what you think of the princess.” Rhaenyra's purple eyes watched your quarrel carefully, it would be a lie to say that she did not look at you all evening, knowing that all the men in this room would be denied. She definitely liked your spark and wanted to see what happened next.

“I said that her sons are bastards, and she is a whore.” The man said the last word slowly, syllable by syllable, everyone present was in suspense. King Viserys took out his favorite blade. "I'll cut out your filthy tongue." As soon as he finished the phrase, a knife, prudently hidden under a fur coat, appeared in your hand and pinned Lannister’s palm to the table. He tried to get it. “There are a lot of vital veins in this part of the arm; if you try to pull it out, you will bleed to death.” The white cloaks immediately drew their swords and stood ready. Rhaenyra's entire being was hypnotized in delight by your actions and words, at that moment she chose her spouse. The entire Lannister family stood up and was ready to tear you apart.

"Get them out." For the first time that evening, Rhaenyra's voice broke the silence of the event. The bastard's face lit up with a smile. “My princess, thank you...” But before he could finish speaking, the guards twisted his hands, pulling the knife out of his palm, causing the man to let out a bitter scream. The entire Lannister family was disgracedly eliminated from the feast; there was silence for several more minutes, only whispers were heard from different sides.

"What are you doing." Your father pulled you by the arm, urging you to sit down, and glared at you with eyes full of rage. “Your mother asked you not to take weapons with you.” “She asked not to take the sword, dear father.” Rhaenyra stood up. “Today, to our great regret, unpleasant and unacceptable events occurred for the royal court.” She paused, her gaze returning to you and a smile gracing her lips. “But let’s not let these events overshadow our holiday, let’s raise our glasses and have a feast.” The crowd cheered and raised their glasses as they praised Princess Rhaenyra's wisdom and resilience. The celebration continued until late at night, you drank several glasses of wine after the incident and by the end you were decently drunk.

All evening you kept looking at Rhaenyra, your head was filled with thoughts about how beautiful and wise she is, about how wrong you were, how you regret that you didn’t want to go to the capital. But then these euphoric thoughts were darkened by the fact of her imminent marriage to one of the men of these noble houses and perhaps even to your brother.

You headed to your chambers, every now and then passing by local servants. Your legs dragged you heavily, your mind only thought about taking a warm bath and washing away inappropriate thoughts about the heiress. The heavy door opened with a slight creak, letting you into the semi-darkness of the room. You thought that you asked the servants to extinguish all the candles, but for some reason they were burning. Your gaze caught on an unfamiliar figure standing with his back to you, and the knife that had recently been in the Lannister’s bastard was again in your hand, waiting to defend yourself from intruders.

"You're a little warrior aren't you?" A velvety voice broke the silence and the stranger turned to face you. You immediately lowered the knife. “Your Grace, forgive me, I didn’t know it was you.” You immediately bent your knee in front of her. You were absolutely at a loss and the whole situation was a little confusing, why was the princess, the heir to the throne, waiting for you in your chambers in the middle of the night? “No need for formalities, please stand up.”

She walked through your chambers looking at some of your personal belongings until she found the sword. “Oh, this is your main weapon, as I understand it, you don’t to swing a knife every time of course ...” she bent down to take a closer look at the sparkling silver blade. “Such a beautiful thing, to match the owner.” Her compliment made your already red cheeks flush. “Did you want to talk about what happened, Your Grace?” you desperately wanted to change the topic.

“Did your mother ever tell you the legend of soulmates?” You were dumbfounded by her question. “Your Grace, I don’t quite understand...” She continued to walk around the room. “Don’t they really tell such stories in the north?” Her tone sounded fakely upset. “They say I know one.” “Then tell me too.”

You didn’t understand anything, Rhaenyra Targaryen came to you at night to listen to fairy tales for children? Perhaps something was put in the wine and now you were hallucinating, but it seemed like everything looked real. The woman lit the fireplace and, unbecoming for a future queen, sat down on the soft fur in front of the fire. She looked up at you, inviting you to sit next to her, you obeyed. The crackling of logs, the heat of the fire and the soft floral perfume of Rhaenyra lulled to sleep.

“My mother... told me when I was a child that there was a belief...” you cleaned the throat. “That every person has their own soulmate, but not everyone is able to find it, it’s like a person who was created by the seven gods just for you.” Rhaenyra began to unravel her tight braid; her head began to hurt unpleasantly from her hairstyle. You watched out of the corner of your eye as her snow-white strands gradually fell onto her shoulders. “And how do you understand who exactly your person is?” She encouraged you to continue. “I don’t remember exactly, but they said that when you see him or her, you will immediately understand, just the first glance or the first meeting and…boom.” "Boom?" She asked again, not quite understanding your strange wording. "Yes." You were looking at the burning logs when Rhaenyra's hand covered yours. She has already unbraided her hair. “Do you want to brush them?” Something strange was clearly happening. But who are you to refuse, you nodded and took the wooden comb brought from Winterfell from the nightstand. Hands carefully took strands of silver hair and combed them, as if they would break from the wrong movement.

“Do you believe in this legends?” You thought for a second. “I’m not sure, or rather I didn’t believe it before, but now these fairy tales don’t seem so stupid to me.” You put comb down, combing all hair perfectly. “I don’t understand why these questions are asked, Your Grace.” Your head was a complete mess due to the mixture of alcohol and adrenaline caused by the woman next to you. “Please call me Rhaenyra.” She turned to face you. “You understand everything, little warrior, don’t lie to me.” The woman moved closer and closer until she placed one hand on your shoulder. "Your Grace...Rhaenira." She leaned in so close that her lips were almost touching yours. "I want you." You looked into bright purple eyes, which shone yellow in the firelight. “Tell me the wolf of Winterfell, do you want me?” Her perfume smelled so delicious, her soft skin, white as her hair, that the dress did not hide, begged to be touched, “I...yes please, I want you.”

Rhaenyra's lips touched yours, sharing the sweetness of the recently drunk wine. One of the woman's hands grabbed the collar of your velvet dress and began to pull it down your shoulders to free your soft breasts. She carefully laid you on your back, on the soft fur, holding the back of your head. Her lips moved to her neck, then to her shoulder and then wrapped around her pink nipple. The action caused you to place your hand on her head, stroking her silver hair. The princess's hands lifted the skirt of the dress to the waist and stroked the skin of your soft thighs. "Cute little thing." She giggled and touched your lips again. The kiss was untidy, but full of tenderness and desire. Rhaenyra relieved you of underwear, her fingers slipped inside without a barrier, you were completely wet, just for her, but then she remembered. “Is this your first time?” She stopped any action, waiting in horror for an answer. "Yes, my grace." Rhaenyra buried her nose in the crook of your neck and began to kiss you, whispering, “I’m sorry, I should have asked earlier.” Your hand rested on hers that was still between your legs. “Please continue, I want this more than anything.”

And she continued, gently pounding and curling her fingers to hit that sensitive spot inside that made you see stars and whine like a pup. "Rhaenyra, Rhaenyra, oh please my grace." Your hand touched the sensitive bud for additional stimulation. “Oh fuck, fuck...I'm gonna...” “Cum for me, cum for your queen.” Her movements became faster and clearer until you came, squeezing around her long fingers, biting your hand so as not to scream from the new sensations that she was giving you. She pulled out and showed you her hand, which sparkled in the firelight from your release, and then licked every last drop, causing your eyes to darken.

When you came to your senses, you stood up, only to strip completely and push Rhaenyra towards the bed, urging you to sit on it. "Please let me return the favor." You knelt in front of her, lifting the skirt of her dress up to expose her stockinged legs. Your lips kissed every centimeter of skin, no one worshiped it like you. When your mouth reaches her pussy, you notice that her arousal has left a wet mark on the bed linen. The tongue draws a line along the entire length, collecting her arousal, and the woman moans, lowering her hand to stroke your cheek. “My little savior, tell me, would you have killed him if I had not intervened?” You kiss her palm. "Yes my grace." And you hug her sensitive bud with your lips, simultaneously pushing three fingers inside, immediately picking up a fast pace. "Oh Gods!" She moans and screams without being embarrassed to be heard, the way you stretch her drives the woman crazy. “Fuck, that’s it!” and “Yeah right there, that’s my good girl.” You fuck her, trying to please your queen as best as possible and feel how she clench around your fingers. “Fuck fuck Y/N!” She cums, for a long time, and you fuck her through orgasm until she whines from overstimulation, asking her to stop.

You move onto the bed and lie on top of her again, kissing her. “I didn’t believe in soulmates until I saw you.” She hugs you, covering your naked body. You lie there, again inhaling the aroma of her perfume and not believing in the reality of what happened. “I would like to believe that it’s true,” she replies and you think.

“Have you already chosen someone to be your spouse?” You say this quietly, in a whisper. It was at this moment that you remembered why your family came here in the first place and how you may have acted meanly towards your brother. She laughs and you don't understand. "Yes, I chose you."

You lift your head sharply, looking into those purple eyes to see if she's deceiving you. “But...what if people are against it, what will you do?”

She thought about it, she knew that there would be dissatisfied people. “Then I will personally give Syrax the command to burn to the ground anyone who questions my choice.”

#house of the dragon #rhaenyra is my queen #rhaenyra targaryen #queen rhaenyra #rhaenyra x reader #rhaenyra targaryen x reader #hotd rhaenyra

[matan4il]

Buddie 613 meta

We now know that the man who risked himself to get Buck out of the line of fire during the shooting arc is Jeshan, which means ‘clear’ (if you’re interested, you can find more name meanings for 911 characters here). So let me just giggle for a second about the fact that 911 had once again reunited Buddie with a character who can be referred to as Captain Clear Me(h)ta. Coincidence? IDK. But I have to admit, it kinda made me reflect back and feel nostalgic. When I first started watching the show, I had no intention of writing meta for 911, but after going ballistic when 309 aired, I knew I would HAVE to use the s3 hiatus to write down all my thoughts about everything Buddie related so far. That’s what I did, I wrote and shared my baby, my first round of Buddie meta. That’s where it was supposed to end, but then people asked and encouraged me to write meta for the eps in 3b as they would air, too. I figured I could try, and that’s how my Buddie weekly meta posts were born. At the time, there was no one else writing proper weekly meta (I don’t mean a summary/review of the ep, or meta posts that stand on their own, but proper analysis on Buck, Eddie and those who matter to them, organized and serialized for each ep as it aired). And now, I’ve been writing them for almost 3.5 seasons. And I feel like they’ve inspired others to do the same. TBH, I can’t actually remember seeing weekly meta posts in other fandoms (maybe they exist and I just haven’t come across them, IDK). So I got all emotional, thinking about how these posts may be love notes to Buddie and the show, but most of all they’re a love letter to the wonderful people who have been supportive and encouraging, who’ve been reblogging the posts, who’ve been commenting on them and telling me that what I do makes a difference for them. Thank you so much, these posts wouldn’t exist without you. You have a much bigger impact on the fandom than you might have realized! So if Captain Mehta is indeed a nod to the meta, it’s a loving, appreciative nod that belongs to all of you. ~~

When Chim shows up to escort Hen to work, he ends up sitting down for a talk with Denny instead, and I really enjoyed this scene, it was lovely, but it also once again emphasized the difference between the firefam kids’ relationship with their parents’ colleagues and the r/s Buck and Chris have. Chim talks to Hen’s son when he happens to come across the kid, but he only sits down for a proper conversation because Denny implies Hen and Karen are up to something intimate, and Chim shouldn’t interrupt them just yet. Consider how different that is to how Buck intentionally looks to spend time with and dedicated to Chris! And then Chim is impressed by how smart Denny is. It’s cute, but it also reveals just how little they interact that this comes as a surprise to Chim. It’s so different to the intimate familiarity of a parent, which is what we know Buck has with Chris (and that Chris has with Buck, which can even be seen in the kid’s teasing, for example regarding the snoring in 414). ~~

You might have seen that, when the promo came out, I momentarily lost my sanity and posted this. I just couldn’t get over the fact that they actually had Eddie correct the chief on the duration of Buck’s death. It was such a spouse thing to do. It was a declaration about the anguish that each single second represented, when Eddie couldn’t breathe because Buck wasn’t. It was a confession of sorts, on how Eddie felt as he desperately NEEDED his husband to live (I’m not even joking when I ascribe him this title, Eddie said with his whole chest, “THAT IS MY IDIOT HUSBAND THAT I HAD TO WATCH DIE FOR THREE MINUTES AND SEVENTEEN SECONDS AND I WILL NEVER FORGET ANY OF THOSE SECONDS, NOR LET ANYONE ELSE DO THAT”). It was a glimpse into how time must have moved differently for him as each second etched itself forever into Eddie’s mind. And yes, it’s a clear parallel to 413, when we witness time slowing down for Eddie. And I mentioned in my post that in both scenarios, Buck is just out of his reach, so close, but simply not close enough. In one case, this forced Eddie to believe he must now accept his own death. In the other, he couldn’t accept the possibility that Buck would die, so he just fought harder, and if he couldn’t save Buck with one course of action, he tried another, Eddie just had to keep going, 'coz the idea of those three minutes and seventeen seconds turning into an eternity? Unacceptable. ~~

But notice in my unhinged post from that day, I used the word ‘counting.’ Eddie counted the seconds, and this is revealed to us at a poker game where Buck is counting the cards. I already noticed that when we saw the promo, but this connection was reinforced in the ep itself when Chief Williams vocalized what Buck was doing. The thing about counting is that it’s reserved for what matters, what’s crucial. Buck is counting the cards in order to win, and he wants to win because it matters to Eddie. Buck wasn’t the one who initiated the search for a poker game where he could use his newfound skills, Eddie was the one to take that initiative. And he could bring Buck along without telling him where they’re going (I would normally scream for a whole separate paragraph just about Eddie telling Buck to dress nice and there being no need for any further explanation or prompting, but we were so well fed, I’ll have to scream about it into my fist for just one sentence) 'coz Eddie was so sure his husband would go along with whatever crazy scheme he’d come up with. And he was right, even though Buck didn’t think it would end well, he still went along with what his husband wanted. Please let me reiterate: Buck’s counting cards because Eddie is so important to him, and Eddie was counting the seconds because Buck’s his vital sign. ~~

Another thing to keep in mind about the poker game is that the only other time we’ve seen Buck playing poker was in 312. In that ep, Eddie was off to meet Christopher’s school teachers (leading to his eventual lackluster r/s with Ana), so having a free evening, Buck spends it with Maddie, Chim and Josh (and is told he unequivocally sucks at Poker). Jokes were made about setting Josh and Buck up, and it was implied whatever Buck’s sexuality was, that was not the reason why Maddie abstained from making the match. What I find interesting is seeing how far our boys have come! In that ep, they were operating separately, and it led them down the wrong paths.

In this ep, Buck and Eddie were inseparable both as a couple (even sharing the winnings from Buck’s new talent, because what don’t these two share? And I was particularly chewing glass when Chief Williams asks Buck how he wanted HIS winnings, but instead of answering her, he looks at his husband. THEY ARE SO FREAKING MARRIED), and as a family unit with Chris (which is maybe a good moment to point out that all of the romantic couples were paired off in 613, and so were Buddie! Now, one could argue that Buck and Eddie were paired off because, well... who else is left for them to hang out with? But 312 is a reminder that when the show wants to, it can push the main cast and minor characters into the same orbit, so it still didn’t HAVE to pair Buck and Eddie off here. It chose to. On top of that, by showing them with Chris as well, 911 reminded us they’re far more bonded than just two best bros hanging out together ‘coz none of their other friends are single). In short, during 312, Buck lost and Eddie was about to be lost on a detour in his romantic journey. In 613, they ARE a family, they work as one throughout the ep, not just in parts of it, and they’re both winning. ~~

Something that gets to me is that when I first shared the BTS pic of Buddie at the poker game, it was clear that Eddie was just bursting with self confidence. He looked like he would be the star of that game. But when we got the promo, we discovered that it was actually going to be Buck who would shine that night. So what makes me slightly froth at the mouth is that all of that sexy confidence we picked up on in the photo? It was real. We weren’t wrong. It just wasn’t confidence that Eddie had in himself, it’s confidence he has in Buck. All of his swagger? Is a reflection of how much he believes and enjoys seeing his husband be a star. I am gonna need 3-6 working weeks at least to recover from knowing this. ~~

Speaking of things that destroyed me forever, everything about the Buckley-Diaz family in this ep falls into that category. I mean, not only did we once again have incredibly domestic scenes, we had one that was very reminiscent of the lasagna one in 601 (Eddie with Chris at the table, Buck fussing around them only to join in once he brings along something to be consumed), reinforcing that this is THEIR NORM, we also had Eddie and Chris being so cute and supportive when it comes to Buck’s new ability (Chris calls him a superhero, Eddie goes along with it, and when Buck’s upset he didn’t get a better superpower, naming some he would have liked to have, Eddie comforts him by saying those other options sound horrible). 

And then to top it all off, we had Buck and Chris cooking together. Bobby’s been explicitly acknowledged as basically being Buck’s dad by both of them, and we know Bobby’s been teaching Buck how to cook. Now we get Buck doing the same with Chris, clearly marking them as father and son, especially since this is done with just the two of them, this special time that’s allocated just to their bond together. Eddie is not needed as a middleman. I know that this isn’t news, but every single time the show reinforces this truth, that Buck is Christopher’s other dad, that their bond is that deep, I gain 10 years, so I have to mention it. ~~

For 613, I made my weekly gifset about Buck and answers, but I’d actually like to elaborate on what you see there. In 602, at the happiness center call, we see Buck looking to Lev in search for his own answers on what his happiness looks like. When he still can’t find any, he turns to Hen, because she always has them. Along this season, that’s been his theme. He’s trying to figure out what he wants in order to be happy, which is connected to the couch theme we’ve all been screaming about since 601 (and especially after he fell asleep on Eddie’s in 612). In 613, Buck suddenly finds that he’s the guy with the answers and he likes it. But has he really got them? Buck says these words to Eddie and Chris, and in addition to that, while he utters them, he’s literally captured in the same frame together with Eddie. But it’s also essential that we heard why Chris can’t just be given the answers. It’s in order to learn, Eddie tells him. That’s exactly what Buck has to do, he has to find his answers in order to learn from the search process. He’s not just there yet, but the framing of the whole scene coupled with the ongoing couch theme is very loud. ~~

What gets me maybe most of all in a whole ep of REALLY GOOD BUDDIE CONTENT, is the way the whole thing wraps up. The storyline on Buck’s new abilities doesn’t end with any commentary on those or on his recovery process. His last scene in this ep is the one with Chris. It follows directly the one with Hen and Karen, a scene which reminds us that we’re never surprised at either woman spending solo time with and caring about Denny, even though neither is biologically related to him, because they ARE BOTH his parents. In the same way, it’s only natural that we see Buck spending alone time with Chris, without Eddie around. It is so meaningful that the last shot of Buck in this ep is not about his story line at all, and neither his abilities, nor having died for several minutes is the point. Instead, the last, and therefore most significant shot of Buck in this very Buddie domestic ep, is him smiling at their son. I feel like that says everything about his trajectory.

~~ (my weekly meta posts) (my Buddie gifs) (all of my content)

~~ My tag list will follow in the reblog, please let me know  if you wanna be added/removed here.

~~ Thank you so much for reading and for any reblog, like, comment or supportive tag! Also, HUGE thank you to @whosoldherout​. On top of real life stuff, she makes her own amazing gifs AND helps make these posts so much better. She’s the one with the real superpowers!

#buddie #911meta #buddie meta #911 meta #9-1-1 #evan buckley #eddie diaz #911 spoilers #evanbuckleyedit #eddiediazedit #christopher diaz #wm #911edit #buddie gifs #buddieedit #911onabc #911 on abc #911abc #911 abc

[annabelle--cane]

hmm okay to round up some current disparate tmagp thoughts into one place:

-> the fear taxonomy: I'm not quite sure where I sit on the desires theory currently, but I think it's worth noting that while both of our case subjects from the first episode were explicitly afraid of the spooky things happening to them, none of the rest have been, and I think it's really interesting that tom the horror blogger's whole problem was that he was so desensitized to fear it made him foolhardy (the exact thing our lovely ms georgina barker overcompensated so hard to avoid). yes, you could pick probably any archives statement and try to frame it around a desire instead of a fear because that's how character motivations work, but I don't think it's wrong to point out that since episode two all of our subjects have been remarkably chill about the Horrors happening to them. I'm not totally onboard with the desires at time of writing, I think there a few details that don't quite line up with that idea, but I'm still keeping a pin in the theory.

I also don't think it's wrong to point out that things like "music so hauntingly beautiful it makes a crowd tear itself to bloody pieces" and "paranoia and eye-related gore popping up in conjunction to the magnus institute" are familiar scenarios and seem to match up to the entities as we know them. those are very specific motifs connected to very specific types of Horrors and I think saying it's random coincidence that we're seeing them again is a bit of a weird take.

-> norris, chester, and augustus. in-universe, these voices appeared out of nowhere about a year ago, and one of the central mysteries set up so far is "what the hell is up with all this weird tech?", I think it is a perfectly reasonable assumption to think these voices are part of the mystery and not just an excuse to get jonny and alex's voices in the show. if that were the case, why would there be a third voice? yes, this podcast is meant to be comprehensible to new listeners, but I don't think that rules out any direct ties to archives, I think part of the function of having fresh protagonists who don't know anything about the events of archives is that, if the audience needs to learn anything about the first show, they can learn it along with a viewer-surrogate character.

personally, I think it very unlikely that the voices are literally jon, martin, and jonah's actual consciousnesses trapped in computers, I think those characters' stories are done and there's something funkier happening here (neither them nor not them but a secret third thing, yknow), but dismissing any idea that the voices are related to the characters, again, feels like a weird take.

-> gwen bouchard. honestly I feel like the way the production team have treated gwen's connection to elias vs the way some fans have come at is kind of illustrative. I've seen a couple of groups of fans get weirdly smug about the idea that we don't know gwen is related to elias, her name could just be a red herring, meanwhile on the tmagp post-launch stream everyone there took it as obvious that gwen is a bouchard and thus related to elias. not everything is red herrings, guys. it would be an extremely weird writing move to set up a bunch of stuff with clear links and parallels to archives and have it all be meaningless.

#tmagp #marina marvels at life

[aihoshiino]

chapter 146 thoughts

This chapter (and thus this chapter review) contains discussion of abuse, suicidal ideation and CSA, so if you're not in the headspace for that, skip this one and I'll see you next time.

we are so oshi no back

After last chapter left me fighting for my life to come up with literally anything to say about it, this was one of those chapters where I ended up having more and more to say about it the more I turned it over in my head. It still feels a bit disjointed and has that same issue of ripping through the events of the movie way too fucking fast that the arc as a whole has been having lately but this chapter was such a breath of fresh air I can't bring myself to care.

The chapter itself is more or less split in two, with one half dedicated to 15 Year Lie's in-universe events and the other focusing a bit on Aqua and Kana for, tbh, the first time in way too long. Admittedly, my enthusiasm for 15YL has waned given the reveal of just how much of it is completely made up but like. I'm still gonna over analyze this stuff. Sunk cost fallacy, don't fail me now!!!!

I joke, but the 15YL section of this chapter was legitimately bone chilling. That barrage of cuts following Uehara's attack on Airi…. fuuuuuuuck, man.

Airi herself is pure fucking poison this chapter too and I mean it in the best way. I continue to be incredibly impressed with how OnK understands the motivations of a person like Airi what her abuse of Hikaru is really about. When discussing this in 141, Miyako points out just how often victims of abuse can themselves go on to perpetuate their own pain out of a need to try and regain their dignity, but I think what Airi seeks in her abuse of Hikaru is control. We see how often she wields her power over him while pretending that he has as much agency as she does in their """relationship""" and it's repeated here, too; she throws the results of her own sexual abuse of him in his face as a way of permanently chaining the two of them together, all while tearing down his worth as a person as if to 'prove' he deserves to be trapped in her grasp. I've said before that Akasaka is unsettlingly good at writing toxic mothers but I think Airi has made it pretty clear that Akasaka understands and is thus excellent at writing abuse and abusers in general, and for someone like me who counts that as one of their favourite Themes (tm) in fiction, I feel quite well fed.

The abuse Airi hurls at him is also interesting from a perspective of paralleling Hikaru even further with Ai. We saw snippets of this in 140, of Hikaru characterizing himself as someone desperately trying to construct a version of himself that can be loved by others the same way Ai creates 'Ai of B-Komachi', a version of herself who can give and receive love in the way she thinks her authentic self is unable to. Airi puts this into more explicit words; Hikaru must construct this fake version of himself because there is no 'real' him and thus, he is inherently unlovable. Jesus Christ.

Knowing those words were swimming around in his head, it makes the HKAI scene that follows even more of a gutpunch than it already is. It's the most wonderful kind of miscommunication tragedy - with their respective traumas, there is basically no other way a talk like that could have gone and yet it's agonizing to see it play out. Ai's innocent cruelty in the face of Hikaru's pain and her suffocating smile… the worst part is, while I completely understand why this was so shattering for Hikaru, it's impossible to miss that this was, in a way, an expression of love from Ai; it was honesty, an admission of vulnerability. She herself even says she doesn't want to lie to him. But to Hikaru, what else could that have sounded like but a confirmation of his most godawful fear?

that said. the timeline here is very confusing. this seems to imply hkai were still dating all the way up to the murder-suicide, which seemed to be just before the dome concert but did the breakup really seem that recent during their phone call?? this whole timeline is penised beyond repair.

The art in this chapter in general is incredibly good but something in particular I want to highlight is how much and how often Aqua-as-Hikaru looks like Ai in these panels. I can't put my finger on what it is, but that similarity always makes me feel so warm and sad whenever I see it. For as much as he struggles with his relationship to her, Aqua really is his mother's son through and through.

and. man. what even is there to say about that scene in the rain and everything that follows. I was't sure if the murder/suicide was going to be featured in the movie but even the brief snippet of it that we got and that barrage of scene titles and Kamiki's silent scream… whoof. shit like this makes me really hope we get to see mengo illustrate a horror manga someday because i think she would absolutely kill it.

We cut back to reality to see Aqua reading the script and in perhaps the most interesting swerve in this chapter, we see that he has once again reverted to his double black hoshigans. And uh, am I going to sound like a terrible person if I say I'm really glad for this? LOL.

Obviously I would rather Aqua not be experiencing Suicidal Ideation (Bass Boosted) 24/7, but it's kind of a relief to see that one single conversation wasn't enough to totally shake Aqua out of that headspace. I've talked a lot about how frustrating I find it that 'Ruby finds out Aqua is Gorou' is treated as the finale to her black hoshigan arc and every ongoing thread, internal and external, attached to it was dropped like a rock with no further interrogation. It robbed Ruby of the opportunity for some really important growth and, imo, was just shitty for Kana and Memcho who were treated extremely poorly by her and got no apology for it. I was really worried this would be the case for Aqua as well and that his own dip into that rancid headspace would end on a wet fart which would really sting given just how little insight we've gotten into him this arc. But this chapter makes it clear that while some cracks have started to form in his armor, he's not in the clear just yet.

i mean, even if he was permanently back to one white star, aqua is such a little freak regardless………………………….

What this means in the long term is a little hard to pin down, both because we've had so little insight into Aqua's headspace this arc and because the exact nature of black hoshigan as a symbol has always been a little Calvinballed, but in this context and for Aqua specifically, I think we can read this as his conviction in the messy endgame of his revenge play being shaken up. I, personally, have been reading the black hoshigan as of late as an expression of the sort of futureless despair that can become suicidal ideation, at least for Aqua; since immediately after Ai's death, we have gotten incredibly strong hints that Aqua is suicidal, his guilt-fueled desire to die and his desperate want to experience a happy future at war within him. He more or less explicitly says as such in 106, expressing that this break in their relationship is necessary for Ruby to be able to live on 'after he's gone' - which strongly implies that Aqua's revenge play is intended to end with his death.

Knowing that Ruby is Sarina wasn't quite enough to shake his conviction, but their talk in 143 was. I do think Ruby just giving him some straightforward affirmation was a good starting point but I also can't help but wonder, with the context that his white stars were not indicative of a permanent change, if hearing just how deeply Ruby still relies on 'Gorou's' presence in her life struck a nerve for him. Paraphrasing her from 143, she straight up says Gorou is the one who gives her life meaning. And if that's how it is, what exactly will happen if he's gone again..?

Obviously this is all still speculation because even when I am begging on hand and knee Akasaka is refusing to give us Aqua introspection but at this point I have to make a guess at SOMETHING if i am going to say anything remotely coherent about aqua in this arc, so

ANYWAY!! AQUA AND KANA HAVING A NORMAL ASS CONVERSATION FOR THE FIRST TIME IN GOD KNOWS HOW LONG!!! Ngl, it did give me a bit of a chuckle to see Kana voice the question of whether Aqua was getting too immersed in his role, given that people were accusing her of that back during the first round of the RBKN conflict.

I was also really surprised to see Aqua just outright say that yeah, he is at least flirting with suicidal ideation. Like - that's the first time he's said that out loud, to anybody??? In 143 he voices the less damning but still not great sentiment that he feels guilty for being alive but this is to my knowledge the first time Aqua has expressed his suicidal ideation out loud, let alone to anyone else. And… fuck, man! That's an absolutely terrifying thing to hear a friend say. No wonder Kana reacts like she does.

Because of my powers of Claire-voyance (read: basic pattern recognition and being in fandoms for 15+ years), I'm pretty sure people are going to be Very Mean to Kana about the way she chooses to respond to Aqua here but honestly? Not only did this tough love response feel very IC for her, but the clumsiness of it felt very honest to me. I think a lot of people in fandom lately just want characters to talk like fucking therapists all the time and have the Correct And Unproblematic Response to… well, situations like this. But Kana is an 18 year old girl who has her own share of issues and her friend she knows is dealing with his own huge amount of baggage just casually dropped an "i wanna kms" on her. All things considered, I think she handles it surprisingly well.

Because like… look at what Kana really says to Aqua here. She gives him some of their usual banter to diffuse the tension but then makes herself very clear: she does not want Aqua to hurt himself and makes him promise that he won't. It's clumsy and rough in the way Kana often is, but I think the important part - her sincere care for Aqua as her friend - really does shine through.

also cute that other people caught: Kana squishing Aqua's face seems to be an intentional callback to one of their on-stage interactions in Tokyo Blade, right down to Aqua making a identical scrunchyface to Kana. Extremely cute. I love it when Aqua is cute <3

Kana also being a person able to shake Aqua out of his black hoshigans also leans into something I've been hoping is going to pay off for a while now; the idea that Aqua's salvation is not going to come from any one, singular character but from the many different people who Aqua has built relationships with coming together when he needs them to support him. One of the things OnK has continually highlighted is the way isolation and lacking support systems warp and damage people's mental health and I think it would play excellently into that theme to have Aqua's support net, so to speak, to be wide enough to catch him no matter where he falls.

the product placement was very stupid but i did laugh pretty hard at it and then immediately go buy myself some potato chips so i guess it worked. genius mangaka aka akasaka.

All jokes aside, the note their talk ended off on was so lovely too. Aqua being honest enough to admit that being with Kana is fun and Kana getting all dokidoki and then quietly admitting she feels the same when she's alone… cute! But more than that, it highlights something about the AQKN dynamic I think is really important, regardless of whether their relationship is romantic, platonic, in laws, mlm/wlw hostility or whatever else; Kana is his friend and he can just be a normal boy and have normal fun with her without any ulterior motives. It's something Aqua doesn't really have in any of his other relationships so getting a reminder of that and what it means to Aqua was really good.

honestly i think i am just so starved of nice things happening to my son that seeing him opening up to one of his friends and admitting he has fun (HIS LAUGH!!!!!!) was like a shot of heavenly ambrosia for me. please can hoshino aqua have just one nice day.

OR UH… BASED ON THAT LAST PAGE…. PROBABLY NOT ANYTIME SOON….!!!

this is what i mean about this chapter giving me 5000000 things to talk about. kamiki is TALKING TO RUBY IN THE FLESH FOR THE FIRST TIME and i almost completely forgor.

why is he dressed like a dad about to take her out on a fishing trip, though

Ruby looks unusually solemn while she's praying, which is interesting. She's been pretty bright and high energy since 141ish so I'm curious what has her looking so comparatively dour. She's praying at a shrine, too, which means there's probably something on her mind. Nik (@akane-kurokawa) theorized that she's anxious about the upcoming scenes in the movie (LIKE, YOU KNOW, HER MOM'S DEATH) and until we get further insight on that, that's what I'm gonna assume too.

putting aside how Shrimptresting it is that Kamiki turned up out of nowhere like that, I can't help but note a certain horrible parallel between Uehara meeting young Hikaru in the rain with a black umbrella and Kamiki doing the same for his daughter…

cannot wait for that entire talk to get offscreened. lol.

break next week……………………………

#oshi no ko #oshi no posting #onk spoilers #chapter reviews #csa mention

[gold-rhine]

ok as i said repeatedly, my biggest problem with Inazuma rewrite is that I can’t figure out how to make Signora death be good or at least make sense, but I’m realizing its useless to try fitting square peg into a round hole when the perfect option for it already exists. Signora has nothing to do with Inazuma, thematically, narratively or in any sense. She just should not be here at all.

If we have to to write Signora’s death, it should OBVIOUSLY be in Venti’s second story quest set in Mare Jivari, a place referenced in venti’s first quest, “sea of ashes where the wind does not blow.”

she became crimson witch bc she lost loved ones in cataclysm, was angry and disappointed in barbatos for not protecting Mond and those she became powerful enough to do it herself, at the cost of becoming a monster. Before fatui recruited her, she was hunting down demons and never hurt innocents, despite ppl being afraid and ungrateful to her. her first appearance in the game is confrontation with venti. this is her theme.

traveler and venti should be in here with some mond expedition or whatever, diluc should also be there due to Crimson Witch Parallels and also bc there is apparently a phoenix in Mare Jivari and thats thematic for them both. mb signora and venti both trying to get phoenix, idk whats the plot is, the important thing is that signora and venti are confronting each other again and hurling insults, mb there is a boss fight with her

but later like corrupted beasts or whatever attack mond expedition and signora is at first gleeful, she laughs when venti and co are fighting, but then like Uber Lava Dragon or smth shows up and beats venti up and its clear that it will destroy the expedition if not stopped. and there are just normal simple mond ppl there, terrified. and on paper all signora has to do is just let this happen, have her revenge on barbatos, achieve her goal, win and leave

but! she became crimson witch precisely bc of the situation like this! deep down, underneath it all, she is not just a fatui agent, she is a woman who wanted to protect mond when its god failed to do that. so she curses, yells about useless vermin god and steps up to fight the beast.

she defeats him, but is mortally wounded. as she’s dying, venti comes up to her. souls of people who die in Mare Jivari are trapped, because this is the place where the wind does not blow. but today there is a single breeze here.

i never asked for your forgiveness, signora says to venti proudly as he starts glowing with the divine light

i know, he smiles, you don’t need to.

he takes her soul as she dies like he did with stanley’s in his 1st quest, bc barbatos was never a warrior god, he was a bard, an inspiration for ppl to rise up and fight for themselves and then a storyteller to keep the memories of these fighters. and today a story of another protector has joined the fold.

#rhine talks #la signora #signora #genshin impact #genshin

[quantumcartography]

Daniel and The Uninvited Guest

PALAMEDES     (As if reciting) “And her body was like the chrysolite, and her face as the appearance of lightning, and her eyes as a burning lamp: and her arms, and all downward even to the feet, like in appearance to glittering brass.”

I was writing about something else entirely when I dug into the context of this quote and it rocked my whole socks. Context for those who don’t remember it: in this scene, the Voice that Palamedes has been talking to finally reveals herself as Dulcinea. After admitting his love for her and promising to find her on the shores of the River, he asks to see her “for the first time and the last.” He then has a light shone on him and he recites this quote from Daniel 10:6. After that, she asks if she was cute and Pal responds “You’re perfect.”

I am, needless to say, obsessed with this scene.

Now, the book of Daniel is one of apocalyptic prophecy (apocalypse here meaning a truth being revealed to a person by way of a divine source.) At this point in the Bible, the Jews have been captured from Israel by the Babylonians and have been displaced into Babylonian territory. The book recounts the visions of prophet Daniel that allude to the eventual restoration of the Jewish people to their homelands under the reign of Cyrus the Great. In Daniel 10 specifically, Daniel is mourning for Israel by fasting for three weeks when he is visited by an angel who tells him that he is fighting to return him and his people to their homeland. Daniel 10:6 is a description of this angel, who in the passage isn’t called an angel but vaguely referred to as a “certain man.” Only Daniel can see this certain man but all the men around him are gripped by fear and run away and even Daniel was terrified throwing himself face down and trembling at the sight of this certain man.

As a quick aside, I learned something from the magnificent Dan McClellan, a biblical scholar who is very active on TikTok and YouTube, about angels in the Old Testament. He recently posted a video discussing this in detail but I will try and do it justice. The theory among biblical scholars is that many instances where angels are present in the Old Testament were originally instances of God themself appearing before a person. That’s why these excerpts have people seemingly talking directly to God and why these angels inspire such fear because it’s assumed the only time a person would see God is when they die.

So this quote in this context, is when Palamedes is stuck inside the body of Naberius Tern and fighting against Ianthe’s soul for control. The reason why he’s doing this is to hopefully find a safe place for the Sixth House after spending months being held by Blood of Eden as political captives. While in this fight with Ianthe, he’s helped and supported by the soul of Dulcinea who he describes looking like an angel. Not an angel in terms of beauty or grace, but as unassailably powerful, perfect and righteous as dawn's first light, a face made of precious gems that cannot be cut and a body made of brass like the finest armor. This is a form untouchable by flaw or fault.

The two narratives have clear parallels. They are stories about a people's restoration and salvation. And since this takes place in the middle of Nona the Ninth, the connotation is clear that he will live to see his people saved and returned home. And he does, he becomes Paul and they guide their people back to the Dominicus system. But this also underscores just how much he loves her. He loves Dulcinea like an angel. He loves her like a homecoming. He loves her like a vision of rapture in the wasted desert of his enemy. He loves her like the promised end of death itself. He loves her like the indelible weight that love brings on one's soul.

#tlt spoilers #nona the ninth #ntn spoilers #gtn spoilers #the uninvited guest #the uninvited guest spoilers #htn spoilers #palamedes sextus #palamedes the sixth #dulcinea septimus #dulcinea the seventh #the locked tomb #tlt meta #listen i love cam and pal #but his devotion to dulcinea is inspiring #i want to love as deeply as Pal loves Dulcie

[i-smoke-chapstick]

can you write gotham ozzie x reader?? like, their first time together and all; smut obviously, but with kinda feelings (we respect our emotional short king)

‘OFF TO THE RACES,

-GOTHAM!OSWALD COBBLEPOT X READER-

⋆ 𝐒𝐘𝐍𝐎𝐏𝐒𝐈𝐒 ; Oswald embraces his rather crude interests.

⋆ tags/warnings. GOTHAM!oswald x female reader. SMUT! (with feelings) PORN WITH (some) PLOT! I can’t stop writing oswald smut fics to lana del rey songs. Oswald being soft,,,and a bit rough. He’s a gangster, after all.

♫ “My old man is a bad man, but I can't deny the way he holds my hand / You are my one true love” Off To The Races by Lana Del Rey

You stare at him from across the table. God, you love this place, and you know he does too. His luxurious mansion and a banquet full of food parallel to you.

It feels like home to you two. And he’s been riding on a high ever since the both of you aknowledged your feelings. He still remembers it like yesterday- the way your eyes lit up. The way this feeling of sheer adoration, love, admiration; was reciprocated.

But somethings different tonight. You can’t quite place it. He’s at least eight feet away from you, fidgeting with his cain like how he did before you admitted your feelings to eachother. He’s stuck in his own head, and a blush dusts his perfect freckled face. He refuses to meet your gaze, and in his other hand, he lazily stirs a glass of brandy in his palm. Every now and then, you catch him looking into the swirls of the glass.

It surprised you, how much he drinks when somethings on his mind. Not to mention, he typically didn’t ask you to dinner like this. No, not now that the two of you were dating. This type of behavior was reserved for those flustered days beforehand- not now.

Your almost scared he’s going to break up with you. Let you go. Do something rash. Does he think you betrayed him or something…?

You tap your fingers along the side of the table. The food infront of you has gone uneaten, both of you anxious.

Finally, his blue-green eyes look up- and he clears his throat. He looks at you through dazed, hooded eyes. He’s obviously a bit tipsy from his drink, but not over confident. You almost jump at the sound of him. You cross your fingers and pray for the best.

He stares at you and his eyes narrow, feigning confidence. But in a way, his lip quivers, betraying how nervous he is to speak.

“Y/N. A man comes to a crossroads in his life, and he has to make a choice. Does he choose safety and cowardice, or…does he opt for courage, and risk everything?”

You take a beat as you follow his words. It almost sounds rehearsed. Just what the hell was he saying?

You can audibly hear him swallow.

“A man, ahem, also has…needs. So to speak.” He clears his throat again. “I choose courage. What I’m trying to say is-“ He sucks his teeth, almost rolling his eyes at himself. “The thing I’ve been wanting to ask you all day long is…”

His voice gets caught in his throat like a fish out of water. He continues to stare at you incredulously, almost horrified with himself for not being able to speak. You go to prompt him- before the dots connect in your head. The crimson blush on his cheeks. The fidgeting.

A man has needs.

You let out a loud bark of laughter, interrupting his crestfallen scilence. He immediately looks even more terrified, mouth opening and closing in surprise at your outburst.

“Y/N!” He tries to reprimand you, but it wavers. He’s flustered beyond belief, sure he’s made a fool of himself. “Why are you laughing?!” He weakly demands, a clear expression of dread on his beautiful face.

Through soft chuckles, your laugh dies down. “Are you asking to sleep with me, Oz?”

He’s rendered slack-jawed at the bluntness of your response. He immediately goes to defend himself, as to not sound offensive or vulgar.

“What?!? No-“ He quickly denies, before catching his breath and closing his eyes in a huff. “Yes.” He says quietly through gritted teeth.

It makes you chuckle again, and if his pale skin could get any redder it would. He glares at you now, obviously feeling a bit rejected.

“Okay, well you don’t have to laugh!” He squawks. The grip on his drink is so tight you can see his knuckles go white.

You realize that laughing might not have been the best idea. But you can’t help it. The man set up a dinner to ask his own girlfriend to sleep with him. It’s…sweet. Very gentlemanly. You flash him a smile.

“No, Oz. Trust me, I want to. It’s just…we are together now. You don’t have to ask me to dinner like you’re courting me in the 1800s. If you want to have sex, just say so.”

He’s stunned into scilence, obviously still a bit embarassed. He wants to explain himself. That he isn’t used to this. That he doesn’t want to offend you. He doesn’t want to lose you.

You realize you might have to make all the first moves for now. You quickly stand up from your seat at the table, and he watches your every move like a hawk.

“What are you-“ He goes to ask- before you stand over him. You offer him your hand, and nod.

“Bedroom.” You lower your voice to a whisper. Through utterly confused and stunned brows, he stares at you, before standing up in a hurry. He smooths his suit jacket down and spins his cane in his hand; quickly following you in a hurry out the dining room.

It started painfully slow, his hands messily stripping you of your clothes. His nose bumped into yours while the two of you kissed, his teeth clashing against you in a desperate and needy attempt to be closer. But you knew- every moment and kiss and too gentle peck placed against your skin was all out of love.

He got hard almost embarrassingly fast, and he knew it. But how could he help himself? The woman he loved was about to open her legs for him. You two were going to become one. What could be more fitting for his one true love? The amount of pleasure the act could bring you both had been on his mind for days. But he couldn’t necessarily just…ask for it. For one, it was embarrassing. And two, he’s fairly inexpirenced. That much he was sure everyone could see.

His lips ghosted over every inch of your skin, kissing you like his life depended on it. He worshipped you, eyes widening when you laid bare before him. He took in the sight, mouth agape as he stared intently at every curve of your body. You shuffled needily under his gaze, and felt his cool hand trace a long stripe down your chest to your slit.

You gasped when he inserted a finger suddenly. Without giving you time to adjust, he musters a pitiful “I’m sorry,” in a whisper. Oh, you can see right through him. He’s not sorry at all. He’s been waiting for this on the edge of his seat for the past week, you’re sure. And you’re happy to give it to him. Especially when his hand reaches a spot inside of you that makes you mewl underneath him.

The sound of your wet slick fills the room. You can tell he’s smiling at the sound, confidence finally spurring him on.

He hums at you underneath him, and quickly undoes his trousers in a much less elegant fashion than he had undressed you. No, now all of his moments are hard and fast. He keeps his suit jacket on, keeping himself clothed. You don’t see his cock, but you feel it peirce you in a swift movement.

The both of you let out an embarrassingly loud moan at this. You pray Olga is in a room much farther away.

He buries his face into the crook of your neck, soft grunts following as he thrusts slowwwww. You thread your hands in his hair and trace the light muscles in his back, and you hear him panting. He’s already getting close.

Only a few more seconds pass, before his whole body stills- and you know he’s cumming inside you. He becomes rigid in your hold, his hands grasping at the sheets and your body hard. You let out a yelp at the bruising grip, and feel his load in between your thighs as he slips out of you.

He lets out another series of “I’m sorry”’s, and these are much more genuine. He can’t bare to look at you, finishing so quickly. But you felt so good. So tight. And he hasn’t done… this in a long time.

You gently shush him, and feel him press soft ghosts of kisses to your head. Oh, he’s embarrassed. Let him catch his breath.

A few more moments pass and he’s lifting himself up on his elbows, looking down at you.

Your confused as to why he’s staring until he enters you again.

He places his forehead against your own, eyes closing. He gasps, sweat tainting his brow. You let out a loud moan at the feeling of being stretched out again- you know this must hurt for him. He must be overstimulated beyond belief. Not to mention how quickly he got hard again.

…But you think a part of him loves this. The feeling of his partner clenching around him, the feeling of the walls of your cunt grasping onto his cock. It makes him feel needed. The joining of your bodies and minds. After this, he is yours for eternity; like a dog on a leash. Just as you are his.

Prepare yourself, this is just the begginning. He intends to stay up all night claiming you like this, for many more nights to come.

#x reader #gotham #gotham x reader #batman #batman rogues #batman x reader #gotham villains x reader #batman rouges gallery #dc comics #oswald cobblepot x reader smut #oswald cobblepot smut #oswald cobblepot imagine #oswald cobblepot gotham #oswald cobblepot headcanons #gotham oswald cobblepot #oswald cobblepot x reader #oswald cobblepot #oswald imagine #oswald x reader #the penguin x reader #the penguin gotham #gotham penguin #the penguin #the penguin smut #the penguin x reader smut

[saintsenara]

Call for asks: I’ve noticed you’ve avoided saying anything about Jegulus for the last few asks so…. Jegulus 😈

anon please, i’m not avoiding saying anything about jegulus, i genuinely don’t know her.

but, fine, let’s imagine i do.

i don’t enjoy it as a pairing, not because i think it’s unfeasible [in my view, the joy of fanfiction is taking a completely implausible premise and making it work], but because i don’t like the way that the fandom which has built up around jegulus expects certain tropes and characterisations which turn the characters into just profoundly uninteresting people.

and this is the case for all the marauders and marauders-adjacent characters [i’m looking at you, fanon barty crouch jr.!], undoubtedly because the era has so little actual canon material that fanon becomes canon and authors run from there. and that’s great - anyone writing stories in a world hostile to hobbies and creativity is a triumph - but the standard way of writing jegulus which has coalesced around this fanon doesn’t appeal to me in the slightest.

there are many jegulus tropes i don’t love: how it always becomes a parallel wolfstar [james and peter would be the cultured choice if we have to do that]; how it’s just drarry but in the seventies [when the cultured choice for that is lucius malfoy/arthur weasley]; how james becomes a tediously good person when the evidence of canon is that he’s a bit of a dick; how it relies on an exaggerated portrayal of orion and walburga’s abusive parenting which misses the fact that regulus evidently colluded with them against sirius; how it assumes the marauders aren’t intensely codependent [sirius mentions-lily-once black is definitely going to let his brother hang around with them, sure]; how snape is sometimes there and always a knob. james and regulus are also so similar in terms of background, social position at school etc. that there’s no juicy spark [as in snack, for example]. and, of course, prongsfoot is canon.

and so on… 

but the biggest reason i can’t get into it? 

regulus is a death eater, and not by mistake.

now, we all love a fluffy no-voldemort au, but unless that is a jegulus author’s stated setting, they are going to have to deal with the fact that regulus fucking loves the dark lord. this is a teenage boy who has press clippings about voldemort’s terrorism taped above his bed. he knows exactly what he’s getting into and he likes it.

indeed, my reading of deathly hallows is that regulus’ decision to go and get the locket has absolutely nothing to do with a damascene conversion that conducting a campaign of sectarian violence against muggles and muggleborns is bad, but that learning of the existence of the horcrux - and also voldemort’s lack of respect towards his property, kreacher [after all, we see an attitude expressed canonically by wizards that other people have no right to interfere in how you treat your slaves] - makes clear to him that the dark lord’s aims are not oligarchy, with those from pureblood families ruling in happy condescension over a ministry which is fundamentally unchanged, but ruling in majesty as an immortal absolute monarch. his death is a repudiation of his beliefs, yes, but it is a repudiation of the fact that he believed voldemort was his champion, rather than that he believed voldemort was wrong.

and, actually, i don’t think this in and of itself makes jegulus insurmountable. james is a pureblood, and while there is absolutely no evidence in his few canon appearances that he harboured blood-supremacist views, the very fact of his background would allow a complacency which might let him overlook some of regulus’ opinions [think, for example, about ron’s attitude towards house elves]. equally, we have no evidence that regulus couldn’t completely disavow his former beliefs.

but, it requires the fact that regulus isn’t just a tiny baby who aspires to join a terror group by mistake to actually be dealt with, and i have never seen a single piece of jegulus which does so.

#asks answered #asenora's opinions on ships #jegulus #regulus black #james potter #i'm in danger

[kybelles]

it’s incredibly disappointing and shocking to see how misogynistic and vile the capri fandom is towards jokaste even in the year of 2023, to the point of calling her “used goods” and “an opportunistic slut” (YES YOU READ IT RIGHT!) it gets extra depressing when you remember jokaste did what she did to save damen’s life and it wasn’t even acknowledged by damen or that she was really rewarded other than laurent letting her go instead of her being charged with treason.

the most common argument i come across is “we don’t know if she did it to save damen’s life! it was purely laurent’s theory therefore it’s ambiguous.” now i know media literacy has been a lost art for the longest time so it doesn’t necessarily surprise me but if you read this exchange, based on her reaction, it’s quite clear that laurent was correct in his assumption:

and if even this isn’t a solid proof for you, here’s pacat’s own words:

another arguments i frequently see are:

a- “why didn’t she try to warn damen?” damen’s literal best friend from his childhood days tried to warn him against kastor and he paid him no mind. you really believe he would listen to jokaste, someone he’d known for a shorter period than nikandros?

b- “did she really need to sleep with kastor?” …yes? do i need to remind you that damen’s entire household was killed? which would include jokaste if she wasn’t kastor’s mistress? not to mention she had to be close to kastor to save damen.

through the series, pacat intentionally draws parallels between laurent and jokaste; both appearance and character wise. remember this scene where laurent stopped the vaskian raiders from instantly killing damen?

jokaste played the same gamble. she had no way of knowing whether damen would survive in vere or not but she had to try because she loved damen too much to see him slaughtered like a pig in front of her eyes. and yes i use the word love because just look at the way she talks about him… oh my god… like while it is implied jokaste first got close to damen for personal gain, she obviously developed feelings for him after some point and had the utter respect for him. (i always think it’s quite sad us fic writers need to write her cheating on damen with kastor in modern aus for plot sake because under normal circumstances, jokaste would never let damen go)

i guess the horrible misogyny aside, what also drives me insane is the double standard. laurent had damen collared like a slave, drugged him, forced him to fight with the threat of rape if he lost, whipped him, sexually assaulted him by proxy and the fandom can still sympathize with him and love him (don’t get me wrong i love him too) but when it comes to jokaste, someone who had no choice and did the only thing she could do to save damen, people hate her passionately and call her awful names. it’s infuriating. it’s disgusting.

tldr; jokaste genuinely loved damen and made the only choice she could under those unfortunate circumstances to save him from a horrible death and while no one is obligated to love her, this appalling misogyny train needs to stop.

#meta #💬 #captive prince #jokaste of akielos #her only crime is being too beautiful and yall hate her bc of that smh #the scene where laurent says ‘omg girl i get you sooo well i’d risk it all for damen as well 😍’ and jokaste tries to blow him with her mind #how can you not love her???