I am never going to complain about Greek Duolingo again
I mean, I am. But still.
So, as some of you know, my family has been coming to this tiny Greek seaside village for several years. Just over a week ago I came out here with my mum, under the impression that early September, after the height of the summer heat, would be a good time to have a holiday. ANYWAY Storm Daniel had other ideas about that. Locally things are improving (I'm actually really pissed off about the disaster-porn tone of most English-language media coverage, but that's another post). The power is back on, there's running water most of the time, and though the latter is not drinkable, a truck from the government came and handled out free bottled water yesterday. But we are currently kind of stuck. Can't do tourist things. Can't go home. There aren't any local flights out until Saturday and the road to Thessaloniki is still closed.
So this evening, feeling kind of aimless and depressed, I go down to the nearest beach with a couple of binbags and start cleaning up in an effort to at least do something positive. I always try to do this at least once out here and obviously, after the storm, there's a lot more plastic and rubbish than usual.
At some point I find this large, round bit of metal - some kind of machinery part, I think -- that's too big for the bag, so I take it to the bins on its own, leaving the rubbish bag on the beach. And when I come back for it, something among the stones beside it moves.
Specifically, it pulls its head sharply inside its shell
So, meanwhile I've been trying to learn some Greek with the help of Duolingo.
I currently have a 33-day streak and... I have questions. Shouldn't I be able to use the past or future tenses by now? Shouldn't I be able to say "x is like y"? I can't do those things. But one thing I absolutely can say all day long is έχω μια χελώνα : I have a turtle.
This is far from the limit of Duolingo Greek's turtle-related content. "An obsession with turtles" is my mother's characterisation. I can inform you that the turtle is not a bird, and, improbably, that the turtle is drinking milk. I can introduce you to a turtle in company with a horse and an elephant. As far as Duolingo is concerned, it really is turtles all the way down.
Now this, you may be able to see, is not a turtle. It has claws rather than flippers. It is a tortoise. I know there are wild tortoises in Greece: my aunt once rescued a pair of them shagging in the middle of the road -- but that was up in the mountains. I've even seen one myself, but it was also on a road and very dead.
I am 95% certain they don't belong on beaches. There's nothing for it to eat, except, unfortunately, a lot of plastic. Even if it gets off the beach it will immediately find itself on a road where it could get hit by a car. I'm pretty sure it must have been washed down by the floodwater and has been just sitting there, dazed, ever since.
Now obviously the first thing I want to do on encountering this unusual animal is to go and tell my mummy, so I do. The tortoise immediately brightens her day. She agrees that the tortoise is not happy on the beach and needs to be taken somewhere safe. it gets surprisingly wriggly when picked up so we put it in a carrier bag with some grapes and cucumber and go looking for somewhere to rehome it.
We find a path leading up between the houses towards a likely-looking field, but before we get very far a dog in a yard goes berserk and a man's head pops over a fence and demands to know what we're doing. He does this in English, as evidently we're just that obviously tourists.
"I found a tortoise on the beach!" I explain. "We want to find somewhere to put it."
"A what," he asks.
"It's like a, you know," I begin and then to my astonishment I find myself saying... "μια χελώνα"
"Oh! A turtle!" he says.
"But from the land. δεν είναι χελώνα", [it is not a turtle,] I say, as I am worried he will tell me to put it back near the sea where I found it. As it turns out it actually IS a χελώνα, Greek does not distinguish between turtles and tortoises, but I don't know that; I can't even name the days of the week or identify any colours other than pink yet, give me a break.
The man's entire demeanour changes and thaws. He does not worry about my turtle-that-is-not-a-turtle conundrum. He knows where οι χελώνες come from and where η χελώνα μας belongs. He leads us through a gate into a courtyard area.
"[somethingsomething] μια χελώνα," he explains to the assembled onlookers, of whom there are, suddenly, a surprising number.
"ΜΙΑ ΧΕΛΩΝΑ!!!" crows the throng of delighted small children, who are, suddenly, everywhere.
"μια χελώνα!" I agree, accepting that at least for current purposes, that is what it is.
"Μπορούμε να δούμε τη χελώνα σας; [can we see your turtle?]" asks an adorable little girl, shyly, and I understand??
The children fucking love looking at the χελώνα and showing it to them is kind of magical?
I finally put the tortoise down on the grass of this wild area off to the side of the courtyard, and marvel aloud that it is weird that I barely know any Greek except how to say μια χελώνα.
"I think she will soon run off," a kind lady called Aspasia assures me, seeing I remain slightly anxious about its fate. "I don't know why I'm saying 'she'. I suppose because χελώνα is feminine in Greek."
"Yes! I know that!" I exclaim, thrilled.
"Well done!" she says. And also she asks if we are OK for drinking water after the storm and if we need any help with anything and is just generally incredibly lovely and now we know more of the neighbours!
So "μια χελώνα" has just become, by a long way, my most-used and most understood and all-around most conversationally successful phrase in Greek. So I guess I have to admit I was wrong to doubt Duolingo's wisdom: it is correct to be obsessed with turtles. And I concede that prior to learning how to count to ten or to distinguish right from left, the simple ability to yell the word TURTLE over and over again is, it turns out, a crucial element of the responsible traveller's social skills.
(I am pretty fluent in Italian and turtles haven't come up in conversation even once?)
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❝ CAN YOU STOP PUTTING EVERYTHING ON THE TOP SHELVES?! ❞ you finally talk to him after a little argument ( height difference )
with deku, bakugou, rody
IZUKU
he tried to look nonchalant as he responded with a questioning hum. yeah, he was putting stuff on the top shelves. "hmm, what?"
you crossed your arms and glared at him. "you heard me."
he turned to you with the picture of innocence plastered on his face. "i don't know what you mean, i just put things where i put them. it just happens that they're high up."
you raised an accusatory eyebrow.
"for you, anyway." he mumbled, turning back to make his sandwich.
"exactly!" you exclaimed. "for me! you know i can't reach things up there and you do it on purpose!" you found your face was hot as you explained it.
you knew exactly why—you both had gotten into a little fight and you weren't talking to him for a while. this was the first time you had spoken since the argument, and even though you were yelling at him, your voice was music to his ears.
a small smile spread on his face despite his efforts to feign innocence. "on purpose?"
"yes!"
he paused, walking towards you. his disregard for space led to you being crammed against the counter behind you. he leaned over you and asked, "what it is that you need, love?"
your cheeks heated and you cast your gaze to the floor. "the box up there..." you murmured. he stretched to reach it and you flattened your palms against his chest. "izuku! you're squishing me—!"
he chuckled and brought the box down to the counter before kissing your forehead. "i'm glad we're talking again."
BAKUGO
"what was that?" he asked you, a knowing smirk on his face.
you huffed, already on top the counter trying (and failing) to reach the stupid box you needed. "i said stop putting shit on the top shelves. you know i can't reach it."
he shrugged, turning his attention back to his phone. "i dunno what you're talkin' about, princess."
you glared and pointed to the box. "you don't even use it?!"
"aw, don't jump the gun on me now, babe. you know i like to switch things up a lil' bit." he grinned, taking so much joy in your visible frustration. he was just happy you were speaking with him again.
you rolled your eyes, electing to ignore him as you tried your best not to fall off the surface or pull the cabinet down with you.
bakugo eyed you carefully as he threw away the thought of you begging for his help, reluctantly decided your immediate safety was more important. "'kay, that's enough." he walked over, his hands on your hips steadying your wobbly movement. "you'll hurt yourself, y/n. come down."
"i want that stupid box..." you pouted.
he rolled his eyes, his arms now circling around you as he lifted you off the counter. you gasped and curled your legs towards your body, clutching his wrists.
"oh, relax, you know i won't drop ya." he grumbled and set you down next to him. he easily plucked the box from its high perch, handing it to you.
"happy now?" he pinched your cheek. "stubborn brat. could've broken a bone or somethin'."
RODY
"what, having trouble sweetheart?" he snickered.
your face heated and you huffed. "rody... just get it for me, please."
"hmmm..." he pretended he was thinking hard. "i think... no."
you looked at him incredulously. "no? you put it up there!"
"i so did not." he turned up his nose, though pino was smiling and nodding her head.
you narrowed your eyes at him. "you're sabotaging me into breaking your silent treatment."
"whaaaat?" he exaggerated confusion. he held his head and pointed at himself dumbly. "me?"
"you're impossible." you rolled your eyes, moving to climb onto the counter.
"in any case, my plan worked wonderfully," his signature smirk graced his lips as he laughed softly, leaning against the wall to survey your distress.
your fingers just about brushed the side of the box before pino crashed into it, sending it further back and completely out of your reach. you swiveled to glare at the little pink bird. "pino!"
she bashfully twirled in the air before happily fluttering away.
rody's laughter filled your ears and you groaned, resting your head against the shelf. you heard shuffling—when you looked up, rody and his stupid smug smirk was beside you, easily bringing the box down.
"now we both look stupid, yeah?" he pressed a fat kiss on your cheek and softened when you laughed brightly.
© miniimight ! thanks for reading <3
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After All
Charles Leclerc x bestfriend!reader
Masterlist
Word Count: 3.6k
Warnings: alcohol/intoxication, tooth rotting fluff
Charles is a lot of things. He’s determined, hardworking, a bit of a self sacrificing dumbass. He’s kind, talented, humble, confident, soft. He’s your best friend, your closest confidant, the person you would trust with your life.
And, according to everyone who’s ever seen the two of you together, he’s madly in love with you.
…..
Pierre’s the first one to say it. He’s known both of you the longest, he’s one of Charles’ best friends. He sidles up next to you on a warm afternoon. You’re both on Charles’ yacht, leaning against the railing and watching as he does a backflip off the deck and into the water.
“He’s going to hurt himself,” you point out, “and Ferrari will not be happy.”
Pierre snorts out a laugh, shaking his head. “He is showing off.”
You give him a look of disbelief. “For who?”
Before he can answer, you’re drawn to look at Charles again when he calls your name. You watch and wave at him, and then he lines himself up for another stupid trick dive that makes your stomach lurch. He makes a splash when he lands, sinking deeper and deeper till you can’t see him through the bubbles. Just when you start to worry, just when you feel like he’s been under too long, he resurfaces. He kicks himself to the surface, hair plastered to his forehead, laughing raucously. He’s suddenly the boy you met at 13, big dreams and big plans and a big personality to get him there.
“You,” Pierre says, jarring you out of your staring. “He is showing off for you.”
You roll your eyes and elbow your friend. “What? He is not. Why would he be trying to impress me?”
“Because he is in love with you,” Pierre states, so matter of fact you almost don’t realize what he’s saying. “Come on, it’s obvious.”
“He is not!” You laugh, shoving at his shoulder lightly. “Jesus, Pierre, the fumes from those engines must really be getting to you.”
Pierre opens his mouth to speak, probably to rebut with some insane theory he’ll present as fact. He’s interrupted by Charles calling your name again. This time he’s waving you down to the back deck, eyes sparkling. He’s going to want you to jump in. You have a fear of heights, a fear of falling, a fear of deep, open water. Despite it all, you head down to meet him anyways. Charles could talk you into anything, could make even the scariest things seem easy.
“You have to hold my hand, though,” you say, when he urges you to jump in with him. “The whole way, no letting go.”
“The whole way,” he promises, knitting your fingers together.
…..
It’s a bit of fate that you end up in Suzuka for the race. You hadn’t been planning on going, but there’d been cheap flights available when you looked the week before, and suddenly you’re off to Japan. Charles is thrilled about it, always happy to have you there, even when he’s busy and barely gets to see you. He says there’s something comforting about knowing you’re in the garage or the stands.
He takes you with him to as many things as he can, including the pre race media days. The second you meet up with him after you get to Japan, he’s talking non stop about Sebastian’s Buzzin Corner project, and your heart melts at the excitement in his eyes. He’s been missing Seb lately, having a tough go of things and searching for guidance.
You watch from behind the scenes, behind the cameras, as the entire grid arrives to make pollinator hotels and decorate canvases. You smile when Sebastian spots Charles and runs over to give him a hug, and you smile even bigger when Charles follows Sebastian around like a lost puppy. Sebastian seems just as happy to be near Charles again, stopping by to check on Ferrari’s progress frequently.
Charles turns during a lull in the event, when the cameras are on another team and Sebastian is distracted, too. He waves you over, eyes bright, smile wide. You can’t help but be drawn towards him. Any time he wants you nearby, you go willingly, eagerly.
He has paint on his fingers, speckles of it on his shirt. Charles is creative, too. He doesn’t get nearly enough chances to show it, in your opinion. He’s stifled by brand deals and the public eye and overbearing management. You stand next to him, eyeing his and Carlos’ artwork with a soft smile. The pollinator hotel is filled with supplies, the roof is decorated, and Charles tells you excitedly that they’ve already had their first “guest”. He hands you a paintbrush when nobody is paying attention.
“You should add something, chéri,” he says, nudging you lightly.
You look up at him, twist your face into an unsure smile. “Am I allowed to?”
“Of course,” Sebastian says, having made his way back around to the Ferrari team. You smile at Charles’ old teammate as he pays your shoulder lightly. “It’s not exclusive, you know.”
You laugh, reaching out with the paintbrush and adding a small heart next to the stripes and stamps the guys have painted on. “A little love for the the pollinators and bugs.”
“You weren’t saying that about that spider last week,” Charles teases.
“It was in my hair,” you say through gritted teeth, looking at him with wide eyes. “Don’t slander me in front of Seb.”
Carlos is giggling, watching the two of you. Sebastian is doing the same, his eyes lit up reminding you of years ago when he and Charles had been teammates. He’d joked about the two of you exhausting him, with your boundless energy and constant flip flopping between bickering and affection. You’d insisted you were the ones keeping Sebastian young.
Someone calls Charles and Carlos over for a photo op. You peruse the bee hotel while you stand next to Sebastian. There’s a lot of people’s artwork on there, but somehow you think you know which brushstrokes belong to Charles.
“I see not much has changed,” Sebastian says, nodding his head towards Charles. “He calls you darling and then teases you in the same minute.”
You roll your eyes, feeling your cheeks grow hot. “He is my best friend, both of those things are his job.”
“Ah, to be young and oblivious,” Sebastian says in a lilting tone.
“What’s that supposed to mean?”
He laughs, tilts his head at you. “Just that my wife was my best friend, once.”
You narrow your eyes at him. The glare has no effect if the grin on his face says anything. Sebastian is older, wiser, and Charles trusts his judgement on nearly everything, but you know he’s wrong about this. There’s no way Charles sees you as anything more than a friend. You’ve come to terms with that. You can live with that. You have to live with that.
Charles makes his way back over to the two of you, hands in his pockets. You plaster a sunny smile back on your face and try to ignore the way Sebastian is watching the two of you. Charles is telling you to paint something else, pointing out the empty space left on the canvas and the bee hotel.
He takes your hand, still wrapped around the paintbrush, in his own. He dips it in the black paint, leads you over to the wooden structure, and adds another heart.
“More love,” he says, singsongy, squeezing your hand. Behind you, Sebastian barely muffles an affectionate laugh. “More love for the bugs.”
…..
“This is my favorite song!” You yell over the booming bass.
You have a drink in your hand, your… 6th? of the night? You’re not sure, you’ve lost count. Charles keeps handing them to you every time your gets low. It’s always tequila and soda, always with two limes.
Charles laughs, shaking his head. “You have said that about every song in the past hour.”
“I mean it this time,” you say, eyes wide. You’re standing up from the table, pulling on his arm. “C’mon, we should dance, Charlie!”
He groans lightheartedly. Really, all of this should be your sign to cut yourself off. You don’t like dancing, and you rarely call him Charlie. Everyone calls him Charles, so you’d let the nickname go years ago. You’d worried it made you sound childish, made you sound like you were holding onto years past. He doesn’t budge from his spot in the booth, watching you warily.
“Amour, I don’t like this song as much as you apparently do,” he says, shaking his head. “And I like dancing even less.”
“Fine,” you say with a pout. “I will find someone else, then.”
You melt into the crowd before he can pull you back into the booth and down to earth. You’re at that pleasant stage of drunk where everything is funny and fuzzy and floaty. You spot Lily, Alex’s girlfriend, at the bar, and she needs much less convincing to join you on the dance floor. She abandons Alex with George and follows you eagerly. It’s Las Vegas, you’re here to have fun. This is fun. The two of you squeeze through the swirling mass of people till you find a good spot.
You don’t know how long it’s been when Charles finds you there- you just know you’re sweaty, a few drinks deeper, and past the point of no return. The song that’s playing now is your actual favorite song, a fact that you tell Charles when he steps in front of you, his hands on your waist to steady you.
“I know,” he says, because of course he knows. Nobody knows you better than him. “I also know you are drunk.”
“M’having a good time,” you tell him, wrapping an arm around his neck. It’s just to keep you steady, you tell yourself. “Vegas, baby!”
Charles laughs, shaking his head, but he starts to sway to the music with you. One hand stays on your hip, but the other comes around to your back and pulls you closer. You like being pressed against him, like being able to feel the warmth of him even through the fabric of your clothing. You don’t think before you spin in his grip, press your back to his front, keep your arm around his neck behind your head. Tomorrow morning, or rather, later today, you can blame it on the alcohol.
Charles wraps his arm around your waist in response, and you swear you feel his lips on the back of your neck as he pulls you in again. You’ll blame that on the alcohol too.
It’s like you blink, and then you’re standing out on the sidewalk, surrounded by the lights of the Las Vegas strip. The night air is cold, and you laugh to yourself, thinking about all the talk of a night race in the desert and the temperature.
“What’s so funny?” Max asks.
You’re surprised to find him standing next to you, and you blink at him.
“S’cold,” you say, unable to explain the rest of it. You just giggle again. “Where’s Charlie?”
Max raises his brows. “He went inside to get your jacket. You left it in the booth. Remember, five minutes ago, when you said it was cold?”
Huh. You don’t remember, but Max is probably telling the truth. He and Charles are more of friendly rivals than enemies now, despite their formative years. Max is definitely not trying to kidnap you as revenge. He has nothing to get revenge for- he won the race. Maybe he’s bitter that a Grand Prix he talked about so negatively had ended up being one of the best of the season, you suppose. Though you’re not sure that would give him a reason to kidnap you-
“I called him that once,” Max says, and you tilt your head at him. “Charlie. He didn’t like it.”
You remember. It was in Brazil, when they’d all been gathered in a garage. You’d seen it in a video. You can’t admit that, though, without admitting you watch tiktoks of your best friend, so you stay quiet on that subject.
“He thinks it’s childish,” you say with a shrug, scuffing the toe of your shoe on the ground. “I… forget, sometimes.”
You forget that Charles isn’t just your thirteen year old friend, the guy you’d never expected to even tolerate you. You can’t remember how it even happened, how you went from barely saying hi in the halls at school to dinners with his family, homework at their kitchen table. You’re not sure it matters now. What matters is keeping him a part of your life.
You’ve adapted. You’ve let pieces of him go, like childhood nicknames and any hope he’ll ever look at you the same way you look at him. Charles is larger than life, now. You’re still small. You’re still thirteen sometimes, still sitting at the table, begging Charlie to help you with your math problems.
“That’s the thing,” Max says, nudging your side lightly. “He doesn’t seem to mind when it’s you that says it.”
You frown. “Oh, he definitely minds.”
Max shrugs. “He doesn’t show it, then. Probably because he loves you.”
You nod solemnly. “I am his best friend.”
“Right,” Max laughs. “Sure. Friend.”
Charles reappears shortly after that, your jacket in hand. It turns out Max isn’t even leaving- he’d just been tasked with keeping an eye on you while Charles went back inside. He says goodbye and goes back into the club, while Charles is checking his phone, telling you the car should be there any minute. The night has gone from fuzzy to blurry, and you lean heavily on Charles’ shoulder, blinking repeatedly and trying to stay awake. He pours you into the backseat of the car, drags you out of it ten minutes later when you get to the hotel.
“You are so drunk,” he says, standing in the elevator, your head against his chest.
“I know you are but whatamI?” You slur, tugging on his jacket.
Charles just laughs. Even if he could understand you, he wouldn’t get the reference. His hand is resting on your shoulder, fingers squeezing your bare skin softly. You’d taken your jacket off as soon as you got inside, complaining about being hot. Charles had just taken it from your hands with an exasperated smile.
“I think you should sleep in my room,” he suggests when the elevator dings and the doors begin to open. “So I can keep an eye on you.”
You’re not that drunk, but you’re not going to argue. “Yeah, okay.”
When you wake up in his bed in the morning, Charles is asleep on the couch. He’s stretched out, one arm hanging off the edge, one foot on the armrest. His blanket is tangled in his limbs, and you feel guilty, suddenly. It was his night to celebrate, and he’d ended up taking care of you, ended up sacrificing his hotel bed and sleeping on the sofa. You sit up, feeling sick to your stomach, and not from the hangover.
“Lay down,” Charles says, not even opening his eyes. “S’too early. You need more sleep.”
“I should go to my room,” you whisper, and he opens one eye and looks at you warily. “That couch cannot be comfortable.”
“It’s not,” he admits, and the guilt lurches in your gut again. He’s smiling, though. “You tried to insist on sharing the bed, but you were very drunk.”
That’s not surprising. Drunk you always wants Charles close. You direct your eyes to the comforter and muster up all the courage you have left.
“I’m sober now,” you tell him. “So either we share the bed, or I go to my room. You look so uncomfortable.”
Charles hesitates for only a second. You wonder if you’ve gone too far, if you’ve crossed the line. But then he’d shifting, untangling himself from the blankets and tumbling off the couch. He crawls into the bed next to you, sighing happily as he sinks into the mattress. Seemingly almost without thinking, he reaches out, slips his arm around your waist, and hauls you against his chest. You let it happen.
There’s something sacred about the time between morning and night. The sky is a purple hue outside the hotel room window. The halls are quiet. Charles’ heart thuds in your ear, steady and beating out a soothing rhythm, and nothing about this feels out of place. It’s like this is where you’re meant to be, tucked against him, slotted together like puzzle pieces. You wrap your arm around his upper arm, and he pulls the blankets over the two of you.
“G’night, Charlie,” you mumble.
He laughs, and it’s a sweet sound. There’s no hostility behind it. “Goodnight, amour.”
…..
There’s something to be said about your inability to see something as it is until it’s staring you in the face. You’re stubborn as a mule, and maybe blind as a bat, too. It’s not till the holiday break that it all clicks into place.
Charles is sitting next to you at your kitchen counter, decorating cookies. You’ve been baking all weekend. It’s your grandmother’s recipe, now your responsibility to keep up the tradition. There are batches set aside for your family to decorate later, another set for the cookie party you’re holding with some of your friends from university. But Charles had whined and begged about wanting to decorate cookies, about wanting to be a part of the tradition, and you’d given in oh so easily.
He has a heart shaped one in his hand, a knife with red frosting in the other hand. He’s being so delicate, so particular, like it means so much to him. It’s just a cookie, you want to say to him. You hold my actual heart in your hands every day without a care, but you’re so delicate with a cookie?
Except, then, you’re thinking about it, and maybe that’s not true. Charles is brash and bold and confident, but he’s never anything other than gentle with you. He cares deeply, throws himself headfirst into things, he’s all or nothing. But when he’s around you he lets his guard down, takes the time to think. He’s cautious, heartfelt, kind. He takes his time.
“Max asked me to play padel today,” he says casually. “To make up for him missing our match.”
You laugh, though it feels a bit forced. You’re watching his hands, watching as he takes the white icing and writes something on the cookie. “Oh? You didn’t go?”
Charles shakes his head. “He wasn’t free till 11:00. I told you I’d be here at 10:30.”
You frown, blinking at him. He’s so focused on the cookie he doesn’t even notice you staring. He hasn’t spent this much time on a single cookie since he got to your apartment that morning.
“You could have come over later,” you say.
He shakes his head. “This was more important. I’ve been looking forward to it all week.”
It shouldn’t be the moment, is the thing. Nothing spectacular happens. It’s not like he’s made some big confession, not like anything drastic has changed. Somehow, you just know. He looks up at you, a soft smile on his face, and it’s so, so obvious. You wonder if this is what he sees when you look at him. You wonder if this is what everyone else has seen and told you about. There’s so much love in his gaze that it makes your heart skip a beat, makes your skin feel hot, makes your fingertips go numb. You set your cookie down on the table.
He holds his in his own hand, peering down at it as if he’s judging it in a competition. He turns it between his fingers, leaving a red thumbprint on the underside of it. He has icing on his fingers, all the colors of the rainbow. It’ll probably stain his skin.
“You are always more important,” he breathes, and you can’t breathe at all. “The most important.”
He turns the cookie towards you, but you already know what it’ll say. His initials and yours, in white icing on a red backdrop. He’s been saying it all along, really. The whole way. More love. I know. Somehow it has still caught you off guard, stolen the air from your lungs and the words from your lips. All this time pining after him and you had never actually considered he might be feeling it, too. But it’s there, written on the cookie, and it’s written on his face, too.
You lean in to kiss him. He tastes like frosting and feels like love, and you wonder how you didn’t see it sooner.
…..
A week later, Pierre spots the matching hickeys on yours and Charles’ necks and laughs his ass off.
“I told you,” he says, through peals of laughter, shaking his head. “You are both so blind.”
Charles wraps his arm around your waist, and you shrug. You stare up at your boyfriend, happier than you’ve ever been, the weight of his hand on your hip grounding you.
“Yeah, yeah,” you say, dismissing Pierre even as he continues to laugh. “We figured it out. That’s all that matters.”
Charles leans close, presses his lips to your forehead. You feel it all. The years of waiting, wondering, wishing. Pierre is congratulating the two of you and saying something about calling Carlos about a bet they’d apparently had. You can’t bring yourself to care. In the end, you suppose, Pierre deserves to gloat. All your friends do.
They were right, after all.
thanks for reading! you can check out my other fics here!
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