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#words on paper
gaylovefish · 1 year
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the current struggle
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nerdpoe · 3 months
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Phantom, the newest addition to the Justice League, pulls Wonder Woman aside.
He has...a strange request.
He's nervous, flustered, fading in and out of the visible spectrum. It's clear that what he's about to ask of her is important to him, and even though she has an uncomfortable voice in the back of her head telling her this young hero is about to ask her out, she resolves to listen before she jumps to conclusions.
She's glad she did.
"Can...can you put a grave for me in Themyscira? I know it's just for women, but it's the safest place I can think of for it! I just...I don't have a grave, and Clockwork says it's starting to stunt my growth as a Ghost, and I have too many enemies on American soil, so. It's okay if you say no, though, I'll figure something out, it's fine."
Diana lets him ramble to the end, already knowing what her answer is going to be.
"We would be honored to host your grave, Phantom. Do you have any remains I can take home? Do you require a funeral service?"
Phantom looks...he looks beyond grateful. Close to tears.
"No, no remains. A symbolic grave is fine, it just. It has to have my real name on it, my mortal one." He says, looking hesitant. "Please don't reach out to my family, Wonder Woman. They don't know."
With that, he hands over a small slip of paper, torn from a notebook and clearly folded one too many times.
She takes it as though he were entrusting her with the rarest diamond in the world. She wants to, but she does not ask how they could not notice the death of someone so very bright.
Instead she nods, tucking the paper away.
Phantom will get a grand grave, one worthy of a friend to the Crown of Themyscira. She will ensure it.
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mokeonn · 9 months
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"But if college was free, then people would abuse that and get useless degrees" hell yeah I would! If I could go to college without debt I would make it my job to get a degree in every little thing that interested me. I'd get a doctorate in film studies. I'd have a bachelor's degree for every science I like. I'd try to learn at least 5 languages with varying results. I would learn something "useful" like coding and then follow it up with a ""useless"" degree like art history. I'd be the world record speed run holder for getting every degree possible.
But I can't afford college without going into massive debt, so instead I spent the last 5 years trying to figure out what I am passionate enough about to consider going into debt over, because unfortunately being passionate about everything is extremely expensive to pursue.
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perfeqt · 2 months
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It’s so hard to leave - until you leave. And then it is the easiest goddamned thing in the world.
John Green // Paper Towns
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kundst · 3 months
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Guido de Boer (Dutch 1988)
Straight Forward (2024)
Ink and pencil on paper (30 x 42 cm)
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nope-nora · 8 months
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Richard Siken, War of the Foxes | Lord Huron, “The Night We Met” | Lev St. Valentine, There’s This Game I Play Every Morning | @notbigthief | Coldplay, “The Scientist” | @ruhlare | @mobydyke | John Green, Paper Towns
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whaliiwatching · 10 months
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fake to real relationship speedrun record
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perfectfeelings · 3 months
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In my memory, it doesn’t end. We just stay there, looking at each other, forever.
John Green; Paper Towns
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inkedmyths · 2 years
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One of the hard parts about being a writer with a vivid imagination is that there are So Many Ideas, and they fall into so many categories, such as
Fics I want to write
Fics I want to read
There is just One Scene and I could write it but it would be waaaay more cool if I had all the build up to the scene but unfortunately. I can only figure out the Scene
I keep changing my mind. Where am I going with this
This has been done a million times before. But. Hear me out
I will 100% Never Write This. This is just my Emotional Support Idea no one can ever know about bc it makes sense only to me
Would be better as a comic...
This will be my magnum opus if I can just get my 50 pages of ideas into a coherent narrative
All I have are vibes
And, of course
WIP I started and haven't updated in 2 years and oh god its beEN TWO YEARS???
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mournfulroses · 5 months
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Adrienne Rich, from Poems; “The Burning of Paper Instead of Children,”
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gaylovefish · 1 month
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I have the middle and the end of a story all planned out, I'm currently writing the final chapter, but I have no idea how to begin the story. This is the worst thing ever
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theartofmadeline · 2 months
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new zine about asexual history! this one's been rattling around my head for awhile
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xinyuehui · 4 months
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⸺ Once you go past 30,000 leagues, all is quiet in the deep. There will never be another Lemuria.
Love and Deepspace · Jan 18th 2024 Official Release
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starstrike · 3 months
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Mithrun's desire as an SA analogue
TW discussion of SA and detailed breakdown of aesthetics evoking SA. The way I discuss this is vivid in a way that may be triggering, though there is no discussion of actual sexual assault. Just survivor's responses to it.
People relate to Mithrun and see his condition as an analogue for a few different things, like brain injury or depression. And I think all of them are there. But I also see Mithrun's story as an SA analogue, and Ryoko Kui intentionally evokes those aesthetics. I think it's a part of Mithrun's character that a lot of people miss, but I very much consider it text. This is partially inspired by @heird99's post on what makes this scene so disturbing; so check out their post, too :)
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So to start off with, the demon invades Mithrun's bed, specifically. There's even a canopy around it, which specifically evokes this idea of personal intrusion; the barrier is being pulled apart without consent or warning. The way the hand reaches towards Mithrun's body from outside of the panel division makes it almost look like the goat stroking over his body. It's an especially creepy visual detail; similarly, the goat's right hand parts into the side of the panel as well. It's literally like it's tearing the page apart; but gently. So gently.
Mithrun is in bed. It is his bed that the demon is intruding on. He's in a position of intimacy. The woman behind him is a facsimile of his "beloved" that he left behind; the woman who, in reality, chose Mithrun's brother. He is in bed with his fantasy lover, who is leaning over him. While this scene isn't explicitly sexual, it is intimate. And it is being invaded. The goat lifts Mithrun gently, who is confused, but not yet struggling.
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The erotics of consumption and violence in Ryoko Kui's work(remember that the word 'erotic' can have many different meanings, please) are a... notable part of some of her illustrations. I would say she blurs the lines between all forms of desire: personal, sexual, gustatory and carnal, in her illustrations in order to emphasize the pure desire she wants to work with and evoke to serve her themes. Kui deploys sexual imagery in a lot of places in Dungeon Meshi, and this is one of them.
In this case, horrifically. The goat's assault begins with drooling, licking, and nuzzling. The goat could be enjoying and "playing with" its food. But it can also be interpreted as it "preparing" Mithrun with its tongue as it begins to literally breach Mithrun's body. The goat also invades directly through his clothing; that adds another level of disturbing to me. There's nothing Mithrun can do in this moment of violation. Mithrun is fighting, but he is fighting weakly, trying to grip on and push away when he has no ability or option to. All he can do is beg the goat to stop. And it doesn't care. This all evokes sexual assault.
The sixth panel demonstrates a somewhat sexual position, with Mithrun's thighs spread around the goat's hunched over body. In the next, the goat pulls and holds apart Mithrun's thighs as he nuzzles into him. The way the clothing bunches up looks a bit as if it has been pushed up. It has pinned Mithrun down onto the bed, into Mithrun's soft furs and pillows. It takes a place made to be supernaturally warm and comfortable, and violates it. It's utterly and intimately horrifying. To me, this sequence of positions directly evokes a rape scene. I think Kui did this very explicitly. These references to sexual invasion are part of what makes this scene so disturbing; albeit, to many viewers, subconsciously. It makes my skin crawl.
This is also the moment the goat takes Mithrun's eye. Other than this, the goat seems exceptionally strong, but also... gentle. It holds Mithrun's body tightly, but moves it around slowly. It doesn't need to hurt Mithrun physically. But in that moment, it takes Mithrun's eye. Blood seeps from a wound while an orifice that should not be pierced is penetrated. This moment, the ooze of blood in one place specifically, also evokes rape. That single bit of physical gore is a very powerful bit of imagery to me.
Finally; it is Mithrun's desire that is eaten. After his assault, Mithrun can find no pleasure in things that he once did. He is fully disassociated from his emotions. This is a common response to trauma, especially in the case of SA. It's not uncommon for people to never, or take a long time to, enjoy sex in the same way again; or at all. They might feel like their rapist has robbed them of a desire and pleasure they once had. I think this makes Mithrun's lack of desire a partial analogue for the trauma of sexual assault.
Mithrun's desire for revenge was, supposedly, all that remained. Anger at his assaulter, anger at every being that was like it; though, perhaps not anger. Devotion, in a way. To his cause. I don't know. But the immediate desire to seek revenge is another response to SA. But on to Mithrun's true feelings on the matter.
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This is... So incredibly tragic. Mithrun feels used up. Like his best parts have been taken away. Like he's being... tossed aside. This certainly parallels the way assault victims can feel after being left by an abuser. Or the way assault victims feel they might be "ruined" forever for other partners. These are common sentiments for survivors to carry, and need to overcome. In the text, it's almost like Mithrun feels the only being who can desire him is a demon who might "finish devouring" him. That that's his only use. It's worth noting that Mithrun trusted the demon. Mithrun's world was built by the demon, and Mithrun, in that way, was cared for by the demon. I think this reinforces Mithrun's place as a victim.
There's also something to be said about Mithrun as a victim of his own possessive romantic and sexual desire. The mirror shows him his beloved just dining with his brother, and it infuriates him. He doesn't know if the vision is real, nor if she has really chosen his brother as a romantic partner. The goat then creates a whole fantasy world where she loves him. As Mithrun's dungeon deteriorates, she is the only person that continues to exist. Mithrun continues to have control over her. And that is the strongest desire the demon is eating, isn't it? There's something interesting there, but I don't know what to say about it.
In conclusion, I think Mithrun's story is an explicit analogue for sexual assault-- though, certainly, among other things! The way the scene plays out and is composed explicitly references sexual violation and invasion of the body. His condition mirrors common trauma responses to sexual violence. And, at the end, he finally realizes he can recover.
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Let's end on a happy Mithrun, after taking the first step on his journey to recovery :) You aren't vegetable scraps Mithrun. But even if you were-- every single thing in this world has value. Even vegetable scraps.
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starii-lins · 27 days
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sorry for the long pic wall o7 based off a concept from the main theory chat, where eclipse gets a (long needed) hug from Earth bcs he seems to be a big contender for who's bringing back solar
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thoughtkick · 2 months
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It’s so hard to leave- until you leave. And then it is the easiest goddamned thing in the world.
John Green; Paper Towns
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