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kaizokuou-ni-naru · 3 years

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The Voyage So Far: Paramount War (Part Two)

east blue (1 | 2) || alabasta (1 | 2) || skypiea || water 7 || enies lobby || thriller bark || paramount war (1 | 2) || fishman island || punk hazard || dressrosa (1 | 2) || whole cake island || wano (1 | 2)

ace’s execution is, in a way, the exception that proves the rule when it comes to one piece’s themes of blood and family. ace is set up to die for the crimes of a father he never knew and never wanted, and he does die here, but in the end he dies for the family he did choose, in the form of luffy, rather than the one he didn’t.

god do i wish we knew more about ms portgas d. rouge. with ace’s storyline pretty much wrapped it looks unlikely that we’re going to be learning more about her than what we got, which in my opinion is an absolute tragedy, because what little we do know about her is amazing and she’s an absolute badass. oda give us more female ds please.

whitebeard’s power is so cool. it might be one of the visually coolest devil fruits we’ve ever seen, in my opinion. he he causes earthquakes and tsunamis while far past his prime; he pulls the sky apart with his bare hands. this whole arc is world-shaking, and whitebeard’s power is perfectly appropriate for it.

doflamingo’s speech on justice and rightness is one of the most well-remembered quotes from this whole saga, and rightly so. i’ve always found it fascinating, myself, because he’s right. he dead-on hits how the one piece world works- the world government and the marines rule the world not because of any inherent actual goodness or justice or right, but because they won a war a very long time ago.

in a way, this reminds me of blackbeard’s line of “people’s dreams never die” from jaya. i like how oda isn’t afraid of letting his villains be right about the themes of the story, sometimes even having better awareness of them than the protagonists.

man, if i had to pick a single favorite spread out of the whole manga, it might be luffy’s marineford entrance. it’s so epic, and so completely unexpected for everyone else there. absolutely nobody was expecting strawhat luffy to drop out of the sky with a posse including two former warlords. it just makes me grin!! so much!!

it also gets followed up by a solid two pages of just people’s reactions, from smoker’s “what the HELL is he doing with CROCODILE” to moria’s immediate incoherent rage, and i just love that the world and cast of one piece is so well-established and built up that we know exactly how all of those people know luffy and why they react the way they do.

going back to what i mentioned in the last post about marineford being luffy’s conflict of interest arc, i’d say it’s also the only time where he isn’t the future king first and foremost. in this arc, before anything else, he’s a little brother.

there are a lot of what-if moments in marineford. moments where you kind of have to ask “what if this specific thing hadn’t happened, had gone differently?” would things have turned out differently? squard’s betrayal is one of them. does this change the outcome? would whitebeard have been able to survive if not for this injury? there’s no way to know. marineford is a lot of little tragedies, and they just pile up and up.

marineford has just so many incredibly striking spreads. all of the momentous moments (and there’s a lot of them, in this arc) are done full justice. this is such an image heavy post just because marineford is such an incredibly visually strong arc.

conqueror’s haki is so cool and i love the way it’s set up and built up throughout this saga, with luffy’s constant inadvertent uses of it, from duval’s bull to marigold and sandersonia to the wolves in impel down, all leading up to this moment.

i’ve heard people complain about conqueror’s as kind of a deus ex machina, but i honestly love it, it’s very cool and honestly i think it just seems to fit luffy as a power. if there was ever gonna be a character who turned willpower into a weapon, it would be monkey d. luffy.

i’m gonna take this chance to talk about garp, because this sequence of panels is heavily implied to be garp’s thoughts just before luffy punches him down, and it hurts. garp is a flawed person who makes some bad choices, and there’s no arguing that, but i think it’s very obvious he really, really cares about his grandsons, even if he never could understand them as people and that they never would have been happy as marines. and that’s just tragic, really.

the moment ace gets freed and the brief span of time where he and luffy can fight together feel so triumphant, and i think it’s one of the reasons the final tragedy of marineford hits so hard and feels so cruel, because luffy succeeds, here. he saves ace. he gives absolutely everything he had and makes it, and saves ace. the ultimate failure isn’t his. there was nothing more he could have done.

the first time i was reading one piece, i hit this page (which is also the last in the volume) and had to put the book away, take the bus downtown, wander around for a few hours, and buy myself some candy and some new books before i started feeling okay again.

the thing about ace’s death, i think, is that it’s a tragedy, but it also feels so completely essential to the story going forwards and luffy’s character growth specifically that it’s really, really hard to imagine one piece without it. there are a lot of (really excellent!) fix-fics out there for marineford, and although those are often really good and their authors super talented, i think it’s really hard for them to ever hit the same way canon does with regards to this.

i always think of this scene specifically in contrast to zoro and mihawk’s fight, back on baratie. zoro and mihawk are both people who believe in honor in battle, true victory or death, and that’s reflected in their fight, in zoro’s refusal to turn and run even in the face of imminent death, and mihawk’s respect for that resolve. whitebeard, too, is an honorable man. he refuses to turn to run, even when facing certain death.

the blackbeard pirates, however, are not.

i do enjoy how, just like roger’s, ace’s execution backfires tremendously on the marines. this was entirely a predictable outcome, too! this exact thing happened twenty years ago! the marines don’t learn. they don’t change. they’re so assured of their own rightness and power that they make stupid mistakes like holding a massive public execution after the last one blew up in their faces.

(this is why they need coby so badly, for the record, and why it’s important that he still decides to become a marine after witnessing their corruption firsthand in shells town. the marines are long overdue for a reformation, one that orients them towards real justice.)

i really, really enjoy crocodile in this saga. mostly because he hasn’t been redeemed at all, he’s still pretty much the exact same kinda awful person he was in alabasta, he’s just on luffy’s side this time, and it lets us see him in a better light, when he gets angry at whitebeard for nearly dying or when he helps luffy and jinbe escape to keep the marines from getting their way. few of one piece’s characters are truly so one-dimensional as they can seem, and i really appreciate that.

i really really love all the interactions between luffy, ace and sabo as kids. they’re so fun and bounce off of each other so well. even though we only see them together for a brief time, they really feel like siblings. (which of course only makes later events hurt so much more.

i’ve always been a little fascinated by the fact that it takes us this long to get luffy’s full backstory. it’s almost a fakeout, because we get part of his backstory in the very first chapter, and we’re kind of led to believe that’s all there is. it’s not until ace’s introduction nearly two hundred chapters in that we’re given any indication there’s more.

but at the same time, it makes sense. marineford is luffy’s focus arc, as arlong park to nami or thriller bark to brook. he hasn’t had a focal arc that’s really about him before this, while all his other crewmates have. it makes sense that this would be when he finally gets his flashback.

i think it’s cool that dragon and the revolutionaries show up at the grey terminal fire, because it’s one of the only looks we’ve gotten so far into what their actual regular operations are like. and, of course, they’re saving people. i really like this about the revolutionaries, that helping people in trouble is basically their modus operandi, when pretty much everyone else in one piece’s world mostly does saving on an incidental basis if at all.

i think a lot about how the last line of sabo’s letter to ace is also both of their last words to the strawhats.

death in one piece always feels much realer and more impactful to me than in most other series, and i think this is part of the reason why: in one piece, we are always shown the mourning. nami at bellemere’s grave, carrot grieving pedro, ace and whitebeard’s funeral.

there are fewer deaths, comparatively, than most other series, but they’re given so much room to echo. we’re still feeling the impacts of ace’s life and death in the most recent chapters of wano. it ties into the theme of inherited will and all the way back to hiriluk’s final speech, of men not being dead so long as they’re remembered.

the picture of luffy at marineford always kind of strikes me. he looks so young and so solemn, and yet much more himself than he did when we last saw him losing his mind on amazon lily. i really like it.

sometimes i just think about the sheer depth of trust and love the strawhats must have in each other to separate for two years, far longer than they were ever together, to solely dedicate themselves to improving for the sake of crew and captain. none of them even hesitate, and none of them ever doubt that the crew will be reformed at the end of it.

after all, luffy keeps his promises.

#the voyage so far #one piece #opmeta #not japanese #arc: marineford #arc: post marineford #long post

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dappercritter · 3 years

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Godzilla vs Kong: Brutally Honest Thoughts

(Took me long enough, eh? Depending on home video releases be like that.)

So first things first, I have a confession to make: I spoiled the movie before I watched it. I was impatient and they had only announced an HBO Max premiere in the states and a theatrical run in Canada at the time. Afterward, I got heads-up from a friend and immersed myself in the opinions of those lucky enough to see it early. I’m just saying that I have some preconceived opinions that I’m sticking to.

That said, Godzilla vs Kong turned out to be more fun than I expected! But you already knew that. Everyone did. The two kings of movie monsters had their rematch and this time it was with glorious Hollywood SFX powering it this time.

The human story was fun but it’s clear they stopped trying at this point. Team Kong stole my heart, especially Jia. Team Godzilla (although the Conspiracy Crew would be a more fitting term since they spend more time chasing down mysteries than trying to back or understand Godzilla) was more fun than I expected and their dynamic was surprisingly enjoyable. Bernie is actually kind of funny, it's nice to see Madison acting more assertive, and Josh was fine--he was the only sane man of the bunch but he was also the butt of the jokes. Still, all the hardcore conspiracy jokes got old fast and it feels off seeing the daughter of two scientists turn into an edgy conspiracy crackpot. Why not an edgy science major?

Team Apex are fun villains, especially Walter Simmons who's a great megalomaniacal CEO type, but Ren Serizawa is a joke. I like his actor's performance but he's just another footnote. Nobody bats an eye at his last name, although the only heroes he interacts with are Nathan Lind and he just misses Team Godzilla. He really could have just been any other villain, but instead, they had to sully Serizawa’s legacy further while robbing a good actor of some interesting material. (As is, it turns out he was just an egotistical jerk with daddy issues--an easy puzzle to solve on day one--after all...)

However, I still cannot and will not approve of the fact that somebody thought it would be a good idea to make the heroes of a sci-fi story into hardcore conspiracy theorists in this day and age. Likewise, I’m not a huge fan of how they essentially made the Hollow Earth into its own universe complete with a crazy portal and an environment with its own laws of physics, nor am I totally crazy about the huge leap in technology that was made between this and KOTM, or G’14 for that matter.

The monsters as awesome as they are, are the biggest mixed bag in the show.

Kong is at his best in ages, and while I am all for the new heroic warrior character that Legendary have crafted and I acknowledge that making him a worthy opponent for their god-tier Godzilla was going to be a hurdle, I think they did a splendid job. Seeing Kong using agility and acrobatics was a glorious sight to behold, and something about Kong becoming a tool-user and weapon wielder just feels right. It’s a far better demonstration of Kong as a “thinking animal” (*wink, wink*).

I’m much less thrilled about their treatment of his greatest opponent ever. After everything they’ve done to build up Godzilla as the incredible force of neutral good fighting to maintain balance and all the build up to ancient rivalry debating back to a great Titan war--even going as far as putting his name in front Kong’s this time!-- they’ve reduced Godzilla back to glorified bully for Kong. He only gets the minimum amount of sympathy from the cast of his movie before they go off to deal with the conspiracy plot or focus on Kong and the Hollow Earth. Worse still, he is somehow more powerful and more aggressive than ever for a good chunk of the movie which leads to an outcome I’m sorry to say we all saw coming. Somehow, I suspect that the reason behind this was how Wingard cited Godzilla vs. Mothra, vs. Destoryah, and Shin-Godzilla as influences for the monsters scale and story, which while cool and all, are all movies where he was played up as a mostly stoic antagonist rather than a three-dimensional character like Kong. (Though ironically vs. Destoroyah and Shin did a better job of making Godzilla feel more sympathetic and in both of them he was a walking nuclear reactor meltdown.)

Due to the unfortunate time constraints of the three-way deal between Toho, WB, and Universal at the time this was in production, Kong was unable to secure a proper sequel that could develop his skillset like Godzilla’s did. Nevermind the fact the filmmakers completely surrendered to the “nothing matters but the monsters” mentality that a chunk of the fanbase has been spouting since this universe unofficially kicked off almost 10 years ago. (Sidenote: Oh god, I’m turning in an old fart already.) As a result, the movie trips over itself trying to set up Godzilla and Kong’s rivalry as well as building up Kong as a worthy opponent to Godzilla while expanding on their shared lore, and as a result countless plot points set up in in the previous movie and tie-in movie are thrown out the window. I’m sorry to say but in spite of all hopes and illusions of grandeur, it’s safe to this damn thing is a Kong movie with Godzilla as the bad guy.

...at least until HE shows up. Yup, Mechagodzilla. The biggest spoiled twist of the centuries steals the show so the movie can pull a Dawn of Justice. But! It does it much better than the fractured DCEU’s most controversial entry ever could. Mechagodzilla’s inclusion gets a decent amount of build up thanks to Team Godzilla/the Conspiracy Crew, and when he shows up, does he make an impression! At first, I wasn’t sure how to feel about his inclusion or his design, but I’ve come to like this one. He’s basically a kaiju terminator built in Godzilla’s image made purely out of heavy machinery piloted by the best Ghidorah head. It’s a jarring change of pace compared to previous MechaG’s but it grows on you after a while. With the abundance of weaponry stuffed into him, he feels like a fitting update of the original killing machine, and even if his inclusion feels like an easy way out of the big showdown, it’s fun to see him played as a literal colossal heel for the kings to team up against. Not to mention he looks shockingly good with those red highlights. However, one still can’t help but wonder how and why he was made in this universe, or how he feels like pure heavy machinery one minute and then an extra-large Ultron unit the next.

As for the the big throwdowns we’ve all been waiting for... well, we’re still in the mixed bag deparment. While the fights are all exciting and excellently choreographed, and benefit from some more eclectic lighting and cinematograph, I’m sorry to say that as far as the rematch of the century goes they dropped the ball on this one.

Don’t get me wrong, the fights are all great in their own ways, but there’s a drastic change in the feeling of weight and power with the monsters. Godzilla, Kong, and even Mechagodzilla all feel strangely floaty in most of their fights. One moments they feel like true behemoths shaking the very earth with every movement and then it’s like they’re in Godzilla Unleashed, running, jumping, and throwing each other around with speed that feels that almost makes you wonder if the Hollow Earth’s gravity inversion stuff is leaking out into the world. While it’s all perfectly cool, you can’t help but wonder how Kong is able to leap between aircraft carriers and buildings, when Godzilla got the ability to blow a hole through the Earth itself, or how a colossal machine is able to move so nimbly or why it has to be flashing blue all the time.

It’s fascinating and fun but you just can’t help but wonder how we got from almost posthuman disaster and war movies exploring how we’re at the mercy of the ancient almost mythical forces beyond our comprehension, we’ve found ourselves smack dab in the middle of Bayformers meets Jurassic World levels of Hollywood absurdity where anything and everything can and will happen in the name of getting to the monster fights. Although I can’t say I’m surprised given the director’s take on Death Note made some questionable choices with it’s take on the infamous cast while still coming up with some genuinely inspired choices. Still, all things considered we could have gotten worse compared to ther cinematic universes made by WB and Universal.

As for some misc. thoughts to close up this rambling mess:

-The soundtrack is fantastic. A great continuation of the feel of Skull Island’s mixtape with some truly wonderful picks. Special mention goes to the opening and ending songs, and they GOT AN ELVIS PRESLEY SONG IN HERE! YES!!! The three kings of pop culture together at last!

-While this movie didn’t need to be any more overstuffed, it would have been nice if the rest of the Titans didn’t disappear entirely from this movie. I get that Godzilla: Dominion already explained what happened to them all more or less, but it really is a missed oppurtunity that we never got to see another Titan war. Or Rodan attacking Kong to avenge his pterosaur bretheren from days long past. Speaking of which...

-“Save Mothra” jokes be damned, Mothra would have been a welcome gues star, not just to help break up the big fight, but to show off Godzilla’s softer, more protective side. And yes, I want more Mothzilla. Shut up, we deserve it.

-Boy, Monarch sure does a whole lot of nothing up-top, huh?

-The cinematography is a great update but there’s a little too much neon lighting, especially in the Apex HQ and the Hollow Earth throne room. It feels like they’re trying just a little too hard to sell the more futuristic, Hollywood sci-fi feel.

-The score is... great but not that great. Of course, I’ve always had mixed feelings about Tom Holkenburg (AKA Junkie XL)’s music. I liked Kong’s themes, but they REALLY dropped the ball with Godzilla’s theme. Mechagodzilla’s works really well as long you ignore that it’s just Godzilla’s theme in this movie with an ominious choir added in.

-The new Hollow Earth creatures are all perfectly fine. Actually, I thought they were another highlight! Especially the Warbats, Hellhawks, and Doug the Titanus Foetodon Man.

-I want to do a release the extended cut campaign but I don’t think any of us have the energy for that s**t anymore.

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skullsandwineglasses · 3 years

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Forever and Ever (2021) - Final Review

This is going to be an unpopular opinion but, I didn’t really enjoy Forever and Ever.

As a sequel, it was a little disappointing since they had to avoid the reincarnation plotline in order to get past censorship. So you would get hints here and there, a vague flashback now and then, but nothing explicit enough to be satisfying. And in the end, while it was kind of implied that they remembered, the writers relegated it all to being Shi Yi’s dream that she had while in coma and Zhou Shengchen reading her diary about the Nancheng general. As a standalone, I found the drama to be a little weak.

I enjoyed One and Only. It wasn’t perfect, but I was invested in ZSC and Shi Yi’s doomed romance. I bawled at the end. I was excited for Forever and Ever. It had a refreshing first few episodes with the FL being more assertive and the ML being nerdy and awkward. I like the role reversal, I liked how they had opposite personalities from their previous lives, I liked how they had different careers, I even found the step-mother to be an interesting character. The old-fashioned family dynamic is not a new trope, but it’s a trope that I haven’t seen done in a while in modern romance dramas. But, the plot drags on for so long. It gets so repetitive. Shi Yi keeps saying the same few flirty lines to ZSC every episode. By episode 15 or so, their relationship plateaus and feels stale. Nothing new develops between them. This differs from a drama like “You are My Glory” where the leads have a lot of growth and development between them at different stages of their relationship as they mature.

Forever and Ever isn’t the first fluffy drama to have no angst or misunderstanding between the leads, so there’s nothing new about it in that regard. In terms of a slice of life kind of romance, Remembrance of Things Past did more in 12 episodes than what Forever and Ever could do in 30. I think the most refreshing aspect of Forever and Ever is the awkward ML. I like the moments when they were learning how to be emotionally vulnerable with each other, like when ZSC didn’t feel comfortable crying in front of Shi Yi and Shi Yi gave him space to be alone but was always nearby if he needed her. Or when he was mourning in the bathtub and she climbed in with him while still fully clothed because he wanted to embrace her. That scene felt really intimate and made me believe that they were a real married couple. I also like how open the drama was about mentioning sex and co-habiting. They kind of justified it by saying how ZSC and Shi Yi already registered their marriage and so were technically legally married, but still. Shi Yi’s friend even outright asked her if ZSC was good in bed. Between this drama and You Are My Glory, it seems like idol dramas are becoming more bold and mature. I also like how consent is explicit (they each have a scene where they say “I’m ready” to signal that they are, well, ready). There are some cringey scenes, like when Shi Yi tries to seduce him but he doesn’t get the hint, but it’s cute.

In terms of subplots, I didn’t really like how they made Mei Xing fall for Shi Yi at first sight. While I appreciate that they didn’t make him a love rival, I felt that it was pointless (and unrealistic) to include that. All it did was make the audience anxious and also delay Mei Xing from reciprocating Wen Xing’s feelings. Wen Xing’s plotline really got to me though. She spent her whole life caged at home, caged by her illness and her family, and she never got to realize any of her dreams, and even when she died, she was haunted by guilt.

Wen Chuan is such a one-dimensional villain, but he’s got such a sleazy face.

Xiao Yu and Du Feng are also cute. They have the type of relationship you feel like you can actually aspire to because they had a meet-cute in the grocery store.

The grandmother is so wholesome. Shows that you don’t need to be blood related to be family.

Ci Sha who plays Mei Xing reminds me of Takeshi Kaneshiro. Still can’t believe he’s younger than Bai Lu. He looks so mature. But then again, Bai Lu (and Allen Ren) look younger than their age.

Overall, a nice and enjoyable drama that lost steam by the end, and this is coming from someone who was already sold on their chemistry in One and Only. I also enjoy slowburn dramas and movies, but this just got boring. I felt that even if I skipped the last 10 episodes, I wouldn’t miss much in terms of their relationship development.

#一生一世 #一生一世美人骨 #forever and ever #bai lu #allen ren #one and only #周生如故 #cdrama #cdrama review #白鹿

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twentiethcenturymoviesandtv · 3 years

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Star Trek: The Characters

Storytelling, especially where it regards movies and television, is always evolving.

Whether it’s in deeper themes, better effects, different genres, or evolving archetypes, there is always something that is changing, except, perhaps, where the importance of characters are concerned.

Characters are an integral part of storytelling, particularly where it concerns television. When it comes to television, the setup is everything, and the characters are part of that setup, that ‘home base’ that the audience returns to at the start of every episode. The characters are the people that the audience gets to know, who star in each adventure. Characters are what holds the audience’s investment, the reason fanbases tolerate bad episodes and praise good ones. In the end, the main characters keep an audience’s attention, making each episode, even the bad ones, enjoyable.

In short, characters can make or break a television show. It is vital that they be likable, or at the very least, interesting, lest the audience utter those eight deadly words:

I Don’t Care What Happens To These People.

Once those words are uttered, it doesn’t matter how gripping your narratives are. The viewers will start to leave.

See, while a film can get away with some lesser characters by distracting with an interesting concept, set-piece or a fast-paced story, television can’t. Thanks to a smaller runtime and a smaller budget, television, by necessity, tends to be character based. As a result, the main cast of a television show has to be able to work in multiple stories of different kinds.

This means that writing for characters on television can be pretty difficult.

The best television characters tend to merge two ideas together: That of relatability and entertainment value.

You see, television, like all stories, tells stories of exaggerated versions of reality, especially in the cases of science-fiction adventure shows like Star Trek. The only way to make an audience buy an unbelievable world is to create believable characters to place in that world, that relatability in the stories and characters. When we see McCoy’s frustration, or Kirk’s boldness, or Spock’s reservedness, we see elements of ourselves, our own personalities and lives. It is vital to make characters seem real, if not realistic.

The question is, does Star Trek manage to do that?

That’s the question we’re going to be answering today. Let’s take a look, starting with the Captain of the Enterprise Crew: James Tiberius Kirk.

Kirk truly was The Captain in every sense of the word. A Reasonable Authority Figure who did far more adventuring than realistic counterparts would have, Kirk was an Action Man, level-headed, dutiful, and always loyal to his ship and his crew. A Bold Explorer (it’s in the job description), Kirk, while not fearless per say, took the Chains of Commanding quite seriously, and would often face down hugely powerful beings, power-mad computers, or other forces beyond him in order to save his crew. A Determinator to the last, known for his interesting ways to think outside the box and refusal to accept a ‘no win scenario’, he is the unquestionable Hero of the show, the Leader, who often throws the rules aside to do what he feels is right, in a constant battle To Be Lawful or Good. He was a Charmer, an expert fast-talker, and very smart. In later installations of the franchise, Kirk would become a Living Legend, much as he became in our own pop culture.

All that being said, the common cultural image of Captain Kirk isn’t quite right. Allow me to adjust it, as best I can.

More than any other character in Star Trek, or perhaps the history of television in general, Captain Kirk is possibly the most misrepresented character of all time. Since the ‘60s, Kirk has evolved into an icon of heroism, machismo, and brash boldness, with even the recent Star Trek reboot depicting, not Kirk, but rather, the distorted, separate idea of Kirk in the modern light.

This idea, quite frankly, is just not right. While Kirk did have his share of romances, he was no womanizer, often entering into dubiously consented-to relationships reluctantly, in order to save the ship. The relationships he did actively pursue, he threw himself into wholeheartedly, and he was just as crushed as the other party every time they fell apart (for proof, watch City on the Edge of Forever or The Paradise Syndrome). Kirk was no player. As a matter of fact, he was a deeply compassionate man who respected the women in his life as much as he respected Spock and McCoy. It just so happened that the women in his life tended to not stick around, unlike his one true love: The Enterprise.

Even his reputation of the ‘Cowboy Captain’ isn’t accurate. As I mentioned before, Kirk was defined by compassion. His moments of ‘rule-breaking’ wasn’t to impose ‘the way he thinks things should be’, it’s because Kirk cannot bear to watch helpless people in trouble. The few times where he does break the famous ‘Prime Directive’ (To not interfere with less developed races) is to help. Kirk was a deeply moral character, determined to not stand by while people were taken advantage of. He wasn’t rash, either. While it may be accurate to say that the ship’s doctor, Leonard McCoy, was a bit on the hot-headed side, it is entirely inaccurate to accuse Kirk of the same. Kirk was an extremely smart man, a level-headed captain who was an expert at thinking fast. He trusted his instincts, but he trusted his advisors too, often finding a balance between McCoy’s impulsiveness and Spock’s cold rationality. Kirk’s intelligence and competence is often lost, overshadowed by his more extreme companions, and some audiences have forgotten the truth of Kirk’s character: a cunning problem-solver capable of saving the day under enormous pressure, whose decisions are far from based in irrationality. He is a romantic, duty-bound to protect his ship and crew, greatly exaggerated and mis-characterized in the years following his captaincy.

As such, Kirk was a well-rounded, balanced character, far more three-dimensional than the modern idea of him tends to give him credit for.

That’s all well and good, sure, but how does he fit as a main character in a television show?

As a matter of fact, absolutely incredibly.

Kirk serves as a wonderfully effective lead, compelling, entertaining, and interesting. Infinitely more developed than most leads of his time, and even more modern examples, Kirk was a game-changer, a revolutionary kind of protagonist who just worked. The perfect balance of the main trio of the series, Kirk is the perfect face for Roddenberry’s ideals: a hopeful pragmatist, an idealist who proves the best of humanity: compassion mixed with intelligence, boldness combined with understanding. A man of action surrounded by True Companions, Kirk was an extremely gripping protagonist who felt intensely, a perfect person for the audience to connect to and be invested in. He drove the stories, opposed the villains, and always saved the crew, as a hero should, but it’s important to note that Kirk was hugely human, possessing many of our greatest attributes, but some of our failings as well. He wasn’t perfect. Sometimes he made the wrong choice. In the end, though, he was us, or us as we should strive to be: always learning and helping, and always reaching for the stars.

But of course, Kirk wasn’t alone in his position as the ‘lead’ of the show. It’s doubtful the show would have survived in the popular culture as well as it did if it weren’t for his support team, his True Companions: Dr. Leonard McCoy, and, more famously: Mr. Spock.

If Kirk represented the best of humanity, Spock represented the critique of it. In a previous article, I pointed out that Spock exists as a very unique character: a half alien, half human crewmember who, while equally valuable to the script and the characters as Kirk was, served a different purpose: to point out and explore humanity from the outside.

Like I’ve mentioned before, Spock is a different sort of character than Kirk is. Where Kirk is a demonstration of the best of humanity as we see it, Spock is a demonstration of humanity as someone else might. He served as a criticism of the human condition, a character at war with himself and his heritage, split between the emotional humans, and the rational Vulcans. Spock is the Number One, almost Comically Serious as he eschews his more illogical half and chooses to embrace the stoicism of the Vulcan people. A Gentleman and a Scholar, Spock has Hidden Depths, a heart of gold and deep emotions that he usually succeeds in hiding.

Most of the time. More on that in a minute.

Spock’s role in the show was The Smart Guy, the Stoic who had all the answers, all the statistics. He was the champion of impartial logic, of cold rationality. His job was to give Kirk the hard answers, to bring to him the facts and give him their options, especially the unforgiving ones. He is the cold to McCoy’s hot, a stern-faced, cold-blooded computer.

Or is he?

Much like Kirk, there is a lot more to Spock than meets the eye. While the cultural perception of Spock has often mutated into a parody of itself, much as it has done to Kirk’s reputation, Spock remains a much deeper character than he, or a brief skim of the series, lets on. As I said earlier, Spock is at war with himself, uncomfortable in his own skin. He insults humans for their humanity, but has strong, deep friendships with them. He is not above expressing frustration and their emotional natures when pushed (usually by other forces that knock his guard down), but isn’t frustration a human emotion?

Spock is a bag of contradictions, a supposedly emotionless master of sarcasm, a man without feeling who invites his close friends (emotional humans) to a private Vulcan ceremony, a cold-blooded creature with undying loyalty who occasionally makes ‘illogical’ decisions that would make Kirk proud. A lover of music and a sympathizer to space hippies (Not one of Star Trek’s better episodes, admittedly), Spock was an outsider who fit neither fully as a Vulcan or Human, a person who was struggling to find his place in the universe.

At first, this seems incongruous with the ice-cold exterior he projects, however, rather than being an example of inconsistent writing, it’s a shining example of development and nuance.

You see, Spock never gives up his following of logic. He just begins to approach it differently.

Spock’s style changes slightly as Star Trek progresses (most notably in the films, released ten years after the show’s final season), from cold, ‘computer’ logic to something else: human logic.

One thing of especial note in the original Star Trek show is that you could see characters visibly affecting one another. Kirk, Spock and McCoy all influenced each other in the ways they thought, reacted, and planned, and worked best as a unit. In this, the humanity of the main cast affected Spock in his slow, reluctant appreciation of human merits. In time, Spock began to make one or two decisions based on human logic, intelligence and emotion. In episodes like The Menagerie or The Galileo Seven, Spock makes decisions that seem out-of-character for him, based in emotion.

Spock is, in many ways, Star Trek’s best known and favorite character. The most visibly recognizable, as well as the most distinct, Spock is given more episodes exploring him than any other character, with installments like Amok Time and Journey to Babel, (the latter of which we explore his parents, and discover why it is that Spock has such a hard time with his human half) helping to examine Spock as a character.

The end result was a beloved science fiction icon, Kirk’s right hand man, an analytical, fascinating character as well-crafted and loved as Kirk himself.

Spock and Kirk are often remembered fondly, and are typically considered the most memorable and iconic characters of the franchise, but they don’t work alone. Their dynamic is as effective as it is because of balance. Spock is one extreme, and Kirk is the middle, but it’s no good without the other extreme: Dr. Leonard Horatio “Bones” McCoy.

McCoy is all hot-blooded human, the third of the main Power Trio. An old-fashioned competent doctor who wasn’t entirely thrilled with deep space, McCoy is a deeply emotional character, duty-bound to follow his morals. He clashed with Spock regularly, routinely criticizing him for his perceived lack of emotion. Despite the fighting, McCoy respected Spock greatly, counting him as a close friend, despite their arguments and different perspectives. A cantankerous pacifist (though not above getting into the action when needed), McCoy is a Super Doc and a Sarcastic Devotee, a Grumpy Old Man who serves as the Heart to Spock’s Brain (hah!), a man who values Honor Before Reason who values the Good Old Ways. He’s a Determined Doctor who does everything he can for his patients, and a Deadpan Snarker to the point where he can match Spock in verbal sparring.

Bones represents the unpolished rawness of humanity, getting carried away with his emotions sometimes, but always with the best intentions. Another Jerk with a Heart of Gold, McCoy’s gruff nature accompanied a deeply moral man, very concerned with human empathy and doing the right thing. No philosophical discussion was complete without McCoy’s two cents, telling Kirk what he thought the right thing to do was. He was the quintessential Knight in Sour Armor, who would follow Kirk to the ends of the earth, complaining the entire way.

Despite the fact that he’s not as well-known as the other two members of the Power Trio, Bones was a vital component to the True Companions dynamic. His Vitriolic Best Buds relationship with Spock made up one of the most interesting and compelling dynamics on the show, serving as perfect counterbalances to one another. However, although his most famous role in the show was arguing with Spock (and delivering phrases such as ‘He’s Dead, Jim’), there is another, equally important position that he held in the trio.

McCoy served as a foil to Kirk, as well as one to Spock, a confidante, a close friend, providing perspective. While Spock was focused on the logic, Kirk on the best thing for the mission, McCoy’s focus was purely on the ‘patients’, the people, the right thing to do. No matter the situation, McCoy was the closest to empathy with the people involved, and provided the audience with another surrogate, saying the things that the viewers are thinking.

While not being a terribly big fan of space (and liking transporters even less), Bones was the epitome of the Frontier Doctor to the stars, taking care of every patient, even if they weren’t humanoid (Devil in the Dark) or a heavily pregnant woman who refuses to listen (Friday’s Child). McCoy was painfully human, reminding us of our most problematic traits while also holding onto that wild, fiery compassion that made him so incredibly humane, relatable, and understandable, making him just as vital to the Enterprise and her crew as Kirk or Spock.

The trio worked best together, providing a perfect main cast for an audience to follow. The formula was an interesting one, allowing the audience to hear separate viewpoints and ideas, listen in to the philosophical banter, and truly feel the strong friendship holding the leads together. The dynamic between them was powerful, an extremely vibrant bond that connected all three very different characters.

The result? Extremely dynamic characters that remain iconic and memorable even to this day.

But the cast didn’t stop there.

The other characters of Star Trek, while not quite possessing the pop-culture iconography of the main trio, still hold their own rather impressive cultural footprint.

None more so than the chief engineer, Montgomery Scott.

Scotty’s job was to be a miracle worker, solving impossible problems in impossibly small amounts of time. Whether it was the transporters, the phaser banks, the shields, or the engines, Scotty was the man for the job. Nobody had a better understanding, or love for the Enterprise than Scotty (except maybe Kirk). He was the king of outside-the-box solutions, and had the Enterprise jury-rigged to push her past her limits more times than can be easily counted. As the name implies, he was also Scottish, and extremely stereotypically so. Kilt, whiskey, haggis and all, Scotty was extremely proud of his heritage (though not quite as much as Chekov). Fitting the traditional stereotypes, Scotty had a fiery temper, with a Berserk Button triggered by any insult to the Enterprise. A Gadgeteer Genius (and the inventor of Scotty Time) as well as a Genius Bruiser, Scotty was both the brains and brawn, more than capable of holding his own in a fight, or thinking of a new, creative way to push the Enterprise past her capacity.

Scotty also held the distinction of being third in command, routinely taking the Captain’s chair when both Kirk and Spock were in the landing party. He was also the focus of a few episodes, making him a rare character with a Day in the Limelight, with episodes such as Wolf in the Fold, The Lights of Zetar, By Any Other Name, and The Trouble with Tribbles giving him a little more screen time and story than is typical. Scotty was an indispensable member of the crew, a life-saver on more than one occasion, and another of the legendary, iconic characters of the original Star Trek.

But it didn’t stop there.

Lieutenant Nyota Uhura was another prominent character. As the ship’s communications officer, she codified the term ‘Bridge Bunny’, although she proved herself far more useful than she’s typically thought of. Whenever given the chance, Uhura is a capable Action Girl, intelligent, witty, and good at her job, being extremely fluent in multiple languages. She too got her days in the limelight, with episodes such as Mirror Mirror, The Gamesters of Triskelion, and The Trouble with Tribbles giving her more to do than just sit at her station and say ‘hailing frequencies open’. Uhura was Silk Hiding Steel, not typically in the heat of the battle, but tough as nails when she had to be. (I’ve talked about Uhura’s extensive influence on the real world in the Legacy article, but even that doesn’t scratch the surface of what Uhura’s impact has been.)

There were others on the bridge crew of equal importance, including the ship’s helmsman, Hikaru Sulu.

Sulu was a level-headed officer, amiable and cultured, with an extensive knowledge of botany, fencing, and antiques. Yet another Deadpan Snarker (it must run in the cast), Sulu is another Genius Bruiser, as skilled in fighting as he is in his piloting, with a great sense of humor. He is given special attention in episodes like Mirror Mirror and The Naked Time (Albeit as evil, and Brainwashed and Crazy), but often got great character moments in multiple episodes (especially Shore Leave). A reliable officer and loyal to the core, he made an interesting character by himself, although he did end up forming a fun ‘Those Two Guys’ dynamic with the youngest of the cast, Pavel Chekov.

Chekov was introduced in season 2 as the navigator of the Enterprise. A bright young man with a fierce, passionate loyalty to Mother Russia (which evidently invented every good thing known to man), Chekov tended to be at the receiving end of a lot of the embarrassing agony in the series (mostly because Walter Koenig had a great scream). Also serving as a relief science officer, Chekov was plenty smart, if a bit of a Cloudcuckoolander, and the king of Cultural Posturing. Reckless and impulsive to balance Sulu’s calm good humor, Chekov’s temper tended to get the better of him. Like the others, he’s given a bit more screen time in episodes such as Mirror Mirror, The Trouble with Tribbles, The Way to Eden, The Deadly Years and Spectre of the Gun, but got to shine in plenty of other episodes, demonstrating his capabilities (despite being ‘The Intern’ and the Plucky Comic Relief) as a competent officer. Unsurprisingly, he was yet another Deadpan Snarker, lending his style of jokes well to bounce off of Sulu’s drier humor.

But there was more to the crew than the bridge.

Another crew member of note was Christine Chapel, one of the nurses who operated in the sickbay. Chapel was notable for having an attraction to Spock, as well as being another in the long line of Enterprise Deadpan Snarkers. One of the most caring of the Enterprise’s crew, Chapel was given larger roles in episodes like The Naked Time, What Are Little Girls Made Of?, Amok Time, and Plato’s Stepchildren.

Arguably though, one of the most important characters in all of Star Trek was the Companion Cube: the Enterprise herself.

The Enterprise was one of the most powerful ships in Starfleet, a character in her own right. The epitome of the Cool Starship, the Enterprise was well known for Explosive Overclocking, and always coming through in the end (with a little help from Scotty). A Lightning Bruiser of a ship, the Enterprise became as legendary as her captain and crew, as beloved as the characters themselves to the point where one of NASA’s shuttles was named after her.

The characters of Star Trek are legends, both in and out of universe, and they are for a reason. No member of the crew is useless. Everyone has a purpose and a job to do, and each was distinct and unique. No two characters were the same, and each brought their own special personality and abilities to each episode they appeared in.

And that’s what made the drama of the show work so well.

Each character felt real, memorable and genuine. We as an audience worry for them with each danger, and cheer with each victory. We liked these people. We cared about what happened to them.

And they worked.

In each scenario and situation, the characters found new and interesting ways to deal with the circumstances, while never losing the core elements of their personalities. That’s important, hugely so. These characters were loved, and still are, for a reason. They work very well as characters, both in main and supporting roles, providing entertaining and compelling figures for the audience to invest in. The balance between relatability and entertainment was hit perfectly for every single character, allowing everyone to shine in their own ways in each episode. They felt real, and in the end, that’s the point of a character.

After all, one doesn’t get to be some of the most iconic television characters of all time by being boring.

Thank you guys so much for reading! Join us next time as we discuss Star Trek’s place in the times and the culture. If you have anything you’d like to say, don’t forget to leave an ask! I hope to see you all in the next article.

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pochiperpe90 · 3 years

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Interview with the director of “They Call Me Jeeg”

Interview with director Gabriele Mainetti about the movie and the Zingaro (Luca Marinelli)

When I think back to “They call me Jeeg” I think of the Zingaro. In your film there is one of the most beautiful villains of Italian cinema of recent years, how was he born?

We wanted to create a villain that wasn't just bad. We wanted to give it a three-dimensionality, complicate it and make it fascinating and original. In my opinion, the Zingaro is a very successful character and much loved by everyone for a specific reason: because they feel him close. He is the victim of what is a bit of a contemporary neurosis, that is, the need to showcase himself. We are now victims of how many likes we get on social networks and how many views does the video we post on YouTube, and he’s interesting because when he was a kid he performed in a singing interpretation on ‘Buona Domenica’ and then he lived what many people did: he become a meteor (it means that his fame lasted very little). But it’s as if he had never accepted it and brought with him this narcissistic attitude, and he wants to become a respected and almost famous criminal, but it makes no sense, because criminals when they become so important have to live in basements, it's not that you can show off, so it's a bit of a nonsense, and that's all the madness of the Zingaro.

It was interesting, because when I met people to do the auditions they all came with - as they say in Rome - 'the nostrils of the nose widened like bulls', as the kind of bad guys who beat you. But the Zingaro is an intelligent, sophisticated character, with a talent, who can sing, elegant, who has his own aesthetic idea, he is beautiful, and therefore I needed someone who would bring me the intelligence of the character, and Marinelli although at beginning was very distant from what you saw on the screen, had made me glimpse this necessary feature.

The stakes were high. It was difficult after seeing Luca Marinelli as Cesare in Claudio Caligari's ‘Don't Be Bad’ to think that in a few months he would be back with another strong character.

I shot a year before ‘Don't be bad’ and this helped him a lot, he always recognizes it when he can. Luca was far from the peripheral element, he is a boy who grew up in a modest family, in the streets with his friends, but still he was in Prati, he wasn’t in San Basilio, in Tor Bella Monaca or Corviale. He has never experienced one of these realities, and this character must have had this reality in his blood here, and the need to redeem himself socially and find the famous 'turning point' of the criminal. I took him, took him to Tor Bella Monaca, we did a lot of tests, it was a very intense job. At the beginning there was a moment of jealousy, not because the ‘Maestro’ had taken him, but because it was released first, but it was right. At one point I said: "What do I care!", Caligari taught me so much with two films - if they say that Caligari has made little cinema, it’s the biggest bullshit that can be said, because in Caligari’s movies there is more of that cinema that in a hundred films of many morons. The fact that he saw this light inside Luca and the fact that I also saw it inside him, means that something works. I love Caligari, I love him as much as I loved ‘Don't be bad’.

I admit I was almost upset when at the press conference at the Quattro Fontane, here in Rome, Marinelli arrived in plain clothes, not dressed as the Zingaro …

He is very shy, very reserved, he’s exactly the opposite of his character. Paradoxically in life Santamaria is the Zingaro, and Enzo is Luca Marinelli …

The nice thing about the Zingaro is that we discover his character and his past little by little, when we think that the character has been defined and yet, not really. I loved his unexpected obsession with Italian singers, four queens of the Eighties: Loredana Bertè, Gianna Nannini, Nada and Anna Oxa …

We actually had an Italian singer in mind but we were unable to involve him, we thought of replacing him with another singer but we continued to find only women and we said to ourselves "but she doesn't have the power of this one", and in the end the idea: "but why don't we take several, as if he was an expert?", and this thing was born a lot with Luca, especially the musical choice, we went there, we evaluated them, we discovered which ones we could use - because you know music always has a cost ... I am a lover of all four singers put in the film, TOTAL, which should probably lead me to question myself about my sexual orientation, right now I continue to heterosexualize everything, but I love them, a lot, and I loved Anna Oxa when I was little, Berté despite now looking like Mickey Rourke is always super, great, she always has a crazy voice.

Since we met the Zingaro, with some of my friends, we greet each other with: «C’è una ragione che cresce in me»

To think that someone posted to me on the Internet: "If I started singing such a shitty song, it means that the film is really beautiful!", and I replied to him: "But how dare you saying that “Un’emozione da poco” is a shitty song, you are a shit!».

What was it like shooting the scene in which Luca Marinelli, in a shady club, sings and dances in a sequined jacket, shirtless, with just a glove, with his hair back, with high-heeled boots and tight pants, the song by Anna Oxa?

Luca did it I think 15 times. In the end, the voice was right, Luca has a very strong voice, he is very resistant, he never loses control. I made him do it a lot of times, because he wanted to make it perfect and I kept following him. I have told it through many fields. We have thought about it a lot.

Look, the Zingaro was a very difficult character. The look, how to throw his hair, how to dress him, how he had to sing, how he had to perform, which tattoos… is the character we have thought about the most. Then if you notice he is clearly a quote from David Bowie's Ziggy Stardust, especially in the final part.

Another thing that I liked so much about your film is that there are no good and bad characters. Bad guys are never just bad guys. And it’s precisely the weaknesses of the characters that make them close to us, the Zingaro who sings at the top of his voice “Non sono una signora” in the car with friends as if he was at the stadium, Enzo who eats the usual cream pudding in an atmosphere of extreme desolation in front of the TV, Alessia fixed with a single DVD, a cartoon for children. “They call me Jeeg” is a film about superheroes who are real people, who are so real that at different moments in the film we identified with a different protagonist of the three.

Thank you so much because this thing you say, is not easy. Usually the emotional vehicles are always one or two, three is tough. It all depends on how the writing is set up. The character is the most important thing in the film, because it’s the emotional vehicle of the viewer. In America they had already tried it in some films. Super didn’t have super powers but he was a sort of vigilant who disguised himself and went to do good, he was a loser in an American town who clashes with this boss, microboss of the underworld, and must kill the Evil. The Manichean vision between Good and Evil, which is very American, still makes me laugh.

This attempt to mix what I call the ‘Pasolini element’ with the ‘fantastic element’, which I had already tried in my short films ‘Tiger Boy’ and ‘Basette’, comes naturally to me. You know, I was lucky enough to have done the American school, I was part of the University in New York, my grandmother lived the first years of her life in New Jersey, I have relatives in New Jersey, my sister lives in America, I have a very "happy" relationship with America, the American system is total crazy, but I understand their cinema, and I understand their fictions, and I understand why we digest some things and we don't digest others, I know how we work. For me, the only way to get to the suspension of disbelief was to tell characters that are as real as possible, then hook on to a very strong experience. Because if you are so passionate about him, you can't not believe him when he has super power, but he has to react to super power as anyone would react. They are really well written.

This thing here makes me laugh ... No one has ever focused on this thing. This guy falls from the top floor and runs away! Escape! What the fuck are you running away for? He wasn't hurt but he runs away, he has to run away because he's afraid, he goes back home and if he has to, he can't think about it yet, he doesn't think about it yet, but it's typical of someone who doesn't want to have responsibility. Then when he gets angry that he punches the wall, he still struggles, and when he becomes aware of the fact that he has super powers, since he is a criminal, what does he do? He rob an ATM, to buy more yogurt. That's where the stuff works. If, on the other hand, you made him fall from the top floor and then say: "Damn, I’m so strong!", he would jump again, climb up, smash his head, gut, takes his cocaine, it seemed, you know ... but what are we talking about.

The 80s songs, Buona Domenica, YouTube, superheroes, the Roman suburbs, the Olympic stadium ... the mix of elements that are part of the story of “They call me Jeeg” could be very risky, but the way it’s narrated makes this a winning combination. You tell things you know without judging them.

Exactly. Many kids call me and tell me: «Ah, but how did you do it, but how did you do it», «How it should be done» I replied: «Guys, you should talk about things that concern you!». You have to talk about the things that belong to you, and try to insert them into what the cinematographic genre is, that genre has its codes, if you want to do an even more extreme operation, but I don't recommend it, you have to completely subvert them. But you have to make it work for what you are doing. I am an admirer, for example, of Puglielli's ‘Dorme’, it's a WONDERFUL film; he recounted the frustration of his height, which is actually a shortness. We must start from the things we know, from our frailties. Unfortunately, the American superheroes, especially the Marvel ones, lately, are all plastic. I always ask myself, a question that always arises spontaneously, but how the fuck do they put all that spandex stuff on? How do they get into it? Do they all oil themselves first? It looks like a wetsuit ... I find it really ridiculous. In fact, it's not that I don't like superhero movies, I like Batman, because he still has a great internal conflict and everything, but here I need characters with great fragility. My favorite superhero movie is The Guardians of the Galaxy, because I know five ramshackle people who have the responsibility of saving the world. And they manage to do it, how? Because they establish a true relationship between them, which is that of friendship, and realizing that they love each other, they understand that they can also love others and say to each other "Oh well, let's save these assholes", it's fantastic, it's fantastic, it's beautiful. I can empathize with them. Certainly with Superman I can’t, I can’t succeed.

In the days I watched “They call me Jeeg” I had arrived at the third episode of Jessica Jones, the Netflix series in which the protagonist takes the opposite path of Enzo, from superheroine to 'normal' person, investigator with somewhat special powers. What do you think of recent series or movies that have a superhero at the center?

I saw the first two episodes but it bored me a bit. Deadpool is just the answer to this clean cinema, with him farting, getting sodomized by his partner and he's nice, but he didn't convince me too much, because he is in reaction to the plastic of these super heroes, and therefore he mocks everyone. But I don't give a damn about that either. I want the story of a person, I want the story of a character, that's the thing that excites me. I saw Daredevil and I didn't mind, it wasn't bad.

The background of Rome in “They Call Me Jeeg” is an important component. Are there any Italian films set in recent years, in the capital, that you care most about? I think of Romanzo Criminale, The great beauty, Don't be bad, Suburra.

They are very different films. Sorrentino has such a unique look that one cannot fail to recognize it. Formally it’s indisputable. Sometimes, from a content point of view, there are some things that I probably can't grasp, and I don't know if it's my limit; I like to get excited, the staging excites me, but I don't know, I love ‘La dolce vita’, I love Fellini, I love ‘Otto e mezzo’, that distorted and grotesque vision that he had ... but there is no comparison, that would be nonsense.

“Don’t be bad” is certainly the one that excited me the most. Who wants to make a certain type of cinema, social cinema, committed cinema, should study this ability of Caligari (but how much has he been criticized? Because yes, "Masterpiece" and that and that, but everyone criticizes a lot of it, because they are infamous ‘rosiconi’ → jealous people in the Roman dialect). What Caligari teaches is that he puts you next to a character with extreme problems but makes him feel like a friend, makes you understand that he is like you and allows you to identify. He has a deep friendship which is that between Cesare and Vittorio, he has a love story, the character of Cesare, as well as that of Vittorio, even the drug itself is experienced as fun at the beginning, as a sort of pact of love between the two of them, then you understand many things, that is something that is a great lesson in cinema, it’s a lesson in profound cinema, of cinema that interests me, cinema that excites you.

Romanzo Criminale is a very successful genre operation, which has highlighted the possibility of tackling the genre when it was thought to be banned; when I had this subject in 2010 I used to shoot like a jerk for all the productions and they said to me that: "Don't have to do this thing, because it doesn't make sense, genre cinema isn’t liked in Italy, it doesn't work, it's a waste of time, among other things, we don't have the skills to organize it», and instead Romanzo Criminale, then the series, then Gomorra the series, Suburra, now they make Suburra the series, is telling the opposite. Fortunately there is a Romanzo Criminale, fortunately there is ‘The Great Beauty’ who won the Oscar, fortunately there is ‘Don't be bad’.

DUDEMAG

Just wanted to translate this old interview for the non-italian’s fans ^^ (sorry for my English)

#Luca Marinelli #gabriele mainetti #they call me jeeg #lo chiamavano jeeg robot #interview #english #english translation #mine #lo zingaro #old interview #don't be bad #non essere cattivo

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cinderelliee · 3 years

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My final character opinions before Chain of Iron...

Just finished my reread of Chain of Gold ahead of Tuesday’s release!!! I am posting my thoughts/opinions of the main cast so that after Chain of Iron I can see how or if my feelings change. Spoilers: most of my opinions are going to be that I don’t know enough about them lmao. I love the big cast of characters, but that unfortunately also means less time is spent on each one.

Disclaimer: I know that I love some characters that people hate and vice versa. My intention is not to start anything, but more to be more open about what I think about the characters. It’s okay to disagree and just because I say I don’t like a character, it does not mean I believe they are badly written...

Alastair Carstairs:

One of my favorites of the series, and possibly TSC as a whole (let’s see how the series goes first). I love him so much and I can’t wait to see how his story goes. I love that he keeps everyone at arms length and pushes everyone away, but he would also go to any length for the people he loves. I think he has a gift of being able to see people as they are, and notice things others don’t. Probably why he was the one, not Cordelia, who saw what was wrong with his father and kept it from his sister. I’m sure he used to look up to his father like Cordelia did, but instead suffered great disappointment when he learned the truth. And then when he went to the academy, finally having some time away from it, all he found was more disappointment. He did what he thought he had to to survive. And I think along the way he sort of lost himself.

I do think Alastair should make amends with the Merry Theives, but less for their sake and more for his own. I think his journey is more about finding and forgiving himself. There are other ways to live and survive than hurting anyone who gets too close to you. I think he started that journey in Chain of Gold when he dyed his hair back to black and broke up with Charles. But fixing yourself is easier said than done, it’s not one choice, but something that you strive for everyday. His journey actually reminds me a lot of Matthew’s; they have a lot in common and I think their paths will parallel each other’s. I also think Thomas will be a catalyst for Alastair’s growth, as well as a helping hand.

I can’t wait to see his dynamic with the characters this next book as he tries to return to his true self. It’ll be interesting to see how his relationship with Elias plays out too.

Anna Lightwood:

I really like Anna so far. I think she’s very unique and exciting. I love how dedicated she is to being true to herself, but at the same time cares deeply about her loved ones and shows it. Often times I feel like characters like her often act like they’re above showing affection towards their family, so I was pleasantly surprised when she wasn’t. This is probably because her parents love and support her, so she never had to scorn familial love.

Romantic love is a different thing. Now, my two pieces about her life style is: why don’t we all just have a good time. I know there’s some people who didn’t like that she called her many partners ‘conquests’ and that she had a little black book. But I didn’t really see that criticism until recently and I’m confused as to what people thought Anna was doing? Would they rather her not keep track and forget them all? It’s perfectly healthy to explore your sexuality as long as you aren’t harming yourself or others. I know Anna is seen as older, but she is still only 19 (I think? 20 at most right?). She’s still on her journey to figuring out who she is. She is a bit self-centered and definitely privileged (see her relationship with Ariadne), but if she didn’t have flaws there would be nowhere for her to grow from. I highly doubt Anna will be living her seductress lifestyle by the end of the series

Personally, I cannot wait to see how her relationship with Ariadne plays out. Hopefully Anna will have some healthy confrontation with how she reacted to her heartbreak and why. Anyway, Anna is definitely one of my favorites.

Ariadne Bridgestock:

She seems like an interesting character, and I like how she’s not afraid to go after what she wants. I’d like to know a little more about her past and motivations. I also think she’s in a really difficult situation with her family and who she is/wants to be. I think she made a really understandable choice when she engaged Charles, and I support her journey in winning Anna back (I don’t not agree with the people who judged her for not backing off from Anna. She is fighting for who she loves and we are all fools in love). I think she has a lot of potential, but I can’t quite say that I like her yet since she’s probably the character we know the least about.

Charles Fairchild:

No opinion. I don’t love or hate him. No feelings whatsoever. The only thing I care about is the possible drama he will cause for Alastair and Thomas or the Clave as a whole lmao

Christopher Lightwood:

This boy is great! I have no complaints about him at all. He is precious. Honestly I’d just like to see more from him! His lines always make me chuckle. Also I’m not convinced that he would be able to create a antidote before the Silent Brothers would’ve been able to. But whatever, it’s just a story so who cares.

Cordelia Carstairs:

I just think she’s really neat. She is a fantastic protagonist and definitely on her way to becoming my favorite TSC lead, other than Tessa, obviously. I love her strength, kindness, relentless resilience, and how headstrong she is. I think it’s hilarious how straightforward she is. There’s so many scenes where she just says exactly what she’s thinking and just surprises everyone around her because they underestimated her or never expected her to so forcefully share her opinions. I adore her relationships with everyone. Her and Lucie are adorable. Her relationship with Alastair is so sweet and watching them rebuild their relationship was one of my favorite parts of the book, and definitely something I’m looking forward to. Matthew and Cordelia’s relationship is one of my favorites from the book; I love how they challenge and surprise each other (I think they could learn a lot from each other). Her interactions with the Merry Theives in general are perfect.

One thing I will say is there just wasn’t enough of her. I was very surprised when I read it that James and her were basically co-protagonists. I didn’t expect James to have such a prominent role, usually the split between the girl and boy lead is 60/40 at most, but this felt more like a 50/50 split. I just would’ve prefered more from Cordelia I guess, but that’s just me.

Grace Blackthorn:

So at first I was neutral towards Grace. I didn’t care about her at all, but after I came online and saw how many people hated her and acted like her was a villain, I started liking her more. She obviously is a victim of her mother’s manipulation and she doesn’t want to do what she’s doing to James. It’s clear to me that she is doing what she can to survive and to help her brother, the only person she truly cares about. Since she is also one of the few characters that it’s unclear where her story is going to end up, I am curious to see how her story goes.

I know there’s some people who just wanted her to be a villain, and I totally get that. But I feel like if she was, we would get a less complex character. Cassie’s villains, with the exception of Jonathan perhaps, tend to be one dimensional (which is fine because that’s not the reason I read her books anyways!). I also don’t really think she needs much of a redemption arc because she’s just trying to survive.

James Herondale:

This is where I’m going to get a little unpopular. I don’t love James, BUT I don’t hate him either. I am just not interested in where his story goes at all. I think I get what Cassie’s goal was with his character. He doesn’t have Will and Jace’s dark past and he’s not a morally grey bad boy like Julian. James is caring and sweet and noble and has a good family and I can totally see why people like him. For me, he still fills the same exact role that I’ve seen, not just from Cassie, but other YA books as well, and I’m just tired of it. His motivations are doing whatever he can to protect his loved ones and doing things because they are the right thing to do. He is willing to lay down his life for the greater good. I just can’t see anything about him that feels new. The only times I’ve felt anything towards him is when Jem, Cordelia, or Matthew were making me feel something for him.

It could be because I don’t really care for Cassie’s plots and his arc is so heavily involved with all the Prince of Hell stuff. And the bracelet just pisses me off in a bad way. The solution to it is so simple that it just frustrates me, but does not intrigue me at all. I will say I like him better with the bracelet off so I’m hoping in stays off this next book so I can enjoy his POV a little more. I really want to like him, but I just don’t connect with him at all. I wish Cassie had come up with something other than the bracelet as well.

Jesse Blackthorn:

Imma be honest: at the moment I don’t really care about Jesse either. I don’t know enough about him. But it seems like we’re gonna get more from him this next book so I’m reserving my judgement until then. In Chain of Gold I noticed most of his scenes were pretty expository or he was passing along information, but we never really got to know much about him. Hopefully I will like him in Chain of Iron though!

Lucie Herondale:

I really like Lucie so far! My favorite part about her is that she is so practical, but also able to loose herself in whimsical fantasies. She is totally 100% Tessa and Will’s child!! I don’t have much to say other than I love what I’ve gotten from her so far, but I just need a little bit more to connect with her. I’m hoping Chain of Iron really explores her darker side and her motivations. I kinda have a feeling this next book will either make or break my opinion of her.

Matthew Fairchild:

Anyone who has been following me for a while now could probably guess that Matthew is my favorite from TLH. I don’t know what it says about me, but I relate to him on a personal level. Although I haven’t made the same mistakes he has, (thank heavens for that!) I do know how he feels. I do know what it’s like to have something happen, that’s completely your fault, and have it change your life into something completely different than you thought it would be. I have made a lot of posts about him so if you want more in depth details, they are on my blog.

I’m just going to say that, very similar to Alastair, I think that Matthew has a lot of amends to make, to everyone in his life. And his journey is what I look forward to the most. He’s made a lot of mistakes, huge ones, and I know it’ll probably get worse before it gets better. But I hope his story isn’t going to be as sad as everyone believes, (I don’t think it will be, since a vast majority of Cassie’s characters eventually get happen endings) it just means a lot to me that his character doesn’t end up a tragedy. Like I said before his relationship with Cordelia is something I am really looking forward to. And his relationship with his family as well.

I love him your honor. *if I loved him less I may have been able to talk about him more*

Thomas Lightwood:

I really like Thomas!!! I favorite thing about him is that he can so easily see the beautiful and worth in everyone and everything (which makes him perfect for Alastair!). I love how gentle and kind he is. So far what I have seen from him has been so great. And how he was able to carrying on despite his sister’s death and then Christopher’s illness was really admirable. But I’m going to say for him as I’ve said for most: I want to see more from him!!! I have faith that his and Alastair’s relationship with be the best part of the book, so I have high hopes!

Okay!!! I think that’s everyone!! Let me know what you think?? Do you agree or disagree! I would love to get into some discussions with people to pass the time until the release!! If anyone wants to make their own post, please tag me!! I’d love to see!!! Do you think I have enough ‘!!!!!!!!!’?

#Anna Lightwood #ariadne bridgestock #Charles fairchild #Matthew Fairchild #cordelia carstairs #alastair carstairs #James herondale #Christopher Lightwood #Thomas Lightwood #Grace blackthorn #Jesse blackthorn #Lucie Herondale #chain of gold #chain of iron #the last hours #the shadowhunter chronicles #cassandra clare

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jimlingss · 4 years

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The Colour of Our Voices [11]

Chapter 10 - Chapter 11 - Chapter 12

➜ Words: 4.2k

➜ Genres: 98% Fluff, 2% Angst, Slice of Life, Broadway!AU

➜ Summary: He wasn’t supposed to hear. He wasn't supposed to know. But the instant Jimin came into your life and pulled the curtains back, you couldn't hide backstage anymore. You were no longer merely a phantom of the opera.

cr.

The phone rings. It wakes you, deafeningly loud. It shakes you in the middle of your slumber. Usually, you’re the one dialing, but you don’t dwell. With one eye open, you grab your phone off the nightstand. “Hello?” “Hello?” The voice on the other line is unmistakable, and it’s a familiar husky timbre. You rise, leaning against the headboard and it has the covers shifting. “Y/N?” “Taehyung?” Your voice is still thick with sleep, and he notices, chuckling. “Sorry for waking you up.” There’s a pause. “Even though it’s noon.” “S-Sorry. I usually don’t sleep in this late.” “Why is he calling?” Jimin groans painfully. He turns around, the covers pulling along with him and he pouts in annoyance. He opens one eye. “How does he even have your number?” “Shush!” But Taehyung hears and laughs again. “Is that Jimin?” It goes silent. Then you come clean. “Yes.” “Well that’s convenient timing. You should put me on speakerphone.” You wonder what it is that he wants from the both of you, but you follow suit nonetheless, slumping down and holding the phone up in the air. “Hi, Taehyung,” Jimin huffs and drapes an arm over you as if the man on the other line could see. He pulls you closer to his chest, and you muffle your yelp when he grazes against a ticklish spot. Jimin snuggles up to you, resting his forehead on your shoulder. “Morning, Jimin.” You can practically hear the grin in his voice. “I wanted to talk to the two of you and see if you guys are interested in participating in the original production of When Summer Meets Winter.” Your breath hitches. Your heart stops. “...What?” You pull yourself away from Jimin, sitting upright again. He sighs and sits as well, scratching his bedhead. “What did you just say?” You hold the phone closer to your lips, wondering if you heard right. “Were...you guys interested in participating in our original production?” Your brows furrow. You did that audition a week ago — but that was a shit show. Jimin is as confused as you are. “A-As an intern?” “No, as an actress.” Taehyung laughs. “Unless you don’t want to.” “No….no, I’d...love to. What?” “Are you going to make me repeat myself a hundred more times, lady?” Taehyung laughs again. “Now, Jimin, we know you’re still in Les Mis for two more months and you’re performing almost every night, do you think you’d still be able to do this? We still have a long way to go and a lot of things to develop, so you can just come in during the morning and the day whenever possible. Our plan is to have the show hit Broadway in three months anyway.” “No.” The boy beside you sleepily smiles. “I can manage.” “Alright, just let me know if your schedule ever gets too hectic. We can definitely accommodate you.” There’s another pause. “So this is a definite yes from both of you, right?” “Yes!” you both answer in union. Taehyung chuckles. “Alright. I’ll text you of when and where we can meet to go over more details. Enjoy yourselves, you two, and congratulations.” The call hangs up. You turn to Jimin, rendered speechless, hoping that you’re not still dreaming. And when he gives you an enormous grin, you know it’s real. You leap into his arms, tackling him to the mattress and he giggles. “You did it.” “We did it.” Tears prick at your eyes. You don’t know what this means, but you have a role — finally, a Broadway debut. Even if you end up as just a tree in the background, you’re so ecstatic, you could cry. Jimin hears the crack in your voice and pats your back, nuzzling into you. “Congratulations, Y/N. You deserve it.” He plops a kiss at the top of your head. You sit up again instantly, eyes wide. “We have to start practicing!” “Practicing what?” The tired brunette giggles, watching you stumble upwards and nearly trip on the clothes tossed on the floor. “I don’t know! Anything!” Before you leave to the bathroom, you turn around and bark at him, “Are you just going to lay there all day, Park Jimin? I never took you as a slacker!” “Yes ma’am.” He smiles, gets up, and chases you into the shower. In the coming week, your simmering excitement overboils.

You’re confounded that your world could go so wrong and then so right. After the storm, there’s a rainbow, and you only hope it lasts. The last time you entered the studio, you were stumbling down the stairs with your tail in between your legs. Now you get to take the elevator up to the third floor with no rush and no worries of having to balance coffee cups. You’re not holding a broom anymore. You don’t have to be yelled at. You made it. “It’s nice to see you again.” Director Lee shakes your hand and offers a kind smile. You blink, supposing that you might be in heaven. “Y/N?” “I-It’s nice to see you as well.” You clear your throat, snapping back to reality. Jimin stifles back a laugh at how dazed you are. “This will be your first Broadway appearance, right? Well, officially anyway.” “Y-Yes.” “Welcome then.” He smiles and firmly shakes your hand. “We’re just getting settled today and we’ll be discussing what each role will be about, the vision that we have for this production, and the likes. Taehyung didn’t tell you what you would be playing, did he?” “No.” “He didn’t send you the script?” “Um, no, not really.” The director sighs in exhaustion, mumbling something about how ridiculous that kid is. “Well alright, that just makes things more exciting. Feel free to enter first. I have to go grab a coffee.” You nod, and both you and Jimin exchange a look before entering the conference room. Lots of people are already there, mingling and some already seated. There are other actors and actresses, writers, and producers. You look over and someone’s eyes light up. They come running over instantly with a wide grin. “Hey there, you two.” You give Taehyung a warm embrace. “Thank you, thank you…” “Hey, I had nothing to do with this. It was all you.” He smiles and pulls apart from you, giving a nod of acknowledgment to Jimin. “Hey, Chimster.” He waves. “Afternoon. How are you?” “Good. You two must be good too.” He gives a knowing smile and turns. “Anyways, take a seat.” Taehyung gestures to the two main chairs, right beside the producer. You frown, but don’t hesitate for too long. The girl beside you is flipping pages of what should be the script, and as you sit, she looks up. Her long brunette hair cascades off her shoulders, long lashes fluttering. The young lady oozes with confidence. She’s stunning, bright eyed and with a pretty smile. “Hi.” Her irises twinkle, floral dress fitting her form well. “I’m Yoo Yeonjeon. You must be Y/N.” You open your mouth before closing it — she’s so beautiful that you’re entranced. She’s almost on the level of Kim Seokjin. Almost. “Yes, I am.” You shake her hand. “It’s nice to meet you.” But the girl is still somehow familiar. “Have we met somewhere before…?” “I don’t think so,” she hums. Yeonjeon is absolutely breathtaking — lips and cheeks naturally rosy, and you can’t even see her pores when you’re this close to her. “I’m sure I’d remember you.” It must've been your imagination. “I’m Park Jimin,” the boy beside you introduces himself, leaning forward so he can be seen. The female giggles and tucks a stray strand of hair behind her ear. She reaches out to gently shake his hand. “It’s nice to meet you. We’ll be working together a lot from now on. So, I hope we can get along.” You don’t know exactly what she means and neither does Jimin, but Yeonjeon quickly reads his confusion. “You’re...the main lead?” “Pardon?” you ask again. “You didn’t know?” she smiles at Jimin. “You play the main male lead and I’m the main female lead.” Yeonjeon turns to you, disposition friendly and warm. “You’re the antagonist.” “The...antagonist?” It’s peculiar. You’re not sure what that entails. You’re both nervous and thankful to hear that you’ve gotten such a big role right off the bat, but it’s certainly not the part you thought you’d get. You skim through the script, finding an intriguing storyline before the meeting begins and your puzzlement begins to clear. “So originally, the story of When Summer Meets Winter was based on an idea of some witch casting a curse of eternal winter on a kingdom and the story would be around all the inhabitants and their ways of survival. Since then, we’ve developed it a lot more.” “This was all in thanks to casting Y/N,” the director says, straightforward. You lift your head, taken aback by the sudden credit given. He smiles at you. “I’m not sure if this is accurate at all, but you come across as a very...timid person. We think we can channel this to our advantage and make a very interesting villain. You can be a very sympathetic character.” “Y-Yeah, that sounds great.” You nod and he does as well. For so long, you’ve stood in the corner of these meetings. Now you have a seat around the table, and you make sure to relish every moment, taking diligent notes and soaking in the atmosphere that you get to be a part of. The director moves on to the next person, making wild gestures towards Jimin and startling him. “We want you to be a very vapid character in the very beginning. A very one dimensional hero. But as the musical progresses, your self-awareness grows, and that sort of puts you into an identity crisis. The more you become self-aware, the more miserable you become. So ultimately the character has to decide if he wants to live in this reality and be unhappy or be in a fantasy world and be blissful.” He continues onto Yeonjeon, explaining that her character encapsulates the stereotypical female lead with a sad background that needs saving from. But she’s the most self-aware character in the musical, and her motivations are of self-preservation. “We really want to go for a tone of a whimsical romance, but underneath that superficial layer is a horrible tragedy. A kind of fantasy rooted in a cynical reality. And each character has to decide which one that they want to exist in.” It sounds amazing, well-thought-out, and many share that opinion with you. Jimin seems to become more enthused as time goes on and the other people around the table pitch in their own ideas on what they’d like to see. You’re excited that your Broadway debut is with such an amazing storyline and crew. “Slow music begins to play, there’s fog on the ground,” Taehyung reads, building up the tension carefully. “Only the right side of the stage is dimly illuminated. Hanna stumbles into the spotlight, looking around. She is equally amazed and horrified at the snow.” You keep your eyes trained on the lines while trying to keep your hands from shaking with excitement. You’ve never participated in the first reading of a script before. Or any reading for that matter. “What’s going on?” you read, brows furrowing as your voice becomes animated. Taehyung continues, “She puts out her hand as snow begins to dust from the sky. Then she runs off. The townspeople flood in and the first song begins…” As the reading of the first scene progresses, you take notes on what needs to adjust, how to convey certain portions, how you should sound and what your expressions should be like. And an hour later, the meeting ends. You meet the rest of the crew briefly and another date is set for the next reading. You’ll have to work on memorizing your parts and interpreting the rest of the script. “What do you think?” Jimin asks as you’re both walking down the street together. “I’m excited. Nervous.” “Why nervous?” He holds your hand, lacing your fingers together and giving a squeeze. It makes you warmer on this winter afternoon. “Cause it’s my first time and it’s such an important role, I don’t want to mess up.” “You won’t,” he reassures. “With your work ethic, you’ll probably memorize the script and the lyrics to your solo by tomorrow night.” A laugh pulls from your chest and he stops for a second. “Don’t overwork yourself.” “Speak for yourself,” you counter, “you have a show in four hours. Shouldn’t you be getting ready for it?” “Yeah, I just want to walk you home first.” Jimin gives a sheepish, shy smile. “What time are you coming home tonight?” “Eleven or twelve.” You hum, leaning your head on his shoulder as you both walk. “Make sure to eat before you go and you don’t have to rush to memorize the script. We can do that together.” “Okay.” He smiles. Things couldn’t get any more perfect than this. After so much pain and suffering, you finally get a taste of what you deserved all along, and you’re even happier that you aren’t alone to reap the benefits. Jimin’s here to experience the joys with you. // For the weeks to come, you go to rehearsals diligently. There’s lots of time spent learning the songs, how to convey the right emotions from each scene that you have, memorizing the script, learning the dance routine that happens at certain parts. You don’t have to loiter at home, drink rosette, eat chocolate — not like that wasn’t amazing in itself, but it feels good to have something to do, something that you’re passionate about. The studio becomes a place you’re happy to come to instead of a place you dread. There are times you run into Director Kang and other members of the Phantom production, but they ignore you outright as if you were never there. Only Taeyeon spares a glance and a slight smile. “Y/N!” Director Lee calls out, interrupting your train of thought, “Could you come here for a second?” There’s lots of attention on you, more than you’re used to. You’re used to your name being called when something goes wrong, when you have to do coffee runs or to clean up spills — but now they ask for your input or for technicalities. It’s a better spotlight that you’re glad to be a part of. “Has she even worked anywhere else?” But still you hear the whispers. “She doesn’t look like she knows what she’s doing half the time.” “Isn’t she the ghost singer for Phantom?” “Oh yeah, that. But isn’t that it? How did she land a main role already?” “You tell me,” she murmurs. “Maybe she has...relations with the director.” “Ew, gross. But I wouldn’t put it past her…” Your hand tightens into a fist, wrinkling the hem of your sweater. But before you can turn around to say something, you’re interjected— “Don’t you two have something better to do?” Yeonjeon scoffs with her arms crossed. “If you guys have something to say, then say it to her face! Don’t be a coward and spread rumours because you’re jealous.” They open their mouths and then close it, glancing at you and becoming embarrassed. The girls curse and quickly walk away. You smile at Yeonjeon. “Thank you.” “It’s no problem. Just pisses me off when people think they’re better when they’re obviously not — they’re supporting actresses for a reason. If they were good, they would’ve taken the main role like us,” she says to you with a roll of her eyes. “But don’t mind them. People will always be jealous of the superior.” You grin. That’s one way to look at it. “Did you take a look at The Collision of Seasons yet? It’s a duet for us.” “Of course I’ve looked at it,” she laughs. “I’ve memorized the lyrics already. But I’m looking forward to actually getting to sing with you. It’s a good song.” “It is! I just hope I can convey the emotions well.” “Same here.” Yeonjeon offers a warm smile, her eyes practically glistening. “But we’ll work together on it. Anyways, are you free after this rehearsal? I’d love to grab a cup of coffee with you. It’ll improve our on-stage chemistry and I’d love to get to know each other better.” “S-Sure!” You’re ecstatic to have made a new friend since you don’t have a lot of them. Not only is Yeonjeon beautiful, but she’s kind inside. She’s friendly and you find it easy to open up to her. After a long day of rehearsals and eight hours of practice, it’s nice to warm up inside a cozy coffee shop, holding onto a steaming cup of coffee and letting the heat transfer to your freezing hands. “So it’s true then?” Yeonjeon’s brow raises in amazement. “You were really the ghost singer? Wow. I would’ve never thought. That sounds...rough though.” “It was. There are times it got pretty tough but I got through them.” She sips her latte. “Honestly, I don’t think I could ever do it, so props to you. You’ve pretty much performed more than I have.” “Well, it wasn’t a real performance,” you tell her sheepishly, shy under her excessive praise. “I was behind the curtain, so I still have a lot to learn about what it takes to be on stage.” She waves her hand, dismissing your self-deprecation. “Oh, don’t sell yourself short. I’m sure you’re amazing. Good enough for the director to cast you with a main role.” “I don’t know about that…” Yeonjeon sips on her drinks again, her eyes pierced above the rim of her cup. She savours the taste and smacks her lips together. “Speaking of main roles, you look pretty close to Jimin. How long have you known each other for?” You frown, trying to recall. “About a year now?” “Wow. Yeah, I thought so. You guys looked pretty friendly with one another. Where’d you meet?” “He’s actually my neighbor,” you confess, the memory making your heart flutter. “He moved in a year ago.” “What a coincidence, but it makes sense.” Yeonjeon smiles at you, lashes batting. “Jimin was an intern in Phantom at some point too, right? I heard him talking about it once.” “Oh yeah, he was, but he worked there for a shorter period of time than I did.” “So you two must go way back then.” She nods and rests her chin in her palm, commenting, “He’s pretty cute. Have you ever thought about dating him?” You feel your face heat. “A-Actually….we’re...dating right now….” “Really?” She’s surprised, but smiles with twinkling eyes and snaps her fingers. “I knew it. You guys are such a good match!” You laugh quietly. “It’s all relatively new, so we’re taking it pretty slow to see where it goes…” “You guys have been dating for what three months?” “More like three weeks,” you murmur. “Yeah, it’s pretty new, but I love him.” It takes a skipped heartbeat to realize what you’ve spilled — the special three words that you’ve been thinking about for so long — and your eyes grow wide at once. “Don’t tell him that. Not yet.” She laughs. “Don’t worry, I won’t.” Yeonjeon leans in close, eyes glimmering. “Your secret’s safe with me.” You smile, happy to have made a new friend. But now that you were talking about Jimin, it dawns on you that you miss him dearly. // “You missed me?” “Course I did.” You pout. You’re not even sure how he has the strength to take you on a walk with you this late at night and hasn’t instead succumbed to his exhaustion and knocked out on the sofa. Between rehearsals for the original production and performing for Les Mis, Jimin’s always running around, barely having time to even eat. You feel bad that you can’t do anything to help him. His mornings, afternoons, and evenings are taken up by Broadway. But at least you know he loves it this way. “Sorry.” “Don’t be.” You frown at him. “If anything I’m sorry.” “But we barely get to spend time together.” “I’ll survive, Park. Always have and always will. Seeing you like this is enough for me.” “Well it isn’t enough for me,” he says and it brings back the heat into your face. Jimin laughs at your reaction and soaks in the way your expression twists. “Don’t tease me.” “It’s hard not to.” “Psh.” You shake your head, sighing lightly. The street is lit with dim lamp posts. The night is calm. You listen to the sound of cars rushing past in the far-off roads. It’s not so noisy as it is soft background noise. This is the city that never sleeps, that seems to come alive at night. It’s a city that you’ve grown to both love and hate. But having Jimin’s company makes it all the better. “Hey, Jimin.” “Hmm?” “I’m nervous,” you confide. It’s the first time you’re blurting out your truths to someone. “I’m worried that I won’t be able to perform in front of others. What if my stage fright comes back?” It’s silent and he looks ahead. “I saw your audition tape, Y/N. Taehyung told me that he finally got to watch it and when I asked him, he showed me. You were…” Jimin inhales and meets your eyes. “Crazy good.” “That wasn’t me trying.” You’re not being boastful, instead your tone is grievous. “It was one of the most impulsive things I’ve ever done.” “Were you that passionate because you were upset with me?” “No. There was just...a lot going on at that time. I didn’t even think they were taking me seriously.” He hums a low note. “You were good, Y/N. So imagine what it’ll be like when it’s not impulsive. Imagine when you take it seriously. You’ll blow the rest of us out of the water. Easily.” “You really think so?” The corner of his lips quirk. “You can sing in front of me, can’t you?” “Yeah, but you’re different.” “How so?” Jimin’s smile turns cheeky, happily fishing for compliments and your affections. You roll your eyes. “Because you’re Park Jimin. You’re not going to judge me negatively.” “That’s right. And I’ll make sure no one else judges you negatively either.” A light scoff falls out of you. “You can’t control that.” “Not if I can help it.” He grins and your footsteps sync with one another’s. The back of your hand accidentally grazes against his. But before you can flinch away, he grabs it. Your palms clasp and you squeeze tenderly. “I was reading over the script and there’s a kissing part.” “What about it?” “Well, I’m gonna eventually have to kiss Yeonjeon, but I really don’t know how I want to do it yet,” he says and your brows raise. A sly smirk tugs onto Jimin’s features. “I was thinking you could be my perfect partner to practice on.” “That’s all?” “Also, I really want to kiss you before I kiss anyone else.” You stop, turning to him. Jimin’s smiling, and you’re the one who closes the distance. You kiss away his shit-eating grin and it indeed melts against your mouth in turn to lock his lips better against yours. Jimin holds you by the waist, tilting his head to get a better angle. It’s soft and gentle to savour the moment. Soft smacking fills the quiet night and the crisp air doesn’t seem to lessen the heat in your body caused by Jimin. While you don’t get to spend your days together and you’re not a person of bold professions, this is the way you can show him, the way the two of you can show that you cherish each other. It’s a way beyond both time and speech. When you break apart, Jimin grins again. His eyes crinkle into crescent moons, much like the one hanging above your heads. “I think I’m going to need to practice more.” You laugh breathlessly. // Taehyung looks off his list and raises his eyes from the clipboard. It’s the first run through of the scenes, going over each of them slowly and following the director’s instructions and adjusting parts that anyone’s dissatisfied with. “We’re going to go onto Y/N’s solo now.” The other steps to the side and the blonde assistant looks to you. “Ready, Y/N?” You nod at Taehyung, stepping forward. One step at a time. One step at a time and you’ll overcome your stage fright. Your eyes flicker to Jimin’s in the mirror and he smiles warmly, giving a reassuring nod. With him here, you know you can overcome anything. You begin, the notes pulling from your throat, and neither of you notice Yeonjeon who’s standing in the corner. No one pays any mind to the way her eyes are narrowed into slits, how they’re pinpointed onto Jimin’s profile, and the way one corner of her red stained lips curl.

#bts fanfic #bts fanfiction #bts x reader #jimin fanfiction #jimin fanfic #LET'S GO Y'ALLLLL OOOOOH

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punchdrunkdoc · 4 years

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Updated K-Drama list (8)

After almost a year of watching KDramas, I’ve finally found a show that has knocked CLOY off the top spot!

The GREAT:

1. Its Ok To Not Be Okay - NEW ENTRY

A children’s author with antisocial personality disorder becomes obsessed with a handsome (but closed-off) carer in a mental health hospital.

I could (and already have) written loads about this show - it became my all-encompassing obsession for the 8 weeks it was on telly. I LOVE IT SO MUCH!! I had a feeling only 1 episode in that it might become my all-time favourite K-drama, and I was right. The quality never dropped for a moment, and it absolutely nailed the ending.

I pretty much love everything about it - the whimsical, fairytale-esque tone, the music, the costumes, the supporting characters, the side plots exploring different mental health issues, the humour, the set design, even the opening credits!

The two leads are so beautiful with SO MUCH chemistry that you could watch them read a phone book and it would be hot. But it became a real three-hander of a show, with the male lead’s autistic brother forming an integral part of the relationship dynamic.

Honestly, I can’t do this show justice with such a short review - just WATCH IT!!

Male lead: Soooo handsome, quiet and compassionate but with a steel core; it’s so fun watching him come out of his shell. Actor also seen in (AASI): My Love from a Star (honestly, he didn’t make much of an impression in that show, but he was amazing in this - he conveys so much emotion with the most subtle facial movements)

Female lead: Absolutely fascinating; so wounded and vulnerable, but projecting this awesome, no-fucks-given, blunt-as-hell exterior. Actress also seen in (AASI): Lawless Lawyer, Hwarang (minor character)

2. Crash Landing on You

He’s from North Korea. She’s from South Korea. They never should have met, but they’ll change each other’s lives.

This was my first K-drama, and although it’s been knocked off the top spot, it’s still fantastic. Its the full package - the entire cast of characters is great, the lead romance is ANGSTALICIOUS and its genuinely, laugh out loud funny (when its not making you cry or swoon). I’ve since discovered that they had a North Korean defector as a consultant working on the show, so apparently the NK scenes are fairly accurate which is SUPER interesting.

Male lead: Officially the best boyfriend ever - absolutely nails the small, romantic gestures. AASI: Hyde, Jekyll & Me.

Female lead: Smart, sassy, and funny. I love her.

3. Healer

The lives, and pasts, of a hot shot reporter, a spunky young tabloid journalist and a mysterious thief-for-hire intersect.

I ADORE this show and its so rewatchable. The plot was tight and engaging, and this is one of the few shows I’ve watched where there didn’t seem to be a lot of filler. The central 3 characters are great, and the romance was amazing. I especially loved that the male lead started off such a brooding loner, but he became super-affectionate as soon as he admitted his feelings. So many good hugs and lots of face-cradling in this one. There’s also a great riff on the Superman/Clark Kent dynamic which was fun!

Male lead: Effortlessly beats up 2 henchmen while comforting his girl over the phone. What more do you need? AASI: The K2, Suspicious Partner, Melting me softly, Backstreet Rookie

Female lead: She doesn’t let her vulnerabilities stop her from getting the story or being with the man she loves. AASI: What’s wrong with secretary Kim, I’ll go to you when the weather is nice, Her private life

4. Itaewon Class

A young man’s life is forever altered when he runs afoul of a powerful family.

This felt like a big step up in quality from everything else in this list, in terms of the production, soundtrack (which was brilliant), the lack of annoying sound effects, and just the overall ‘real world’ feel of the show. All of the characters were fleshed out and 3-dimensional, and they all had their ‘moment’ to shine. The story itself was gripping and so well done - some of the twists and reveals had me gasping! And what can I say about the 2 leads? I love them, both separately, and together. He is so wise beyond his years, and his journey will break your heart and inspire you. She is borderline sociopathic, but I adore her.

Male lead: Tenacious, principled, kind, innocent, caring, driven, loyal…and he can cook! AASI: What’s wrong with secretary Kim, Fight for my way, Hwarang

Female lead: One of the most original Kdrama female characters I’ve seen. Plus she retains her agency all the way through, which is (unfortunately) not always the case with these shows.

5. W - Two worlds

A surgeon gets sucked into the world of her father’s webtoon when the main character’s life is threatened.

This was a WILD ride! The first 4 episodes barrelled through plot at an amazing rate and certain events happen in episode 5 that had me wondering how the show could even continue! But it did…and the plot just got more insane! I loved this show SO much. It kept me guessing, had me on the edge of my seat, and even had room for some of my favourite romance tropes. The central relationship was great, and (because of the insane plot) you basically get 2 love stories for the price of 1. I’ve already watched this whole show again, which is why I’ve bumped it up the ratings a bit!

Male lead: Just a really, really cool guy. Can’t think of how else to describe him! Always in control, calm, unflappable, analysing the situation….but he can break out the cocky charm when needed. AASI: While you were sleeping, Doctor Stranger

Female lead: I really liked her - she had more agency than a lot of other female heroines and I really related to her freaked-out panic in the beginning when she didn’t feel like she was a capable enough doctor to save a life.

6. While you were sleeping

Not to be confused with the Sandra Bullock rom-com from the 90s. Instead, this is about a young woman who can dream the future who has her fate changed by a young prosecutor who suddenly develops the same ability

I was thoroughly and utterly charmed by this show. Everything was so beautifully done - from the cinematography, to the music (OMG the music!), even the title cards were interesting and quirky. The characters were all great - the main leads are so sweet and relatable, the second lead is cute-as-a-button, the villain is properly hissable, and none of the supporting characters/extras annoyed me! The storyline itself was brilliant, with so many great set-ups, pay-offs and twists, and the romance was lovely.

Male lead: A bit of a hot mess of a human being (basically, the polar opposite of his character in W!)…but all the more loveable for it. AASI: W: 2 worlds, Doctor stranger.

Female lead: Smart, sweet, loyal (I really loved her relationship with her mum) and quietly brave.

7. Descendants of the Sun

A special forces Captain meets a capable and beautiful trauma surgeon. They feel an instant bond, but their jobs and philosophy on life get in the way, threatening to tear them apart.

I absolutely LOVE the male lead character, and the romance in this was beautiful. Plus its chock-full of CompetencePorn, with lots of scenes of people being really, really good at their jobs (this is one of my favourite things!). However, it didn’t quite nail the angst, and the last minute was a bit twee which dropped it down the rankings a bit.

Male lead: A cocky, charming, absolute BADASS with the most adorable, cheeky smile.

Female lead: Sweet and a bit out of her depth in the dangerous situations…but put her in charge of a patient and watch her go!

8. Love in the Moonlight / Moonlight Drawn by Clouds

A young woman poses as a eunuch in the Royal Palace and falls in love with the Crown Prince

This was the first period piece I watched and it’s still my favourite - almost entirely because of the male lead and his beautiful face! The start had a really light, comedic tone (and a lot of modern anachronisms - high fives everywhere!) and I loved all the identity-concealing hi-jinks. But then the romance kicked into gear and the DELICIOUS angst started flowing, and I became obsessed with it. It’s like loads of bits of my favourite regency historical romances were mashed up and transported to the Joseon Dynasty. I loved it so much!

Male lead: Manages to look amazingly handsome despite all the period headgear, kicks ass with a sword, and doesn’t allow himself to be manipulated by the corrupt officials surrounding him. Also acts like an adorable goofball when he’s in love.

Female lead: Loved her at the start - she’s scrappy and independent and capable. Unfortunately, becomes too much of a plot device by the end. AASI: Backstreet Rookie

9. I’ll Go to You When the Weather is Nice / I’ll Find You on a Beautiful Day

A cellist disillusioned with life in Seoul returns to her small home town for the winter.

This was achingly sweet and wonderful. The slow unfolding of the story, the beautiful scenery, and the simple yet moving score all combine to make this feel like the type of small town contemporary romance novel I love to read on a rainy day in front of a fire. Whilst long-held, painful secrets are eventually revealed, there is no massive conflict involved, with no antagonist or over-wrought external drama. Its just the tale of two sad, lonely people who have withdrawn from the world forming a connection with each other and trying to overcome their issues (she has a fear of abandonment; he’s a loner who has a tendency to disappear). As a bonus, there’s a bookclub with a wonderful cast of secondary characters - I wanted to spend more time with all of them.

Male Lead: Precious Cinnamon Roll, to be protected at all costs. AASI: Are you human too

Female lead: Wears her heart on her sleeve. Refreshingly, she’s the instigator of the relationship and isn’t the usual passive, coy female. AASI: What’s wrong with secretary Kim, Healer, Her private life

10. Goblin

A 900yr old immortal guardian finally meets the ‘bride’ who will end his existence

Once I got over the slight ick-factor of the age difference between the two characters at the beginning, I really fell for this show and it’s world. It had me in floods of tears at some points, and it was laugh out loud funny at others. I especially loved the secondary character of the Grim Reaper and his reluctant bromance with the Goblin.

Male lead: Surprising innocent and funny for a 900 year old

Female lead: Also innocent, but in some ways wise beyond her years. Her tears will make you cry (the actress is very good at sobbing her heart out!). AASI: The King, eternal monarch

11. What’s Wrong with Secretary Kim

An personal assistant decides to quits her job in order to get a life. Her boss has other ideas.

This was my first Park Seo Joon drama, and he’s great in it. He somehow turns a self-centred, entitled and vain boss into an endearing character! The central romance is amazing - I can rewatch their scenes again and again - and its a bit more mature than some of the others on this list (be sure to check out the extended scene!!). It has some of the best kisses in Kdrama.

Male lead: Like I said, somehow makes vanity and narcissism endearing. Also not afraid to get his shirt off and flash his 6-pack. Bonus. AASI: Itaewon Class, Fight for my way, Hwarang

Female lead: I’m a sucker for uber-competent people so I loved this character. Park Min Young has become one of my favourites, and she is STUNNING in this. AASI: I’ll go to you when the weather is nice, Healer, Her private life

12. Legend of the Blue Sea

A mermaid comes onto land to find the man she loves

The (literal) fish-out-of-water scenes in the first half of this show were hilarious - the actress is a comic genius! The romance was nicely done, and there wasn’t a lot of extraneous plot or too many characters. It also nicely incorporates scenes from the Joseon era, so you get a partial historical romance thrown in for free!

I couldn’t stop watching this one and I’ve since rewatched it too! Definitely one to check out.

Male lead: Cocky, arrogant conman with a soft mushy centre. AASI: The King, Eternal monarch, Heirs.

Female lead: Steals the show - funny, smart and beautiful. AASI: My love from the Star.

13. Into the Ring/The Ballot - NEW ENTRY

An out-of-work young woman decides to run for office and faces all sorts of challenges in her quest to right some wrongs and earn a living.

This show has one of my favourite ever female characters - she’s headstrong, hard working, and quick to violence but so cute and charming with the most adorable laugh! She tries to act all cynical (that she’s only in it for the money) but she is actually really caring and kind. I sooo wanted her to succeed against the establishment of corrupt assholes that she worked with. Seeing her become disillusioned with politics and her colleagues was heartbreaking, and watching her fight back was great.

Her dynamic with the male lead was also great - he’s quietly in awe of her even when he’s exasperated and borderline scared of her. And he’s super supportive. It was so much fun watching her drag him out of his monotonous, dull life. They also weren’t stingy with the PDA which was so refreshing.

On a superficial level, the show was also visually interesting, with loads of cool angles and blue lens flare. And the overall light, funny tone made it so watchable.

Male lead: Adorkable

Female lead: The literal embodiment of sunshine and determination. I have a bit of a crush on her!

14. The King: Eternal Monarch

The reigning King of the Kingdom of Corea discovers a gateway to a parallel world - the Republic of Korea

This is the first drama I’ve watched in ‘real time’ but I think it would work better as a binge - there are a LOT of characters, and many have dopplegangers (because of the parallel world thing) so it became hard to keep track of who was who. I also think the progression of the romance is better appreciated in a binge (I wrote about it here - ignore the speculation; i got it so wrong LOL!). Unfortunately, the plot also had major holes in it (the ‘rules’ for the gateway/magical flute didn’t make sense) and It was difficult at times to differentiate Corea from Korea - a major failing of the editing.

Buuuuuut, it still made my ‘Great’ list because all of those issues were outweighed by the sheer epicness of this show. The gorgeous sets, the dramatic scenery, the ANGST-filled, beautiful romance…at one point the King rides a majestic white horse into battle with a sword on a neon-lit highway to save the woman he loves. I mean, come on! Plus, its really funny - the ‘fish out of water’ scenes when the King first arrives in Korea, the chalk and cheese dopplegangers Yeong and Eun-Seob, the King’s constant threats of beheading…I loved those elements so much!

Male lead: Gives Ri Jeong-Hyeok from CHOY a run for his money in the ‘Best Boyfriend’ competition. AASI: Legend of the blue sea, Heirs.

Female lead: A bad-ass cop. Takes a while to believe Lee Gon’s story, but once she decides to go all in…she goes all in, and loves unreservedly with her whole heart. AASI: Goblin

15. Tomorrow with you

A time-traveller struggling to live in the present meets a woman trying to let go of her past.

This reminded me a bit of ‘I’ll go to you when the weather is nice’ in terms of the melancholic tone, the simple but effective music, and the beautiful lighting etc. There were also some really interesting, innovative shots which I appreciated.

It took a few episodes to get into and it was a bit frustrating in the middle - so much could have been solved if people just TALKED to each other!! Plus the rules for this version of time travel weren’t really clear…But the last few episodes were brilliant; the way the story came together, and all the little bits of set up were paid off was really well done. These episodes alone were enough to bump this up to the ‘Great’ category (especially, given there was a bit of a Lake House vive at one point - I’m a sucker for that movie. The romance was also beautifully portrayed; I could endlessly watch their domestic scenes - they had such good chemistry and banter.

Male lead: Absolutely, but endearingly, terrible at relationships. He ends up falling in love against his will and largely without realising it.

Female lead: A bit of a mess and a borderline alcoholic, but so cute and innocent. I love the way she talks to herself, she’s so funny! AASI: Oh My Venus

16. Fight for my Way

Two life-long friends decide to go after their dreams

I fast-forwarded large chunks of this (I wasn’t interested in the secondary couple at all), but it still made my ‘Great’ list because this is one of the best friends-to-lovers stories I’ve seen. You truly buy that these 2 have known each other their entire lives (their bickering and teasing feels so natural). And then when they take the next step, they’re so affectionate and refreshingly open with their feelings. Speaking of which, this also has some great kissing scenes (Park Seo Joon is the master!)

Male lead: I love his contradictions. He’s goofy and childish…but can really turn on the sexy charm; he’s a badass MMA fighter…who loves when his girlfriend sticks up for him and protects him. AASI: What’s wrong with secretary Kim, Itaewon class, Hwarang

Female lead: Takes no shit from anyone and will fight for her man! AASI: Descendants of the sun (secondary character)

17. Suspicious Partner

A young, hardworking lawyer has her life turned upside down when she is put on trial for murder.

This was officially bumped up the list a while ago, and I stand by the decision. Its still overly long, but the serial killer plot had some nice twists and it was central to the story, so it didn’t feel extraneous like some of these types of plots do. Mainly, I just loved the central romance - the 2 characters sparked off each other so well and I loved their evolution from sort-of enemies to lovers. This is another show where I can endlessly rewatch their scenes together.

Male lead: Its Ji Chang Wook! He’s so good at playing serious guys who are secretly big dorks. AASI: Healer, The K2, Melting me softly, Backstreet Rookie

Female lead: Fate deals her a shitty hand, but she perseveres with grace and determination. She’s great. AASI: Shopaholic Louis, 100 days my prince.

The GOOD:

1. I Am Not a Robot

A man who is allergic to human contact finds companionship with a robot…or does he?

I honestly thought I wouldn’t make it passed a couple of episodes of this - the concept was just too ridiculous. But I’m glad I persevered, because it developed some real depth and some proper good angst towards the end and I LOVED the central relationship. I’ve rewatched loads of this one.

Actress ASI: Piece of Your Mind; Love in the moonlight (secondary character)

2. I Remember You - NEW ENTRY

A famous criminal profiler gatecrashes the investigation of a serial killer, hoping it will restore the missing memories of his childhood trauma

I really liked the set up of this - the lead character is introduced like a young Sherlock Holmes (the music even reminded me of the score for the BBC Sherlock series). The super-observant, socially awkward thing kind of dropped off as the series progressed, but I still enjoyed how the plot developed, especially with Park Bo-Gum’s character; I’ve only ever seen him play innocent cutie-pies, so this role was a bit of a surprise!

The female lead was like an anime character come to life (she was petite and cute with enormous eyes), but I also loved her personality; she was tenacious, and dogged and took no shit from anyone. She had a cute, antagonistic relationship with the profiler at the start (which I loved) which eventually led to some really sweet, touching moments.

Actor ASI: Shopping King Louis

3. Hotel del Luna

A hotel for wandering spirits gets a new human manager - and he forms a surprising connection to the enigmatic 1300 year old owner

If I had to describe this show in one word it would be ’lavish’. It’s a feast for the eyes - from the set design, to the costumes, to the CGI views of the hotel towering over the moon-lit Seoul cityscape, its stunning. It also plays with aspect ratios in a cool way (watch for the shots where the action spills over into the black bars top and bottom of the screen).

In terms of the characters, I really liked IU in this; her character may be uncaring, world-weary, and money-hungry, but she’s also immensely charming. I admit I got more platonic vibes with her and the male lead, but I still liked their relationship. I also really liked the stories of the ghosts passing through (some reduced me to tears with very little screen time) and there were a couple of GREAT cameos. Especially the one at the very end - I want more of him, please!!

Actress ASI: Scarlet heart

4. My Holo Love

A lonely woman falls for a holographic AI and then meets his creator…

I love the concept of this show (I’m a big sci-fi nerd), and I think this stayed in my ‘favourite’ list for so long because it was the first Kdrama of this genre that I saw. I still love it - especially because of how beautifully it’s shot, and how well the story comes together - but I’m not dying to rewatch any of it, unlike all the others shows that are now on the ‘great’ list.

5. Extraordinary You

A high school student discovers she’s a supporting character in a comic book

The plot of this was so cool, and the way the comic story played out interspersed with the characters ‘real lives’ was really well done. Plus the central couple were so adorable. It dragged in the middle section (several versions of the same conversations were had, and the same exposition was spelled out multiple ways for no apparent reason) which kept it out of my favourite list, but it redeemed itself with some good angst at the end, and it had a really lovely ‘epilogue’.

AASI: A couple of the secondary male leads have a mini-reunion in ‘I’ll go to you when the weather is nice’!

6. Just Between Lovers - NEW ENTRY

Three people impacted by a tragic shopping mall collapse start working on a building project together, unaware of their shared past.

I absolutely adore the male lead in this - he is the archetypal tortured hero (I constantly wanted to give him a hug and a warm meal). He’s also wonderfully romantic in his own, straightfoward, no-nonsense way. The female lead was really likeable - l love capable women and she is the definition of that (she even drives a lorry at one point!). There’s a lot of pain and angst in this show, with very little levity, but it strangely never felt heavy. I really liked it.

Actress ASI: Melting me Softly

7. Strong Girl Bong-Soon

A woman with inherited super-strength gets a job as a bodyguard for an eccentric young CEO

The lead couple in this are AD-OR-ABLE and I loved their relationship. But there was a weird tone issue in this show. The romance is super cute…but there’s a whole dark sub plot involving multiple women being held captive by a psychopath, and a really grating cast of ‘bad guy’ extras. I ended up fast forwarding most of that, and just concentrated on the romance - If someone could do a supercut of all their scenes, I would watch it on a loop.

Actor ASI: Hwarang, Heirs (minor character)

8. 30 but 17/Still 17 - NEW ENTRY

A 17 year old girl gets into an accident and wakes from a coma 13 years later.

I was worried going into this that the romance (between a 30 year old man and (essentially) a 17 year old girl) would feel icky and uncomfortable. But the writers made the wise choice of creating a 30 year old man with the emotional maturity of a 17 year old. He is so awkward and unworldly, that they actually work really well together. In fact, I loved their relationship. The secrets in this show took faaaar too long to be revealed, which made me worried that the eding would be too rushed, but there was actually time for a nice ‘epilogue’. Plus, all the supporting characters were great (including the wonderfully weird housekeeper Jennifer) and the cutest dog in the world was in this. So I definitely recommend it.

9. Mystic Pop-up Bar - NEW ENTRY

As punishment for past sins, a woman must solve the grudges of 100,000 people by entering their dreams

This was an unexpected delight. I started watching it after spotting a cute gifset on tumblr (which I didn’t realise contained huge spoilers!). The story and tone is (mostly) light and quirky, and I particularly enjoyed the worldbuilding - the banal bureaucracy of the afterlife in this even reminds me a bit of The Good Place. I’m a sucker for a ‘found family’ theme and this one was done really nicely. It also had 2 main ships - one really cute and innocent, the other took me by surprise with how moving it was. Similarly, some of the episode-specific stories and characters (i.e. the individual grudges) made me tear up.

10. 100 days my prince

A Prince loses his memory during an assassination attempt and ends up living as a peasant for 100 days.

Another period piece; the plots of these seem a little repetitive (Crown prince’s life is threatened by scheming Minister) but the central cast and the romance usually makes up for it. Same for this show - I really enjoyed watching the spoiled, grumpy puppy of a Prince try to cope with manual labour, and the female lead was capable, and endearing.

Actress ASI: Suspicious partner, Shopaholic Louis

11. Weightlifting Fairy Kim Bok-Joo

A young talented weightlifter experiences first love

Honestly, I wasn’t sold on this at first; the female lead was a bit much (lot of gurning and over-acting) and there was a weird disconnect between how she was described (big, overweight, manly, unfeminine) and how she actually looked (thin and beautiful!). But the back half of this show saved it; her relationship with Joon-Hyung was sooooo cute. He is adorable, and they were both so supportive of each other’s dreams. I finished this with a big smile on my face.

Actor ASI: Bride of the Water God, Scarlet heart (tertiary character)

12. Are You Human Too

A mother separated from her son builds a robotic replacement. Decades later, he has to take the place of the ‘real’ son.

I loved the evolution of the robot in this - it never went the way of a full Pinnochio story, but it was fun to see him learning about the real world and how humans interact. It also posed some interesting questions - what does it mean to be human? And how would you react if you were ‘replaced’ by an artificial version?

The actor in this was fantastic. The way he could change from the real Nam Shin to Nam Shin III with the most subtle shifts in posture and facial expression was really impressive. It took me longer to warm to the female lead, and by the end she was given very little to do…but her unflinching support and unconditional love for Nam Shin III won me over. Some of the supporting characters didn’t work for me, and it was far too long…but worth a watch for the lead actor’s performance. Plus, Nam Shin III is an absolute cutie-pie.

Actor ASI: I’ll go to you when the weather is nice

13. Shopaholic Louis/ Shopping King Louis

The young, shopaholic heir to a large department store empire loses his memory and has to live as a poor man

The male lead in this is an absolute puppy dog and I ADORE him. He squeals when he sees bugs, he can’t run to save his life, and he’s the type of guy who will punch someone and immediately apologise and ask if they’re ok. He’s spoilt, entitled, demanding and has no concept of the value of money…but thanks to the actor portraying him, he just comes across as innocent, sweet and lonely (he spends all his time shopping and accumulating stuff because they fills up his empty life). The female lead is just a really nice, kind person; at first Louis seems like he’ll be just one more burden she needs to take care of, but he makes it clear from the start that she can count on him to help her too - something she’s never had before. Their relationship develops so naturally and thoroughly that you cant help but feel they are perfect for each other. I watched this with a big smile on my face.

Actor ASI: I Remember You

Actress ASI: Suspicious partner, 100 days my prince

14. Oh My Venus

The previously much-lusted after ‘Venus of Daegu’ fulfilled her dream of becoming a lawyer - but she gained weight and lost her self esteem in the process.

I adored the female lead - she was so relentlessly bright and optimistic that you couldn’t help but love her and root for her. I was a bit worried going in that there was going to be a lot of fat-shaming, but the male lead made it clear that he was more interested in her internal health than her external appearance (and you could tell he started to fall for her when she was chubby, so it wasn’t superficial in that way). I wasn’t expecting for him to become so much of the focus in the second half of the show (I thought he was just going to be a hunky trainer; I should have known better - in a Kdrama there is always a Tragic Backstory looming!). Their relationship was so natural and cute - the bit with the dimples never got old - and overall, this was a fun, easy watch.

Actress ASI: Tomorrow with you.

Actor ASI: My secret Terrius, Master’s sun.

15. A Piece of your Mind - NEW ENTRY

A classical music recording engineer meets an AI designer.

I struggled to sum-up the concept of this in one sentence, because the ‘plot’ is so arbitrary (and the AI stuff makes no sense whatsoever!). It’s really more of a mood piece - the lighting, the music and the performance combine to make this a strangely ethereal show, dealing with unrequited love, grief and the importance of human connection. It’s slow and contemplative and a little odd in its structure (there’s very little set-up, so you feel like you’ve been dropped into episode 3 of an established show). This may put some people off, but I really liked it.

I started watching it because of the leads (who I’ve loved in other shows) and they didn’t disappoint. She is so kind and lovely; he’s a little odd - like a robot learning about life. But their relationship is so beautiful (it even included one of my favourite niche tropes: insomniacs who can only sleep around each other).

Apparently the episode run was cut down from 16 to 12 because of poor ratings, which is a real shame because i think a bit more time was needed to really sell the female lead’s emotional arc. It all felt a little rushed at the end, but I still enjoyed it, and admired that it tried something a little unconventional.

Actor ASI: While you were sleeping (secondary lead).

Actress ASI: I am Not a Robot; Love in the moonlight (secondary character)

16. Rookie Historian - NEW ENTRY

An independent, educated woman choses to become one of the first female court historians, rather than get married.

This show had a really interesting premise and I enjoyed watching the rookie female historians navigate court-life (battling workplace harassment, misogyny and patriarchal values) and developing a real friendship with each other.

The female lead was fantastic - she was headstrong, pragmatic, unapologetically intelligent, a lover of books and a hater of injustice. She shared that love of books with the male lead, who was sensitive, soft-spoken, and innocent. The ultimate beta hero, who’s romantic fantasies involved him feeding her cookies and fanning her while she sleeps!

Their romance took a backseat for a lot of the show, but I didn’t mind as the plot was exploring interesting topics such as intruders from the West, catholicism, and censorship, etc.

Actor ASI: My ID is Gangnam Beauty

Actress ASI: Bride of Habaek

17. Tempted/The Great Seducer - NEW ENTRY

In an act of revenge, a wealthy heir makes a bet with his friends to seduce a hardworking female college student

10 minutes into this I started to get major Cruel Intentions vibes…which made sense when I found out it was also an adaptation of Dangerous Liaisons! It doesn’t have the dark edge or overt sexuality of Cruel Intentions (which is one of my favs) but its still good - mainly due to the male lead. I ADORED him in TKEM and he’s really good here. I’m a sucker for the ‘bad boy falls in love for the first time’ trope and he played it so well. The female lead was also good - she was self-aware, strong, intelligent and took no shit. I was less interested by the love affairs of the adults around them, but overall it was a good show.

Actor ASI: TKEM (secondary character)

18. My Love from the Star

Alien stranded on earth meets an actress soon before he’s due to be rescued.

It took a couple of goes to get into this one, but I’m glad I finally watched the whole thing (the female lead was initially very irritating, but she improved a lot). I enjoyed the present-day romance and all the flashes back to the past. However, the ending was really abrupt and disappointing (which kept it out of my favourite list). There should have been 1 less filler episode in the middle, and a decent, fleshed out finale instead.

Actor ASI: Its ok to not be ok.

Actress ASI: Legend of the blue sea

19. Because this is my First Life

A rational-to-a-fault software designer and an aspiring screenwriter come up with an unconventional way to solve their housing problem

When I started this, I thought it was going to be all light and fluffy (the main character’s job in the beginning was to insert the product placement in Korean dramas - hello, Red Ginseng! - which I found hilarious and meta) but it had a surprisingly melancholic tone throughout and touched on issues of workplace harassment and gender roles. I didn’t warm to the male lead until right at the end (which was probably partly intentional - he’s very remote and closed off) but overall I found the story quite lovely. Plus it had a really great central female friendship and their conversations actually passed the Bechdel test!

20. My shy boss / Introverted boss

An extroverted actress takes a job at a PR company working for a man with crippling shyness

This was another deceptive show; I thought from the title and the synopsis that it would just be a light opposites attract comedy about an introverted man and an extroverted woman. But I was almost in tears by the second episode when the Tragic Backstory came to light, and we saw the full extent of the Boss’ struggles to communicate with other human beings. He has such a rich, funny, and smart inner monologue, and the way he overthinks every interaction is really endearing…which makes the contrast with his silent and withdrawn external persona all the more stark and heartbreaking. You really root for him to find happiness. This was overly long (a common pitfall with these shows) and there was some distracting shaky camera work in some of the close ups. There were also implications early on about workplace sexual harassment and possibly dubious consent in a one night stand which were dropped, leaving a bit of a sour note. Despite that, it was overall fairly enjoyable and has one of the cutest confession scenes!

The OK

1. The K2

An ex-mercenary takes a job as a bodyguard protecting the illegitimate daughter of a politician. A sort-of Snow White retelling.

This started off really well; there are some amazing fight sequences (hello, shower room scene!) and JCW has never been hotter - its worth watching for him alone. However, the back half became really bogged down in double crosses and manipulations, and it focussed too much on the politicians. The writers did well to give these characters some layers, but they were all essentially doing bad things for the wrong reasons, and I just didn’t care about them. The show was much better when it was following K2’s journey. The romance also started off well, but was a bit underdeveloped (mainly because they barely interacted).

Actor ASI: Healer, suspicious partner, Backstreet rookie, Melting me softly

2.Bride of Habaek / Bride of the Water God

A God of the Land of Water visits the human realm to fulfil a task before ascending to his throne. He enlists the help of a ‘divine servant’, a down-on-her-luck psychiatrist.

I started this because I liked the lead actor. His baby-face can’t quite pull off the intensity needed for this role, but he was still cute as the arrogant, imperious God brought low by his circumstances - no money, house, powers or (most importantly to him) driving license. I also liked the female lead - she so desperately wanted to hide her kind, compassionate heart from a world that had battered and bruised her. There were some good individual scenes (especially the 'confession’ moment, which was just lovely), but the show ran out of steam towards the end, and ultimately felt like a waste of potential.

Actor ASI: Weightlifting fairy Kim Bok-joo

Actress ASI: Rookie Historian

3. Her Private Life

A talented art curator tries to keep her professional persona separate from her fangirl obsession with a pop idol.

This was cute and I loved the central relationship - he was so supportive of her, and their interactions were refreshingly mature and their banter felt really natural. Ultimately, it was a bit forgettable (I’m not dying to rewatch any of it), and the last minute tacked-on childhood trauma subplot was really unnecessary.

Actress ASI: Healer, Whats wrong with secretary kim, I’ll go to you when the weather is nice.

4. Touch Your Heart

Star actress rocked by scandal works at a law firm to prepare for her comeback role

This starred the secondary couple from Goblin and I really like them, even though they are playing very different characters in this (more opposites attract, than doomed lovers). It’s a bit too ‘cutesy’ and I had to fast forward a lot of the secondary romances which I wasn’t invested in.

5. My Secret Terrius

A secret agent on the run gets embroiled in the life of his next door neighbour - a mum of young twins.

The romance in this was underwhelming; the two characters ended in a really cute place, but it felt like set up for a story I probably would have liked more than this one. In saying that, this was still a relatively enjoyable watch; the female lead was great - she was constantly underestimated as ‘just a housewife’ but she was smarter, and more determined and resourceful than the spies around her. The male lead’s interactions with the twins were adorable, and there was a good cast of supporting characters. However, I’ve already pretty much forgotten the main espionage plot!

Actor ASI: Oh My Venus

6. Lawless Lawyer

A gangster-turned-lawyer moves to Gisung to take on corruption with the help of a suspended female attorney

I liked this more at the beginning; it reminded me a bit of Itaewon Class, with a charismatic lead, an intricately plotted revenge scheme that the audience only becomes aware of as the series progresses, and a take-no-shit female lead who was introduced hitting an authority figure! However, it never really gripped me (it took me weeks to finish) and a couple of the villains were overacting and hamming it up all over the place. But I loved the two leads, and their relationship was good, despite feeling a bit rushed.

Actor ASI: Scarlet Heart

Actress ASI: Its ok to not be ok, Hwarang (tertiary character)

7. 1% of Something - NEW ENTRY

To gain his inheritance, an arrogant, aloof CEO has to enter into a marriage contract with a sweet primary school teacher.

I liked how streamlined this was: it was just a show about two people who fall in love despite their best intentions. There was no overly complicated plot, and even the conflict that keeps them apart towards the end felt very organic and unforced.

She is a delightful ball of sunshine. He is a little overbearing but has his own charm. And bear with the bad haircut and appalling fashion sense - he improves at the end!

8. Melting Me Softly

Two people are accidentally cryogenically frozen for 20 years. They have to navigate the modern world and their new lives together.

Another good concept, but it ultimately descended into little more than a light work-place romance. Had a couple of good kissing scenes, but it was overall a bit forgettable.

Actor ASI: The K2, healer, suspicious partner, backstreet rookie

Actress ASI: Just Between Lovers

9. My Sassy Girl

A 'sassy’ princess meets an ambitious scholar in less than ideal circumstances…

I enjoyed the fact that this Joseon period drama focused on a Princess for a change, and not a prince. She came across as more 'obnoxious and immature’ than 'sassy’ in the beginning, but once it was made clear that she was actually a decent, kind person underneath, I soon warmed to her. I also liked the relationship with the male lead, which amounted to a pretty good enemies-to-lovers story. It took a bit of an unexpected turn right at the end, but my independent, feminine self was good with it. Overall, this was a pretty easy watch, but nothing special.

10. Hwarang

Follows a peasant who joins the newly-created Hwarang (Poet Warrior Youths in ancient Korea) to enact revenge for the death of his best friend

I enjoyed the scenes of the Hwarang hanging out and bonding - so many cute bromances in this! But I couldn’t really connect with the central story and romance, due to a major case of SLS (Second Lead Syndrome) - as much as I’m a fan of Park Seo-joon, I adore Park Hyung-sik, and I found his character, journey and relationship with the female lead much more compelling. The ending still managed to feel somewhat satisfying, but I won’t be rewatching any of it.

Actor ASI: Itaewon class, What’s wrong with secretary kim, Fight for my way

The BAD

1. Hyde, Jekyll and Me

A woman becomes involved in the lives of 2 men, who share one body

Hyun Bin is sooo watchable in this, especially as the slick-haired, glasses-wearing, uptight Seo-Jin. And the show started well…but quickly went off the rails into a convoluted, dragged-out revenge plot. It was a bit of a slog to get through, to be honest.

Actor ASI: CLOY

2. Queen: Love and War

The long lost twin of a recently assassinated Queen assumes her identity to enter the Bridal selection to wed the resurrected King and seek revenge.

This was a bit of a mess (as you can tell from that synopsis!); it felt like the first few episodes were rushed through as a sort of ‘prologue’ before the main thrust of the story…but that prologue contained A LOT of plot with some major character revelations that were rapidly skimmed over (e.g. the female lead was introduced as having complete amnesia; but almost out of nowhere she casually mentions that she got all her memories back and now knows who she is). Because of this, it took me a while to get a sense of who the characters really were. A lot of the usual Joseon plot points played out (scheming ministers and untrustworthy queens) but it had some unique features - I especially enjoyed the bridal selection scenes and seeing the lead female outwitting her rivals in the various challenges. But ultimately, I fast forwarded a lot of this and it was pretty forgettable.

Actress ASI: Doctor Stranger.

Actor ASI: Backstreet Rookie (secondary character)

3. Backstreet Rookie

A struggling young woman takes a part-time job at the convenience store run by her high school crush.

I was really not a fan of this show, and probably would have stopped watching if it wasn’t for Kim Yoo-jung. Her character was really likeable - kickass, but vulnerable, and so loving and kind. You were really rooting for her throughout. The show also had some interesting things to say about inequality (there was a lovely scene between the male leads’s parents in episode 10 touching on this theme)…but that’s about it for the positives.

Overall, it was just too OTT and manic and most of the characters were barely more than cartoonish caricatures. One character was actually repulsive, and the fact that he got his own romantic subplot was just gross. I’m a big fan of Ji Chang-wook, but I didn’t like some of his acting choices in this, and his character spent far too long in a relationship with another woman, which meant the main romance felt underdeveloped.

And…it ended without a kiss. I was so pissed off! I put up with 16 episodes of crap, expecting a decent pay-off at the end…but no. I wouldn’t recommend this one.

Actress ASI: Love in the Moonlight

Actor ASI: Suspicious Partner, Healer, K2, Melting me Softly

The UNCLASSIFIABLE

Moon Lovers: Scarlet Heart Ryeo

A modern girl is transported 1000 years into the past where she becomes embroiled in the lives of the Royal Princes.

I honestly don’t know where I stand with this one! Did I love it? Did I hate it? I seriously don’t know!

I was reluctant to start this (I knew it didn’t have a happy ending) but I was told its a rite of passage for KDrama newbies to watch this show. And there were some great things about it - the male lead was amazing! So intense and tragic, with the most arresting face. The music was also GORGEOUS, as was the scenery - the whole production felt very sumptuous. The palace intrigue stuff was also more compelling than most of the other historic dramas I’ve seen. I recognised several of the Princes from other shows, and I became really invested in 3 of them…which made the constant threat of them betraying each other/killing each other AGONISING. This show was heavy on the Emotional Torture Porn, and some of it felt gratuitous, because I just didn’t understand the motivations behind some of the plot points/character’s actions.

I also wasn’t a big fan of the female lead; partly because the actress only seemed to have 2 facial expressions to work with, but partly because and any hints that she was a modern girl with modern sensibilities quickly disappeared. It was this independence and spunk that made all the princes fall for her (to varying degrees) but she lost all of that and it left me wondering why they bothered with the time travel aspect at all.

I finished the show feeling wrung out and with the overwhelming sense of “Why? What was the point of that?”

Buuuuuut…it has lingered with me - as @talenevertold said when we were discussing the show, “Nobody enjoys it in the process… but it leaves this unique bittersweet aftertaste…” and that’s absolutely true; and it probably true that this show IS a rite of passage that everyone should watch. But don’t say I didn’t warn you!

and...The MEH (i.e. DNF):

This list is getting long! I have a bit less patience with shows than I did in the beginning - there are so many to get through, so I’m not willing to waste my time on anything that either doesn’t grip me from a story perspective, is far too slow, has mediocre acting and/or is too soapy.

Master’s sun

Tale of Nokdu

The Heirs

Meow, the Secret Boy

Love Alarm

One Spring Night

Suits

Chocolate

Doctor Stranger

The scholar who walks the night

If I’ve made a heinous mistake by dropping any of these - get in touch and plead the case for why i should give them another chance!

#kdrama #kdrama recommendations

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wolf-mask · 4 years

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Why Borderlands 3 is Disappointing

Borderlands 3 is a fun game mechanically. I’ve spent almost 6 plus DAYS worth of hours playing the game. I finished every side quest and every collectible. The only thing I haven’t done is collect all the echo logs, but I’ve listened to all of them. The only complaint I have with the game is the story. I’ve ranted to my friend about this and, like they said,

“it feels like great writers set up a world and cast with a ton of potential and plans laid out, and then halfway through a different team of writers took over and there was 0 communication between the two groups.”

There was so much potential for Borderlands 3 to be good, but instead it came out “Meh.” and that seems to be what everyone thinks. After watching multiple reviews, there are 4 points of BL3’s story that people pick out as detrimental to the story.

If I’ve forgotten anything, or something sticks out to you that can be explained away by canon, please let me know.

More under the read more

1. The Calypso Twins

I have 2 complaints about the Calypso twins: their unexplained motivations and the writers’ choice of focus.

This is my own personal complaint, but why do the Calypso’s have these motivations? Sure, I get it. Tyreen wants to open the Great Vault because she thinks its her birthright as the daughter of the first vault hunter. But why become a God? I understand the whole wanting to be the most famous person thing but she could’ve just opened the vault to do that, look at Lilith and the other Vault Hunters. So why become a God? How did she come to that conclusion? Why build up an army? Why cause galaxy wide pandemonium when you could just become a Vault Hunter like the current and past playable characters? She even says herself they came to Pandora to be Vault Hunters! So why start a CULT? None of that is really answered by the game. Instead we’re given surface level villains with a surface level backstory. We never find out how their mother died.

The main complaint I’ve seen in these reviews is the story’s focus on the villains. Tyreen is never given screen time. We never learn more about her nor does she undergo any kind of character growth to become a good villain, yet she becomes the Final Boss. Instead, Troy gets most of the character development. Troy is the main focus out of the two villains, he gets the character growth after taking Maya’s powers. Troy is the more compelling villain out of the twins. He starts from the bottom, forced to rely on his sister to live but she sees him as nothing more than a parasite. He’s constantly forced into the background, be a follower, kept under his sister’s heel as she gets what she wants.

After taking Maya’s powers, however, he figures out he doesn’t have to depend on Tyreen. He starts crawling away from Tyreen’s shadow to stand by himself. The cultists start to worship him just as much as Tyreen, he starts hijacking the echo calls, he starts disagreeing with Tyreen’s leadership. The scene in Jakobs mansion makes it seem like Troy is scheming on his own. All of this focus, compounded with Tyreen’s comments during Troy’s boss fight, hints that TROY will become the Final Boss. But instead of having a compelling villain who’s crawled out from under his sister’s shadow, we kill Troy and we’re left with the less interesting villain. If they HAD to go with Tyreen as the main villain, they should’ve given her character growth to make her more compelling. You’d think she’d show some sort of growth after having her brother killed and killing her father, but nothing ever from that. She just stays a one dimensional character throughout the main plot.

2. Maya’s Death

Maya’s death was severely mishandled in Borderlands 3. In the context of the story, Maya had to die eventually, but that doesn’t mean her death couldn’t have been pushed back though.

Compare Maya’s death in Borderlands 3 to Roland’s death in Borderlands 2. In BL2, Roland’s death had more impact because we spent more time with him (Over half the game to be exact, 11 out of 20 story missions), he spent most of the game guiding the player, and we got to see him interact with other characters as well as see how his death affected other characters.

With Maya we spend less than a fourth of the game with her (4 out of 23 missions. She should’ve been introduced earlier and killed off later), we barely interact with her and we don’t see her interact with any other characters aside from Ava and Lilith. One of the things I loved about BL2 was being able to see the old Vault Hunters interact with each other in Sanctuary. When Maya dies, her funeral is played off as a joke, Lilith is blamed by Ava, and that’s as far as acknowledgement goes. No one besides Ava ever acknowledges Maya’s death. It’s as if her death is totally ignored.

Did Maya have to die though? Yes, but not immediately. When Tyreen drained Lilith, Lilith didn’t die. But when Troy drained Maya, why did she die? She didn’t have to at that moment. Throughout the story, Maya’s powers are an important plot point. Her powers are what allow Troy to experience some independence for the first time in his life. When Troy drained Maya he could’ve just stolen her powers and left her alive. This would have left her the potential for character growth.

So why did Maya have to die? Because Ava had to become a Siren eventually. I don’t mind Ava, I think she’s fine as a character, but if her purpose was to show how Siren powers are transferred, we already have Tannis for that. They practically shove in Ava to replace Maya as soon as she dies. It’s like taking a child’s favorite toy and shoving a new one in their arms, expecting them to like the new toy immediately. They should’ve let Ava become a Siren later down the line instead.

3. Ava’s Characterization

As I previously said, I don’t mind Ava. I think she’s an alright character as she is right now. Most people don’t think that though, and I can see why. Ava is directly responsible for Maya’s death. She disobeyed Maya’s directions and came to the Promethea Vault on her own. Due to her disobeying orders, Maya is forced to put Ava’s well being above hers. Ava further escalated the situation, leading to Maya needing to save her. This ends in Maya’s death.

Instead of taking responsibility for her actions, Ava blames Lilith for Maya’s death and claims that they need to rush in without thinking. And later on she’s praised as being right for the same thought process! When Lilith goes to sacrifice herself, she basically tells Ava she’s right. Not only that, she gives leadership of the Crimson Raiders over to a 13 year old child with no experience who got her mentor killed. At no point is she forced to face the consequences of her actions, she never goes through a character arc. Ava has the potential to be a likable character but her characterization was so botched that most people hate her now. They player should’ve been allowed to slowly learn more about Ava and watch her grow before taking over Maya’s role. Hopefully the DLC that focuses on her will do her better.

4. Ignoring the Player

The BIGGEST sin of BL3 is how it treats the player character. The achievements of the player are constantly undercut and we are consistently ignored by the narrative.

The whole game made me feel like I was the side character to the Sirens. All the other Borderlands games have focused on the Player as the main character. In BL1 the Vault Hunters killed the Destroyer, in BL2 the six vault hunters defeated the Warrior and defeated Handsome Jack, in TPS those six beat the Sentinel and helped Jack rise to power. In BL3, it feels like none of our achievements matter. As soon as we accomplish one thing, something bigger happens and that needs to be focused on. You got to Tannis after that pain in the ass fight with the Agonizer? Welp looks like Tannis is a Siren and you practically did that shit for nothing! We defeated Tyreen the Destroyer? Welp looks like Elpis is going to crash into Pandora and now Lilith has to go stop that. The only times I really felt like I was making an impact was when I wasn’t doing missions for the Sirens.

At the end of the game Ava is more acknowledged than the player and given command of an entire army. This should’ve gone to the player! The character who’s busted their ass off to bring the Raiders back from the brink of disbandment, who’s done all the heavy lifting! Hell, before going down to Promethea Lilith asks YOU to take over field operations while she’s powerless.

But what ticks me off the most is how the narrative ignores the player. Unlike the cut scenes in other Borderlands games, you are ignored. Nearly all of the cut scenes are in third person and you are NOWHERE to be seen. Maya being killed by Troy, Tyreen absorbing Troy and trying to crush the other Sirens, Tyreen killing Typhon, and Lilith’s sacrifice. We’re NEVER seen in those cut scenes. Compare this to the cut scenes in previous games, which are almost always in 1st person and if they aren’t, the 3rd person view is used when the cut scene isn’t important. In BL3, almost all the cut scenes are in 3rd person. The only time the player is acknowledged is when Troy phaselocks the player in the Jakobs Mansion, which makes this issue all the more frustrating.

Conclusion

Borderlands 3 is a graveyard of missed potential. The story could have been so much better than it came out as. I love the game from a gameplay standpoint, it’s so fun to play, but the main story is a drag to get through at this point. I don’t think it’s worth re-playing at this point and I’m going to wait for DLC to come out before playing more of it. Again, if I missed anything or you think something could be can be explained by Canon, please let me know! I have other little nitpicks I might talk about later but for now these are the main things that I think are wrong with the main story of Borderlands 3.

If you’re interested, these videos helped me in pinpointing what felt so wrong about BL3. They’re good videos to watch.

https://www.youtube.com/watch?v=k-ws6VRYEDw&t=431s (Tina vs Ava)

https://www.youtube.com/watch?v=nO2qmhaRmcc (Main problem with BL3)

https://www.youtube.com/watch?v=5lL0fAxjZnc (Wasting Maya)

https://www.youtube.com/watch?v=ibOPCU2adkE (Why Borderlands 3 is Disappointing)

#Borderlands #Borderlands 3 #BL3 #tyreen calypso #troy calypso #maya the siren #ava the apprentice #ava the siren #my post #my rant #they could have done it so much better

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militant-holy-knight · 4 years

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Kingdom of Heaven Review: Secular Agnostic Humanist Crusader Edition

Whenever the topic of Ridley Scott’s 2005 movie Kingdom of Heaven comes up, it invariably brings up how it’s one of his most mediocre movies and that “the Director’s Cut is better”. This makes sense since the movie actually had a very mixed reception when it was first released on theaters, as critics lambasted the cliched plot and characters and overall being all style and no substance. As it turns out, several changes were made behind the scenes by executives who felt the movie ran too long and cut scenes they felt were appropriate, but actually improved the story.

I’ve heard so many people praising the Director’s Cut to the point they even said it was an “whole different movie”, which was very confusing to me, and made me wonder if they actually saw it and aren’t parroting someone else. Now don’t get me wrong: it’s true that the Director’s Cut is the superior version to the theatrical one and does fix issues like character motivations and actions, it doesn’t even come close to fixing the foundation which it was built on: an extremely politically-biased and revisionist distortion, product of someone molded by their own time period than anything else.

The characters have anachronistic attitudes that are out of place specially at the heart of an holy war. The sympathetic characters - whether Christians or Muslims - can be identified as secular humanists that express religious tolerance and would rather live and let live, whereas antagonistic characters are characterized by their religious fanaticism. Baldwin IV and Saladin would rather live in peace with each other, but are beleaguered by the circumstances of their followers who clamor for war. This portrayal couldn’t be more absurd and further from the truth because the “peace” between the Kingdom of Jerusalem and the Ayyubi Caliphate was not meant to last forever, but more until both sides regrouped and rearmed to resume hostilities like an armistice, not to mention the fact both monarchs were extremely pious in their faiths (Catholicism and Sunni Islam, respectively) and considered themselves their staunch defenders.

This is no accident. Ridley Scott is an agnostic and has admitted at multiple occasions that he used it as an opportunity to criticize religion. Perhaps the most illustrative moment where this attitude sweeps in is during the climax when Jerusalem is eventually besieged and Balian delivers an speech to the army that boils down to “Jerusalem belongs to everyone”, which simply wouldn’t fly with the Christians at the time. Consider in that era where even people of their own faiths struggled among each other (The Kingdom of Jerusalem was Latin Catholic and other Christians like Orthodox, Armenians and Copts were often regarded as schismatics, while Sunnis and Shias were at war with each other like they always do), can you imagine if someone actually said that in regards to other religions?!?

A particularly inconvenient aspect of the movie that is clear for everyone who sees it is that only the Christian side is the only one truly hit with the fanaticism issue, whereas Muslims comes off as cleaner. When you really come down to it, the crusader side is filled with more despicable villains who are named, whereas the Muslim side has one token nameless mullah who is an asshole to Saladin, threatening him that if he doesn’t give them Jerusalem, they will kill him and find someone who can - that is about the extent of his villainy. There is also a Saracen rider that wants to duel Balian at one point, but he is just some random threat thrown in, and it’s later revealed he was an slave masquerading as someone else.

Now compare this with Balian’s asshole priest brother who steals his wife’s crucifix, the slimy Patriarch of Jerusalem, and Guy of Gisborne and Raynald of Chatillon, both of whom are generic warmongers that just want to kill infidels for no reason, the former kills an emissary which constitutes as an offense worthy of Genghis Khan’s wrath while the latter rapes and kills Saladin’s sister. What makes this worse is that none of these are true: The Patriarch actually helped ransom people during the Siege of Jerusalem, Guy wasn’t particularly better or worse than his contemporaries and if anything, he was regarded as an weakling rather than a bloodthirsty thug, whereas Raynald never even attacked Saladin’s sister (according to Arab sources) and while he was still a very violent man, it was the result of being held 16 years in a prison under Muslims in Aleppo and in the end, he died like a Christian martyr to jihadist terrorism - being told by Saladin to convert to Islam or die, which he picked the latter.

You can tell when certain fedoralords say they hate religion actually hate Christianity only, and this is the tone that oozes from this movie. No wonder a historian once called this movie “al-Qaeda’s version of the story” because Christians commit horrible atrocities against innocent Muslims hence Muslim aggression by Saladin is justified. If anything Bin Laden likely envisioned himself as an modern-day Saladin, hoping to unite the Muslim world against the “Eternal Crusader”. The lionizing of Saladin is laughable given the fact that until recent memory he was an obscure figure on account of being Kurdish, but was co-opted by Arab Muslims as their hero. I wonder how would audiences feel that Saladin had half Jerusalem’s population enslaved which is something he actually did in real life instead of letting them go like in the movie.....

There are also other problems with the movie besides religion that even the Director’s Cut couldn’t fix like Balian’s character. I already went over how he is representative of the movies’s secular humanist themes, but there is a lot more wrong with him beyond that. Simply put, he is the most vanilla flavor protagonist, devoid of charisma or flaws, and comes across as a Marty Stu when you think about it: a nobody who is revealed to be the bastard son of some crusader baron that just so happens to be influential enough with Jerusalem’s nobility that everyone good immediately befriends him. He has a tragic backstory that makes him an atheist, but is perfect and devoid of any flaws and is written in such way that serves as a surrogate for the audience. By contrast, his historical counterpart was a knight born and raised in Jerusalem who was actually devout and politically shrewd, which comes across as more interesting and Arab Muslims agreed since they wrote “he was like a king”. But nope. Can’t have that because Balian is actually Scott’s self-insert by his own admission and we can’t have a guy like real-life Balian because modern audiences can’t identify with him.

Scott seriously misunderstood the Knight Templars. Naturally like our lead villains they are also genocidal maniacs, but also appear to be a secular noble/warrior class of some kind since Guy and Raynald are affiliated with them (they weren’t in real life), and it’s a plot point that Guy is engaged with Baldwin’s sister Princess Sybilla. Templars made vows of chastity and poverty, schewing all property and titles so it makes no sense for either of them being part of the order, much less for a Templar to become king. (Afonso Henriques of Portugal was at least a former Templar).

And then there are the geo-politics... Even though Scott denied that the movie was an metaphor, it certainly comes across this way with characters talking about how much wealth they made from the campaigns as if this was the American intervention in the Middle-East for oil. Jerusalem had no resources, no real treasures except maybe the True Cross which had great emotional value for the Christians and in fact, it was the other way around: it was far more expensive, having to secure resources, armor and weaponry to join the crusade with the likely risk of death with no returning home with the only comfort being remission of sins in case of falling in battle.

The Crusades were precipitated by Muslim aggression in the first place, namely the Seljuk Turks who crushed the Byzantine Empire in the Battle of Mazinkert and began persecuting Christian pilgrims in the Holy Land, not to mention the subhuman conditions that Eastern Christians found themselves as dhimmis under Islamic rule. When framed this manner, the wrath of Latin Catholics hearing the atrocities carried out by the Turks is quite justified. Could Scott himself say this is justified compared to how much Muslim caravans were attacked by Templars on his movie?

So to sum things up: we have liberal political bias that portrays one side as the assholes while the others justified in retaliating, a perfect protagonist that is clearly a self-insert, generic villains that are evil for no reason other than being Christian, historical inaccuracies, white-washing certain figures while removing all nuance and depth from others, honestly embarrassing analogies with modern topics that stick out like a sore thumb. And in the end, for you to walk away with not much. I am sorry but even the Director’s Edition didn’t make things significantly better because the movie’s issues lies at their conceptual form: Balian is still a Marty Stu, the Christians are largely one-dimensional evil, the Muslims are honorable and enlightened, etc. You can’t make a story engaging when the setting is revolving around religious conflict and the leads are all secularists, or else it shows how much “smarter than thou” attitude you have.

I’ve heard about how Scott got into a spat with the British historian community who made very clear how his movie was bollocks. A common defense on his behalf is that he isn’t obligated to tell history like how it was and he made the movie he felt best, which is honestly just baffling because it’s very insulting towards the audience. I am not saying that the audience should be challenged (at least not in a Rian Johnson way), but imagine if Raynald’s captivity was brought up and his death was portrayed in redemptive fashion after all his atrocities, imagine Saladin preaching jihad against the crusaders, imagine Balian breaking his oath, etc. Now that would have made an more memorable movie instead of the one who is remembered for his slightly better version released separately. Certainly history had a better story to tell than Ridley Scott.

Like what Amin Maalouf, author of “The Crusades through Arab Eyes” once said.

It does not do any good to distort history, even if you believe you are distorting it in a good way. Cruelty was not on one side but on all.

#history #rants #reviews

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kaizokuou-ni-naru · 3 years

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The Voyage So Far: Paramount War (Part One)

the introduction of the celestial dragons really is just so brutally effective. this is the first time we see them, and before they even show up on page they immediately establish themselves as both absolutely powerful and absolutely despicable. everyone is watching them commit atrocities in broad daylight, and nobody dares say a word.

i mentioned it back in the enies lobby post, i think, with spandam, but oda is very, very good at creating villains who it just feels so good and so deeply satisfying to see them get annihilated, and the celestial dragons are maybe the crowning example of it.

i really like how none of the strawhats are really intimidated or impressed at all by the celestial dragons, in sharp contrast to how everyone else responds to them. some of that is ignorance, but you can’t tell me zoro would have acted any differently in this scene had he known charloss was a member of the world’s ruling class. all the power the celestial dragons have comes from fear; of course their greatest weakness is someone who just doesn’t care.

obviously this moment is just excellent, no qualifiers needed, but one thing i really love about it is how all the bad shit that results from this does not detract from the sheer satisfaction of what happens at the auction house at all. like, even though this leads directly to the strawhats getting crushed by the pacifista and kizaru and scattered by kuma, i’ve never once caught myself thinking luffy shouldn’t have done this.

i’m a huge fan of how rayleigh introduces himself. he knocks out the whole action house with conqueror’s haki, but luffy is completely unaffected, and the two of them just watch each other down the aisle for a moment as everyone else collapses around them.

i don’t know that i’ll ever get over the fact that oda created and designed the supernovas as he was writing sabaody. they’re all such distinct and memorable characters, and almost all of them have fit neatly into the post-timeskip story one way or another. they really feel like a part of the world that was always meant to be there.

i think the way roger as a character is handled is very, very cool, because we don’t really meet him as a person- when we first learn of him, on the very first page, he’s a myth, a story, a framing device. which is fitting, because that’s all the characters know him as. the rest of the world doesn’t know what roger was like as a person or why he did what he did, and so neither do our main characters and neither do we.

and then we learn, slowly, by following in roger’s steps and meeting the characters who did know him, like rayleigh and whitebeard and garp. and through their testimony and memories, over the course of the story, roger goes from being a faceless myth to being a proper character.

i think this panel, where luffy says he just wants to be the freest person on the seas, might be my favorite luffy panel. if nothing else, it’s definitely one of the ones i think about the most in terms of his characterization. luffy’s been defining himself by his dream since the very start of the story- he’s the man who’s going to be king of the pirates! but it’s only here that we learn what that goal actually means to him, and what he actually really wants. he just wants to be free.

the tone shift of sabaody really is impeccable. because up until a certain point, everything seems pretty par for the course. the strawhats make some new friends, get into trouble for their sakes, get into a hard fight where they all have to work together but eventually scrape out a win.

but then kizaru shows up, and another pacifista, and kuma himself, and for the first time in the story luffy says this is a fight they can’t win-

and then zoro disappears, and all of the audience’s expectations for how this is going to play out get thrown completely out the window.

it’s not that we haven’t seen luffy upset before this- his fight with usopp in water 7 and merry’s funeral are the two obvious examples that come to mind- but we’ve never, to this point, seen him as crushed as he is at the end of sabaody. it really drives the abrupt tone shift of sabaody home, because we’re used to seeing luffy be generally cheerful, and if not that, at stubbornly determined to power through. but here, he’s just wrecked- and the paramount war saga is just getting started.

every time i see hancock i’m reminded what a lesbian i am.

i’m talking a lot about character introductions this post, but a lot of really good characters get introduced in the first half of this saga, from the supernovas to rayleigh to jinbe. on that note, i really like hancock’s introduction, for reasons similar to what i said about roger earlier. she’s introduced as a cartoonishly evil one-dimensional bitch, and she leans hard into that characterization for the first half or so of amazon lily.

and then luffy narrowly keeps her and her sisters’ worst fear from being realized, and her facade starts to slip, and we get to know her as- still kind of a bitch, but also a deeply traumatized person who has very valid reasons for being the way she is, and someone who is overall a lot more complicated than she appears at first glance.

one of my favorite things about luffy is his ability to always, always defy expectations. hancock is dead certain he’ll take her offer of a ship and abandon marguerite and the others, but he doesn’t even hesitate before doing the exact opposite. luffy is always turning people’s worlds upside down.

i have a friend who coined the term “conflict of interest arc” to refer to the arcs where a crewmate is forced to choose between the crew and some obligation or baggage from their past- arlong park for nami, whole cake island for sanji, etc.

marineford is luffy’s conflict of interest arc- he has to make the choice, here, to prioritize saving ace over reuniting with his crew. where it differs from all other such arcs, then, is that nobody else can come to back him up. he’s well and truly on his own.

i love how thoroughly expectations get turned on their head with jinbe. for the longest time, all we know about him is that he’s a shichibukai and arlong’s former captain, so given what arlong was like and what the shichibukai encountered thus far have been like, it’s a fair guess to assume he’s pretty awful.

and then we meet him, and he’s ace’s friend, sitting bloody and beaten in the deepest dungeons of impel down for refusing to fight in an unjust war.

bon-chan is really one of the greatest examples of one piece’s stubborn refusal to treat any character as disposable, and oda’s endless ability to find new and interesting ways to fit them into the story. in pretty much any other manga, it would be all but guaranteed that we wouldn’t see a character like bon-chan again after the conclusion of the alabasta saga. here, luffy straight up would not have made it to marineford without him. this is true for mr. 3 too- who would’ve thought his ability to duplicate keys out of wax, established and promptly forgotten some three hundred chapters ago, would be the thing that let luffy free ace on the scaffold?

magellan is a good antagonist. i’m not saying i like him- i don’t particularly- but he’s a great antagonist for a couple reasons, and one of them is that his powers are terrifying. magellan is essentially what might be called in video game terminology an advancing wall of doom- the only viable strategy for dealing with him is to run.

i had more i wanted to say here but it literally kept turning into a rant about one piece’s take on morality no matter how many times i tried to keep it short, so i’ll settle for just saying that magellan is an antagonist but not a villain and i think that’s interesting.

the absolutely ridiculous, eclectic mix of people that luffy winds up gathering to escape impel down is possibly my favorite part of the whole arc. i just think it’s so fun and so characteristic of him that even when separated from his crew, he winds up attracting the weirdest, most powerful bunch of people around to break out of prison with.

the relationship between luffy and blackbeard is a really interesting one. it’s been plenty clear for some time that blackbeard is almost certainly going to be luffy’s final opponent to become pirate king, and yet they’ve been mostly running on parallel paths through the world, only occasionally coinciding (such as here and in jaya) and generally seeming pretty unconcerned with each other. it’s a really cool way to handle the built to an eventual showdown, and i really like it.

this is one of my favorite spreads just for sheer smile factor. i love it so much. i think we should get to see jinbe’s whale shark buddies more often, it’s a crime we haven’t seen them since this.

#the voyage so far #one piece #long post #arc: sabaody #arc: amazon lily #arc: impel down #not japanese

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that-shamrock-vibe · 4 years

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Disney+ What To Watch: My Top 10 Favourite Disney Classics

#7. The Hunchback of Notre Dame

Anyone who says this movie is controversial or unfaithful to the original source material really isn’t understanding that Disney always puts their own spin on things and isn’t going to go as dark as the original story is.

But also, you have to understand that while a lot of the dark themes of the original aren’t in the movie, the remaining themes of acceptance, prejudice and extreme religious views are still very much at play.

Here’s why I love this movie. It’s one of the few Disney Renaissance movies that isn’t a Disney Princess movie, the story flows from the introduction of our main villain and his adoption of our main protagonist, to our main protagonist meeting the movie’s love interest, to the main story of the movie being revealed as our protagonists protecting the movie’s love interest from the main villain.

Not just that, but the intertwining story of the love triangle between Quasimodo, Esmeralda and Phoebus which becomes the motivation for Quasimodo and Phoebus becoming friends and working together to save Esmeralda and the other gypsies from Frollo seemed rather genuine and is a commentary to Disney movies at the time that our main protagonist does not end up getting the girl but instead remains friends and is happy when they do end up together.

I also love the what if factor when it comes to Quasimodo’s interaction with the gargoyles. In some scenes you believe that due to Quasimodo’s forced isolation he is simply going mad and believing the three gargoyles actually come to life and become his only friends.

Especially at the moment, I believe that is very relatable as those of us forced into sole isolation need that escapism and imagination to possibly make inanimate objects real as a means of companionship. Not saying it works for everyone but for some it may actually help.

While it isn’t confirmed, it is implied they are actually real and act as the only real magical component to this movie. But there are a couple of other magical elements throughout the movie despite this being quite a grounded film.

When we see Esmeralda at the festival of fools she enters and leaves the stage through trickery such as smoke bombs and trap doors. This of course leads Frollo to suspect witchcraft and spur the catalyst of the movie where Frollo hunts Esmeralda for being a witch and ultimately attempts to burn her.

However, during said climax of the movie just as Frollo is about to “smite the wicked” and he is knocked onto clinging onto the gargoyle before it lights up and breaks off. People have said it is an act of god but I believe in witchcraft and that all Disney movies have a little bit of magic in them somewhere.

In terms of characters, Quasimodo is a very relatable character in terms of being born with a physical deformity and raised essentially in captivity which makes him a social pariah before finally being accepted by the citizens of Paris.

Esmeralda is one of my favourite female characters in Disney, not only is she a very grounded individual who knows what she’s fighting for and is determined to fight for it. But her genuine kindness in the face of such adversity is very commendable and a great example for anyone not just younger audiences watching the movie.

Phoebus is the 90s version of Kristoff from Frozen to me, he’s the boy scout, the dutiful partner and the loyal friend. However, outside of that he really doesn’t have any character to him. He stands for what is right which is why he cannot blindly follow orders when those orders are to burn an innocent family, does that make him three dimensional? Well no because while yes he ends up with the girl, there’s no real story on his side as to how they got together.

He wanted to be with her from when he first saw her dance. She saw one of Frollo’s soldiers and responded accordingly by bashing him in the head with a candle holder. It wasn’t until he was shot after disobeying Frollo and she nursed him back to health that she actually saw the good in him...but he never really had to get there he was already there, she had to make that journey.

Frollo as a villain is so creepy and controversial and everything wrong about religion it is ridiculous.

As a judge he passes sentence on the guilty and as a devout religious man he believes he is carrying out God’s work by freeing the world of evil and said evil being gypsies because they are witches and witches are the children of the devil.

That’s great villainous motivation particularly when you consider that his religious guilt was what made him adopt Quasimodo rather than, you know, drowning him in a well after murdering his mother...the main problem comes when he has lustful feelings for Esmeralda and on her death pier offers her a final ultimatum of either being with him or dying.

First of all who wouldn’t choose the latter option? Secondly, yes the dark elements from the original needed to be in this movie to some capacity...but little kids will see this movie and what they will see is an old man smelling the hair of a young woman and lusting after her while simultaneously wanting to see her burn.

This culminates beautifully in the song “Hellfire” which is one of my favourite Disney songs ever, the style in which it is performed, the visualisation of Frollo seeing those cloaked figures and Esmeralda’s image in the flames is so harrowing particularly at a young age, and Tony Jay’s singing is actually rather good.

The opening song “Bells of Notre Dame” is an operatic masterpiece, the booming choir, Clopin’s sing-song narration setting the scene of the movie and the dramatic scenes of Quasimodo’s mother fleeing the evil Frollo trying to save her baby was fantastic.

“Topsy Turvy Day” and “A Guy Like You” are fun, they’re the songs kids will play over and over again at parties or when they’re hanging out with friends and they’re on in the background.

“God Help the Outcasts” is harrowing, beautiful, powerful and a real representation as to the type of character Esmeralda is.

I’ve mentioned the climactic battle a couple of times but I wanted to mention it again be it contains a sequence I will never forget and possibly why this movie is so high in my estimations. I am referring to the sequence where Quasi saves Esmeralda from the pier and as he swings in to save her there is great wide shot of the mob that have gathered to watch Esmeralda burn engulfed in the glow of the fire and it is just magnificent as a shot. It’s terrible that Esmeralda is being burned but that visual will always remain as a thing of beauty in my mind.

It may not be the greatest Disney movie ever made but The Hunchback of Notre Dame is undeniably masterfully made under the circumstances and restrictions that the House of Mouse had to work under.

So what do you guys think? Post your comments and check out more Disney+ What to Watch Top 10s as well as more Top 10 Lists and other posts.

#disney #disney+#disney+ what to watch #disney+ what to watch top 10s #my top 10 favourite disney classics #the hunchback of notre dame #quasimodo #esmeralda #phoebus #judge claude frollo #hellfire

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film-masochisme · 4 years

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Heaven’s Gate (1980)

Directed by Michael Cimino

Doomsy’s Rating: 65/100

Heaven’s Gate, the famous, unequivocal disasterpiece that almost single-handedly destroyed the film-brat era of Hollywood, has had quite the reappraisal in recent years. This is hardly shocking, given a younger generation can look at a film like this, independent of its historical infamy, and judge the it without being told of its destructive forces. Michael Cimino, fresh off of two Oscar wins for The Deer Hunter, was given a blank check to go and make the project he desired, whatever it may be. And 40 million dollars (115 million today!) later, he came back with a three-and-a-half-hour epic of bloodshed, romance, tragedy and the death of westward expansion. The film’s financial maelstrom was nearly unparalleled—to this day, lone films don’t sink studios. When the dust settled and United Artists went bankrupt (the equivalent of a company like a24 going bankrupt!), almost never again would a studio shell out that kind of money to a director and give him final cut without a slam-dunk for their investment.

So, does the film’s reputation as one of the biggest turkeys of all time stand true today?

Well, to be honest... No.

To start off with, Cimino’s painterly style for the landscapes of Wyoming works wonders on an immersion level. There are endless shots of flat terrains amid snow-capped mountains that are feasts for the eyes and mind. The juxtaposition of the brutality and fascistic slaughter of immigrants at the hands of Sam Waterston’s evil Canton character (whose rhetoric is eerily similar to Trump’s), amid the serene and extravagant vistas conjure images to never be forgotten. The final battle sequences, in particular—plumes of gunsmoke and blasts of body parts amid beauty and horror—evince amazement at the sheer scope of Cimino’s vision and ambition. One moment in particular, a scene late in the film involving Christopher Walken’s character (the human heart of the picture), was so stunningly photographed it moved me nearly to tears. Even through all the notoriety, all the awful stories behind the scenes, Cimino’s perfectionist approach to every last detail shines through and it feels like a totally singular, engrossing journey. Truly, they just do not make films like this anymore.

Heaven’s Gate was, and still is now, a film of utter polarization. Some will watch it and be bored and frustrated with it. Others will declare it New Hollywood’s last great sweeping epic. And there are even then, those resting in between. I have to confess, I am in that latter category. Despite all the effort, and all the admirable qualities the film possesses, it’s just not as perfect as one would hope. Flawed would actually be an understatement, especially if one factors in the messy script. Even on paper, Cimino seems far more interested in capturing a mood as opposed to a three dimensional story. Visuals can do a lot in a film like this—they can make you forget where you are, even—but save a film from a weak script they can not.

The first of the film’s vices is a lack of proper character development. We are introduced to Jim Averill (Kris Kristofferson) and Billy Irvine (John Hurt) in an enormous spectacle of dancing and celebration at Harvard in 1870, and right away, problem number one arises: Hurt and Kristofferson are far too old be twenty, and it shows. Averill is then shown dancing with a girl, who promptly disappears entirely from the narrative, only to reappear at the end, but the film has been so long that by the end, we don’t remember her. This could be, in a twist of irony, because the film was so focused on Averill’s (and Cimino’s) obsession with sex worker Ella (Isabelle Huppert) that any other women in the film aren’t even named. Issue number two is Ella’s status as a sex worker is made to be her most readily defining feature, as if to create jealousy in the love triangle between herself, Averill and Christoper Walken’s Nate Champion (who spends most of his screentime doing nothing of note). By removing Ella’s agency and effectively relegating her to a token love interest, it is nearly impossibly to inspire sympathy with her plight.

As the film moves on and the nonstop dancing, shooting, yelling, and horse-riding continues, it becomes apparent that even though we are moving slowly toward the gargantuan showdown looming over the heads of everyone, we don’t know why we care. All motivation has been thrown out the window. I assume Cimino’s approach for this was to remove dialogue and carry all of it through the actors’ performances. However, Huppert and Kristofferson are startlingly uncharismatic and fail to sell the movie’s emotional core. Walken and a fantastic Jeff Bridges (who is underused) use their idiosyncratic acting styles to give the film its core, but even they are powerless against Cimino’s operatic direction. Whenever they seem to take control of the narrative, Bridges and Walken are tossed aside in favor of the wooden Kristofferson and the frequently-nude Huppert (who apparently didn’t speak much English at the time). It doesn’t surprise me in the least that Kristofferson didn’t take any leading roles after this; his hulking, gruff demeanor is better suited to supporting or villainous roles anyway.

I guess if there’s one thing to take away from Heaven’s Gate, all these years later, is that as long as the film industry goes on, precedents will always remain in place. This film isn’t a disaster by today’s standards in terms of artistic merit, but if you were a studio head in 1979 about to lose your company because of a narcissistic enfant terrible running around torturing actors and engaging in actual animal abuse for scenes (yes, that DID happen on this set), it would be hard to see any silver linings in this mushroom cloud of a movie. But today, everyone is worthy of a second chance in the walls of history, even the late Michael Cimino. And his film isn’t bad. Not a masterpiece, but I was never bored and that surprised the hell out of me given all I’d heard.

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kuuderepunkin · 4 years

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May I please have a match up for Death note and Assassination classroom?

I’m an INTJ, Scorpio,I like to draw/paint and write. When I get the chance to Im very out going but I’m normally very shy and cold at first. I love true crime and psychology sometimes I just watch people to see why they act a certain way I have a very low self esteem and I have problems eating and sleeping, I know how to use people to get want I want and I can change my personality to make the people around me like me a lot better

When I’m in a bad mood I normally just want to be alone and way from everyone except for the person I love or am closest with. I deal with a lot at home so I don’t like being yelled at at all and tend to flinch a lot. When I get comfortable with someone I am very cuddly and clingy.

I have dark blue hair right now and blue eyes, I normally have to wear glasses but don’t if I can help it. My style is punk mixed with grunge. I love dark things but secretly like cute things.

Of course! Honestly I love true crime/psychology too o0o and I feel you on the home life, so I hope these help out at least a little bit <3 I hope you enjoy these!

Death Note matchup: L Lawliet

I would match you up with L for a couple reasons, you’re both analytical and observant of people, your interest in true crime and psychology obviously interests him as well. And your initial shy or cold personality does not bother him one bit, he’s a patient man and highly observant himself. He is very interested in your appearance as well, it’s quite unique and draws his attention immediately. When he first sees and approaches you, it’s a bit awkward, because he kind of just stares at you which may be a bit uncomfortable.

Your first meeting was probably a public police press conference, it was discussing the current growth in unexpected and unexplainable strings of deaths attached to criminals.

As always L was there just in the background despite being the one who wrote most the police reports, when he spotted you in the crowd.

You had probably heard about the case on the radio or news and became curious about the details, being a fan of true crime you wanted to see what the police investigation had turned up.

As the press conference went on you began to feel uneasy, when you caught someone staring at you. It was unsettling at first but the moment the dark haired male caught you making eye contact with him, he approached you. His piercing eyes just bore into you as he remained quiet, the two of you just standing there in false silence as the detectives began to talk about their leads in the case.

After that long awkward exchange L finally speaks and bluntly tells you he likes your hair and the “manner in which you dress.”

He curiously asks you about your opinion on the case, if you tried to cater your personality to fit a discussion with him I think he would catch on to the flexibility in your disposition.

L is very interested in what you have to say about the case, any outside perspectives are always riveting to him. If given the chance he is very excited to tell you about his personal theories on the case.

Before the two of you go your separate ways he asks for your phone number or other means of contacting you. And to ease your suspicion of his strange mannerisms he tells you who he actually is, because the time he spent talking with you he decided there was no chance you would be involved with the case, so revealing his true identity wouldn’t jeopardize anything.

It doesn’t take long for him to become attached to you, and he invites you over often to talk about different true crimes and analyze different people in deep intellectual conversations. He really enjoys having someone to discuss these topics with, let alone someone he finds himself becoming attracted to.

Even before the two of you become an official couple he will point out that you haven’t “eaten the proper amount of food necessary to sustain the human body.” And he does not hesitate to get you some food, insisting that it’s important for your mind and body.

Sadly, he is also not the best when it comes to getting rest, so sometimes he will make a compromise, he will join you in trying to get some much needed sleep. If it’s not just because you fail to get sleep, but have trouble falling asleep he will do his best to find solutions for you.

He’ll make you tea, rub your back, play with your hair to lull you to sleep, and if you’re up for it he will cuddle with you to make you feel warm and secure.

L never yells so you don’t have to worry about that at all, besides he’s so patient I feel that it would take a lot for him to become remotely upset. And if someone else is raising their voice he is quick to deescalate the situation. He’s also not a fan of people being loud, and if you’ve told him about your rocky home life he does not tolerate people making you upset.

And while L may not seem to be the type to be into affection, he truly adores it, but he never rushes into it. Especially understanding you are more introverted. Once you become comfortable with physical touch he will always crave to be near you. Not always in extremely obvious forms of affection, but he enjoys sitting next to you with his legs touching your own as your arms press into each other.

He will intertwine his fingers with yours as the two of you sit beside one another. He loves when you lean your head on his shoulder and sometimes he will put his head on your own.

When watching television on his couch he loves being the big spoon, or just sitting up and having you sit between his legs with your back against his chest. I feel he may be a bit touch starved but he only craves being near people he trusts.

I can see him watching you from the side as you draw or paint only to sneak up and gently take your glasses off and put them on, curious as to how it feels to look out of them. He gives them back after checking himself out in a nearby mirror.

Contrary to belief he is not critical about everything, by this I mean he is never critical of your art. He is curious and observant and will ask questions but he will never give his own opinion unless told explicitly to do so.

He appreciates your creativity and believes putting any kind of critical analysis on something you care deeply about, that has to do with self expression, is counter productive.

He also loves getting you gifts, it’s a mix of both your grunge/dark aesthetic and your love for cute things, somehow he finds the perfect things to get for you. Anytime he has to leave you for a job he sends gifts to you to remind you he’s constantly thinking about you.

Assassination Classroom matchup: Karma Akabane

As for Assasination Classroom there are a lot of good candidates, so choosing a single character to match you with was a close call. Nagisa is a great match for intellect and psychological discussion but his well mannered behavior may prove difficult in breaking through your initial cold exterior. Karma on the other hand is quite smart despite not initially putting his full effort in the series, and his edgy aesthetic and personality would be a great match for your own grunge/punk style. Talk about power couple, he will bring out the best (or worst) in you. He’s slightly teasing but he knows where to draw the line because his intention is not to make you upset just to see your reactions.

If you have even an ounce of sass in you, he’s going to help draw it out, making remarks about others and having you join in makes his heart grow 10 sizes. He’s so proud he can have the effect of making you more confident, even if it’s just because he’s around you.

While he hates to admit it, he’s pretty smart if he would just put the effort in. So while you discuss your interests in criminal cases and psychology he will do his best to entertain you without revealing too much of the intellect he is in public.

Luckily in private he doesn’t care how much he shows off his intelligence, he will hold long discussions with you about different people you’ve seen and the two of you will pick apart their personality and analyze every aspect of their possible psychology behind why they act the way they do.

When the two of you watch a movie you often discuss the characters and maybe how ridiculous the plot is. He’s a savage and will tear down the villains in the media because of how ridiculous they can be. It can get to the point where he’s analyzing the writers at some point because “who would write such a two dimensional character? They’re not even likeable.”

He will not let you neglect your health and will constantly remind you to eat and keep hydrated. Sometimes it sounds like he’s nagging but it’s because he doesn’t want to seem like too much of a softie.

And as for your sleeping trouble’s he’s not going to let those slide either, he’s going to be giving you massages, running you soothing baths, preparing you some tea and bed time activities to help you unwind.

If you’re down to let him cuddle he’s going to do everything in his power to lull you to sleep, tactical hair brushing, rubbing small circles to your arm.

If people yell around you he’s going to go into dark Karma mode and just be little them to the point they have crippling anxiety and just leave the two of you alone. He tries not to be too confrontational around you because he doesn’t want to make you anxious.

But he’s your body guard and won’t let anyone say or do anything that makes you nervous.

In public he’ll let you cling to him, but he insists he’s just being a good supportive boyfriend, and not that he loves to have you attached to his side.

He slightly teases you about your love of the more cute things, but he bought it for you so he obviously cares enough to make you happy. It just really gets him going to have you be expressive, whether you’re telling him off or blushing from the teasing he’s happy either way.

#Punkin look #Match-ups #submission #matchmaker #gif #I hope you like these!!! ;0;#Punkinwrites

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