AITA for not complaining about my sex/love life?
A bit nsfw. I'll try to keep it vague.
So I (31FTM) came out and transitioned about 5 years ago. My husband (34, cis M) and I were married beforehand. He was extremely relieved, as he had realized he was gay and didn't know how to tell me. It's like a fairy tale if Disney thought we were marketable π just a bit of context to what happened next.
I have a group of friends, straight cis women my age, who knew me pretransition. They were relatively supportive, minus a few confused questions and a couple of comments early on about how hard it was to remember my name.
I was out to brunch with 3 of them (K, S, L, all early 30s/late 20s). L is engaged, S recently got serious with a guy, and K is perpetually single.
We were all chatting and eventually got on the topic of romance. S was complaining that her boyfriend never did the dishes. L laughed and said she had to essentially train her fiance to do certain household chores. K piped up with some sort of "men are the worst" comment, which I just sort of ignored, until she turned to me and said "So what gets on your nerves about YOUR husband, OP?"
I shrugged and said that sometimes he leaves his socks on the floor, but that's about it. K rolled her eyes and said there had to be SOMETHING that pissed me off about him, like "he's bad in bed or doesn't listen to you." I snapped a little and told her that no, actually, I don't care what you say about your partners but mine is actually really great, and I love him. He's great in bed, he's very caring and passionate, he listens to me all the time, and I won't be convinced to shittalk him.
It got quiet and I just decided to leave cash for my part of the bill and leave. I went home to snuggle into my husband's arms on the couch and tell him what happened. He just laughed and said I could shittalk him if I wanted. I don't think he really got why I was so upset.
That afternoon, K texted me and said I really embarrassed her in front of everyone and wanted me to apologize for what I said. I refused and told her that I wasn't gonna apologize because she assumed I didn't like my husband and I corrected her. She called me a bitch and went radio silent. I texted S and L and asked them if they were okay, no response yet.
My husband thinks I should just apologize, but I don't want to say sorry for refusing to talk badly about someone who supported me during one of the hardest times of my life, even if he'd be fine with it. It just makes me feel wrong.
AITA?
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Hi there! I really love your comics and how expressive they are. How do you go about making the characters in your comic so expressive?
thank you! πππ I am REALLY bad at explaining things, so my apologies if this doesn't make a lot of sense, but maybe there's something helpful in here somewhere. :')
1. warm up! drawing is a physical activity, after all! so if I'm planning on sitting down and drawing for a while, I usually start off by taking a couple of minutes to doodle a bunch of circles and lines and random shapes, just to get my drawing arm goin' again and get back into the physical groove. just stuff like this:
and just do that for however long you feel like! you can kind of feel when your arm starts to loosen up and your strokes get more confident. it makes it a lot easier to get those swoopy big lines and gestures!
2. play around with how you use your lines! paying attention to the shapes that they're making will change a lot about how much force and life your drawing feels like it has. (no way is better than another, it just depends on what effect you're going for and how it looks as part of the larger whole.)
and you can also use lines against each other to get different vibes:
it's not really a matter of "you need to make sure all your lines are always doing this all the time", it's more like...being aware of it, and getting that into the general thrust of a pose, if that makes sense? like a lot of smaller lines of action, beyond the big one that goes through the spine.
(just gonna use my own art as examples, apologies)
if you have a good foundation of tension, then all of the little bumps and contours of a character's details won't get in the way of it, and it'll still come through.
and don't forget about negative space either! the spaces between things have their own interesting shapes too!
I don't mean this to come off as, like, all these extra things that you need to be constantly thinking about and stressing over. more like...just try different stuff and then see how it works and how it changes the feeling! if you find a good shape, see if you can exaggerate it and make it more interesting, and how that affects things! angles and shapes are a LOT of fun to experiment and mess around with, especially when you're going more cartoony. :D
3. acting!
just...spending a little time to think about what the characters are actually doing! (aka the "figuring out what everyone is doing with their hands" bit.) this is more a personal preference, but especially in multi-panel comics, I like to have them be in the middle of doing stuff. not just big actions, but smaller things -- like even just how they're sitting or standing -- so that it feels like we're looking in on the middle of a scene, instead of a couple of characters just standing around neutrally and staring straight ahead while talking at each other.
this probably sounds really obvious, but it is one of the most fun parts for me! I love trying to find some little action or something that they can be involved in, especially if it's relevant to their character or adds an extra joke. (for some reason this usually involves me being mean to Sebek) (I'm sorry)
it doesn't need to be everyone Always! Doing! Something! all the time, especially if starts becoming distracting (sometimes they do actually need to just be standing around neutrally and staring straight ahead, especially if there's a bigger action going on that you want the audience to focus on instead). but even just figuring out some kind of non-neutral pose for them to be in can add a lot and make it feel less generic!
3. thumbnailing!
this is, again, very much a personal preference; unfortunately, every artist really is different, and we all have different processes that work better for us. so I can only speak to my personal experience! but I find what helps is to start REALLY rough -- not so much as in messy, as in not trying to start right into actually drawing everything out. like, literally just starting with stick figures and :O faces.
it probably doesn't sound relevant when talking about Drawing Expressively, but I find it's really, really helpful to have already figured out what everyone should be doing (acting!) and what the overall general layout and flow of things should be, before getting into the actual meat of drawing the characters. like having a sketch for the sketch!
(good compositional flow is something I struggle with, and text layout especially, so this stage also helps a LOT with making sure things are fitting where I want them and staying consistent/not breaking screen direction/etc.)
then after that, I can go ahead and focus on getting those Shapes and Lines and Angles and all that, without having to think too much about the layout or where things should go!
(of course, the downside of that is that my thumbnails are usually way better than my actual drawings, alas alas.)
4. this is more philosophical, but...give yourself some slack. the stress of Making Things Look Good is, ironically, often the biggest problem. (see: thumbnails looking better than the actual drawings.) so...let yourself draw shittier and without regards to accuracy. make things just for yourself without thinking about posting or showing them to anyone else. draw stupid faces and wrong proportions because they feel better that way. focus on what's fun and not on getting a perfect end result. "draw expressively, not well", as they say -- you can always tighten up things like proportions and details later, if you really want to.
that's all WAY easier said than done -- god knows I haven't really managed it -- but even just aiming for that attitude really, REALLY helps. if your lines are confident, they'll look a lot more alive and expressive than lines that are exactly technically precise but have no rhythm in them. (this is why tracing photographs tends to look so weirdly stiff and unrealistic, by the way -- even if you're drawing realistically, you usually need to exaggerate and stylize a little bit so it doesn't look lifeless.) it's a balance between caring about what you draw, but also being willing to let things go a little bit.
β I hope some of this helps! I don't know if any of this was actually what you had in mind, let alone much of it actually made sense outside of my head. :') but hopefully you (or other people) will be able to get something out of it!
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