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arkus-rhapsode · 7 days

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Are We Returning To 2000s Era Shonen Anime/Manga (A Discussion)

So this is going to be way more of a thinkpiece than I usually do for this blog, but recent trends in the space and niche that I devote a lot of time to, Anime/Manga, have been showing themselves that got me thinking. This is not meant to be a serious sociology case study taken as fact, it's going to be more a theory based on observations of the community that I, like many others, devote a lot of time into than a full on claim, but I do want to ask, is the anime and manga community is experiencing a resurgence in 2000s era shonen manga?

Background

Now let me get this out of the way, there is bias in these observations as I am a western anime fan, but also a North American anime fan. Meaning my gateway and gauges of pop culture are mostly determined by the history of my area of the world’s relationship with anime. From the OVAs of 80s hyper violent and hyper sexual sci fi that you had to purchase from the backs of video rental stores, to the Toonami era of 90s and early 00s programming block the centred around action anime and cartoons, the 4kids era of mass market japanese animated kids shows that were really just giant commercials with some of the earliest memetics in western sphere, and the explosion of shonen battle series in the western sphere in the mid to late 2000s marked by the rise of the colloquially named “Big 3” of shonen jump. I understand that continents like South America or Europe may have undergone a different exposure to the Japanese medium, but as I am going in with some bias in this observation, I would like to make it clear on where the formula is coming from. I also would like to lay down a certain clarification before making this, when discussing the topic of nostalgia I think a lot of people have forgotten what it actually means. If we go by the Cambridge dictionary definition, Nostalgia is “a feeling of pleasure and also slight sadness when you think about things that happened in the past.” This is often invoked when talking about pop culture because people from say 20 years ago don’t seem to enjoy or relate to the interests of today. The belief is that nostalgia is generational ergo if you grew up in the 80s you’re likely wishing to recapture the feelings of childhood that you associate with those trends from 20 years ago. In fact, most revaluation in media has often been catalyzed by a difference of those who grew up in an era rebuffing the opinions of those who didn’t.

There is the well known “20 Year Rule” regarding pop culture nostalgia. That every decade it longs for what was popular 20 years ago. Probably no better example than “That 70s show” being popular in the late 90s, the return of many beloved 80s-90s franchises like “Ghostbusters” returning in the 2010s as well as series like “Stranger Things” that wrapped itself up in 80s aesthetics. DC's New 52 relaunch that seemed to bring back trends from 90s era comics.

Now it goes without saying that the 20 year rule isn’t a “real” rule, rather an observation that certain trends make a return to popularity because the ones who grew up with a certain media will be the ones who add to the discourse when they come of age and will be the ones having a chance to create consumable art for the masses and that may just be revivals of once popular IP. This isn’t necessarily wrong in regards to nostalgia, but I do believe that one doesn’t need to have been born in a certain era to be nostalgic for something when we discuss pop culture. Pop culture is really just trends and preferences that become en vogue and people can acquire a taste at any given time. Sometimes it can be due to those who grew up with something now having the chance to create and drawing upon their own childhoods, sometimes it's just due to not being exposed, other times it can be a certain feeling of disillusionment of the now, and seeking something that peaks your interest, and even sometimes it can be major corporations or networks looking for things with existing audiences to draw upon that actually expand the audience. In fact one of the most prominent Netflix adaptations of the 2020s has been live Action Avatar the Last Airbender and One Piece, both shows that got their start on American televisions in 2004 and 2005. One of the biggest animated shows right now is Invincible, based on a comic book from 2003

So I want to stress this is not necessarily about how if you grew up with the original Mobile Suit Gundam show you are being replaced by the kids who were watching GetBackers. And or if you are a fan of shows that came out in the 2000s you yourself were born in the 2000s.

But what was the landscape of the English speaking anime community like back in the 2000s? Well let me paint a portrait for you.

What was the 2000s like for anime fans?

The term I used, “shonen boom period”, is somewhat mythologized in the western anime sphere. There was a glut of high profile shonen anime running around the same time that most people identified with this time period and was arguably when we saw the most influx of people getting into the hobby. One Piece, Naruto, and Bleach served as big series known for their massively large casts, MCs with a level of attitude, some of the most hype centric power supernatural/extraordinary power systems, and certain brand of “Japanese-y” humor. We can’t deny that it wasn’t just these series however, as series like Fullmetal Alchemist became many people’s introduction to more narratively intricate series interspersed with a somewhat gothic action style. The gothic and somewhat edgy Death Note became many fans' first ever “battle series that’s not a battle series” that also incorporated many biblical and gothic horror elements into its presentation. And things like Code Geass also incorporated this combination of hyper stylized cat and mouse with ornate and gothic aesthetics and fighting robots.

Series like Ouran Highschool Host Club and and Haruhi Suzumiya were basically gateways to the more hyper extraordinary slice of life series that didn’t shy away from fanservice and loud comedy. With ecchi like Rosario + Vampire taking it to an even greater extreme. For people willing to go even deeper, series like Fairy Tail began to pop up and share a distinct similar flavor to series like One Piece and Naruto which arguably started the popular conception of it coming from the same magazine as the latter. That’s not also discounting the amount of holdovers from the 90s like Dragon Ball z, Trigun, and Yu Yu Hakusho, which also had an edge towards fantastical combat and comedic oriented series.

All of this is to generally illustrate the media diet of what an average anime fan was expected to have some level of access to. As this was far before the eras of Funimation or Hulu having online services. Not a homogenized spread by any means, and im certain plenty of readers could name more underground or smaller series like Mushishi or Elphen Lied, but generally the popular mainstream you could tell that there was a consistent theme of long form media with a very loud, very flashy, and very action oriented type of series. Which I think is fair to say had skewed some people’s perception. And while I cannot claim with utter certainty that Japan was the same in this regard, you can look at magazines like Shonen Jump and notice a somewhat synchronistic trend. With series like Hitman Reborn, Gintama, D. Gray Man, Eyeshield 21, Bobobobo, etc.making a clear marcation of what was commercially successful at the time. Even series not inside the magazine but had smaller nicher, Tokyo-pop-esque series like Rave Master, Flame of Recca, Air Gear, History’s Strongest Disciple Kenichi, Soul Eater, etc all had a similarity to the shonen jump magazine. To the point it was not uncommon to see so many jump characters in a collage and one from shonen sunday or shonen magazine in there as if this was all coming from the same place.

Changing Landscape

Now with the advantages of the modern internet, we have the ability to actually keep up with the jump magazine in real time as opposed to the common practice of relying on scanlation site and fansubs that were often devoted to the most popular works. But with simultaneous publication and services like Crunchyroll, being able to access a wider variety of shows and series that we may or may not have access to. I believe that the 2010s in the english speaking fanbase was the decade we saw a somewhat expansionism of what people perceived as anime. Anime could be One Piece and Naruto, but it could also be Erased, it could be the Promised Neverland, Attack on Titan, K-On, Haikuu, and Durarara. With the representatives of the 90s no longer being holdovers in syndication like dragon ball but rather full on revivals of the likes of Jojo’s Bizarre Adventure and Hunter x Hunter.

All of these could be "shonen" but also other genres like Seinin, Josei, and Shojo all had their own varying layers of what they could be in their demographic

The mood of what was popular was also changing, not just in the fact that more flavors of anime and manga were becoming mainstream, but new works from shonen jump showed a rise in almost subversive series like My Hero Academia and Demon Slayer that seemed to consciously deviate or place new spins from traditional tropes of the 2000s characters, and we saw works that were derivative of previous serious like Black Clover drawing upon Naruto the same way it was known that Naruto had drawn upon Dragon Ball before them. Series like The Promised Neverland and Doctor Stone offered up more dramatic series that still infused a certain energy of the shonen genre.

And of course the series like Attack Titan whose much more darker and gorey storytelling seemed to have become one of if not the biggest hit of the generation with a well regarded adaptation, but something that had felt so removed from what were once contemporaries like the then ending Bleach or Naruto. We can also note that the late 2010s saw the rise of series like Chainsaw Man and Jujutsu Kaisen that began a trend of popular urban fantasy stories. Where fantastical concepts were now in contemporary Japan and the stories that focused on concepts like self identity and the harshness of maturing were juxtaposed to the real world inhabited by monsters.

It seemed many tropes of the previous decade were still alive in the rise of Isekai anime. Which was particularly the only popular outlet for fantasy stories with an action orientation. But these almost felt disconnected from the wider world of manga as things like heavy harem action series had actually decreased in mags like shonen jump. There was also new tropes being established in this subgenre that became unique popularizations of tropes all on their own, such as the overpowered protagonist whose power everyone believes is weak. But many of these were based on light novels, a form of media that only in the last few years western readers are having official access to and not simply scans found on the internet.

We in North America truly have gone from anime being a niche that was primarily accessible through dedicated TV blocks like Toonami, to a full blown cultural relevance shift.

We also need to talk about this era in its perception of the past also shifted. The 90s and the early 00s often blend together as classics of the anime community. Somewhat encased in amber. However, there is no denying that “feels like a 2000s series” had become a bit of a shorthand for very goofy, Very horny, very action heavy series. Series like Fire Force and and Undead Unluck had their show what more problematic elements be equated to the problematic trends of the past that people just accepted as “a part of the medium.” But lets keep in mind, this is not really describing a time, more a trend. Superficial elements that invoke similar feelings of the past.

Speaking of anime fans…

Fan Culture

So while I wanted to paint a picture of creatively the landscape has changed, there’s no denying that in the age of internet accessibility, the anime fan community has also changed. It is much much easier now to get in contact with people who are anime fans now than it was to rely on word of mouth like it was back in the day. I can still distinctly remember my anime club which wasn’t even really a club devoted to anime but rather other geek stuff like D&D and TCGs. Our hobbies just happened to have similar overlap.

Now though, anime fan culture is much more relevant and thriving. Going from just posting weekly reviews, to long retrospectives, comedy videos, abridged series, clickbait articles, fan theories, and podcasts. However, I think a defining feature of fans of the 2000s era of anime that were at their most prominent was hype culture.

Due to many of the biggest anime series at the time being released weekly and focusing on action, many many many discussion boards and videos were often about staying in this cycle of wanting to see what happens next and the action made people very excited to see just how characters were going to win fights or even if they’d have fights at all.

I want to make it clear that this type of activity doesn’t belong to a certain era, but you can see it shaped by the 2000s era. Especially when discussing “what is the next big 3.” As if it were a true position and title, rather than a moment in time where there were just three very distinct shonen series in the fanbase.This doesn’t necessarily have a “negative” effect on the discussion of anime/manga but you can see that certain genres lend themselves to hyping fans up more and more.

Someone isn’t reading the most recent chapter of a romance like Blue Box with the same level of anticipation of who will face who like it was One Piece. But there have certainly been series that try.

The Present

Now we reach the 2020s and this decade is still young, so it is hard to say what the future will hold for certainty, but we can look at the last four years and notice some significant waves being made recently in Shonen Jump alone. I already spoke of Undead Unluck, a series that almost wears it would now be considered retro inspirations on its sleeve. With an opening chapter that establishes an MC that seems motivated by a sexual joke, A power system follows a verbal naming gimmick, and a loose enough world that allows for characters of varying aesthetics and to be incorporated into groups. With groups of these powerful characters splitting up to face each other and use their ridiculous power to the extreme. Even in the series' own meta arc about creating manga, the in-universe analogy for Undead Unluck’s manga is commented on as feeling retro. There is no doubt the biggest viral hit of the decade so far has gone to Kagurabachi, a manga about sword fighting and magical crime lords that seems almost indulgent in its stylistic slicing and or dicing of baddies. Its memetic success was primarily due to a somewhat sincere and somewhat ironic belief that it would be the “next big thing” as it promised to be a stylized action series. Another surprise viral success has been the manga Nue’s Exorcist which sees another supernatural swordfighter boy harness the powers of his sexy spirit lady while getting into harem shenanigans that echo a particular form of ecchi of anime’s past that had actually been somewhat absent in the past decade in jump. Both of these series have a somewhat noticeable similarities to Bleach, a long running shonen action series that has seen its own revival in the last few years of writing this with the long awaited adaptation of the final arc of the bleach anime.

While the other members of the “big 3” never truly went away and became almost inter-generational, Bleach truly did feel like a “come back” as it was absent for so long. And unlike Hunter x Hunter and Jojo which were never really popular in the west and even their older anime are more regarded as anime deep lore. Bleach was one of the most popular series in the west at the time to never receive a conclusion animated.

Speaking of anime of the 2000s Trigun Stampede was a reimagining of the original late 90s show. This errs a bit similar to Hunter x Hunter’s style of revival, but also seems uniquely its own in actually trying to find a balance between the original series but adding in things cut from its original late 90s early 2000s counterpart.

And now we must examine other shonen magazines. Series like Gachiakuta created by a former assistant of Okubo, the creator of Soul Eater, carries with it much of the similar energies of that series. Its also noticeable as being a truly dark fantasy series. Not an urban fantasy, but rather a completely new world that had a very grunge and dirty world building. And then there is Daemons of the Shadow Realm, a series by Fullmetal Alchemist creator Hiromu Arakawa. This series is also set in modern day japan with supernatural elements, however Arakawa’s style of writing is practically unchanged from her time on FMA. With an emphasis on action, intricate mysteries, and character building comedy with her trademark over exaggerated blocky style. There is of course Hiro Mashima who has started another new series, Dead Rock, and his style has also not changed that much. Then there is just flat out sequels to 2000s series like Gamaran Shura.

This to me shows that we are seeing a bit of a combination of people who are now entering the workforce inspired by creators of the past, but also that creators of the past still exist 20 years later and are still making content that hasn’t really undergone significant change.

Of course, we can’t also forget the implementation of the Manga Plus/J plus service which has opened up a very interesting ground for creators to have some of the most creatively out there series than what you may have expected from the shonen jump brand. I genuinely don’t think series like Make the Exorcist Fall in Love or Fire Punch would’ve ever been acceptable in the pages of a weekly shonen series. However one series in particular does feel like it could've and boy its been quite the success. Kaiju no 8.

Kaiju no 8 almost feels as though it is the AoT of a new generation with the amount of anticipation this one series has as well as the similarities between the series superficial elements. However, I'd say the key distinction between the two has been the tone. AoT took a dark and practically dour tone on its titan infested world. With an MC declaring war on all of his enemies. The pain was realistic, with human bodies being brittle and vulnerable. And the belief that just because you were a good person you weren't going to make it out alive. Kaiju no 8 instead opts for a more action oriented tone. Down playing the bleak realism for more "Hell yeah!" moments. With super science weapons that feel more akin to a tokusatsu show and fights and battles between humans an kanji the feel like the Dragon Ball style wrestling matches of old.

And of course, that’s not to say Jump hasn’t continued with series that feel more modern like the realistic and mellow romance of Blue Box or the dramatic coming of age story of Akane-Banashi.

But the presence of these series has caused somewhat of a friction with the popular conception of the magazine. Its safe to say that while “shonen” tends to think of action male oriented series, it can really just mean works aimed more at adolescents. But I think many tend to associate this familiar feeling of “what is shonen” with their popular introduction of the magazine. With a saturation of action and brash comedy series. This is further complicated by the fact many action series in jump are actually ending over the last decade. With new ones not popping up to replace them as frequently and series like One Piece and MHA and Black Clover basically stretching out across an entire decade or longer. In fact, I don’t think it's unreasonable to believe that the hype for something like Kagurabachi was in part a belief that it signaled a return of a type of familiar series and genre that had been missing. Or at the very least, looked to fill an inevitable gap the magazine was obviously going to be facing. Followed by the other commercial success of Nue’s Exorcist, we are likely to see these series last for a long time. At the time of this writing, Tokyo Revenger’s author Ken Wakui has released Astro Royale, a series that feels very similar to his previous work yet infused with this almost GetBackers flavor.

So that leaves us with the question at the start, are we seeing a rise in 2000s nostalgia in anime and manga?

Conclusion

So I'm sorry if I disappoint, but the best I can say is, I’m not certain. I do believe that from my observation I think it is reasonable to say that we are seeing a rise in creators in the shonen space being ones inspired by series from 20 years ago. However, I think we are also seeing creators who are from that time period also returning to write how they have always written.

On the consumer side, I think we can see that fans of anime and manga have changed in the sense their tastes can now be shaped by a much larger catalog of series at their disposal. But in the case of shonen, I think we are simply seeing those who likely got their start in anime at around the 2000s resonating with newer series drawing upon those series, but also with younger fans now likely to grow up with the tail end of what was popular in the 2010s now being influenced by the 2020s. I also believe that one of the defining features of the anime community in the last decade is hype culture. And currently we are seeing a rise in series that actually feel more catered to hype, be it a revival of a series they liked or predicting what will be the next success.

All and all, this piece was trying to tunnel on the shonen demographic in general, which is more likely than not going to have similar traits relative to itself. I do see us as a community endorsing trends of the past and there’s an excitement for these things to “come back” even if they may or may not have left. If you liked this please drop a like or reblog because I may do more of these think pieces in the future.

#anime #manga #think piece #discussion #shonen #shonen jump #kagurabachi #gachiakuta #nue's exorcist #undead unluck #kaiju no. 8 #bleach #one piece #naruto #yomi no tsugai #attack on titan

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icedragonlizard · 2 months

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I very much like my headcanons of all the villain-turned-dream-friends still being very flawed people one way or another.

I'd say that they could all be considered morally grey to various degrees. Some may be nicer than others, but overall I wouldn't really call any of them saints. None of them are irredeemably evil, and Kirby is friends with every single one of them, but they're all still flawed. And Kirby is basically their 'parole officer' as he keeps them all in check.

This post got quite long as I wrote everything I wanted, so I'm gonna post a 'Keep reading tag' down below.

Feel free to click on it if you'd like to see my interpretations on the flaws of some Kirby characters! I'll be covering Marx, Dark Meta Knight, Daroach, Magolor, Taranza, Susie and the mage sisters here.

Marx may be on Kirby's good side now as he's not looking to attempt conquest on Popstar again, but he's still essentially an agent of chaos. He's loud, he's obnoxious, he's widely known to be a prankster, and he loves getting a rise out of people. He enjoys causing scenes purely for the sake of it. And his sense of humor isn't exactly good at having tact, as he'll make jokes out of things that most others wouldn't dare do. He can be considered the most insufferable one out of the bunch.

But there are good qualities to him, too. Some people legitimately think he's the funniest guy alive, so there's that. Marx loves attention in general, regardless if it's bad or good attention, and so he gets delighted if someone likes him and enjoys his antics. He loves it when people decide to join him on mischief. If you're his friend, he'll often give you stuff to laugh about and you're likely to find yourself having fun with him. If he likes you enough, he'll even stand up for you if someone else antagonizes you. His friends are literally his homies.

He's still quite the wild creature, though. It requires a lot of patience and a lax/chill attitude to be able to put up with Marx. It's not uncommon for him to find ways to instigate chaos in Star Allies gatherings. But he CAN be forced to behave, albeit not always easily. Kirby and Magolor are the ones that can most easily get him to listen.

Dark Meta Knight is still a standoffish jerk with a temperament. He's rude, brutal, and isn't at all afraid to say things that might run shivers down people's spines. He's prone to violence if he feels even the least bit agitated. He's also a rather detached person that does not care to make friends with most of the other star allies, and is quite a big hater for the ones that get on his nerves. He has a bad habit of being too blunt about wishing death or general ill-will for people he hates.

Not just that, but I headcanon that Dark Mind is technically still alive as a neutralized little fragment that desperately needs assistance. DMK hasn't given up trying to bring DM back to its former glory, and is still devoted enough to do what DM asks of him to do. It's not actually as frightening as it sounds, though. Trying to bring DM back to its former glory may be impossible due to how much it'd take, so that threat may not warrant much concern, but DMK still strives for it.

But DMK can be kept in check at times by a few others in the cast. I headcanon that DMK is friends with Daroach, Adeleine, Ribbon and Kirby, and he does care about what they think of him. But I hc those are the only friends he has in the cast, as he's the dream friend with the least amount of friends. He doesn't care about anyone else. He's also willing to do art stuff with Adeleine, and will protect his friends from danger. But overall, DMK is still a ruthless son-of-a-gun.

Daroach has a notably kind-hearted side to him, but he's also absolutely still a thief. Some people are ticked off by his persistent thievery. He likes the challenge of breaking into certain areas and to see what's he capable of successfully stealing. This can get especially irritating for some if he's brought the entire squeak squad with him for these instances. Daroach also has a trollish/smug side to him, as he thinks it's funny to get reactions out of people as he steals from them.

He does have standards, though. There are people that Daroach will NOT steal from. This includes Kirby, Adeleine, the entirety of Ripple Star (he'd feel bad to rob from that planet) and he also respects Meta Knight enough to never steal anything from the Halberd. He's also a softy around Kirby. And there's times in the day where Daroach decides to be chill and not steal anything. He can be quite a laidback bro if he's your friend. He has a big sense of humor and if you don't mind him pulling lighthearted fast ones on you, he'll gladly do that.

But he's still our resident thief! Hahaha. And he often has a rather shady demeanor that might make some people put their guards up.

Magolor did make a well known apology and created an amusement park to back it up, but I headcanon he's still very much a flawed person. Much like his buddy Marx, Magolor is a mischievous prankster that likes getting a rise out of people at times, although he's much more tactful than the jester in this regard. There's other problems with Magolor, like how he often says awkward things that make it evident he doesn't have the best understanding of social cues. He also has a tendency to insert himself into things, due to still having a bit of an ego, and he can sometimes be a blatantly obvious suck-up.

It's also arguably somewhat flawed morality-wise on Magolor's behalf to have made all the masks he did for Merry Magoland. He had great intentions with that, as he wanted to honor many people with that, but he made a lot of them without permission. And it ended up being pretty awkward for some people to see the masks. Thankfully, it didn't elicit any reactions bad enough for Magolor to lose any friends, but he arguably should've gotten many people's permission first.

Magolor is still buds with Kirby despite his current flaws, though. And he actually cares about being liked and cares about making people have fun, and so he makes sure that he has standards accordingly for that. He also just has very weird ways of going on about trying to be a better person than what he was before. But regardless, he's trying!

Taranza may be mourning the death of his beloved queen, but as a matter of fact I do not headcanon him to be a complete softboy! Once enough time passed for him to start properly recovering from his loss, he's eventually started coming back to being a snobby rich-theater kid type of guy like he was before. He can be very bizarrely smug and confident at times. He has an iconic devious smile. He makes webs at people's homes with often trollish messages. Don't be surprised if he sneakily rearranges the stuff in your home without you looking.

And believe it or not, he also has a secretly vengeful and vindictive side to him. He'd love to torment and beat up everyone that picks on him. And because it was a dimensional mirror that corrupted his queen, he heavily resents the mirror world and talks smack about its inhabitants. Honestly if he saw a dimensional mirror again he'd love to break it and smash it to pieces. He also legit wants DMK to die.

But overall, Taranza is no serious bad guy anymore. He does have a definite nice and caring side to him. He's really grateful to all of his friends that have helped him out with his grief (especially Susie, who understands him better than anyone else does) and he'd panic like frick when one of his friends gets hurt. He doesn't want to lose any of his current friends, the last thing he needs is MORE things to grieve over. He's also glad to show people about flora. He's also still just a silly-ass rich theater guy that can be quite a big, dramatic handful.

Susie, while no longer the terrifying colonizer she once was, is still very much a corporate-minded woman with a lot of unhinged stuff going on with her. The HWC's practices are substantially improved in her rule compared to what it was in her dad's rule, but she still makes corny business decisions at times. She has a notable stubborn streak, and is often a bit too blunt and formal to people she isn't close enough to be friends with. She's also feisty and a bit too ruthless when it comes to combat, as it may require others to calm her down. And like Magolor, she gets awkward at times with her low understanding of social cues.

She's also still a mad-scientist at heart, although she's mostly stopped mechanizing people (except for those that explicitly WANT it) and has largely shifted to applying her mad-scientist desires on inanimate objects such as toys and accessories. I headcanon that Susie has an entire hobby of making super-detailed custom furbies as I wrote a post about it. But despite the improved shift, she often gets way ahead of herself when experimenting on inanimate objects to the point that the final result of her creations are pretty darn freaky and unnerving to some people. She really loves doing it, though! And the unhinged level of detail to her creations can be hilarious to some.

Susie does have friends that she cares about, and she lets them reign her in as she doesn't want to disappoint them. And despite usually being rather cold, she's not entirely without her kind moments. Susie is at her nicest when interacting with Taranza and Kirby, and she has other friends like Magolor and the mage sisters that she can be great with. Her friends are the one thing that help motivate her to get better. But despite that, Susie is still absolutely a big handful in terms of flaws. She's still a vindictive, standoffish, corporate mad-scientist that's ballsy enough to constantly snap back during confrontations!

The Mage Sisters are still chaotic menaces. They're exceptionally grateful to Kirby and co. for saving them and Hyness in HiAD, and so they definitely ain't doing that Void Termina crap again, but these women still engage in absurdly violent and bombastic activities. They love to destroy random buildings for no real reason other than just for kicks and giggles. They cackle like hyenas when they cause mischief.

Francisca is perhaps the most obviously flawed mage sister, as she literally keeps her frozen trophy collection and even tries to expand it! That's a bruh moment. It doesn't exactly help that she's close buddies with Marx as those two will just make some absolutely absurd hijinks together. Her relatively quiet nature can also be rather unnerving. It's not all bad, though, as she can be genuinely sweet to people that she cares about. And she's kind enough to give you free water with her soda gun if you'd like that, but overall she's an extraordinary freak.

Flamberge is the nicest of the three mage sisters, but she still has her fair share of chaos as she loves causing big booms with her fire abilities. She can be considered a daredevil with that sort of thing. Another notable flaw with her is that she lets Francisca get away with anything. She will NEVER hold her psychotic blue sister accountable. And there's of course her temperament, but she's surprisingly chill a lot of the time and is really only angry if given an actual reason to be.

Zan Partizanne can be quite rude with excessive name-calling, as she has a mentality of "it goes both ways" when her name can't be said right. If you can't say her name right, then she'll make it even by giving you some unhinged nickname. She also has a guilty pleasure of starting playful bickering matches with people purely for fun. That being said, she's something of a leader alongside Hyness at the Jambandran base and is always glad to help guide people around the place, but she can overall be quite a standoffish and feisty person.

The mage sisters do care about trying to be better, though. They want to make Kirby proud as he's essentially their little hero. They're still incredibly unhinged people by virtue of being raised in a literal cult, though, and they still love to start ruckuses and cause chaos. With the amount of mischief they cause with their weapons, it may be wise to keep some distance as to not get caught in their weapons' range.

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That's basically everything I got. All these characters are still very flawed people to me. They're all redeemable to various extents, but yeah. I like to think that they all need occasional slaps on the wrists by Kirby. He's their 'parole officer' like I said at the beginning of the post. He keeps them in check. And it works as they all respect him!

But despite sometimes slapping them on the wrists, Kirby does care about all these people. He's friends with all of them. He cheers them on as they progress in life. When they do good things, he's proud of them! He also can't help but feel sorry for the more traumatized ones.

Kirby has remarkable tolerance. He can basically be friends with bad people, lol. He always has faith and sees the good in people. He's the perfect little guy to motivate people to get better. He can keep someone in check from doing bad things, and is merciful enough to always give them a second chance. Man, thank this universe for Kirby!

Thanks for reading if you did. See you for the next one.

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toomanyplotbunnies-sendhelp · 2 months

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Hello and welcome to Day 27 of "Let's Explore My Plot Bunnies"

(Sorry Cale, I will be, once again, taking away your peace and quiet)

How is everyone today? Me? I AM IN SHAMBLES! I just finished the Penacony Story Quest Act 1, and my mind and heart are broken. But I still want to finish the 31 days of plot bunnies so here I am with day 27.

This plot bunny is literally an entire series of books. More precisely, this plot bunny is my rewrite of Harry Potter with Cale Henituse (and other characters from the novel) as part of the actual cast.

I titled the plot bunny: "A small change in the script"

I will explain the idea below, but beware it is going to be kind of a long explanation. So, enjoy my rambling! (And I am gonna post some memes about this Au pretty soon)

PS: This is really long. I go through the first 5 years at Hogwarts in some detail (I still have a ton of things I haven't spoken about because brain power is very low and I just wanted to get the idea across first). Also, I am sure I made some miskates, so please forgive me. So beware before you start reading!

We start with Cale Henituse and the Henituse and Thames families in this world.

Starting with the Henituse side, they are a pure-blood wizard family that live in the far north of Germany. They are a family that excels at Charms, especially the Shield Charm, Protego. They are known to be neutral when it comes to the idea of muggles and muggle-borns learning about magic. Or rather than neutral, they think the following: "If the muggles/muggle-borns bring trouble, we will do something about it. But if they don't endanger anyone, there is no need for us to intervene." As such, the family keeps out (for the most part) of the drama that the Wizarding World seems to deal with.

Since they are located in the far north of Germany, Deruth attended and graduated from the Drumstrang Institute, just as many other members of his family.

On the other hand, we have the Thames family. They are a pure-blooded (originally) nomadic wizard family that is scattered around the world. They have (lesser known) ties with the Pevrell and some who know members from this family would say that the Thames family have made deals with Death just as the Pevrell brothers did, for they seem too... welcoming, for the lack of better word, of death.

The Thames family are more akin to a "jack of all trades, master of none" when it comes to their magic. Jour Thames, herself, was extremely talented at Dark Arts (mostly in knowing how to repel them), but her parents were more oriented towards Herbology as a subject of specialization.

Jour Thames had decided to remain in Britain once she got her letter to Hogwarts, while her remaining family still wandered the world. She ended up as a Slytherin, beginning in the same year as Severus Snape (and the rest of the Marauders + Lily). She was pretty much Snape's friend (alongside Lucius) in Slytherin.

Jour and Deruth met during the summer before Jour's 7th year at Hogwarts when she decided to take an impromptu visit in Germany. The one who fell first was Deruth.

Deruth was always interested in Muggles and their technology. He is dead set on settling in the Muggle world and living there for the rest of his life. Jour liked the idea enough, as long as she is still free to go to the Wizarding World to talk with her friends and help them in certain missions - Deruth, of course, had no problem with that.

They married after graduating from their respective schools, moved into a muggle city in Germany (somewhere around Berlin) and had Cale Henituse just 2 years after, when they were 20 (Jour) and 21 (Deruth). Six years later, Jour died under mysterious circumstances, leaving a grieving 6 years old Cale and her husband Deruth behind.

Just a year later, Deruth remarried to Violan, a muggle, who already had a son, Bansen. Violan becomes pregnant with the Lily Henituse the following year, making Lily two years old when Cale leaves for Hogwarts.

As a side note, we also have Kim Rok Soo, Choi Jung Soo, and Lee Soo Hyuk, who attended Hogwarts and were in their 4th year when Jour and Snape entered their first. Kim Rok Soo was in Hufflepuff (everyone in there called him "the little snake that was raised as a badger" because, technically speaking, he would have done splendidly in Slytherin); Chou Jung Soo was in Griffindor; Lee Soo Hyuk was in Ravenclaw.

Kim Rok Soo grew close to Jour Thames, to the point where Jour is ready to publicly claim Rok Soo as her sworn brother, which in turn should make him Cale's uncle. Kim Rok Soo was one of the people (besides Snape, Lucius, and Narcissa) called by Jour after Cale was born to see him. Btw, the date of Cale's birth still coincides with Kim Rok Soo's own birthday (November 8th), and Rok Soo believes Cale to be akin to a blessing to him, which is why he vows to protect the kid even after Jour is dead.

Kim Rok Soo, Choi Jung Soo and Lee Soo Hyuk will later form the "Supernatural Prevention Team" within the Ministry of Magic, a separate type of organization that is mainly about finding whatever "supernatural creature/phenomenon" that appeared in the Muggle world and eliminate it before magic/the supernatural is revealed to Muggles. (Think Mystery Inc. gang from Scooby-Doo but the monsters are half of the time actual real creatures and not just some dudes in constumes)

Cale's name was written in the Book of Admission since the day he was born, mostly because, upon being born, baby Cale managed to let out an influx of magic along with his first cry which shattered the windows of the hospital they were at - thankfully, Jour decided she will give birth to Cale in a Wizard Hospital rather than a Muggle one.

Growing up, Jour basically taught Cale both magic and how to handle magical creatures (I can just imagine that Jour became friends with Aragog during her stay at Hogwarts and she was like "Give my son a giant spider friend too"). Cale, just like the rest of the Thames Family, is a "jack of all trades, master of none" when it comes to his magic and, just like the members of the Henituse Family, he uses Protego a lot more than other spells.

When he goes to Hogwarts, on the train he meets with Harry Potter and Ron Weasley. All of them are 1st years, but Cale finds the other two a bit... too childish - especially when Ron starts insulting the Slytherin House and its members by calling them all "evil" and "deranged". But instead of lashing out, Cale calmly points out that Merlin was a Slytherin too, while also calling out different names of people from the Griffindor, Ravenclaw and Hufflepuff who were branded as criminals in the past. When asked by Ron how he knows so much, Cale's response is "Unlike you, I do enjoy reading books", before taking out a book and starting to read, completely ignoring the other two.

When Cale gets sorted, the Sorting Hat pretty much is at a loss. Cale has recklessness of a Griffindor, the intelligence of a Ravenclaw, the loyalty of a Hufflepuff, and the cunningness of a Slytherin. Cale's own mentality of "I don't care in which house I get sorted into" doesn't help the Hat either. So the Hat spends well over 5 minutes trying to dig deep enough into Cale's character so that it can actually put him in a house. In the end, the Hat finds that Cale's ambition - which is to take over Kim Rok Soo's position as the current leader (which he got mainly because Lee Soo Hyuk decided ot will be funny to put Rok Soo as the leader) of the "Supernatural Prevention Team" - is pretty strong and decides to sort him into Slytherin. Snape is pretty pleased with that since he also wants to look after Cale. Dumbledore isn't as pleased since Cale looks like a smart kid, and he thinks he is very vulnerable to Voldemort's influence.

Cale integrates pretty well into the Slytherin House, getting along well with Blaise Zabini and, somewhat well, with Draco Malfoy. (It's mostly as "babysitter" type of relationship at the beginning: Cale makes sure Draco doesn't get in that much trouble by calling him out of some things, while Draco is basically the sulky kid that was told "no" for the first time in his life - Cale is not impressed by Draco's attempt at "puppy dog eyes")

However, Cale also ends up, more often than not, around Harry, Hermione, and Ron and deals with their shenanigans. He is the one who convinced the 3 that it was impossible for Snape to be behind Harry's broom going out of control during the Quiddich match and, while they Ron and Hermione don't truly believe him, Harry thinks Cale is not lying. The reason Harry believes Cale so much? Because Cale has never in the months prior ever told lies - Harry fact checked even the names that Cale said were criminals on the train at the beginning of the year, and it turned out he was correct. Same goes for anything else Cale has said before.

Because of this, they reason that Professor Quirell might have been behind all of this, but without proof, they can't be sure of anything.

When they find out that the Philosopher's Stone is in danger of being stolen, the 3 (who also kinda dragged Cale with them) attempt to get to the stone and protect it while Dumbledore is away in London. Cale takes a liking to Fluffy and employs the methods that his mother taught him to calm down magic creatures of all kind - sharing a bit of his magic with them. By doing this, Cale basically shares his emotional state with the creatures he gave magic to, and manages to calm them down as long as Cale himself is calm.

He insists that the other move quickly after Quirell and tells Harry to be careful because he just knows that Quirell's magic just feels off. Once they are gone and Fluffy is back asleep, Cale goes to Snape and informs him of Quirell's actions. Because of this, Snape ends up there when Quirell dies from a combination of Lily's protective charm and the true Quirell's will fighting against Voldemort's control at the very end. (Basically while his body was burnt from the protective charm, Quirell's mind was trying to keep Voldemort from doing too much damage because he realized... Harry is a fucking child and this is wrong on so many levels. So Quirell fights back, but still dies)

While Dumbledore tells Harry he did the right thing, trauma is a bitch, and I refuse to think Harry wouldn't have trauma from seeing someone die in front of him. Cale finds Harry looking like he is about to cry in the hallways so he takes Harry away and, once more, puts his mother's teachings in action. Jour told Cale when he was little that in Hogwarts, as long as you actually need it, you can ask Hogwarts itself for a room - be it if you need it for studying or just as a place to hide.

Cale asks Hogwarts for a place where he and Harry can be alone, and Hogwarts obliges. Once in the silence and safety of that room, Cale tells Harry he can let it go. Harry starts crying. While he may not be the best at comfort, Cale shares that Harry is not the only person who went through something like that since Cale himself watched his mother die on a hospital bed. Harry feels closer to Cale after this instance and thinks to himself that he will try his best to be a good friend to Cale as he was to him. (Cale: Since when was I a good friend? Since when are we friends?)

In the 2nd year, Cale's interest was piqued when Harry spoke Parseltongue during his duel with Draco Malfoy. This alone made Cale suspicious about how intertwined their family lines were with the Slytheirn line since Cale can also speak Parseltongue.

Since the Secret Chamber's serial petrifications cases already started, Cale is immediately suspicious since he knows Harry doesn't have the spine to do such a thing, and Cale himself thinks it's too much of a bother - so someone else is doing something here, and Cale has a strong belief that there is something more to Moaning Myrthle, the ghost from the girl's bathroom on the second floor. (In the meantime, Harry is freaking out because he is half convinced he is doing something while sleep-walking)

After Hermionie is petrified and Hagrid is sent to Azkaban, both Cale and Harry (and Ron, who still didn't like Cale all that much) decide they should do something.

Trying to prove that Hagrid is innocent, Harry and Ron take Hagrid's advice to follow the spiders while Cale tries to find something by asking Hogwarts. Cale asks if there are any books that might help them discover the reason why students are getting petrified. Hogwarts' response is to get him into a room with books on magical creatures.

Once Cale finds out about the Basilisk and about the Acromantula. Knowing that both Harry and Ron went to the Forbidden Forest following Hagrid's advice, Cale immediately goes there as well, making use of his mother's way to tame magical creatures to get to Aragog's lair. Since Aragon knew Jour, Aragog recognizes Cale's magic as belonging to someone blood related to Jour. By sharing his magic with Aragog, Cale gains Aragog's favor and lets the 3 go. (It's way more complicated that I made it look here, but the words elude me for the moment, so this is the short version)

After this, Ron seems to be just a tad nicer to Cale since he pretty much saved them from the giant spiders. Cale tells them about what the information he found about the Basilisk, a creature that fits the narrative of what has been happening recently. Finding a note in the petrified Hermione's hand just proves Cale's deductions correctly. And then Ginny is kidnapped.

When they hear that Lockheart wants to deal with the creature himself, Cale advises Harry and Ron to be careful when dealing with Lockheart since Cale's instincts scream danger whenever the guy is near. They still go and try to tell him what they found about the Basilisk but instead they find that Lockheart, as per Cale's ("frankly scary" as Ron would say) intuition, is a fraud and tries to use the Memory Charm on them too. Cale disarms him.

This time around, both Harry and Cale are trapped inside the Chamber of Secrets after the ceiling caves in due to Ron's broken wand's misfire (don't worry, Lockheart still gets a taste of his own medicine called the Memory Charm).

This is where Harry learns that Cale can also speak Parseltongue and where Cale informs Harry that it is mostly only the descendants of Slytherin who can speak it, bringing forth the idea that in some way they are both related to Slytherin by blood.

During the battle with Tom Marvolo Riddle, Cale is the one who decided to take a leap of faith and protect Harry when Tom ordered the Basilisk to kill him. Thinking fast, Cale orders the Basilisk to stop altogether, banking on the fact that he might also be a contender for the "Slytherin's Heir" position. If the gamble fails Cale dies, but if it succeeds Cale, Ginny and Harry will manage to live. The gamble pays out as the Basilisk stops and, through broken hisses, wishes for her death so that she will not become a weapon of war for Tom Riddle.

Harry pulls out the Sword of Griffindor from the Hat and stabs the Basilisk, after which Tom decides to take matters into his own hands by attacking Harry. Cale, during the battle, talks with the Sorting Hat and finds out that Basilisk Venom will kill whatever the Tom Marvolo Riddle in front of him is as long as he uses it on the source of the magic. To put an end to everything, Cale is the one that stabs the diary with one of the Basilisk's fangs, causing the Tom before them to dissipate.

Towards the end of the year, Cale is dead set on getting him and Harry to Gringotts, where they could have a test done to decipher their family tree and relations to other families. Once there, Cale teaches Harry another thing: the Gringotts Goblins can be your best friend or your worst enemy, so choose wisely. Cale's associate from the bank, a goblin named Rodnar, is the one that they met and the one that helps them with the test.

Turns out, both of them are related to the Slytherin Family, which explains the Parseltongue. They expected that much. Harry got confirmation about his own family and was informed that he is the one in charge of the Potter Family Vault - provisory for now, permanent holder once he reaches 17 years of age.

At the same time, because of the tests they had to do, the Goblins become somewhat worried when they detect foreign magic inside of Harry Potter's body - specifically, dark magic.

Remembering what happened with Voldemort during their first year, Cale and Harry accept a full test on the dark magic and decide that if it is Voldemort's, they will find a way to get rid of it. This marks the beginning of a 3 year-long plan to get rid of Voldemort once and for all.

During the summer before the 3rd Year, Cale spends time with Kim Rok Soo and his team. Rok Soo tells Cale stories of his years at Hogwarts, and he teaches Cale the Patronus Charm. Cale's Patrons turns out to be a Thestral - mostly because most of the happy memories Cale has are with his mother and her death affected Cale a lot more than people think at first glance.

Year 3 begins with both Cale and Harry meeting a Dementor on the train, with various reactions to it. While Harry faints and develops as deep fear of Dementors, Cale's experience is a bit different. When the Dementor appears before him, Cale's magic seems to go just a bit out of control, which makes the Dementor flitch due to its potency. Cale doesn't seem to be as affected by that encounter, which is something Remus Lupin takes note of when Cale comes and visits Harry's train compartment to check on him.

When Harry sneaks into Hogsmeade, he meets up with Cale, who is there to buy candy for Bansen and Lily as Christmas gifts. While Harry is in one of the shops, Cale notices a black dog and starts petting it, finding the animal quite cute. When Harry comes out and finds Cale petting the dog, he not only recognizes the dog but also believes it is weird for the dog to have followed him around.

When it is time for them to return, Harry tells Cale both about the dog and about the tunnel he used to get to Hogsmeade (and the conversation he overheard). Cale is immediately suspicious about the dog and very interested about the Marauder's Map, thinking that whomever created it is a very skilled wizard.

After the divination class where Professor Trelawney gave her prediction about what will happen in the future, Cale contacts Rodnar and asks him if he can find anything on the case of Sirius Black, since he believes something is not quite right there. Rodnar contacts Cale back a bit later, telling him that there is no such thing as a court hearing of Sirius Black and that he was sent immediately to Azkaban. From there, Cale works with Susan Bones and her aunt to resolve this clear lack of justice accorded to Sirius Black's case and to get his name cleared.

In the meantime, Harry, Hermione, and Ron hear about Buckbeak's execution and try to prevent it.

The more Cale digs into the past of Sirius Black and his crimes, the more suspicious everything becomes. Then, he remembers Scabbers looks peculiar for a pet rat - specifically, that Scabbers is a rat with a missing finger. Realizing Harry and the others are in danger, Cale attempts to reach them in time to help, only to end up coming a bit too late and assisting Harry and Hermione with the Time-Turner, coming with them to the past and having his Patronus help Harry's when they need to get the Dementors to back away from Sirius and past Harry.

Once Sirius is safe, Cale presents to Sirius his options: 1. He continues like this and hides for the rest of his life or 2. He can accept help from Cale and present his case to the Ministry of Magic and get some mind healing sessions, after which he will be free to take custody of Harry.

Of course, Sirius accepts Cale's help, and Remus Lupin even jokes that if he didn't agree, Remus himself would have dragged him to get help. When Sirius asks why Cale is doing all of this, Cale just replies that this will help Harry and annoy a certain people he quite dislikes. By the 5th year, Harry is in Sirius's custody.

Towards the end of the 3rd Year, Cale tells Harry to meet him in the Chamber of Secrets. When Harry arrives, Cale tells him that there is something very strange about the Chamber - it was way too empty. Understanding where he is going with this Harry asks if Cale found anything that tells him there is something more to the Chamber. Cale says that it is merely his intuition.

The two spend the night there trying to find something amiss within the room. During this time, Cale tells Harry he should be weary of Dumbledore. When Harry asks why, Cale replies: "Men like Dumbledore care only about their plans, not about the people that are part of their plans. Dumbledore is the same type of person that I am. So be careful around him and scrutinize every word he says."

Harry, internally, disagrees on the view that Cale has of himself, thinking that although Cale might not show it the conventional way, he truly does care about him and the others.

The two, in the end, find that there is a secret library inside the Chamber of Secrets, full of books from the time of Salazar Slytherin. They even find his journal. Cale decides to try and memorize as much of this library as he could, looking for ways to try and get rid of Voldemort, whom Cale suspects to be behind the Dark Magic inside Harry's body. In the library, Cale and Harry find some information on Horcruxes - something even Salazar Slythrin called "a practice that no one should ever attempt at any point in their life" and they both start making connections between Voldemort and Horcruxes. This is how year 3 ends.

Year 4, for Cale, starts with hearing about the Death Eaters raid after the Quidditch Championship. Knowing that this is merely the beginning of the trouble, Cale starts conversing with Kim Rok Soo about the situation. Kim Rok Soo asks Cale to be careful and not to be reckless should he ever come across a Death Eater.

At Hogwarts, Cale decides to make more progress in the memorization of the books in Salazar Slytherin's secret library. The book that he starts reading explains the concept of "magic reflection" as a defensive technique in a duel. Cale starts thinking if this could be used against the Unforgivable Curses that Mad-Eye Moody showed them during the Defense Against the Dark Arts.

When the Triwizard Tournament starts and Harry is suddenly and inexplicably chosen to be part of it, Cale immediately suspects Dumbledore of putting Harry's name into the Goblet of Fire. He tells as much to Harry and the others, feeling that even if his suspicion turns out to be wrong, at least they will keep their guard up during the competition.

During the competition, Cale tries to help Harry as much as he can to prepare - and that includes stopping Ron's jealousy from going too far. So Cale invites Ron to have tea with him and talk to him about his insecurities. Cale tells Ron not to let his feelings destroy a friendship that he cherishes, and instead, invites Ron to come to him and talk about whatever he wants as a way to get things off his chest. Cale reasons with himself that he already does that (in some capacity) with Draco since the second year so having Ron do this too is not that much trouble now.

From there, things progress normally. During the Yule Ball, Cale attends with Susan Bones. The two discussed the happenings in the previous year and what happened this year as well. Susan is well aware that Harry couldn't have gotten into the TriWizard Tournament without someone else putting his name in the Goblet, and she feels pity for Harry, who has to deal with so many things happening to him. Both Susan and Cale decide that this year protecting Harry and finding who made him part of the Tournament is the most important thing. Both also remark how Rita Skeeter is a very annoying type of journalist and that if she becomes a problem, both of them will do their best to deal with her.

On the day of the last task for the tournament, the Weasley Twins decided to pull a little prank and, though sheer bad luck, Cale ends up being the one that the prank falls on. Cale has to change clothes due to the twins' prank, and a Hufflepuff student tells Cale he can take his spare robes. (The Hufflepuff kinda like Cale ever since Susan vouched for him despite being a Slytherin.)

Cale takes the offer. Feeling that something is about to go wrong, Cale asks Harty before hand if he can borrow the Invisibility Cloak. Harry, although confused, accepts.

When the third task starts, Cale sneaks into the labyrinth with the Invisibility Cloak and tries to stay around Harry to make sure he will be fine. Cale loses sight of Harry at one point but finds Cedric Diggory, a 7th year Hufflepuff student and gives himself away in his haste. When Cedric asks Cale why he is there, Cale tells him he is not there to intervene with the Tournament, he is just there to make sure Harry makes it out in one piece. Liking the loyalty Cale showed and fully agreeing that Harry is in need of protection, Cedric tells Cale he will help Harry if he is in a any trouble. Cale thanks him and the two make their way through the maze, later meeting Harry at the place where Cup was.

When Cale realized that the Triwizard Cup was a Portkey, Cale also held onto the Cup being transported with Cedric and Harry to the graveyard where Peter Pettigrew was. When Peter tries to use Avada Kadavra on Cedric, Cale employs the "magic refection" technique he read in the Chamber's library, casting Protego and praying that the Unspeakable Curse will bounce off the shield he created. It does happen, but Cale miscalculated and Harry still ends up injured and his blood is used to raise Lord Voldemort from the grave.

Voldemort and Harry still duel, which resulted in the Priori Incantatem still taking effect. Thinking fast, Cale tells Harry to come behind him with Cedric and sets up a new shield. This buys the three kids time, as Cale tells Harry and Cedric to take the Cup once again while their are under the shield so that they can go back. When the two ask Cale what he will do, Cale just tells them he will be fine. Once they are gone, Cale turns his attention towards Voldemort and his followers. Voldemort is indignant at the attitude of a mere Hufflepuff child and fires another Avada Kadavra. Cale knew that if that spell hit the shield will not save him. As such, Cale did another stupid thing: he used a type of magic he only read about before, Apparition.

Cale ends up in the Forbidden Forest, with a shoulder injury but otherwise alive after his 1ts successful Apparition.

Later on, after Cale makes his way back to Hogwarts, he finds out that both Harry and Cedric are alive and well. Harry and Cedric were worried sick about Cale but unanimously decided not to mention Cale's presence in the graveyard because they know Dumbledore doesn't like Slytherin students and they both fear Cale will be in trouble.

When Dumbledore talks with Harry in private later, Harry keeps in mind that Cale warned him not to trust Dumbledore. Cale's works seem to be proven right when Harry noticed Dumbledore looks triumphant when he hears Harry's blood was used to bring Voldemort back to the living. Feeling hurt, Harry seeks out Cale to tell him thing, and Cale comforts Harry as best as he can.

A bit later, Cale tells Harry, Hermione, Ron, Draco, and Cedric to meet up to discuss what happened during the tournament. Cedric shows up and brings with him most of the other classmates who also feel something is weird about this. When Harry tells about his conversation with Dumbledore, everyone is quite mad because they don't like that Dumbledore went to the extreme of putting Harry's name in the Goblet to use him as a pawn in his own schemes. When someone points out that Barty Crouch Jr. who disguised as Mad Eye Moody could have done that, Harry points out that Moody was Dumbledore's friend, so would Dumbledore really be fooled by Barty's act?

When that was pointed out, everyone became quiet. Cale breaks the silence by telling everyone that whatever is happening will not be resolved by the Ministry of Magic. Susan backs Cale up, stating that her aunt told her that Fudge is not as reliable as people think.

Cale proposes everyone to work together from the inside of Hogwarts since they will most likely be in danger, most are skeptical - especially Ron who doesn't trust Draco or any of the other Slytherin that much. Cale tells Ron it is understandable for him not to he OK with this arrangement but if they don't work together, the ones that will lose will be them.

Someone asks Cale if he has a plan since he is so sure of what he said. Cale looks at Harry, who nods in response, and says: "Harry and I have a plan. It's risky and very difficult to put in action. But my main question to you all is: Do you trust us?" The others nodded, some faster, others more reluctant. Cale smiles and then proceeds to tell the: "Then trust me when I say, we need to help the Slytherin students to be on our side. They are just kids. They are scared more of their parents' words/actions if they disobey, rather than the consequences of their blind loyalty. That undying piece of shit is using them as a means to an end, and when their usefulness expires, he will get rid of them. Just because they are Slytherin doesn't mean they don't deserve to be helped." Harry takes it from there: "Which is why we want to show them that they still have a choice. Cale has tried his best until now to make his fellow Slytherin understand that, but to no avail. Now, if we work together, we might just be able to save them from all of this."

Draco is a bit surprised by this since he never realized Cale tried to help the others in the Slytherin House. Cale, seeing his reaction, explains to Draco that when dealing with Slytherins, you can't show too much that you are against the Dark Lord's orders since that will immediately alert them. The Slytherin kids know that if someone betrays the Dark Lord, they should tell their parents, or they will be called an accomplice to their betrayal. So Cale cannot be upfront with the others, but putting seeds of doubt in their minds is better than nothing at this point. If they play their cards right, the other Slytherin will doubt the validity of the Dark Lord's words at one point or another. What they need is to make that happen sooner.

The meeting ends with that and with a confirmation from Cedric that he will help Cale with whatever he needs over the summer. Cale tells Cedric, Draco, Ron, Hermione, Harry, Neville, Luna, Susan, and Terry to meet him again during the summer because he needs their help with something that is essential to their plan.

(After the meeting, the Hufflepuff house pretty much adopts Cale as well. Especially after Cedric tells them that Cale saved his life during the confrontation with Peter Pettigrew and later with Voldemort. When they realize Cale's shoulder is still hurt after the Apparition, the entire house puts Cale into blankets and makes hot chocolate for him. Cale, albeit confused, doesn't complain)

During the summer, the group meets up and, amidst all the planning, they bond. Draco becomes more friendly with Harry and his group, much to Cale's approval. Meanwhile, everyone starts seeing Cale as the leader of the entire movement/group, although Cale remains oblivious to that. Harry is officially put under Sirius's care during this time, to Dumbledore's disapproval. (Not that there is much he can do about it since the Ministry of Magic not only approved of this but pushed for this to happen. All thanks to Amelia Bones, btw.) Because of this new arrangement for Harry, Cale ends up visiting him at 12 Grimmauld Place during summer and, though Cale honestly doesn't know why, Kreacher takes a liking to Cale, while still disliking Sirius and, somewhat, Harry too. (Look, don't ask Cale. He was just polite to Kreacher. He was taught to be polite to older creatures since young goddammit)

Also, Cale and Harry get some useful updates on the research for a way to get the Dark Magic out of Harry from Rodnar and the staff at St. Mungo's Hospital for Magical Maladies and Injuries. All in all, the summer passes quickly for everyone. Especially with the hearing Harry has to go through in August - thanks a lot, Dumbledore - but at least now they know fully that no one believes that Voldemort is back. They can cross out the idea of going to the Ministry for help in this situation.

Then, the fifth year starts, and everyone is introduced to Dolores Umbridge, their new DADA teacher for the year.

When Harry first gets the Umbridge Detention experience, complete with the (illegal) enchanted quill, it is Cale that he chooses to go to first. Cale, although enraged with Umbridge, tells Harry to keep his head down and try not to go against Umbridge. When asked why, Cale replies with: "I have a plan to deal with her, but I need you and everyone else to keep out of trouble for now." Harry, reluctantly, agrees to that.

Meanwhile, Cale poses as a perfectly obedient student in front of Umbridge, telling her that his father has chosen him as the successor to the family business and that he has to conform, and, as such, he won't be able to join the little army of students she is making. Umbridge, seeing that as a pertinent excuse, agrees and notes that Cale and his family would be a wonderful addition to the Dark Lord's army, especially once they are swayed to his side. Cale, on the other hand, is actually digging for misdeeds of Umbridge so he can report her.

To make sure that the report would actually work, Cale meets with Snape and asks what the requirements for a Hogwarts teacher are to be expelled from their position. Snape, guessing where this is going, tells Cale that there needs to be 3 wrongdoings recognized by the Ministry of Magic (with proof) for the teacher to be expelled. He also warns Cale that he will not hesitate to expell Cale should he be found out to be the one behind whatever he is trying to do. Cale takes that as a challenge and asks Snape for a favor: to give Cale lessons in Occlumency. Snape does agree. However, he states that the lessons will stop the moment Cale makes one mistake or the moment he thinks Cale's little scheme to get rid of Umbridge (which Snape also wants to happen mind you) will be found out. And so, before in October, Cale's first lessons in Occlumency begin.

During this time, Cale works with Harry and the others and creates the Hogwarts Army, once it is clear they won't learn anything from Umbridge as their DADA teacher. They use the Chamber of Secrets as their true meeting spot, with the Room of Requirement as a front. Meanwhile, Draco, who is part of the group created by Umbridge, named the Inquisitorial Squad, is trying to do as Cale told them at the end of last year - to place seeds of doubt in the minds of the other Slytherin students. Draco chooses to do so by pointing out that Umbridge's temperament is getting worse - today she was screaming at some 2nd year kids from the Hufflepuff house, and tomorrow she might just start screaming at us. To divert suspicion from himself, Draco just says that he just finds the old hag's attitude annoying since she is merely a half-blood compared to most of the Slytherin students who are pure blooded and that if she ever rises her voice at us then should we, pure-bloods, just stand there and take it? ("My father will hear about this" intensifies)

This attempt does plant some doubt in the others although Draco sees it as a failure.

Until Januray, Cale puts his little scheme in action. First, using the Occlumency Lessons from Snape, Cale makes sure to create a pensive containing the memory of Umbridge stating that she is part of the Swayer Family - which he will use later in the year. Next, after digging into Umbridge's past, he strikes a deal with the Ghosts of Hogwarts - including Peevees - that has them spreading rumors around about Umbridge and whatever mistakes and scandals he could find in her past. Finally, he contacts Kim Rok Soo with these findings and urges his uncle to finish his part of the plan before coming to Hogwarts to take care of Umbridge.

When Harry has his vision of the attack on Mr. Weasly, instead of bringing it up to Dumbledore, Harry finds Cale and tells him that they need to start putting their plan in action. This leads to Harry still taking Occlumency Lessons, but instead of Snape teaching him, it is Cale (who took the Polyjuice Potion to look like Snape) that teaches him. This is merely a front for part of their plan. Since they know now that Voldemort is the owner of the Dark Magic inside Harry, the two want to use this connection Harry has with Voldemort to find out about the locations of his Horcruxes. The principle they use is something studied by Salazar Slytherin, who writes in his library that there is a way to feed false information to someone but that person's mental state should be less than perfect for it to work. Combined with the knowledge that whomever attempts to create a Horcrux will have their mental state damaged, Cale and Harry decide they can actually try this on Voldemort. So Cale teaches Harry how to implant imaginary situations inside Voldemort's head, with Voldemort thinking that these are Harry's actual memories that seeped through their connection rather than just made-up scenarios. In the meantime, Harry learns about the Horcruxes: the diary they have destroyed during their 2nd year; the Gaunt's Family Ring that is currently in Dumbledore's possession; the Slytherin Locket - location unknown; the Hufflepuff Cup - location unknown; Ravenclaw Diadem - location unknown; and finally Nagini, who is always with Voldemort.

Knowing they have to destroy these items, the two start searching for them using the easiest way they could think of - asking Hogwarts. Cale asks Hogwarts if there is any room inside that castle that has a Horcrux inside of it, and, in response, Hogwarts opens the way to the Room of Requirement where the two find Ravenclaw Diadem - after a long time of searching.

From there, they announce Rodnar and the Gringotts Bank about the fact that there are more Horcruxes than anyone could have guessed and tell them what items they are. Knowing this, the Goblins make an inspection of the vaults in search of a signature of dark magic, finding the Hufflepuff Cup and giving it to Cale. With 2 Horcruxes in their hands, 1 already destroyed and 1 in Dumbledore's hands, the two decide that the Slytheri Locket should be their next target. But, with no concrete location for it yet, the two turn their attention towards dealing with Umbridge, who has been getting more and more angry due to the rumors that were spread around by the Hogwarts Ghosts.

Umbridge's temperament is truly getting out of hand, for she even starts yelling at her own Inqisitorial Squad when the rumors don't stop. This makes the Slytherin doubt their choice of loyalty even more since Umbridge is a half-blood and she is allowed to yell at them (pure-blood wizards) and the Dark Lord seems to not have heard or done anything about it.

In April, where Umbridge would become the Headmistress in canon, instead there is a visit from Kim Rok Soo, his teammates and 2 other officials from the Ministry of Magic because Cale sent the evidence that he found about Umbridge. They accuse Umbridge of "impersonation of a successor to a pure-blood wizard family" with the proof being the pensive that Cale send of Umbridge claiming she is related to the Swayer Family which turns out to be a lie. Next, they present the evidence of her taking bribes and other means of payment as a member of the Ministry, which is illegal by all means.

During these accusations, Umbridge becomes more and more furious, knowing that it was a student who organized all of this. Since the accusation scene takes place in the Main Hall with most of the students and teachers present, Umbridge sees Cale, who appears (to her) a bit smug. Knowing that even if she tries, she can't prove her innocence anymore, she decides to take Cale down with her. Umbrige uses Crucio on Cale, which causes him quite a lot of pain.

Meanwhile, Cale is very much aware that there is a chance that Umbridge will attack whomever she thinks is responsible for her downfall. He, however, is fully ready to take whatever Umbridge will do because 1. it will only serve to incriminate her further and 2. Cale was the one that came up with this plan, he will not let someone else take the fall for him. (Although Umbridge casting Crucio was not in his plans)

The pain that Umbridge's Crucio brings Cale is quickly stopped by Kim Rok Soo who punches Umbridge and leaves her unconscious. (Go get her, Rok Soo!!!!)

This incident happens in front of the already doubtful Slytherin students, who know (read: think they know) Cale is innocent and immediately jump to help him since he is pretty much down for the count, Draco and Blaise being the first ones to try and see if Cale is alright. Harry and the others then point out that this is not the only time Umbridge has resorted to punishments such as these, telling the officials of the Ministry about the enchanted blood pen that Harry was forced to use in detentions. (To say that Snape and McGonagall weren't horrified was a lie) Other students, including the Slytherins, came up to tell about how Umbridge kept yelling and blaming them for every little thing that went wrong for her.

Cale was taken to the infirmary where he is recovering, while Kim Rok Soo is very much aware that Cale might have even planned for himself to become a target of Umbridge to further incriminate her. Kim Rok Soo doesn't like that one bit. He tells as much to Snape in private (with whom he is still friends btw) and asks Snape to look after Cale. Kim Rok Soo is not able to stay long since they have to get Umbridge to an interrogation (Kim Rok Soo promises to make her scream during it btw) and, later, to incriminate Fudge who was responsible for putting Umbridge in charge of children at Hogwarts. (In other words: Operation "Ministry Take Over" is a go!)

A few days later, Cale wakes up at the infirmary. He is still in a bit of pain, but not nearly as much. Snape is the one that stays with him and the one that is there when Cale wakes up. Snape does tell Cale that what he did was extremely dangerous and stupid (2 attributes that are very much Griffindor-esque), Cale counters with "I can't just let her send a Crucio at another, probably, even younger student, right? Also, how was I supposed to know she knows Crucio of all spells?" Still, Cale does get a lecture from both Snape and, later, McGonagall. And it's not like his friends (from any house) are pleased with this either.

After this, things go back to normal. However, in May, Cale gets a letter from Kreacher. Kreacher feels like Cale and the late Regulus Black share a lot of things - specifically their desire to make things right. In the letter, Kreacher states that he knows where the Slytherin Locket is and that he knows (from the Goblins that he converses with) that Cale is after the Horcruxes. Kreacher says he is willing to give the Slytherin Locket to Cale as long as Cale promises that what they are doing will bring justice to the death of Regulus Black, the last member of the Black Family that Kreacher actually cares for. Cale sends back his promise to do so and tells Kreacher he could come and see that the promise is kept towards the end of the year.

When the O.W.Ls begin and Harry has that vision of Sirius dying, the group knows it is time to move. Harry and Cale instruct the remaining members of the Hogwarts Army to be in full alert mode, knowing that Voldemort plans to keep Hogwarts occupied by sending an army of Dark Creatures while he is at the Ministry of Magic. Harry also tells Sirius to not, under any measure, come to the Ministry of Magic - advice which is ignored and Sirius even brings Remus along since he was there when Harry sent the message. (Thankfully, Kim Rok Soo intercepted the 2 idiots or they would be dead)

Cale, Harry, Draco, Hermione, Ron, Neville, Luna, Terry, Susan, and Cedric go to the Ministry of Magic, fully aware of Voldemort and his Death Eaters being there, but also fully aware that they have a plan.

The final showdown happens in the Department of Mysteries, where Cale has convinced his uncle, Kim Rok Soo, to set up the trap that they need to get rid of Voldemort once and for all.

When Voldemort and his Death Eathers (Bellatrix included, but no Lucius) appear, the trap activates, and there appears an array under their feet. The ten kids start their incantations (all of them having different ones, mind you), and a shield separates Voldemort and his minions from the kids. As they continue their incantation, Voldemort tries to use Avada Kadavra on Harry or Cale, but the shield redirects the spell towards Voldemort himself (tho it doesn't quite hit him). Bellatrix is also trying to use any spell against the kids, Neville in particular, but they are also bounced back. Seeing that their spells are ineffective, Voldemort and his minions resort to taunting to make even one of them lose their concentration, which could lead to the array breaking. Bellatrix starts taunting Draco saying things like "If your parent saw you doing this, they will do everyone a favor and kill him on the spot" or "You are a traitor who sided with the mugles. Do you really have no shame or respect for your pure-blooded origins?". Draco, although he is deadly afraid of his father's opinion of him, is also fully aware that he had never felt more at ease than when he is around Cale and the other. He, aware of the consequences, decided to take matters in his own hand and chose his own path - and he chooses to help Cale and Harry. He doesn't falter in his incantation, nor does he fall for the taunts of Bellatrix, which annoys her.

Voldemort, meanwhile, is going back and forth between trying to get a raise out of Cale and Harry or trying to recruit Cale in his army by telling him about the power he will be given. Neither budge.

When the incantations are complete, Voldemort and his minions find themselves sealed inside a crystal ball. The walls of the crystal ball basically absorb any spells thrown at them and reflect them right back. This makes Voldemort and his minions into a non-existent threat. Cale even taunts Voldemort saying that only our blood can get them out of the crystal balls now. The 10 kids congratulate each other for a job well done. Before they leave the Ministry, they meet with Lucius. Voldemort and Bellatrix are gleeful, thinking that Lucius will kill the kids. The one that speaks up is Draco, who tells Lucius not to get in their way. Lucius looks at his son, lowers his wand, and let's them through, telling Draco that he is proud of him. Voldemort and Bellatrix call Lucius a traitor, but Lucius looks at them as says: "The only one I was ever loyal to was my family. You are not part of my family" before ruffling Draco's hair and leaving. Draco is still in shock (but also very happy) even after they leave the Ministry and go to Hogwarts.

Meanwhile, at Hogwarts, the rest of the Hogwarts Army decides to take part in the fight against the Dark Creatures sent by Voldemort, much to the disagreement of the teachers. During the fight, Slytherin students also enter the fray on the Hogwarts Army side. Most of the Slytherin students were already against the Dark Lord after seeing how Umbridge behaved towards them and how she attacked Cale. Now, they make a full statement by fighting against the Dark Lord. The fight ends without casualties - the injuries the students get are not death threatening.

When McGonagall and the other teachers (including Dumbledore) are about to ask/scold the children for their recklessness, Cale and the others return with Voldemort and his Death Eaters in the crystal balls. When Cale starts explaining the plan that has been in the making for the last 3 years (at least), Cedric, Ron and Neville dissappear for a while, only to return with the Hufflepuff Cup, the Ravenclaw Diadem, and the Sword of Griffindor and a vial of Basilisk Venom in hands.

Cale tells everyone present of what Voldemort did to his own soul and how the items that were brought here are some of the Horcruxes. Ron takes the Sword of Griffindor and puts Basilisk Venom on it, before bringing it down onto the Cup and the Diadem, destroying 2 of the Horcruxes in front of Voldemort.

Luna and Hermione look at Dumbledore and tell him to give them the Gaunt Ring that they know is with him so that it can be destroyed too. During all this, Cale explains how he and Harry came across the connection between Harry and Voldemort and how they used said connection to make sure that they found the Horcruxes. When Occlumency is mentioned, it finally clicks for Snape what Cale used his lessons for. When Snape asks Cale why he couldn't tell him directly of his plan, Cale says: "You were already in a lot of danger since you played the double spy for Dumbledore, Professor Snape. If I told you all of this, it might put you in even more trouble with either Voldemort or Dumbledore." (Cale has suspected that Snape was a double spy since the beginning but with no proof it was hard to even say this; the others started suspecting this during this year). The Ring is also destroyed, this time by Cedric.

Voldemort laughs since there are 2 more Horcruxes, and the kids don't have them. Cale stops him by calling out for Kreacher, who is waiting with Dobby to make his entrance. Kreacher gives Cale the Slytherin Locket and, while looking straight at Voldemort and Bellatrix, tells Cale to destroy it and finally fulfill the last wish of his late Master Regulus.

Cale takes the Locket and looks at Kreacher, who nods. He takes a breath and speaks, for the first time in front of everyone, in Parseltongue, and thus opens the Locket. Once open, he holds out his hand to Cedric, who gives Cale the Sword of Griffindor, and Cale destroys the Slytherin Locket. Now, 5 of the Horcruxes are destroyed. But there is still Nagini, who is still missing.

When Voldemort points that out, Harry looks at the clock and tells everyone to wait a bit.

After a while, Kim Rok Soo (together with 2 dogs *cough* Sirius and Remus *cough*) enters the Main Hall and says: "Sorry I was late. I was snake hunting, and I found 2 dogs on the road as well, " and points to Nagini (who is struggling against some magic binds) and Sirius and Remus, who look like confused puppies.

Cale and Harry tell them they were just in time. Cale then looks at Voldemort and states: "I thought about how you deserve to die, Voldemort, and I felt like a quick death is too kind for you after the amount of trouble you gave everyone. So, I decided I should let you die the death you fear most: the death of muggles. No death in a battle, nor by a sword. But by starvation. Slow and painful."

While Cale was speaking, Kim Rok Soo brought Nagini closer. However, in a last-ditch effort, Nagini manages to free herself from the bindings and makes a dash to bite Cale. Neville, although scared, takes the Sword of Griffindor from Cale's hands and kills Nagini, protecting Cale.

And with this all the hope Voldemort ever had vanished as Nagini dissipates.

Everyone congratulates Neville for his bravery, although Neville doesn't feel like he did anything much - he just says that his body moved on its own and that this was by far the scariest thing he ever went through.

Cale and Harry share looks, and then they say things aren't really over yet. Cale passes Harry a bottle of liquid and tells everyone that Voldemort has one more Horcrux, one not even Voldemort knew about - Harry. He then proceeds to tell everyone about their findings at the end of the 2nd year and what the St Mungo Hospital found as a solution - it is a potion that will expell any magic in someone's body, be it theirs or someone else's. Harry says he will take the risk that the potion poses because he trusts Cale to bring him back if something goes wrong. Harry then proceeds to find a chair nearby and sit down. He drinks the potion and slowly falls unconscious.

Cale keeps a keen eye on him the entire time while explaining how the potion works. Whoever takes the potion will have their magic slowly seeping from their body into the air around them. This can kill the person, which is why a maximum of 5 minutes of unconsciousness is the amount permitted before someone actually dies. If the person who took the potion spends more than 5 minutes into unconsciousness they will defines die.

During the next 2 minutes, everyone witnessed a black fog exiting Harry's body, and after it is fully gone, Cale goes to Harry and makes him drink another potion, the one that will wake Harry up.

During his sleep, Harry enters the Limbo, where he meets and talks with a young Tom Riddle who feels very guilty about everything that Voldemort has done. He apologizes to Harry for all that he went through and explains that the piece of Voldemort's soul that Harry had inside of himself was the last piece of humanity that Voldemort possessed. Tom then explains that he had tried to stop Voldemort from going down the path he did, but he was always brushed aside. Voldemort created so many orphans when he himself lived the life of an orphan before. Voldemort went against everything that was his old person when he killed Harry's parents and tried to kill him. So, when the opportunity appeared, he attached himself to Harry and tried to help warn him of Voldemort's presence around him. Harry says that it is not his fault, for he tried his best and failed. As such, Tom has no reason to apologize, and the one who should feel guilty is Voldemort and not him. Tom thanks Harry before saying that he will spend his remaining time here, in Limbo, as he waits for Voldemort's remaining soul to follow him into death. He also tells Harry not to worry, for he has made peace with Death and is ever eagerly awaiting the slumber now. Before Harry comes back to reality, Tom tells Harry to live well and cherish his friends.

Once awake, Harry asks if it worked, and Cale answers with a resolute yes. After this, he is hugged tightly by Sirius and Remus, who were worried beyond words.

Cale takes the crystal balls containing Voldemort and his minions and gives them to Kim Rok Soo for safekeeping. When asked why Kim Rok Soo gets to keep the crystal balls, it is revealed that Kim Rok Soo took over the position of Minister of Magic after he and his team arrested Fudge after it was found out that him and a good chunk of the Ministry of Magic were supporters of Voldemort. Kim Rok Soo referred to the whole thing as a "Well needed sping cleaning" and mentioned that most of them are currently in Azkaban or awaiting trial. He also mentions to Dumbledore that he is also on the list for the amount of sketchy things he had pulled over the years and that because of this, from the next year onwards, either Snape or McGonagall will be Headmaster/Headmistress. Snape immediately gives the position to Minerva, stating he is already done with children for the rest of his life. Everyone laughs at that, and Rok Soo says gleefully that Lee Soo Hyuk owns him money now, which earns him a glare from Snape.

And so the 5th year ends. Voldemort and Bellatrix are basically waiting for their death in the crystal balls, and the other Death Eaters (bar Snape and Lucius, who are exceptions - one because he worked for the Order of the Phoenix; the other because he turned himself in and even turned other Death Eaters in so Kim Rok Soo decided to lighten his sentence to a life of working for the Ministry under a blood contract) were hunted down and send to Azkaban.

What no one knew was that while everyone was high on the relief of getting rid of Voldemort or focused on getting the Death Eaters, Voldemort was visited by an individual. This individual wore a mask and was very disappointed in Voldemort: "Taken down by a bunch of kids? Tsk, tsk, tsk. This is why you were never going to be the strongest wizard - no matter what you wanted or sacrificed for it" said the masked man. "Too bad. I didn't think I had to take the stage this early but oh well. I would say you were useful for as long as you existed, but I would be totally lying. Enjoy death, Tom Marvolo Riddle." said the masked man before putting Voldemort out of his misery, his body dissolving inside the crystal ball.

Even though Cale and Harry expect their 6th and 7th year to be way less eventful, what awaits them is a fateful meeting with the one that calls himself "White Star."

A war is on it's way and they can only hope to survive.

And done. Thank fuck this was long as hell, but then again, I did go through 5 years worth of events for this fic. And, I still have some little details I need to speak about:

Cale was born on the 8th of November 1979. This makes him 11 on the 1st day of year 1 at Hogwarts, and he turns twelve just a bit after the Troll Incident.

Cale is extremely happy to have someone like Kim Rok Soo in his life, and he is also very grateful for his presence. Kim Rok Soo feels more like an older brother that Cale never had, rather than an uncle.

Cale's boggard is... well, himself, in a way. After his mom died, Cale tended to lash out at everything and everyone. He fears returning to the type of person he was back then, when he would say hurtful words even to Kim Rok Soo.

Kim Rok Soo took Cale around with him and his team during the summers after the death of Jour, mostly to make Cale have some good time and a change of scenery.

This is how Cale met Alver in France. (I swear I can't NOT have Alver as French. He looks like he would eat a baguette and correct your pronunciation of "croissant" - I know you think the same now)

Here, Choi Han is Choi Jung Soo's nephew. Choi Han goes to Drumstrang btw.

Ron and Beacrox are still serving the Henituse family. (Cale also feels guilty for saying bad things to them as a child)

Bansen is a muggle, but Lily turns out to be a half-blood. This is one of Cale's main reasons for going against Voldemort - a world where Voldemort wins means a world where Bansen and Lily can't live.

There are a ton of things that I haven't even mentioned: like how many people Cale (unwittingly) befriends at Hogwarts; Cale also stress bakes (which makes him share whatever he ends up baking with other students, which results in him being liked because who would turn down baked goods?); Cale is friends with most of the Elves and they like Cale because he is nice; Cale and Hagrid become good friends because they share their adoration for magic creatures; Ron admits that Cale has "balls of titanium" after he approached Fluffy without fear - and ever more so after meeting Aragog; Blaise feels like he is the only truly normal and sane Slytherin whenever he watches Cale;

I want to introduce Raon, Ohn and Hong, but I dunno if they should be introduced from year 1 or if I can introduce them during Year 6.

Cale, as always, destroys White Star's evil plan in 2 years tops while juggling graduation and studies. For reference, taking down Voldemort basically took 5 years, so yeah, WS should be ashamed since his minion was harder to deal with.

You read that right, Voldemort was thrown down the road he went by White Star. He was the one who actually gave Voldemort the information about Horcruxes.

I want to mess with the canon because canon is dead to me for the most part. This also means I want to make new ships. I wanna put Draco with Ginny (it will work out later on, I feel); Harry either with Hermione or Hannah Abbott; Neville Longbottom with Luna Lovegood; Cale might get together with Susan Bones (political power couple these 2 are); Ron either with Hermione (like in canon, if Harry doesn't end up with her) or Lavander Brown. Trust me, I know the ships are weird but if the narration works, the ships will also work.

Harry and Cale kinda end up like brothers - mostly because they have the same amount of bad luck and they end up in the same shit-show together.

Cale feels indebted to Fred and George Weasley after the prank from year 4 because he was in Hufflepuff robes instead of Slytherin robes when Cale went against Voldemort, so he was kinda saved from a lot of trouble. Cale literally tells them "Whatever you need, whenever you need it, as long as I can get it - it is yours".

Lee Soo Hyuk becomes again the leader of the "Supernatural Prevention Team" after Kim Rok Soo becomes Minister of Magic. He is still laughing since Kim Rok Soo ended up with even more paperwork to do than him. (This usually ends with Rok Soo giving him more paperwork to do)

Rok Soo might end up with Severus Snape... at least as an implied relationship. They have been friends since Jour basically forced them to become babysitters for her in Hogwarts and implicitly trust each other.

Lucius is more loyal to his family than to Voldemort here, which results in him just turning his back to Voldemort once it is clear he is dealt with. He never wanted Draco to end up as a Death Eater and is very proud he never did.

After the confrontation with Voldemort at the end of Year 5, Draco can perform a Patronus Charm. His Patronus is a Falcon.

And yes, Draco actually gets friends and a personality beyond being just a bully in the first 4 books/movies. Like seriously, let him be a child, and he can change for the better goddammit. (Cale will be a good influence on Draco, but, essentially, Cale is bad for Draco's heart rate because he is damn crazy)

Kim Rok Soo's Patronus is Runespoor. Choi Jung Soo's a St. Bernard. Lee Soo Hyuk's is a Crow.

I haven't planned out Year 6 or 7 yet but I do know that White Star quickly became a problem for everyone.

Also, during years 6 and 7, the Thames family and the Pevrell family became more important. I know I want Death to still be intertwined with White Star and the 2 families. (And yes, Death is still very much a whining child that wants either Cale or Harry to take his place like in the TCF/LCF canon)

Cage and Taylor are working at St. Mungo's Hospital. They are the ones that create the potion for Harry.

Dumbledore will answer for the bullshit he pulled - especially, for putting Harry with the Dursley's and keeping him there, whether he knew about the abuse or not. He will also answer for the whole "Sirius's missing trial" thing.

Yes, I am giving Sirius therapy. You can't expect him to take care of Harry without going through therapy first, can you? Some other kids will also get therapy through osmosis from Cale himself.

I will also explore Jour's time at Hogwarts as well - probably in a separate series, like a prequel. Also, the reason Kim Rok Soo, Choi Jung Soo, and Lee Soo Hyuk are in Britain is because their families fled Korea after the Korean War that ended in 1853. Kim Rok Soo is around 34 when Cale is starting Hogwarts, just for reference.

Cale is very mature for his age, and Kim Rok Soo kinda hates it because, to him, Cale is still a baby, and he needs to be protected. But fate said a big "Fuck You" to both of them.

This is all my brain is capable of rn. This damn thing took 2 weeks to write - because I couldn't stay and write it in one go like many of my other ideas.

So what do you think? Good? Bad? That I am high on magical mushrooms with this?

Hopefully, you had fun with my ramblings despite the length of this idea.

Either way, I hope you have a great day/night and that you take care of yourselves!

See you soon (because I need to recharge after this),

- TooManyPlotBunnies- Send Help

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elisysd · 9 months

Text

Green Light - Lorde

Masterlist - Previously - Next Chapter

But honey I'll be seein' you down every road I'm waiting for it, that green light, I want it

The three Grand Prix that followed for Charles were rather uneven in terms of results. A P4 in China, a P5 in Miami but a fine victory at Emilia-Romagna which gave him confidence for Monaco. He was looking forward to racing in his hometown, on the streets he knew by heart, and especially in front of Lyanna. It really was a special Grand Prix for him, but this year even more so.

As for Lyanna, she had just finished filming Ferrari just in time to start promoting Flowers and Crown. The movie was due to have its premiere on Friday evening, the week of the Grand Prix, and she was also expected in Cannes the day before for the festival with the entire Ferrari film team, who were among the guests of honour. Charles would be joining her, and she knew that Kika and Pierre would be there too. The opportunity for a double date for the couple of friends before the wild weekend in Monaco got underway.

Lyanna was dreading the moment she would meet David again. She hoped he wouldn't make things more complicated than they had to be. She wanted to get the promotion of the film over with as quickly as possible, especially as she suspected she was going to be asked questions which would have more to do with a certain Ferrari driver than with the film. But she couldn't really blame the journalists, as most of the promotional activities were taking place in the middle of the Monaco Grand Prix.

Charles had returned from Italy the day before, but Lyanna had the impression that they had barely crossed paths. He was very busy with press duties and she was going back and forth between Nice and Monaco to sort out the final details before starting the events to which the film crew had been invited and the interviews. Her mind was everywhere and nowhere at the same time, and she barely had time to sleep or rest. So when she arrived at the hotel in the heart of Monte Carlo, where she was going to spend the day answering the same questions and pretending to have a complicity with David that didn't exist, she was delighted to see the team of make-up artists who were going to take care of her. Once she was ready, she went to the lounge where the PR officer, David and a young blonde woman whom Lyanna didn't know were present.

“Lyanna, thank God you’re here. I was just briefing David about what you can expect from today.”

She began to explain everything to Lyanna, who pretended to listen to her as she nibbled on a croissant. She watched with curious interest as David and the pretty blonde talked and laughed together. They looked close. David's attitude was also more relaxed than she remembered. He didn't seem like the complete asshole she'd met almost a year ago.

“And I think that’s all I had to say for today, did you understand everything Lyanna?”

“Yeah, sure. All is good.” She absent-mindedly said.

Soon David, the girl and her were the only person left. Feeling her gaze on him, David turned and approached her.

“Lyanna, hey… long time no see.” He greeted her.

“Yeah…”

“Well… Here’s Hanna. My girlfriend.” He presented the so-called Hanna who waved shyly to Lyanna who gave a little smile.

“Girlfriend? Well, that was definitely something that I was not expected.” She repeated surprised.

“Me neither, to be honest. But you know what they say, we find love in the most unexpected places.”

He took his girlfriend's hand and gave her a long, loving look.

“Where did you guys meet?”

“An art gallery in New-York. I was looking for something for my apartment and she was working there. We bonded over Banksy and Van Gogh and the rest is history.”

“I didn’t know that you liked art?”

“Actually, I studied art history in uni. Before acting. How could you have known? We’ve never really talked.”

“Yeah, that’s because you were an ass to me and everyone.”

“About that… I want to apologise. I got time to self-reflect and most specifically since I’ve met Hanna and I know I’ve been awful to you. And for that I want to apologize.”

Lyanna nodded. Hearing him saying sorry was the last thing she expected while coming today. But it felt nice. Maybe promo wouldn’t be that bad.

“I appreciate, thanks. It doesn’t erase everything that you did and say but it feels nice.”

David nodded to her before the PR rep came to fetch them for the interviews. As Lyanna suspected, some of the questions directed at her had more to do with her personal life and Charles than with the film. She tried to answer them courteously at first, but when the fifth journalist asked her another question about Charles and herself, she couldn't contain her annoyance. To her surprise, it was David who came to her rescue, skilfully diverting the subject. Then, the whole thing went on very quickly, and she barely had time to eat a few biscuits before going on to a photo shoot that didn't end until very late in the evening.

It was therefore completely exhausted that she returned to Charles' flat at ten o'clock in the evening, wanting to take a long shower and curl up in Charles' arms. Thinking about tomorrow was already giving her a huge headache, as she had to go to Cannes to get ready to walk on the red carpet. This time she was going without Charles, only with the Ferrari film crew, and with Charles, Pierre and Kika the day after. Glancing at her calendar, she wondered when she would even have a minute to herself.

When she entered the room, Charles was fast asleep. Without a sound or sudden movement, she crawled into bed. Charles feeling the mattress sag, moved slightly and unconsciously put his arm around Lyanna's waist to draw her to him. The young woman offered no resistance and soon fell asleep.

She had hardly had a good night's rest when it was time to wake up. Charles was still asleep but it was time for her to get moving. She made herself a quick cup of coffee before meeting her driver, who was due to take her to Cannes. The rest of the morning was a blur and soon Lyanna found herself flanked by Adam Driver, Penelope Cruz and Patrick Dempsey on the red carpet. The quartet spent the rest of the day in interviews before being invited to a party organised by one of the event's sponsors. Lyanna was handed a glass of champagne, which she drank while chatting to a group of people whose names she couldn't remember. Bored to death, she began to drink one glass, then two, then three. Having eaten nothing all day except some hors d'oeuvres, the alcohol quickly went to her head, so much so that one of the hostesses at the event, seeing that the young woman was beginning to feel unwell, forced her to return to the hotel after calling her a taxi.

Alone in her room, Lyanna collapsed on her bed without taking the time to remove her dress and shoes. She felt as if her head was going to explode and she was going to be sick. Mechanically, she picked up the phone and dialled Charles' number. It was nearly two o'clock in the morning and she didn't expect him to pick up, but after a few rings he did.

“Lyanna? It’s two in the morning, are you okay?”

“Charles…I just wanted to tell you I love you, very very much. Very a lot.”

“Very a lot doesn’t exist, love” he said with a smile in his voice.

“Now it does, because I said so.”

“Lya, are you drunk?”

“No. Yes. Maybe a little bit.” She confessed as she was giggling. “You’re cute, did I ever tell you that? And your hair is fluffy.”

“My hair is fluffy. Interesting, I’m going to say that to my mom, she will be happy.”

“I love you. I miss you.”

“So you’re a cute and clingy drunk. Good to know.”

“Do I bother you?”

“Never.” But still she could hear him repress a yawn. “Sleep, love. And drink water, okay. You’ll thank me tomorrow.”

“You come tomorrow, right?”

“I would not miss that for anything in the world. I love you, Lya. Very a lot.”

And Charles kept his promise. He met Lyanna again the next day for the red carpet and as they posed for the photographers, he realised for the first time in his life what it felt like to be someone's boyfriend. The cameras were flashing at Lyanna, she was the one being approached, the one they wanted to talk to. Charles wasn't important. It did him good, for once, to be in the background, but he also understood how Lyanna could feel when she joined him on the tracks.

They both met Pierre and Kika inside the building and decided to just stay together and watch the festivities from afar. Kika had to meet some brand executives while Pierre was enjoying the free food and drinks. Lyanna got to talk with a few people from the entertainment industries as Charles was watching her, in awe. Something Pierre noticed and had fun commenting on.

“I think there is some drool down the corner of your mouth.”

“Shut up.”

“You’re so in love it’s sickening.”

“You are no better.”

“At least I don’t look like a lost puppy whenever Kika is not around me.”

“I’m not… you know what? I’m not even going to comment on that.”

“That’s because you know that I’m right.” Pierre laughed.

“Laugh all you want, you’ll be less of a smart-ass when I’ll overtake you this weekend.”

“You know that you can’t overtake in Monaco.”

“I have an extra good feeling about this weekend. And Lya will be there, so nothing wrong can happen.”

“I’m praying for you, my friend.”

The group of friends didn’t stay too long at the event. The boys had to leave early in the morning to go back to Monaco where they both had press duties to get to. As for Lyanna she had to meet once again the Flowers and Crown crew for some events and interviews. She couldn’t wait for the weekend to be over to finally have some peace and quiet. To have a proper meal and a proper sleep, as well.

Finally, after what felt like an ever-lasting long week, Friday arrived and with it the free practice as well as Arthur qualification session that she and Charles were going to attend, along with Carla and Pascale. When she woke up, she was alone, Charles already gone. She wasn’t feeling well, she felt week and felt like each one of her movements was going to make her throw up. And she had not even eaten yet.

Pascale and Carla arrived a short while later with croissants and other pastries fresh from the bakery, as Lyanna was almost done making herself look presentable. As soon as she opened the door, the smell hit her and as her stomach had already decided to bother her since she had woken up, it didn’t take much for her to rush back to the bathroom and throw up. Pascale rushed to her side, holding her hair back to help her. When she finally stopped Pascale gave her a glass of water and looked at her worryingly.

“You’re pale Lyanna, you should rest, today. It’s just free practices Charles will understand if you don’t come.”

“But I want to go. It’s not only for Charles i want to be there for Arthur as well. Don’t worry, I’ll be fine. I think it’s just the stress of these last few days. The fresh air will do me good.”

“If you’re sure… but the first signal of you not feeling well, I’m sending you back home.”

But Pascale didn’t need to carry out her threats. By the time Lyanna was stepping inside the paddock, she was feeling much better. She didn’t feel the need to tell Charles about the morning as it was not such a big deal despite Pascale recommendations.

After the Free Practice, it was time to support Arthur. Charles brought Lyanna to the F2 paddock and they both find a quiet spot where they could enjoy the race without being bothered. Lyanna did her best to cheer on Arthur and it warmed Charles’ heart who took the opportunity to snap some pictures of her. He needed a new lock-screen. Arthur ended up P3 in qualifying, his best result up to date and Charles was so proud of him. Giving him a big hug as soon as he stepped out of the car. Arthur was still disappointed but Charles tries to did his best trying to find positive things to say to his brother. Lyanna could not help but to find that a little funny, knowing Charles.

“He is as hard on himself as you are.” she told him on their way back to the F1 paddock.

“I know, it runs in the family… I just want him to know how proud I am of him. I know how hard it is for him and how illegitimate he feels sometimes. It makes me feel bad because I know that it’s my fault.”

“You are a good brother Charles, he doesn’t resent you. He admires you and he wants to be like you. You are his hero. It won’t change.”

If Lyanna thought that her day would end after the FP2 and that she finally would be able to go to bed early, it was in reality far from the truth. Andrea and some friends of Charles were going to come to the flat for dinner. It was a little tradition that Charles had and that he wanted to share with his girlfriend.That’s how she found herself in the kitchen, at 8 pm watching Charles’ attempt to cook pasta under the astonished eye of Andrea.

“Stop judging me guys! You’ll see that they are going to turn out just fine. I’m telling you, it’ll be the best pasta you’ve ever had.”

Joris, who was near, didn’t try to hide the fact that he was recording the whole situation.

“I’m going to keep that preciously somewhere. It could come out handy someday.”

“I’m 3 seconds away to order an uber eats, I know that’s going to be a catastrophe.” added Lyanna.

“I just hope no one will be sick. I need him at the top for tomorrow…” worried Andrea as boiling water was coming out out of the saucepan.

“Guys! Have faith in me!”

Lyanna never ate such horrible pasta in her life. And from the look on everyone’s faces, she was not the only one.

“I didn’t know that it was possible to screw up pasta, yet you prove me wrong.” she told him as everyone was laughing, Charles included.

“Come on, it’s not that bad. It’s crocante! And I’m still going to eat them because in this house we don’t waste food!”

The day of qualifying, Lyanna woke up earlier than Charles with the need to throw up again. She still wasn’t feeling well. She was not feeling rested and her head was spinning a little. this ended up waking up Charles earlier than he expected.

“Lya? Love? Are you okay?”

“Peachy. I’m never eating your crocante pasta ever again. Look what you’ve done to me…”

“I’m so sorry, love… Do you want me to get you something?”

“I’ll be fine, please for the love of god don’t go near the kitchen… ever again.”

If the Friday was relatively calm for Charles and Lyanna, Saturday started to feel a bit overwhelming for her. As soon as they stepped out in the street to go to the tracks, people were there to congratulate him, encouraging him and wanting pictures or autographs from him. Charles was trying his best to accomodate everyone while making sure that Lyanna was okay.

Charles ended P2 in qualifying and everyone was so happy for him. Only Max had managed to snatch the pole from him by driving brilliantly. Charles had nothing to regret, he really had driven his best. But he couldn’t help but feeling as he failed. He wanted to win in Monaco so bad. He wanted to win for him, his family, his friends, his dad, Lyanna and for everyone that supported him. But his disappointment disappeared as soon as he saw Lyanna bright smile when he entered the Ferrari hospitality.

“P2, champ! I’m so proud of you!” she said as she stood up to hug him.

“Yeah, but it’s not pole position and you know how important it is to get it here.”

“Hey, both you and I know that the chances of safety car in Monaco are higher than anywhere else. With a good strategic call and no mistakes during the pit stops, you can definitely win. Everything can happen here.”

“Since when are you this knowledgeable on the topic?” asked Charles, surprised.

“I have a very good teacher who happens to race on the weekend. He taught me a lot. And he is also my boyfriend so that helps.”

“He seems like a good boyfriend. You’re lucky.”

“The best.” she said as she stood on her tiptoes to give him a kiss.

Sunday morning began to feel like every single day since Friday, with the throwing up, the feeling of not being fully rested and her head spinning. Fortunately, Charles had already left so she didn’t have to explain anything to him and he would not feel worried. It was the last thing he needed today. But Lyanna felt so much worse than the day before. She could feel her legs trembling and she could barely stand up. She tried to go back to sleep before Pascale and Carla arrivals but failed when she could feel her stomach not cooperating with her. She ended up giving up and decided to prepare herself some tea in the hope of making the nausea go away. She also tried to nibble on some slice of bread but thought it was tasteless. He head was pounding and she was hoping the ibuprofen she had taken would have a miracle effect.

She tried to hide her exhaustion behind a nice and glowy make up but it was not enough to fool Pascale when she finally arrived to take her to go watch Arthur’s race.

“You look like a ghost, Lyanna. Are you really sure you want to come, it’s just Arthur’s race, I would prefer if you were resting and be fine for Charles.”

“I won’t be able to rest, I know that. I prefer to go and try to forget how awful I feel.”

“Suit yourself, Lya, but you are worrying me.”

Lyanna spent most of the race sat in a corner with a bottle of water to keep her hydrated, on Pascale’s advice. Arthur finished the race P6 after a bad call from the team but he was nonetheless very happy with his result. It was the first time he finished his home Grand Prix and he was proud. And everyone was proud of him. Lyanna started to feel a little better by lunchtime, where she met Charles. They found a quiet spot in the hospitality away from everyone. Lyanna could tell Charles was anxious as his right leg couldn’t stop to bounce. It started to stress her out and she decided to place her hand on it and to squeeze it lightly.

“Sorry, it’s just a mix between anxiety and excitement.” he said to her as he was taking a bite of his avocado toast.

“It’ll be fine. You’ll be fine. And no matter what I’m proud of you. Even if it doesn’t turn out the way you hope it will, I’ll be there. Always.”

It was all the reassurance Charles needed to know that it would be okay.

Soon it was time for them to go back to the garage and for him to step into the car. Lyanna went to the back where Arthur was as well as Pascale. Right before being called by his mechanics and engineer, Charles toddled around his family to give them a hug and a forehead kiss for his mom. Then, he took Lyanna’s waist to pull her against him. She put both hands on his chest, playing with the scratch pads of his racing suit.

“Well… be fast. Come back to me. I love you”

“Always. I love you too. Take care of that for me, okay?” he asked, giving her the little red bracelet that Lyanna put immediately around her wrist.

A few moments later, the race began with Charles trying to pressurise Max, unsuccessfully. The Red Bull was fast and it was a matter of time before max took the lead comfortably, leaving Charles defending against George. Lyanna had to admit it, the race was boring, as everyone had told her it would be. But still she was still watching the screen intently, leaving a gasp when Lance lost the control of his car and ended up in the wall. His mistake led the deployment of the safety car and everyone was holding their breath waiting for Ferrari strategy. The call made was a double pit stop with the priority for Charles. A few seconds later, Lyanna could see from the corner of her eyes the number 16 red car stopping and making a great 2.2 seconds stop, which was great. Lyanna breathed a little bit better as Charles was back on the track, trying to catch up to Max. He was just three seconds away, but there was only ten laps to go and the gap between them remained the same. But at least Carlos who managed to get rid of George thanks to a missed pit stop from Mercedes. But at least, the podium seemed secure for Charles and Lyanna could start to feel tears form behind her eyelids. She looked at Pascale and Arthur that were in the same sate of happiness as her and even if everyone remained focus in the garage, you could feel the atmosphere had changed.

There were only five laps to go when Lyanna stood up and she could immediately feel that something was wrong with her. Her legs felt weak and she felt dizzy. She felt like the world was spinning around her and tried to hold on to something but failed as the world faded to black around her.

Charles did it. He finally made it. After all the DNF, engine failures, strategy fucks up, he finally was on the podium of his home Grand prix. Not on the first step as he would have loved to but on the second one. He would not lie, there were a few tears that were threatening to fall when he walked on the podium. His gaze scanned the crowed looking for his mom, his brothers and Lya. If he had no problems finding his family, it’s Lya who was nowhere to be seen. He was disappointed, his first podium here in Monaco and she was not there. He did not worried much than needed, he knew she was pretty busy with interviews and media duties, something he knew all to well. Bu still, somehow it hurt him.

So as soon as he got rid of his obligations, the first thing he did was looking for his family who was waiting for him at the Ferrari hospitality. When he saw them and most importantly when he saw the dark look on their faces,he immediately knew something was wrong. And he was sure of it when the hug his mom gave him was feeling more like an i’m sorry than a congratulations.

“Where is Lya?” he asked immediately

“Charles… she is at the hospital. She fainted.” announced his mom.

And just like the high he was on was over and he felt his heart shattered in million tiny pieces.He did not care about anything else than rushing to the hospital to be at Lya’s side. Nothing mattered more than that. Not the journalists, not the team, not the after party and definitely not the Prince Albert of Monaco whose name was appearing on his phone as he was sprinting towards the paddock entrance, Arthur following closely behind.

“She is at Princesse Grace hospital. The medics thought it was better for her to be there rather than staying with the medical staff here.” told him Arthur as they were getting on the bikes.

“Fucking trafic… when did it happen? What happened exactly?”

“She was already not feeling well this morning when mom came to your flat to get her. But Lya insisted to come, she did not want to miss your race. Mom tried to resonate her but she is pretty stubborn. And then she turned pale all at once and she fainted a few laps before the final one.”

“She seemed fine when we ate lunch together.”

“Actually, mom said she has been sick for a few days. She threw up a lot and she is really tired.”

“A few days? I knew about Saturday but I thought I food poisoned her with the pasta. Why did no one tell me anything?”

“You’ve barely been there. And I’m not saying that to blame you. I know you were busy.”

“Still, I’m busy but I could have still taken time off for family emergency.”

Charles felt like he had never ridden a back as fast in his life. Soon they were at the hospital and he rushed to the reception, Arthur following close behind on the phone with Pascale that would call Lya’s mom.

“Lyanna Michel. Where is she? She was brought here as an emergency.”

“Who are you? Only family is allowed.”

“I’m her boyfriend.”

“Room 164, third floor. The elevator is this way.”

Charles thanked and wave at Arthur to follow him. When they finally got there, the doctor was coming out of the room. Charles rushed to his side and asked him how was Lyanna.

“She is resting at the moment. He blood test showed us that she had anaemia, which explained why she felt so tired, the headaches and the feeling of dizziness. And also why she was throwing up. It’s a never ending cycle. She was too tired to eat, her stomach began to get accustomed to the lack of nutriments and then rejects everything when she tried to eat normally. We are still going to do a bone marrow biopsy to be sure there is no sign of leukaemia. We are going to keep her for a few days.”

Biopsy. Leukemia. Those were words Charles did not like at all. He felt guilty. If he was the good boyfriend he thought he were he should have seen the signs. he should have seen she was sick. But he was too caught up in his own bubble to noticed it.

“Can I see her?” he asked

“Sure. But not more than one person at once. She really needs to rest.”

Charles entered the room and saw immediately Lyanna’s frame linked to different machines that were monitoring her as well as an iron infusion. He took he seat next to her and take her cold hand in his carefully. She shifted a little, turning her head toward him.

“Hey, champ…”

“Lya…” he sighed, defeated.

“No. Don’t be like that. I’m okay, Charles. Well not right now because I feel like shit, but I’ll be. I’m just sorry to not have been there to see you on the podium.”

“I don’t care about the podium, Lya. I only care about you.”

“I’ve ruined your home race…”

“You didn’t ruin anything. Don’t worry about that, okay.”

“But you must have so many places to be at, so many people to talk to…”

“I’m right where I need to be.”

She closed her eyes for a short moment before opening them again. She could see how uncomfortable Charles was and she knew that this hospital was bringing back some bad memories. She squeezed lightly his hand and trace smal pattern in the palm of his hand to get his minds off of the dark corners it went to.

“I’ve talked to the doctor… He talked about leukaemia and biopsy Lyanna.”

“Normal tests to run, Charles. I’ve been under a lot of stress lately, barely had time to myself, to eat and drink and rest properly. Something like that was bound to happen.”

“Still I hate that…”

“I’ll be fine. I promise you.”

“Yes. And as soon as you leave this place, I’m not leaving your side. You’re coming with me for the European races. This way I can watch you and take care of you properly. It’s you and me against the world, Lya.” he whispered to her as he was pressing his lips on her forehead.

========

author's note: It's the Monaco Grand Prix baby!!The longest chapter of the book but the very first one I planned. I as so anxious to write it because I wanted it to be perfect. I hope you enjoyed it! As usual, let me know your thoughts through the comments or ask box if your too shy. And don't forget to leave a like or reblog the story. It helps. And it lets me know that you like the story. taglist: @zendayabelova @purplephantomwolf @ru-kru @dakotali @blueflorals @aundercover @ruleroftheuniverse @fangirlika @writerscurse @elijahmikaelsonbitch @leclerc13 @karmabyfernando @stargaryenx @pitlanebabe @boiohboii @reengard If you are tagged but did not receive any notifications, please check your settings because it means that Tumblr didn't let me tag you.

#writing #charles leclerc #fiction #charles leclerc x reader #charles leclerc imagine #charles leclerc x female reader #charles leclerc fanfic #cl16 x reader #charles leclerc imagines #cl16 #charles leclerc blurb #f1 x oc #f1 fic #f1 fanfic #f1 imagine #f1 x reader

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neonblessing · 5 months

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⚠️ SPOILER ALERT! ⚠️ Click here to read Neon Blessing from the beginning!

“Look, you don’t have to give me a map. Just point me in the right direction.”

“Shiv, kid, I get it. You want revenge. But-”

“I don’t want revenge,” she said. She wasn’t certain if it was a lie.

“Then what do you want?”

“Answers.” Hell, she didn’t even know the finer points of what the two of them had stolen. The house had been full of valuable art, they’d passed a poorly-hidden wall safe on the way to the owner’s office, and they ignored it all in favor of the data drive that had sat atop a messy stack of papers. Ornarch hadn’t told them what was on there, just that it would go for a hundred thousand credits at a minimum, or a million from the right buyer. Most drives its size were just something convenient to hold, with the data itself stored on a chip a few nanometers thick. Whatever was on that drive had been complex enough that the whole damn drive was dedicated to memory. A sphinx glinted darkly on its surface, mirror finish set into matte black. There was something captivating about its sheer scale and the precision of its construction. Something a little sinister, too. Then he had shown up, and the rest of the night was a blurry nightmare of burning, screaming, and blood.

Kooler pursed his lips. “And once you have those answers, what are you going to do?”

“My job. Ornarch wants me to-”

Kooler’s eyes narrowed, and he tilted his head. “Isn’t your job breaking and entering? At least, I think that’s what you told me the first time we met. Forgive an old man’s memory for its failings, but I think I would have remembered hearing a teenager call themself an executioner.” He suddenly sounded very old, and very tired.

“Maybe I’ve changed. Why do you care?” It came out a little colder than she’d intended it to.

“Sorry, sorry. You’re right. None of my business.”

“So you won’t help me?”

“Staying neutral is how I stay alive. Everyone knows old Kooler keeps his mouth shut.”

“That’s a no?” Her heart sank. She’d known it was a long shot, but even still, Kooler was the closest thing she had to a lead.

Whatever he saw in her face gave him pause. “I… offered them ten thousand for the drive. I don’t even have half the hardware it would take to decrypt that… monster. I told them I wasn’t paying a credit more than that for a piece of software I couldn’t validate, no matter what rumors I’d heard. They took their business elsewhere. I don’t know where.”

“Rumors?”

“Have you been online since you stole it?” She hadn’t. “Half of the criminals in the Diluvian District are hunting after that sphinx drive. It’s anyone’s guess what’s on there, but Ebrelurge put a bounty out on it and then a few gang bosses joined the bidding war. As of this morning, the best offer is 1.6 million.”

Lord of birds. One point six fucking million?

He went on. “I don’t know where they went, but I know someone who might. Don’t go telling everyone I lent you a hand, but you’re- you’re a good kid. Just- hear them out when you see them. Don’t rush headlong into being a killer.”

“Yeah.”

Kooler pushed off the counter, sending his chair on a practiced arc towards a shelf of folders in one corner of the shop. He returned bearing a business card, a thin sheet of crisp white plastic stock with “Club RED – 1191-3962” embossed on it in brilliant crimson. The back side of the card was decorated with a staring eye in the same shade. “Kurtz–the owner of Club RED–knows me, and she’s got a panopt. Ask to see Odie. If it can’t help you, no one can.”

Shiv grinned. “Thanks, Kooler.”

“I’d say ‘any time,’ but really I’d rather not stick my neck out again.”

“With any luck, you won’t have to!”

The door squealed as she left.

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#9 #neon blessing #shiv #kooler

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canmom · 1 year

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Comics Comints: Witch Hat Atelier

Welcome back to Comics Comints, the series where I comint on comics.

First up! Comics Comints now has a proper archive. Enjoy larger images, alt text, and tags for navigation.

Tonight, it’s time we did a manga! If you recall that post about paneling and time from a couple of weeks ago, you know it’s one I liked rather a lot...

Witch Hat Atelier (とんがり帽子のアトリエ Tongari Bōshi no Atorie)

(writing and art: Kamome Shirahama (白浜鴎), trans. Rasmus-kun, #dropout and Project Vinland scanlation groups. I’m going to be using the name romanisations decided on by #dropout since they’re generally a lot better than the official ones lmao)

Ahh, Witch Hat Atelier. A truly wonderful comic, such that it’s tough to know where to begin.

Sometimes I compare it to getting my hands on a whole new Berserk, because Shirahama’s drawings have that same sense of being exquisite: gorgeously flowing cloth and hair and perfectly placed hatching, overwhelming confidence and attention to detail, an old-school romantic fantasy world you could really fall into. (Also I think she draws faces kinda like Miura does.)

Witch Hat Atelier begins with a girl called Coco living in a fantasy world in which the population is divided into humans and witches. Not unlike a certain Akko, she idealises magic. But she ends up performing magic by accident, unleashing a spell that turns her mother to stone. After this, the kindly Professor Quifrey, who definitely harbours no ulterior motive, breaks the taboo and lets her into the secret: anyone could do magic with the right tools (a pen and special ink), and the witches are maintaining an elaborate masquerade for the sake of containing terrible magical superweapons.

Or at least, the dominant Pointed Hat Witches are. Their enemies, a conspiracy known as the Brimhats, want to break these artificial shackles... and for reasons we don’t yet know, they see this novice witch Coco as their key.

Anyway, the thing that got me to read Witch Hat Atelier was this video...

youtube

...by manga youtuber Lines in Motion, which analyses Shirahama’s inventive panelling. It’s really nicely edited and a great primer on the principles of comic composition.

Anyway, per that video, Shirahama took inspiration from not just other manga, but old school European illustration like John Tenniel and Arthur Rackham - and good old Moebius of course. Unfortunately, this video doesn’t provide its sources, and I struggle to find some kind of interview where I can get the artist’s own words. Still, looking at her style, she’s not shy about gesturing to Art Nouveau, or the general tradition of European etching.

And when Shirahama uses colour - sadly only occasionally, though I can understand why! - she deploys beautiful watercolours that call to mind the same tradition (and perhaps certain recent manga like The Girl From The Other Side).

So, before we dive into talking about the comic itself, let me see what I can dig up about Kamome Shirahama herself and her inspirations. She studied art in Japan, at Tokyo University of the Arts, and starting publishing comics in the seinen magazine Fellows! in 2011; this led to a bizarre lucky break when her art was noticed at Comic-Con by someone at Marvel, which gave her a foothold into the Western comics industry, starting with this character Doctor Strange in 2015 (source):

Even seven years ago, you can see Shirahama could really fucking draw. This apparently continued with various other covers for DC and Marvel; meanwhile, having finished her two-year project Eniale & Dewiela (エニデヴィ, Enidevi) about an angel and devil brought together by a mutual enthusiasm for fashion, she embarked on Witch Hat Atelier in 2016 which continues to the present, with 64 issues available at the time of writing.

All this results in perhaps a perfectly optimised Art Build: both her parents are artists, she went to art school, she’s got a familiarity with both Japanese and Western illustration styles to fuel her. And that’s also perfect material for Witch Hat Atelier, which is about - among many other things - the struggles of learning art.

That word Atelier is interesting to me. In Japanese, it seems like アトリエ atorie is not an entirely uncommon word for an artist’s workshop even in the present. In English, its scope is generally much narrower: it refers to a particular tradition of art schools that began in the middle ages and lasted roughly until photography, whose primary function was to teach students how to draw in perspective using a variety of mechanical means like wire grids or sight-size techniques.

(a painting by Jefferson Chalfant of an atelier from the late 1800s - source Wikimedia Commons. I’m vaguely amused by the thought of this guy Chalfant showing up to the atelier and flexing on the students by painting not just the model but also all the other students, the room behind them, and thumbnails of all their paintings.)

Nowadays you’re most likely to hear the word ‘atelier’ in the context of the Atelier series of games, in which you play as a young witch and your atelier is essentially an alchemist’s workshop where you brew potions. I don’t have enough data to say how far the association between ateliers and magic goes - I’ve seen at least one more instance (Maria Umineko uses the word) - but in any case...

‘Magic systems’ in fantasy fiction are tricky things. Without some care, they can just be colour that carries very little thematic weight. Fortunately this is very much not true of Witch Hat Atelier. The basic premise of its system is that magic is created by drawing precise circles with certain symbolic elements whose size relationships combine to specify the magic effect. It’s explained in some detail, although there’s enough vague that Shirahama can have some real fun with the imagery.

The important part, though, is that while it’s not exactly the same as representative illustration, it’s close enough to it to be analogous. In Quifrey’s atelier, Coco meets a group of young students who each have their own styles of magic. Riché, for example, was treated cruelly by an arrogant teacher who insisted on orthodoxy, and now stubbornly insists on practicing only her own specific magical techniques; an important turning point sees her learn how to lean on other people without sacrificing her personal style. Coco has some skills she can lean on as a tailor’s daughter, but still has to drill fundamentals like learning to draw in a single smooth confident stroke.

It’s not quite as ‘trials of an artist’ as something like Blue Period (no spoilers, I’ve only read a bit of that), but it is a deeply compelling element of the mix...

However, magic is only somewhat like illustration. It’s also useful. And this leads to a fascinating subtheme around disability. One of the rules the Pointed Hat witches operate under is that they can’t use magic on the human body. So when a boy Coustas’s legs are injured by haywire magic, witches can give him an adorable deer legs wheelchair...

...but he faces many of the same obstacles as a real wheelchair user in a world not built for access. Coco and her friend Tartar try to figure out a method to help him without breaking the rules, eventually coming on the solution of creating a flying cloak as a new accessibility device, seemingly to everyone’s satisfaction... but then (spoilers) Coustas runs into a Brimhat who’s like “actually we have no compunctions doing a transhumanism on you” and give him legs back (if weirder), turning him against the MCs. But that same power is one we just recently saw used to forcibly transform people against their will. It’s an interesting mirror of the common ‘disability in sci-fi’ question; Coustas’s struggle is not merely that he is disabled, but that the world does not accomodate him and this completely strips him of independence, despite very little ill will from anyone.

And to her credit, Shirahama doesn’t seem to be trying to be going for a didactic angle on this (Coustas should or shoudn’t want...), but treats it as a worthwhile and interesting conflict, and I’m genuinely excited to see how it will resolve. Nor is Coustas the only user of a ‘sealchair’ - one of the main leaders of the witches uses one due to some kind of unspecified fatigue condition, even transforming it in battle, something which largely passes without comment since that’s not really the main focus of the character.

Anyway, despite their separate social system, the witches in Witch Hat Atelier have to make a living, which they do primarily by selling magic items to the non-magical population - subject to various safety regulations which are pretty strict and have a curious attitude towards deception in keeping with the Pointed Hat witches’ MO (don’t make a heatless flame or children might get the wrong idea!). So despite the wonder conveyed so effectively in Shirahama’s vistas of floating islands and twisting paths and underwater cities, it’s a magic that’s very grounded, shaped by the needs of a feudal society. She’s incredibly good at tying in these kinds of ~worldbuilding~ tidbit to the evolving character arcs, so the setting as a whole feels warm and lived-in but also shot through with genuine intractable tensions.

(I tend to show the more elaborate compositions with borders and splash panels, but even the more standard rectangular-panel pages have a real elegance to them)

One of these tensions is that between adults and children. There are many terrible teachers in the pages of Witch Hat Atelier - ones who berate their charges and shatter their self-confidence, or even in one chapter we witness a teacher who will not defend her student who is sexually assaulted by a nobleman and fights back (the only time the subject is brought up in the comic, and handled with care). Even for Quifrey, the picture of a benevolent instructor or good dad lmao, we have the lurking question of whether he intends to use Coco as an opportunity to pursue revenge against the Brimhats.

The children are surrounded by a world that doesn’t seem to work the way it should, rules that don’t seem to make sense but they have to follow, in a way that feels very genuine. And they have reason to fear: the standard punishment of the Pointed Hat witches is to wipe someone’s entire memories of magic and start them in a new life as a civilian. The fear of an extreme, draconian punishment leads the kids to end up keeping their own secrets.

But the adults are far from all bad. If, perhaps, the good relationships are a tragedy waiting to happen...

Then there are the witches and the secular authorities - monarchs of various kingdoms who are itching to get their hands on the secrets of magic. As the cast expands - and believe me it expands a lot - we start getting more and more points of view, and Shirahama is very deft at sketching a character’s motivation and vibe in just a few pages.

When it comes to comics about students at a school for magic, inevitably comparisons will be drawn to the elephant in the room, A Wizard of Earths- what’s that? - oh, yeah, that one.

So, yeah, according to Wikipedia, Shirahama took inspiration from both Harry Potter and Lord of the Rings. Frankly I think she writes wrings around both of them, but then she’s writing a much more modern style of fantasy for an audience literate in the genre, with modern concerns, so perhaps it’s not a surprise I’d like it more than Tolkien. (Rowling is a thoroughly mean-spirited fascist who represents the worst of this country, and if I were to go through the comparison, it would just be a list of things that I think Shirahama does a whole lot better, so I won’t do that.)

What is a little interesting is seeing how, after Potter’s international proliferation, some of the imagery of the robe and wizard hat and school for magic starts to grow into a standard setting in Japanese fiction. Obviously Trigger’s Little Witch Academia is the big one - and I’m fond of it, but it shares little with it beyond the main character’s enchantment (ha) with the idea of magic. NieR Reincarnation is much less likely to ping on anyone’s radar, being a fairly obscure mobile gacha game, but it also took a magic school as the setting for some of its brief tragedies. No idea if that’s going to continue, or if it’s just a passing thing, but brain see pattern...

Anyway, it wouldn’t be Comics Comints without a detailed art breakdown, would it? There’s so much going on in Shirahama’s pages that it will be hard to capture everything, nor is this series really supposed to be comprehensive. Since I’ve talked a bunch about paneling already, let’s take a closer look at the characters...

Let’s start with kids, since most of the characters are kids. Here’s a handful of panels from chapter 42, page 13, trans. #Dropout (the work done primarily by Hypomanix and Botanyrobot in this issue). I think it’s a decently neutral example of a drawing of Coco.

There’s a lot that goes into a drawing of a face, to make it look delicate. But to my mind (c.f. the human head, a series I still intend to finish) the key elements are...

the profile of the face - this shape determines a lot

the size, shape, and style of the eyes

the balance of features

the way you draw hair

I said previously that Shirahama’s style reminded me of Kentaro Miura’s, but that’s mostly when she’s drawing kids. Shirahama’s designs are definitely within the broader ‘anime’ milieu, but there’s an old-school quality. Let’s break it down...

face profile - very rounded shapes. ubiquitous ‘cheek bump’ (pink), which helps the characters appear young.

as a standard ‘anime mannequin’ head, the overall aspect ratio is quite square, the neck is thin and relatively central, and the eyeline stays low.

eyes - this is where Shirahama puts most of the visual information (density of lines), with multiple rings of hatched shadows and highlights. In the picture above I’ve outlined the main shapes that go into drawing Coco’s eyes. Some of them can be identified as anatomical features, others highlights and shadows indicating form, some (the blue crescent shaped shadow for example) are perhaps just pure visual elements? Importantly, the outer outline of the eye is broken at the sides. All this complex shading gives a kind of shiny, watery feeling that suggests emotion bubbling under the surface even if the rest of the expression is very simple.

Coco’s eyes are very wide, representing her innocence. More adult characters tend to have narrower eyes, as we’ll see.

balance of the features

'Big eyes, small mouth’ as the name of the old roleplaying game goes. Note that Coco’s face is wider than it is tall. Just the end of the nose is drawn, but its placement suggests the 3D form of the face so it doesn’t appear flat overall. The suggest is there’s more nose but the bridge of the nose is so smooth that it doesn’t really get a line - if you’ve ever seen a plastic anime figurine you get the idea.

The emphasis is very much on the eyes.

hair

Hair is something that Shirahama really excels at, and honestly I want to absorb her secrets, so lets have a look at the way she does things. The way you can look at it is basically by dividing the hair into primary and secondary forms.

Coco here has very straight hair where the principle is particularly clear. First, you divide the hairstyle as a whole into large groups or blocks where the hair is flowing a particular way. For Coco, she has a part on her left (our right); her fringe forms one block of hair, which may go over or under the block of hair coming down from the top of her head depending on the picture.

Within each block, the hair is constructed out of smaller crescent-shaped elements which overlap each other (indicated by T-intersections between lines), and follow the overall flow. These merge towards the root of the hair block (the lines dividing them disappear)...

Then, additional lines can be drawn inside each block to add additional texture.

Judging by videos I’ve seen, Shirahama seems to be able to do these kinds of line straight away in ink, which is why they look so clean and confident.

For characters with darker hair, similar design principles apply, but instead of indicating the flow of the hair through outlines, Shirahama uses white lines within the form to indicate specular highlights. (Contrast Coustas’s eyes here to Coco’s incidentally: their emotional states are communicated by the different shading styles).

Now, let’s take a look at Quifrey and Orugio, two of the main adult characters in the comic...

Quifrey (right) has to carry a lot of the comic, and if you look at Shirahama’s design notes, he’s also one whose design evolved the most towards the fairly bishie one he got in the end. He has to be goofy, kindly, and sometimes sinister. He’s certainly not a villain, but he is willing to do some pretty shady shit - but he’s also good at presenting a generally sort of bemused affect, which is indicated by simplifying his design a lot.

The Gandalf/Dumbledore sort of archetype, but less magisterial - Quifrey is not an especially powerful witch. There’s a very overt indication of his divided nature in his glasses - there’s a plot reason why they’re different colours but the combination of dark lens and fringe hiding his eye screams “he’s hiding something”.

Quifrey’s friend Orugio (left) meanwhile is a more straightforward character, hard working, down to earth and straight-laced but out of a genuine sense of caring. Honestly, the fact he has facial hair is something that’s very rare in manga! One thing I notice just now while searching for suitably illustrative panels is that his face is often seen angled down, while Quifrey is more often seen from below.

The basic construction is similar to the kids’ heads, but a few differences to notice. As is the rule, adults’ eyes are proportionally a lot smaller than kids’ eyes. The construction of the face is slightly more angular, and they actually have noses.

Quifrey’s hair is a lot messier than Coco’s, but it’s essentially constructed out of the same overlapping crescents, which don’t especially respect gravity for Quifrey. Orugio’s hair is a solid dark mass, with a lot of loose strands around the edges, but you can still kind of see the locks of hair providing structure to the shape.

Shirahama’s lines are usually very even and thin, but she’ll often use a thicker line in a face closeup to emphasise the jawline, and in general a very subtly thicker line to outline forms than to hatch inside them. She uses screentones as you can see, but also extensively uses very neat hatching to create blocks of shadow or blend lines into larger shadow shapes. Her lines have an incredible amount of confidence and precision.

That’s faces, but what about the figure as a whole? One of Shirahama’s real gifts is her ability to draw flowing cloth with an incredible sense of motion. Here’s a classic Shirahama splash panel...

The contrast of organic shapes of cloth against the large circular element is something Shirahama loves doing - as is the use of negative space.

Breaking down the cloth: you have the solid lines representing the outer edge of folds, and then hatching within the body of the cloak to indicate shadows. In some places the hatching runs along the direction of the folds, in other cases perpendicular with it, all blending together. You can basically see how it breaks down into conical pipe folds that overlap each other, coming to a sinuous line at the bottom. Then this biiiig shape is contrasted against Quifrey’s thin neck, always upright, and the area of detail in his face. It’s just like. Really expert drawing by someone who knows the craft up and down.

There aren’t a lot of opportunities to see how Shirahama goes about designing one of these figures, but there are a couple of roughs she’s put out, so let me take a brief look at that to wrap up the drawing section.

this is a rejected draft for one of the first pages in the story. it looks like Shirahama roughs things out in quite a thick pencil, then uses a blue pencil(?) to refine, before inking. I suspect there may be more steps between, which she rubs out before inking...

These early designs seem to have been drawn into a thicker pen, with less care taken over the linework. What’s most interesting to me is how much Quifrey’s head shape changed as Shirahama’s concept of the character evolved.

Finally here’s a timelapse video of Shirahama inking a drawing of Coco.

youtube

You can see she starts with a pencil sketch that has the major shapes nailed down but not yet the line quality. She outlines all the main shapes, erases the pencils, then fills in the details at a slightly lower line weight. She’s got a ridiculously confident hand considering how much detail is going straight to ink in a way that makes my digital artist brain flinch.

The way Shirahama uses hatching reminds me a bit of Kimihiko Fujisaka, artist for Voice of Cards. I think I gotta practice more in ink lol, digital just doesn’t seem to give the same feel. Something about the mechanics of the way the pen flicks across the paper, maybe?

And that’s I think everything I have to say. Read this comic, it’s good! ...oh wait, there’s an anime coming! As yet, the studio and staff are to be determined. Shirahama’s style seems very difficult to capture in animation, so I’ll be curious to see how they handle it.

Next up: The Less Than Epic Adventures of TJ and Amal I think.

#comics #witch hat atelier #manga #comics comints

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naavispider · 11 months

Note

Hii, do you have any thoughts, ideas for Avatar Harry Potter au?

Oooo okay so first off, obviously condemning the author's views on transgender people, and since her opinions have come out, the franchise has changed a lot in my eyes and it doesn't mean the same thing to me that it used to. That being said, here we go:

Neteyam is a prefect, and gunning for Head Boy, obviously. A bit like Percy, but less overbearing and far more likeable. He is also captain of the Gryffindor Quidditch team.

Lo'ak, Spider and Kiri form the Golden Trio. I feel like they'd all be different houses but they're so close it doesn't matter - they're always in each others common rooms or sneaking off to the room of requirement together to hang out. (recap I think Spider = Hufflepuff, Lo'ak = Slytherin and Kiri = Ravenclaw). They've already known each other for a long time, because Spider and Kiri's parents were killed during the first wizarding war, so the Sullys kind of took them both under their wing.

Jake and Neytiri both work high up in the ministry of magic, earning enough money to keep them all stable, and having a bit of power in certain decision making processes. Maybe Neytiri is part of the Wizengamot and Jake works in the department of magical law enforcement.

Spider, Lo'ak and Kiri are always getting into trouble at Hogwarts. They're so bad for each other in the best way. One time they snuck onto the roof of the Hogwarts Express (like in Harry Potter and the Cursed Child), and were very nearly expelled.

After that, they get up to all sorts of mischief; sneaking around at night to go smoke some gillyweed, hanging out with Hagrid, stealing away to the kitchens late in the evening to befriend the elves and enjoy late night snacks.

Kiri is obviously the most talented of them at magic, and her blood status is unknown due to the absence of a biological father. Even before Grace was killed by the death eaters, nobody knew who Kiri's dad was (imagine the plot twist if it ended up being a death eater or somebody evil that they have to face off against).

Tuk is essentially Ginny, only a few years below them rather than the year below. She is in Gryffindor like Neteyam.

Lo'ak and Spider both tried out for their respective Quidditch teams, but realised they didn't want the drama of being rivals, so decided to drop it. They both love playing, but not enough to get aggy against their brother over.

Norm is defence against the dark arts teacher, and all the kids love him. Grace used to have this job before she was killed.

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synergysilhouette · 3 months

Text

"Strange World" (2022) overhaul rewrite

I never expected to do a rewrite of this, despite my issues with it. But then I decided I should just do an overhaul of it. Be forewarned: I'm taking this in a VERY different direction--like, almost unrecognizeable; how do you feel about an Arthurian epic with aliens? As always, be kind--but if you have critiques/questions, I'd be happy to hear them!

Plot:

On a planet far away, there was once the mystical alien planet of Siyned. Twenty-five years ago, King Ursam of Lonava, a prosperous and mystical country on Siyned, disappeared without a trace, leaving his young son Taurus in charge of running a kingdom. For a time, all was prosperous, but now, a powerful sorceress named Niobe has come to battle for the throne, and threatens to engulf the kingdom in darkness and horrors unlike the world has ever seen. Together with his wife Iopeia, son Boralis and their band of allies, Taurus must navigate being a king as well as sorting out the secrets that come out with Niobe's arrival.

Important story/world details

As you may see, the storyline is inspired by the tale of King Arthur, inspired by the fact that Searcher Clade is from a land known as Avalonia, and my first thought was: "Man, a King Arthur-inspired story would've been so much better than what we got." This comes with certain important story/world details:

The cast is made up of aliens. Given the pulp magazine inspiration the original SW film takes from, I'd enjoy seeing a comicbook inspiration for the alien races here, as well as video game inspiration from the fantasy side of things. In the best case scenario, this would be a spiritual successor to "Atlantis." I'd enjoy seeing different races of aliens, though I personally do like the idea that Taurus looks human (though since his wife and son are POC in the OG story, making them appear inhuman might be a bad call if he still appears white). And excuse the use of AI art here; I just liked the video for it's use of 80s dark fantasy inspirations, which I'd also want to be the inspiration for the fantasy aspects of "Strange World."

2. The culture is more medieval/ancient--except for the technology (and maybe fashion). I like the idea that it takes inspiration from various world cultures similar to how "Atlantis" does.

3. The cast is obviously different.

King Taurus--A kind and intelligent king, albeit sensitive and sometimes overcome with his emotions due to unresolved feelings with his father (I thought that'd be a good thing to keep). He's a gifted mage, and I'm definitely getting Gale of Waterdeep vibes from him--albeit less problematic. He's also in his 30s, so slightly younger than Searcher Clade. Still, he's older than most Disney protagonists, which I think makes the film more accessible for an older crowd, and an established Disney romance between a husband and wife rather than two people about to get married or just getting to know each other carries nuances that you can't get with many "kid films."

Queen Iopeia--A scholar and trained warrior who managed to capture the king's heart, and they fell in love. While she doesn't have any magic per se, her physical abilities make her a threat to all who wish to harm her loved ones. She often serves as the emotional anchor when Taurus is frazzled, and on rare occasions, their roles are reversed.

Prince Boralis--The young man who dreams of adventure, a Hercules-type protagonist who has self-esteem issues given his family's legacy. Of course, his crush on Castelon, Niobe's lead soldier, weighs on his heart heavily, since they grew up together before he disappeared and decided to side with her, seemingly with no explanation a year ago. His conflicting feelings make it difficult for him to use his powers (either alien or magical) to full potential. Definitely think his style is more akin to Ekko's from "League of Legends."

Niobe--Vicious but sad, she is the powerful sorceress from the Lands Beyond, a realm of darkness that engulfed the lands west of Lonava. She is much more powerful than Taurus, but wants to destroy him emotionally before killing him, hoping to break him and make him give her the crown that is rightfully hers. She sees him as living the life she always wanted, and despises Taurus for "taking" it from him. She has an affinity for petrifying her enemies--and keeping their consciousness intact. It's later revealed that when Ursam discovered a prophecy that Niobe would bring about the kingdom's destruction, he left her in the Lands Beyond as a toddler. It's somewhat akin to how Cora abandoned Zelena in Once Upon a Time ("I have to leave you to give me MY best at life"). That said, given that many Disney fans want an unapologetic villain, I'd make her too bitter and angry to be swayed by Taurus' pleas, but at her defeat, it's brought to light that despite being a good king, Ursam was NOT a good person.

Serioph--A wise mage (our Merlin figure) who serves as a parental figure to Taurus and a mystical guide. He has the ability to change his form at will, and ocassionally takes on a female form following Taurus' mother's passing and seeing that he needed a mother figure as well as a father figure. However, despite his power, he is tied to the laws of neutrality: if he was to battle someone of great good or great evil, his magic would cease to exist--which includes his power of longevity, and he would cease to exist. He knows this, but uses his powers to harm Niobe and prevent her from killing Taurus, killing himself in the process.

Ienvy--Serioph's daughter, inheriting his magic by lineage, and thus not tied to the Laws of Neutrality like he is. Niobe is drawn to her and attempts to persuade her to join her side, but when Serioph is killed, Serioph curses Niobe to become undone, giving her a sense of insanity that makes it possible for Taurus and the group to defeat her. Despite her help, Ienvy feels guilt for what she's done after learning about Niobe's past, and imposes a self-exile upon herself after the battle is over.

Castelon--Boralis' crush and childhood best friend. He eventually left and joined Niobe due to being tricked into joining her service by failing to prove his selflessness (similar to the tale of Gawain and the Green Knight). As such, he has become warped, becoming a smug Namaari-type villain, so there's a lot of tension between him and Boralis. (Note: This goes without saying, but he'd get a major design overhaul. Some people say he looks like Frankie Grande, but he gives me Jay Manuel vibes from "America's Next Top Model" and I CAN'T STAND IT. I'd rather he looked akin to Lucio from "The Arcana.")

Different Design style FOR SURE

Part of me finds the looks to be too normal; the characters don't grab my attention because they look either too realistic or too cartoony. Even if they weren't aliens, I'd want new looks for their clothes, at the very least. And the non-human-looking aliens felt way too cartoony here, not really ethereal or interesting in the slightest. Honestly, THIS deserved to be a hybrid film, tbh; it'd help to sell the alien vibes, as well as the fantasy aspect. And in particular, if we're going for a more mature look.

Lemme know what you think! I may come back and tinker this a bit.

#disney #disney animation #strange world #league of legends #arcane #atla #avatar the last airbender #iroh #black panther #okoye

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dervampireprince · 1 year

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dervampireprince’s Fanwork Guide

I can’t believe it’s gotten to a point where I need to make one of these? It’s insane that for the past year you guys have been getting invested in my original characters and been making fanart of them. I had an ask today asking whether it was okay to make headcannons about my characters, so I thought I should make me boundaries clear, and explain certain things about my characters so you know what they are like and what they would be comfortable with. (I have to also be grateful to the creator of Welcome Home for making one of these ‘fanwork guides’ otherwise I wouldn’t have known this was a thing I could make).

I’m going to break this down into general things I’m okay with and things I’m not okay with, as well as facts and information about individual characters and what they would be comfortable with, as most of my original characters are trans I want people to be respectful and not draw them in ways that would cause them dysphoria nor draw them with body parts they aren’t comfortable with. And remember that while my persona/vtuber model has his own backstory, I’m still a real person and do not treat my persona or myself like you would treat a fictional character.

I reserve the right to be uncomfortable with any fanworks, and to disagree with any headcannons that you have for my persona or my original characters. Don’t get personally offended if I don’t accept your headcannon for my characters as canon. And while I have listed that fanfic is okay, it’s still something I’m more sensitive about as it’s much easier than fanart to portray my characters in our-of-character ways if you’re going to write about them rather than draw them. So, please be respectful.

There may be things listed here that don’t line up with some of the info about these characters in their audios, that’s because things can change and with my older characters I didn’t have an actual guide for them or details about them when I first started voicing them. Whatever is listed here is what is the up-to-date versions of the, not whatever you heard in an old audio.

I have an faq tag but if you have more questions after reading this and my faq tag, feel free to send me an ask.

Overall just think before you send fan-works my way. If this was a fan-work of a movie or film would you send this fan-work to the creators or actors? If the answer is no, then probably don’t send it to me.

This post will be continuously edited as I think of more rules. Last edited: September 2023

General Guides

When making any fan-content of me or my characters you must credit me as the creator of those characters/vtuber in that content. You can use the hashtag #dervampireprince and also tag me @dervampireprince (if the website/app allows that) in the post.

You must be 18+ to make and post fanart of me or my ocs online. (You should already be 18+ of you’re following me or interacting with my content. Youtube is the only exception on this as I don’t post 18+ content there, and my sfw art account isn’t 18+).

Okay

SFW and N-SFW art and fics of my original characters.

SFW art of my persona/vtuber model.

SFW art of my persona/vtuber being platonic with my original characters and existing fandom characters that you know I like.

Drawing my persona and original characters in other outfits that what I’ve drawn them in. (Within what they are comfortable with (see character guidelines)).

Shipping and making romantic/sexual content of my original characters with each other, whether the relationship is canon or not, including those who are already in relationships.

Shipping and making romantic/sexual content of my original characters with other fandom characters or you own original characters, self-inserts, or yourself.

Making sfw romantic drawings of my persona/vtuber and my partner @julia-cmoon ‘s persona/vtuber model.

AUs of my characters that change the setting/location, such as mediaeval, Victorian, future sci-fi, superhero etc.

Making your own original characters based in the same worlds as my original characters.

Moodboards, stimboards, and similar image edits of my original characters (as long as they do not use any images and artwork I’ve made).

Art, fics, etc based on my fandom characters audios but if you're directly illustrating my audio or quoting my audios please credit me. I am unsure how I feel about if someone wanted to pair their own drawings/animation with my audios so if you want to do that please ask me first.

Fics are okay BUT I am sensitive to seeing my characters in ways I don’t imagine them so even though I’m a small content creator and not a big author. You wouldn’t send an ask to your favourite author or film director telling them about a fanfic you wrote or headcannon you have, so please don’t tell me about them, it’s sort of weird, and I think you’ll ultimately get upset when I don’t agree with your portrayal of my characters.

Cosplaying my original characters.

Not Okay

N-SFW art of my persona/vtuber model.

SFW art of my persona/vtuber being platonic with yourself, your own original characters, self-inserts, personas, etc.

Drawing/writing/etc myself or my ocs interacting with minors.

Making fics or any other type of content about of my persona/vtuber model that isn’t SFW art.

Shipping and making romantic/sexual content of my persona/vtuber with anyone, fictional character or real-life. I have a partner and my persona/vtuber model is in a relationship with her persona/vtuber model.

Shipping and making romantic/sexual content of my original characters with characters who are minors, or characters who they are related to (eg. Satin and Silk as they are siblings).

Writing fanfic, even if it’s SFW, about my persona/vtuber, including anything shipping me with my partner.

Making headcannons about my persona/vtuber.

Depicting my persona or my original characters engaging in or being involved in bigotry of any kind.

Making content about my persona/vtuber or my original characters that includes: underage sex, incest, rape and non-consensual sex or sexuality activity, beastiality, kinks that are hard limits for them / that they aren’t canonically into, changing their sexual dynamics (eg Ambrose is a dom and uncomfortable subbing) changing their gender or sexuality, graphic gore, sexualising age regression, changing their physical features (human or monster AUs are okay, but keep their physical features the same, this includes not changing their nose shape, body type, whether they have facial hair or not, hair length, make them more masc or fem than they already are, putting trans male characters on t who aren’t or giving them top surgery if they haven’t had it), wearing their ‘clothing dislikes’.

Having headcannons about my ocs is fine, but please don’t send me asks about them, informing me directly of them, or asking if they’re canon because the likely chance is no I won’t agree with them, I won’t think they’re canon, and I don’t want that to upset because you’re still free to have whatever headcannons you want in your daydreams or whatever. I have headcannons about characters that aren’t mine all the time, but I don’t message the character creator and tell them about them.

Gender-bending, genders-swapping or changing the gender of my persona/vtuber or any of my original characters. I don’t have anything against gender-bending in general, but myself and most of my original characters are trans and it would be extremely uncomfortable and dysphoric to see me/them depicted as other genders. This includes genderbending one of my trans man characters into a woman, or into a cis man. Do not change any of my trans character's gender identities or assigned-at-birth-gender.

AUs/headcannons that change the personality, gender, sexuality, morals, religion of my persona or my original characters.

Selling anything that contains depictions of my persona/vtuber model or any of my original characters.

Re-posting, re-uploading, or editing any of my work (even if you do it with credit). This includes my audios, artwork, photos and any other content I’ve made. Including making video edits that include my artwork, voice, or other content I’ve made.

Re-posting, re-uploading, or editing any fanworks of my characters made by others without their permission (even if you’ve credited them).

Cosplaying me/my vtuber model.

Portraying yourself as my characters in any way eg using my original characters for your vtuber model, using my characters for your own asmr audios.

Character Guides

I’m not going to list kinks and hard-limits, I’m just listing the kinks for each character and assume that anything not included is a hard limit.

Ambrose (Flirty Vampire)

Nickname: Rose (But!! Is only comfortable with Arden calling him Rose.. No one else can call him Rose)

Pronouns: he/him

Gender: trans man

Sexuality: omnisexual, demiromantic, greyromantic, polyamorous

Personality traits: flirty, cheerful, uses pet names for others all the time, between Ambrose and Arden it’s Ambrose who you should be scared of, don’t hurt someone he cares about

Physical features: blonde hair, pink eyes, nose is upturned at the end, pointed ears, fangs, A-cup chest (and doesn’t wear binders), vulva (refers to click as his cock)

Likes: singing, fashion, musicals, playing piano

Dislikes:

Clothing likes: historical fashion, 1800s menswear, nail polish, earrings, lingerie

Clothing dislikes: skirts, dresses

Sexual dynamic: dom vers (bottom leaning)

Kinks: obedient subs, biting and blood drinking, hypnotising his subs, pet play (for his subs), pegging, being called daddy

Arden (Protective Werewolf)

Pronouns: he/him

Gender: trans man

Sexuality: bisexual, demisexual, polyamorous

Personality traits: grumpy, protective, standoffish and hard to get to open up, shy when talking about romantic feelings

Physical features: 5′10″, brown hair with some greying at the temples, brown eyes, hooked nose, side burns and a little peach-fuzz facial hair on his chin, ears and tail can come out when in human form but normally just has his ears out, wolf form is a humanoid wolf, scar around left side of neck (the scar that turned him into a werewolf), a little facial hair in center of chin and sideburns, shaved line through right eyebrow, fangs, bigger build, top surgery, bottom surgery, cock has a knot

Likes:

Dislikes:

Clothing likes:

Clothing dislikes: skirts, dresses

Sexual dynamic: Switch vers (top leaning)

Kinks: pet play (as a dom and sub), collars and leashes, praise kink (as a sub), edging (as a sub), breeding kink, being restrained (only by ambrose), abo (the idea of knotting and heats, being called alpha), being hypnotised (only by ambrose)

Cassius (Dom Prince)

Pronouns: he/him

Gender: trans man

Sexuality: achillean/omnisexual with a stronger attraction towards men, masc and androgynous people

Personality traits: teasing, flirty

Physical features: red wavy hair, deep green-brown eyes, Greek-statuesque nose, top surgery, vulva (refers to click as his cock)

Likes:

Dislikes:

Clothing likes: corsets, showing off skin, jewellery

Clothing dislikes: skirts, dresses

Sexual dynamic: dom vers

Kinks: obedient subs, servitude, using toys (and objects) on his subs, cock warming (receiving end), boot humping (receiving end), light objectifying/dehumanising his subs, being called royal titles

Dmitri (Dom Vampire Butler)

Pronouns: he/him

Gender: cis/trans man

Sexuality: bisexual

Personality traits: likes to tease, flirty, strict

Physical features: dark purple hair, yellow eyes, beauty spot under his left eye, pointed ears, fangs, hooked nose, flat chest and penis

Likes: playing piano and violin

Dislikes:

Clothing likes: suits, vests and waistcoats, capes and shawls

Clothing dislikes: skirts, dresses

Sexual dynamic: dom top

Kinks: brat taming but prefers obedient subs, servitude, role-playing master/servant with himself as the master, edging and overstimulating his sub

Ellis (Soft Vampire Priest)

Pronouns: he/him

Gender: cisman

Sexuality: gay

Personality traits: caring, fatherly

Physical features: curly brown hair, short beard, pointed ears, dark red eyes

Likes:

Dislikes:

Clothing likes: long sleeves, long pants and long skirts, robes, suits

Clothing dislikes:

Sexual dynamic: soft daddy dom top, sometimes up for switching but not usually

Kinks:

Eros (Flirty Cupid)

Pronouns: he/they

Gender: trans man

Sexuality: pansexual, polyamorous

Personality traits: cheerful, flirty, comforting

Physical features: light pink-peach hair, light pink eyes, top surgery with visible scars on chest and nipples, Greek-statuesque nose

Likes:

Dislikes:

Clothing likes: makeup, chitons, gold jewellery and cuffs

Clothing dislikes: covering up most of his skin

Sexual dynamic: switch vers

Kinks:

Father Hawthorn (Guilty Priest)

Pronouns: he/him

Gender: cis or trans man

Sexuality: demisexual, demisromantic, bi/pan/multisexual

Personality traits:

Physical features: short black hair that is greying at the temples, green eyes, small side burns

Likes:

Dislikes:

Clothing likes:

Clothing dislikes:

Sexual dynamic: vers sub leaning switch

Kinks:

Other: he exists in the same universe as all my other audio original characters and worships the pantheon of gods that exist in this world. he is not, as people have assumed, a Christian. none of my ocs are of real world religions.

Orpheus (Lonely Siren)

Pronouns: he/they

Gender: cis/trans man

Sexuality:

Personality traits: introverted, distrustful, easily flustered by kindness

Physical features: webbed fins where a human’s ears would be, entirely black eyes, a tail where a human’s legs would be with a twin-tail fin at the bottom and smaller fins on the sides, scales dotted around his skin, long straight black hair

Likes:

Dislikes:

Clothing likes: doesn’t like clothes, but he likes jewellery and shiny things

Clothing dislikes:

Sexual dynamic: dom leaning switch

Kinks: hypnosis (hypnotising his sub, not being hypnotised), breath play (on his sub as in seeing them struggle to breathe via choking or being under water)

Satin (Flirty Femboy Incubus)

Pronouns: he/they

Gender: trans masc / genderfaun / demiboy / non-binary

Sexuality: achillean/gay (attracted to men and masc non-binary people)

Personality traits: flirty, playful

Physical features: black hair, purple eyes, hooked nose, pointed ears, long horns that curl back and to the side, top surgery, vulva, tdick growth

Likes:

Dislikes:

Clothing likes: elements of modern goth and emo fashion, lots of black, chokers, stockings and lingerie, skirts, graphic tshirts, corsets, earrings, makeup

Clothing dislikes: dresses

Sexual dynamic: switch vers (sub bottom leaning)

Kinks: oral fixation, breathplay

Silk (Demanding Incubus)

Pronouns: he/him

Gender: cis/trans man

Sexuality: bisexual

Physical features: black hair, purple eyes, hooked nose, pointed ears, long horns that curl straight up, flat chest, penis, (the heart symbol on his main outfit is velvet attached to his shirt not a tattoo), uses a cane to walk (it is not an accessory, it is a mobility aid that he needs)

Likes:

Dislikes:

Clothing likes: elegant clothes, long robes and skirts, mesh and transparent fabrics

Clothing dislikes:

Sexual dynamic: dom top

Kinks: master/servant, body worship, royalty kink, bondage (on his sub)

Sorrow (Touch-Starved Symbiote)

Pronouns: they/them (I mistakenly said ‘he’ in their first audio, I’ve always intended Sorrow to use they/them pronouns, I mispoke while improvising. Please don’t use he/him pronouns for them).

Gender: ???

Sexuality: doesn’t like labels but is attracted to all genders

Personality traits: flirting, curious, somber

Physical features: when contained without a host he is dark blue with light blue veins, when attached to a host is over 7′0″ tall, white eyes that stretch back over his scalp, sharp teeth, light blue tongue, dark blue body with light blue veins and highlights, parts that seem to drip down and up off him like tears that don’t all obey gravity

Likes:

Dislikes:

Clothing likes: ???

Clothing dislikes: ???

Sexual dynamic: Dom top

Kinks: breeding kink, pinning you down, somnophilia

#the vampire rambles #the vampires ocs

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