The generational progression of team dynamics is truly so funny to me.
You have the Justice League and they're all coworkers. They're friendly and polite with each other but they don't really hang out together outside of work. Two of them might transcend the work friend dynamic and buddy up outside of work (i.e Barry and Hal or Ollie and Hal or Bruce and Clark) but you will never see all of them casually hanging out for fun.
Then there's the Titans. These guys are friends. They all have busy lives so they maybe don't see each other as much as they'd like to but they're all deeply bonded with each other. They make a point of planning big get togethers with each other unrelated to work. They know each other's deepest secrets. Their kids consider the other Titans aunts and uncles.
Last but not least there's Young Justice. Young Justice is the definition of unhealthy codependency. They're all best friends and they act like siblings but they might also all be in love with each other? Kon dated Cassie, hit on Cissie, flirted with Bart's clone and had a dream where Bart was in a cheerleading outfit and was with his other love interests and then just everything with Tim. Cassie dated both Tim and Kon, and then there's everything with Cissie. Bart admitted that Cassie made him 'like girls' (?), took Cissie to a dance, and is extremely close with Tim and Kon to the point where it could just be unhealthy codependency but it might be something more. Honestly this entire group is so intermixed and codependent it's insane. They go from 'i love you so much you are my best friend' to 'i wanna make out with you' so fast and with barely any breathing room. They are constantly with each other and hang out at least once a week. They cannot exist separately.
6K notes
·
View notes
. . . SAVE A HORSE, GO ON A RIDE WITH THE COWBOY! featuring boothill!
notes! . . . y'know the phrase, “save a horse, ride the cowboy”? well, I decided to-do something about it with boothill... except it's sfw and more like “save a horse, ride with the cowboy” cuz i dont do nsfw here >:/. god give me acceptance for how boothill is so ooc here- 😭😭 idnk how to write his character properly, and does he even have a horse?? I don't remember seeing a horse when his character and banner got leaked, so let's just pretend he does have one for the sake of K'hailreigh for this plot. 💀
imagine returning the horse boothill had been searching for all day after it got the chance to escape through the tall fences the moment they were opened, his eyes widen at the sight of his companion with you guiding alongside it. normally, his horse wouldn't follow after someone else's orders other than him... and it behaves pretty feisty and rough with people who isn't him.
boothill is relieved to see that his trusty horse hadn't been injured, briefly thanking you as he goes over to fuss over his stallion. you can't help your gaze wandering and examining his figure, in awe of the metallic and cyborg parts of the cowboy in front of you. sure you might've seen people having artificial and metal parts attached to them, but this man right here just plainly looks like a robot if it weren't for his humanly head.
boothill notices you eyeing every inch of him, glancing from the lasso that hangs at his hips to the pistols to his arms and to his legs. he glares a wolfishly smile at you, baring the shark-like teeth that you gaze in short surprise at, and asks in a teasingly tone, “like what you see, darlin'?”, observing how you blink owlishly at him. but then, he's becomes sort of surprised when you nod your head and confirm that—yes, you like his appearance and how the color scheme matches altogether, while indirectly commenting how he's a good-looking cowboy.
boothill, after his turn of blinking at you, grins and narrows his eyes with an intrigued look in them; amused by you and how you don't seem in the slightest.. nervous or terrified in his presence. you perked the cyborg's interest.
finishing the small talk with the man, you mention that you'll be needing to go somewhere for an errand and boothill takes the opportunity to offer a ride there on his horse—as a thanks for retrieving his horse, taking in your surprised expression with a grin as he ends the sentence with a “darlin'”. he insists, even if you refuse, so you decide that it'll be quicker to go in a horse ride with the cowboy than rather walking by foot as you were given no other choice.
with boothill's assistance, you were boosted onto the horse and instructed by him to hold on as he looks back at you, flashing a toothy grin and a finger tilting his hat just slightly for a short moment before you and him rode off towards where you were needed to be at with his horse. startled by the increasing speed his horse was going, you instinctively grasp onto the cyborg cowboy's built body in order to not fall off during the ride accidentally—boothill grins at your expression, his laughter going with the wind, “better hol' on tight for now, sweetheart. this'll be a rough ride! i'll get ya to where yer headin' in no time!”
© thedemises 2024. all rights reserved. please do not repost, copy, or claim as your own. ━━ word count: 508.
340 notes
·
View notes
male socialization is wild to me because when men deviate it by generally being nice to women and then get womens attention by being friendly and normal to us other men get mad and punish them for it bc they're actually meant to be domineering, rude, and misogynistic to us and if a man doesn't do that they're either gay or trying to unassumingly get with one of the women. like it blows mens minds that they can actually try and be normal and nice to women for no sexual gain, and then they punish men for deviating from it. they're like we see you're getting female attention without abusing the women?? thats wrong and also we hate u for it. like jesus men are so fucked up as a whole.
82 notes
·
View notes
Making a full post for my Fuuta Ballet AU because I actually had more thoughts about it hehe (Ballerina Girl)
+ a version of the au that's more general to the whole cast, with Es as the protag here!
As mentioned in the art, he’s exactly the same as canon except his life now revolves around dance. He’s in a very cliquey company (The Dark Pas de Trois?), surrounded by friends who are very similar-minded. Even though they're not in dance competitions specifically, they're constantly striving for better reviews/reputations than the neighboring companies. Fuuta struggles with stage fright, but doesn't let on to the others -- he just pushes through every time.
They visit a company rehearsing Nutcracker, and one of the snowflake dancers does something problematic backstage. Fuuta blasts him on social media for it, gaining popularity for his own account/dance company. Auditions and things go a bit smoother for them now that they’re internet famous.
There’s a scandal with the dancer playing the demon sorcerer Rothbart in Swan Lake, and Fuuta catches it on film. The video goes viral, once again boosting Fuuta’s popularity and ego. He’s praised as both a hero and talented performer. His friends are also soaring with this newfound fame.
Then, he catches a young background dancer in Sleeping Beauty doing something he deems worthy of a callout. He exposes her all over his social media. Rather than the usual social backlash, the girl is harassed in person. A crowd takes things too far, and an accident results in an injury that ends her career just as it was beginning. She will never dance again.
Facing his suspicious friends (and overcome with his own guilt), Fuuta flees the company. He plans on quitting dance for the rest of his life as well. Instead, he gets a mysterious invitation to the Milgram Dance Academy. He's never heard of them before, and the internet doesn't turn up much on them. Left with few other choices, he shows up for the first lesson.
The first thing that strikes him is it's a boarding school. He must live there and follow their rules in order to attend. They take his phone and restrict outside contact, much to his horror. The school solely focused on the arts -- no competitions, no big shows. There are three major shows they are planning, but Fuuta couldn't find any venues/tickets/advertisements, despite mention of a "global audience". The program is rigorous, and the instructor decides at the end of each semester if their final performance passes or fails.
The only thing more concerning than the sudden restriction of his phone is the strange group of residents he'll be spending his next few years with. His instructor is a mere child, no more than fifteen and very cryptic about their past training. His other classmates range in age and personality. He starts off dancing just as confident as usual, trying to show up the other students and make a strong first impression.
However, he fails the first semester. The grade list is made public to the whole academy, and Fuuta finds himself the subject of watching eyes and condescending whispers. Becoming sensitive to prying stares and audiences, he falls back into his usual stage fright. He endures (emotional) attacks from the passed students, although in his distraction he screws up some cues and gets injured.
Regarding the actual choreography -- as much as I love the classic shows (I mean, just look how cute he is as the nutcracker ;-;) my brain has been going brrrrr picturing ballet adaptations of the mvs... 🎹 / 🎹 / 🎹 / 🎹
70 notes
·
View notes