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#unearthed
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Unearthed quest in a nutshell.
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seidkonaz · 8 months
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if the game is there to be played, i wanna play it with you
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saisons-en-enfer · 4 months
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I had you done, I had you figured out. Are you too full of fear for me now? Are you too full of fear for me now? I wish I could be what you need to feel alive for a change. Are you too full of fear for me now? Are you too full of fear for me now? I wish you could see what I see, to feel what I feel. (To feel what I feel) I wish you could see what I see, to feel what I feel. I think I might be everything you’re running from. I think I might be everything you’re running from. I think I might be everything you’re running from. I think I might be everything you’re running from. If only I were enough to deserve your wounded love.
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havelyyn0117 · 1 year
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The Investigator
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dustedmagazine · 3 months
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John Butcher & Eddie Prévost — Unearthed (Matchless)
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Within improvised music, there are certain recordings that initiate timelines. One of them is John Coltrane’s Interstellar Space, which established the drums and saxophone duo as a creative situation worth exploring and documenting. The album’s name articulated the format’s appeal — maximum freedom. It provided a creative space within which the participants, freed of harmonic boundaries, were limited only by their techniques and imaginations.
Drummer / percussionist Eddie Prévost (born 1942) and soprano / tenor saxophonist John Butcher (born 1954) are members of different generations. A founding member of AMM, Prévost is part of English free improvisation’s first wave. Butcher came on the scene in the 1980s and first played with Prévost in the 1990s. They’ve had differing relationships to the format under consideration. While AMM functioned for several years as a drums / sax duo in the 1970s, Butcher steered mostly clear of drummers, as well as anything else that might push him towards a jazz-oriented way of playing, as he established his singular vocabulary of carefuly inflected, constantly non-obvious extensions of what one expects from a saxophone foror much of the 1980s and 1990s. However, they’ve developed an enduring partnership that spans several contexts, including the duo. Unearthed is their third such recording.
Unearthed is partly a creation of circumstance. The duo’s previous recordings were made in the greater London area, where Butcher lives and Prévost has often worked, and the latter employed a pared-down percussion set-up. But since it’s a bit harder for Prévost to get around these days, this recording took place in All Hallow’s Church in High Laver, Essex. The building was originally erected over 800 years ago, at which time repurposed Roman tiles and bricks were among the building materials. In addition to antiquity, it is distinguished by its active acoustic qualities. The bounce-back from old stone is not a problem for Butcher, who actively seeks to play in crypts, caverns, cisterns, and other lively acoustic situations,  but an opportunity. He’s a master at incorporating the influences of echoes and absorbent surfaces into his improvisations. But while the space could easily turn an extroverted drummer’s playing into an undistinguished blare, a jazz drumkit is the instrument that Prévost has chosen to play. One of his accomplishments on this set is his deft management of the density of his playing and the clarity with which he’s been recorded. His drumming doesn’t blare, it sings, and the recording conveys both his playing and what the space does to it quite clearly.              
Interstellar Space unveiled potentialities, stripping away limits to permit absolute freedom. But the human condition dictates that even if one can glimpse artistic liberty, absolute freedom is beyond anyone’s grasp. After all, Coltrane died just five months he and Rashied Ali played the session. And barriers aren’t all bad; they give a body something to push against. Prévost inhabits with the boundaries of time in several ways. He not only plays the drums with all the awareness of space, presence, and meter-transcending shape that he’s brought to AMM and so many other musical encounters; he plays them like a jazz drummer, drawing upon the brush technique, cymbal accents, metric subdivisions and syncopated pulses that a young fellow who came up playing bebop and skiffle in the 1950s learned by heart. One might say that he’s surveying his own timeline as a drummer, from back to front. There’s a moment in “Digging,” the second of the album’s long tracks, where he finishes an unaccompanied passage with a flourish that Gene Krupa would recognize as a solo-ending signal. Butcher responds with a lightly feathered, circular breathing-elongated gargle. Earlier in the same piece, he inserts echoing pops into Prévost’s spare perambulations about the snare and tom, focusing the kit’s output. The act is simultaneously contrary and completing, a reminder that one of the limits that this format shatters is the limit of one musician’s imagination. 
Bill Meyer
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valkylic · 1 year
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my very beloved dnd campaigns got a beach episode coming up . what a perfect time to redraw one of my first art for this campaign but w his beach fit
Fenris (on the left) belongs to @apollyons :3
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apollyons · 1 year
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happy halloween 🎃
OCs belong to:
top left: @onethousxndvoices
far left: @luxphobia
middle: me
middle right: @batgirlteeth
far right: @ratssssssss​
top right: @evilxisumaa
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New #davidduchovny project??
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Kristen Cloke & Glen Morgan
Unearthed - IMDb -
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hallsofsin · 1 year
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Day 30: The Unearthed #inktober #inktober2022 #ink #art #sketch #drawing #illustration #day30 #mummy #monster #unearthed #priestess #fantasy https://www.instagram.com/p/ClExv3XJeJT/?igshid=NGJjMDIxMWI=
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msfoord · 2 years
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Request my songs on "Requestival" at Triple J's app!
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redwolf17 · 7 months
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🙃 Regular reminder that while Hozier has amazing love songs, he is ALSO very outspoken about his leftist politics, specifically anti-fascism, anti-racism, reproductive rights, Palestinian rights and more.
Take Me To Church and Foreigner’s God are scathing critiques of organized religion, specifically the Catholic Church and the colonization of Ireland.
Moment’s Silence is about oral sex but it’s ALSO about how that specific sexual act is often distorted to a show of power rather than that of love.
Nina Cried Power is an homage to various (mostly Black) civil rights activists from the US and Ireland and a call to follow their path.
Be criticizes anti-migrant policies and Trump and his ilk.
Jackboot Jump is about the global wave of fascism and about protest and resistance.
Swan Upon Leda is about reproductive rights and the violent colonial oppression of Ireland and Palestine.
Eat Your Young is about the ruinous way the 1%/capitalism and arms dealers prioritize short-term profit over everything else to the detriment of the youth/99%
Butchered Tongue is about Irish and other indigenous languages being suppressed and erased by imperial powers.
If any of the above surprised you, please, please delve deeper into Hozier’s music, you’re missing such an important part of his work.
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the-purvashadha · 3 months
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"Would you peel an orange for me?"
I would peel a pomegranate for you.
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saisons-en-enfer · 4 months
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Could’ve been stronger, held on a little longer. Could’ve been stronger, held on a little longer. You walk in, you walk out, you make me feel it all again, you make me feel it all again.
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havelyyn0117 · 2 years
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WIP Manga (page 1)
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thats-no-moon-lesbian · 6 months
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Gotta say my favorite moment from the Hozier concert was him saying "I almost cracked up at the beginning of that song. There's a person in the front row wearing a shirt that says 'Hozier? I hardly know her!'" and then once the laughter died down, "Now I'm going to lighten the mood a little with a song about hitting an animal with your car"
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valkylic · 1 year
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vale is my funniest pc ever. hes trans and very happy + confident w his identity as a trans man. but god forbid you ask him about his race where he comes from and what he is he will avoid answering that directly like the plague. not because hes hiding anything its because admitting he doesnt know will ruin him
but also hes trying to romance a 700+ y/o high elf by annoying him. hes my wonderful little pigeon
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