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#// I am still in the process of researching that story and trying to figure out what she's doing during it
frangiturastrum · 2 years
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FF7 Compilation Verses Info - Kayden
Name: Kayden Undāre
Birthday & Age: October 18th, 1981. 21 (crisis core) / 28 (FF7) / 30 (AC) / 31 (DoC)
About:
Born in Junon Harbor to loving but busy parents, Kayden was no strange to the influence of Shinra, especially with her father working with the branch of Shinra in Junon. While her childhood was rather common, she grew up around many who wished to join the new SOLDIER program once it became known, and even was encouraged by her father to find a job with Shinra when she got older. Though, how she would eventually work for Shinra for a time would lead to her cutting off all contact with her parents, a tumultuous choice, but one she felt she had to do.
With many of her friends and classmates excited to work for Shinra, with the boys in particular wanting to join SOLDIER, she eventually felt similarly and decided that she would join the company. However, she wasn't interested in working for Shinra as a fighter initially. At 16, she joined Shinra to be an on field medic, wanting rather to help heal and keep others alive than take lives herself. Rather good at keeping up with infantry, once her training was (mostly) complete, she soon was deployed as a field medic during the War with Wutai. Any thoughts and feelings she had on Shinra would, over time, grow sour as she watched the destruction they caused, along with the mental turmoil and pain that those she called friends suffered due to being thrust into war so young.
On one mission through Wutai territory, she was sent along with the troops, including a few SOLDIER 3rds, as well as trio of researchers. The goal was, of course, to find mako rich territory that Shinra could possibly start using, even as the war continued. However, 3/4ths of the way through the trip to the first site, they stumbled into an ambush. The troops, particularly the SOLDIERS, made a formidable defense for Kayden and the researchers to hide behind, with Kayden casting Cures and Restores anytime someone suffered damaged. However, so focused on keeping her allies alive, she missed the bomb that was thrown their way, from behind, until the last moment.
As the SOLDIERS won the fight, the bomb from behind them destroyed Kaydens' legs with shrapnel embedding into her back and tearing open the skin when she collapsed. As the only dedicated medic in the group, the infantrymen held a perimeter while one of the SOLDIERS and the three researchers did what they could to keep her alive through materia use, a somewhat hastily done cauterization to one leg, emergency surgery and removal of shrapnel, one of the researchers eventually fell onto their last resort - mako injections. With the unit having worked together to keep her stable, multiple mako injections were given in quick succession before they were met up by another unit that took her back to the base camp. Not knowing if she would survive but not having the ability to return her to Shinra headquarters for nearly a week, the researcher continued to give her mako injections, which were supposed to be given to the SOLDIER 3rds as part of one of Hojo's many experiments, in an attempt to keep her alive.
When she was returned to Shinra headquarters, she was moved from Medical to Science, and joined, subtly, and without her knowledge, into a separate test. While she did not official join SOLDIER, Science continued to give her injections, enough to the point where she contained a similar concentration of mako to SOLDIER 2nds, but without the combat training. That wouldn't last long though, as, once her injuries were healed and two prosthetic legs were attached, she stayed in her role as field medic. This, too, changed rapidly, as a sudden order from the Turks removed her from her position and she, again without knowledge being shared to her initially, became something of a Turk. While she was not fully on theirs, she was also not SOLDIER, and tended to stay out of the light as a result.
During the events of SOLDIER 1st Class Genesis Rhapsodos' desertion, she took advantage of the focus remaining on his actions, and used that as her chance to escape from her own predicament. Disappearing into the wind, she left one last message with her family before dropping all contact with them and doing everything she could to try and stay away from Shinra. Whether it was through their resources becoming more strained as more things started to fall apart in SOLDIER, or whether it was luck, she managed to find a place for herself in the Sector 5 Slums while waiting for the storm to blow over.
Over time, she stayed in the slums, figuring that if the Turks didn't come looking for her, she was alright to stay hidden under the plate. Though she preferred to stay in the Sector 5, she found work in all of the sectors' slums, particularly with the neighborhood watch as she used the chance to fight monsters as a way to keep herself trained with the skills she learned while fighting for Shinra and with the Turks. That, and she was able to help the doctor in making medicines for the kids, which is how she became acquainted with Aerith. She also, on occasion, would take a gig or two for the Honey Bee Inn.
When Avalanche made itself known through the reactor bombings, she decided to try and find them, hoping to join their cause. Being a known fighter in the Sector 5 slums, she was able to get into contact with Cloud, Tifa, and Barrett after the Sector 7 plate dropped. Joining them on their search for Aerith, she joined Avalanche unofficially in the process and aligned her goals with theirs, including in their plan to defy destiny's course for them.
Years later, when Geostigma started to show, she went back to the Sector 5 slums in the hopes of finding some way to help the kids who were sick. Relying on her own medical knowledge could only get her so far of course, and so, when the Remnants showed and Avalanche once again pulled together she joined in their cause. However, she knew at the time that degradation was starting to take root in her body, and though she did all she could to help, she knew she couldn't fight like she used to, and thus lended more support through materia than before. When the waters from the church came forth, she was cured of her degradation, and then went back to work, both as a merc, and as medic.
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thesargasmicgoddess · 5 months
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ok. it's established. i am not as smart as everyone around me believes. sorting citations in mendeley should've been a 30 min task. tops. why am i still here, then? ~2 hours since i started. mistake 1: logging-in on tumblr. mistake 2: stumbling upon your blog (technically not a mistake, just a random occurrence — but is anything random, though?) mistake 3: scrolling mistake 4: wearing the cage (technically not a mistake. it was suppose to curb these distractions. *smh*)
you have curated something really fun [and niche]. all of a sudden i don't feel so alone. horny doctoral students exist! i am not the last survivor of a lost tribe! (': i hope your day's been nice to you so far. —🤓🐻
🤣🤣🤣🤣 thank you SO much for this great message! I couldn't stop laughing and it put a smile on my face because I can TOTALLY relate.
This month, I'm off of school, so I will be doing a ton of work on some manuscripts and etc. Your ask may have inspired an entire APA hoe shoot 🤣
Me, currently:⬇️
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I've spent entirely too much time on Zotero trying to download custom citation styles and figuring out how to write new ones. (Apa, footnote superscript style, with other specifics. Yes, I know that's not standard, long story 🤣) I managed to stump my poor librarian, lol.
I've moved to Mendeley. Then, I moved back to zotero. And WHY DON'T THEY HAVE APPS?! (Mendeley did, but then got rid of it, wtf!)
But the scary part? I love this part of the research process. I love how there are rules to follow and exact protocols for everything. Because how often in life do you get specific protocols to follow? 🤣
God, I'm so weird and such a masochist 🤣
I've written before about how I need tumblr to balance out my professional/academic life....I won't get into it now, but there is a very nuanced balance for me between work and play that actually makes me more centered, happy, and productive. I don't think these things should be mutually exclusive. Rather, I think they create a beautiful synergy when specifically balanced towards individual needs and personalities.
Thanks for following along and your ask!
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immortalbutterflycos · 2 months
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I've come to realize something important in writing. (specifically in my personal experience)
(TLDR; I have ADHD and writing is hard even though I'm still doing it every single day. Make it make sense.)
If you have a story in your head that means a lot to you, and you need to take more time to develop and fully flesh it out before posting it, that's totally okay! In fact, in my experience, it has the potential to make the story better over time, really forming it into what you imagine it to be.
Here's an example because I just typed a lot of words and right now I can't seem to process whether they make sense or not.
I have a fanfic that I've been working on for a year now. (For the Marauders fandom if y'all are curious)
It's one that I haven't talked about much because every time I do, I end up losing the motivation to write. This is what happened to another one of my fics for the Haikyuu fandom. (well that and the Marauders.. yeah they fucked me up in the best way and Freckles and Constellations has really suffered because of it smh)
So the reason why this fic is taking so long is because it is such a specific AU that I'm out here trying to meld magic systems, and I've got like EIGHT MAIN CHARACTERS to write backstories for to fit this AU while also being true to them and even though I know the basic plot, there are just so many little details and aspects that will make this fic what I desperately need it to be.
And no one knows just how intricate it is or how important it is to me. Which is totally fine. I don't even know if people are going to read it when I finally manage to post it. This fic is purely self-indulgent.
let me just break down for you what I have prepared for this already:
countless drabbles and scenes and plans written on the backs of receipts and on bits of scrap paper
a 3" 3-ring binder that I've been trying to organize it all in
a google doc titled "TAoRfOL Doc Masterlist" that has links to every single doc I have for this one fic. (it's dated back to March of last year and as of this month has 93 total links. Only 5 of those are reference links.)
notes and ideas i have written in my phone to transfer into docs so I can add them to the masterlist
Hero Forge digital models of those 8 main characters because I wanted to see what their group would look like outside of my imagination
Multiple Spotify playlists dedicated to this fic and the characters which I listen to every single day. (currently @ 494 songs)
And you know what? I just recently, at 6 am this morning, finally figured out the solution to a fucking plot hole I could not work around.
Basically what I'm saying is that I needed all of this time. Every single day I see things and get inspiration. Every day I learn new things and fix errors in my own plans.
As much as I crave the validation and recognition for all of my hard work on this project, I know that If I had just bit the bullet and posted the first chapter without having done all of this research and all of this planning, then it would not have lived up to the story I have in my head.
I admire people who can just write without all of the added steps and in some cases, I can do that. I haven't been able to in a while (which is why that Valentine's Day microfic was actually really big for me to have posted) but that's just how my brain works.
I needed all of my experiences and all of my daily thoughts and all of my collective playlists for this fic to be able to write the story I intended and that is exactly what I'm going to do.
(though if I'm being honest, this timeline is rough. I really want to just write and post this first chapter so so so bad. ToT)
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gingerlurk · 9 months
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Lovers' Crest | Chapter 1: The Heiress
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Din Djarin x f!Reader
Summary: The Mandalorian is off-kilter. This was an unusual job from the off, but it kept getting stranger.
He thought he would be picking up a spoiled little heiress. How she had ended up in the middle of an unsanctioned and bloody conflict, been taken prisoner, and held at an old empire sprawl, didn’t interest him enough to look into, frankly. But he was at least expecting a supplicant and willing thing that would fall to her knees and be grateful to be getting taken home.
Instead, it’s you.
Word count: 3k
Warnings: 18+ MDNI, slow burn, non-canon (the Razor Crest never gets destroyed, it also gets upgraded with a cabin), canon-typical violence, eventual smut/filth, post season 3, Reader is a rich runaway, also a badass, canon-typical violence, brief mentions of creeps with ill intentions, uhhhh please advise if there's more to add here thank you
A/N: Hi! I am completely new here. This is something I've been writing for myself to get out of a dire writing slump. But here, please enjoy. I thought it was going to end up being 12-15 chapters long, but nope (shocker). Completed on A03, I just got encouraged to share here. Also please note - to keep it low pressure for myself - I have taken almost no effort to research or fact check Star Wars canon, technical terms for ship mechanics, or space flight. But I think it still hangs together like the fun story it is meant to be (much like its inspiring text). Also I'm Australian, so the spelling is what it is. Thank you for reading!
--
Everything is blinding whiteness. White walls, white floors. Harsh white lighting strips disappear down endless corridors.
You wonder to yourself what it is about totalitarian thought that demands such sterility. It is colourless and uniform, you suppose. Even for a decommissioned military base, repurposed as a prisoner of war camp, the cold lonely veneer of the empire shines on.
The heavy restraints chafe at your wrists as you raise your arms, trying to shield against the glare. A rough hand tugs them back down.
‘Hey, hands in front, princess.’ The spittle-licked voice grates on you. Fine. You just want to get to a cell where you can think. Have a minute to figure some next steps. It can’t be much further.
But the hair has started to rise on the back of your neck. For some time now, your little party made up of you and your four-guard escort hasn’t passed an occupied cell. It’s like you’re in an entirely unused part of the facility. A tense inevitability settles in your gut.
One more turn and the spit-lick calls halt.
‘This place is as good as any, lads.’ He swipes his wrist against a random cell and you expect to be shoved in. But the four of them move with you.
‘What the fu—,’ you say as a hand cracks over your face.
‘It’s a lucky thing,’ the voice grunts over the sting ringing in your ears. ‘No timestamp was logged to the manifest for your release from processing, so you won’t be missed for a spell. This is a nice quiet spot so we can get to know you a little, princess.’
A white-hot rage simmers in your spine and you let it filter up into your brain to focus your senses. Hatred coils in your chest. You channel that to your limbs, breathing into the spaces where you’ll need strength and speed. Feeling prepared, you let the four of them crack gags and wait for a good moment.
A loud thump, five heads whip around, a laser blast turns the white shining walls red for just a moment, and chaos erupts.
‘Wh--!’ One of your scrubs drops to the floor, dead. The self-appointed leader stays in front of you, yelling at the other two to do something. They draw blasters and point as a dark and imposing figure swings around the doorway and, without pause, starts to take them apart. Fists and headbutts and a knee kicked in sends one sprawling. The other manages to get a shot off but it just plints off this… this knight’s armour? You’re not sure what you’re seeing.
The ‘leader’ has his blaster drawn, watching the fight, but is holding a rough hand to your shoulder, as if to keep himself between you and this attacker. Taking the opportunity, you swing the brace on your wrists around and clock him right under the jaw. As he reels, in one unified movement, you sweep a foot to help his descent to the ground and make to jam three rigid fingers into each of his kidneys, hoping to incapacitate. 
But you’ve been thrown off by this turn of events as well and just miss the second sweet spot. He manages to lunge to his feet again and grabs you by the throat to hurl you to the floor. You scramble to your knees and look up at the asshole staggering about in front of you. He squares up. Fear snakes through you as you sit back onto your heels. He rubs at his jaw while swinging the blaster around to point at you, face thunderous.
‘Waste of a fuckin—’ But he’s cut off by the large hole that appears in his chest. He makes a ‘wuh?’ at it before toppling sideways, revealing behind him the strange figure, who has a gauntleted hand pointed at the space where your would-be killer’s chest used to be.
On your knees, you gaze up at your apparent saviour.
He’s dazzling. He seems to be built entirely out of armour, weapons and munitions. A large, angular helmet completes the look; its dark T visor regards you while fingers absently punch at the other wrist’s bracer.
‘Are you hurt?’ A deep, modulated voice questions you.
You reach up to poke at your tender cheek.
‘Nothin’ serious,’ you confirm, moving to your feet. When he steps forward, you work to not shy back, letting him lift your restrained wrists and scrutinise them.
‘I will be able to remove these on my ship. Come with me.’ Your knight turns away, beckoning you to follow.
‘Ah, afraid not,’ you say. You rock on your toes, waiting for him to turn back.
‘What?’ A voice like flint.
‘That’s not happening.’ You sniff.
He doesn’t turn but he doesn’t keep walking.
‘Do you want out of here or not, girl?’ A snag of anger but largely calm, like he kind of doesn’t care about your answer one way or the other but it has been quite an inconvenience getting here. 
‘Of course I do.’
‘Then come with me.’
‘Can’t.’
Now he whirls and, hell, why is that so satisfying? He stalks toward you.
‘I am being paid well to bring you in alive and unharmed, but also by any means necessary. So, I am not above a use of force.’ That voice is doing specific things to your chest, and belly, and the apex of your thighs. ‘Come. With. Me.’
You push the dry mouth and racing heart to the side and lift your arms up, awkwardly showing him the underside of your restraints.
‘Afraid not,’ you repeat.
To his credit, he shuts up and looks, broad shoulders dropping some as he registers the issue.
‘Proximity lock,’ he mutters.
‘Proximity lock,’ you confirm. ‘Alive and unharmed, you said? Don’t reckon getting my hands blown off would count to that. Only getting these bad kids off via a control room or processing cell.’
‘These are outlawed.’ You stare at him.
‘This is an illegal pri—’
‘Yes, fine.’ He engages a holo map of the floor plan on the chunky piece of kit on his arm. Scanning.
‘This way,’ he brushes past you and strides on. 
You take a moment to stare at the bodies littered on the floor of the cell, then lean over one of them. It takes some doing but you get what you were after and stand to turn down the corridor. You give a small yelp of surprise before almost bumping straight into the stranger’s chest. Hells how did he sneak up like that?
‘What are you doing?’ he says, teeth obviously gritted tight under that shiny helm.
You hold up your prize.
‘These bracers should open most of the general control rooms, if we get lucky enough.’
You want to believe his mouth has fallen open in surprise, eyes widened, impressed with you. But you can’t see a thing, not even your own smirking reflection.
You make a ‘let’s go’ gesture and the two of you move on.
You stroll along beside the hulking figure, glancing sideways every minute or so. 
So, he’s being paid well to retrieve you, is he? That’s interesting.
Your earlier observation of the rows of vacant cells seems to extend to a lot of the base. How much of this place is actually in use? It increases your chances of finding an unattended control room, which is a bonus. You can’t wait to get these horrendous restraints off. Not designed for human wrists, the edges cut into your skin and inner divots scrape your bones. After using them just to take a swing at that leech, you’re pretty sure there’s bleeding. 
You push the discomfort away and decide to say something.
‘Empty, isn’t it?’ That’s the best you got, is it? Hells.
‘It is at a little under a fifth capacity,’ he responds quickly.
‘Right.’ You fall quiet again. You’re almost grateful when the two of you round yet another turn and six guard helmets swivel toward you. Less awkward.
‘Hey! Stop!’ one yells. They each push off the wall they’d been lounging against and reach for sidearms.
Your companion gives you a hard shove back around the corner.
You stumble against the wall but right yourself. At first, you think it best to stay put. But the sounds of grunts and blows raining down draws you to the edge of the wall. Leaning around the corner to look, your mouth falls open in awe. 
The man is a cyclone.  
One goon has barely started reeling from a punishing blow when the next is being pulled into a deathly throw. Limbs are jerked and snapped back and forth and any blow one of them happens to land is shrugged off with so much ease.
It’s incredible to witness.
Fortunately you’re not so distracted that you don’t spot one of them, conveniently close to where you’re crouched, hurriedly trying to get a shock prod started. The poor sap is panicking as his brethren get decimated.
This is foolish, but you’re doing it anyway. You check that your ally is not looking – he isn’t, focused on driving a vibroblade somewhere soft and fatal – and sneak up to the guy’s back. You raise your arms and whip them down across his shoulders, wincing at the impact; it’s mostly ineffectual and you slink back.
He starts, turns, sees you trying to duck out of sight, and makes his advance.
‘Come ‘ere, little one,’ he spits as he rounds the corner, leering at you with some relish. You take timid little steps back until he’s fully in the hallway, and then you give him a devilish grin.
You wait for his lunge to grab at you and slide to your knees, ducking his pawing hands and spinning to make a 180 to finish behind him. As you pass his centre of gravity you shove your shoulder hard into his hips and he slams into the wall. Hopping to your feet in one fluid motion, you have your foot high and burying itself in his chin before he rights himself. In a stroke of luck, you manage to kick his helmet clean off in the same move.
His neck whips back and he gives a cry of pain, slumping on the wall. Just as he surges back to his feet, you’ve spun another pirouette and have the heel of your other foot ready to meet the bridge of his nose. It connects with a satisfying crunch matched a second later by the back of his skull smacking the wall again.
He wilts to the floor, moaning. You drop a knee onto his exposed neck, pull his sidearm from the holster and release one quick blast. He jolts and falls still. 
You drop the pistol and listen. Grunting and crunching metal still echoes around the bend.
Now think, idiot. Get rid of the body.
These old places have those floor level garbage units, right? For the old, tiny droids that would roll around, hoovering up whatever. You edge along the wall, toeing at gaps and latch-looking things. Ah ha. Damn, what luck. The door pops open in one smooth motion. You drop to your knees and shove the dead weight with all your strength. He slides along the floor and flops into the space in the wall. You kick the blaster, broken helmet and abandoned shock prod in after him and nudge the door closed.
The sounds of fighting have stopped. You flop back against the wall and try to look meek and afraid. Either he rounds the corner and you’re safe, or one of the guards does and you’d like to try the same trick again.
It’s him to walk into view, taking in your stature. You put on an air of relief and peer back around the corner.
You whistle low.
‘Five against one, huh? You said you were being paid well and I sure hope that’s true.’ You dash off, eager to get out from under his watchful visage.
After a moment, he follows.
--
The Mandalorian feels off-kilter. This was an unusual job from the off, but it kept getting stranger. 
An obscenely wealthy broker had approached looking to hire him to rescue a niece. Din Djarin did not do rescues. And he had said as much. But the price was something else, and the Razor Crest wasn’t getting new tilt suspension on his present takings.
He thought he would be picking up a spoiled little heiress. How she had ended up in the middle of an unsanctioned and bloody conflict, been taken prisoner, and held at an old empire sprawl, didn’t interest him enough to look into, frankly. But he was at least expecting a supplicant and willing thing that would fall to her knees and be grateful to be getting taken home. 
Instead, it’s you. 
He thinks back.
She was on her knees when the little skirmish ended. He hadn’t noticed the girl shift from the wall he’d first clocked her pushed back against, but when he dropped the third guard and spun to the head honcho, finishing him without grace, there she was. The bootlick he’d run through had tipped sideways to reveal his quarry seated against the gleaming white floor, looking up at him with a fading fear and emerging astonishment. 
It was a sight.
Quarry is not exactly the right word, he reflects. Just another thing pushing him out of alignment. What does he call her? How does he think about her?
She’d understood the nature of those cuffs of hers, where had she picked that up? And she didn’t seem to shrink at all from his taciturn demeanour.
Then that second fight with that sorry lot. He would have sworn on the sacred forge itself there had been six of them. But when the fifth body dropped and he’d reared back to take the last to a blunt-force grave, the hall was still. He found the girl tucked around the corner where he’d shoved her, curled into the wall, hands awkwardly shielding her face. He was good at reading people and the act she was putting on dropped the moment she looked at his handiwork. Then it was nothing but amusement in those eyes.
She’d scrambled to her feet and hopped over the bodies, carrying on. Din had stared hard down the hall she’d apparently cowered in, nothing but blank walls and empty air.
--
Finally, finally, your wrists are released with a soft hiss. You look in dismay at the lacerations and bruises littering your skin and pull the jumpsuit sleeves over them quickly. 
Your present company makes no indication he’s noticed, focused on the holo hovering over his arm. 
‘There is an entrance to disused tunnels in the next section over. From there, it is not far to my ship,’ he says. ‘This way.’
This time, you follow without hesitating, eager to get away from this abysmal place. 
Despite saying it wasn’t far, it is a silent, awkward walk out of there. You attempt a few turns at conversation, but each time he gives you a concise unpunctuated sentence that concludes questioning. 
You’re mulling over the long, boring journey back to your home system – the ramifications of which you staunchly push to back of mind – when your terse rescuer’s ship comes into view.
You halt in your tracks, gazing up at the lovely, old gunship. Battered, bruised and brimming with elegant age. ‘Wow…’ you say softly.
He’s taken a few steps beyond you before registering your pause and turning back. You sense puzzlement and a strangely earnest pride radiating from the armoured visage. ‘Never seen one of these before?’ he asks.
You speak before you can stop yourself, ‘Oh I have,’ you breathe, and he startles a little. ‘Just not, not out in the world like this.’ Ah, shut up now. You look over at him and can sense the feeling of being deeply scrutinised. You shake off your reverie. ‘Well, shall we?’ You march with a light step past him as best you can. 
You sense him following and, after a moment, hear light module beeping behind you as the Razor Crest opens itself for you. You temper giddiness and slow down so he can overtake to move into the hold first. You follow, looking around curiously, but keep it level before matching his path into the cockpit. 
As you enter, he reaches up into a storage bin and pulls something down before turning to you.
He hands you a small med kit.
‘For your arms,’ he says simply. Ah, so he did see. Sees everything apparently. He says no more and moves to take the pilot seat, jabbing at controls.
You think nothing for it and drop down into a rear chair, using the console beside you to start laying out the contents of the kit, eyes lighting on the salve. You snatch it up and squirt a portion to lather over your cuts and grazes. You let a long sigh escape your lips as the miracle cream does its work.
It feels incredible. You even moan a little at the sensation.
Mind clearing, able to think a bit. You continue to clean and dress your hurts, deciding to just out with it.
‘Can I ask,’ you say with as much casual air as you’re able. ‘Just who did pay you to find me?’
Your escort doesn’t turn but lifts his helmet some. ‘I believe the job is from your uncle,’ he says.
Your mouth falls open before you can stop it. He’s actually done it, you think in wonder. But why now? 
Thoughts tumble upon themselves in your head. You register that your companion hasn’t made any move to say more. 
‘So who are you?’ you ask. The broad silhouette stops his work for a moment. He seems to be considering.
‘I’m just a bounty hunter,’ he murmurs. ‘You can call me Mando.’
--
MNext
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uroboros-if · 11 months
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Please please share some coding/designing wisdom. Your game is so damn pretty 😭😭😭 Could you tell us what template you used and how hard it was to make it look like it is today? I imagine so much work must have gone into it
😭😭 I am no expert, but these are just my rationale/methods behind the visual choices I made!
For the template I used—I used Vahnya's Template! However, this post by @/manonamora-if has a whole section for templates that I wish I saw or checked out before making my IF! In another lifetime, I might've just used nyehilism's template to achieve the bottom sidebar instead of torturing myself learning how to do it... ;;
Below, I go into detail the timeline of designing Uroboros, as well as advice through the process I went!
Design Timeline
I started designing the UI late October 2022, and kept fixing, changing, editing it well into February and maybe a little bit of March 2023.
October 2022 - Early iterations of the design. Looked for stock images and began implementing it to add a background to the sidebar and the actual passages. Swatched some color palettes and began implementing them into the IF. Later decided to make the sidebar on the bottom instead of on the side. Also, added a title screen.
November - Testing different backgrounds for the IF's sidebar. Added a textbox to the passages, also worked on the black fade transitions.
December - Finished working on the sidebar background for both light and dark theme, began work on the background of the IF instead.
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January 2023 - Finished working on the dark and light theme backgrounds! Started work on drawing the skill icons for light and dark theme, and finished!
February - Changed the title screen to look better on mobile, created a circle logo, added a border to the textbox. Also, made further edits for light theme.
March - Just remade the "Uroboros" logo.
If you're wondering why it took approximately 5 months to get to the final version—don't worry! I wasn't working only on the design for 5 months. My partner helped make the edits for the design, while I worked on coding them in and writing.
I spent a lot of time trying to get a grasp on Javascript, SugarCube, and HTML all throughout this time as well, to know how to fluidly add these things. Meaning, while I was working on these visual elements, I was also figuring out how to do the "looking" mechanic, black and white transitions, figuring out how Tweego worked, radio buttons, and so on.
Do note I've been busy the entire time throughout, so perhaps you can do this much quicker than I can!
The "Secrets"
1. Please—look at IFs you love! What are some visual aspects of other IFs that you love and want to include in your story? I started by analyzing parts of other IFs that I love. I liked Wayfarer's textbox; I liked how the choices looked in When Twilight Strikes. I liked the textboxes in the beginning of Zorlok. Find the things that amaze you about other IFs, and implement it your own way!
This seems like super basic advice—but trust me, once you think, "How can I put this in my game?" you will not only be able to have it, but most likely, you'll also learn a LOT.
While seeing how I could make the radio buttons, for example, I started researching. I googled "How to live change text?" and then I found out about jQuery, how to use the replace macro, etc. etc. JUST from researching how to do exactly one (1) feature.
2. What is missing in other IFs? Think about your own reading experience. I didn't like the clunkiness of some, how the sidebar is on the side when space on a mobile-screen is severely limited length-wise. So, I put the sidebar on the bottom.
I didn't like how other choices look in IFs, so I wanted a way to do mine that's nice and elegant(though it's still a little hard to read, admittedly).
Again, researching how to do the things you want opens many doors for you. I learned how to style <li> and change how bullets look, learned how to style links in Twine in general, etc. etc. again with just this ONE thing I wanted to change/add.
3. Don't do the work all by yourself. I struggled so hard because I hate asking for help. I was happy to Google other people's problems, but I never thought to open up my own thread or ask anybody in the community for help. Please, not only ask, but also—your work doesn't have to be completely original.
Use templates. Look at manon's amazing masterlist of things you can implement. I also have a few macro's that you can use, like multipronouns for MC, that does the work for you, for free.
Rip people's codes—respectfully. I'm not saying from other IFs, but online in other places. If they appear on help forums or are publicly available through places like CodePen, chances are that they're open-source or licensed in such a way that anyone can use it (e.g. MIT license).
Again, here is Manon's masterlist, which includes custom macros you can use in your game (Chapel, HiEv and Cycy are my high recommendations)! Additionally, here's my code for multipronouns here and my code for setting RO genders here.
4. MAKE IT READABLE!! Even if you want your game to look pretty... please, I'm begging you, make it easy to read. This is the most important thing ever.
I have a short attention span, and so does my partner. We reviewed the game to make sure we are NOT compromising the reading experience with our design. As much as we want fantastical backgrounds, we wanted to make sure it was at least not distracting. As much as we want gaudy styles, we want the actual passage to be suited for the long haul.
The most, most important part is to enhance the reading experience--not by adding things on, but by making it simple and intuitive. As someone in the computer science field, the user experience is CRITICAL. Put yourself in their shoes, think about them first and foremost.
Twine is amazingly customizable, and its powers can be wielded for good and evil. Plenty of amazing writers but inexperienced UI designers, especially from CoG, get into Twine. CoG almost completely takes away the design element, so Twine is a whole new ballpark.
Uroboros has a lot of pomp, but the actual textbox is uncharacteristically simple in comparison. The simplicity against an otherwise fantastical, but non-distracting background helps give it elegance. The sidebar, in contrast, is very eye-catching—but, it's also out of view most of the time, and isn't built for long reading.
To add on, make sure it's readable on mobile. I guarantee 80% of your readers are going to be reading your IF on their phone, and probably at 3 AM, so you will want the mobile to look as good as PC, or even better.
Closing Thoughts
Anyway, as basic as this advice is, this is really what guided my entire thought process behind my visual choices! -- Picking and choosing what you like from IFs, figuring out how to do them through research, and making sure your IF is built to be read for a while.
Thanks so much for asking, thinking that I have wisdom to impart!! 😭🫶💕
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ciaraloves · 2 years
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how to "get shit done": uni work addition
hi loveliest people so this is a sort of guide to how i get through uni work without going completely insane (make no mistake there is still some insanity present). I hope you find it helpful, or at least entertaining,
(disclaimer cause this is the internet: these work for me, they may not work for you)
table of contents:
a. date it
b. set reminders
c. how to stay on top of it
d. how to get on top of it if you aren't already
e. learn when your brain needs a break
f. uni is a full time job, treat it as such
A. date it
okay the first thing i do at the beginning of every semester is put uni dates in my calendar.
Term dates: when your term starts, when it ends, and your holidays. this is not just for information purposes but also so you have something to look forward to. additionally, it helps later on when you have to plan out assignment and test dates.
Assignment/ test dates: scour through the course outlines of all your courses and put every single date into your calendar. every assignment, every test, anything you have to submit goes in. that includes things like "weekly quizzes". make it a recurring date and chuck it in there.
B. set reminders
so i usually do this in my calendar but if you have a reminders app, or prefer other ways to set reminders then use that.
these reminders are not to make you feel bad for not doing work, it's to hold you responsible for your work. if you know you spiral at the idea of seeing a reminder when you haven't done work, this strategy may not work for you. don't give up, something will work. keep trying and have patience with yourself
if you know something is approaching it's easier to plan your life and your tasks around it. if you never know how long you have or you're always scrambling to figure out when something is due your mind is so focused on the dates it has no time for the work
Assignment reminders:
2 weeks before // 1 week before // 3 days before // 1 day before // 10 minutes before // on time of event
Test reminders:
1 week before // 3 days before // 1 day before // 1 hour before // on time of event
I know this may be excessive but if you're someone like me who constantly forgets things, it is very helpful to keep yourself on track
okay trust me you got this! i promise it's not as bad as it looks. right onto readings and assignments.
C. how to stay on top of it
do one reading per course per day: this is non-negotiable. trust me it is the easiest way to get through readings for a week.
if you have four courses of five readings each you will end up doing four readings a day from Monday to Friday. it is workable and you can do it. uni is fucking difficult and everyone has a story about why they're there but i promise you if you're there, the selection processes decided you were capable enough to handle it. and you are. if you can, start a week earlier so you're a little ahead otherwise it's totally okay.
2. start research for assignments 2 weeks before it is due. this will give you time and space to sort through what is relevant, useful, or should be discarded.
i have a folder for each assignment where all my research goes. within this folder there are three other folders: a. done and dusted b. too long/ not relevant c. could be helpful if i cared enough
and as i go through each paper/article/etc. i sort it into one of the three folders
while i am doing my research i also have a google doc open (shortcut that saved my life btdubs: "doc.new" directly into the browser search bar) that i write notes on.
a. things i think will help support my arguments b. things i found interesting c. themes that keep cropping up in the literature (advantages, disadvantages, limitations, concepts, theories, future directions) d. things i disagree with and will either argue against or find some way to bitch about (seriously have fun with your assignments) e. statistics
3. study notes should be your understanding of the topic:
it is beneficial to write the heading and then write as much as you can on what you know even if it's random words muddled on a page. then fill in using lecture notes, anything in your readings you found helpful, and obviously your course sources like textbooks.
the most important piece of advice i can give you for study notes is: MAKE THEM FUNNY AND WITHOUT FILTER you do not have to sound professional, you do not have to sound like you're writing a textbook. i am dead serious:
here's an excerpt from my clinical psychology study notes in 3rd year: Persistent Complex Bereavement Disorder: set a boundary between what we would consider to be normal and appropriate grieving behaviour and what we could consider to be disordered or inappropriate grieving behaviour. (literally the dumbest thing i've ever heard? Who are we to tell people they’re grieving wrong????)
D. how to get on top of it if you aren't already
If you’re already behind but you’re attending class, leave the work you’re behind on in the past. (yes that was meant to rhyme).
Spend one weekend going through lecture slides and lecture content only. Don’t worry about the readings for the lectures, just leave those. If you don’t understand what’s happening then go and do readings. Skim the abstracts of those readings and if they look like they’re not going to help you don’t do them.
Reach out to your lecturer or tutor or supervisor and say:
“Good day [name/honorific] I am struggling to understand [this topic] despite working through the lecture notes and readings on it. Please may I have some guidance as to how I can better understand this. (alternative: please can I see you during your office hours for a brief explanation and further resources to help me better understand the topic) Hope to hear back soon! [sign off]”
then apply all this to the above on assignments and study notes.
E. learn when your brain needs a break
sometimes you really just have to shut down. sometimes your brain is saying "if you don't give me a break right now i am going to do it for us and it is going to get ugly". please listen. do whatever you need to.
a. sleep for an entire day, hell an entire weekend.
b. binge watch something
c. read something
d. go out
e. go on a hike
f. stay with a friend
g. visit your parents
F. uni is a full time job, treat it as such
i cannot stress enough that uni literally is a large, possibly the biggest part, of your life. it is very difficult to sideline it without getting overwhelmed.
however, that doesn't mean you don't deserve time off. give yourself insurance, free healthcare, an understanding boss. you are not a robot. you are living, and alive, and you need many things to keep you that way. work alone is not going to help. but play alone is not going to help either. find the balance that works for you by listening to yourself. and then stick to the balance.
goodluck beautiful beans. i believe in you wholeheartedly <3
if you have any questions my ask box is always open. and if you want more detail for anything let me know!
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kasarian · 7 months
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i am going to talk about oc pokemon au and you cant stop me :] (or, alternatively, if you're spark, it just me reiterating it with proper wording LOL)
Orbit is a knowledgable figure, unsure if I want him to be a professor or not, but he's also someone who's going to be important in the balance of quality of life in both humans and pokemon in his town, ensuring that the people do not disturb the natural habitat, and that the townsfolk be able to live a good life within the town. Ike was / is Orbit's partner in this endeavor, but went missing (presumed dead) for a year or two while he was out on a diplomatic trip out of the region; The two eventually reunite, not to worry.
Alon and Lupa are field researchers that work with/under Orbit. Alon in particular used to be a gym leader of the region in his younger years, but decided to retire a full year before he and Lupa got married, wanting to focus on his family and trying to get away from the public eye. He and his husband mostly help with nurturing hatchlings nowadays, but occasionally do the fieldwork for their job, as well as personal outings with personal agendas, of course.
Lupa has always been so passionate about pokemon and their behavior, seeking to understand them more. He wandered around various regions, becoming champion once and never again, despising the unwarranted fame his younger self did not want. He also met Alon during his travels, starting out at the wrong foot but quickly becoming fast friends, with Alon freely offering Lupa his kindness and hospitability. Despite all that, he still challenges gyms for the sake of it even now!
AND NOW FOR THE PROTAGS
The story follows Mela, Orbit's daughter, wanting to be as accomplished as her father, and setting out to her own journey. She's accompanied by Akku, who is Alon and Lupa's son, and his boyfriend, Hiraya, who was often under Orbit's watch due to his parents often being called for their duties as Elites.
As the trio's journey goes on, they all end up in a rather far away snowfields; and Mela eventually meets a man who looks rather familiar... but can't quite place her finger as to who exactly it is. She wants to find out though, stubborn as she always is to get things right. It's weird though, because it seems like Hiraya's seen a ghost, but he just won't say.
In the end of this arc, Mela meets the lake spirits, and they help her remember who that man was to her. Is to her. Ike, her dad, who's been missing and apparently, just as confused as her, because neither of them remember each other etc etc.
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AUUGHUAHU
IT ALL VERY . MESSY and unclear and i might renew a lot of this bc i havent thought about all it yet. the basic summary was this:
Story following though 3 childhood friends journeys, Mela being the main protag ??? wanting to be like her dad ??? Accidentally finding her other, long missing father in the process??? ENSUE TEAM ROCKET LIKE EVENTS AND SHIT GOES DOOOOOWN
Akku and Hiraya just there for silly goofy shenanigans and support. (Akku wanting to explore like his parents did, and Hiraya not having much to do anyway, being the current youngest and not having much direction in his life???? idkkk HAHA but he and akku share the same passion w/ loving pokemon, akku just wants to see if he can run though badges in the process)
anyway yah feel free to plonk your opinions on this, i obviously have a lot to research, like the lake spirits, and which pokemon can temporarily take away your bad memories and help return it when you have to face it (first thought was gothitelle??) or if i can make up a process wherein a venusaur knowing amnesia -> imbued that power in its spores/pollen to help ease sadness that its trainer is experiencing and how thats kind but also kind of. oof move on the venusaur. etc etc. idk HAHAHHA
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ahedderick · 4 months
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Checkup
I'm going to have some bloodwork done this week, so I stopped taking any vitamin or mineral supplements around Christmas time . . so they can get a good 'baseline' value. But I am very, very much looking forward to taking them again. No matter WHAT I eat this time of year (I am so good about fruits and veg!) I need a bit extra in the way of vitamins. D, B, whatever. Finding out that adhd folks may be prone to needing higher levels of B vitamins (we use more of it? We don't process it from food as well? Don't know.) was one of the really, really helpful "Tumblr-anecdotes I read and looked up more info on later." Seriously. If you don't take posts at face value, but do further research and check with your own doctor about stuff, you can learn SO MUCH from Tumblr.
On that note. Want to hear a c-r-a-z-y story about perimenopause? This might save some 40ish cis woman some trouble, and may simply be of interest to trans folks.
One day in October of the year I was 41, I woke up a different person. I mean I literally went to bed as myself and woke up feeling completely different. Over the next two weeks I barely slept more than a few hours a night and barely ate; had no appetite whatsoever. I kept up with mom duties and farm duties, but spent all my alone-time with my head in a fog.
Over the next few months I considered asking for medical help, but I didn't quite know what to TELL my Dr (a grumpy but reasonable old guy). I couldn't quite describe my experience on words, except to say I felt like a different person. Gradually I began to fell much, much more energetic. My strength increased bizarrely, even with no more than my usual farm exercise. LOVED that! The acne, moustache and chin whiskers were unwelcome. The mental fog was distressing, but my kids were only in third grade and kindergarten respectively, and my father was still completely independent - so I didn't NEED to be all that mentally sharp to keep up with what I needed to. You may be wanting to smack me upside the head by now, but it wasn't until I started growing black, wiry chest hair that I FINALLY figured it out.
My system had stopped estrogening and started androgening. Completely at random. I am, I must stress, a cis-woman, always felt female, and had 5 pregnancies with two live children. The very sudden onset of it is what made me feel so mentally disoriented at the beginning.
By the time I figured it out, months after it began, I could already feel the effects starting to wane. There were no real health effects that I needed to see a Dr about, and I wasn't sure I wanted to go to the trouble of trying to get him to understand what happened. I've never met another woman who talked about having this experience - but we often don't talk about perimenopause. I had read BOOKS about menopause issues, and this wasn't in them! Since hormone disruption is foundational to perimenopause, I'd bet money that SOMEONE else has had this happen. If you're nearing that age, it might happen to you - and it isn't the end of the world.
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nexility-sims · 7 months
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I was wondering what the lore is behind the cultural tattoos that I see the reyes family have?
ah, i'm so glad i finally got this question !!!!! i am, however, woefully unprepared to actually answer it skdfsd long, so see below for more & for reference images and such:
i decided at some point to lean more heavily into actually representing the world the way i imagined it—after i went on the hiatus with part iii, i suppose? part of that was reconsidering the aesthetics, which includes tattooing. i'm familiar with the traditional tattoo revitalization movement going on in the u.s. and canada right now (and elsewhere in the world), and i wanted to incorporate it ! i had already sort of included tattoos, but it was in the background (literally, see alfonso's aide). i'd done some sketches in the past with coastal carolina tattoos, so it was pretty easy to draw on those as inspiration (see blanca below or zuriñe's foremothers).
obviously, however, this is not the region that i've chosen as the inspiration base for the story's worldbuilding. for that, i've taken inspiration from designs and depictions of either body paint or actual tattoos. (one source is this comic, which is super well-researched and interesting!) the actual process has been really slow-going because i don't want to ?? misrepresent anything i'm borrowing inspiration from ?? even if it's being put in a fictional space, you never want someone to be like "that looks familiar, but it's wrong and offensive." the body paint, for example, is from a set that is, i believe, brazilian, but i haven't been able to figure out to what indigenous communities it belongs or what the meanings may be. feels a little weird, tbh, but the content for this whole entire hemisphere is SO limited. so, i have been hesitant in part because i don't want to lift designs without trying to understand what they might have meant historically or may currently mean to descendants.
i also would, ideally, like to have meaning ascribed to the details in my own mind? like, if there's a style of tattoo that people are getting across generations within the context of the story, then the elements have to have meaning. probably. the other limitation is that i can't spend all of my time figuring this stuff out or, worse, in photoshop trying to master the line art and fight the way sims destroys image quality sdjksdg
for example: the tattoos depicted below on alfonso and rui are comprised of stepped frets. my understanding is that they're called xicalcoliuhqui in nahuatl, and they're at least a couple thousand years old, with connotations related to the feathered serpent and mountains—a primordial motif with deep roots in the worldview(s) of the region's religious complex(es). the bird on their shoulders is a fantasy bird, apparently, that is frequently (mis?)identified as an eagle ... for my purposes, it's probably an eagle sdjsg i've decided these are military tattoos, but i'm still in the process of figuring out what the military orders are and how these tattoos fit into that ... this is the problem with creating details then having to retroactively refit them into something you create later on down the line !!!!!!
the body paint on arnaut (below) is also a military design, in my mind. he doesn't have the tattoos because he's not in the same order that alfonso and rui were/are/will be. safya's body paint (below) is funerary since she's a corpse in that picture. there are distinctions based on occupation, gender, life stage or accomplishments, whether one is considered nobility/royalty or a commoner, and so forth. same with the tattoos ! i imagine the clans also have their own specific designs (halima has a face tattoo from the aforementioned set; blanca's are based on zuriñe's family's, so i guess they'd be an armendariz design rather than a reyes one, which ... fascinating choice, blanca ????). the body paint is ceremonial, so it's most likely to be seen at an event like a funeral, a coronation, etc. i've been thinking a lot about royal orders lately, and i think they're more likely to be represented with tattoos (or body paint) than a little thing you pin on yourself.
okay, i'm going to stop now because i'm rambling and have nothing left to say of substance skgsjg if you have follow-ups, feel free to ask :^)
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oofensteinsmonster · 5 months
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Detransitioning.
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First and foremost I want to address the transphobic people/right wing/terfs in the room and say this isn't for you. You are not allowed to take my story and use it to deny gender affirming care to trans folk. If anything I want it ABUNDANTLY clear that my access to both hormones and spaces to explore my identity is what rooted my self esteem and made me who I am today, even if my identity looks different than it did a year ago, and I have absolutely no regrets about the decisions I made for my body. I was informed of the process every step of the way, I did all of my research, I knew exactly what was going to happen. Kapeesh?
Kaposh.
With that out of the way.
I will be referring to my genders in the third person when I feel it is relevant to alluding to how the situations made me feel. I do not have multiple personalities, but the following situations did cause me to disassociate from aspects of myself.
My experience with my gender has always been at odds. I grew up without a positive and consistent mother figure in a misogynistic southern state, and the male figures in my life were turbulent and terrifying. This mattered to me as someone who mirrors what they see in order to understand the behavior. My friends before I became a teenager were mostly boys because I enjoyed rough housing, games, and exploring the neighborhood. When the adults started separating my age group by sex I had a hard time relating to the girls in my age group who were already flirting with the boys and trying on make up. It wasn't that I didn't like boys (or girls for that matter), quite the opposite, and it wasn't that I didn't like make up or clothes or traditionally feminine things, it's just that I didn't have a lot of experience with that stuff and when I did try it out I was laughed at because I wasn't allowed to be feminine at that point, but because I was a girl I also wasn't allowed to be masculine.
If I played with dolls I was called a sissy, and if I built forts with the guys and wore traditionally boyish clothes I was called a gay slur by my father, or by the older neighborhood boys…and eventually by my friends as well.
There wasn't a safe place for me to retreat into as far as identity went, every outfit felt alien, and eventually I fell into being reclusive and kept to myself.
When I entered my 20s and moved to Texas I was introduced to the idea of different gender identities and it felt right.
I was able to experiment, and for the first time I had positive feedback. I could be feminine, I could be masculine, I could be both and neither. It was liberating and for most of the decade, while I had considered physical changes, like hrt, I was mostly content with where I was and who I was.
This was until my last relationship.
For the sake of the story let's call him Red. Red came into my life at a time that I desired a more assertive lover, and because I am also kinky, I needed a Dominate. This is just my prefered dynamic, I don't buy into that alpha male “all women/femmes need to be subjugated” bullshit, it's a kink that happens to coexist with my more docile and domestic nature, but I can and will still put on my own pair of boots and be a boss bitch when the situation calls for it you feel me? Great. I also want to mention that other than this situation I've had nothing but great experiences in the kink community and am not trying to blame kink on my trauma in any way, shape, or form. It is a community founded on consent, and the people that ignore that are ignoring what makes said community what it is and what it stands for.
Carrying on.
Red started off being everything I thought I needed. I mistook tolerance as acceptance and celebration because I wanted so badly for everything he fed me to be true. He was my “twin flame” *vomit* my Sir, my Master, he saw what he thought I needed and he gave it to me.
At a price….always….at a price.
Without going too much into detail, because I still have a lot of process and heal on that front, he took my feminine side …and used her well past the point of my consent. She was raped in every sense of the word. Abused. Objectified. My traits were no longer my own, they were simply a fetish. I wasn't beautiful anymore, I was “sexy”. My name that I had fashioned for myself for 10 years was discarded for one that he gave me, which in D/s is fine, except he'd only use my real one when he was upset or angry. I was no longer myself, I was what he wanted me to be, and because of that and because of never being given time or space to come back into myself I eventually completely detached from my femininity. I buried her far beneath where I thought he couldn't find her just to keep her safe.
But I still had my masculine side, who
…did not embody my rage and grief but rather helped me juggle them. He held them when I was tired of carrying them around, and when the time came he helped me stand my ground when I finally got rid of Red and his influence in my life.
It was easy for me to assume that this was my true form, and because I'd always batted around the idea of hormones, I decided to try them out. It was a low dose, because in my state of mind I understood that diving in head first was not the wisest decision ( FOR ME…you hear me terfs? F o r. m e. ) I started going by a different name, I cut my hair (note: Korean boy band hair not my best look ) I put away all my dresses ( in my car, just in case ) ( clothes don't have a gender but this was my process ) and that's what I embodied for 7 months.
And I had a wonderful experience with it! My support structure was unmatched, my household never struggled with addressing me by what I wanted to be addressed by, my friends were super supportive the whole journey, my assigned Doctor was extremely clear and concise and never once did anyone make me feel “less than”. It was part of me I needed to pay attention to and explore, even without the trauma that led me there I still think I would have ended up wanting to experiment the way that I did. My masculinity became a place to rest, he said to me “ Let me take it from here for a while. Heal. “ and I will always be thankful for that.
It wasn't until after I finished grieving the break up that I realized I might not be a man. Plus, the changes to my body weren't feeling as at home as I wanted them to. More on that later. So I stopped using the gel for a little while just to see how I felt…and I never picked it back up.
Eventually the parts of me started gravitating back together, and while they don't fit the same way they used to, they are at home within me for the first time in years.
And if I hadn't had the freedom to discover that for myself…if my access to gender affirming health care had been denied or I had been shamed, or put on some kind of fucking registry like Ken Paxton was trying to collect ( fuck that guy ) or thrown into some kind of conversation therapy, I'd still be lost. I'd be so much worse off than I am.
People who detransition make up less than 1% of trangender folks. I am the only person I know that has ever decided to stop. I am the only person I know whose decisions were swayed more-so by personal traumas rather than a sense of long standing identity. I didn't have a sense of identity. And maybe if gender roles hadn't been so strictly enforced/contradictory when I was a child, maybe if I had been celebrated in my curiosity and my fluidity I would have gotten here a lot sooner. Which isn't to say that I am in any way resentful of having gotten here a little later than most.
So if you were wondering if I regret it, the answer is no.
This next segment is to answer any potential questions about the physical changes I experienced while on Tgel, how they made me feel, and how my body detransitioned after I stopped using it.
Note that every single body is different, so what I went through is not going to look the same for someone else.
Skin: As an autistic with sensory issues, while I knew my skin was going to change…it did not change the fact that I hated how itchy everything suddenly was. Your skin becomes more rough with T, and hairy. I never really experienced acne just because my genetics are pretty good on that front, but I did get significant leg hair growth. This did not go away when I stopped taking T, which I expected. But that's ok because it's just hair and I just needed to get a more durable razor. Big whoop.
Also I did have some very hard to notice fuzz under my chin, but that kind of went away. Along with the roughness.
Voice changes: I actually love my voice now. It was a few octaves higher before T, and I feel like it's more bodied and lovely. Not masculine, more androgynous. It didn't go back to normal, and I'm perfectly happy with that.
Bottom growth (tmi warning): I don't care about sharing this information so long as you don't ask for pictures you weirdos. But I started off with a teeeeeeeeny tiny little clit even in comparison to others. So now it's just kind of an average size, and hey I have better orgasms now. Win/win.
Body temperature: before T I was cold natured, and now I'm hot natured. That hasn't changed yet, and I'm not sure if it's going to. I feel pretty neutral about it at least until I try cuddling someone with the same body heat as me in which case *I hate it*.
Periods: still haven't had mine since I stopped which… I probably need to go see what's going on about that but from what I gathered it does sometimes take the better part of a year to restart the menstrual cycle. I'm not in a hurry, though. That was one of the perks of being on T, instantly stopped my period.
Will check back in if there's any issues on that front, however I will say that I have pcos which causes unpredictable cycles to begin with so, again, my body is different.
If you have any questions please feel free to ask, I'm posting this publicly because I want more awareness about detransitioning and debunking a lot of what I feel is being weaponized against the transgender community regarding it.
I will not react or respond to bigotry or hatred, I will delete any fetishizing of my identity or my body, I want this corner of the internet to remain safe.
Wrap up:
Remember that no matter how many changes you experience in life, you are just as valid today as you were yesterday and will be tomorrow. Nobody can tell you who you are, or who you're not.
Whatever you're doing, so long as it isn't hurting anyone or yourself, you're doing it perfectly. 🥰
Be well my loves,
Theo (She/they/ and sometimes it)
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journeying into the realm of things only I will care about, when I first wrote 'we need to talk about kara' I was a graduate student studying counseling who had never even seen a client before and I included a basically throw away paragraph about kara receiving EMDR therapy because I knew it was a thing that was big for trauma treatment and I figured a superhero level therapist would utilize that, and the way that I wrote it was so clearly a wikipedia-level attempt at depicting a therapy I did not understand and even in my one little paragraph it was so wrong lmao
and now, as I try to work on the final chapter, I have two years of experience working with clients and I am literally EMDR certified, and so rereading what I wrote was so painful to me I had to rewrite it into a full scene. And I don't know if anyone would actually even care about it being more authentic or whatever but it just felt deeply important to me lmfao. In the event that you are interested in a comparison, I have the original vs what is up now below
Original from grad school Jill: Things are feeling better, she's feeling better, but there's still so much Her therapist suggests something else. Eye movement desensitization and reprocessing. "Which means…" she drawls, and her therapist smiles. "Which means you recount a traumatic incident while following my guidance with your eyes. It should help." Kara isn't entirely convinced, but she might as well. They lead her through it. The doctor has her follow a pen with her eyes, up and down side to side in quick swipes, while she tells the story of her people's death. She recounts it in detail, talks of the fiery reds and death screams, tears running down her face the whole time while her eyes flicker and move about. "It works well with humans," the doctor explains. "The science isn't entirely understood but the research is undeniable. Something about the rapid eye movement triggers the part of the brain that holds on to the trauma, and through this process it eases it.
She's not sure if it works, but she sleeps the whole night afterwards for the first time in a long time. VERSUS
EMDR Certified Jill:
Things are feeling better, she’s feeling better, but there’s still so much.
Her therapist suggests something else. Eye movement desensitization and reprocessing.
“Which is…” she drawls, and her therapist smiles.
“It's a processing technique that targets the trauma in your brain through your eyes. Basically, research suggests there's a link between eye movement and brain processing. Think of it like sleeping - your body heals best when you get deep, REM sleep. Guided rapid eye movement - it can help.”
Kara isn’t entirely convinced, but she might as well. 
They build up to it for a while. Longer than Kara would have liked. They spend ages going over how her body and mind connect, how feelings live in her body just as much as her mind. They practice feeling your feelings, as ridiculous as it feels to do. They sit together, eyes closed, and practice shifting focus from more distressing feelings to more positive, over and over and over until finally, for some reason, her therapist deems her ready.  She expects to just start telling her about her deepest trauma, but then things never do go as she expects. "What's a problem you've been experiencing lately that, if resolved, would have a significant impact on your life?"
"I don't know, everything? I don't know." "Try something specific, it doesn't have to be perfect." Kara sighs, runs her fingers through her hair. "I guess just feeling angry and sad all the time." "Can you think of a specific time?" "Like last week. I spent some time with my sister and her girlfriend, and they were complaining about work and all the things going on and I just felt so frustrated - they get to just do that, get to go and do these big important things, and I'm just left here feeling useless and pathetic because I can't even get myself out the door to help."
"And that anger is familiar?" "Definitely. I got mad the other day at group, too, when someone was talking about how they hate having to navigate earth culture or something and I just felt so, so angry." 
"When you think about these moments, what do you feel like is the longing there?” “I don’t know what that means.” “What is it you're wanting in those moments?” “I guess I just want to be normal again. I want to be able to do what everyone else is doing again without feeling like I’m going to collapse under it all.” “You want to feel empowered, to be a part of something meaningful again.” She shrugs, nods. “Can you think of a time when you had a hope for that – of being empowered, being a part of something meaningful – and it didn’t happen?” Kara talks about the moment in Alex’s apartment when she collapsed under her own fear. “Can you think of an earlier time?” She does. She recounts a time when she first started working at Catco and she messed something up for Cat, and how isolated she felt. Her therapist nods, and then asks again,“Can you think of an earlier time?” It goes and goes and goes until suddenly she’s talking about being a child shoved into a ship and sent into the void. She can feel it on a visceral level, she can feel the flames behind them. 
“When you bring that memory to mind, what image represents the worst part?” her therapist asks gently. "My mom's face," she says. "The way she looked when they closed the pod." "When you picture that, your mother's face, what words go best with that image that express a negative belief you have about yourself right now, even if you know better?" She's shaking, she thinks, and she can feel the swelling of feeling flood her. Her mother's sad eyes, the crinkles around them as she fakes a smile, trying to comfort, trying to trick Kara into thinking it's all for the best, that it's all going to be okay. "It's not worth it," Kara says, "I'm not worth it. I shouldn't have been the one saved." "You feel worthless," the counselor reiterates. Kara nods, trembling.
"And where do you feel that in your body?" Kara waves over her face, her chest.  "Everywhere. Here, in my heart," she presses her hand to her chest. "I feel it crushing." Her therapist nods, sitting up straight, and lifts her hand. "I want you to bring up that image in your mind of your mom's face as she put you in the ship, think about the words 'I am worthless', and notice that feeling in your body, and then follow my fingers." And with that she moves her two fingers together in front of Kara, back and forth and back over and over while she followed along, her mind reeling at a level she's never experienced before. She asks her again and again what are you noticing now? What are you noticing now? And Kara notices everything. She feels everything. She cries the entire time. 
She’s not sure if it works, but she sleeps the whole night afterwards for the first time in a long time.
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hollowsart · 1 year
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Cryptid Crawler Spiderverse info master post
Rogues Part 4 🦏🏖🛠️
VERY long post ahead!
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==[[Rhino]]==
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Alexandra O’Hirn
Shared a cell with Sandlady where she shared her story that lead her to their first meeting, and likewise, Sandlady shared hers, too.
Alexandra had been accused of a crime she didn’t commit, but due to her appearance and demeanor.. life was against her. She agreed to serve, not wanting to make any big scene.
However, Alex had a track record for her reckless behavior (always out of a good place and her trying to do a good deed, but her intentions were always misconstrued), and that record caught the attention of Kingpin who bailed her out and had her brought in to his facilities to test her true strength and power and fit her with the Rhino Suit.
She didn’t like what was happening and the orders and demands of Kingpin and took off with the suit still on, destroying the research and all in her wake before she escaped. They won’t be making anymore suits for a long time.
Alex stuck in the suit as she hasn’t been able to figure out how to take it off just yet, getting around has been hectic, causing lots of unwanted trouble.
Despite her immense size and imposing presence, Alex is very kindhearted and would rather send time helping and protecting. Her suit, which she can remove if desired via the yellow diamond button on her lower sternum, makes stopping when she starts charging very difficult. She’ll do her best to try and avoid obstacles and pedestrians to spare them.. but accidents do happen.
She and Sandlady are less villains and more so anti-villain in archetype.
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==[[Sandlady]]==
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Wilhelmina Baker
Refers to herself as ‘Sandlady‘ because “I am a lady.” and will get upset if being referred to as ���Sandwoman’. She has attacked JJJ for this once before.
Wilhelmina had been a lifeguard before and it was an accident that caused a life to be lost under her care and watch.. she failed her duties and feels immense guilt and regret. She wants to make amends and atone for this.
She had been sent out for community service. Alas, her placement was to clean up a sketchy coastline beach.. a horrible accident occurred and required evacuation, but she got stuck and had to hide in the sand and muck….. and from the exposure of the incident, she was unfortunately irreversibly changed and merged with the sand.
The beach she was cleaning was owned by/near one of Kingpin’s secret facilities.. Sandlady & Rhino’s events were tied with Kingpin, be it intentional (rhino) or not (sandlady).
Wilhelmina trying to get used to her new transfigured body, figuring things out and wondering why her life has gone this way.
Along with Rhino, she has become a sort of mother figure toward Acedia, even despite their encounters and fights. As well, during some later on shenanigans she has encountered and adopted a Sandman from another universe as her son. Adoring and helping him like a mother.
Although Wilhelmina puts on a feisty and hotheaded demeanor, she is actually quite sweet and keeps to herself. Sometimes.. she’ll go back to the beach she worked, the east coast.. blend in with the sand and slip away under the water and help carry some people back to shore if they need it. A small act of kindness she performs anonymously.. her true nature is one of wanting to help.
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==[[Tinkerer]]==
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Phineas Mason
Mason was once a well respected scientist in his youth, having a wonderful wife and a happy life. His work was really well received in his younger years, having books published regarding his works and such. However, his work started to take a turn and whether that was against his will or not, one thing lead to another and his wife was caught in the "crossfire" so to speak. He lost her and fell into a deep depression, but never having the time to process and mourn as he went into hiding and took on some work to force himself to never think about her.
Along with losing his wife, he later in his older age learns his son was also murdered due to family business, leaving his granddaughter to come live with him. He’s very rusty with other human interactions and raising a child, but he is honestly and genuinely trying his best.
Mason still wears his wedding ring, never having ever really recovered from the loss of her. He.. still misses her dearly. It’s affected his health and psyche.
He’s a recluse, usually stays in doors inside his unassuming home where he lives alone with his granddaughter. only occasionally does he leave when his work requires it. He does his best to stay off the grid while living so out in the open. He used to be a great scientist when he was younger, written a few books, but he popped off the grid and hid away for decades.
During one of his rare outings he encountered Beck seeking shelter from authorities and since then he’s offered to occasionally offer Beck a place to stay in the guest bedroom while Beck hops around from one living space to the next and relocating his base of operations when it’s been found.
Norman learns of Mason’s whereabouts, having his granddaughter working as a receptionist for his company building. Literally the only power he has over Mason is having power over the employment of his granddaughter. Mason knows and has put up extra safety measures around the house, rigging it for safety and having a whole security camera system and all. However, there isn’t really much Norman can do.
Reason why Norman– and even a couple other high power criminals and governments– want Mason is because he has almost any and every little piece of dirt and information and data on anyone and everything. He knows a lot more than you would think. He does anonymous commission work, crafting gadgets, tools, weapons, and experimenting on whatever he is paid to do. He does have his own moral code and restrictions he puts in place for his field of work.. however, he has become a bit desperate for security and money in recent years, he’s been having to step out of his boundaries for work a few times.
Mason uses a fake name anytime he is doing anything outside of the house, placing orders for delivery and all, it’s how he’s stayed hidden for so long. He keeps a lot of secrets, even from his own family.. He’s been trying to be more open and less secretive with his granddaughter tho after a particular incident with Acedia coming to see him for some dire info.
He’s developed a friendship with Quentin, Adrian, and even Otto. So, despite everything above, his life isn’t so bad or sad and lonely as it had been. Things have gotten better and he’s getting better, too.
Mason eventually adopted a stray cat and named it Beck. While out manually collecting data from some sourced as he needed a closer/stronger signal and while he’s in a little hiding spot, the cat came rushing over toward his area which would be seen as shelter to any animal and doesn’t even care as it crashes onto Mason’s lab and onto his laptop. Deja vu. Beck was also on his laptop and tackled him while seeking “shelter" or protection when they first met.
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wrishwrosh · 3 months
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Talk shop Tuesday!!! How do you decide what research to do for a specific fic and which details to include?
talk shop tuesday!! thank you!! this is a fun question bc im very prepared to articulate HOW i do research and WHY i do research but its a lot tougher to explain WHICH research. a lot of times i’ll decide on a vague premise or setting for a fic and then let the research suggest the story, like whatever interesting resources or anecdotes i come across then shape the plot. so in most cases i am researching before/during the drafting process rather than trying to fill in gaps while editing, i think “write first research later” is terrible advice that i dont follow. the rabbit hole is where the magic happens!!
example: i started ‘not a strange thing amongst the people’ with a vague idea of boyd and raylan in wwi meeting in the trenches or something, and then started researching to figure out the exact circumstances: what their wars would have been like, how a guy from kentucky might have ended up in europe, under what circumstances they would reconnect, where and when exactly this would be happening (on the one hand, probably few of these details would make it on the page and this level of rationalization doesn’t matter when The Trench is a perfectly legible symbol to most readers. ((its the scary wet place where homoeroticism happens!)) however i think its more fun and a better characterization exercise when its realer and also the cliche is right truth is very often stranger and cooler than fiction. history is full of extremely weird coincidences and patterns that make excellent stories.)
the original vague plot i had in my head for ‘not a strange thing’ based on zero research just vibes was boyd as a jaded middle aged kentucky national guard nco who got dragged to belgium and raylan as an mp or something and they reconnect while boyd is awaiting court marshal for some kind of uuhhhh trench scam. or something. however then i started digging into the minutiae of how enlistment worked in wwi and under what circumstances particular types of guys got sent overseas and then thought ‘hey were the marshals in the trenches could that be why raylan was there?’ and looked at one timeline on marshals dot gov to learn that the marshals stayed stateside spying on german civilians and chasing down draft dodgers and a little lightbulb went off in my head and then the story became a totally different story. and this was approximately minute 19 of the research process which was still the idle googling phase.
the other way i decide to do research is by questioning all my own assumptions as im writing. like if i am writing about a place or time that is not my own and i find myself going ‘yeah thats probably how things work’ then that is always going to be a productive place for more research and for the inclusion of detail based on that research bc the gaps between my experience and the character’s experience are why im writing the story. as another example a lot of the first bits i wrote for not a strange thing involved raylan having a car and driving around. this was just an instinctual decision i made (aka assumption) (also i had recently come across the phrase “touring car” and liked it and wanted to use it in something) and then questioning that instinct led to qs like well how did you get from lexington to harlan in 1918. what kind of cars would a marshal have had access to. if other marshals in other places in the country didnt NOT have cars could raylan have had a car. and then that led to an unproductive rabbit hole where i was looking at archival marshal financial records to see if they were buying cars and then i had to just cut myself off and say raylan was allowed to drive. BUT i learned a lot about roads and transit and car culture in the place and time that i think made the story a little juicier.
as always this is long as hell and probably too detailed but i just like to talk about research! i just think its neat! talk shop!
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txxxciii · 10 months
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genshin's new trailer for a new region dropped and I feel like I want to express my thoughts here.
believe me or not, fontaine was always the region I was personally super excited for, at least ever since I started learning the history of france. it also probably has to do with the fact that the majority of characters who got me hooked, in fact, have hydro vision. so until recently, I could've only imagined what a hydro nation would look like...
so far, the region seems promising, however, there's one thing I feel like addressing. before you say anything, I played genshin before and I very much enjoy the story and its character, especially sumeru's storyline which was almost the reason I wanted to install genshin back.
with that being said, I don't approve the way hoyoverse uses historical figures for its characters... specifically – and I cannot stress this enough – commedia dell'arte. I was completely okay with tartaglia not following the original's stock traits, as it would be a nightmare to listen to a character stutter every word (although the way they pronounce his name still bugs me). I was fine with scaramouche, as they somewhat tried to keep the original's personality. signora... eh. but arlecchino. arlecchino, of all-
if I were to see this character without knowing who she is, but just knowing the fact her name originates from a commedia character, I would've assumed she'd be capitano, scaramouche, brighella, colombina... really anyone BUT arlecchino. seriously, how come the team even agreed on giving her this name? you tell me this bold, black and white woman with a cold gaze and elegancy that can kill has a codename of a silly, poor clown guy whose distinctive feature is being both socially and physically active??
I know what people might be thinking right now, "teyvat is literally a fantasy place with its own rules, no one owes you accuracy". well, what about sandrone, who had himself and his whole family be represented by puppets, and genshin's sandrone whose codename so happened to be "marionette"? what, did they actually use the source material once and called it a day?
listen, naming characters can be tough, especially in a game like genshin, where you have hundreds of different characters, all have to have unique and memorable names. but if you decide to use an existing media as your name source, please do your research to at least be aware of who you are naming your character after. it is so irritating to see a character have a name of a famous historical figure, unless that is the purpose (ex. clone high). it just frustrates me to see that the hoyo team – and I'm trying to say this with my out-most respect – does not research before finishing the process of creating a character. i'm not talking about commedia dell'arte characters only, it's also targeted towards honkai characters (ex. einstein, tesla, kafka) who get the same treatment (either that, or hoyoverse does acknowledge the real person, but decides to references them in the most stereotypical way possible. ex. schrodinger).
despite everything, I still liked how the trailer uses theaters and plays as metaphors, and how all of this (somewhat?) reference commedia, at least from what I like to believe. but sorry, I'm not just going to like a character just because they're hot. I'll just wait 'til fontaine drops and we get an alternative name for this woman because I am not calling her arlecchino.
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homeostasister · 4 months
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for the science ask game: 🌏 📚 and 🔭!
🌏—fun fact from my area of study: there’s a type of white blood cell—a neutrophil—which (among other cool, but perhaps less iconic defense strategies) can release its own DNA, mixed with antibacterial proteins, outside of the cell to trap and destroy pathogens. The traps are named neutrophil extracellular traps, which are appropriately abbreviated NETs. (Here’s a review I found on NETosis, if you’re interested to learn more: https://www.ncbi.nlm.nih.gov/pmc/articles/PMC7590568/)
📚—something I want to understand better: I wish I could get into cell signalling and gene regulation. Whenever I take the time to study a signalling pathway, it’s always super interesting to see how all the different components work together, but then I just forget everything almost immediately.
🔭—what sparked my interest in science/my field: as far as I can remember I’ve always been interested in science, and I would credit my mom for that. When I was little she encouraged my curiosity and directed it towards science; she taught me about the scientific method, and I got very into the idea of discovering new things through observation and experimentation, which I think created sort of a positive feedback loop of my interest and her support—we read books about nature and about the process of science, we learned about famous scientists and their discoveries, we went to museums and zoos and aquariums and lectures about whatever I was interested in at the time. I think “being a scientist” has been part of my identity for as long as I’ve had one. I went through phases of interest in many different fields—astronomy, paleontology (yeah, I was a “dinosaurs and space!!” kid), ecology, astrobiology, and chemistry are some that I remember—and ended up settling on immunology. I got really interested in molecular biology from my 9th grade biology class—I had learned vaguely about cells and genetics before then, but for the first time I felt like I was really glimpsing the fundamental mechanisms of life, the individual interactions between proteins and other molecules that build upon one another and connect to give rise to the immense complexity of a living organism—a complexity which, until then, I had just sort of taken for granted. I was kind of amazed by all this, and I still am. My specific interest in immunology came from reading the manga Cells at Work. I knew little to nothing about how the immune system worked at that point, and I was confused about a lot of things in the story—so I would literally just start googling things like “how do memory b cells remember antigens” to try and figure out what the real-life processes were that were being portrayed. A lot of what I found went over my head, but I kept just looking up questions about how different parts of the immune system worked and slowly slipping into the vast and tangled rabbit warren that is immunology. A big part of why I’m still interested in the immune system is because it’s so complicated. I don’t feel like I could ever learn everything I want to know about how it works, and everything I do learn just brings up new questions to scroll through chains of half-understood PubMed articles trying to figure out. There’s so much I don’t know, and there’s so much we still have to figure out, and I would love to be part of that research.
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natyune-writes · 9 months
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oh look! an intro post!
hello! welcome to my writing side blog. this is where i hide all my oc nonsense. i will try my best to post here but i make no promises.
a little about me: you may call me nat or natyune! i don't really like any other nicknames. i'm a graduate student and i'm going a little insane, but such is life. as such, i am super busy and my activity is sporadic at best. my main blog is @natyune-art, which is where i post art of my ocs :)
all asks are welcome! i try to answer all the ones i get but i am a busy person.
you guys should totally follow my besties @briarborealisocs (aka @briarborealisart), @sqeedledob, and @ck-scribbles
a little about my current WIPs:
the weaver's apprentice:
vaguely a collaboration with @briarborealisocs! this wip follows auryn, a fire mage and traveling performer with a distinct inability to tell the truth. despite lacking the ability to perceive or control witch-magic, he has become somewhat obsessed with learning all he can about it. he seemingly refuses to answer questions about the spells and enchantments he is researching. auryn eventually befriends a witch named kadijah (@briarborealisocs' character), who slowly grows suspicious of him due to his seemingly coincidental connections to the recent kidnappings that have been occurring in his wake. still, she is somewhat reckless and curious and ends up attempting to figure him out while she helps him with his research, despite not fully understanding what it is he is searching for.
the fey courts:
this one doesn't have an official name yet. someday it will. regardless, this wip follows amina, a young seelie mother, as she attempts to save her changeling son's life from a magical illness with seemingly no cure. in the process of searching for a cure, things don't go to plan and she ends up transported into the unseelie fey realm. amina ends up befriending katarina, an unseelie changeling with the same set of symptoms as her son. she also befriends nikolai, katarina's twin brother, who has been researching a medicinal treatment for his sister's symptoms since he could walk. in the process of trying to understand the magical illness, amina begins to grow wary of nikolai's very unnerving methods. to put it simply, things begin to fall apart the more amina begins to uncover.
i have other WIPS, but theyre on the backburner. maybe someday i'll share about them. anyways, my ask box is open and i would love to talk about my characters, so if you have any questions please feel free to ask!
tags system!
oc tags: #nat oc: [character name] (ex: #nat oc: auryn)
story tags: #the-weavers-apprentice, #the-fey-courts
me just rambling: #nat posting
thanks for reading! <3
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