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#their opinions about each other
yonakayo · 1 year
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sporesgalaxy · 4 months
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TWO THANGS
when I say "love" with no descriptors, I don't mean romantic by default
when I say "art" with no descriptors, I don't mean visual by default
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leafsfromthevine · 4 months
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only sokka would call zuko's aura dark and sexy and then immediately deflect a compliment to point out zuko's abs (and then praise himself for creating said abs)
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caligvlasaqvarivm · 1 month
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I used to despise Eridan and think he was the absolute worst character (barring Cronus ig) but you have shown me the light and completely turned my opinion around and now I think he is such an endearing little freak <3 I read your whole blog already but if you've got any more thoughts on eri or anyone else then I hope you post them bc I'd love to hear more abt it!
i have sooo many controversial opinions about the dancestors you have noooooo idea
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anghraine · 3 months
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I love that Elizabeth and Darcy are so ready to effectively tell each other they're full of shit. This happens a bunch of times, but I was re-reading their conversation at the Netherfield Ball and they're both kind of refreshingly Done.
[Darcy:] “Do you talk by rule, then, while you are dancing?” [Elizabeth:] “Sometimes. One must speak a little, you know. It would look odd to be entirely silent for half an hour together; and yet, for the advantage of some, conversation ought to be so arranged as that they may have the trouble of saying as little as possible.” [Darcy:] “Are you consulting your own feelings in the present case, or do you imagine that you are gratifying mine?” “Both,” replied Elizabeth archly; “for I have always seen a great similarity in the turn of our minds. We are each of an unsocial, taciturn disposition, unwilling to speak, unless we expect to say something that will amaze the whole room, and be handed down to posterity with all the éclat of a proverb.” “This is no very striking resemblance of your own character, I am sure,” said he.
It's also pretty funny, because I suspect Darcy is thinking of this sort of thing in a later conversation at Rosings:
“You mean to frighten me, Mr Darcy, by coming in all this state to hear me. But I will not be alarmed, though your sister does play so well. There is a stubbornness about me that never can bear to be frightened at the will of others. My courage always rises with every attempt to intimidate me.” “I shall not say that you are mistaken,” he replied, “because you could not really believe me to entertain any design of alarming you; and I have had the pleasure of your acquaintance long enough to know, that you find great enjoyment in occasionally professing opinions which, in fact, are not your own.”
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dollypopup · 2 months
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I think it's interesting to look at the 'Mr. Bridgerton' scene as a backdrop for the eventual mirror scene. Firstly, in the fact that I think we've kind of misinterpreted it.
So many people are of the mind that scene's purpose to 'drag' Colin, but really, that scene has 3 primary functions. The first is to inform Colin that Penelope is aware of what he said of her, thus opening the door to clearing the air between them and providing an avenue for which Colin can apologize. The second is to establish the ground that they are currently on: Penelope has given up on the dream of Colin Bridgerton, in particular the perfect prince that can do no wrong, and has made it clear to him. It also creates distance between them that they will bridge.
But the third, and to me the most wrapped up in the mirror and the inner workings of their relationship is that it reveals how Penelope feels about *herself*. It's not necessarily an echo of what the ton considers her as, after all, we have a lot of evidence indicating that, for all intents and purpose, people aren't *unkind* about her, but rather that they ignore her. Audience members recognize this as Penelope's own shyness being the cause, she is often sitting off on the sidelines or not really talking to much of anyone, in the books she's referred to as the 'one who doesn't speak', and her LW business takes her away from being a character in the action of the ton to a bystander, kind of a self-fulfilling prophecy of sorts that perpetuates itself. Pen felt unseen so she became LW to have some power, but then LW herself must remain unseen and Penelope continues to be by design of her own making.
No, I think what it really reveals is that Penelope has incredibly low personal self esteem. We as a fandom has lauded that scene as her dragging Colin, saying that he's cruel and calling him Mr. Bridgerton is absolutely meant to create distance between them, but I don't think she's dragging him.
Because the person she is *actually* dragging here. . .is herself. And it is a general theme in her life. In Whistledown. Aloud. Even with Marina, when she complimented her, she assumes that she's lying. When Edwina says she's wearing a pretty dress, Penelope puts herself down and doesn't believe her, even when the compliment is genuine. In truth, Portia is not seen as being particularly unkind to Penelope. At least, speaking as someone who's mum was *awful* about my size and weight and outfits, Portia is. . .overall rather mild. She's not KIND and loving, not by a long shot, but she's also not targeting Penelope only. She's plenty mean and critical to Prudence, too, even to the point where she foists her off to her own cousin as a pawn piece. Penelope has low self esteem because of a lot of reasons, she's bullied by Cressida (I think a lot of girls are, she was pretty mean even to Daphne in S1) and her family isn't very tender to her, and she's not being pursued at every turn, but part of it is also her own perpetuation.
Listen to what she says "Of course you would never court me" "I embarrass you" "I am the laughingstock of the the ton". She sees *herself* as an embarrassment. She puts *herself* down. Arguably, more so than the ton does. She's meaner to herself than anyone else is, aside from Cressida. And honestly? Looking at Colin's face there. . .he is HURT that she considers herself this way. That she's projecting that onto him. Yes, he's hurt that he hurt her, of course he is, he never wants to hurt her. And yes, he's ashamed that he said he wouldn't court her the way he did and that in doing so, he validated her fears that she is unloved and unwanted, but also because. . .she already feels that way about herself. She's felt that way for years. And it's painful to care about someone, to see them as wonderful, and realize. . .they don't feel the same about themselves at all. I don't think Colin is out here feeling so wounded over the fact that she called him cruel and won't refer to him by first name anymore, but that he's most hurt by what she says about herself.
Because he *doesn't* see her the way she accuses. She says she never expected him of all people to be so cruel, but he feels the same way. He never expected her to be so cruel to *herself*. He wants to go somewhere private, not because she is an embarrassment, but because he wants to have a private conversation with her. Maybe assure her. Maybe explain himself. Maybe hash it out. But god Luke Newton's acting. . .he is *aching* for her. And it feels like he's going to do those lessons not in atonement for what he said (thank god) but to genuinely help his friend who thinks badly of herself. To lift her up. It's not about him at all, not about earning forgiveness, but about elevating Penelope. And that's. . .fuck, I just find that's just so heart stoppingly beautiful.
You can see, in that scene, how much he cares about her. How deeply and genuinely he adores her as a person. And just how painful it is for him to know he has validated, whether on purpose or otherwise, how poorly she feels about herself. How low her self-confidence really is. She is giving him a glimpse into the cracks of her heart, and when he sees them, he wants to reach out with both hands and make it feel better. Make her feel better.
After she says 'even when I change my entire wardrobe', he looks so fucking crushed. So 'don't say that'. So 'you really believe that?'. So 'God, I hate that you think that way'.
Because regardless of it all, he does love her. It's not romantic yet. It's not sexual yet. But he genuinely, truly, from the bottom of his heart, thinks she's wonderful. That was evident even in the 'purpose' scene. Every time Penelope opens up and reveals a facet of herself, he likes it. He likes her barbs and her dreams, he likes talking to her. He likes her. And he feels awful that he hurt her. And he feels awful that she's hurting herself. He loves her. He wants her to love herself.
And that's where the mirror scene comes in. Because the mirror scene isn't about sex, not really. Not entirely, at least. The mirror scene is about *intimacy*. The mirror scene is about being seen. Not just her seeing him, or him seeing her, but for Penelope to see *herself*. In a way, through his eyes. Because hers are biased rather negatively toward herself, which is evidenced in the 'Goodnight Mr. Bridgerton' scene, and in so many little moments we've already gotten where she's literally looking down on herself, feeling down. She doesn't necessarily *like* what's in the mirror, but he does. Because he likes *her*. And he wants to show her that he does. Show her that he finds her beautiful and have her recognize that in herself.
The 'Goodnight Mr. Bridgerton' scene is about Penelope revealing how she sees herself. The mirror scene is about Colin showing her how *he* sees her. The Goodnight scene is about Penelope thinking she means nothing to him, that he thinks of her the way she thinks of herself, that this is how everyone thinks of her, and the mirror scene is a direct response to that: No, he doesn't. No, he doesn't think she's embarrassing. No, he doesn't think she's a laughingstock. No, he doesn't think she's unappealing. And he doesn't think she should, either.
And he's going to show her that. Not just tell her, but show her. The mirror scene is so often a focus on Penelope, so much of Polin is in Penelope's focus, but approaching it from Colin's perspective and his motivations is so fulfilling, too. It's a glimpse into them in conversation, and a demonstrate of how Colin loves her. How Colin loves in general, openly and earnestly and altruistically. How he encourages her to be braver and more confident in herself, bolstering her because he just likes her *that much*. How he finds the most fulfillment and satisfaction in caring aloud. The mirror scene is a demonstration of his heart in reflection.
When Luke Newton said the first word that came to mind with the word 'Mirror' was 'Exposed', he doesn't just mean physically. He means emotionally, too.
God this couple is so fucking good.
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Genuinely I think at least 80% of fandom toxicity would vanish overnight if people stopped seeing shipping as the primary way of engaging with media.
I would also personally have more fun and that is the real issue here.
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muzarry · 1 year
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Suprise kiss 🫢
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winters0689 · 5 months
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Having thoughts on Mulder and how his relationship with Scully is the only one in which he actually gets someone who is honest with him and doesn’t use him or manipulate him and how so many people, even his own parents, continue to lie and withhold information and how conflicted he must feel and how he feels so guilty whenever something happens to Scully because she is so good, and, in his opinion, too good for him, but she continuously stays with him, being honest with him, being truthful, and while they have had their ups and downs, they continuously go back to each other because they find so much comfort in each other, especially with how they have both been used, and how they have been there for each other since their very first case, I just- these two I swear, it’s such a beautiful relationship.
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peaches2217 · 5 months
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Peach loves showering Mario (and Luigi, but especially Mario) in gifts. He's a simple man with practical preferences, which makes spoiling him fairly easy; an entire dedicated workshop in the castle's west wing, professionally tailored denim and flannels, the best tools money can buy. If she thinks he could benefit from it for even a few fleeting seconds, it's his. He always gets red in the face and stutters in speechless gratitude, and inevitably he'll ask how he could ever repay her. And of course she tells him there's no need! You don't repay gifts. (And anyway, seeing him so flustered yet happy is all the payback she could ever ask for.)
One day she enters the workshop without knocking (as she usually does) and finds Mario sanding a shockingly ornate wooden chair, with a seat that curves upward and rounded arms and flowering branches carved into the back. To her confusion, he scrambles to cover it up and keep it out of sight, so Peach assures him it looks beautiful and comfortable; he must have poured a lot of time and effort into it! Why on earth would he be embarrassed for her to see his handiwork?
And that's when he admits, with a faint and all-too familiar blush, that he's spent months working on it in secret... because it's a gift for her.
Some months back, Peach complained in passing about the rickety old chair in her study, and he had taken the complaint as an opportunity to finally give her something in return for all she's given him, however small. The seat is designed to provide comfort for hours with or without a cushion, the arms will sit level with her desk so she doesn't have to bend over the mountains of paperwork she's often consumed by, and those floral reliefs? Those are peach blossoms.
He apologizes for letting her see it in its unfinished state but assures her it's almost ready, it just needs a few coats of varnish and then she'll be sitting pretty (literally)! And he also apologizes, with a gentle chuckle, for how underwhelming a gift it is, all things considered. But Peach is the opposite of underwhelmed. She can't help but trace her fingers over the raw wood in wonder, her heart full and her eyes stinging with the threat of tears.
Being a princess, she's of course received countless gifts throughout her life. But no one's ever made anything by hand for her. This little chair is the single most personal, most intimate gift she has ever received. Suddenly the untold fortune she's spent on him feels outright paltry in comparison.
The completed chair is brought to her study two days later, and whenever the tedium of her work or the stress of sporadic political instability gets to her, she leans into the delicate wooden peach blossoms, strokes her thumbs over the curves of the arms, and remembers that she's loved.
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ryssbelle · 2 months
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Have you heard about a new ship between John Dory Delta Dawn? Though I find it kind of weird
It is on TikTok and Tumblr, If You want to check it out?
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I’ve heard of it, I think their ship is as old as tbt at this point XD
I think their dynamic is really funny
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mintjeru · 8 days
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i may be less normal about yudrain than i previously thought reference for the text on hope under the cut
open for better quality | no reposts
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crocodilenjoyer · 4 months
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here’s the thing. about zolu. puts myhand on your shoulder Here’s the thing. luffy? aromantic. zero interest in romance. zoro? gay. very low interest in romance. has two braincells and they’re both devoted to thinking about swords. they are not dating. it is not romantic. it’s not sexual either because luffy, much like his views on romance, could not give less of a shit about sex. maybe if they both feel up to it at the same time, but that’s rare and when it does happen it’s more of a physicality and, to a lesser extent, affection thing than anything else. occasionally it’s a “hey wouldn’t it be weird/funny/fucked up if we [insert some david cronenberg-type shit]” thing and the other one goes “haha yeah do you wanna try.” but i digress.
however. HOWEVER. they Have A Thing. what that Thing entails is a mystery. luffy is both incredibly straightforward and frustratingly cryptic whenever he’s asked about it and zoro just kinda shrugs. they’re just luffyandzoro and zoroandluffy. the king and his lionheart. drift compatible. partners. captain and first mate. the sailor and the north star. sun and moon. they simply Are. what does that entail? well brother. they hang out
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francium-hydroxide · 2 years
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there's probably a reason why wilbur & quackity will never be in the same convention panel ever, because someone will ask one of them a question about c!tntduo & 10 seconds later that shit will turn into a whole fire hazard
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4sh-n4 · 15 days
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Bruce Wayne is so mom-coded with Dick Grayson. Like, he's very 'dad' with a lot of his other kids but his relationship with Dick is very 'mom'. Just-
Bruce wanting Dick to be better than he is, pushing all of his hopes and faults onto him. Being suffocating and strict in the name of love. In the name of protection.
Dick needing his freedom, needing to get away, but being unable to stay away from Bruce. Wanting to hate him but knowing that he'll never be able to, that if Bruce asked, he'd always be there.
Their relationship fraying and fraying and then getting stronger. Not talking about the hard times ever even when the relationship is good again. Remembering all the hard times and justifying them to yourself, letting them stay in the past out of fear that you'll lose them in the present.
Taking care of the younger children together. Being more partner than child. Dick reading Bruce better than anyone else and Bruce trusting Dick more than anyone but them always being separated by the parent-child divide.
Dick having problems with Bruce but always defending him to his younger siblings because he understands better than anyone where Bruce is coming from. Doing the same to Bruce, always on his siblings' side even when they're not getting along because he's the oldest dammit.
Dick wanting so badly not to be anything like him but seeing Bruce in himself anyways. Also wanting so much to be like him, and realising that he'll never be.
Dick never being able to see how much Bruce loves him and Bruce showing everyone else but Dick how much he loves him. Them loving each other so so much that they can't imagine anything else. Can't imagine their souls being anything but intertwined with each others.
All of their trauma, shared and personal. Not wanting to hurt the other, but hurting them the worst anyways. Always having to bite your tongue not to say something you'll regret.
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sleepy-bebby · 8 months
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