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#Art is subjective
artist-issues · 2 months
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I just commented something like this somewhere
But the reason people are media-illiterate is because they have a worldview that undermines clear communication and objective truth. Which means, they undermine what media is even for.
Look at how everyone's obsessed with the idea of "personal truth." Personal pronouns. Personal journeys. Personal realities. Then look at fandoms. Nobody can even acknowledge that stories have a point--a point that the storyteller intended, not a point that the audience assigns. Nobody can acknowledge that. It's all "open to interpretation." It's all "but what does it mean to me?"
Guess what, the person who wrote the book or directed the film or drew the cartoon didn't do it so that you could assign your own meaning to it. They did it so that they could transplant something from their brain and heart to yours. Something that wasn't in there before.
But you just want more of what you already like, so as it's being transplanted, you intercept and tear it into pieces until it looks like what you already like, unrecognizable from how the artist/author/filmmaker/storyteller created it to be--and then it'll fit--comfortably, unfortunately--into your closed-off mind.
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redconsumerism · 5 months
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TO CONSUME IS (not) TO LOVE
cannibalism in romance novels
Cannibalism is like a parallax. For once it exists as a ‘philia’, characterized by the desire of eating another. And we find that it exists in the opposite spectrum, in the form of a ‘phobia’, which speaks of the fear of being eaten or partaking unknowingly or forcefully in the act of eating another. To vore is adjacent to love in most cases, both feared and desired. Because to love someone is (apparently) to want to consume them. 
Though cannibalism might seem like a barbaric and horrific concept, it is said to be one of the most intense demostrations of love that exist in both classic and contemporary literature. The gruesome gesture reminds the lecturer of the intensity of love and its lunacy. As Mercedes Abad stated in spanish newsletter ‘el tiempo’ on May 21st, 1995 ‘There is no doubt that love and sex are feasts where, to a greater or lesser extent, we all become anthropophagi who would surely find it quite difficult to answer the question of whether there is greater pleasure in phagocytosing the other or in being phagocytosed.’ Because Cannibalism as a metaphor for love in romance novels, as it is in our day to day, is more about the blind consumerism of it rather than the pureness of it. One example of blind consumerism of love would be in Salvador Dali's Autobiography, where it is mentioned how Gala cooked their pet rabbit because of how much they loved it, in front of the woman’s refusal to the idea of leaving the rabbit with the maids.
To love is to consume, but to consume is to devour and transform in reusable energy. Like a vampire would when consuming someone’s blood, so they can continue living at the other’s cause. You live off the love you take, but if you devour that love, the other cannot live. The truth is cannibalism has a double connotation, and consuming the other’s otherness is three dimensional. Which means it isn’t always about love, or the lack thereof, but more so about the act of possessing. Cannibalism isn’t only one of the greatest manifestations of tenderness (for many), but also the irrevocably selfishness of an individual blinded by desire - in front of the morbid contemplation of the lover giving themselves so the other can survive -. The amorous-sexual instincts that resurface from a deep sense of infatuation together with those of hunger - a basic instinct - that create an irrational longing, unite in cannibalism as an analogy for that which we wish to become one with. It leaves you to question if the love narrated is but an act of survival for starved people.
‘Love is only a prologue to two cannibals struggling to take a bite of each other.’ - La Oscuridad, Ignacio Ferrando Perez (2014.) Cannibalism is, then, the imposture of love, and the obscure craving of something bigger than yourself without any understanding of it. 
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roykentschesthair · 6 days
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I wasn’t going to comment on the @wearewatcher situation because if people don’t know how to run a business/listen to their very supportive fan base, then that’s their cross to bear.
However, to everyone making the comments that artists can charge what they want and deserve to be fairly compensated for their work
1) they’re being fairly compensated, they simply expanded their business model (ie hiring more people) before their revenue could support it and are now acting as though their business was never generating enough and it’s the fans fault for not subscribing to a Patreon that they had almost zero advertising for
2) art is a luxury. Period. Full stop. No one needs Watcher content to survive, especially in the current economic climate and to act as though they’re doing us a favor by making it only $6 a month is really tone deaf and out of touch
3) you can set your prices at whatever you feel is fair. And the consumer can decide if they think your content is worth the set price. If they say, hey I’m not paying $6 for this, then that’s all there is. Art is worth what someone will pay for it
4) the fundamental misunderstanding of what their fan base is wanting/cares about just goes to show that it was never about fostering a community, it was only ever about doing what they wanted, and if the community turns on them, then that’s something they should have been able to anticipate
5) we don’t know these people. They’re grown men, no one is being held hostage. No one is being forced. They all agreed to do this, and if it tanks their careers. Well, that’s the price of doing business
I for one will not be supporting this move, and will not be consuming the content left on YouTube as it will still generate them revenue
You can do what feels right to you
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ladycatashtrophe · 3 months
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"I don't want to publish this piece I worked on because I'm afraid people won't get it"
"I'm scared to share my work because I don't want to be misinterpreted"
"I got into an all-out brawl with some stranger on the internet because they thought the meaning of my favorite book/series/song was X but it's actually Y!!!!!"
"I don't want to engage in fandoms or conversations surrounding my favorite works because I'm afraid I didn't get the memo that everyone else did"
Shut up!!!!!!!!!!! You've missed the point of literature and art as a whole!!! Art is subjective and as soon as it leaves the imagination of the creator and enters the public eye all meaning is lost! The artist is not physically attached to their art! Art isn't a physical manifestation of its creator as a persona or character! Art is supposed to convey a subjective idea or message that is completely up to interpretation and criticism by each individual who consumes it! You have lost control over your art the moment it is perceived by another! The meaning of a work of art is unique to you regardless of being the creator or the audience! Loosen your death grip on the idea of "meaning" and let things be stupid or divine or comforting or thought provoking or what have you!
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olive-garden-hoe · 5 months
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PLEASE SOMEONE LISTEN WHAT IF
“The Moon Will Sing” is ABOUT A PARENT
Note 1: this is in no way supposed to be definitive, it is my interpretation as someone who relates heavily to the song in this context
Note 2: this interpretation is in no way, shape, or form trying to say that the way the singer depicts her relationship with her parents in this song is indicative of her relationship with her parents in real life. It is not my place, nor anyone else’s, to speculate about how accurate this song is to her personal life. Though my wording may seem as though I am talking about the singer’s actual relationship with her parents, I mean it strictly in the context of the song. We must all respect the artist’s privacy.
“Tell me once again, I could’ve been anyone anyone else, before you made the choice for me”
The singer is expressing her disbelief that her whole fate was practically determined by her parents, that she could’ve been so much different if they didn’t mold her to be a certain way
“My feet knew the path we walked in the dark… I never gave a single thought to where it might lead”
The singer was unaware of the path her parent was taking her and was kept in the dark about what the steps her parents told her to take would lead. The fact that she ‘never gave a single thought’ implies naïveté that is consistent with an exceptionally young child blindly following their parents instructions
“All those empty rooms, we could have been anywhere… else, instead I made a bed with apathy”
The ‘empty rooms’ could be a reference to the unfurnished facets of her life that her parents may have forced her to leave empty in pursuit of ‘furnishing’ other ‘rooms’ (I.e. they won’t let her explore music because she needs to focus on grades). The bed of apathy likely means that she had become too tired to debate or fight back, that she opted for inaction and acceptance of her parents’ molding for the sake of ease and because she was too tired from working on furnishing these rooms to do anything besides continue the cycle.
“My heart knew the weight, ten years worth of dust and neglect, we made our peace with weariness and let it be”
This could be saying that the tiredness the singer expresses formerly exists in her parents as well, that everyone is just too tired to address any issues within their families. I would like to note that, while not explicitly stated, this may be referencing ‘The Hand that Feeds’ where her father was established to “work all his days.”
“The moon will sing a song for me, I loved you like the sun, bore the shadows that you made with no light of my own, I shine only with the light you gave me…”
THE WHOLE VERSE IS SO FIRE OMG ANYWAYS The singer is expressing how she relates to the moon due to the way it is completely dépendant on the sun for its light. In the same way, she may be saying that she feels as though all the goodness or impressive qualities are only the result of her parents’ light. In other words, sheath be expressing a deep-seated fear that she is not quite fully a new person, rather just a combination of her parents and/or their actions
“Name your courage now”
Her parents may, in her adult life, be boasting about how good they were to her when she was a child. However, it is only putting a name to ‘courage’ that ultimately may have done more harm than good or have just been the bare minimum
“We could have had anything else, instead you hoarded all that’s left of me”
Now we’re getting into a new facet of the relationship with the parents! It seems that they also were overbearing in some way, stopping the singer from getting the experiences or friends she wanted.
“Swallowing your doubt, like swords to the pit of my belly”
She seems to be internalizing her parents’ cynicism and/or criticism and allowing that to mold her. It seems her parents not trusting her hurts her a lot, meaning she places a lot of emphasis on their approval/trust, which is supported by the first verse
“I want to feel the fire that you kept from me!”
In the story of Prometheus, the god steals fire from Mount Olympus to give to humans and gets punished for it. The reason this may be important is because the Crane Wives are no strangers to referencing folklore (look at the explanation behind their name). We can reasonably assume that they are acknowledging the double-faceted nature of fire that the myth of Prometheus displays. Fire is something that gives advancement, the basis of early and modern technology as well as a major way our world consumes energy. It also provides light and warmth, as well as an opportunity for rebirth (look at why forest fires are beneficial for forests). At the same time, fire is the great consumer, it spreads and burns as it goes, leaving ash in its wake. The Prometheus story not only references the consequences of bringing such a force to mortals, but also why Prometheus thought it was important to risk himself for. In this lyric, the singer references a fire that was kept from her, which from the previous discussion we can reasonably assume includes both the growth fire brings and the destruction it causes. I’m other words, I believe this lyric is saying that the singer desires for both sides of life, growth and harm, that her parents ‘protected’ her from.
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frenziedcrescendo · 2 months
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Art assignment... Finished!(immediately drops dead)
It actually looks kinda good. As long as you ignore any and all details. Like the left shoe. Or the rings on the shoulder straps. Or the sucker. Or the inconsistency in the shading. Or the fact that the dualies are gone. Or the tentacle rings. Or the still kinda fucked up hands trust me I tried. Or th
↓dats the original↓
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admiralgiggles · 2 months
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I’m tired of the rain, so I decided to play with filters for this one. I’m pretty pleased.
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flightyquinn · 4 months
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AI Haters, Please Read to the End
I see people celebrating every time something bad happens in the AI art world, and that makes me very sad. Because I am partially colorblind, and have ADHD, clinical depression, and other health issues that I'm less comfortable talking about. Because I can't work, and rely on family for housing and government assistance to afford essentials. For someone like me, the barrier to entry on art is high. I'm never going to own a drawing tablet, I can't get professional lessons, my focus sucks to the point where it's hard to follow tutorials no matter how much I want to, and even if all of that could be sorted, my own eyes are against me.
But I still have ideas. I still have pictures in my head that want to get out. Characters that want faces, scenes that want to be expressed, and the like. I'm still creative. I just can't properly express that creativity. Nor can I pay someone else to express it for me. However, I can tell an AI what I'm trying to depict. I can tweak the settings, make small changes, spend hours on end generating and re-generating, tweaking and re-tweaking, and making small edits that are within my power to do, until I have a picture that satisfies my need to bring the thing in my head to life. That's not "stealing". It's not pushing a button and letting the computer do the work for me. That's me having my own ideas, and trying to use the tools at my disposal to turn them into something that other people can see.
Plus, there's one other thing I can do. This is a picture I generated with AI that I'm actually quite proud of.
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And do you know why? Because it started as this.
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I fed my terrible MSPaint rough as hell doodle into an AI, and told it what the picture was supposed to be. And I tried again, and again, and again, until I was able to refine the result into something that I was happy with - which took a whole lot more than just pressing the button again, let me tell you.
This is my idea, from start to finish, and my shitty art became something that actually looks halfway decent. Yeah, I'm aware of the wonkiness and AI jank. I know the jawline's weird, his eyes don't match, and there's something up with his ear. It's not perfect, but it's a whole lot better than what I could do on my own.
Look, when it comes to stopping the commercialization of AI art, I'm right there with you guys. Fuck corporations that want to replace their whole art department. Fuck people who want to impersonate other artists, or take commissions to turn someone's description of what they want into a prompt. Hell, fuck the people who take the first result they're given without trying to refine it at all!
However, I don't want AI to die. AI is an accessibility option. AI is a tool that lets me go from saying for years, "I wish I could have art of my first D&D character, I have so many fond memories of him." to having that one picture. It lets me stop stealing every time I want a character portrait for a new TTRPG that I'm starting up. Because you know what? I don't have the ability to be a "real artist", and I never will. There's too many barriers for entry.
...and my situation is mild compared to what some people have to deal with. Sure, there are people who find ways to make traditional art despite disabilities, but that's an exception. It could be the rule. Why shouldn't it be?
As far as "theft" goes, I have yet to hear one explanation of why it's okay to use references, but not AI, that didn't boil down to "it's different when we do it". And what about collage? Is a collage art, or is it "theft?" What about sculptural works that use reclaimed objects? They didn't create that. They just decided how it would be arranged. Hell, what about pieces like "The Fountain" for that matter? That's a big problem I have with all this hate. If you applied the same standards to other things as to AI, then there's a lot of things that currently are art we'd have to say aren't any more.
If you have a problem with AI, why not work to make it better, instead of trying to deprive people who rely on it for self-expression of a creative outlet?
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trappedinthewalls · 3 months
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The best story according to Lily Orchard is about two cis lesbians cuddling on the couch and wallowing in self pity while discussing on graphic detail how they were brutally SA'd by the same person.
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duttonandpartner · 2 months
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So….I am in the very beginning of the 3rd season of Yellowstone (First two episodes) and there are already a few scenes which makes my head hurt for Jamie.
Starting with Scene 1
There is the scene in the very first episode where the cowboys, John, Casey and Tate are about to move to the summer camp. It’s shown as if they are literally on the brick of heading off when Jamie comes along on his horse to join them. At this point Jamie is still part of the cowboys and is living in the barn with them. Therefore, he has every right in the world to assume that he, Jamie, will join them and help out in the summer camp. That is his JOB at this point.
The overarching plot of this episode is that John Dutton is unable to be Livestock Commissioner/ Commander/ Whatever because of the events in the finale of season 2. He gets to nominate his successor for which he choses Casey first. Casey doesn’t feel like it; so he declines with a „lol, no, big pass, good luck with it I guess, I am out“ kind of vibe. Interestingly, Casey suggests Jamie instead („[…] you have a politician; and he’s living currently in the barn[…]“ is very close to what he is saying, I believe). John does not do that. He offers it to Beth instead who also declines and walks out.
This political position is clearly a key factor to Johns way of saving the ranch, Yellowstone, but John seems to be unsure of what to do or he just forgets about it. That’s until Jamie arrives.
So…Jamie, CLEARLY completely unaware of what is going on, assuming that he is still with the cowboys instead of being offered another job as LITERALLY LAST CHOICE, comes out with his horse all excited, wearing his hat and visibly smiling. THIS IS THE EXACT MOMENT when John APPARENTLY decides to tell him that he will be the new Livestock Commissioner.
John makes sure to tell Jamie that he will not stand another disappointment from him and then leaves with Jamie’s co-workers up to this point, his brother and nephew. This excluding Jamie in every way from everything which gave him self-confidence up to this point and literally leaves him behind to take his horse back in, I guess.
I mean WHAT????
The nonchalantness of it all, I think, makes me really angry. If John REALLY doesn’t trust Jamie with this position HE COULD HAVE FOUND ANOTHER WAY. He could have made Beth do it or even Monica or LITERALLY ANYONE ELSE.
The best choice of course, in my opinion, would be Rip, but John apparently still doesn’t considers him family; which is also just nonsense at this point.
I just don’t get that he waited until Jamie had his horse ready and settled and then told him in the most humiliating way possible in front of all these people. I simply don’t understand that. I mean John didn’t what Jamie to die so I guess he has some feelings of being a FARTHER to him but what was this then?
Jamies reason for being in the barn was for him to regain self-confidence in a field where he doesn’t experience so much stress. John just put a lot of stress on him. Again.
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abs0lute-zer000 · 2 months
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Starting to get real sick and tired of people thinking that art has to look good or else it's "bad art". Art is not about how "good" it looks. Art has NEVER been about how good it looks. Art is about the process. Art is about the context. Art is about the artist. Art is allowed to look "bad". Art is allowed to look stupid and simple and ugly. Art that isn't picture-perfect realism is still art and it is still beautiful. Even classically beautiful art pieces become all the more intriguing when you learn the background and context and process behind their creation. Van Gogh's Starry Night becomes more interesting when you learn that the painting was his depiction of the view he saw from his bedroom window while he lived in an asylum. It's not just about a pretty picture. It never has been. This is why modern art and abstract art are still considered art forms, while AI "art" is not.
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midnightsecfan · 3 months
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starrinlem · 3 months
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nypd's musical number!
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thatmemeguy89 · 3 months
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Art is subjective
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tiffanytoms · 5 months
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Did Sirius think Lily was hot?
Heeeeeey, soooo… I feel like you may have also asked me if Mulciber thought Lily was hot, and honestly… I don’t really know what to make of these asks? 😅 Like, maybe? I don’t know, I wasn’t there 🤣
I think something like that is so subjective and I know I change it from fic to fic, so I say believe whatever you want! It’s a free world and all these characters are dead.
(Too soon?)
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Places in the city that you pass every day without knowing that they exist - Part 8
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Przemysław Szawłowski
Wrocław
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