The manga industry, especially JUMP, needs to hurry up and do away with weekly scheduling for mangaka. There needs to better regulations put into place for their health and safety because this is pitiful. Two weeks - monthly updates should’ve already been the standard for the manga industry at this point. These money grabbers will only continue to put the lives of these artists at stake for the sake of capitalism unless some serious changes are implemented.
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Dp x dc twin au where Danny and Damian were in fact conjoined/siamese twins, but the most dangerous type - one head, two bodies.
Their early removal from talia being because their shape would not have allowed for natural birth, they were written off but talia begged for the chance to send them off in the lazarus pit.
By some bizarre miracle, before she turned to leave, two small bodies bobbed to the surface - identical in every way, except for the eyes. The previous blue eyes now split in two, one left, one right, and the new eyes, pit created, a bright green.
She took her child, her two children, and together, they survived.
Being removed prematurely, their early years were tough, but soon they blossomed into promising heirs for the league. In sync with every step, the closest of brothers, the league was certain the old fairy tale of twins being telepathic had been granted by the pit that separated them, the remnants of being born as one mind, one brain, one skull.
But then Danny had to flee, and leave his other half behind. Stretched by distance for the first time, the bond grew thin and stretched, and Damian grieved his brother as dead. When he started being sent on public missions, he hid his distinctive heterochromia, choosing the green in memory of the pit that had given him and his brother life.
Danny, hiding his pit aura in the ocean's worth that was Amity park, took to blue, the colour that he and Damian were born with.
Damian moves to Gotham, and continues to mourn his brother as dead, right until one day when he is twelve, when he learns what the death of your other half truly feels like.
-
Their reunion is a thing of family legend. Violence runs hot in both bloodlines, ghosts are highly emotional and prone to fighting a the drop of a hat for bonding, playing, testing, every reason under the green sun. Their training and play often consisted of friendly spars, competitive spars, furious spars, venting spars. Both have been exposed to unhealthy amounts of ecto since before their birth.
There is a long, long minute of staring, before they rip themselves away and lunge at each other like wolves.
The bat family are horrified by their brutally efficient youngest suddenly barreling towards a clone (?) and trying to claw his throat open with his bare hands while openly sobbing.
It ends with them wrapped around each other crying into the others shoulder as their minds finally meet again and relax from the painful stretch for the first time in years.
But nobody else has any idea what to do.
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Okay, my brain refuses to think about anything other than Murderbot, so I looked at every use of the word "friend[s]" in TMBD and... created some pie charts. Normal human activities.
Some Thoughts™ I had while putting this together (under the cut):
In All Systems Red, Murderbot notes that the PresAux crew are all close friends (twice! and goes on to explain their internal relationships which I think is very cute). This is pretty much the only use of 'friends' in ASR, except for when Murderbot says that SecUnits can't be friends with each other.
It seems that this may be one of the first times Murderbot has ever really been around a group of friends before? Murderbot notes that this is not the norm for its contracts and admits that the fact that they are all friends and the way they interact with each other make it actually enjoy that contract (before!!!! the hostile attack, so it already enjoys this contract before they start seeing it as a person etc ghghhhh). [Inference: Friendship seems enjoyable.]
The first character that calls Murderbot its friend is ART in Artificial Condition. Murderbot immediately refutes this (and then goes on to call ART its friend to its clients for the rest of the book). [Inference: Maybe ART is Murderbot's friend. And maybe that is... agreeable]
Rogue Protocol has more than twice as many instances of the word 'friend' as any of the other novellas. Why? Miki. Friendship and its implications for non-humans are a central theme because Miki is friends with everyone. Murderbot initially scoffs at the notion that Miki and Miki's humans are friends. At the end of the book, after witnessing how desperately Don Abene tried to stop Miki from trying to save them, and her grief after its death, Murderbot has to admit that she had in fact been Miki's friend. [Inference: Humans can be friends with bots and can sincerely care about them]
In Exit Strategy, Murderbot tentatively uses the word "friends" for its humans for the first time (several times actually). It questions whether it can actually call them its friends or not and later realizes that it had been afraid what admitting that the humans are its friends would do to it. At the end of the book, Mensah tells Murderbot the PresAux crew are its friends, which is the first time a human has directly said that to it (at least on-page). [Inference: Humans can and want to be Murderbot's friends]
In Network Effect, Murderbot seems to be more habituated to the word 'friend', confidently calling ART and Ratthi its friends, like it is no longer just trying the concept on unsure if it fits. There are many instances in which other characters refer to MB as ART's friend or the other way around and Murderbot's humans refer to Murderbot as their friend several times. Generally, there seems to be less hesitancy, because yes, all of them are Murderbot's friends, why wouldn't they be. [Inference: SecUnits can have friends. This SecUnit has friends. They care about it a lot.]
Conclusion: The Murderbot Diaries tell the story of a construct that does not seem to consider the possibility of friendship for itself and is fine with that - until it accidentally starts caring a little too much and suddenly more and more people annex it as a friend (ew) to the point where it can no longer deny that this is happening and has to begrudgingly admit that yes, it has friends now and maybe that is actually not a bad thing.
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Folks, I come with important news from a dndads patreon monthly discord chat.
Anthony thinks Terry would crochet.
This has been a public service announcement, thank you.
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gog i still can't get over minish cap vaati's Everything. He is So Fucking Stupid (affectionate)
Like. This guy's establishing character moment is, in order:
he's introduced as having won an entire tournament to get to touch a magic chest and get a cool sword, which was the prize for said tournament
turns around and does a goddamn evil soliloquy TEN FEET AWAY FROM THE GUARDS who were about to hand him his macguffin on a platter
(like this man fucks up his own horribly planned daylight heist because he cannot keep a lid on the dramatics for FIVE FUCKING MINUTES, IN PUBLIC)
(THE BAR WAS ON THE FLOOR VAATI, FUCKING GANONDORF PLAYS THE PIPE ORGAN FOR HIS OWN BOSS INTRO AND HE STILL KNOWS BETTER THAN THIS SHIT)
proceeds to fight the guards (it is, admittedly, a curbstomp for him, but it still clearly wasn't his plan, because otherwise why bother with the tournament)
gloats evilly
opens chest, unleashing a whole bunch of monsters
exposits out loud about Zelda's powers like a nerd while she is actively charging up her magic powers to kick his ass
RECOGNIZES and IDENTIFIES said magic as the special power carried by the female royal line
completely fails to recognize it as the light force he is currently trying to get his hands on (he spends like 99% of the game not figuring this out.)
petrifies her
(i have no idea if link could have deflected this spell if he had managed to get the right angle with his shield but i like to think somewhere there is a very short and very funny alternate timeline where it happens)
(more importantly: no part of vaati's original presumed plan would have involved doing this. he 100% created this situation for himself by being an dramatic idiot and picking a fight for no good reason.)
looks in the chest
there's no light force
considering his stated goals he might be as confused as you are about the monsters tbh
uhhh
evil laugh
teleports the fuck out
He then proceeds to spend the rest of the game trying to figure out where the light force is and ends up having to wait for Ezlo and Link to figure it out first because he was, as far as I can tell, GENUINELY stuck on this part. He fucking kidnaps and impersonates the King, not for access to Zelda, but to… send guards to go look for the Light Force, presumably because he was either running out of ideas or genuinely thought that would work.
None of the guards even had any idea what he was talking about. He's not even good at impersonating the King. He's already sent like twenty people to the dungeon by the time you get there and it hasn't even been a week. Somehow the game spins this as a cunning plan and clever manipulation or something.
(Meanwhile the guards are just. Poking around in random bushes and shit hoping to find the light force. One of them asks you what you think it might look like.)
Zelda is literally right next to the throne and Vaati does not figure it out until you find an actual honest-to-goodness LORE TABLET spelling out that the Light Force is Stored in the Zelda, at which point he's like "ahahaha you've done my work for me this was definitely my plan all along" and takes over the castle and throws a bunch of monsters at you to stall for time while he figures out how to extract the force from her. Somehow he still doesn't think to actually lock the fucking door.
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Wait, did Mike sleep in Will’s room in Lenora?
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This had context but I refuse to tell anyone
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soooo,, i may have failed to mention a certain something regarding the pmd AU I made :]
Meet Noel's true/demon form!!! Little Guy
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Odysseus is the type of guy who oozes rizz and can and will say the sweetest shit to Penelope and revels in her being happy with it ("You're beautiful in red" when she blushes. THAT type of cheesy bullshit. Have you READ the shit he says to her in the Odyssey?) but if she gives it back, he just freezes and Odysseus.exe stops working. Especially since he was the one doing all the flirting in the beginning until she finally chills out and "allows" herself to have a crush.
Penelope: ...You know, I don't really know if your name fits you.
Odysseus: Oh? You don't think "Pain in the ass" is a good fit?
Penelope: It definitely is...But...I don't know. Maybe it's because when I think of you, I don't think of pain, I think of joy... Yeah, instead of "pain giver", you're a giver of joy."Joy Giver" perhaps?
Odysseus:
Penelope: ...Are you okay?
Odysseus: *completely red and continues to make a high-pitched squeaking sound like air being let out of a balloon*
He gets more used to it as they get further along in their marriage but in the beginning, this guy was screaming into his pillows and kicking his feet and twirling his hair and being stupid :D
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Usopp's constant negativity and anxiety are something useful and "positive" at the end of the day (eg: fight against Perona) because he doesn't necessarily need to change his views, he just needs to trust himself and his abilities more and he just uses what he has at the moment which is, you know, negativity. It is not something positive but it does keep him safe from danger and he will end up being proud of himself and stronger than he could ever imagine, but that doesn't mean he'll stop being negative. It's just another personality trait a lot of people have, and Usopp using it for his advantage is something great, I feel. He takes pride in being like that. He's loud and shameless about it.
Unlike Sanji, who dwells on his negativity on his own. Quietly. And lets it consume him without having any power over it. His self-sabotaging and self-sacrificing behavior often comes from a place of giving up out of fear of others getting hurt to save him because that's pretty much his core fear. Being a burden/Not being able to save the people he cares about from himself and his past. It's not something the manga shows that much in comparison to Usopp's negativity, but Sanji's pessimistic views are pretty much one of the reasons why WCI happens and why he puts himself in the worst situation in Wano.
And I think (this is why I'm writing all of this) that they're perfect for each other because Usopp could show him that being afraid and negative isn't something so bad. After all, at least Usopp is aware that if he can't do something, the crew will help him out no matter what. Usopp's negative, yes, but it's alright because he doesn't go through it on his own. Even if he does look shameless and "selfish" when desperately asking for help (he isn't, by the way. It's actually pretty reasonable to act like that). Sanji needs to learn to ask for help shamelessly too and he needs to stop putting all the weight of the world's negativity on his shoulders. They need to carry it together.
Like- There's just something so personal in Usopp going "Yes! I am scared. Frightened even. Please, help!" because he might not like that part of him and he's trying to be stronger and more independent every day, but he acknowledges that things can go south and his reaction is very fight or flight but pretty mostly flight to be safe. While Sanji's response is always to fight because he refuses to let others know he needs help in case something happens to them (and also because he feels ashamed of feeling weak). Usopp shares the responsibility and accepts that he's kind of a loser sometimes but Sanji refuses to do so.
This is just a thought about Sanji learning that being a coward and asking for help isn't bad because they're meant to do stuff like that, and Usopp growing to be stronger and independent but not necessarily stop being pessimistic because sometimes you just... Are like that. Sometimes you're scared. Sometimes you have anxiety. And that's alright. You can be strong anyway.
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i wanted to see altaria rei then i started goofin around
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A technical prologue to their Darkvelvet runaway au
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“Amity and Hunter maul each other” listen to me carefully we were all FOOLS. Luz and Hunter maul each other on the living room floor and yes biting IS on the table. Amity and Hunter are competitive rivals who are extremely sassy and petty when they talk shit. They are the only people in the entire family who can say the most SCATHING out of pocket things to each other and take it as friendly banter.
Make no mistake, sometimes it would result in a brawl, but these two are such near-mirrors of each other that it’s never serious and they think they’re hilarious. "How’s the divorce?” “Horrendous. How’s the face?” is a greeting they’ll have at like 8 in the morning and give everyone instantaneous cardiac arrest
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can you tell this was entirely self indulgent
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