#the only ones consistently on there are shows done by disney

[emiliosandozsequence]

why are there some tv shows on letterboxd and not others

#that still makes no sense to me #it's really just a spin of the wheel to which one will or won't be on there #the only ones consistently on there are shows done by disney #emilio.txt

[sexiestpodcastcharacter]

Sexiest Podcast Character — Unscripted Bracket — Round 4

Propaganda

Glenn Close (Dungeons & Daddies):

#Propaganda for Glenn Close: one of the other PCs mentions multiple times how hot he is #Actually several characters point it out but especially Henry #Also the only person in a podcast that has to put a disclaimer about not being a BDSM podcast to have had sex during the course of the show

We didn’t do hot Glenn summer for him to LOSE. Spoilers for his story but MORE PROPAGANDA FOR YOU:

Young hot rocker dilf

Loyal to his dead wife <3

Does in fact smoke weed

BARD!! HES A BARD. HE WAS LEAD GUITAR IN HIS BAND (that he was kicked out of)

His band was a Christmas cover band btw.

Literally the fandom had hot Glenn summer which consisted of drawing him being incredibly hot and sexy

Anti government (ofc)

Kind of cringefail (Disney adult) (was on dilfs of disneyland)

Young and sexy not your style? Then how about HIM AFTER YEARS LOCKED IN A TIME PRISON WITH A DAMN HANNIBAL MASK ??

Lost an eye and wears a fucking eyepatch

One incredibly buff arm

Has a pet rat named after his son <3

Immeasurable amounts of trauma in this man- becomes progressively more unhinged

OH OLD HUMAN BARD ISNT CUTTING IT? FINE

HE BECOMES A FUCKING DEMON

A COOL HOT ONE-EYED DEMON WHO WANTS TO KILL HIS DAD (also sexy)

HE CANONICALLY ENDS CHRISTIAN HELL VIA CHRISTMAS

IS ALSO WAY OVERLEVELED

Becomes a demon hunter for the rest of his existence

Also nonwhite !!! We are done with cringefail whiteboys !!!!!!!!!

I can’t put into words ok just know he is the best plz love him.

Listen, I don't know this other character but I've seem some good arguments for her However Consider Glenn Close winning through no effort of his own in a bullshit way despite being a dick is the most in character thing ever. He leveled up three times and got a crab mech, we GOT to give him this win, it's fitting

I don’t regulate if minors follow me or not bc I’m a pretty chill space but I hope the world is aware that’s the only reason I haven’t been downright nasty about Glenn close. I’m down bad. I’m NOT in the boat of ‘Glenn isn’t sexy but I want him to win bc it’s my fandom’. I would estimate I have 200+ drawings of Glenn on my phone that AREN’T safe for work. Way more that are. Where did they come from? That’s MY business. But I tell you this fact to assure you- Glenn IS sexy. I’m not voting to represent my fandom I’m voting out of TRUTH AND LOVE. IF YOU DON’T GET IT YOU DON’T GET IT!!! I just think my level of feral over this man is more powerful than y’all realize. If you don’t get his sex appeal that’s okay, but don’t doubt that this is my truth.

Okay but Glenn made a minivan cum by talking to her so

HE HAS A BOOK THAT HE MARKS X’S AND CHECKS FOR EVERY DAY TO SEE IF THAT DAY WAS A SUCCESS OR NOT. TO SEE IF HE DID GOOD THAT DAY. ITS ALMOST ENTIRELY X’S. HE WAS CUCKED OUT OF A SON. AND A DEAD WIFE. HE DIDN’T EVEN GET TO KILL HIS DAD IN REVENGE. There’s absolutely nothing going for him except his sex appeal in his life. Nobody he loved remembers him. He lost his eye. All he has is a pet rat and friends who admit they don’t really like him that much. He was kicked out of his own band. The band was named after him. He was kicked out of the Glenn Close trio. All he could do was deez nuts the big bad and be sexy. If nothing else, then pity him. Look in his eyes. Look at his heart and soul. Do you think pickman needs this to feel good about herself? Can she not accept a loss for the sake of a pathetic father? Can she shake hands with the minivan fucker and his human gun and just take the L on this one? He did not do the BDSM episode for this I’ll tell you what. Do this for my his sake. Do it for Nick Jr, who needs the prize money to pay for his rat snacks. Do it for his son. For Morgan. Ganbatte.

Mod Note: While I will still take "bad dads are sexy" propaganda and "bad dads aren't sexy" anti-propaganda, I kindly request no more discussion on whether or not he was a bad father. This is a sexypoll, not a parentingpoll. If you see a post you strongly disagree with, you can just not reblog it.

Mod Note 2: This tournament is about fictional podcast characters. Please do not vote for the real actress Glenn Close.

Lup (The Adventure Zone: Balance):

Is somehow the hot twin between her and Taako

Lup Bluejeans (née... Taaco? Tacco? Taco? Tako? who tf knows this is why I'm going with her husband's last name. doylistly she gets her last name from her brother whose last name is given as "Taako again but spelled differently"): Hot, funny, smart and undead. Is there anything else you could want in a woman?? Well, in case there is: she's also canonically trans

LUP IS THE HOTTEST. VOTE LUP.

#Round 4 #Glenn Close #Lup #Lup TAZ #Dungeons & Daddies #Dungeons and Daddies #Glenn Close DnDads #The Adventure Zone #TAZ Balance

[fryingpan1234567]

some CHB headcanons

every cabin has LEDs around the inside, but there’s a constant battle over what color they are

Percy has his rippling back and forth from teal to blue and it looks like light dancing through water all over his walls and floor

the Apollo cabin can usually settle for orange and yellow as a common ground

the Aphrodite kids have a different color for each time of day and sleep with pink on the lowest brightness setting

the Hermes cabin has like ten different strips and they’re all constantly shifting

Demeter cabin’s shifts with the seasons

ANYWAYS MOVING AWAY FROM THE LEDS

they have movie nights, which I will talk about in a different post

before everybody goes back to school, the Aphrodite and Hecate cabins have a massive salon at the end of the summer with new haircuts and magic hair dye and outfit recommendations and fake but enchanted sturdy nails and a whole bunch of other stuff and basically it’s a week straight of spilling hot tea between everyone in camp

if someone asks where a camper got their hair done when they get back to school they just go “oh, um… summer camp.” and their friends will snort and be like bro isn’t summer camp the opposite of a makeover?? but they get no argument, just a shrug and a half smile

when I tell you pride month over there is a fucking riot

because Mr. D is in on it, right?? because he’s the god of gender?? and Chiron is aroace and has been raising dumbass gay heroes for literal centuries?? PLUS the sheer fucking amount of queer peeps up in there?? dude yeah

cabins competing for who shows the most pride

Demeter’s roof is covered in rainbow flowers

Hecate’s is enchanted to emit actual light in whatever flag colors of whoever uses the front door, even when they’re straight (it’s just a rainbow)

Percy collects a bunch of shed scales from the hippocampi at the bottom of the lake and then puts them all over his cabin

I could make a whole post about CHB pride but

every single Apollo kid is also a theater kid fight me

Rachel Elizabeth Dare painted a skateboard for Percy’s birthday and he brings it everywhere now, it even sits in his backpack at school

Leo, Annabeth, Percy, and Piper fucking love horror movies. Frank, Hazel, and Jason fucking hate them. They watch through their fingers, if at all

Piper loves the band Surfaces with all her heart, but she also is a die hard Green Day and P!ATD fan

Jake Mason is covered in burn scars up to his neck, just like Deadpool, just not bald lol

Hephaestus and Apollo kids faintly radiate warmth (like more so than a normal person)

the Stolls sometimes stay at camp year-round because their mom is off on international missions that are too high-risk for them to help with

the seven are AVID Smash Bros players

really everyone but

not as many people go to the Athena campers for help with homework as you might think, but whenever anyone does, they’re happy to help

the sun chariot blasts music at a frequency only the Apollo kids can hear, so their life kind of has a shitty soundtrack that consists of a mix of Broadway, Queen, modern stuff, and random bits of Beethoven every now and then

the Romans swear on few occasions

the Greeks know when to swear and when to be polite

the Valhalla peeps swear unbridled and all the time

the Egyptians never swear (in English)

for the longest time, Will Solace thinks the only gift from his dad is his healing prowess— which is obviously great, but he expresses being upset over the fact that he’s not very good at archery

well, considering this is the dumbass who didn’t bring a weapon to actual fucking Tartarus, Nico drags him to the weapon shack thing immediately afterwards and made him pick something out

he's immediately drawn to the Celestial Bronze shotgun.

Nico’s just like “what in the redneck shit did you just pick up” and Will jokingly aims it at his chest and grins and says “you know I’m from Texas, right?”

that’s how they find out Will is one of the damn best marksmen in Greek demigod history

some of the Disney nerds in the Apollo cabin sing What Once Was Mine to the little ones who need bandaids for knee scrapes and give them lollipops afterwards

Percy Jackson absolutely used to make poverty and struggle meal jokes all the time, but he got weird and concerned looks for it at CHB, so he kind of just stopped. But one day, aboard the Argo II, the PERFECT opportunity came up and he just HAD TO and as per usual— everyone else looked at him like he’s crazy— but Leo laughed so hard chocolate milk came out of his nose and that’s the story of how the two of them became Best Friends

#anyways idk what came over me #riordanverse #percy jackson #leo valdez #jason grace #Annabeth Chase #hazel levesque #frank zhang #piper mclean #Will Solace #nico di angelo #solangelo #valgrace #Jake Mason #connor stoll

[marciabrady]

here are some sleeping beauty plot points/general details that i love and i would love to see more discussion around

the story team did such an incredible job with fleshing out aurora while still making her feel true to the mythos from which she was derived. in every novelization i've ever read that predates the disney film, she's only ever given one line of dialogue (something like: "what is that thing that spins so merrily?") before falling asleep. disney took that same princess and successfully expanded her into a living, breathing dynamic human who is filled with everything- ethos, pathos, everything, but is also authentic to her origins. they also did a genius job at creating a basis for why love is so revered in this tale. true love conquers all, we're told, and it's indeed what keeps aurora safe from maleficent for all these years, as it's the one thing the evil fairy can't understand. yet, the fact that the princess grew up surrounded by the love from the three fairies, which instills that care in her heart, along with the fact that she grows up in isolation, so connected to the universe around her and allowing her to be introspective enough to observe the animals about her and draw a connection to the human condition and that of the consistencies of nature is so...deep and profound and develops her and makes her an evergreen character that will always represent people, for as long as we're around, because aurora's struggle is one that speaks to everyone. she isn't just some "lovesick princess" but a character that's growing up and longs to be able to find her soul's mate and to express the love in her heart in a universe where she was socially excluded and deprived of others outside of her three guardians. as humans are tribal creatures, social inclusion is one of the main pillars of wellbeing. so to take aurora, who is already an innately romantic person, and to deprive her of that just gives all the more reason why the kiss of true love really would revive her. she isn't just some princess who grows to be fifteen or sixteen, pricks her finger, and then is awakened by a prince she never meets. she is someone who was raised in love, grows up and wants to become a woman and share that love and express it with someone else. when she finds it, it's suddenly stripped from her and she's induced into a magic slumber that's meant to symbolize her transformation from girl to woman. then, she's awakened by the same love she'd thought she lost and it's just...the structure of it is genius and incredible and they retain all of the qualities about her in the fairytale and storytelling devices but they develop it so much further and round her out so well but still maintain a reverence to her source material instead of condemning it or outright changing it and i just LOVE

i don't think enough people realized that, it wasn't until maleficent visited prince phillip in the dungeon and showed him the vision of aurora in slumber repose that he knew that aurora and briar rose were one in the same!!! like this is the moment it all clicked for him and it gave him the drive and determination to slay the dragon in her honor. he realized the woman he loved and the princess he had been betrothed to were both one and that's so important and it's just such a plot twist that, again, was so genius of the writers. it proves to us that he loves her enough to leave the kingdom for her and risk damning the princess he had been betrothed to to the curse she was under and he'd take her as she is, even if it were a peasant, but also that his love is so steadfast and true that he'd defeat a dragon for her. 10/10 and it sooo runs along the vein of the lyric "visions are seldom all they seem." this is a plot twist done RIGHT but with so much sophistication that it tends to fly under most everyone's radar because it isn't like loud

something i love about the original princess movies is how the female characters are forever in the forefront, and the fact that this film opens with the celebration of the birth of a female child is something that's so special! instead of having to think about how female children weren't celebrated in that time, or it was a disappointment she hadn't been a son, or something of the like, the fact that the spotlight is on their daughter and the opening of the film continues this matriarchy, where all in the land praise this female birth, before the fairies are introduced as their most "honored and exalted excellencies." we need to see more worlds like this instead of pixar films where there's like not a single main female character lol

THE FACT THAT PHILLIP WAS WILLING TO GIVE UP THE THRONE AND THE KINGDOM "for some nobody" and told his dad flat out to his face without hesitating makes me love him soooo much?? he loves aurora for who she is, not just because she was a princess to whom he had been betrothed to his entire life, and this proves how genuine his love is. it also paints how progressive and open-minded phillip was, seeming to be the first that would ever break the tradition of princes marrying princesses and opening up his country for a new type of culture and reign. love me a freak like that

one of the biggest facets to aurora's character, and something that further develops her relationship to phillip, is how differently she reacts to her guardians when told of the betrothal. where phillip already knows, and is aware of the king and queen and how his duty is to marry their princess daughter, aurora is just finding out that she has living parents for the first time and the future of a nation rests on her shoulders. she discovers she's to be married to a prince and must give up her true love forever. again, before i hear anything about "she just met this man for two minutes in the woods, why is she crying," this is a fairytale with magic that's meant to be archetypical. in the narrative of the film, and in the universe of this world, phillip is her true love- and this is confirmed when it is his kiss that awakens her from the curse. so to leave the one true love who was meant for you, when that's all you ever wanted in the isolation you were raised in, to accept your duty and responsibility over parents you didn't even know you had and to assume the obligations of a nation you aren't even prepared for...it's astounding. aurora does everything right, she even leaves love behind for the good of her people and puts everyone above her own personal desires, and yet people still criticize her and say she's dependent on a man and all she cares about is love. meanwhile, phillip never receives any hate, and he's literally willing to give up the throne and the kingdom and start a war between two countries for the girl "he just met in the woods for two minutes" but he's one of the most beloved princes...it really just makes me think about how misogynistic our society still is, without even realizing it. aurora literally couldn't have done anything better, by our modern standards, but people still condemn her just because? this is definitely a discussion piece i want to hear more about and, in general, i think it would behoof us all to understand why aurora has been so demeaned culturally as a character when her actions, in and of themselves, are exactly what we say we want and would appeal to modern sensibilities

this is a slight sidenote but i always was tickled by merryweather proclaiming, if she had it her way, maleficent would be turned into a "fat old hop-toad." i always felt like this was a nod to the original tale from which this movie was based on, where a magical frog tells the queen that her wish to be with child shall soon be granted and that it, just generally, was a very clever easter egg/allusion

in this film, they have enough action and movement to appease the more restless demographic/traditionally "masculine" crowd, but i love how the basis of maleficent's defeat lies still in the femininity of the three good fairies. it's these elderly women that save phillip from the dungeon and arm him, not just with weapons that will kill another being and are predicated upon violence, but with symbolic weapons that are laced with truth and virtue. i think it really reminds us all how transformative these values are and how, in arming ourselves with them, we'll alone be able to navigate the road to true love (whether that be familial, platonic, or romantic love) which will be "barred by many more dangers" and how it enables us to have a sense of autonomy where we'll be able to overcome anything that's thrown our way while still retaining the core of who we are

i wrote about this moment previously, but to piggyback off of what i wrote about phillip just above...i love how aurora is the most competent human in this world? much has been said about how the plot of sleeping beauty is essentially the fairy worlds dueling with one another and, in that, many of the mortals are somewhat...inept, to put it for lack of a better term. king stefan is unable to protect his daughter with the burning of the spinning wheels, even with all the power he harnesses within his kingdom, and the fairies are quick to see his folly. prince phillip would still be rotting in the prison had the fairies not interjected, and he would be burned to a crisp had they not sprung a final chant of magic upon his, already, enchanted sword. yet, maleficent has to hypnotize aurora for the princess to even succumb to her plan and, even then, aurora is temporarily able to snap out of the magic hypnosis she's put under. i don't think people realize how powerful that is? yes, i understand it's a minor moment, but the hesitation and the ability to counter magic while remaining totally unarmed is something that reminds me why aurora is our main character, despite what anyone else might say.

going along with what i said above, while many are quick to point out aurora's lack of screentime, the film begins with her birth, the plot is sprung forth with every character wondering what they could do to protect her, then when she pricks her finger upon the spinning wheel, she and the entire kingdom are put to sleep. it isn't until she wakes up, that the entire kingdom does, too. she holds the key to this entire universe in a persephone like way and i just love how important it is in the narrative of the film to wake her up. she isn't just this beautiful creature who's valuable because she's pretty, because if that was the case, her being a lovely figure posed to perfection in her slumbering mode would be enough...but the people of her universe value her so much more when she's alive and active and being her own person, that it ensues a fairy war, practically. she's also involved in every single plot, even if she isn't physically present. this is her movie and no one can take that away from her. but, just to restate, the fact that there's so much emphasis in aurora being alive and well is something that's so important

so, it's kind of a given at this point that every princess can sing, but i think the role that music plays in sleeping beauty is the most meaningful and well done? sleeping beauty makes much to do about its classical score and it skillfully combines realistic characters and storylines (like the fairies not knowing how to cook and clean, phillip being captured with no way out, the kings toasting to the impending nuptials of their offspring before getting into a quarrel centered around a misunderstanding) with the fantastical world of fantasy and opera. by giving aurora the gift of song, the narrative is creating a framework that explains her relationship to her singing voice in a way that's even more profound than that of ariel's connection with her singing. it explains why aurora sings more than she speaks and ties in perfectly with the thematic style of the operatic presence in sleeping beauty, which is that in the opera, instead of speaking about it, you sing.

OK but this scene of hubert's/his general plotline and character motivation that results from this is genuinely perhaps the best comedy disney's ever done? hubert is coming off of declaring war upon his best friend stefan, because he misunderstood stefan's caring for his own daughter as a snub against hubert's son. after challenging aurora's father to a duel, they quickly make up, before hubert hears phillip has arrived and rushes off to greet his son. there, the news is broken that phillip is actually in love with a peasant and that he plans to renounce the throne- which will actually cause a war- so that he can be with his beloved. hubert is convinced phillip is joking, especially as he happens to meet this mystery maiden on the date that aurora is set to come home- the most anticipated date for these past sixteen years in the kingdom- and his son is set to be a central figure in the celebration for the princess's homecoming! before he can reason with phillip, his son escapes, leaving hubert to be the one to break the news to stefan. heavy-hearted, as hubert tries to tell stefan, he keeps being interrupted by trumpets and the musical notes that are meant to accompany the princess in her debut to her country. then the fairies literally put hubert to sleep when he finally gets a chance to explain it to stefan and, when they're awoken from this fog like slumber, the first vision that greets hubert is that of his son and the princess??? the same son who said he had no interest in aurora, but was set to marry the peasant maiden. the whole thing concludes in a very charming "all's well that ends well" but i still think the whole "how am i ever going to tell stefan" dilemma, while continually being interrupted, and this king who declared war in 2 seconds flat and minced no words in being so short-tempered was suddenly at a loss for words and so hesitant and fumbling and nervous about this news his son sprung on him lol

one of the most haunting sequences in film is the one above. the three good fairies have endeared themselves to their mortal charge, even giving up their magic for her for sixteen years. their bond is so much deeper and meaningful than it would've been otherwise, as they probably would've blessed her at the christening and then only appeared in her life intermittently, at a distance. they clearly aren't close enough to humans to know too much about their customs, and their magic always gives them away as outsiders, which indicates they were always content to live in their own fairy-world. but then they give it all up for this baby, this child, and they change their entire world for her. she is their world, to the point where their sole purpose is protecting her, until that's all they can think about for close to two decades. they would do anything they could to make her happy, to give her a fighting chance at life. they're so protective over her- and the fact that they got this close to the finish line...only to leave her alone because they want to be respectful of giving her privacy as she's still reeling and processing from all the news they sprung about her at once. they were even discussing going to king stefan and attempting to convince him to let aurora out of the arranged marriage so that she could be with the boy in the woods. and this all leads to maleficent enchanting aurora to her demise. as the fairies place her in a bed for the last time, looking upon her in her princess form, all of the time they've spent with her runs through their mind. how this isn't their little briar rose anymore, but a princess who inhabits, not the woodcutter's cottage, but king stefan's castle. someone who will never be with them the way she once was ever again and who, presently, is dead for all they know. as they look upon their lost daughter, the faint chimes and musical notes of the celebration of her homecoming is heard in the distance. i could talk about this forever but it's just such a heartbreaking and sad but also eerie mood

in 2023, it's time king stefan gets his flowers. while, in the time period in which this film is set, it'd be totally realistic for a father to set his daughter up in an arranged marriage to further the prospects of his land, stefan displays an understanding that seems more contemporary than his counterpart, hubert. hubert doesn't think about prince phillip's feelings for a beat and concedes that the "children" are bound to fall in love with one another. meanwhile, stefan seems to display a much more well-rounded paternal instinct, even exemplifying a degree of care and concern for both aurora's emotional wellbeing and her consent. he urges hubert to calm down and remember that this might come as "quite a shock" to aurora and to not push all of these political arrangements upon his daughter before she's had a chance to react to them and digest them.

the duality of briar rose and princess aurora is so fascinating, but also the moments in which they overlap is more enchanting still. this is a fairytale that is meant to be archetypical, and aurora's enchanted slumber is meant to be symbolic for her transition from girlhood to womanhood. briar rose, the girl, is anxious about her future, the prospect of meeting her love and settling down and getting to the next stage of her life. she loves her guardians, but is frustrated at their inability to see and treat her as anything other than a child. she goes to sleep a scared, shy, unsure teenager and wakes up as a self-assured, mature, gracious woman- the princess aurora. she's a vision, descending the staircase on the arm of her beloved, and she paints quite the picture as she gracefully curtsies to her parents, the king and queen. yet, true to the girl from the cottage, briar rose takes over. unable to contain the love she feels, she bolts forward and rushes to embraced her lost parents. i love this because, for as calm as a character as aurora is, i've always been so mesmerized by the breathless excitement with which she speaks when she returns to the cottage. this is a girl that has more love inside her than she can contain and it renders her a beacon of light. her running into the arms of her parents, instead of resenting them for giving her up, putting her in an arranged marriage, or even pausing to question whether or not she should be so warm with these figureheads of state, is such a tender moment that i don't think i've ever heard anyone speak of.

i will never get tired of singing the praises of the three good fairies. this film placed three older, conventionally unattractive women at the forefront- without pushing forced hetero ships on any of them- and allowed them to be bad ass (ie saving phillip from the dungeon, providing him with the tools and guidance with which to defeat maleficent, coming up with all the plots and actions that propelled the plot forward), while reminding us that love and kindness is truly the most powerful force on earth and placing an emphasis on the strength and power of femininity. the entire transition, from them being business women in the kingdom essentially (this is more in modern jargon; them being the fairies who are invited to political organizations for their contributions and not knowing anything about things like cooking or cleaning or rearing a child) to learning how to raise a baby and the film ending with them beaming over the shining achievement of their assigned charge finally being safe and happy is...it's everything. how beautifully the film focuses on them and the relationship with their adopted daughter and how that's the driving goal in all of this is something that's been unable to ever be surpassed

#mine #marciabrady #sleeping beauty #disney #sleeping beauty 1959

[theoddest1]

I think that no one should like Valentino and yes, that's also includes if you only like his design or don't condone his actions, that is not give an excuse for what he's done. But no one is ready for that conversation.

I think it's okay if you find the design alright or if you find him as a villain well done like "Oh man, this dude is absolutely riveting and conniving, that's pretty good for a villain" sorta deal. A lot of Disney Villains are loved for how great their roles as villains are (and also cause they find their charisma believable and entertaining), but this is also what leads to a slippery slope sometimes

Rapists come in different forms and hide in plain sight sometimes, so to make one the kind that's charismatic to lure or trap people in their abuse is an accurate portrayal as well, but if one makes that same character so charismatic or "heheh goofs cutely" that it begins to feel like we're SUPPOSED to find them charming, there is an issue.

That's where my issue lies with the way some fans treat Val, including Viv and some of her crew. Rather than find him gross and detestable, they find him and his personality "attractive" when his personality consists of manipulation and aggression. They romanticize the abuse of his victim and even straight up ship the victim with the abuser and the accomplice. They even ship him with people he has been straight aggressive with when angered, showing that he is NOT fit to be in relationships PERIOD (this should be obvious af, but Viv doesn't gaf.)

Not all who like Val like his actions. Some simply think he works well as a villain or thinks he has a neat design, but I def see what you mean! It's a very understandable stance considering what character he is. I, for one, hate this dude. Nothing about him is interesting outside of his role in the story and who he's affiliated with. He's the least interesting of the V's as a result. He's a literal man child.

#hazbin hotel critical #hazbin hotel criticism #hazbin critical #anon ask #hazbin hotel #vivziepop critical #vivziepop criticism

[galaxygolfergirl]

Some of my favorite Helsa fan arts I’ve done throughout the years (dates are in the alt text).

I’ve been thinking about this ship recently, especially its place in the fandom, and I have some thoughts (read below)

Ever since I was roped into this franchise 10 years ago, I think I’ve almost always drawn Hans with a beard. Primarily, it was because I felt that if he ever did show up again in Frozen media, he would be more weathered and unpretentious about his appearance since dropping his facade in the first film. Also because I just thought he would look better with more facial hair (it’s a me thing).

As for Elsa, I’ve never been consistent in drawing her, as it was hard for me to read her animated model, what with her huge eyes and baby nose, as normal, so that’s evolved over the years to a happy medium where it still reads as Elsa, but also reads as human with normal face proportions.

As to why I’ve shipped helsa all these years? Hans and Elsa are two sides of the same coin to me, the main difference being that one of them succumbed to their worst intentions and desires, while the other freed themselves and learned to embrace love and peace in their life. Both were isolated during their childhoods, resulting in years of loneliness, misery, and bitterness; both try to appear poised and reserved, hiding their inner self-loathing; both are intelligent and cunning, both have a definite aggressive streak, and both have interesting chemistry in their very few scenes together. Hans seems to be the only one on equal footing with Elsa who can get through to her throughout the film, mainly for his own ambition, of course, but it intrigued me to see even all these years later how compelling their interactions are.

Why would he sympathetically plead, “don’t be the monster they fear you are,” and stop her from killing those two guards? If he was planning on killing her, why would he go to her and ask if she could stop the winter? Why does he look shocked, almost sad when she tells him that she can’t, like he’s regretting having to kill her? It’s moments like these that paint these characters with more nuance than meets the eye.

I’ve always thought after the first movie, there was definitely potential for a more nuanced and interesting story if Hans were to return. Not simply for revenge, but rather an “enemy of my enemy is my friend” situation, where Frohana would have to work with Hans somehow to fend off an invading force or adversary, like the Southern Isles, to stick it to his family. He and Elsa would be adversarial, for sure, but through forced cooperation, they could open up and become more vulnerable with one another. The amount of angst and turmoil over their feelings for one another would be doubly engrossing. The drama would be incredible.

Now listen: I don’t really expect any of that to happen. I got off the Helsa or die party bus years ago and I’m just mainly enjoying it as it’s own non-canon concept. Believe me, I would love it if it did happen, god willing and the creek don’t rise. But really, when you get down to it, these are movies marketed at little girls, and I don’t think it would really go that far. It’s not easy to come back from holding a sword over a girl’s head, as quoted by Santino Fontana himself.

I grew up with this fandom, I started all the way back in middle school 10 years ago, and this has been a definite learning experience for me in separating the extrapolated world of fan-fiction and the reality of a pg animated musical. I’ve grown up and my expectations are different, and now I understand that canon doesn’t mean shit. I beg, do not take any of this seriously. Just because it has the Disney trademark slapped on it does not mean it’s the end all be all of a story. Stories are fluid things that adapt and evolve in each of the hands they pass through. No one interpretation of a story or a character or a relationship has to be “the right one,” and not every character has to sit on a black and white scale of moral dichotomy, there are always shades of gray.

I’m not saying all of this to be deep about a ship between a Disney princess and a Disney villain that I got into when I was 13, believe I know it’s not that deep. I’m saying this because I’ve lived through fandom and set myself up with false expectations, only to be disappointed. Hell, I took a break from helsa for a solid 3 years because of how burnt out I was. It’s far too easy to dissociate from the text and treat fanon as canon; you’re just setting yourself up to be disappointed. Just let it be its own thing! Like I said, canon does not mean shit! Don’t take things so seriously! Feel free to tell your own stories!

Anyways, I still love this ship, or at least the version I came up with in my head, because I am a storyteller, and I saw potential in these two that could be realized through other means. It doesn’t matter to me if it’s canon or not. Just enjoy it as it is.

#helsa #disney #artists on tumblr #important #illustration #fan art #hans x elsa #queen elsa #prince hans #frozen #frozen 2 #frozen 3 #fandom #disney frozen

[krissiefox]

Wander Over Yonder (Series Review) (Contains Spoilers!)

Yup, I'm finally reviewing another cartoon! But I just don't have the energy to undertake a project like when I reviewed every single freaking Aosth episode one at a time, so this time around I'm going to look at the series as whole.

Warning: I will discuss spoilers throughout this review, so if you are interested, please go watch the cartoon first! Thanks to disney being stupid, it's still only available on disney plus - so you'll either have to pay for that or find another means to watch it. Yo ho ho!

Wander over Yonder is a delightful, colorful and energetic Disney cartoon than originally began airing back in 2013. Its stories mainly revolve around its two main characters, Wander and Sylvia. Wander is a an altruistic space hippie who resembles a muppet-like creature, and his best friend Sylvia is a very butch-coded and punchy Zbornak, a species that is somewhere between a dragon and horse.

Wander and Sylvia's lives seem to have consisted of traveling the universe in a magic space-safe bubble, having fun and helping folks. Things get a little more dangerous though, when one day they cross paths with one of the show's main villains - Lord Hater. Hater is a hilariously pitiful caricature of toxic masculinity - constantly needing reassurance that he's "the coolest guy ever" and seeking validation by destroying and bullying everyone and everything around him. Despite his very impolite behavior, the ever-affectionate and loving Wander is determined to see the good in Hater and help him find a healthier way of managing his feelings than "punching lame nerds in the face". Lord Hater's minions, the Watch Dogs, are also frequent targets of Hater's bullying but mostly maintain loyalty nonetheless. Chief among the Watch Dogs is Commander Peppers, who is far more professional about being a villain than Hater himself could ever hope to be.

After the introductory setup, we'll see that many episodes consist of Hater trying to do something nasty, and Wander managing to mess it up just by being kind and nice. Many times, the Watchdogs will neglect their job duties and get distracted by Wander, as he treats them much better than Hater does.

This sounds like it might be a repetitive theme, but the show does a great job of always throwing out variety in its stories. You'll see the "standard" Wander vs Hater stories but you'll see stories of Wander and Sylvia doing things on their own, and Hater and the watchdogs doing things on their own, and over time a whole slew of secondary villains and friends show up in the story as well! Given the setting of the show is an entire galaxy, this also gave the creators plenty of room to constantly change up the scenery with different worlds, different creatures, and even the occasional trip into alternate realities! Most episodes are comedy based, but every now and then the show comes out swinging with a very sweet or moving story as well, and these are done just as well as all the zany comedy.

In season 2, the show introduces a new villain - Lord Dominator - bringing with her some big "shit just got real" energy. Unlike Lord Hater, she is much, MUCH more powerful and competent as a villain. She becomes such a threat that even Lord Hater is occasionally willing to work with Wander in helping fight her, as her relentless destruction of every planet around is only making him feel even more like a failure of a villain. At the end of the season, she is finally defeated in the sense that her ship is destroyed along with all of her robots, but she has no remorse for her actions and vows revenge on everyone who stood up to her. Sadly, the show only got 2 seasons, as disney never gave the creators the green-light for anymore.

So that's my brief summary of the overall story-line, but how does the show look and sound? Well, just check out these screenshots for the visuals, they're fantastic! The art team put a whole lot of love into this show and it shows. With an entire galaxy for it's characters to run around, the background artists will treat you to countless beautiful, bright colorful worlds and environments. The characters are very well animated and extremely expressive, and the voice acting is great as well. There are many visual nods to old Hanna Barbera cartoon days and also seems to be love for the funky architecture, color schemes and aesthetics from classic scifi art, as well. The team behind the show has some familiar names attached to it such as main creator Craig McCracken (Powerpuff Girls, Dexter's Lab), season one co-producer and story editor Lauren Faust (My Little Pony FIM), and the lovable Tom Kenny providing the voice of Commander Peepers (Spongebob, Adventure Time).

In terms of themes and messages, the show gets a lot of things right which is another reason I admire it. Wander's altruistic nature lends itself to many wholesome story-line moments, and the interactions between him and Sylvia can often symbolize many people's internal struggle with "wanting to always be kind and helpful while also not being a doormat for all the bullies out there who don't appreciate kindness".

The show also has a couple episodes that touch on the importance of consent, which I like a lot. In one episode, Lord Hater ends up in the care of Wander and Sylvia after getting heavily drugged up during a painful dentist visit, and he's so blitzed out of his mind that he doesn't remember anything about Wander or being a villain and just enjoys spending time with his "new friends." At the end of the episode, Hater starts to put his mind back together, and flees in disgust at the thought of being friendly with the two. Naturally, Wander feels hurt and dissapointed, but as Sylvia tries to comfort him he also points that it wouldn't be right to have Hater's "friendship" with him not be of his own conscious choice.

Similarly, in another episode, we meet a villain (who is voiced by Weird Al!) who is like a corrupted version of Wander - instead of wanting to help people be happy, he forces them to be "happy". This infuriates and disgusts wander as he believes people must experience joy of only their own free will.

Overall I love the series, but I did some have some criticisms. One of the more minor ones is that it felt like they might have had a limited sound effects budget, as I noticed the show reused the exact same "Wham!" and "crying baby" sound effect so many times that it started to get distracting to me. I know good audio recording equipment is expensive as hell and thus can understand folks using stock sound effects, but I feel the show might have benefited from maybe some extra foley sounds to add more variety.

Another thing I didn't care for sometimes, is that there's handful of episodes that just feel very mean-spirited towards Sylvia, and in some of them Wander himself is the one being hurtful or even downright creepy towards her in some way or another. The moral of these stories is often Wander realizing he was being terrible, but it feels like the subject gets taken too lightly sometimes. Similarly, the show does occasionally have the mean-spirited gag of "bad things keep happening to Sylvia and we're supposed to find it funny", an old cartoon trope that's always disturbed me. Slapstick is one thing, but when it feels the writers are just bullying a character it can get uncomfortable.

There was a subplot throughout much of season 2 that rubbed me the wrong way, too. When Dominator is first introduced, everyone initially assumes her to be a guy under her suit of armor, but when Wander later realizes she's a woman, he immediately jumps to the idea of trying to hook her and Hater up as a couple. Part of his reasoning is that he feels like if Hater and Dominator are busy with making the smoochy-smoochy, they'll both lose interest in destroying planets and bullying their inhabitants. But still, the hetero-normative trope of just assuming that every woman is interested in A - relationships period, and B - a relationship with a man, is the kind of attitude I'd expect from Lord Hater, but not from sweet little Wander. He goes on about this for much of season 2, and Hater is also on board once he sees Dominator without her helmet on, but I am glad that at-least both Sylvia AND Dominator find the notion ridiculous the entire time, and at the end of season two, we don't have the additional sexist trope of her caving to a relationship she was never interested in having, thus "the bad girl getting redeemed via hooking up with a dude" trope.

On the subject of character relationships, I personally think if Dominator isn't just an asexual/aromantic killing machine she would most likely go for Sylvia if anyone, since she's the only one who actually came close to becoming friends with Dominator in one episode. Also, I got the impression that Commander Peppers really had a thing for Hater, as well. If Hater ever grows up, he and Peepers could make a cute couple, I'm sure. :)

Despite some of these things that bothered me, I still think the show is pretty great over all. While it could definitely use some more gay and less heteronormativity , it does still have a lot of wholesomeness and positive messages, lovely art, great humor, lovable characters, and even some very moving episodes. Now I just really wish the greedy putzes at disney would give this show a DVD set already! Hell, they never even made any plush toys. I want a little plushie of Sylvia, dammnit!

#Wander over yonder #animation #cartoons #disney #cartoon review #aniamtion review #review #KrissieFox reviews #Wander #Sylvia #Commander Peepers #Lord Hater #Lord Dominator #weird al yankovic #craig mccracken #tom kenny #lauren faust #long post #spoilers #wander over yonder spoilers #woy spoilers

[rocksandaces]

Subtle but consistent representation is not queerbaiting

Forgettable, negligible representation with little impact on the plot, done just to have a pairing - this is queerbaiting

Good Omens is not queerbaiting because Crowley-Aziraphale relationship had a huge impact on the plot. And if you say it wasn't obvious from the beginning I would recommend watching the show with more attention

Most Disney/Pixar animations is queerbaiting even though their representation is much more obvious than Good Omens (mostly talking about season one). Yeah, Lightyear had a confirmed same sex couple. Too bad it didn't affect the plot in any way and was in like 3 seconds of the movie. Same with Onward, as much as I love it, having a minor female character mentioning having a girlfriend is cool but it's not something you can really be proud of. Same with Avengers: Endgame. It doesn't affect the plot, it's just there so you could say "hey, we have a gay couple in the movie!". Wow, thank you. If only I could remember their names

Nobody wants just representation. People want good representation that affects the plot, is relevant and fun to watch. That cannot be cut out when you want to release it in a homophobic country. Look at Nimona and Ballister/Ambrosius ship. It has some issues, but their love is an essential part of the plot as they are forced against each other. You cannot cut it out or ignore it

If I have to rewatch the movie to find one sentence when character mentions being quuer, the movie doesn't have good representation

#lgbtq #queer #queerbaiting #gay #lesbian #good omens spoilers #good omens season 2 #good omens #nimona #ballister x ambrosius

[kuzcoskingdom]

characters from the emperor's new groove appearing at the disney parks is very rare. i mostly just know there was once a stage show at disneyland paris that yzma and human kuzco appeared in (note to self: i should make a post about this stage show at some point), and that there have been other rare occasions when they or kronk have shown up. and i don't think pacha has ever shown up at the parks. but, i know that whenever those three have been around, they almost always look like this:

this photo is from the an event called the disney dreamers everywhere gala dinner show, also at disneyland paris, in 2013. llama kuzco was there too, actually, and in a green poncho, even!

in the first photo, you can see that kuzco, yzma, and kronk all aren't standard face characters. if they were walking out and about, they wouldn't be able to talk to you because they're wearing full body costumes and masks (i think these kinds of characters at the parks are usually called "fuzzies"). interestingly yzma and kronk have also appeared in the "villains tonight!" show that used to run on various disney cruise lines. it was a show that involved disney villains performing musical numbers from their movies, except yzma sang yzmopolis from the emperor's new school, making her song the only one to come from a tv show. i find it really interesting that they even included someone who didn't have a recognizable villain song from their movie, but anyway, in that she and kronk were just played by regular actors and looked like this:

and i don't know about anyone else, but i strongly prefer that to the first option. i don't care that they don't look 100% like the animated characters, because real people don't look 100% like the animated characters with their exaggerated proportions and face shapes--and i've seen some people speculate that that's the reason disney does this for some characters, but i just find it so weird because i can imagine that instead of feeling the "magic" of meeting kronk, i'd think it's way too obvious that he's just some guy in a mask if i saw the first person in real life! (though, i'm an adult, so i guess maybe kids would feel differently). and it's not done consistently--dr. facilier and captain hook have basically the same cartoonish, exaggerated face shape, but one is usually an actual face character and the other has a mask. the characters from big hero 6 literally just look like normal people, but they've appeared in the full body costumes and masks before. i dunno, i guess it probably also has something to do with practicality if certain characters are mostly only going to be at parades and shows, or other reasons i'm not thinking of. and, hey, beggars can't be choosers lol. i'd be incredibly happy to hear about the emperor's new groove characters appearing at the parks again no matter whether they were regular face characters or wearing the masks.

#yzma #kronk #kuzco #disney parks #text post #🌟 #the emperor's new groove

[bettertwin9000]

Hi idk if you remember me but ages ago i told you about how i put you and your siblings into tomodachi life

So here’s some tomodachi life updates since then:

-Your ingame best friend is marcy from amphibia now

-one time i found you just lying in the middle of a park staring at the sky for a solid hour. For literally no reason

-Leo has no best friend

-The only one of you four that i have ever seen Leo hang out with is mikey but their friendship list says they think mikey is meh

-Raph is the only one friends with none of their siblings (along with april but she’s very recently added)

-Mikey’s best friend is a lawyer (also close with batman)

-Raph’s friend list entirely consists of gay teens from disney shows

-April’s only friend is markiplier

The park sounds extremely accurate. I would and have, in fact.. done that. I should play tomodachi again soon...

#rottmnt #rottmnt donnie #rise of the teenage mutant ninja turtles #rise donnie #unpause rise of the tmnt #rise of the tmnt #rottmnt leo #rise leo #disaster twins #save rise of the tmnt

[mikelogan]

hello. i really enjoy your content, but i have to say i'm kinda disappointed on you still being a ts fan. this woman knows what disney does and yet she still gave them the rights, meaning she either doesn't care or actively supports the genocide. or maybe she decided to turn her morals off because money is more important. not to mention how she consistently associates herself with questionable people and how a person literally died in one of her shows on brazil and she gave zero fucks. this woman is not a good person and there are no excuses to being her fan anymore.

no, i fully understand what you're saying and where you're coming from. over the last like. idk year and a half? ive been pretty vocal about my disappointment, distaste, and disagreement with a multitude of the choices she's made lately. i 100% agree that her silence on the subject of palestinian genocide (as well as many other human rights/social causes) is at best a sign of apathy and at worst a sign of support. especially when miss americana was all about her wanting to be more outspoken and be an activist. that all feels so incredibly performative now -- and has for a while. a lot of things that she's said and done since midnights, which is when i became more active in the tumblr swiftie community, have left a bad taste in my mouth for her as a person.

like i said, i genuinely agree with what you're saying. the only thing i take issue with is that she didn't care that a fan died at her show. she donated money to the fan's family and took time to meet them. regardless of my many issues with her, i do think she can be an empathetic person and i don't think that she just straight up didn't care that someone died before her show. it's one of those things (of which there are many) where we'll never know her true thoughts bc she doesn't talk about things. which is frustrating in itself.

now that's not the point of your message, so feel free to write that off as a digression. i strongly disagree with her making yet another version of the eras tour movie and hosting it on disney+. I'm personally boycotting disney+ and have been for a while. I don't even intend on watching the new version and like the vast majority of everything I gif, that shit is pirated -- that's how I watched the original release of the movie. obviously my consumption/boycotting is just one person compared to blondie, who has influence over millions, who could make real change if she spoke out against genocide.

at this point, im not supporting her financially either apart from listening to her music. which i love. im sorry, but I do. if I didn't, we wouldn't be having this conversation. i think her constant churning out different exclusive versions of the same albums are a transparent money grab and maybe an effort to set more records as far as sales or streams or however that all works. and I'm not just saying that bc I literally couldn't even afford to buy a digital copy of an album right now.

so yeah. I appreciate that you enjoy my content and thank you for saying so, but if you need to unfollow or block, i understand. I've definitely toned down/completely stopped sharing posts about her as a person bc I'd much rather focus on just the music. and maybe that makes me a bad person for continuing to listen to and enjoy her music. im not saying i necessarily feel good about it, but i think the fact of the matter is that a lot of the celebrities, actors, musicians, etc. we like or whose content we enjoy hold views we disagree with and have different values or priorities. nuance exists. right now, im someone who is vocal about the palestinian genocide and I try to share resources/posts about it when they come across my dash and im also someone who is a fan of Taylor's music.

Idk, I hope what I'm saying makes sense at least on some level. I've done my best to word things coherently, but brain fog fucks w me a lot. and like. it's probably whatever, but I do plan on changing my url after ttpd releases. That probably upsets you more and I can see how people might think im a hypocrite or something and yeah, I get it. Idk, I just want to enjoy someone's music without endorsing them as a person, but that's extra difficult when the person in question is the biggest singer in the industry. but you'll never see me making excuses for her on things like this or the m*tty situation or numerous other things she's said and done that gross me out. im not so far up her ass that I think she's perfect or that I feel the need to defend her at every turn. like I said, nuance. anyway, if you feel the need to respond, i welcome you to do so as long as we both remain respectful, which I think we've done. this is a difficult topic, but that doesn't mean we can't discuss it. I appreciate your point of view and I'm sorry that I've disappointed you!

#answered #anonymous #sorry for the novel 😬 #i put a lot of thought into this and wanted to be thorough!

[spiritsofprogress]

Here’s how Figment can still win | updating the attraction

I envy those who got to experience the ride in its original form with dream finder and all, I really do. I remember being a kid In the early 2000s and my grandpa was excited to take us on it as it was his favorite ride, only to find it completely different. However, what you might not expect me to say is that I don’t think the current iteration of journey into imagination is bad! Do I think it lives up to the original? No, but Dr.Channing is decent and the concept is quite cute.

The problem is this iteration is a clear patch job done nearly 20 years ago and they’ve let it sit ever since. This sucks. Especially considering Disney and Epcot clearly realize how much pull Figment has as a character, people adore this purple dragon years after his debut (remember the popcorn bucket?). They’ll slap him on anything and everything for festivals… but his ride? Actual non festival attraction related merch? You get a shirt or two if you’re lucky! When I went recently there was a single shelf reserved for figment related items. A single shelf in a decently sized gift shop that was mainly filled with the same Toy Story summer line they overestimated in popularity. (I’ve never seen anyone buy or have something from this line). The state it’s in is sad, especially considering Disney pulls on figments popularity! He’s getting a meet and greet again so can we finally update the attraction! … I’ve also heard rumor of the rainbow tunnel returning….

My solutions-

As much as I wish it could, I don’t know if we’ll get the dream finder version of the ride back, but here’s my idea on how to update the ride with the storyline we do have. It’s a cute concept but they’re not doing it to the best it can be.

1. Make it longer! To say they shortened journey into imagination is a understatement, I have no idea what they’re using half of the building for. Make it longer- maybe do go into the smell and taste labs. Make some more elaborate scenes- show that chaos figment has brought to the institue! One of the best gags is in the queue and the poor secretary of Dr.Channing answering the phone every few seconds - give me that energy! Give me… imagination running wild! That’s literally the storyline with figment but he feels so… constrained? Lack of space as it’s so short.

2. 2D figment. I beg of you. I know when the ride was redone 3D animation was new and all the rage but… I’m sorry 3D figment is terrifying and super dated. Soft, cuddly and cute 2D figment is timeless. It wouldn’t be that hard to go over the same scenes just with a drawn model instead, this is a quick fix to Rodger rabbit it.

3. More characters. I’m not even asking for animatronics but you need to give us something more. Again, that secretary is just a gag but its such a good show of story we don’t get on the actual attraction. A fun idea you could do is have “Dean Finder” come out and be the only one to be able to calm figment down/understand him? Sort of nod to the OG besides just a door THEN they open Channings mind to imagination as something to be free. This equally lengthens the attraction.

4. It just makes me sad as they have a really good concept here and ERIC FLIPPING IDLE but don’t utilize such a great comedic actor to the potential I know they could have. Another thing I’d request is the return of a good imageworks that’s not 99% photo opportunities with random characters not seen anywhere else. Additionally if you don’t want to make a lot of merch for the ride that’s fine… make the gift shop smaller, which shouldn’t be a issue if you make the ride longer again.

It’s fascinating to me that Disney consistently lets such a beloved attraction down despite using it for merch and festivals. It’s also fascinating that despite getting a whole makeover the park is leaning into a retro futurism feel and a “Epcot center” vibe (this is a good thing). But again ignores this ride- It’d be costly, sure, what isn’t, but I think it’d be worth giving just a bit of attention.

#disney parks #disney world #walt disney world #Epcot #epcot center #journey into imagination #journey into your imagination #figment #figment the dragon #dreamfinder #Nigel Channing #disney rides #eric idle

[sexiestpodcastcharacter]

Sexiest Podcast Character — Unscripted Bracket — Round 5

Propaganda

Glenn Close (Dungeons & Daddies):

#Propaganda for Glenn Close: one of the other PCs mentions multiple times how hot he is #Actually several characters point it out but especially Henry #Also the only person in a podcast that has to put a disclaimer about not being a BDSM podcast to have had sex during the course of the show

Young hot rocker dilf

Loyal to his dead wife <3

Does in fact smoke weed

BARD!! HES A BARD. HE WAS LEAD GUITAR IN HIS BAND (that he was kicked out of)

His band was a Christmas cover band btw.

Literally the fandom had hot Glenn summer which consisted of drawing him being incredibly hot and sexy

Anti government (ofc)

Kind of cringefail (Disney adult) (was on dilfs of disneyland)

Young and sexy not your style? Then how about HIM AFTER YEARS LOCKED IN A TIME PRISON WITH A DAMN HANNIBAL MASK ??

Lost an eye and wears a fucking eyepatch

One incredibly buff arm

Has a pet rat named after his son <3

Immeasurable amounts of trauma in this man- becomes progressively more unhinged

OH OLD HUMAN BARD ISNT CUTTING IT? FINE

HE BECOMES A FUCKING DEMON

A COOL HOT ONE-EYED DEMON WHO WANTS TO KILL HIS DAD (also sexy)

HE CANONICALLY ENDS CHRISTIAN HELL VIA CHRISTMAS

IS ALSO WAY OVERLEVELED

Becomes a demon hunter for the rest of his existence

Also nonwhite !!! We are done with cringefail whiteboys !!!!!!!!!

I can’t put into words ok just know he is the best plz love him.

Okay but Glenn made a minivan cum by talking to her so

HE HAS A BOOK THAT HE MARKS X’S AND CHECKS FOR EVERY DAY TO SEE IF THAT DAY WAS A SUCCESS OR NOT. TO SEE IF HE DID GOOD THAT DAY. ITS ALMOST ENTIRELY X’S. HE WAS CUCKED OUT OF A SON. AND A DEAD WIFE. HE DIDN’T EVEN GET TO KILL HIS DAD IN REVENGE. There’s absolutely nothing going for him except his sex appeal in his life. Nobody he loved remembers him. He lost his eye. All he has is a pet rat and friends who admit they don’t really like him that much. He was kicked out of his own band. The band was named after him. He was kicked out of the Glenn Close trio. All he could do was deez nuts the big bad and be sexy. If nothing else, then pity him. Look in his eyes. Look at his heart and soul. He did not do the BDSM episode for this I’ll tell you what. Do this for my his sake. Do it for Nick Jr, who needs the prize money to pay for his rat snacks. Do it for his son. For Morgan. Ganbatte.

Glenn is the goofiest sexiest character there is and I will die on this hill! I will ride into battle for him! what Dndads created is truly unique and Glenn is a key part of that and for that he deserves to win. I said it before and I'll say it again - GLENN SWEEEEEP

Can we talk about how he says ‘baby’ casually? Like he just calls people that?? That’s HOT. THAT IS HOT!! He’s also bilingual and knows Japanese!!!! He’s a big dumb idiot with a lot of charisma!!!!!! HE WORKED AT A BDSM PLACE FOR TWO SEPARATE ONE SHOTS. HES SO SAD BUT PLAYS IT OFF LIKE HE’S CHILL ALL THE TIME!! HE DOESN’T THINK OF HIMSELF AS SINGLE BECAUSE HE DIDN’T DIVORCE HIS DEAD WIFE!!! He’s like.. the perfect guy. We need this win.

I’d also like to add the fact I made this. Which is the first 11 episodes edited to (almost) only have Glenn in them <3 which is a level of insanity I hope to reiterate. These took hours to make. I wouldn’t do that for anyone else.

Mod Note: While I will still take "bad dads are sexy" propaganda and "bad dads aren't sexy" anti-propaganda, I kindly request no more discussion on whether or not he was a bad father. This is a sexypoll, not a parentingpoll. If you see a post you strongly disagree with, you can just not reblog it.

Mod Note 2: This tournament is about fictional podcast characters. Please do not vote for the real actress Glenn Close.

Amber Gris (The Adventure Zone: Ethersea):

Middle aged woman who punches sharks to death. My hero

If you love me you'll vote for amber gris I swear to everything holy on earth amen

Amber is butch, instant win

Amber Gris has a negative charisma modifier and she pissed her pants on purpose in order to trick a guard and knock him out. She tied up a dude. She once killed an evil magic shark (they're out for murder. not like real sharks) by punching it and then picked it up and smashed it into another shark, also killing it. She talks in a southern accent. She calls people guppy because it indicates a lack of respect. She has a big pair of magical green arms that come from her stomach. She got a fancy jacket and immediately ripped its sleeves off. She has a gay thing going on with one of the political leaders in the city. She gets in fights with people and doesnt do vulnerability and tries to lay low and not get in any social trouble she doesn't have to. She jumped through a portal into a new world because she could. She's now the god of said world, alone with only afformentioned political leader, who was previously possessed and she had to fight. She spends her time in a bar called the Cloaca. She calls people she doesn't like claspers, because it means shark penis. She and her friend, an old man named Uncle Joshy, sneak attack each other and yell VIBE CHECK! She tries to talk fancy to impress people and she's really bad at it (verily).

She’s everything and more. She’s irreverent. She punches sharks for a living. She becomes God. What more do you need in a butch.

amber gris propaganda: she is straightup the physical embodiment of "women want me, fish fear me." also she's an appalachian post apocalyptic sea captain. that's just objectively cool.

AMBER GRIS IS PUNCHES SHARKS AND IS (one of) THE MOST BADASS BLACK WOMEN PCS IN DND SHOWS IVE EVER SEEN. SHES INCREDIBLE AND A WIN FOR DYKES EVERYWHERE

amber's creator said she was based off of the type of working-class woman you commonly see in appalachia where "this is the sort of woman that you see walking past CVS, and you know that a truck could hit her and it would just split around her as she continued to go pick up whatever she had to do that day." and that's pretty hot

guys Amber becomes lesbian god of the new world with her childhood “”friend””

#amber gris is LITERALLY a middle-aged butch #she would win this entire tournament in a just world

Last time Amber got horny was when she killed that shark

"it was a savage bummer though, don't-- trust me, there's nothing that great about a history. You know? I got one. What did I do, killed a bunch of sharks? Last time I got horny, god and christ I can't even tell you-- well, it was when I killed that shark. But! Hey. We're all just kinda figuring it out."

Moonshine Cybin (Not Another D&D Podcast: Bahumia):

She's a hot elf with mushrooms growing on her. She has 1 level of barbarian. She's bisexual. She shapeshifted into a dragon and ate a god.

how tf does the post not mention Moonshine’s giant boobs her greatest asset

Moonshine has canonically gone down on a woman for a solid hour without asking for anything in return. Moonshine edged a dryad just by kissing them. Moonshine faced down someone being controlled to kill everyone in his path and told him if he still wanted to hurt her, she would take his blows as a friend. Moonshine makes jambalaya for her family and friends. Moonshine mispronounced someone’s name for a month and that woman still wanted to hook up with Moonshine. These are just a few of the reasons why Moonshine is sexy.

shes illiterate

canonically huffs dirty water from a bong

has big tatas

wears a belly chain with a demon trapped in it

almost became the queen of hell

ate a god

turned into a pregnant moose & gave birth

The woman she went down on for an hour asking nothing in return is still hung up on her, 200 years later. Moonshine is unmatched

To be clear the woman whose name Moonshine mispronounced for a month and then hooked up with is the same woman she went down on for an hour, and the same woman who is still flustered over her 200 years later. The rizz is unparalleled. She’s also incredibly kind and accepting of others, and goes out of her way to bolster her friends. The party always requests one big bed.

moonshine cybin is a druid who learned counterspell through sheer force of will. moonshine cybin turned one of the four horsemen of the apocalypse into a dolphin, flew him 60 feet up into the air, dropped him on the ground, and then spit spores into his face to kill him. moonshine cybin turned into a dragon and bit the head off of a double god. moonshine cybin was willing to confine herself to an eternal hell to save the world. moonshine cybin is a dragon rider. you know what you must do.

Amber and Moonshine Together

Look at them. They should not have to fight when they could be gay instead. Imagine the power they would have combined... Every lesbian in a hundred mile radius of the post would swoon. It may be an odd alliance, but from an Ethersea fan to Bahumia fans, i believe this will strengthen both our odds. I have always been insane about Amber Gris but through this poll I have also learned about Moonshine and come to love her too. Take my hand... We can do this together...

OKAY HEAR ME OUT MOONSHINE AND AMBER WOULD GET ALONG SO WELL

appalachian sapphic solidarity!

Art of Amber and Moonshine from @pirateknight.

#Round 5 #Glenn Close #Glenn Close DnDads #Moonshine Cybin #Amber Gris #Not Another D&D Podcast #Bahumia #The Adventure Zone #TAZ Ethersea #Dungeons & Daddies #Dungeons and Daddies

[iamafule]

I think the reason people are using dreamworks to hate on Disney is because Dreamworks relies on more of a fantasy element where there's magic and fairies and it's all set in the past or in a magic land where everything's interesting whereas Disney relies on pixar and Marvel to make shitty movies that all have the same character tropes and the same morals that are all set in the modern world or the future

Dreamworks can acknowledge that people don't really like the present because of the whole screen addiction thing so they stick to a timeline and a theme where screens are rarely and sometimes never necessary while Disney likes to focus on being inclusive so they modernise all their stories.

Also Dreamworks is more open to experimental work and the animators have more creative freedom to draw things in different styles or give the characters different features and personalities and details and little mannerisms and habits (Take Hiccup for example: handicapped, left handed, talks with his hands alot, adventurous, smart but stupid about it, very peaceful) while all Disney's characters are hollow and a sort if copy and paste theme.

Dreamworks takes more risks to put out movies with plots and characters that no ones ever seen before while Disney just takes stories they've already done, changes up the characters a little bit and them adds a message about generational trauma.

This leads to my rant about how much I hate httyd 3.

The soundtrack was too melodramatic. And the visuals were all bright and colourful to get the attention of 2 year olds. The light fury design was pathetic. The only reason the light fury exists is to be Toothless's girlfriend. Then they went against everything they'd worked for within the first 2 movies. In the first 2 it was all about how Hiccup and Toothless are bestfriends and stick together no matter what. That was even the moral in the 2 shows, first Christmas special and one of the short spin off films. But the third movie went against all of that and made them separate. It ruined the trilogy! The second movie however. The soundtrack fit perfectly for each scene and the colour scheme was perfect. In the scenes where Hiccup discovered his mother and the bewilderbeast nest the colours are appropriate and bright while not bombarding the screen with flashing lights and colours while the scenes featuring Drago had a more dark and sinister colour scheme, as well as the music becoming more heavy and ominous. Where as in the hidden world the colour scheme always had bright colours which made it feel less dark and scary. They modernised the Viking age so that it would be more appealing to younger generations. But the thing about the how to train your dragon fan base is that it mostly consists of people aged 12-27.

#httyd #how to train your dragon #dreamworks #dreamworks animation #disney #dreamworks vs disney #httyd 3 #httyd the hidden world #httyd thw #how to train your dragon the hidden world

[kingsmoot]

even with your explain asoiaf genetics still don't make sense to me, if it's internally consistent that the kids look like one of the parents then technically joffrey and co could be actual baratheon who just take after cersei if compared to the stark kids who are all actual starks that take after their mom? and the dayne's aren't all blonde since barristan described ashara dayne as having dark locks

also further on the baratheons if they all have special strong genes that makes the kids always dark haired with blue eyes why didn't rhaenys targaryen's, (the dance one not the conqueror) who had the baratheon look per f&b, kids take after the baratheons instead of taking after the platinum haired velaryons?

(sorry if this comes off as mean or smth that's not my intention, i'm genuinely trying to have a conversation i'm just too shy to reblog the post lol)

hey no problem man i appreciate your note at the end there 🖤

so to your first point: you are totally right. that is why there was not a general widespread suspicion of incest when all three of queen cersei's children came out looking exactly like her. because children being born as carbon copies of only one parent is something that happens all the time in westerosi great houses. the novel sets this up really easily too, because the starks and the lannisters are the first people we meet. we learn that arya and jon look just like ned, while robb, sansa, bran, and rickon look just like cat. then we learn that joff, myrcella, and tommen look just like cersei. yay!! we are in a world with end-of-any-disney-movie genetics.

MOST of westeros assumed exactly what you just said, that the baratheon children just all happen to look just like their mom. people who live in king's landing and see how cersei and jaime act, or how cersei and robert act, are either suspicious or certain of incest. people like jon or ned, who look into the history of baratheon/lannister marriage, know that the kids SHOULD all look like robert.

this also explains your point re: rhaenys. baratheon genes always win over LANNISTER genes, but they do not always win over targaryen genes. sometimes they do, tho, like with rhaenys' dark hair. but then the valaryon genes won out in her kiddos.

i mean my honest answer? rhaenys had dark hair so that rhaenyra's bastard children (fathered by harwin strong) would have a reason to be seen as possibly true-born in canon. george had already done the "they look just like their mom and nothing like their dad but don't worry :)" plot in agot. he was doing a new thing about passing off bastards as true-born. a variation of the same story. a woman takes agency in her royal marriage by cheating and passing off her children as true born. part ii.

i do believe 100% that the way westerosi genetics work is internally consistent. i would be happy to knitpick individual examples of this forever. because i like getting bogged down in details and am a naturally argumentative person. i'm jewish.

but at the end of the day, westerosi genetics work the way they do for the very simple reason that this is a high fantasy series. it's magic. it is also a very effective visual shorthand to show you who belongs to what great house. this is a series with THOUSANDS of named characters. when you meet someone new and they have blonde hair and green eyes, you know they're a lannister. when a great lord is pillaging and raping, or just eagerly sleeping around, and he wants to deny his resulting bastards, well he can't. they look exactly like him. when the lord commander of the night's watch is the secret last targaryen tenth of his name, we don't know that because he looks exactly like his BASED MAMA whose stark genes beat out every last ounce of dragon he had in him.

so. i do think it does make sense. i would happily go over more examples with you. but at the end of the day try to remember that westerosi genetics work the way they do for Plot Reasons. this is a good reason for them to work the way they do, and they remind me of a lot of well established and widely accepted scifi conventions.

westerosi genetics are good. i'd give anything to be born with box black hair and white sclera lenses.

#ask tag #anonymous tag

[mdhwrites]

I still like TOH, but your comments have made me notice something about reviews praising it: namely, a lot of the elements praised are specifically described- Belos’s character, Luz’s depression, the dark themes, the serialization, etc- as being amazing for a kid’s show, and I think that’s a factor in why critical reviews tend to match fandom opinion. Namely, kid shows having understandable limitations leads to attempt at darker themes/big stories being praised as standouts as long as the execution is competent enough to not be noticeable. So while some people do acknowledge TOH’s flaws, they point out it’s still admirable the show made the attempts it did, especially with Disney’s public stance on what it pushes for in its cartoons.

So... I want to be kind first before I somewhat lose it because I am so SO TIRED of it being stated that TOH is different from other kid's shows. The Owl House is perfectly competent and entertaining in just its base elements. The animation is good, the voice acting is amazing, the feeling of teenagers is well captured, it's a lot of fun when it's interested in being fun and S1 has a lot of great ideas that earn a lot of good will with an audience and the plot line with Eda in S1 is genuinely amazing. After all, usually you don't have a character who is actively dying.

A theme they never actually address in detail. Eda doesn't feel like she's being held back by the curse very often and there's even one episode where it's used to re-enact a family guy episode of King trying to murder a toddler who won't let him be ruler of the playground. That... Isn't serious. In anyway. It's only serious when it's first revealed and the big sacrifice moment. After S1, it's barely a thing outside of Keeping Affearances.

This is the fundamental problem with The Owl House... And why it's so easy to praise. Yesterday I talked about how it screams its themes at the top of its lungs. How it is very blunt about how it wants to be perceived. Whether this is perception is earned or not is secondary to what it can easily state.

Which makes making an online article about how it's so different from other kid's shows, how it's the kid's show for those who don't like kid's shows, very easy. If you don't actually know much about kid's shows and how shit like Static Shock way back when was already addressing racism, having serialized content, etc. like that.

I mean, if we look at recent kid's cartoons, we have Steven Universe and Steven Universe Future. Gravity Falls. Amphibia does a lot of the same themes as TOH, with honestly about as much meaningful serialization, but also while being good, consistent and enjoyable. It earns its themes... But you have to dig for them.

So why have to scrape the barrel when the soapbox preacher is right there? This is part of the character arc problem too. Do you know how EXHAUSTING posts about "Look where they were and are now" by the end of S2? Where Amity would be a distinct, interesting, unique character in S1 but all they care about is that now she SMILES!

If you don't actually have to talk about the substance of her arc, if the show actually tackled any of its potential, complications, etc like that, it looks impressive. Then you talk to them about Winging it Like Witches or Understanding Willow, both frankly very much so kid's show episodes that something like Danny Phantom, My Little Pony, or Kim Possible would have and could have done, and suddenly it sounds less impressive, doesn't it? Not when you're describing episodes where Amity's past doesn't match her introduction at all and are obviously wiping away what makes a character arc interesting for "SHE'S ALWAYS BEEN GOOD! It's not her fault."

Sure. That's why she was willing to kill someone who didn't even lower her grade but instead just got someone else to be praised. And that's still S1.

Luz's depression is similar. You can have her make big statements that sound like they may imply she wants to die but they're still not willing to use the actual terms. Have Luz only suffer the absolutely loudest but worst stereotypes of depressed people like being constantly suicidal, pushing others away and not caring about them. 'But it's depressi-" No. As someone literally crippled by it, I don't want it being used as the excuse for literally the worst thing Luz does in the whole series, which is to just abandon an entire world to whatever fate she claims to believe she inflicted on it. I myself and a lot of other depressed people will tell you that it is FAR easier to help others, especially if you've hurt them, than any sort for yourself. But Luz's depression is used as an excuse for her to claim to keep caring about others when she is actually only serving herself and lying constantly to everyone around her while doing it. If that's great, depression representation, something most kids are still going to miss what it is, then fuck that noise.

But depression is a big topic right now so going "DISNEY'S FIRST MAIN CHARACTER WITH DEPRESSION!" sure is a headline, isn't it?

And let's quickly talk about the fact that TOH is very morally weird. It's not willing to do many big lesson episodes, hence why Episode 2 stands out so much to me, and a lot of its main cast has dubious morality. And... Then it doesn't really touch on morality either. It has no interest in it, even to the point of bad actions maybe getting a line or two said about them but then moving on.

As an example: Amity just wants to invade Luz's privacy. Period. She has Luz's phone and wants to be given an excuse to look into it. Talking to Willow, they could have a very real, very human conversation about how Amity's parents have taught her that such measures are okay because trust doesn't matter as much as control and how that's not okay. It could be a genuinely very adult moment for the series and maybe even have Willow talk about how Luz finding out so much about her past during Understanding Willow makes her uncomfortable sometimes because even if nothing bad surfaces, that was information given. By making all that a real conversation, which yes would have taken more time but let's face it, TOH honestly doesn't spend enough time setting its characters morals and letting them have conversations where there's real conflict between the two. And none of this is explicit or so dark or so boring that there's no reason a kid's show couldn't have it.

And do you want to know what you gain by making it a conversation like that? A real lesson to kids. A lesson that will prepare them for not only their own loves but for just how to handle others in general. TOH is still a kid's show after all. It should in theory be considering its audience and while not talking down to them, remembering they do need to still bring them into the conversation.

OR, YOU KNOW, HAVE WILLOW SHRUG AT THE QUESTION! And I could do a full breakdown as to why that's a real, human reaction to that question, even for someone like Willow. But I have to bring the real world, my life experiences, my sister's life experiences (and she's 30 while I'm almost 27) in order to explain why Willow is not blatantly being a TERRIBLE person by not calling Amity out.

And yes, that's when TOH is at its worst. It commonly just brushes off immoral behavior that isn't the end point of the plot as just a thing happening, like how Edric and Emira don't actually suffer consequences for their plan against their sister or how Luz is made to feel bad for stealing Amity's wand but then isn't attacked by Amity but put into a protective circle by her. A time out, sure, but one that leads to the ice glyph and her getting to save everyone.

A kid can learn the wrong lessons by the lack of consequences in the show and they're not going to learn a lot of good lessons from what is there. There's a reason why kid's shows are blunter than other media and they have morals. They're remembering that, especially in our modern age where one income households just DON'T EXIST that they have to pick up the slack and modern cartoons are doing that better than old 90s cartoons.

But do you know how much TOH reminds me of older cartoons like the 80s or 90s? With their villains who are evil for the sake of evil? With characters that can change on a dime, or the blatantly comic relief ones who don't have much character outside of that? The plotlines that are more about spectacle or statement which led to all those terrible PSA cartoon moments? Or hell, with how Amity ended up: The character who is blatantly only there to be the pretty girl that gets with the main character?

That's the thing: You want to say TOH is better than Teen Titans Go? Fine. That is obviously true. Who actually cares about and is praising Teen Titans Go though? When you compare it to the shows that people do praise, like Amphibia, Gravity Falls, etc., shows that not only teach and make kids better but also tell an engaging, full story with real themes, characters, developments, etc... What does TOH actually have? How much more serialized is TOH than say, the first season of My Little Pony? There were two episodes of build up for the Grand Galloping Gala before the finale and in TOH S1, you technically only need to see The Intruder and Covention, besides the pilot obviously, before you will understand almost everything going on in Young Blood, Old Souls and Agony of a Witch. There's more in S2 but most people agree that it's done competently at best, which is why people keep screaming about the shortening and I made an entire blog pointing out that S2 is bad because... The show is bad about serialization effectively.

And as a final note: I lived with a Star Wars and Star Trek fan for two years at the peak of Discovery being out and as wind up for Rise of Skywalker was going on. I lived on their couch and when they put on an almost 24/7 reel of 'reviewers' for these franchises, I heard a LOT of shit takes. A lot of the same shit being repeated with no real thought behind it, it being what was popular said (which goes into what makes people popular online versus being a mouthpiece for the popular opinion) and showing no thought or care about the actual system of production for things or the people behind it. A lot of people just blaming issues on one creator, or praising a single creator for all the good in something without talking about why they were attributing the problem to them. And yes, I know how hypocritical all of this is coming from some white dude on the internet no degrees, experience, etc like that. I just hope that my blogs show a little bit more real thought to storytelling to make it not as bad.

So a show where the popular, fandom consensus is that it's amazing, it states its themes making 'deeper' analysis easier and is very loud about its statements like they're original is going to be very popular to this type of review. Does this mean it's all disingenuous? Of course not. I started this blog by saying a lot of the reasons why the show is easy to like. Does it mean it has none of the depth people give it? No because a show trying this hard is going to manage successes sometimes though a lot of the times it then shoots those successes because it doesn't realize it's doing them.

But this statement that it is somehow better than things that have come before, is somehow truly groundbreaking while shows clearly paved the way for it so that it's just at the front of a wave it didn't have to make, and ignoring its flaws for all of these reasons, especially with "It's special because it's on Disney" or "It's only bad because of the shortening" is... REALLY tiring. To put it mildly.

A thing should be good because it's good. Not because it says it is or because you have to put modifiers on it to make it special. Shrek was groundbreaking not because it was made by someone other than Disney. It was groundbreaking because it genuinely looked at how it could parody the landscape around itself while making a genuinely good adventure and love story. Did it help that the creators wanted to give a middle finger to Disney? Maybe but I don't have to bring that up with what makes Shrek amazing. I can just say it's very good. In or out of its time.

The Owl House will only become increasingly less special and interesting as time moves forward and its big statements have to be yelled louder and louder to be properly heard. =======

I have a public Discord for any and all who want to join!

I also have an Amazon page for all of my original works in various forms of character focused romances from cute, teenage romance to erotica series of my past. I have an Ao3 for my fanfiction projects as well if that catches your fancy instead, If you want to hang out with me, I stream from time to time and love to chat with chat.

And finally a Twitter you can follow too!

#The Owl House Criticism #TOH Critical