#(but i understand why it is a very complicated issue)

[its-a-cautionary-tale]

This wave of people joining “creators for Palestine” has me really frustrated.

I have no issue with supporting the right to safety and freedom for the people of Palestine and I have no issue with wanting to help but I DO have an issue with the organizations that they are choosing to support.

One of the main organizations is the UNRWA, a confirmed Hamas puppet. The UNRWA is actively stealing aid from civilians, and members were actively a part of the October 7th massacre and held hostages in their homes. Why would you want to send them money?!?!?

The amount of misinformation and disinformation that is being spread at the moment is absolutely appalling. Israel isn’t “not sending enough aid”, Hamas is attacking humanitarian aid crossings and stealing the aid that they do let in.

In many of the cases of these creators, I do believe that they have only the best intentions but they are choosing to support a terror organization rather than actually helping the people they claim to care about.

There are also so many people denying the very legitimate REASONS that Israel is doing what they’re doing. I’m not saying I support everything they are doing but I understand why they’re doing it. If you want safety and freedom for the Palestinian people, you have to support the destruction of Hamas. There will be no peace until they are gone. It’s really a simple matter when you strip it down to the basics (not the conflict itself, that’s very complicated, but the reality of the current situation regarding any hope for peace).

Anyway… I now have to decide if I’m going to unfollow all of these creators whose work otherwise brings me joy. They are contributing to the false narrative and waving a literal imperial flag under the guise of “indigenous liberation” (don’t even get me started on the stupid fucking watermelons…)

If anyone has any advice about how to deal with this (tips on separating the content from the creator perhaps) or people who ARE doing good work and are actually helping the situation, please let me know.

This post is most specifically about SMOSH but it applies to a lot of creators. I’m so tired, and I can’t even begin to imagine how the Jewish people in those circles are feeling. People have been calling for Noah Grossman to be fired for being Jewish a zionist for months now, this cannot be helping that situation. I want him to know that the people with critical thinking skills and fucking basic understanding of the complicated history and current situation in the Middle East support him.

#creators for Palestine are NOT helping #the unrwa is not a humanitarian organization #antizionism is antisemitism #noah grossman #smosh #YouTube #israel/palestine #antisemitism #israel #jumblr #Jewish #free palestine from hamas #antisemitism on the left #do some fucking research #read a book #listen to people you don’t automatically agree with #Zionism #Zionist isn’t a dirty word #Zionism is a movement for self determination in our indigenous homeland #Israel is NOT an ethnostate #Israel is NOT an apartheid state #look up the meaning of words challenge #make better choices challenge #ceasefires are two sided #two states is the only solution #long post #unrwa is hamas

[lunar-years]

I don't want to speak too much on the "if Jack is portrayed as manipulative or otherwise Bad for Keeley it is problematic on part of the writers because they are our only wlw ship and that is bad queer rep" conversation, because while I definitely do have my own thoughts, I can also see both sides of the argument and at the end of the day, I think it's a very personal thing that is going to vary for each of us.

What I will say is that I both appreciated 1) the stark conversation between Rebecca and Keeley, particularly how real Rebecca's concerns felt and how respectfully she voiced them without it being "Jack is just as bad as Rupert and you need to stay away" and 2) That Keeley took that, thought about it, and made an effort to establish boundaries with Jack, who then agreed to take a step back. They had an open and productive conversation about it like adults.

Whether Jack will follow through on the stepping back...well, we'll find out. I will say the part that most concerned me was Jack telling Keeley she can be the jealous type, followed by Jack paying for Keeley & Rebecca's dinner. Keeley herself seemed visibly uncomfortable with this, but it was unclear if that was just because she could suddenly see what Rebecca was talking about, or perhaps had additional concerning realizations (Had Jack prodded Keeley for a bunch of information about this night out beforehand? Where she was going and when and who with etc.? Something Keeley might have taken as just general interest and conversation at the time, but now has different undertones?) Ultimately, it felt overbearing and possessive in a "I want to remind you I'm still here while you're out with a friend and that is why I will foot the bill" way.

It IS so early in the relationship and Jack IS coming on strong. It felt like planting the seeds for a quick break between them, to me. That said, I certainly don't think Jack is "Keeley's Rupert" like some people are saying. And I never know quite what this show is going to do, so I have no doubt there will be at least a few surprises along the way.

#keeley jones #jack danvers #ted lasso #ted lasso spoilers #i'm really open to seeing how it ends up #and i don't hate Jack of course. we barely know her! #but I also don't love the relationship (for various reasons. some of which are sheer personal preference others that feel more discourse-y) #(see the above lol) #(and to speak a teeny tiny bit on the first part: my opinion is that our good wlw representation is KEELEY F*CKING JONES) #(regardless of whether this relationship works out or who she ends up with... if anyone) #(but i understand why it is a very complicated issue)

[rotzaprachim]

Jewlipinoly saying. Ashkenazigalogly saying. I think there’s way to easy a slap dashing of a “white” label or identity on mestize and Jewish people for various semantic points

#I stay out of it with certain actors or whatever #But uh the thing is when these identities literally exist in complicated reality with genocide #I don’t think people realize what they’re doing by wanting to see the receipts and family trees to the nth degree #And there have been so many cases that make me. Urge #Unless the person in question has actively called themselves a white person I would not apply that #Anyway! This is why intersectionality and nuance and understanding of colorism and ashkenormativity is important #But I’ve also seen extremely wierd things about Ashkenazi Jews who have less Eurocentric features because people are so primed to think we #*look a certain way #I know racefaking is very real but listen. Sometimes u gotta take it on faith #Wait a related issue people have pointed out is the whole image descriptor by *ethnicity thing

[dinotoaster]

one would assume that someone who regularly gets called a slut for how much he sleeps around would be smart and uncomplicated about it. apparently one would be wrong.

#still pissed at could-have-been-fuckbuddy #because my dude could you just have a tiny bit more self-preservation? #like he was fun and all but he also got way too invested way too quickly and I do not understand why #like I have people that I care very much about that I haven't met often but with those I actually talked and connected #with him it's like he's skipping half the “we don't know each other” conversations while also claiming not to befriend people quickly #he assumes a lot and doesn't realise that his assumptions aren't facts i think #like I can guesstimate what kind of issues someone has but I won't actually act on those guesses or treat them as truths??? #this boy is too trusting #back to lusting after people twice my age #that's somehow way more sane #and a lot less complicated #it's a shame really because it would have been nice to have someone simple and easy to talk to to fuck and hang out with for a weekend #every now and then #but he seems so committed to being all emotional about it and I'm just... not nearly as invested? he doesn't matter to me beyond being fun #I THOUGHT THIS WAS GOING TO BE AROALLO ON AROALLO FUN TIME BUT MY GUY DECIDES THAT HE ACTUALLY IS ALLO #which is fair and I'm glad I could help him figure that out #but also means now I gotta worry about him being way too invested since that's apparently where this is going #brb tattooing “CAUTION: DO NOT TRY TO DATE THIS PERSON - THEY WILL BREAK YOUR HEART” to my fucking forehead #local aroallos where are you and why aren't you my friends and/or fuckbuddys?

[fratboykate]

I'm totally in support of the writers in theory but I'm trying to understand more of what you're fighting for because I've seen some people on twitter claim writers make more money a week than most of us make in a month so I'm trying to understand what the issue is. Also if that info is accurate. This is a genuine question. Not trying to have a "gotcha moment". I really want to hear from a writer.

people have always had wild misconceptions about how much a writer earns because of their lack of understanding of how the industry actually works. there's so many posts about how "you guys make 5k a week. what more do you want?!" yeah...let's do some math on that.

5k a week for 14 weeks (and that's a long room. a lot of rooms these days are 8-10 weeks. those are the dreaded mini-rooms we're trying to kill) is $70,000. for roughly three months of work. you'd think we're cooking with gas...BUT HOLD UP. that's gross! let's see everything that has to come out of that check:

10% to our agent

10% to our manager

5% to our entertainment attorney

5% to our business manager (not everyone has one but a lot of us do. i do, so that's literally 30% immediately off the top of every check)

most of these breakdowns ive seen downplay taxes severely. someone made one that says writers pay 5% in taxes and i would like to ask them "in what universe?". that doesn't even cover state taxes. the way taxes work in the industry is really complicated, but the short of it is most of us have companies for tax reasons so we aren't taxed like people on w2s/1099. if we did we'd be even more fucked. basically every production hires a writer's company instead of the writer as an individual. so they engage our companies for our services and then at the end of the year we (the company) pay taxes as corporations or llcs (depending on what the writer chose to go with). my company is registered as a "corporation" so let's go with those rates. california's corporate rate is 9% and the federal corporate tax rate is 21%. there's other expenses with running a business like fees and other shit so my business managers/accountants/bookkeepers have recommended i save between 35-40% of everything i make for when tax season comes.

you see where the math is at already??? 25-30% in commissions and then 35-40% in taxes. on the lower end you're at THE VERY LEAST looking at 60% of that check gone. 70% worst case scenario. suddenly those $70,000 people claim we make are actually down to $28,000 as the take home pay. and that's if you're only losing 60%. it goes down to $21,000 if it's 70%.

lets pretend you worked a long 14 week room (that's the longest room ive ever worked btw) and let's also be generous and say you only have 60% in expenses so the take home is $28,000. average rent in los angeles is around $2,800-$3,000. if you're paying $2,800 in rent that means you need AT LEAST $4,000 a month to have a semi decent life since you need to also cover groceries, gas, medical expenses, toiletries, phone, internet, utilities, rental and car insurances, car payments, student loan payments, etc etc etc. and again, this is los angeles. everything is more expensive so you're living BARE BONES on 4k. and these are numbers as a single person. im not even taking having children into account. so those $28,000 you take home might cover your life for 6-7 months. 3 of which you're in the room working. the reality is that once that room ends, you might not work in a room again for 6-9-12 months (i have friends whose last jobs were over 18 months ago) and you now only have about 3 months left of savings to hold you over. we have to make that money stretch while we do all the endless free development we do for studios and until we get our next paying job. so...3 months left of enough money to cover your expenses -> possible 9 months of not having a job. this is how writers end up on food stamps or applying to work at target.

this is why we're fighting for better rates and better residuals. residuals were a thing writers used to rely on to get them through the unemployment periods. residual checks have gone down from 20k to $0.03 cents. im not joking.

they've decimated our regular pay and then destroyed residuals. we have nothing left. so don't believe it when they tell you writers are being greedy. writers are simply fighting to be able to make a middle class living. we're not asking them to become poor for our sake. we're asking for raises that amount to 2% of their profit. TWO PERCENT. this is a fight for writing even being a career in five years instead of something you do on the side while you work retail to pay your bills. if you think shows are bad now imagine when your writer has to do it as a hobby because they need a real job to pay their bills and support a family. (which none of us can currently afford to have btw)

support writers. stop being bootlickers for billion dollar corporations. stop caring about fictional people more than you care about the real people that write them. if we don't win this fight it truly is game over. the industry as you know it is gone.

#wga strike #writer's strike #hollywood #anonymous #answers #myposts

[sukifoof]

hii i was talking about this on twitter so i think i will just copy paste it here cuz i’ll probably delete it there at some point <3 twitter frightens me but i love my mutuals here we are all insane about flowey in the same way

 i think saying “you’re the type of friend i wish i always had” is a really important thing for asriel to admit... this whole time asriel has dealt with so much grief and guilt about chara that it separated the actual person chara from the idealized version of them in his head who he has never stopped grieving. its a huge part of his character that hes unable to view them as they were because that’s just how his ptsd and guilt affects him. as someone who went through a similar thing that kind of grief can mess with your head and how you view yourself and the person who’s gone really badly. the pacifist route, for flowey’s character specifically, is a really good example of how grief and ptsd can make you feel disconnected from yourself, everyone around you, and like if only the person you lost was back everything would be perfectly fine again. the fact that he can admit they weren’t perfect and that he made the right decision is a huge character development that we don’t get to see in the no mercy route because he’s still convinced that this idealized version of them birthed from bereavement will make everything okay. similarly to how he believed toriel might have been able to fix him, he wants to believe there’s someone out there that could somehow return him to who he was before being traumatized, but the reality of it is this is just who he is.

his grief and trauma is a huge part of who he is like it is with real people, but it doesn’t have to be all of him. i think the emphasis the fandom puts on whether chara was Good Or Bad completely misses the point that it doesn’t really. matter i guess?? they were a kid people loved and now they’re gone. we're seeing people deal with the grief this brought and we know so little of who they are because there’s also a degree of separation about who they are to the people they loved as well. idk i hope this makes sense i think a lot about how chara is a kid who hated humanity and calls themself a demon. to me that just shows an EXTREMELY traumatized child with self hatred. i don’t know why there was ever this huge moral argument about chara when they’re literally just a kid with issues. they weren’t taught how to deal with how they felt and likely held themself in lower regard compared to the dreemurrs. its the same thing with asriel, he feels responsible for them being gone and his own trauma. he just wants a friend who can teach him to understand his grief or someone who can at least let him view the situation for how it really is

i just think. flowey is so well written but not understood very well by the fandom because the type of thing he’s gone through is kind of hard to grasp. it’s a weird situation that doesn’t have a completely black or white Is He Or Chara At Fault kind of answer. they were children. people are complicated and want someone to blame when something goes wrong and flowey directed that at himself. hes such a fascinating and well written character i love him dearly i hope u guys understand how insane he makes me <3

#undertale #utdr #flowey #asriel #asriel dreemurr #chara dreemurr #chara #utdr analysis

[krisp-xyz]

Was experimenting with halftone effects after watching this video and it almost has spiderverse vibes honestly. I actually learned some neat things about why printers use CMYK instead of just CMY so I thought I'd share !!

So in our optimal little computer space, Cyan (0,255,255), Magenta (255,0,255) and Yellow (255,255,0) all multiplied together gives us a perfect black (0,0,0) Awesome! The issue is that ink colors irl arent exactly perfect like this, and color is a bit more complicated irl compared to how computers represent it, so they aren't the greatest at combining into black if they aren't those perfect CMY values:

Left: CMY

Right: CMYK

(thats not even black, its a dark blue in the original image but dark colors just look so much richer)

An important step to make sure you arent doubling up on the black values though is to divide the image by it's own "value" (the max of all 3 color channels) that way the value is equal to 1 everywhere, and you're letting the black ink take care of the value on its own.

Left: CMY (normalized value)

Middle: K (black)

Right: Combined

Now obviously the grids of dots cant be aligned perfectly with each other because you'd just get a bunch of black dots in unwanted areas, but if the grids are misaligned, then some dots become more prominent than others which tints the whole image. This was an issue because older printing methods didn't have great accuracy and these grids were often misaligned.

The solution was to rotate these grids such that they can move around freely while getting rid of that tint effect if they aren't perfectly aligned :D

(I have no idea how they came up with these angles but that might be something to look into in the future who knows)

SPEAKING OF MISALIGNMENT

I wanted to implement that in my own filter to get some cool effects, and I discovered another reason CMYK is better than CMY for lots of stuff !!

With CMY, you're relying on the combination of 3 color channels to make the color black. This means if you have thin lines or just details in general, misalignment can make those details very fuzzy. Since CMYK uses a single color of ink to handle value, it reduces color fringing and improves clarity a lot even if you have the exact same misalignment as CMY!

Left: CMY

Right: You guessed it! CMYK

(yes these comparisons have the exact same color misalignment, the only difference is using a fourth ink color for black)

ANYWAY I just thought there was a lot of cool information in this tiny little day project, I also just think it looks really neat and wanted to share what I learned :3c

EDITING BECAUSE THERE'S ONE MORE THING I WANTED TO ADD

So, I talked about how to get K in addition to CMY instead of just CMY, but how exactly do you separate CMY from an image in the first place?

Well, CMY is a subtractive color space, meaning the "absence of color" is white, compared to RGB where it's black. This makes sense because ofc ink is printed on white paper. You can use dot product to get the "similarity" between two vectors, and this can be used to separate RGB actually! Using the dot product of a color and red (255,0,0) will give you just the red values of the image. This is cool though because if we get the dot product of our image and the color cyan (0,255,255), we can get the cyan values from our image too! If we first divide our colors by their value to separate the value from them, then separate CMY using those dot product values, and using K for our final black color value, our individual color passes end up looking like this:

While it's called a "subtractive" color space, I find it more intuitive to treat white as the absence of color here, and then multiply all these passes together. It makes it much easier to understand how the colors are combined imo. Notice how cyan is the opposite of red: (255,0,0) vs (0,255,255) and magenta and yellow are the opposites of green and blue respectively! This means you can actually kinda get away with separating the RGB values and just inverting some stuff to optimize this, but this example is much more intuitive and readable so I won't go too deep into that. THANKS FOR READING I know it's a very long post but I hope people find it interesting! I try my best to explain things in a clear and concise way :3

oh thank you I realized I should probably add an eyestrain tag

#halftone #shaders #long post #eyestrain

[zg0nuwa]

Hey, hope you're fine...and i see that you're another fan for Miguel (we are) can you write the father day with his daughter and the reader as his wife please:(?....(i just hate my daddy issues)

★ best dad ever ! ⎯⎯

i don't think you understand how much power you just gave me with this (i had like half of this written already but tumblr crashed and i was one step away from going into my joker era)

miguel o'hara x wife!reader

warnings ; angsty fluff, i tried experimenting with the spanish but i feel like i failed miserably, lowercase intended, i'm not a spanish speaker so you're free to correct me on the spanish.

miguels work schedule was very unstable. there were times when he would be gone for the whole day and then there were times when he could spend most of the day at home. you understood, for the most part, he had the multiverse on his shoulders no matter how hard you wished for him to have a much less dangerous job. of course not everyone knew why he sometimes had to disappear for long periods of time.

and one of them was your daughter. all she knew was that " daddy does very important things and he has to go but he will always come back ".

this year, fathers day rolled up on a sunday which meant not only your daughter was home but also you. for your husband it was a little more complicated. he woke up in the middle of the night to a notification from lyla about another anomaly going nuts in the wrong universe. you loved the ai but in this particular moment you wanted to explode her with your mind.

" i'll be back before sunset, i promise " with that and a kiss on your forehead he left through the portal in your bedroom.

the next time you woke up that day was because of your daughter. she climbed onto your bed and started to shake you lightly with her small hands.

" mom? where’s daddy? " you opened your eyes to gabi hovering above you with her favorite plush animal pressed close to her chest. she had this disappointed expression on her small face. you knew it was because of miguel being gone. she planned this whole day for him, you even helped her organize everything.

" i’m sorry sweetheart… daddy had to go to work. " you pulled her in so her head was under your chin. she clung to you like a small koala bear as you played with her thick brown hair. definitely his genes.

" but, he promised he'll be back before your bedtime sooo, we can still make something special. what do you say about that? "

after a small argument about who gets the cooking part of preparations, which obviously ended with you being responsible for it, you and gabi got to work. as you were looking through your old mexican cuisine recipe book [ that you definitely didn’t bought only for miguel to feel more at home during meals ] you saw your dughter holding a box of artsy stuff.

" cariño, ¿qué estás haciendo allí? "

" making daddy a poster! it's going to say 'el mejor papa de todos'! " you couldn't help the big smile from appearing on your face. you knew how much time miguel put into teaching gabi spanish and it always warmed your heart when they sat down at the dining table and simply talked in spanish, your husband making little corrections in pronounciation or grammar from time to time. but no matter what he always looked as if he had hearts in his eyes.

★

you knew miguels work schedule was unstable and sometimes took him out of the house for a whole day, and you understood. but gabi not so much. so here you are, 10:48 pm on the clock and no sign of your husband. you spent the past two hours comforting her and promising her that it wasn't miguels fault and that he loved her. finally at around 11 pm she fell asleep in her bed. you turned off the cat shaped nightlamp and as quietly as possible closed the door to her room.

with a heavy sigh you went back to the kitchen to start cleaning everything up. while puting away food into the fridge you heard a specific glitching sound and you already knew who showed up home.

" you're late. " you weren't really mad at him , it was just tiring sometimes.

" i know, i'm sorry love... it's just - things got a little out of control. " you didn’t look at him and his first thought was to come behind you and hug your waist hoping it would make you feel even a little bit better. “ was there something that i forgot about today? is that why you’re angry? “

" i’m not angry, but your daughter is. she planned the whole fathers day for you. "

" ay, coño… " he sounded defeated, tired, and disappointed in himself. you pulled yourself away from him and came up to the poster gabi made, its was rolled in a tube to not spoil anything before the big reveal. you handed it to miguel with a tiny smile on your face. he was a bit confused for a second but he got the memo and rolled out the paper to it’s full extent. you could see the tears forming on his waterline as he chuckled. probably because of the spelling mistake made by gabi that you didn’t have the heart to point out.

" me and gabi made a deal for you, you have take us to the zoo tomorrow, and she demands that you let her piggyback the entire time to repay for your sins. "

" i guess there’s no other option. " he said with a smile.

cariño, ¿qué estás haciendo allí? - honey, what are you doing there?

el mejor papa de todos - the greatest dad ever

ay, coño - oh, fuck

#atsv miguel #miguel o’hara x reader #miguel o'hara x reader #miguel o'hara #spiderman across the spiderverse #spiderman 2099 #spiderman 2099 x reader #spiderman atsv

[scientia-rex]

Do you have any moisturization tips? :0

Oh DO I!

Listen, skin has two jobs: keeping you in, and everything else out. Skin has to do a lot of complicated stuff to make that happen. Skin is chock full of glands and pores and whatnot. There's dermis (deeper layer) and epidermis (shallower layer), and 99% of what we're doing from the outside is about the epidermis.

Epidermis grows in as layers--there's a bottom layer that has cells that will just keep dividing forever, and then the cells that divide off that layer will start getting pushed up towards the surface of your skin. As they get pushed up, the cells get flatter and more keratinized and eventually dead.

That "stratum basal" is where you have your forever-dividing cells. So when you start something like Accutane, you can't transform the skin layers above it--you can only start affecting the skin as it marches upward towards its death and flaking off, so you have to give it months to take full effect. And we NEED to have some dead skin. It protects us.

Skin cells have proteins that hold them to each other. The goal is to form a watertight barrier. We need to keep water in because we are basically bags of water. Different protein issues (largely genetic) can cause different skin diseases.

Our skin also has glands that make protective oils (forming a powerful anti-bacterial barrier and trapping moisture inside) and sweat (because we DO want to be able to get rid of water, but only when WE want to).

So here's the thing about commercial moisturizers: none of them can put moisture back in your skin. That's just not a thing. The very best thing they can do is keep further water from leaving your skin. This is especially important if you have eczema, where you stand a good chance (about 50%) of lacking ceramides, which are critical to forming the natural skin barrier. As water evaporates off the skin, it takes more water with it. We don't understand the other half of eczema. Psoriasis involves dysfunction of the keratinization process, which is why those plaques form.

So the best moisturizers are those that create a moisture barrier without evaporating more water off. Any moisturizer where alcohol is a significant ingredient is worthless. Vaseline, or straight white petrolatum, is the best moisturizer. It feels greasy because it is. Its job is to form a watertight barrier, and greasy chemical are a lot better at that than thinner, waterlike chemicals. Moisturizers with silicones, like Aveeno (dimethicone is the active ingredient--I know, the bottle says oatmeal, it's a liar), will provide a fairly robust barrier without as greasy of a feeling. Lanolin, from sheep's wool, is also a great ingredient for forming a barrier, which is why I like Neutrogena Norwegian Formulation. Natural oils like jojoba (the best of the bunch) can be moisturizing, but just FYI, they're a tiny fraction as effective as white petrolatum. Like, less than 10%. I'm too lazy to get up and find my Cosmeceuticals textbook to remind myself exactly how much. So if you want "all natural," resign yourself to worse.

BUT!!!! Your skin is not all the same! You have scalp skin, face skin, neck skin, trunk skin, arm skin, leg skin, skin around your genitals, skin of the palms, and skin of soles of the feet. And all of those can act different. So I can't say "apply Vaseline everywhere" because that might be too much skin barrier for your face--what if your face has oil glands that work perfectly well? What if we need a lighter, less occlusive moisturizer? That's where my personal hell was for the last ten years as I struggled to find a facial moisturizer I like! What if you have oil glands that are overproductive? You may need a totally different moisturizer than I need! No good way to figure it out except trial and error while paying close attention to ingredient lists.

Sunblock is also a good thing to have but as someone who doesn't wear it because a) I don't go outside and b) it always breaks me out, I feel hypocritical talking extensively about it. I wear "dad hats" (at least a 2" brim all the way around) and long sleeves while gardening. You should definitely still wear sunscreen, though. Do as I say, not as I do.

#the attending dr. kristophine #but GO AHEAD AND LECTURE ME ON DANDRUFF AND EAR CARE AND WASHING ONE'S VAGINA because SURELY I KNOW NOTHING right Internet #none of those idiots who jump on my other posts to well actually me know what the fuck they're talking about

[kthulhu42]

Hey, can I try to prove to you that trans healthcare is safe, effective, and science based? And also maybe that being trans, for most people at least, is not something that is necessarily misogynistic? As a trans man who deals with chronic pain and several mental health issues, I may have perspective and arguments to offer that you haven't considered yet. I would also like to know better why people are advocating for more restrictions on trans healthcare (in order to understand why something I see as very good is seen by some as very evil). I completely understand if you don't want to argue with some random person on the Internet, but as someone who is affected by issues that you regularly talk about, I would like the chance to try and change your mind, or at least to hear your arguments in a clearer manner so I can understand why you advocate for what you do.

While I appreciate your offer to educate me, it's rather an impossibility. I'm not un-educated on the science involved. When my friend died, we were given the stats on the complications of phalloplasty by her surgeon. Necrosis was at 18%. Urinary incontinence was near *80%*. Revisions were "To be expected". How is constant infection and pain healthcare? If other cosmetic surgeries had the same complication and failure rates, would I be expected to accept those too?

I do not believe that you can change sex, and I do not believe in gendered souls that are so important that one must cut parts of their body to match it. As a - prior - mental health worker, I look at how we treat other instances of dysphoria and dysmorphia, and they're completely the opposite to how we treat Trans and GNC individuals. Why?

And then we come to the 4000% increase in teen girls identifying, and the internalised misogyny, the cult-like mentality of the TQ community, the sexism, erasure of women, and refusal of lesbian boundaries.

The issue starts and ends with the fact that you cannot change sex. Having any surgery at all, regardless of the visual effect, cannot change that. So why would I champion it? Why would I accept it, after watching the long, painful, drawn-out death of a friend who totally subscribed to this ideology?

Acceptance of the body, neutrality of the body, a disconnection of the pro-ana community, a focus on hobbies and works. That's how we help patients with severe body dysmorphia leading to anorexia. We don't give them liposuction. In fact, having anorexia - as I do - precludes you from accessing cosmetic surgery, because they know you're trying to achieve something impossible, that will only cause emotional distress.

Why does my body dysmorphia preclude me from surgery ( a much safer and less complex surgery than phallo or mastectomy)

While a Trans individuals dysmorphia means the complete opposite?

It's inconsistent medicine. It's dangerous medicine. And, due to recent laws in my country, even exploring the root of the dysphoria can be seen as anti-trans and can have detrimental effects on your career. How is it healthcare to deny doctors the ability to do their job?

#terfblr #radblr #radical feminism #Erica

[freak-accident419]

Soft Spot

Derek Danforth x GN!Reader

Summary: After a long, frustrating day of work, Derek comes back home to you for comfort. Being the tough, asshole-ish, and reckless man he was on the outside, he easily melts into you with sweetness and submission. After all, he had such a soft spot for you.

Word Count: 1.7k

Content: fluff, gender neutral reader, cuddling, cursing, reader babying Derek, reader feeding him cherries (putting their fingers in his mouth, wow) but it’s not sexual (maybe only slightly suggestive), reader and Derek are engaged already, basically tooth-rotting fluff and intimacy, short but sweet, inspired by a scene from S02E06 of The Bear

-

You were laying on the mattress in the bedroom that you and Derek shared, looking down at your phone while eating cherries from the nightstand. There was a sweet domesticity to it—you in your pajamas, snuggled up in bed, waiting for your boyfriend (or rather, fiancé) to come back home.

Derek had a long, exhausting day of work. He thought today was going to be like every other day, relaxed and held back, but instead, he had to deal with so much bullshit from Danforth Enterprises, including international affairs and money complications. And his employees made things even worse, their incompetence driving him insane until every sentence he spoke had at least one “fuck” in it. And not only that, but UDG and Nine Star were experiencing setbacks and issues that could have probably been easily fixed if it wasn’t for his idiotic employees. After an entire day of yelling at his absentminded workers with hostility, he was so desperate to just come home to you.

It was only until the evening when you finally saw Derek in the doorway of the room, letting out an exasperated sigh. He looked… rough, to say the least, despite the fact he was wearing a fancy and highly expensive black suit. He was still very attractive, of course, especially in that suit, but right now he just looked utterly exhausted. You turned off your phone, placing it face down on the nightstand to give him your full attention.

“Hey, my love,” you coo softly, smiling up at him.

“Hey, babe,” he mumbles tiredly, slowly walking towards you.

“Rough day?”

“Yeah.”

“Come here,” you grin, grabbing him by his black necktie to bring his lips to yours, sharing a brief, soft kiss. Then he lazily went into bed, melting into your arms with his head buried in your neck. He melted into you entirely. He felt comforted and warm in your embrace, the tension in his muscles gradually dissipating.

“They didn’t keep you too long, did they?” You ask gently, holding him closely as you caress his hair.

“They totally did, Y/n. Today was a fucking mess,” he huffs, yet already too relaxed to even raise his voice. “I swear, baby, these guys are so fucking incompetent and can’t do their goddamn jobs. Those fucks give me such a migraine.”

You continue to stroke his hair and then his face. “Aww, my poor baby,” you coo soothingly. Derek loved all of it, leaning into your touch and just being limp in your arms. However, he would shoot anyone else who witnessed him in this state. “Westwyld just hired a whole bunch of idiots. He’s even an idiot himself. It’s none of your fault, my love.”

He sighs softly, nuzzling into your neck further. “I know,” he mumbles dismissively. “But it’s just so fucking frustrating because I feel like I always have to do everything ‘cause they keep fucking things up. Like, what are we even paying them for if they can’t do their fucking job?”

You chuckle under your breath. “I know, honey, I know,” you whisper. “Well, that’s why you’re the CEO, yeah? To keep everything, you know, all balanced and orderly?” He hummed in understanding. You look over to the nightstand, then grabbed a cherry from the box. Derek noticed this action and pulled his head out from your neck, now sitting up against the bed frame. You then guided the small, red fruit to his lips. “Open,” you order in a gentle voice.

You watched him open his mouth and you placed the cherry in, letting the stem rip off, placing it in a bowl for stems and pits. He began to chew it slowly, indulging in the sweet and juicy sensation in his mouth while also enjoying the fact that you were feeding him. The cherry tasted different than any others he had tried, all sweet with no bitter or even slightly tart aftertaste. “Mm, these are good, where did you get these?” He asked with a mouthful of cherry flesh, his speech slightly muffled.

“Hm, it was a shipment from Japan,” you answer. “I think they’re, like, the most expensive cherries in the world… Open,” you say again, letting your fingers enter his mouth to grab the pit, placing the seed in the bowl on the nightstand. In the few seconds your fingers were in his mouth, it was arousing and suggestive, to say the least. But all you wanted to do right now was to take care of him with the least amount of energy possible. If he was fatigued, then you should let him rest.

“I can’t believe I’m going to marry you,” he murmurs, his eyes flickering down to his shiny silver engagement ring.

“And I can’t believe I’m marrying you, my love,” you chuckle, kissing his cheek, reaching over to the nightstand to grab another cherry. His lips parted, letting you place it in his mouth, eating it contently. “How did your day go, baby? Like, before everything went to shit. Tell me all the good.”

After he ate most of the cherry’s flesh, he let your fingers in his mouth once more, removing the pit and placing it in the bowl. There was something so curiously intimate about this moment, feeding him, removing the pit for him, and holding him close.

“Had my usual coffee,” he answers quietly.

“Oh yeah? Your flat white with oat milk?”

“And extra shot of espresso—”

“—extra espresso, yes,” you giggle, stroking his hair once more. “How much espresso does one need? Like, flat whites are meant to have a higher espresso-to-milk ratio, yet you still want more.”

He pouted, looking at you from the side. “But it’s good.”

“Do you even need to say ‘extra shot of espresso’? Like, as a flat white, I’m pretty sure they’re adding more espresso than, say, a latte,” you grin.

“I know, but I want more than usual, like, more than a flat white,” he reasons, yet his delivery suggesting that he was lying.

“Wow. You’re just greedy, aren’t you?”

“You know me,” he mumbles.

“You don’t know the difference, do you? Is that why you always ask for an extra shot, just to make sure?” You say, calling him out.

He just pouts silently at your teasing, which only amused your further. “You’re a dork,” you giggle.

“Meanie.”

“You’re the meanie. You never answered my call,” you utter. It was true. He was too caught up with work that he didn’t even know you called him up at that time.

“Oh, shit…” he sighs. “I’m sorry, babe. I was just so busy today, I totally forgot to get back to you.”

You frown. “Hey, no, don’t—don’t apologize, I was just teasing. I know how busy you were today and I’m sorry that you were surrounded by idiots. You’re okay.”

“Okay.”

For one last time, you grab a cherry, guiding it into his mouth. You wait for him to chew it until you’d take the pit out from his mouth. You wipe some of the fruit’s juice off the corner of his lips, but suddenly, his mouth welcomes in your fingers once more, sucking lightly on your fingertips before you pulled them away to kiss his lips passionately. It was a patient, loving kiss, your lips moving slowly with his as you savored the cherry taste on him.

You had him in an embrace in one arm and the other was occupied by cupping his face gently. Your touch was tender, making him feel comforted and warm. You looked closely at his face, absorbing all of the details. You could see the faint freckles spread across his nose and cheeks. He was so close to you. And he was beautiful.

“Hi,” you whisper, looking deeply into his eyes.

“Hi,” he whispers back.

“You’re so cute,” you comment.

You caress the side of his face as he enjoyed feeling your soft palm and fingertips graze his cheek. His eyes closed sleepily, completely infatuated with your soothing touch and the way you encompassed his body. You pressed a kiss on the top of his head. And again. And again.

He felt small.

Like, smaller than usual.

He was completely vulnerable with you and it was freeing. This was a part of him that nobody else but you knew about. He could curse and be a privileged, arrogant dickhead whenever he pleased, but at the end of the day, he is always succumbing to your embrace and warmth. He was indisputably smitten with you—infatuated, even. You were the only person he could be fragile around.

“You know, your mom is always on my ass about you,” you chuckle, pressing two soft kisses on the top of his head as you pet his curls.

“Huh? I thought she liked y—”

“No, no, it’s not like that. She just asks me about you all the time. How you’re doing and everything.”

“Oh.”

“I think it’s because she knows you only open up to me,” you point out.

“Yeah, well… She’s been busy her whole life. I’ve never gotten the time to… You know… Actually have a full, authentic conversation with her.”

You kiss the top of his head once more, then let your head rest on it. “Mommy issues?”

He hums in response.

“Does the fact that she and Westwyld having some weird thing—in the past, at least—also affect your relationship with her?” You ask curiously.

“Well, sort of. I don’t know, he always acts—”

“He tries to act like a dad to you, yeah,” you giggle.

There was a silent pause as you two just cuddled each other, Derek, especially, feeling safe in your arms.

“Stop investing in crypto,” you murmur, stroking his hair.

“Mm, stop crushing my dreams,” he grumbles wearily.

“Your ‘dreams’ would get us broke if you weren’t already a billionaire.”

He chuckles and you proceed to caress him gently, observing him silently.

“S’it too hot, my love?” You inquire gently, beginning to help him remove his tie and then his blazer once he nodded. “Better?” He hummed as you placed the clothes at the end of the bed and went back to cuddling him.

He was closer than before, laying down beside you with his face buried into your neck. He held onto your waist tightly as if you’d disappear any second, and your arms wrapped around him generously. You press a soft kiss to his forehead and hold him warmly.

“You’re going to be my husband…” you whisper sweetly, kissing the top of his head once more.

“Mm, you’re going to be my spouse…” he mirrors.

“I love you so much.”

“I love you too. So, so much.” Derek mutters sleepily, melting into your touch.

You rubbed his back, letting your head rest against his. Until finally, after peppering his face and head with kisses, you two fell asleep in each other’s arms, feeling safe and secure.

#derek danforth #derek danforth x reader #derek danforth x gn!reader #derek danforth fluff #The beekeeper #the beekeeper movie #the beekeeper fanfic #josh hutcherson #josh hutcherson x reader #Josh hutcherson x you #josh hutcherson fluff #derek danforth x you #fluff #mike schmidt fluff #peeta mellark fluff #clapton davis fluff #m!reader #f!reader #gn!reader #nb!reader #mike schmidt x reader #clapton davis x reader #josh futturman x reader #josh futturman #peeta mellark x reader #reader insert

[copperbadge]

Hi Sam! Because I just saw the post on ao3 and donations, and a different post about ao3s updated statement regarding chatgpt/ai generated fiction, and you generally have a good read on things like this - what's your opinion on it, and how its meant to be interpreted?

(I want to good faith believe, and its a complicated/ongoing topic, but wanted to hear your thoughts)

I don't know which post about the update you mean, Anon, but I assume the update referenced is the one the OTW posted on 5/13 about AI scraping and ChatGPT. I do have some thoughts but I want to go through the post a little because I don't think I'm actually needed to interpret this one -- I think with some critical thought anyone can, but a lot of people don't get critical thinking training in school, so I want to do a little demo of it.

Pre-emptively, this is a list of things I'm not an expert on: copyright law, data scraping, AI, website design, and the legality of certain forms of freedom of expression. But honestly for this you don't need to be.

First and foremost, we really have no reason to disbelieve OTW when they speak on this subject. While there's debate and discussion about AO3 and certainly it's imperfect in a number of directions, they are pretty transparent, generally speaking. I don't believe there is a reason to approach AO3 with an assumption of disingenuity in a general sense. However, the organization is run by humans, who are imperfect and can sometimes be deceitful, so it's good to always approach public statements with a critical eye.

So the post is talking about two separate but related issues: preventing AIs from scraping AO3, and policy on AI-generated works being posted. What we are looking for, from both, is a combination of things: we want what they're saying to make sense both in the world, and within the statement -- no contradictions, nothing that seems illogical, nothing that seems like baseless assumption or generalization. We want simple prose, and we want a look at the reasoning behind the actions they're taking.

When talking about AI scraping, they start with what they've done to counteract scraping, speaking in relatively simple terms but with enough specificity that if you wanted you could look up anything you didn't understand. They list what they've done to prevent scraping, and they also discuss the issues with the kinds of measures that would need to be implemented to fully prevent it. They mention specific examples that people were concerned about, and they talk about what they'll be doing going forward.

In terms of the text, this all makes sense to me -- here's what we've done, here's the problem with doing more, here's what we plan to do next. Internally, no matter what the topic is, this section is logical, there are no contradictions and no particular evasions. Critically it passes muster. Additionally, with the knowledge I do have of website design and data management, I can tell that they're doing all they reasonably can. From a standpoint of ignorance, the statement makes internal sense; from a standpoint of knowledge, they're doing what I would do in their place.

When talking about AI-generated works, likewise, they're pretty open about their process and reasoning. They say look, this isn't against TOS as it stands, and here's a reminder of why, followed by a mission statement. The bolded text of that statement is very clear, and correlates with what I said in an earlier post: their policy is maximum inclusivity of fanworks. This statement is consistent with policy AO3 has held for years, which is well-known to the community.

They go on to discuss how AI-generated work could violate spam policies, but those spam policies apply to everyone everywhere, and they remind us that we can always have the Policy & Abuse team examine a work we're skeptical of. (Inside baseball, I know some people who have beef with Policy & Abuse for being unresponsive, particularly in certain cases where harassment is involved. However, within this document, they are saying both "here's why we do this" and "if you have a problem, here's the first step.")

Again, after saying what's happening and what's being done about it, they move on to say that these are only current policies, and may change depending on future developments, and that those changes will be made available for public discussion. This is once more internally logical, and with the benefit of outside knowledge, perfectly rational.

Because I agree with them -- when I saw there was an "updated" statement from OTW on AI-generated prose I was frankly alarmed because I think banning AI-generated prose from AO3 causes way more problems than it solves. It's pretty restrained of them not to bring up the issue in more detail, but it's not difficult for those of us familiar with the community to project outwards as to why banning AI prose might be a bad thing.

So, think about what happens if an AI prose ban goes into effect and you read a fic you think was AI generated. How can you tell? Have you read some of the human-generated prose on AO3? Some of it's not great. So really in that case, what you're banning is someone saying they AI-generated the fic, which means AI-generated fic would still show up, it just couldn't be tagged as such. It's like Prohibition -- they banned alcohol and people still drank. They poisoned the alcohol and people drank the poisoned alcohol (check out paragraph five for specifics). If you ban something off the archive it'll still show up there, it just won't be tagged, so instead of a bag labeled "dead dove, do not eat" you just step on a land mine in your kitchen. AI prose is not content in the way that say incest or underage sex is; I'm against banning those as well, but at least with those you can pretty clearly say "yes this is" or "no this isn't" based on objective criteria. You can't do that with "was this made by a human or a machine" when it comes to prose.

Which leads to the second issue: if a text is reported as AI-generated and the author says "No, I wrote that," how do you prove otherwise? If you report an author for uploading AI-generated prose, all that will happen is either they just say "No, I wrote that" or someone on AO3's abuse team unilaterally decides that yes, this is AI prose, and punts someone off the website who might just be kind of a crap writer, which is not a sin or a crime. Either way it's a waste of time. So introducing a ban on AI prose is really just introducing either a useless show-law that will still cause AI prose to be posted there, just without proper tagging, or a tool to harass people with. Harassment is already an issue on the archive.

And we can reason all this out for ourselves simply by asking "What is the good-faith reason for not banning AI prose?" Assuming good faith isn't just for blindly trusting, after all; it's also for reasoning out other peoples' motivations for things.

And frankly fandom gets a little weird about assuming bad faith when it comes to anyone who has the least bit of power within the community. It's something I've encountered personally, as someone with some clout in fandom who is occasionally assumed to have weirdly malevolent intent. I'm not malicious. I'm just an awkward dumbass. But this is just something fandom does, so it's also good to check oneself and go, "Hey, is this person being genuinely malevolent or am I just assuming wickedness because it's easier to be mad at a villain than to explore the complexities of these acts?"

It's why I deliberately didn't speculate about the person who uploaded an AI fanfic and didn't respond to others doing so in comments. That person is right there. You don't have to assume any intent at all, you can just ask them. And it's so much more educational to do so!

So yeah, actually real props to whoever wrote that post by the OTW -- it's internally logical, reasonably transparent, simply written, and avoids a lot of prose pitfalls that I would absolutely fall into (did fall into, in this very post). I think within this area, they are doing what they can to prevent scraping and making the correct decisions, for now, regarding AI content on the archive.

#ao3 #otw #ai prose #censorship #archive

[saijspellhart]

Things I liked about the Netflix ATLA and some critiques:

Before you read. Please go watch the series, take off your blinders and keep an open mind. It’s surprisingly good. This review has spoilers.

They reordered some scenes so that emotional moments would have a larger pay off. Like getting to see and experience Aang’s relationship with Monk Gyatsu, and seeing his tribe before it was destroyed. So when he has his breakdown in the air temple with Sokka and Katara later, you really feel and understand his agony.

Azula is introduced earlier, with a story running simultaneously with the Aang’s journey but not involved with his. So she has a chance to be more fleshed out and explored before she becomes a major threat. Only time will tell if this more complicated Azula comes close to the animated one. Big shoes to fill, but not a bad start.

Fire Lord Ozai plays a more sinister and oppressive role. Not a faceless boogeyman anymore. You get to see his machinations and the cruel games he’s playing with his family, and see the emotional abuse that warps them.

Appa is adorable as fuck, and so is Momo. So well animated, such gorgeous care put into them.

Kyoshi, Kuruk, and Roku make more of an appearance. With Kyoshi narrating the prologue. And if you loved the novels you’ll see they incorporated more of Kyoshi and Kuruk’s backstory from the novels than what we saw in the animated cartoon.

The acting was competent, even if a little wonky at times. I found Sokka very endearing, I loved the kid they cast as Aang and you can tell they really tried to find a balance between serious and playful. They didn’t always hit it, but the effort was there.

Zuko was great. I think they nailed him and he had great chemistry with the actor playing Iroh.

King Bumi was great, I love how they made his internal struggles more complex. He wasn’t just a crazy old man anymore. He was a crazy old man who was weary and worn down by the horrors of loss and war. A crazy old man who struggled to reconcile that the best friend he lost is the avatar and wasn’t there for him.

I loved the costume and set design. It was like stepping into the actual world of ATLA. Cities were complex and well constructed. Every setting was incredible and the attention to detail was intense.

Zuko’s boat is full of artifacts he pilfered from the Air Nomads while hunting for the avatar.

They changed how Aang got the bison whistle so it makes more sense and fits more seamlessly into the story. It never made sense why a random peddler would be selling a bison whistle if air nomads and bison have been gone for 100 years. Not impossible for a peddler to do, but not probable. The Netflix series actually gave more meaning for the artifact and changed how Aang received it.

Emotional points in the show are now more intense and brought me to tears.

Commander Zhao is more competent and conniving, and his presence felt more dangerous and less comedic.

Sokka’s outright sexism was changed from putting girls down, to just manly machismo, talking himself up. Not gone, but not degrading. They decided to let the sexism message shine more prominently with the northern water tribe, rather than tackle it twice with Sokka too. (Sokka’s sexism being solved in one episode was never well written to begin with. And the animated series quickly forgot about it and moved on to him tackling more important issues, like his being a non bender inadequacy, his leadership journey, his physical combat journey, and him finding himself as more than just the funny sarcastic guy.) For time constraints, it was better the Netflix series did not to tackle the same problem twice, especially when you might not have the resources to give both sexism issues the gravity it deserves. By focusing the sexism problem to the northern water tribe they were able to give Katara more attention.

We got to see Katara’s water-bending go from being ultra sloppy and weak to badass. It feels like they are spending more time focusing on her developing into a warrior rather than being the mom of the group. I’m honestly not sad about it. She’s still the hope ridden, emotional glue, but now it feels like she explores that warrior side a little deeper. It felt so earned when she got the title of master at the northern water tribe finale.

The actor playing uncle Iroh nailed the role. I couldn’t think of a better live action adaptation of Iroh. I love him so much.

The shirshu looks fucking phemonal.

Koh was scary as fuck and I love it. They really nailed his horror elements. Even if I’m a little sad that they changed some things about his face stealing. (He eats faces now to steal them, rather than stealing when someone shows emotion.)

The three actresses who play Mei, Azula and Tailee actually look appropriate for their age. Since they are introduced earlier, they are clearly younger, and since this show is intended to get more seasons, the casting choice made sense as we are intended to watch these girls grow up over the course of the entire show. These actors will get older, and the characters will get more menacing and sharper. It’s great. It’s thoughtful. I love it.

We get to see Zuko’s dynamics with his crew more. And find out that he did more than just speak out against his father at that meeting. His outburst at that meeting saved an entire squad of soldiers, and they don’t even know it. Zuko feels such disdain and bitterness because of the situation, and his crew doesn’t even know why. It’s so complex, you can see how the abuse Zuko endured causes him to take out his anger on his crew, and in turn they are bitter back. And it’s this cycle, that festers. But the crew also grows with Zuko, they change and evolve as he evolves. And it’s such a delight to watch.

They could have cut the Secret Tunnel minstrels altogether, given the time constraints and that the episode was mostly fluff in season two. A fun romp, but not necessary. But the creators knew people loved the minstrels so they found a way to use them anyway. Because they knew they were special. I am thankful for that, even if they show up waaay earlier than they should.

I was honestly more sold on Sokka and Suki’s relationship in the live action. It’s was so adorkable. Do I wish it had more time to develop? Yeah, of course I love a good slow burn. But that didn’t mean it wasn’t fun as hell watching the two flirt so badly with each other. Sokka being a buffoon, and Suki overstepping and being too rough, before realizing she was being too hard.

Some Critiques:

They reordered some episode storylines to happen at the same time, and while it does bloat some episodes. it’s understandable due the episode and budget limitations. In the cartoon, during the inventor episode Katara didn’t have a lot to do, and during the freedom fighters episode Sokka didn’t have a lot to do. So they ended up combining both stories into one hour long episode in the live action, so that both Katara and Sokka would be involved in something. Is it the best? No. But it makes sense. I get it.

Katara starts off bland in the first episode and it takes a bit for her to grow into the character.

The past avatars can be a bit strong with the doom and gloom, and I wish they’d toned that back.

Koh and Heibei (I dunno how to spell the panda spirit’s name) got combined to the same episode, and Koh stole Heibei’s spotlight. Again, I understand why these got combined, but I think it could have been handled a little better and Heibei should have gotten more closure.

There should have been a ninth episode, placed between the two episode Koh storyline, and the Northern Water Tribe storyline. Why? Because the Koh storyline was really heavy and intense. And it leads right into the season finale. An extra ninth episode should have been added with a more lighthearted tone. Something to ease the tension between the two very intense storylines.

Aang should have been using a glider to flit about the temples in the first episode. But it’s not something that ruins the whole show. It was a dumb that only happens in a single episode in the season.

I really missed Momo and Appa’s presence. They appeared atleast once in every episode, but it was still sad they weren’t more of a presence. Again I understand why. They were so beautifully animated that everytime they were on screen it (without a doubt) cost the production thousands of dollars. They were generous including as many of the unique animals and creatures as they had.

I still don’t think Sokka had enough time to develop a relationship with Yue at the northern water tribe. It was rushed and contrived in the animated version, and it was rushed and contrived in this Netflix version. There also wasn’t any of the chemistry like Sokka had with Suki to make the whirlwind romance work. I never liked the romance from the original, and I wasn’t a fan of it here. But that’s ok, because it’s such a small and insignificant thing.

In conclusion most of the changes I can see made were due to budget, and episode limitations. The creators were clearly trying to bring theater-cinematic quality to what was essentially an eight hour long film. And you cannot deny that this show is stunning. Absolutely breathtaking. Most of the episodes cut were filler, and while hilarious and mostly loved by fans, were stories not as necessary in the grand scope. You could feel the love and appreciation the creators included in this series. It wasn’t soulless, it wasn’t a heartless cash grab, it wasn’t a shot for shot (thank god) but it also didn’t butcher the source material.

I understand that the animated show creators had creative differences with the live action Netflix adaptation creators. But that doesn’t mean that the Netflix series completely failed. As every fanfic writer out there knows, the original authors are not going to love what you create based on their works. Tolkien hated every adaptation of his works, HATED them. But no one is going about saying that the Lord of the Rings trilogy movies were hot garbage. A creator doesn’t have to endorse a project for it to be good.

Netflix ATLA is good, it’s not perfect. And it never was going to be perfect. The cartoon it was based on wasn’t perfect either. But the ATLA cartoon was definitely some huge shoes to fill that set a bar very high. Any adaptation was going to struggle to be just as good.

I think the Netflix adaptation was a treat and a pleasure to watch. I think people should go into it with an open mind and see that it’s not trying to replace the cartoon. It’s a love letter to the cartoon.

PS: According to behind the scenes commentary on the Nickelodeon ATLA cartoon, the reason we didn’t get a season 4 was because the creators wanted a live action film. Nickelodeon offered the original cartoon creators the option to make season 4 or to spend the budget meant for season four on a live action ATLA film. The original creators chose the live action film directed by M. Night Shamalan. They wanted a live action for their show over a 4th season. They had no idea M. night would butcher their baby with his pathetic film all those years ago.

This show was a second chance after the M. night abomination. And you know what? It’s a pretty decent adaptation. And guess what? With a resurgence of interest in the series, we are getting more animated content for the original animated series. There’s definitely something for everyone on the horizon if this succeeds.

#netflix atla #avatar the last airbender #atla #live action adaptation #live action avatar #review #my thoughts #positive #loved it #it was great #go watch it #recommendation #pros and cons #a thoughtful and positive breakdown from someone who is generally picky and pessimistic about adaptations #spoilers #many spoilers

[bonny-kookoo]

Jungkook

𝐒𝐞𝐩𝐚𝐫𝐚𝐭𝐢𝐨𝐧 𝐀𝐧𝐱𝐢𝐞𝐭𝐲 | Part 5

A smile from you is all he needs to feel recharged.

Tags/Warnings: Game Designer!Jungkook, Non Idol AU, established relationship, Angst , emotional kook, suggestive messages, poor Maria pt.1 [Tags will be different for every part!]

Length: 1k Words

There is no taglist for this fic.

Collab with @euphoricfilter ! 💜

-> Masterlist

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This is not going to plan at all.

Not only is he behind schedule wise, he's also not thought about the possibility of what this all might look like to you at all. Because why would you even think that in the first place? He'd be absolutely stupid to cheat on you, let alone with a 64 year old married woman of all people!

But then again, you don't know that part- and he also can't really properly explain it as he would surely blow his own cover, and he's just too close to the finish line to give up now. He already almost cried at deleting your face ID and fingerprint from his phone, feeling like he deleted the memory of setting those things up too, but he swore himself it's for a good cause down the line. You'll make so many more memories together for sure, and they'll top those more than by just a little. He'll make sure that they will.

[Alright, I'm so excited! Next time let's do it this way right from the start- no need to make it so complicated!] Maria had wrote him in full, and he reads over it with a bit of worry. Does she really understand what he meant by his worries?

[I'm not sure you understand. I'm planning something big, and I'm also behind when it comes to physical intimacy these days, you know?] He writes the woman, who he's asked prior about the rules and such regarding.. well, sex in the home he's renting out for the upcoming special occasion he's planned. He doesn't want to get locked up for not following some Airbnb laws he overlooked after all. That would just be embarrassing. [And we're very intimate people. I'm taking her pleasure and happiness seriously, if you get the hint.] He texts her as he boils some water on the stove for his absolute accurately made ramyeon.

[Oh trust me, I've been young too! No need to be shy, I can only imagine that emotions will run high most likely!] She responds, and Jungkook pursed his lips for a second, before he starts to play with his piercings deep in thought.

[No, Maria, I don't think you get it-] he begins to type. [-it's been almost two full weeks at this point, that's the longest we've ever gone without any sex, we're talking at least three orgasms a day times fourteen, I've got some major catching up to do..] jungkook sends her, before he puts his phone down for a second as to prepare the instant noodles properly.

[It's fine, really. No need to worry!] The woman responds. But jungkook wants to make sure.

[She's a squirter- you know what that is right? Either way it's gonna get messy so I'm just making sure you REALLY know what you're getting into if you say it's alright because the carpet looked really nice and I'm not sure how to get cum stains out of that] he rambles, not noticing you emerge from the bedroom now as you put your bag on one of the kitchen chairs. [I can replace it too if that happens no problem, you know how my girlfriend gets haha. Well you don't but you will know after we're done with the place-] he taps and accidentally sends out as you call his name, causing him to almost drop his phone into the soup pot on the stove, only barely catching it in time before he can practically throw it into the pocket of his sweatpants. "Yeah?" He asks towards you, and you look at him still way too hostile in his opinion.

He knows you can be a bit of a hot head. It's what he loves about you- how fierce you can get and how you'll always stand your ground. But he also knows that you're a bit of an aklebiter with some serious anger issues sometimes- once you see red, you don't see anything else anymore. So he's got to be careful not to fuck it up any further, because once he loses you, he loses for good.

Because you're stubborn if you've made up your mind.

"The water's boiling over." You mumble, avoiding his gaze as you sit at the kitchen table, arms crossed in defense. He jumps at your words and turns off the stove at that, somewhat awkwardly playing up some food into bowl for the both of you, watching you eat silently across from him with an almost needy gaze.

You're gonna probably try and kick his balls if he asks you to sit on his lap right now, so he swallows down the request to keep them intact.

He's gonna seriously crunch some hours while you're sleeping over at a friend's house so he can still make the deadline, able to pass up on sleep with you not actually home to scold him for it. He hates the fact that the app on his phone constantly reminds him of the lack of intimacy between you two- taunting him with notifications about his streak being broken, his record being topped, his spot up top on the scoreboard being taken. He hates it. He created this app, he should be the one who's best at it too!

God he can't wait to get his hands on you again. He feels like his dick is going to fall off in the next few days.

And it's not just that, either. He doesn't sleep well when you're not with him, he misses all the interactions you usually have during the day, the love, the intimacy of just being close, he misses it so bad. And he kind of doesn't want you to leave right now- he'd love to just call it quits and just cave in, but he's come too far now, and you're also a strong independent woman. You deserve to choose where you want to go or stay, he's got no say in that- or at least he shouldn't try to have it.

"I.. You'll text me when you wanna come back home, right?" He asks as he finishes his bowl, and you shrug.

"Whatever." You mumble. "S' not like you want me home for more than the chores anyways." You huff into your food, and he can't help but feel his eyes tear up. No, stupid Jungkook, don't fucking cry right now. You're gonna ruin it all with your dumb tears and weak heart just like always-

"I do want you home.." he mumbles quietly, blinking harder to avoid you spotting anything off- but you notice. Of course you do.

"...I'll text you." You say, and that at least soothes his mind for the moment as his phone falls out of his pocket, screen cracking and making him cringe.

Fuck. That's the what.. 20th time this year?

But it's all worth it, if it means he can at least see the hint of a smile pull at your lips for once.

The sight alone motivation enough to make him work even harder now.

#bts imagine #bts fanfic #bts fic #jungkook imagine #jeon jungkook x reader #jeon jungkook imagine #bts jungkook imagine #bts smut #jungkook x reader #bts jungkook fanfic #jungkook smut #bts jungkook x reader #jeon jungkook fanfic #bts jeon jungkook imagine #jeon jungkook imagines #jungkook imagines #jungkook x reader smut

[goldenlikedayl1ght]

matilda - m. murdock

a/n: hey guys i have back pain and i have daddy issues so i wanted to write a quick blurb about it. so. sorry if you guys cant particularly relate to this one it's for me <3 warnings: ANGST, reader cries a lot, probably cursing, lots of daddy issues, lots of being upset, mentions of fathers being drunk, matt picks up the reader but matt in my brain can lift like 250+ so, uhhhh i don't know guys just angst and daddy issues ! word count: 1.2k summary: you have daddy issues and back pain. matt does his best to help. pairing: matt murdock x gn!reader now playing: matilda - harry styles "i don't believe that time will change your mind/in other words, I know they won't hurt you anymore/as long as you can let them go"

Matt finds you on the floor of the kitchen, your knees hugged against your chest. He is so tired, bruises starting to really hurt after sitting all purple and blue on his ribs and his arms. He’s just in his boxers his hair damp from a shower.

You are just in a pair of boxers and a muscle tee. Your knuckles are white, and you are staring into space in the most literal definition. It’s four a.m. You are a twenty something year old adult, you have not slept in your mother’s bed in years.

And yet, you feel like a child.

And your back is fucking killing you.

Matt sits next to you on the kitchen floor, goosebumps shooting up his skin as his feet and palms feel the cold, rough tile floor. His hand finds your arm and gently rubs his thumb against your skin.

“What’re you doing on the floor, sweetheart?” His voice is low and thick with sleep. He is so tired, that his words aren’t nearly as poetic, sappy or flirtatious as he wants them to be (maybe not all at once, but he most certainly wished they were better than that).

You consider lying to him for a moment. Really, you do. You could tell him that the floor is just more comfortable, that you want him to fuck you right here against the tiles, that you just could not sleep, that there is nothing deeper than a busy brain that cannot calm down.

“My dad called me while you were away.” You tell him, your voice soft. Matt will be able to hear it no matter how loudly or quietly you say it. And at your confession, he tenses. He has a complicated relationship with your father, but his relationship is calm compared to the raging waters that make up how you feel about the man.

“Okay,” he starts, rubbing your arm gently. “And what did he say?”

You blink.

“Nothing. Nothing that should have made me feel like this.” You tell him, a horrible taste in your mouth. From what, you do not know. Matt doesn’t respond right away, waiting for you to tell him more. “He was drunk.” You say quietly.

“Oh.” He knows you don’t drink. He knows you have a very complicated relationship with substances. “I can understand why that might be upsetting..” he tries, and you shake your head, your face twisting into frustration, anger, and perhaps a hint of sadness.

“He’ll never change.” You whisper, too afraid to be any louder, too afraid that maybe from miles and miles away, your father will hear you. That maybe if you say it any louder, it won’t be a secret anymore, and that you’ll start crying if you say it any louder. “He’ll never ever change.” You say, and your head turns to look at him.

And you stare at the man that you love, and you stare and stare, and you think about Jack Murdock who loved his son so much that he was willing to die for him to have a better life, that he was entirely selfless when it came to the person you are lucky enough to call yours.

And you think about how your father wants nothing to do with you. He never did. Not really.

That’s when you start to cry.

It starts with a few tears rolling down your cheeks, salty and fat, as if they hold all of the memories your brain has locked away to protect you. Then, the tears come out faster, and faster, until you are choking on your own breath, racking with sobs. Matt’s arms are around you in an instant.

He pulls you close to him, and you feel bad for getting tears all over his skin. He’ll tell you it’s his fault for wearing just briefs. He pulls you into his lap, and while you cry into his neck, his hand comes down to your back and slips under your shirt, gently rubbing it up and down.

You twitch at the feeling, your back still aching as you sit with him, the pain contributing to your tears. Matt’s lips kiss your forehead, and he just holds you for a long time. Your breathing becomes short with how violently you’re sobbing.

“Hey, easy..” he says softly before he tilts your head up to look at him. “Your breathing isn’t healthy. Come on, watch me,” and he takes deep breathes in and out, expecting you to copy his attempts. When you’re finally at a point where you an breath on your own, Matt begins wiping your tears gently.

“Sorry…” You say quietly. He just shushes you softly and leans in to kiss your cheek.

“You never have to apologize for your emotions.” He promises, “I love you so much. I am so sorry he’s like that,” and now Matt is crying and he’s not sure why, but you feel awful about it, so your shaky hands come up to wipe his tears and he wants to laugh at your attempt at gentleness because he wonders how often you were shown the same kindness and his heart aches at the most realistic answer.

“Honey, you never have to worry about him again. You made it out, he can’t hurt you anymore..” He tells you, and you try to believe him. “You’ll never feel anything except safe and loved, I promise.” He says quietly, before leaning in to kiss you gently. “Is there anything else?” He senses that you are in physical pain too. Partially because he can tell by how your jaw clenches that you are tense, but even without his super senses, he just knows you aren’t feeling well.

He knows you too well.

“My back is killing me.” You confess, and he frowns. “And my head now.” Your head always hurts after crying.

“Okay,” He nods, “Hold tight,” and somehow, your fucking angel of a man picks you up off the floor and carries you to bed. He steps away only to grab you a glass of water and some Advil. You take it quietly, chugging the water before he sits on the bed next to you.

“Thank you for taking care of me.” You whisper, still upset, but so so grateful. He just smiles sadly and leans in to kiss you gently. Then, he pulls away to ask,

“How about I give you a quick back massage and then we get to bed? You must be tired. I know I am.” You sigh and nod, shifting so you’re laying on your stomach.

Matt leans down and kisses your shoulder before whispering, “I meant it you know. You made it out. You’re safe. You’re loved.”

And even without being a human lie detector like him, you can tell he’s telling the truth. It makes you cry more, but Matt stays to wipe the tears away. He’ll always stay. And he’ll always tell you as much when you need the reminder.

You’re safe.

You’re loved.

These words echo in your brain as you drift off to sleep, Matt holding you close, fingers tracing patterns into your skin as you fall into a dreamless sleep, focusing on the warmth that radiates off him.

#matt murdock x reader #matt murdock x you #matt murdock x y/n #daredevil #daredevil fic #matt murdock #daredevil fanfiction #matt murdock fic #matt murdock fluff #matt murdock angst #daddy issues #angst #back pain #matt murdock x gn!reader #matt murdock x sad reader #daredevil angst #daredevil blurb #matt murdock blurb #matt murdock blurbs

[raven-at-the-writing-desk]

Hi , miss Raven

Their is something has been on my mind for while ;

In rook suitor suit vignette he Compose a flattering poem about Crowley

While Ace and Epel was talking about how rook would compliment anyone , rook insisted that he mean every word he say .

And there's this specific weird line

"if it weren't for your presence , I wouldn't be here"

Like what do you mean?????!!

Do you think this line is hinting at the fact that rook didn't join NRC via traditional way or he wasn't chosen by the dark mirror , since he is one of the light trio

Or To the fact that he transferred to another dorm smoothly without any problem?

For some reason I started suspecting rook recently 😭

The fact he was one of the reason vil overbloted by convincing him to watch neige performance and also he is the one who convinced vil to add Ace and deuce as part of VDC team while I thought lilia and cater was a better option

I would like to hear your opinion about it 👀

Ah, so if I'm understanding you correctly... You're theorizing that Rook might be an outside agent of some kind? One that Crowley intentionally brought into NRC to facilitate triggering overblots??

I’ll try to respond to one question at a time; hopefully this will make it easier to follow along! The post got quite long, so it's all below the cut~

Beginning with Rook’s poem, and, more specifically, “If it weren’t for your presence, I wouldn’t be here”. It’s funny that you mention this line, because when the vignette first came out (in JP; the terminology used is similar to “I would not exist/be here”), people interpreted it VERY literally. As in… “Rook is Crowley’s son because he literally could not be conceived without a father! They’re even both named after birds! They have to at least be blood related somehow!” Strange how in 2020, Crowley was suspected of being Rook’s father but now in 2024 Crowley’s being suspected of being Malleus’s father. The poor headmaster just can’t catch a break 😂

Personally, I don’t think that line is implying anything strange about Rook’s enrollment. As far as we know, he did not join NRC though any abnormal means, and nor did Silver. Of the “light trio” (a label that I must stress exists within the fandom but is not endorsed by TWST), only Kalim fits the bill. Kalim was originally homeschooled, but received an acceptance letter to NRC a month into the school year. Another month later, he transferred in. As far as we know, all students at NRC (save for Yuu and Grim) were chosen by the Mirror of Darkness, even the light trio. Again, I want to emphasize that TWST does not use “light trio” or a similar term to refer to or to characterize Kalim, Silverc and Rook. We’ve gotten no formal in-universe explanation as to why those three in particular have light cosmic magic instead of everyone else’s dark cosmic magic. (This is entirely separate from meta theories, which are out-of-universe explanations for why the “light trio” exists. The popular meta explanation is that it’s because Silver, Kalim, and Rook are not twisted from Disney villains but rather “good” characters like Aurora, the Sultan, and the Huntsman.)

On the subject of transferring dorms, the option is always on the table. We see mob students talk about transferring dorms as early as 1-14:

In 6-67 (part 20 with the Pomefiore group), Vil describes the transfer process as being tedious and involving a lot of “complicated paperwork and ceremonies”. Crowley also says the process is “burdensome” in 1-20, but this phrasing is quite vague and could mean any number of things. (Burdensome to whom, the staff or the students? Why exactly is it burdensome?) Overall, it seems like transferring dorms would take a long time and require various formalities, but not necessarily be full of problems.

As long as you’re dedicated and consistently complete what is asked of you to complete the process, transferring should be no issue. I don’t think it’s a given that you’d normally experience troubles in trying to transfer. It should be smooth by default (unless the student backs out, is uncooperative, and/or fails to complete the required steps). So following that logic, I don’t think the poem line is saying anything about Rook’s dorm transfer either.

While it’s true that Rook encourages Vil to watch Neige’s performance and advises that Vil pick Ace and Deuce for the VDC/SDC Tribe, I do not believe there was malicious intent behind these actions. It’s hinted throughout book 5 that Rook’s reasoning for doing these things was to help Vil recognize the value of his “beauty” is something he gains from himself, not from the approval of others.

This is most likely Rook’s motivation for suggesting Vil observe the competition or to consider freshmen for the team. It’s exposing Vil to the contentedness that can come with imperfection or not being at the very top, something Vil fails to recognize in himself until the end of book 5. Being as perceptive as he is, Rook would have realized that outright telling Vil the moral of the week would not sway his strong-willed friend’s mind. Thus, Rook devised a more roundabout plan and involved Yuu (who, at this point, has a reputation for settling dorm-wide disputes) and co. (unpolished and clumsy underclassmen that Vil could shape as well as potentially also learn from in a reciprocal manner). Maybe Lilia and Cater would have been more technically skilled, being members of a club band and all, but they wouldn’t have provided the same opportunity for growth that Yuu and Adeuce did.

Rook is someone who has always been portrayed as a supporter of Vil’s, a good friend and a trusted confidant. He does have a nefarious side and is 100% capable of deception (like the time in Endless Halloween Night when he quickened his heartbeat to convince Sebek he was also scared and therefore was not a traitor). However, I don’t think Rook would want to betray his friends by actively harming them and putting their lives in danger (both during book 5’s overblot and immediately after in book 6’s rescue mission); he truly cares for them and wants to see them happy and healthy. (One could argue he should have voted for NRC instead of RSA to help Vil achieve his dream instead of betraying him, but that’s another discussion entirely.)

There’s no reason why Rook would go out of his way to do innocuous things like helping Epel with his UM or imparting wisdom to Deuce unless he actually cared and wanted to see them develop. Beyond the scope of book 5, why would Rook do even more innocuous things like trying to make Epel feel welcome and assisting him with learning table manners? Why wouldn’t he go out of his way to provoke Vil more often? Did Crowley hypothetically have even all of these little details down and instruct Rook to do (or not do) these things??? It sounds too far-fetched to attach a hidden motive behind everything Rook says or does. It could be as simple as “he wants to be there to support his friends”.

Before we wrap up, I’d like to quickly touch on the suggestion that Silver and Kalim too were catalysts for Malleus and Jamil’s OBs, respectively. It’s true that they were, but I doubt Silver or Kalim were aware and did so intentionally. Both seemed genuinely ignorant as to the true stress that Malleus and Jamil were under, and Silver + Kalim do not present as toxic people who would want to inflame their friends’ negativity. Of course, there’s always the possibility that Puppet Master Crowley (™) is orchestrating everything from the shadows (but I’m not going to get into the “time loop to gather all the necessary information and learn what the correct choices are” theory here www). I just don’t think Rook is Crowley’s accomplice in all of this if the time loop + intention overblots theories overlap.

This is one of those instances where I see Rook as being very honest with his intentions and because of his… generally strange character (?), his peers and players alike still suspect there is a deeper meaning to his words. I interpret his poem as nothing more than waxing poetic to expressing gratitude to the one man that makes it possible for him to be at NRC as a student: Crowley. Rook states that he wanted to give an exemplary poem using a subject that both Ace and Epel were already familiar with, so he went with the headmaster. Furthermore, we know that Rook is able to witness many wonderful and beautiful things at NRC, as well as make meaningful relationships with interesting people like Vil. He would not be able to do any of these things were he not extended an invitation to NRC—and it is for this reason that it would make sense for him to genuinely be appreciative of Crowley.

Those are all my thoughts on this matter all for now ^^ Hope it was an interesting read!

#twisted wonderland #twst #Rook Hunt #Dire Crowley #Kalim Al-Asin #Silver #disney twisted wonderland #disney twst #question #twst theory #twisted wonderland theories #twst theories #twisted wonderland theory #Cater Diamond #Lilia Vanrouge #Ace Trappola #Yuu #Deuce Spade #Vil Schoenheit #Jamil Viper #Malleus Draconia #book 7 spoilers #book 4 spoilers #book 5 spoilers #notes from the writing raven #rook suitor suit vignette spoilers #Epel Felmier #Pomefiore #Neige LeBlanche #endless halloween night spoilers