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#I wanted at least one more episode with him
cinnamon-galaxies · 2 days
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Hello! I wanted to request since I saw your box was open. I would like to request a Alastor x husk's sister!overlord!reader and Alastor does not own her soul. She appears in the hotel one day to find Husk on episode 7, when they were building defenses in the hotel before Charlie, Veggie and Alastor returns, she lectures him and later says something like, 'At least, there's something merciful about Alastor. He never broadcasted your screams, that I don't need to hear or to have nightmares about' and 'I'm just glad to see your alive and safe', and Alastor is in love with her. I don't want it to be angst much just some fluff. Thank you! ^^
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The Cat and the Radio Demon - Part 1
Pairings: Alastor x Fem!Overlord!Reader / Reader is Husk’s sister
Warnings/Tags: female reader, reader is Husk’s sister, reader is an overlord, use of alcohol, fluff (?), mutual pining, mention of toxic ex, Husk does NOT approve, English is not my first language! (Tags might change with upcoming parts but there’s no 18+ content planned for this fic.)
Summary: As Husk’s sister, you visit him the day before the upcoming extermination and find the hotel in a surprisingly chaotic state. During a deep conversation with your brother, you not only learn that heaven has specifically targeted the hotel this time but you also discover that an old acquaintance, whom you haven’t seen for seven years, is currently residing at the hotel. You decide to support the residents in their battle against the angels, hoping to also reconnect with the overlord who has intrigued you for decades – unaware that he shares your complicated feelings.
Wordcount: 4.6k
A/N: This will be a multi-part fic! It took me so long to write because I just couldn’t decide which way I wanted the story to go. This part is set during season 1 episode 7 and doesn’t feature much fluff yet because it mostly focuses on the relationship between Husk and the reader as well as the past between the reader and Alastor. I promise there will be a lot more fluff in the upcoming chapters! Comment if you like to get tagged in part two and I’ll add you to the list :D
Masterlist
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   Your thoughts race as you walk up the hill towards the Hazbin Hotel. Since the next extermination is about to happen tomorrow, you want to visit your brother just in case things don’t end well for any of you. With a deep sigh you raise your hand to knock on the huge double door as loud rumbling noises catch your attention. Voices mixed with clatter and hammering make the hotel sound like a building site and you furrow your eyebrows in confusion. Knowing well that no one would hear your knocks under this turmoil you decide to just open the door and step inside.
   The noises get louder when you enter the lobby and you freeze at the unexpected sight. The whole entrance area looks in fact like a building site. Little egg demons rush back and forth, carrying long wooden slats that must be at least triple as heavy as them. Most of the windows are bolded with messy wood paneling scattered across the window frames to shield the hotel from outside, letting almost no light through. The whole establishment looks like a lost place and you would've described it as one if there weren't the rumbling of woodwork and the scatter of voices echoing through the room.
   “Uhm, hello?” you announce your arrival, calling over the loud noises. You turn on your heels, letting your gaze wander around the gallery as you search for a familiar face – or at least for someone who isn’t an egg.
   When you tilt your head back, your eyes trail along the balcony that's surrounding the lobby on the first floor until your gaze gets stuck on three figures barricading the upper windows.
   “Hello?” you call again, this time louder. One of the figures stops hammering and turns around. A huge grin spreads across their face as they approach the balcony, leaning over the railing to look down at you. You immediately wave as you recognize Angel.
   “Oh hey, toots!” he greets you with an excited voice and waves back, holding a hammer in each set of his hands.
   You open your mouth to ask him for your brother as Angel already turns around and disappears so far behind the railing that you can only see the upper tufts of his fluffy hair. He moves his head back and forth, unintelligible voices, then it gets quiet until the pointy ears and huge wings of your brother appear in your sight.
   “Oh, hello, Y/N!” he shouts over the railing, “Give me a moment, I’ll come down!” He raises his hand to silently signal you to wait and walks over to the stairs. He approaches you with widely spread arms and a welcoming smile on his typically grumpy face, and pulls you in a tight embrace.
   Returning his smile you lean into his familiar hug and a comfortable warmth spreads through your body.
   “Hey there, sis. I haven’t seen you in what feels like ages! What are you doing here?” Husk squeezes you for a short moment before he lets go and musters your appearance with furrowed eyebrows, checking if something has changed since your last encounter. But you still look the same: a few inches shorter than him, your hair cut into a messy shoulder-length bob with loose curls falling in your face and tickling your nose and cheeks. In comparison to your brother’s appearance your sinner form looks mostly human – your pointy ears and fluffy tail are the only feline features that suggest a kinship with your brother. Other than that, you couldn't look more different from each other.
   You clear your throat and your voice runs deeper as you explain, “I wanted to see you before the next extermination. You know, in case something happens to one of us.” It has always been your personal ritual to meet a few days before an extermination happens but since this one is about to happen much earlier than normally, Husk didn't expect to see you this time – thus making him even more excited about your visit.
   “You want a drink?” he points with his chin at the bar and you nod, following over to the swampy-looking structure.
   “But please none of those throat-burning hellfire liquids. You know I prefer the lighter ones,” you laugh.
   Husk chuckles at your comment and slips behind the bar, his eyes searching the shelf before he takes two bottles and mixes you a light daiquiri with lots of ice to dissolve the taste of the alcohol a little.
   “Thank you.” Husk places the drink on the counter and you pull it closer but not intending to take a sip until at least one of the ice cubes has completely melted.
   Husk opens himself a bottle of cheap booze and places his elbows on the counter, resting his chin in one of his hands while holding the bottle in the other. “So… How are things going?” he asks curiously between two sips, a sly smile on his face.
   “Nothing too exciting,” you reply, twirling the straw in your drink, the ice cubes clinking against the glass. For a moment, you're lost in thought, recalling the events of the past six months. Then, something clicks in your mind, and your eyebrows shoot up. “Ah, that bastard Visco finally got what he deserved!”
   “Oh, really? T’was about time something happens,” Husk mumbles with a grunt and his eyes narrow. Visco, your ex, has been loathed by Husk ever since you introduced them. And honestly, Husk's feelings are completely justified. Visco isn't just a scumbag; he's also a cheater and a terrible liar. He's always tried to shift blame onto you for his mistakes. Even though you ended things with him years ago, he hasn't let go and continues to shadow your every move, denying you peace. If it were possible in hell, you'd have already obtained a restraining order against him. Not even your overlord powers can keep this jerk at bay. Despite your formidable reputation, he sees you as harmless, like a kitten, which is infuriating.
   “Yeah, he lost his home and all of the assets after fucking with the wrong demon. Eventually lost his soul to some drug overlord who now keeps him on a tight leash. And well… I might have involved myself a little to make that happen.” You feel a sense of satisfaction as you explain, wearing a proud and mischievous grin on your face. You can feel your eyes change their color for a quick second, before taking the first sip of your drink. The strong flavor of rum is mellowed by the melting ice, allowing the tang of lime and the hint of elderflower to dominate the drink with a subtle sweetness.
   “It would surprise me if you hadn't had at least a little influence on it. Took you long enough,” Husk grumbles and you roll your eyes.
   “You know very well that despite my status I’m not one of those who prefer to resolve their problems with violence. I like to let my intellect play the game and make up my own rules. And this time, the circumstances had aligned well enough for the best possible revenge!”
   The cat demon chuckles and shakes his head in amusement. He knows you well enough to understand how important it is for you to gain your power through subliminal actions.
   He clears his throat and looks over to his comrades who are still busy with covering the windows in wood panels. “Well, even though I’m glad you’re here, Y/N, we shouldn’t spend too much time just chatting. We have to prepare a lot ‘cause things will get dirty tomorrow. Even dirtier than normally.” Your brother’s voice turns into a growl at his last words and you frown in concern.
   “What do you mean by that?”
   “Well,” Husk clears his throat and takes a long sip from his bottle, “the angels are specifically coming for the hotel.”
   Silence.
   You just stare at your brother in disbelief and you could swear your heart stopped beating. Holding your breath you blink a few times, processing the wave of shock. “What?” You exhale. “Why didn’t you tell me?”
   “We just found out recently. Charlie had tried another audience with heaven but that fucker Adam sees the hotel as a threat.”
   “Oh Husk…” you raise your hand and cover your mouth in shock, your ears planing under the surge of pity. “That’s horrible. I–I can’t believe it.” Your eyes observe your brother. He seems surprisingly calm despite the news he just revealed to you. But before you can say something he continues, “Did you know that angels can be killed?”
   “E–excuse me?” you inquire, cocking your head in surprise, your ears flicking back up into their normal position. You observe a slight but smug smile playing at the corners of his lips.
   “Ya heard me right. They can be killed. Vaggie’s out getting some angel weapons ‘cause those are supposed to be the only thing that can harm them.”
   You hum and bite your lips in fascination, then your voice drops even lower as you mumble, “Interesting…”
   “Yes, but please keep it to yourself. At least for now. I don’t wanna get in trouble for telling you this,” Husk murmurs and shoots you a pleading glance before you nod in agreement. When there is one thing you don’t want, then it is your brother getting in trouble because he told you something he isn’t supposed to. Which doesn’t mean that it would be okay for you if he gets in trouble for any other reason. You want him to be as safe as he wants you to be. You are glad he is okay, still alive and unharmed. And hopefully his condition stays the same after tomorrow.
   “What about the princess?” you ask, increasing the bite on your lip in curiosity, “Is she accompanying Vaggie?”
   Husk shakes his head. “No, she’s currently out with my boss, tryna gather some support from his acquaintances over in Cannibal Town. I’m sure she’ll return soon.”
   Your ears twitch in excitement. “Alastor’s here too?” you ask and try to hide your excitement. You know well enough about your brother's apathy for him. ‘Being done with his shit’ is how he once described it to you and you couldn’t blame him. You’d probably be sick of him too if you were on his leash. Honestly, the fact that Alastor owns your brother’s soul should be enough to despise the overlord but you couldn’t because you somehow had found yourself intrigued by him the moment you had met him for the first time. But this was not the only reason you’re surprisingly fond of him.
   You can hear Husk growl in disapproval, proving your thought. His voice is raspy and full of annoyance when he says, “You know damn well that he’s forcing me to be here. So yes, he’s obviously residing in this hotel as well. Haven’t you seen him the last time you were here?”
   You shake your head. No, you didn't. You had visited the hotel only once and that was almost half a year ago – and Alastor definitely wasn’t present that day. In fact, you hadn't seen Alastor in years, ever since he vanished from the surface, leading many to believe he didn't survive the last extermination – or that he had crossed paths with the wrong overlord by accident. You hadn't even been aware of his return until his clash with Vox dominated hell's media. Furthermore, your brother hadn't mentioned him during your last visit, which isn’t surprising, but bothers you the longer you think about it. You would’ve liked to get in touch with the Radio Demon again.  The last opportunity you might have had to encounter Alastor was at the last overlord meeting, but you had skipped it for personal reasons. But hearing that he’s residing in this hotel fills you with a jolt of anticipation that makes your heartbeat go faster. You start to wonder why he even bothers to find interest in this hotel…
   Husk shrugs his shoulders. “I think it’s better this way.”
   You hum and roll your eyes as you raise your glass to your lips, taking a few sips. Of course he would say that. “He’s not that awful, Husk,” you respond with a defensive tone, earning a low growl from your brother which you choose to ignore. “I think you can call yourself lucky that you lost your soul to him and not any other overlord.”
   You look at Husk over the rim of your glass as you take another sip, then you put it down, shrugging your shoulders at his gritted teeth.
   “Please, Y/N, don’t start this again…” He mumbles and shakes his head in disappointment. The both of you had this discussion way too often over the course of a few decades.
   “What I mean is that your situation could be worse if a different overlord held your leash. Okay, yes, he might’ve a very feared reputation and such but at least there’s something merciful about Alastor.”
   “Are you fucking kidding me, Y/N?” Husk asks and his eyes open wide in disbelief. He obviously can’t fathom what you just said. “He literally used to broadcast the screams of the souls he tore apart.”
   You let out a deep sigh. Of course you know about all the horrible actions that made Alastor gain his infamous reputation as The Radio Demon. But honestly, you are in hell. Is there anything else to expect? Almost every sinner is somehow a psychopath in their own way so you can’t really blame him for doing questionable things to work himself up to the top. It’s not that you’ve never done it yourself. You haven’t become an overlord by just deciding to call yourself one on a random day. You had worked hard for it, often in crucial and unfair ways, overpowering the weaker with your manipulative tactics. That is just how the food chain works in hell. And your brother was no saint either. He had dealt in souls as well, betrayed other sinners with a second deck of cards up his sleeve while he kept them believing he was an honest opponent... He had been a cheater through and through when it came to gambling and the fact that he had used his skills to trick other sinners into giving him their souls made him no better. Actually, you had laughed your brother in the face when you had found out that he, the gambling overlord and master of manipulative games, had accidentally sold his soul by messing up his cheating performance during a game of poker against The Radio Demon. You hadn't even bothered to offer him a shred of sympathy for his newly acquired role, as you found yourself relishing the karma that had struck his furry ass. The only one Husk could blame for his predicament was himself. And truth be told, you're somewhat relieved that your brother has been chained with Alastor's leash. After all, he used to be a ruthlessly manipulative and disrespectful drunkard with a self-destructive gambling addiction, who never cared for you even half as much as he does now. Since he had lost his status as an overlord he had changed become a much better person.
   Considering how much of an asshole your brother used to be, it is quite surprising that Alastor never treated him the way he supposedly treated other overlords he had tricked into a deal. To your knowledge, Alastor has never harmed or mistreated your brother in any way, nor has he wronged you.When you initially encountered The Radio Demon, he presented himself as a charming and sophisticated gentleman, with impeccable manners and a refined way of speaking. Over time, he maintained this facade, consistently treating you with the utmost respect, prompting you to wonder if it was merely a facade or if he had been raised exceptionally well by his mother. Except, of course, for his psychopathic tendencies. You and Alastor have been acquainted for at least two decades now, and from the very beginning, you found him immensely intriguing. One could even say you were drawn to his charismatic personality. He had even invited you out once, though you still keep that detail hidden from your brother. If he ever discovers that you and his boss had shared a private dinner, he'd undoubtedly throw a tantrum. Or much more. Of course, it had been nothing more than a professional meeting between the two of you…
   You take a deep breath. “Don’t act as if you had been any better, Husk,” you respond to his comment in annoyance, reminding him of his once shitty personality, and he flinches at your words. Oh yeah, Husk has always been a master at dishing out but not being able to take it on the chin… “And to be honest, I’m glad to see that you’re still alive and safe. I don’t need to hear your screams on the radio and then have nightmares about it.” You laugh dismissively at your sarcastic comment and take another sip from your drink. You notice the tension in Husk’s expression and reach out your finger, booping his nose.
   He flinches back in surprise and his stern face turns a little softer at your silly gesture. “I think I should continue my work. I feel bad that I’m sharing a drink with you while my comrades are working their asses off.”
   One sentence the old Husk would’ve never brought over his lips, you think. With one long sip you empty your glass and slide it over to Husk who places it in the sink. “Let me support you. I would’ve come days earlier if I knew that the circumstances were this bad…” you exclaim, your tone more of a demand than a request.
   Husk nods without hesitation. "Fine. We need any help we can get!”
   With that you and Husk leave the bar and approach Sir Pentious and Angel.
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   You support the three men in building defenses, laughing and chatting here and there. Time passes quickly and the other residents return from their missions.
   You turn around when you hear the door open and go straight up to the railing, looking down at the entrance right under you. You chuckle in joy as Charlie and Vaggie come into sight and you clear your throat.
   “Well, if that ain't the princess of hell and her girlfriend!” you call out and turn over to your male comrades, “Look, guys, who decided to show up!”
   Angel, Husk and Sir Pentious stop their work and step next to you, a sly smirk on Angel’s face and his hands rested on his hips. “We thought we were fightin’ by ourselves!” he lets out with a laugh.
   Charlie and Vaggie look up. “You’re… you’re still here?” Vaggie asks, her voice relieved and trembling in amazement. Tears well up in Charlie’s eyes.
. “Y/N, what are you doing here?” The princess shouts up to your floor and you shoot a grin at her, revealing your pointy fangs.
   “I’m supporting you, of course!” you exclaim in excitement and Charlie’s expression turns thankful. But before you can add something, the door opens again and a bunch of people enter, dragging huge wooden crates with warning labels in the lobby. You cock your head in amazement. Looks like they were successful in their missions…
  Vaggie immediately turns around and starts to shout clear instructions through the lobby, leaving her girlfriend behind. So you decide to head downstairs.
   “Are they all weapons?” you ask with wide eyes as you glance around, counting at least a dozen of wooden crates.
   Charlie, who you stands just a few feet away, turns around immediately and nods, her already bright face turning even brighter when her gaze falls on you.
   “Are you really here to support us?” she asks in an enthusiastic tone, forgetting your question completely. A sparkle of joy flickers in her eyes and you can’t help but smile back.
   “Well…” you take a deep breath, pondering the best way to explain your presence without it sounding wrong because you originally came here for a chat, not expecting the hotel and its residents to be preoccupied by such drastic preparations. “Honestly, I had just planned to visit my brother but now that I’ve found out about your situation I decided that you could need my help. I will fight with you all, tomorrow.”
   “Oh my god, thank you!” Charlie screams enthusiastically, raising her hand above her head before she pulls you in a tight embrace.
   You stiffen at the sudden proximity but relax after a couple of seconds, wrapping one of your arms around her shoulder. Three quick pets on the pad of her suit, then you slowly pull away. You are so focused on the princess that you don’t notice the shadow forming behind you.
   “Charlie, I didn’t know you invented a guest!” a voice, distorted by radio static, cuts through the babble in the room.
   You instinctively hold your breath and Charlie moves her head to look behind you. “Oh Alastor!” she exclaims, her arm tucking at your shoulder to signal you to turn around.
   You do as the princess silently demands and face the new arrival: a tall and slim man dressed in a red pinstripe coat, a black bowtie and black slacks. His red and black hair frames the sharp features of his handsome face, deep red eyes glowing surprise as they lock on you, his huge smile widening into a well-knowing grin that reveals his sharp yellow canines. The fluffy ears on his head twitch the same way yours do when you get excited. Is he excited to see you? Because you are definitely excited to see him…
   Charlie reaches out her hand, gesturing between you and the other demon as if she wants to introduce you to each other. “This is Y/N! She’s Husk's sister, and–.”
   A chuckle escapes Alastor’s throat. “Oh, there’s no need to introduce us, dear,” he interrupts her with a dismissive gesture of his clawed hand and approaches you. His voice turns softer, deepening in tone and the radio static is just a buzzing background noise as he mumbles, “How could I forget about such a lovely lady…?” With those words he bows his head in a classy manner and leans down to take your hand in his. With a sly smile he places a soft kiss on your knuckles, resting his lips on your skin a little longer than necessary.
  Your cheeks flush instantly at his gesture, and you find yourself locking eyes with him, meeting his crimson gaze. Your body tenses under his touch, sending shivers down your spine, and you only realize you've been holding your breath when he releases your hand and straightens his posture.
   “Alastor, long time no see,” you greet him in return, a sly smile tucked on your lips as you eye him from head to toes and back to his head. After all those years he still wears this everlasting smile on his face…
   “You… both know each other?” Charlie involves herself, interrupting the quick greeting between you and the Radio Demon.
   Alastor lets out a laugh. “Oh, Charlie… Of course we do!” he responds with a raspy voice, the radio effect on his voice increasing. Then his attention falls back on you. “You didn’t show up at the last overlord meeting, Y/N.”
   You shrug your shoulders at his indirect question. “And you didn’t show up for seven years,” you countered teasingly with raised eyebrows.
   “Touché, ma chère.”
   Charlie bites her lip and switches her gaze between the both of you, when suddenly, Vaggie calls her name and she excuses herself, leaving you and Alastor alone.
   You tilt your head to the side, now finally able to ask one of the questions that are burning on your mind for quite a while now. “So, tell me, where have you been all those years?”
   Alastor releases a chuckle and waves his hand dismissively. “This is a long story, dear…” Though his expression stays the same his eyes darken a bit as you bring up his absence. You bite yourself on the lip, feeling a surge of nervosity rise and churning your insided. Immediately understanding that this must be a difficult topic for him, you push your thoughts away, dismissing the topic.
   As fast as Alastor’s eyes darkened they return to their usual glow. He twists his cane in his hand and leans closer. “Enough about me, Y/N. May I ask what gives us the honor of your company?”
   There he is again. The witty demon you had found yourself way too fond of. You give him the same answer you gave Charlie and look around the room, scanning the tumult around you, the lobby a bit less crowded than just minutes before. Your eyes stay on a young woman in a lab coat who writes something on a clipboard, probably checkmarking all the delivered supplies and weapons.
   “Another overlord would surely be a great support,” you hear Alastor respond, interrupting your mental absence and pulling you back into reality. “Voices say that you are remarkable at fighting.”
   You close your eyes and release a chuckle before you open them again and face Alastor with raised eyebrows. His gaze lingers on yours, his smile a little softer than normally. Your stomach flutters at this sight and you turn your gaze away, sensing his eyes still staring at you. “Is that so?”
Leaning on his cane, he regards you in silence, his proximity feeling closer than before. Is that his breath you sense against your skin? You swallow hard, hesitant to direct your focus back to him. Instead, you fix your gaze on a random person in the room, feigning interest in their actions to avoid catching Alastor's attention. Although, he likely notices your avoidance regardless. He's far too skilled at discerning others' behavior to overlook such a detail.
   “Don’t play ignorant, Y/N. Everyone knows that your combat skills are as formidable as your intellect,” he suddenly interrupts the silence between you and you chuckle at his compliment.
   Satisfied by your response, Alastor tucks his cane back under his arm and places his hand on your shoulder. "I believe you'd serve as an excellent mentor for all the Cannibals outside," he says. With light pressure he turns you around to force you to look at him.
     “Uhm.. what?” you ask, way too surprised by his words to be affected by his face right in front of yours. Cannibals…?
   Alastor doesn’t respond but you could swear that his eyes shine in amusement. With a nod of his head he points in the direction where two huge double doors mark the hotel’s main entrance.
   Holding your breath you follow him towards the exit, a jumble of voices coming through the door causes your ears to perk up.
   Alastor chuckles at your reaction, obviously amused by your confusion and the closer you get to the door the louder the voices get. Alastor conjures a shadow tendril to open the door for you and you both step outside, walking side by side.
   You stop as your eyes fall on a huge crowd of pale faces with black eyes and sharp canines. “Uhm… Are those your acquaintances you were supposed to sign up for support?” you wonder, completely stunned by the amount of people Alastor and the princess had managed to gather.
   "Do you believe you could handle instructing some of them in combat?" he asks, both answering and ignoring your question at the same time. He looks down at you, though the distance between you is more appropriate than before.
   You press your lips into a straight line and tilt your head back to return his gaze, your expression clouded by overwhelm and a tad of uncertainty until it quickly switches to determination. “We’ll see,” you smirk at him.
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tobiasdrake · 2 days
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Here we go. It's time to talk about my personal fave. As I said before, this is my Main. In Dragon Ball fighting games, this is the character I seek out to play whenever the roster allows. Also arguably the character who's been done the most dirty by just about every form of Dragon Ball, manga included.
The vanguard of a brand new status quo and a brand new direction for what Dragon Ball would even be, washed away by the tides of a status quo resetting to zero.
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We're here to talk about the champion of Satan City who carries the spirit of Dragon Ball in her heart: Videl.
(And that is one cookie to @jcogginsa who guessed it.)
Videl was a kid with a chip on her shoulder. I mean. How could you not be? Her father was the legendary world martial arts champion who famously defeated Cell seven years ago.
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Don't pay attention to that. He just tripped for a moment. Once he got his second wind, he came right back and showed Cell what for! It was due entirely to Mr. Satan and nobody else that the Earth was spared from the apocalyptic horror that is Cell.
Look, he even said so himself.
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Are you gonna call that man a liar? The man who defeated Cell!? I think we can trust Satan's word over yours.
This is the shadow that Videl grew up under. Raised in what had previously been called Orange City, but was renamed Satan City in honor of the world's greatest hero.
Or "Hercule City/Herculopolis" in the versions that edit out Satan's name.
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As his daughter, Videl has a perspective on Satan that neither the world nor the audience gets to see: He's a womanizing playboy who cashes in on his world-savior fame for booty.
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He also forbids his teenage daughter from dating by putting up the stipulation that any boy interested in her has to be stronger than him, the world champion - A stipulation naturally designed to weed out any possible suitors through intimidation. Wanna date Videl? FISTFIGHT THE MAN WHO DEFEATED CELL.
Oh, but he doesn't teach her a goddamn thing; At least, not anymore, as she does suggest there was once a time when he was her mentor. She's forced to study martial arts entirely on her own because her dad is utterly disinterested in her development in the art.
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This is an angle on Satan we never get to see onscreen. Apparently he's pretty shitty about women. You know, I can believe that.
Videl, when we meet her, is trapped in an unenviable position as a martial artist. She hates what the fame of being a legend has done to her dad and wants to knock him down a peg, but she has no foundation to develop her abilities from. The one man who's supposed to be teaching her isn't doing it, and she's been passively discouraged from pursuing more esoteric martial arts because the world champion said that stuff's all fake.
Videl makes for a fascinating foil to Gohan, because they're both children living in the shadows of legendary fathers.
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Gohan is expected to be Goku's successor, but wants to live a peaceful life of academia. Meanwhile, Videl is being denied the ability to become Mr. Satan's successor, but craves the opportunity to prove herself.
Nonetheless, both of these kids are prodigies. Videl has a wealth of potential. She doesn't even realize that, despite these limitations, she surpassed her father long ago. Despite being a self-taught teenager with zero comprehension of ki cultivation, Videl hones her skills and developers her art the only way that's available to her: By punching it out with armed robbers in the region.
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Backpack Town isn't even her city! She's a one-woman SWAT team for the tri-state area.
As ambitious and driven as she is, Videl is also clever. The anime extrapolates the adventures of the Great Saiyaman into a several-episode arc as Gohan deftly avoids detection by Videl over and over again, but this has the knock-on effect of depriving Videl of one of her best moments.
Because she pegs him instantly. She was already suspicious of Gohan being the mysterious "Golden Warrior", when he tried to use his Super Saiyan form to disguise himself as a superhero.
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Which also showed that she was open-minded about the other people who fought Cell. Satan says they were doing a bunch of tricks, but Videl's willing to consider the possibility that there exist people who can turn blond on command.
And then Gohan did this shit.
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Because he was raised in the woods by the devil and Goku. Despite trying to keep a low profile, he has absolutely no idea what the baseline for ordinary human ability is.
So. Y'know.
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That's pretty fucking suspicious.
Which brings us to Gohan's second outing as Great Saiyaman, and his first meeting with Videl under his new identity. Whereupon she, uh....
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Plays him like a fucking sap. It's a great moment that doesn't get its due if it takes several episodes and misadventures for her to reach this point. Videl is exceptionally skilled in the field of paying attention to that time Gohan jumped thirty feet in the air and naturally drawing conclusions from it.
And also his voice and posture and other dead giveaways. Gohan sucks at secret identities.
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He's just. So obviously Gohan. There's no way anyone would be fooled by this.
But she's not only adequate at seeing things with her eyes; She's also a legitimately brilliant martial artist in her own right. Due to her upbringing, she's had zero experience with ki cultivation for obvious reasons.
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And yet she's talented enough and smart enough to pick up the basics of Bukujutsu in one day.
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Oh, don't mind her; That's just Videl making a mockery of Tsuru-senryu by effortlessly devouring their signature technique. This is Goku's first Kamehameha all over again.
She may have started small but Videl learns fucking fast. She has all of the drive and the ambition that Gohan lacks. She wants to be part of this world, she has a ravenous hunger for self-improvement, she's clever and observant, and she picks up concepts insanely quickly.
Videl is fucking primed to be a key player in Dragon Ball's next generation.
...
So now we need to talk about what happened to Videl.
Videl has one major fight in the entire series: Her 25th Tenkaichi Budokai bout against Spopovich.
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Which she absolutely dominates. She's stronger, better, and faster than Spopovich. Even the experienced martial artists agree that she's infinity times better than him in every way.
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But there's something wrong with Spopovich. He's a decent martial artist, far from the top; He'd competed in the 24th Tenkaichi Budokai and made it through the qualifiers, but was eliminated in the first round. So, y'know, he had no chance in hell against Videl; She's already surpassed Mr. Satan, who won the 24th legitimately.
Uh, by virtue of none of the Kame-senryu or their rivals attending. Mr. Satan is top dog of the same weight class as Pamput from the 22nd.
But, despite being outclassed in every category, Spopovich is also a dead man walking.
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He's similar to the Androids in a sense. Spopovich has no ki signature at all, nor does he get worn down by the damage he's taking. This is Vegeta vs. 18 and Piccolo vs. 17 all over again; He isn't feeling the pain from the hits she's landing on him, and so he's able to outlast.
But Spopovich isn't an Android. He's more like a zombie?
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At one point, Videl cuts loose and breaks his goddamn neck. Because he's pushing her hard enough that she realizes she needs to go harder, but his body can't take harder. He isn't a match for her. He just. Isn't going down despite not being a match for her.
He can't take this level of force. But he and his ominously vacant absence of ki can put his head right back where it was and continue the fight, no problem. That's honestly scarier than if he'd regenerated.
Also despite not even having the barebones ki signature of a normal person, Spopovich can perform Bukujutsu and fire ki attacks.
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Which a fighter of his meager ability shouldn't even be capable of.
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All of this adds up to an unwinnable fight for Videl and the setup to... Something. This match has been criticized pretty heavily in the fandom because it gets pretty gruesome and doesn't have a payoff.
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We've seen fights go fucking bad for our heroes before. Piccolo once broke all of Goku's arms and legs as well as shooting a hole in his chest, right here in this same arena.
But it's typically building to something. When our heroes get trashed, it's the lead-up to a reversal down the road. Maybe in the same fight. Maybe in a later one. And we seem to be heading in that direction?
After Spopovich and Yamu leave the tournament, we get VIdel a Senzu and she's right as rain.
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Spopovich and Yamu steal energy from Gohan and fly off to Babidi's Ship so they can awaken Majin Buu. Kaioshin recruits the various protags to make that not be a thing that happens. And then. Something switches in the narrative flow of this arc.
You can feel it happen.
As our heroes prepare to pursue Spopovich and Yamu, Videl volunteers to join in as well. She's had her eyes opened to a whole new world or possibilities and is hungry to develop her abilities.
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And. Then. One chapter later. It's suddenly decided that Videl will not be a part of this storyline after all, and she basically leaves the plot forever.
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WHOOPS! Never mind! Didn't want this character here after all. Go home, Videl.
While her adversary Spopovich is unceremoniously unwritten from being a thing that exists.
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Babidi just. Kills him. For no reason. Even though his job isn't done yet. Babidi's like, "Oh good, you collected a fraction of the energy we need; That's fine, you can be fired. I don't need anyone to finish the job."
We're just. We're not telling that story anymore. We already threw Videl in the trash; we don't need her nemesis. We're doing a different thing.
Also, because we still have too many characters in this scene, Dabra erases Krillin and PIccolo with magic spit that never comes up again or is meaningful in any way.
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You'd think this would be, like, setting up something? Like. Having witnessed it ahead of time, Gohan's able to figure out something about the way Dabra's spit works. So when he fights Dabra in a climactic battle, he can turn this around.
Like when Goku was able to counter Tenshinhan's Taiyoken/Solar Flare in the 22nd Tenkaichi Budokai, because he'd seen it before and understood how it works. That's usually what Dragon Ball does with this sort of advance notice of opponent abilities.
But. No. The most this ever comes up again is that it momentarily costs Gohan one of his gloves. It's just here to winnow down the cast because Toriyama brought too many characters to this scene.
You can feel the burnout taking hold. As janky as the Android arc was, the Buu arc's level of jank is through the roof.
And that became it for Videl. Denied any sort of payoff for her one fight and instead relegated to background character, Videl never got a chance to live up to the intriguing potential she was introduced with. She was the face of a new direction for Dragon Ball, a direction that ended up strangled in its crib as the series reverted to old ideas and old formulae - strangling her along with it.
Videl is a character I look at and can't help but wonder what could have been. What could have been if Gohan got to keep his focus, and Videl got to remain a key player in a story about him? What could have been if we got to see Videl developing her skills at the same fever-pace that she learned Bukujutsu with? What could have been if she got that rematch with Spopovich she seemed to have been promised by the narrative, and then got to stay involved throughout the Buu arc?
But I guess we'll never know.
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batsplat · 2 days
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Your post about sete/vale rivalry is literally so informative it's like a pivotal post to fully understand the way valentino's mind works. You're his friend just up to the point you are not (mainly after perceived crimes not backed up by any real proof apparently). Valentino literally turbodivorced every guy he was friendly with in the paddock (and the irony of two of those turbodivorces happening in the same place isn't lost on me)
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I did do my best to keep marc out of that post and let the parallels speak for themselves but like. yes
what's interesting to me about this rivalry is that it's... kind of his first rodeo. I mean he'd obviously had rivals before and a feud and all that and him and biaggi were constantly *gestures* - but one of the most common complaints about valentino is that he switches up towards you when you actually become a serious threat. which!! I still fully believe to some extent is natural, this is sports, they're competing, and I take more seriously with some of valentino's victims than with others. (melandri is always the one where I'm a bit? valentino no offence but why would you bother, in 2005 there wasn't a title fight and in 2006 valentino actually got on really well with two of the four other main contenders and at the very least didn't actively have a problem with dani. so maybe just a melandri problem question mark.) but I do feel like sete was... maybe not the first, but the first that was this extreme. and, very much topic for another post, but he really does learn a lot from the sete rivalry. a lot of the tactics and performance art and all of that, how he uses all of it to demoralise his enemies - this rivalry was kinda the blueprint
but, at the same time, of course it was a different valentino that marc ended up fighting, and not just in terms of how fast and competitive valentino was at that stage of his career. this is something that's quite hard to get across sometimes, because the natural inclination is to just... look at all the past instances in which valentino was a dick and conclude that he has, in fact, always been a dick. but he wasn't just statically malevolent for a twenty plus year career, and it's important to... reinsert context to assess how he developed as a rider and as a character during that time. it's not twenty non-stop years of valentino feuding. and marc is facing a valentino who had inevitably changed as a result of years of injury and poor results on a poor bike. valentino was pretty open in 2012 that he was returning to yamaha after two years on a donkey of a bike to, y'know, see if he was still fast, if he still had it in him - because he genuinely did not know (stop me if this reminds you of anyone more recently). he was so frustrated in 2013 with constantly finishing in fourth place that he took the truly radical step of firing his crew chief jb. one more try, one more change up to see if he could still be fast
it was only in 2014, where, okay he was losing to marc, but he could feel that he was competitive again, he could semi-regularly beat jorge and dani at the very least... then comes misano and he beats marc in a direct fight, draws an error out of him, gets him to crash, and marc shows up at his ranch and manages to strongly signal that he does actually really want to beat valentino. and that, in a way, shows that he was beginning to take valentino seriously as a competitor again (which I would suggest he wasn't doing at the end of 2013). that's something that's easy to miss about the ranch episode: yes, it's notable how much they were treating each other like hardened rivals, but it was also notable they were doing so in 2014, given the kind of season marc was having. maybe it truly was the worst possible timing. maybe it truly was the race in misano that made both of them go. hey. this really could be happening
but it's still a humbled version of valentino, it's still a version of valentino who has already kind of had to make his peace with the fact his time might very much be over. to me, in a way it's more dramatically satisfying if he did make peace with it, if he was more or less all right with marc making the sport his own. okay, there's always going to be a little bit of bitterness, a little bit of envy... because he wished he could still do what marc was doing, of course he did. but by the end of 2013, he knew it was more likely than not he would never be involved in another title fight. he thought his career might be ending after the 2014 season. he told the world if he wasn't competitive in the early races in 2014 then that would be that, and I think he meant it
there was no guarantee he'd have a season like 2015 - sure, he was working harder than ever and making radical personnel choices, all in the hope he still had something more to give... but he didn't know it would happen. it was really really unlikely!! there's a giddiness to him in early 2015, almost like he couldn't quite believe himself he'd get that chance. and then, yes, he does withdraw from marc, he does go back into title fight mode... but relatively speaking, this is still a more agreeable version of valentino. this is still a version of valentino who is determined to not start shit with jorge - it's odd to watch, but in those 2015 pressers valentino is constantly engaging him in conversation, at a time in which the marc chatter was already dropping off pretty sharpish
(incidentally, I think vale was proper pissed off at how jorge reacted to the whole sepang thing and how jorge was angry with valentino, which is very funny to me. like at catalunya 2016 vale's going!! I actually made an effort with this bitch!! I was nice to him for three years, does that count for nothing??)
valentino also doesn't blow shit up over assen, even though by his standards marc should be giving him plenty of reason to. he's definitely cooled off towards marc, but he's still giving him the benefit of the doubt where he wouldn't have done so with past rivals - which, yes, I do think partly reflects how he felt about marc, but also reflects how he was approaching that year and that phase of his career as a whole. he didn't really want drama; he wasn't really looking for any distractions from the actual title fight. which doesn't mean that he wasn't already changing his behaviour towards his competitors in response to the demands of the season - it's just a question of the extent. here from a write-up of assen 2015 (I don't entirely agree on the point of the effectiveness of valentino's mind games, though I do agree - like valentino himself does - with the general idea that most of the work needs to be done on-track):
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in the end, he cracked. I guess that's what generally happens when you put someone under that kind of pressure - you make them revert to type. valentino wasn't arrogant or entitled or over-confident in that season, he was desperate. he'd been given this unexpected chance and he was throwing everything he had into making it work. body, mind, soul, all of it, wringing himself out in pursuit of this dream. he could feel it slipping away at several points that season... that four race jorge win streak where he led every single lap and it was kind of like? okay, you just can't do anything about that. valentino can't match that, not at this stage of his career. or brno, after which they were level on points and jorge led on countback and it just felt like valentino so obviously had a consistent pace deficit that surely this could only go one way. all these moments where it felt like it might actually be over, in the least dramatic way imaginable. in many ways, this wasn't really a title fight that should ever have been so close - and it's to valentino's credit as a rider, his versatility and willpower, that he was even able to push things as far as he did. but he did know he was hanging on by a thread, and he ended up playing the last hand he felt he had available
obviously, it wasn't really rational calculation that made him do what he did in sepang - though there probably was an element of, y'know, might as well. but he believed he detected a pattern of behaviour in marc - not entirely incorrectly, because it did feel like marc approached his battles with valentino differently - and fashioned himself a conspiracy on the basis of it. he hoped it could change the momentum one last time; he decided to make one final roll of the dice. and then, of course, marc reacted in a way that has ensured valentino will never stop believing in his conspiracy theory. because of course marc did, because of course he never would have taken it lying down. because valentino knew from the moment marc engaged him in that battle at sepang that it was almost certainly all over, because he lost his temper - which usually helps him, except when it doesn't. because they both lost their tempers and ended up just wanting to hurt each other, to prove a point. because that's who they both are
the main point I'm trying to make here is kind of.... it's just how I personally read the sete stuff - yes, these are the same patterns of behaviour, yes, a lot of parallels do obviously present themselves. I've long felt that sete is the single most significant valentino feud to understanding what happened with marc. he's the only other one who valentino was friends with, the only other one valentino felt hurt by on a personal level, the only other one who valentino changed his behaviour towards from one day to the next. and I think under the right circumstances, if you give valentino enough of an excuse and enough of a prize to aim for and have planted enough seeds of suspicion in advance... you can get this situation where the competitive paranoia takes control and he buys into this whole betrayal narrative and he decides he needs to go nuclear. and it also gave him a script to follow - one he knew could work because it had. except of course it could have gone very wrong in 2004 too. what happens if he's so desperately determined to ruin sete that he bins it in phillip island and finds himself only barely ahead in the points going into the title decider? compare that race to phillip island 2009 - obviously, there's a sizeable difference between the level of opposition (especially at that circuit) and the '09 race probably wasn't winnable, but he still ends up eventually deciding to settle for second behind casey because he doesn't want to risk losing the championship to jorge. he's not casey's biggest fan either, but he never came close to losing his head fighting him. it's different. he might do some of his finest riding when he's angry, but where there's anger there's also volatility. and, on occasion, there's also some really bad choices
if 2004 is the moment where he's properly learning to play these games, then 2015 is him falling back on these tools when he really had basically discarded them. it'd been five years since he'd engaged in mind games in earnest (I know him and casey were constantly at it in 2011-12, but whatever the hell that was about, whatever part of their psyches they were appeasing there, it obviously had fuck all to do with on-track competition). that's a long time! there's a 2014 interview where he's asked about his work on the 'mental side' against his rivals:
the first thing he immediately stresses is that there's zero point in doing any of this if you're not fast enough on-track to back it up. if you are fast, sure, you can do some off-track 'work', especially if you know it makes your rivals suffer :) but it won't have the same effect without the on-track performance. so even if we want to say valentino hadn't mellowed post-2012, even if he hadn't grown one jot humbler in his heart of hearts, even if he wasn't swayed by any genuine fondness for marc, he still knew the maths just didn't work out in his favour with his current opponents. he couldn't deploy his favourite tactics against jorge because jorge insisted on spending the entire season either two spots ahead or three spots behind valentino, and the off-track stuff just can't work if you're never sharing space on-track. it could and did work against marc, but he wasn't trying to score psychological victories against marc! certainly not by the time they reached assen and marc was basically out of that title fight. so there wouldn't have been any point in trying to fuck with either of them in that way off-track and, well, it could easily backfire. which is something valentino understood perfectly well until they were 88.9% of the way through the season, and then he changed his mind at what was almost the very last possible moment. which I think speaks to how desperate valentino was to make a mistake like he did at sepang: he felt it was all he had left to try
the other way in which marc comes into this whole thing is that.... I mean, he knew about all this stuff! this is the thing right, maybe he wasn't watching the sepang 2004 press conference as an eleven year old and later going 'huh' but broadly speaking, he will obviously have been aware of how this went down, qatar controversy and all of it. he's sitting right there in that jerez 2015 presser when valentino is asked about sete and in response valentino says sete played 'dirty games'. he's obviously aware of the whole jerez 2005 situation, not least because he copied valentino's overtake in his third ever premier class race. which in turn sete was watching unfold, and is still having thoughts about in 2023:
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so it's kind of... y'know, you've got marc, you've got someone who's still very much the heir apparent despite all the drama between him and valentino. if you're sete, do you look at marc and see somebody who valentino hurt in similar ways to what he did to you, or do you look at marc and see another version of valentino? do you see both? it's again that thing of, if you have a problem with some of valentino's more aggressive riding then you will definitely have a problem with marc. because of course marc is the escalation, because valentino generally picked his moments a bit more and adjusted his levels of aggression more to the situation, whereas marc is mostly just Like That. so sure, if you're sete gibernau you can look at marc and see another one of valentino's victims, but at the end of the day you're also going to see his legacy
and this from 2017:
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not an original thing to say obviously, half of motogp has said it at one point or another. but. still. meaningful to me!
that tension between 'fellow valentino rival' and 'valentino's successor' is imo inherent to the jerez pass situation, because (along with laguna seca) it's an example of marc actively inserting himself into valentino's legacy. and the thing is, right, these aren't just neutral fun passes that everyone remembers because they looked cool: they're the biggest flashpoints of their respective feuds. marc did to jorge what valentino did to sete - and then he did the most valentino thing imaginable and went to jorge when he must have known jorge would still be furious, making him publicly reject his handshake and starting up a whole lot of discourse™ that would take forever to die down. marc knew immediately how controversial what he did would be and was completely at home in the chaos. it's not just the pass that does valentino proud, it's the shamelessness
while that race might not have had the same repercussions as '05, at the end of the day you do have to remember that those passes have a lot of baggage and controversy attached that marc is also making himself a part of. in the case of laguna, it's valentino addressing livio suppo in the presser because of all the grief suppo and casey had given valentino over the '08 overtake. in the case of the jerez pass, it's sete talking about how alienated he is by this whole approach to riding that marc so completely embodies. and the whole thing has come up quite a few times since 2013, because everyone loves bringing up last corner passes at least once a year when they show up again at jerez
so for instance we have this clip from 2016 (fourth race of the season, vibes still in hell), where the riders are asked whether they'd prefer to be in first, second or third position heading into that final corner. not all too much to say about this one, really. jorge, who it seems has at long last learned his lesson about what to do when you've got a lunatic sitting on your rear wheel headed into the final corner of a race, stresses that he'd protect the inside line - not least because these two fuckers would dive on the inside through the grass if you give them half a chance. also, decent gag from marc! good on him. not always easy for those who have decided they hate him so much so that they refuse to laugh at anything he says
then we have this from 2017 - where sete is in the room - asking four riders who they'd want to arrive at jerez's final corner with. three guys give pretty boring answers, though you'll note in 2017 valentino does actually mention his battle with sete (*gestures with his head in sete's direction*) in the same breath as the one between "marc and jorge". those three boring answers are followed by a great response courtesy of jorge. the question doesn't actually specify, but obviously jorge immediately zeroes in on valentino and marc since they are. you know. the two guys with a history of doing last corner jerez crimes. and they're also two confirmed lunatics, though jorge believes that valentino at least might be a little less reckless now that he's a little older. hey, maybe even marc has become 3% more sensible at the advanced age of 24 (funnily enough, vale when making that overtake in '05 was two years older than marc is in this clip). it's a sweet moment - but, without wanting to belabour the obvious, it's also another way of showing how irrevocably linked both the passes and the blokes executing them are. both valentino and marc are 'hard brakers', to put it lightly. two peas in a pod, from a man who would know
we do also of course get sete reacting to valentino's answer. idk what this facial expression is but I sure am compelled by it (thank u to dani pedrosa for working with sete in 2017 so that we'd get live sete reaction shots. I am very grateful)
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okay so those two I included because. well it's just kind of neat and fun that this is a parallel they won't ever escape. linked legacies and all that. but I am actually building up to a point here, and it's to do with how even post-2015, it's not like marc is always overflowing with sympathy and compassion for valentino's other victims. he knows his lore! he will know at least the general details of the sete relationship and how it deteriorated and what valentino did to him afterwards! so let's bring in austria 2017, a time at which the vibes between the two of them aren't actually. catastrophic. exhibit a:
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so in this presser, valentino is asked if his overtake on jorge at catalunya '09 is the favourite of his career, and he says it was special because it was the last corner - he can't remember any other examples of him making a last corner overtake in the premier class. at which point marc taps valentino to point out sete:
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the expression marc makes in the thumbnail - that's how he looks when he's eagerly waiting for valentino to put two and two together. the thing is, right, this whole feuding business, the way valentino treated his rivals, how he was pretty awful to them... all of it will have been stuff that marc actively enjoyed as a fan. and even post-2015, when marc has experienced some of the very worst valentino has to offer, marc still finds the whole jerez thing pretty funny, not just the overtake but what it meant for the relationship between valentino and sete. he makes valentino aware of sete in the room, because of course he would never forget valentino's greatest hits. like, remember why this exchange is funny: everybody knows this overtake was a super controversial thing and a big source of tension between the two of them and valentino's forgotten about it. and marc's laughing at this!! in 2017!! "after we have a bit problems" and marc thinks it's hilarious!! buddy
one more presser moment, from 2019. just a bit of context here - earlier in the presser they were asked about dani getting a corner named after him at jerez and valentino went 'yeah good for him but I wouldn't want a corner named after me !!' and marc talked about how he'd gotten a corner at aragon named after him the year before. so now, the riders are asked what their favourite bit of the jerez circuit is. the joke here goes a) marc says 'last corner' the way he does because everyone knows he did a terrorism there, b) jack miller says 'you mean jorge lorenzo corner' because everyone knows it's funny marc did a terrorism on jorge there like a day after jorge got the corner named after him, and c) marc says 'it's valentino corner' because everyone knows his move was copying the move valentino did on sete. and... 'valentino corner'... first of all why would you do this to your literal teammate jorge lorenzo... but again the whole reason this exchange is funny is because the premise is that they did the same thing, valentino to sete and marc to jorge. implicitly, it's making the link between the pair of them and how they terrorised their rivals in the same way. still. in 2019
speaking of legacies, there's a moment in the 2016 catalunya presser where valentino is asked how that duel compares to his past duels in 2007 and 2009 at that circuit (notice the blatant and unchallenged sete erasure - 2004 and 2005 were really great but okay). and valentino says he counts it on the same level as the jorge fight - "was three great battles with three great opponents". which, y'know, I really love 2016, I think it's fantastic, but marc makes a mistake on the penultimate lap and denies us the most dramatic of finales. like I think it's completely reasonable and nice for valentino to count it in that same camp as the 2009 duel, but I also think it wouldn't have been crazy or disrespectful or anything if he'd gone 'yeah that was great but not quite the same thing'. this definitely might be reading too much into it (surely not) but given how valentino has since occasionally left marc out of the rivalries list, said he wasn't his toughest rival etc etc, I do think it's kinda notable that during that moment of 'reconciliation', valentino allowed marc to be part of his legacy - even if it's just in a small way. 'great valentino catalunya battles' is a pretty cool group of races to be a part of, y'know? the infamous overtakes, the duels, these are the things people remember. these are the things marc remembered, as valentino's fan - inevitably, it'll mean something to him. it's a legacy he wants to be a part of, by fighting valentino, by emulating valentino, and sometimes valentino lets him and sometimes he'd rather leave marc out in the cold. you'll note that in 2019 he doesn't really engage with the "valentino corner" gag from marc and instead goes with the far more neutral turn 5 as his own pick
in the very very immediate aftermath of sepang (aka december 2015), marc did openly make the comparison between himself and valentino's other rivals:
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and it's informed his whole approach since then - it's a big part of why he's tried to be quiet about the drama with valentino over the years. he knows how valentino behaves towards his rivals, he always has. he knows he can't beat valentino off-track... but (beyond his undeniable mental resilience) he's just fortunate enough that with his talent and the way their career windows have overlapped, more often than not he's been able to out-perform valentino on the track. and y'know, it's an interesting element to the whole thing I feel... marc was a fan of valentino's for a lot of reasons - he was very much a fan of the complete package, if you will. including what valentino did to his enemies! it's not like that aspect of vale was some kind of closely guarded secret; it was like a top three valentino rossi talking point for years and years. (part of the subtext of assen 2015 is marc not really enjoying being on the receiving end of one of those classic valentino scam wins, when marc had been intending to do that to valentino.) again, those overtakes of valentino's weren't just famous because they were cool, they were famous because they helped valentino fuck with his rivals. it's not just about emulating his on-track aggression, it's about emulating how valentino did his best to get in his rivals' heads. when we talk about marc 'being a fan' of valentino, then it shouldn't be ignored that this involved marc being a fan of what an absolute and utter asshole valentino was. and like with all things relating to valentino, I'd wager marc has pretty complicated feelings about this. at the end of the day that's also part of his make up as a rider... but it also really burnt him personally...
it's almost like an identification thing, isn't it. if you're marc and you're thinking about valentino's past rivalries, whose shoes are you placing yourself in? in many ways it should be valentino's rivals, because of course some of their experiences mirror marc's. and there's a rare moment in the winter of 2015, when he's still in the process of trying to make sense of everything that's happened, where he does make the connection. but apart from that, he's shied away from it - even when he's criticising valentino, he's generally not framing what valentino did to marc as indicative of some broader character flaw. it's casey and jorge who explicitly make that link, not marc. he's still kind of... idk, separating that out. obviously, marc would far rather be valentino's successor than another one of valentino's victims, even if he hasn't really been given a choice in the matter and has ended up being both. I don't really have any evidence to back this up, but my guess is that deep down he feels like what valentino did to him was different from what he did to those other guys. and in some ways he's right and in some ways he's wrong
unfortunate, isn't it. you're a fan of somebody with a reputation for fucking with his enemies, which is fun and neat and you kinda want to copy how he does it - maybe put your own spin on the whole thing but you're still into the general vibe. you enter the sport at a time when you can still fight your hero, but he's kinda washed and he's too old to be starting new feuds (*bzzzzt!!* incorrect! you are never too old to start feuds) so there's no real danger. and you share a bond you think on some level is different from whatever those other guys had going on, even sete gibernau, whoever tf that is. and then you become real rivals and realise how extremely not enjoyable it is to be losing to him yourself and you really want to show him and maybe you do push it a little far along the way. but it'll be okay. it's all fine... until he decides it's time to destroy you. and on one level you do obviously see the parallels because you're not an idiot... but on the other hand, none of that stuff, none of what he did to those other guys - it wasn't ever going to stop you from being a fan of his. it's the bits he did to you that are the problem. and at the end of the day, you'll never quite be able to let go of the twelve year old boy inside of you who found jerez 2005 really, really cool
anyway
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honeipie · 12 hours
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THE MOMENT
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izuku x fem!reader
synopsis: izuku is asked the exact moment that he fell in love with his wife, and he knows exactly when
authors note: why do i keep writing about podcasts all of a sudden lmaoooo 😭 also i proofread this when i was tired asf so if it’s bad sorryyyy
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“it’s really nice to have you here mr. midoryia! thank you for agreeing to join us on our podcast. we know how busy you are saving the country, so it’s nice to see you in a different light” the man flashed him a smile, which izuku was happy to return.
“yeah of course! i figured i should see why everyone is telling me that this podcast is so great” izuku crossed one of his legs over the other. his pr team thought it’d be a good idea to branch out from the regular news interviews and talk shows, so they had scheduled him a podcast episode on the number one podcast in japan.
“so having the number one hero with us is of course a prime opportunity to pick your brain. all about your hero work, who your role models were throughout the years, and maybe let us look behind the big deku label and just let us get to know midoryia izuku if you allow”
izuku nodded with his picture perfect smile “i’d like that. most people don’t respect that i’m an actual person and not just some figure with no feelings, so i really appreciate that”
the host nodded looking down at his phone “so first we wanted to give you a big congratulations! you are your wife are celebrating your second year of marriage. that must be nice”
“yes we did! thank you from both of us really. i took some time off and we had a really, really nice vacation together. it was nice to be away from all the eyes for a while”
“of course! i know it can probably get hard with all the fans that you have. everybody wanting an autograph, kids lining up to meet you, both women and men alike wanting a chance with you even though you’re clearly married. how do you deal with that in your relationship?”
“a lot of communication, like, a lot” izuku nodded his head slowly just to make his point “we set boundaries to make sure we’re comfortable with everything that happens. like one thing she’s not very comfortable with is fans kissing me on the cheek, and i totally respect that! the first time it happened we did have a bit of falling out but we communicated and got through it”
the host nodded his head listening along “he’s not just good at saving the world folks! he’s also a relationship pro”
this made both of them laugh easing away any underlying tensions that were there before.
“staying on the topic of your relationship we have a question. every week we ask people what questions to ask to our guests when they come onto the show, and the most asked question was this. what was the exact moment that you fell in love with your wife? i mean she must’ve done something to make you look at her the way you do”
“hearty question,” he joked rubbing his hand against his chin “but i’m pretty sure i know when. it was back in UA, third year. it was our last big event before we graduated and i was struggling to get ready”
he could imagine it like it happened yesterday. third year izuku midoryia stood looking at himself in the mirror with an annoyed look on his face. it had been three years and he still hadn’t learned how to tie his damned tie. the lump of a tie sat dead center on his chest staring right back at him, taunting him.
it’s not like he didn’t try to learn. he had kacchan try to teach him. that didn’t end well. he had his mom try too, and he ended up getting his hands tangled. and youtube? forget it.
he silently cursed to himself taking off the tie once more. there were three soft knocked at his door, which at this point, annoyed him further.
“kacchan i said i’d be right out! could you at least wait five minutes before coming back?”
“izuku? it’s me” your voice alone made his shoulders ease. he came over to the door shaking his head.
“i’m sorry y/n. i thought you were kacchan-“ when he finally got a good look at you all of his words caught in his throat. you were wearing a sage green dress that went down to your ankles. he wasn’t complaining though because on the left there was a slit where he got a good view of your legs “but you are definitely not him”
you walked past izuku white heels clicking against the floor “i sure hope not. i don’t think he can pull of this dress like i can” izuku shut the door softly then made a beeline over to you. as soon as you turned around you noticed he was leaning down to kiss you “woah there pretty boy,” you held up a single finger blocking his lips “attitude check first, kisses later. what’s the matter?”
he sighed when you rejected his advances “i don’t have an attitude-“
he stopped when you made your ‘don’t lie to me face’
“fine,” he stood in the mirror and watched as you stood next to him. you looked stunning. the way you wore the dress like it was perfectly crafted for you had him staring long and hard. it made him feel like a doofus beside you with his slightly messy hair and chunky tie.
“i can’t get my tie right”
you snorted turning him towards you “you’re acting like that’s new news” he rolled his eyes at your comment pulling away from your hands “no! baby i’m sorry i didn’t mean it” your hands gently grabbed his wrists pulling him back “i’ll do it for you”
his eyebrows scrunched together as you started slipping off his tie “you know how to tie ties? how? why? when?”
you couldn’t help but laugh at his confused state going to wrap the tie around his neck again straightening it out “my grandma taught me. she said that i need to learn if it i ever find that special man in my life. i didn’t really believe her because who the hell would i be tying a tie for?”
he watched carefully as you flipped the tie around with ease. folding it this way, then slipping it through one of the openings. he also watched your face. concentrated on the task at hand. his heart was racing by the time you slide the perfect knot up to his neck. tilting your head you nodded.
“but i’m glad she did y’know,” you grabbed the middle of his tie pulling him in for a kiss. he wrapped one of his arms around your waist and the other hand went securely on your back. when you pulled away there was a stupid grin on your face “cause there’s no one else i would want to do this for”
it was like he was getting hit by a truck of nostalgia. all the feelings he felt in that moment came rushing back to him. the swoop of his stomach when you pulled him into the kiss. the alarms blaring in his head from the new sensation.
he. was. in. love.
the kind of love people look for in movies, books, shows. he found that in you.
he sighed into the kiss going to move you against the wall. you had your hands on his waist trying to steady yourself. when he pulled away your face was flushed from his sudden actions. which he made sure not to mention in the podcast.
“well maybe i should do your ties more often”
“yeah.. you should”
izuku snapped out of the memory finally placing himself back into reality “that’s how i remember it. i don’t know if my wife remembers differently” he shrugged with a smile on his face.
“wow, that is straight out of a romance book. so does she still tie your ties today?”
izuku nodded “oh yeah, i don’t trust anyone else to do it. even on our wedding day i forced her to tie it. she was all worried about me seeing her before the wedding so i covered my eyes”
you stood there in your white dress trying not to laugh at your 6 foot husband covering his face like a child playing hide and seek “you really want me to do this?”
“please honey”
“only since you asked so nicely, but no peeking!” walking over you went to put his tie on like you did every other time. when you finished you gave his chest a pat “there you go champ”
“y/n.. you didn’t give me a kiss”
“what?”
he let out a childlike sigh “every time you do my tie you pull me in for a kiss. that’s how this works”
now you laughed.
“izu we can’t kiss before we have the wedding. it’s not the way it goes”
“i won’t tell anyone!”
after a couple moments of silence he could feel a tug on his tie as you drew him close. it was a quick kiss, but just enough to get him through.
the host nodded along a bit jealous that his love life wasn't as magical.
"if only we could all be like you and your wife deku”
“i get that a lot. my wife’s pretty great”
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taglist! @sagejin 🫶🏾
comment if you’d like to be added
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ayquemepierdolanovela · 18 hours
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Let’s go:
1. Ok, the whole thing with Fina in bed is heartbreaking, but she looks really pretty, so that’s something at least. (Me, talking about what’s really important.)
2. Doesn’t Jaime realise his comments are way out of line and make Fina feel uncomfortable? I’m so tired of his Nice Guy persona. Kill him, Fina, obliterate him.
3. THE BOOK MAKES AN APPEARANCE. We’re so close, Jaimito, come on!
4. I’m still amazed at how they communicate, how well they love each other even through a breakup. They can’t even spend more than 5 minutes apart.
5. Yes, Marta, yes!!👏 👏👏 That’s what I wanted to see, let that anger come out. What a queen. By the way, is this fountain pen the same one that Fina almost destroyed in her anger some episodes ago?
6. Between Marta and Fina’s conversation and how fed up Marta is, I feel like the reveal will come sooner than later, for both Jaime and Isidro.
7. Carmen defending Fina tomorrow? Count me in. But I hope Marta can also tell her side of the story; she deserves a friend, too.
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canonizzyhours · 2 days
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i don't think i'm the first person to say this but the big takeaway i'm taking from the canyon breakdown is that you should never try to make all your fans happy.
like it's pretty clear at this point what the deal with izzy was: in s1 he existed primarily to be the same kind of antagonist for ed the badmintons were for stede - a figure in ed's life who could externalize and reinforce his self-destructive beliefs. to the extent the writers had any plans for him after that, they involved the planned reveal we now know about that he was in the siete gallos, and i doubt they had nailed down anything very firm about how they meant to handle that. and, crucially, it's pretty clear at this point that izzy's sexual attraction to ed was never meant to be his central motivation. it's THERE, for sure, but it's there to be sort of an ironic twist on his explicit textual motivations of ambition and homophobia and toxic masculinity, a little spice added into the mix, not a climactic reveal of what he's really all about.
now this doesn't mean the writers had a firm plan that izzy COULDN'T become more important, or have a redemption, or what have you. the siete gallos reveal likely would have meant at least a season where izzy was a full villain, but even if they went that way, after that a redemption could have been on the table (although so would an unrepentant villain's death). they were open to taking him in lots of different potential directions in s2.
so say you're one of the writers. after s1 you find that not only did the show overall get a stronger response than you ever dreamed, this antagonist you wrote as a basically unsympathetic villain in s1 is an unexpected fan favorite and people are clamoring for a redemption arc for him. that's great! as a writer you love to hear that. you always want your characters to get strong reactions from the fanbase. and it's not like you specifically planned NOT to redeem izzy, it was always on the list of options. so you agree to throw out anything you'd still be considering about the siete gallos plot, since that would entail more villainy, and instead focus on redeeming izzy into a good guy over the course of s2.
now there's a small problem with that: if you do it, you're obviously going to have to kill him once the redemption arc is complete. that's clear, because in s1 he was written to have zero sympathetic character traits - even his "loyalty" isn't a positive kind - so in order to redeem him you're going to have to basically get rid of every personality trait that makes him interesting. at the end of the redemption arc he'll be a character who makes no sense to keep around. but, hey, that makes sense - you already meant for ed and stede to be comfortably in a relationship by the end of the season, so killing the character who exists to symbolize the internal issues that hold ed back from committing to the relationship completely works!
you know the fans are invested in the sexual aspect of izzy's feelings for ed, and that some of them ship them together. unfortunately, this is pretty incompatible with a redemption arc, since izzy's stalkery obsession pretty much exists to motivate him to do evil things and treat ed like his property, so you'll have to get him over those feelings. but you're careful with this: you make sure to write some dialogue into the first few episodes that alludes to that relationship and is ambiguous enough to interpret in multiple ways - "i have...love for you," "loved you best i could" - to throw a bone to the blackhands shippers before firmly closing the door on that arc and writing izzy as having gotten over those feelings.
it's going to be hard to redeem izzy in one season. you know his actions near the end of s1 were damn near unforgivable, because you wrote them that way. so you carefully break down what he needs to do to be truly redeemed. you make sure he suffers a lot near the beginning of the season, enough that it's indisputable he's been punished for what he did (and it takes a LOT of suffering to be sure it's an adequate punishment, considering). you arrange for him to be touched by the undeserved mercy he receives from stede and stede's crew. you devote a full episode of izzy time to showing he's over his homophobia and willing to openly do some gay shit now. you have him symbolically reverse every horrible thing he did in s1. all so it can culminate in a true redemption where this character who originally existed to force ed to stay blackbeard dies giving him permission to just be ed.
basically what i'm saying is at every turn the writers were trying to give the canyon as much slack as they possibly could while preserving the core of izzy's actual narrative role. they were never going to portray izzy as having been a good guy in season 1, or portray izzy's love for ed as being in any way redemptive instead of being a creepy selfish obsession, or treat him as a character who did not exist ultimately to symbolize ed's issues. they couldn't do any of that without it being a profound narrative betrayal of the izzy they set up in season 1. but within those bounds, they worked so, so hard to give the canyon as much as they could.
and the result is that the canyon's now much angrier than they would have been if the writers had just stuck with siete gallos izzy. at least then they'd have known early in the season they weren't getting what they wanted, instead of spending the whole month thinking they were being proven right only to have the rug yanked out from under them right at the end.
#393.
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once-upon-the-earth · 2 hours
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Look I think I said it before somewhere but I need to talk about it again.
Aziraphale (in the show - his characterization differs in the book and I’m talking about show Aziraphale here) is a soft character. He started out as a soldier and he made the conscious decision to give the sword away to someone who would use it for protection, instead of keeping it to fight (leaving out the whole thing about War owning it later on cause that’s a different topic and definitely wasn’t what Aziraphale had in mind when giving away the sword). He also makes a conscious decision to look and act as non-threatening as possible, instead deciding to look soft and huggable and gay as hell a tree full of monkeys on nitrogen oxide. We don’t see him fighting anybody even when he gets the sword back - he just holds it and swings it around a little, he doesn’t even lift it when they face Satan (I think. I’d have to go back and watch again but I’m fairly sure he just stands in the background behind Adam with the tip of the sword facing the ground).
We know, or at least suspect from the scene where he fixes the hole in the wall that he’s physically strong and we know he’s still technically a soldier in Heavens eyes (Gabriel going „you’re a lean mean fighting machine“ and him having and possibly leading a platoon in Heaven) but he fully rejects that position in episode five to go back to Earth. He doesn’t want to be a soldier at all. He’s still a protector, we see this in season two with Jimbriel (he literally says „I said I would protect you and I will), but even THEN he doesn’t physically fight the demons entering the bookshop (he lights the circle but it’s Maggie and Nina throwing fire extinguishers and encyclopedias).
I know we as the fandom love badass Aziraphale. I love badass Aziraphale as well. I take a little bit of an issue with how him actually being badass is portrayed in fanfic sometimes because a lot of trying to make him physically fight demons comes across as trying to make him more masculine, more fit, less the campy, soft, kind character that he is and it annoys me. (A part of that is also how people try to make him more like Crowley, which I don’t like the undertones of either but that’s a whole different topic.) Both because I don’t like the implication that to make him badass you have to change that part of his character and because we’ve seen him being badass in the show already and it was either a) trying to protect humans/Crowley/Jimbriel, which involved a lot more threatening that him actually throwing hands or on one occasion b) him being bitchy (Furfur pronouncing his name wrong). It was him being kind and caring about people and their lives! And possibly their reading skills.
And I know there’s a lot of hope for more badass Aziraphale in season three, because hell yeah, Heaven getting obliterated from the inside? Absolutely. But when we get to see BAMF Aziraphale in season three (because I don’t doubt we will, in some form or other) I’d much rather see him be badass by outsmarting Heaven (magic tricks anybody?) and getting away with it or threatening the Metatron or whatever than by punching somebody in the face. And IF he does have to use physical violence, then I want there to be a reason for it and I want it to be portrayed as a bad thing. Like I want I to be the absolutely lowest point of the character because we know how much he detests doing it and he hates having to do it anyways.
In that case also want it to end with the Metatron dead in a ditch.
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Note
The show made such a big deal about Ladybug leaving Paris for a week-end in Hack-San without informing Cat Noir beforehand and yet it never said anything about Cat Noir never telling Ladybug that he's gonna leave Paris for a week-end in Backwarder ... or that he's supposed to leave Paris for a few weeks in the S4 finale ... or that he's supposed to move out of Paris permanently in S5. The hypocrisy seems palpable.
In my opinion, it's actually not hypocrisy. At least, it's not hypocrisy in the grand scheme of things. When you look at the series as a whole, it turns out that this is just another case of inconsistent writing because the show does punish Chat Noir for leaving without warning Ladybug, but only when the plot needs to punish him. Let's go over the facts in chronological order!
In the Shanghai special, Ladybug and Chat Noir both leave Paris without warning each other or Master Fu and it's not just fine, it's the right move as they're magically where they need to be for the fight of the day. Neither one of them gets mad at the other for their actions. The issue isn't even brought up.
In Backwarder, Chat Noir leaves Paris without warning Ladybug and it's treated as a non-issue.
In Startrain, Ladybug and Chat Noir both leave Paris without warning each other, but Marinette visits Fu first and gets the horse miraculous so that she's okay to leave. When she learns that Chat Noir left without warning her, she doesn't seem even remotely phased.
In the New York special, Chat Noir leaves Paris without warning Ladybug. This is Very Bad as Paris was left undefended and he knew that was going to be the case. This is a fair critique at face value, but Ladybug is the guardian at this point and has instant access to the horse miraculous, thereby negating the issue, a fact that is never discussed. Fun fact: this is the only instance in the entire series where one of them bothers to tell the other when they're leaving Paris.
In Hack-San, Ladybug leaves Paris without warning Chat Noir and it understandably causes tension, but Chat Noir ends the episode absolving her of any guilt even though she could have transformed and left him a message to warn him that she's assigned a temp hero her Miraculous. A thing we know they can do since this season literally starts with Ladybug playing messages from Chat Noir on her bug phone. She's also the guardian at this point, so she could have taken the horse with her and teleported back or even just taken the horse in case Alya ran into trouble. (Do you see how the lack of consistency just builds and builds the more they ignore established logic?)
The last few episodes of season five see Chat Noir fully aware that he's being shipped off to London and then actually getting shipped off to London, a change that he never informs Ladybug of even though she will now be truly alone. The show never addresses this and treats it as a non issue.
As far as I can recall, those are all of the instances where this issue could have potentially come up along with the various ways the writing handled the issue. As you can see, both Ladybug and Chat Noir behave recklessly when it comes to leaving Paris. They pretty much never let each other know when it's happening, but whether or not that's a bad thing is entirely dependent on what plot the writers want to tell. So hypocrisy on the writer's part, sure, but I'm not gonna give Chat Noir that label when Ladybug is arguably equally deserving.
This isn't as egregious as lore inconsistencies like the way split up amoks and akumas work, but it's still a very clear case of establishing rules and then ignoring them because the writers do what they want! Who needs narrative consistency and good world building?
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cookiekat-blogz · 15 hours
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I forced my mom to watch Bungo stray dogs
For now I only have like 5 of her takes but I’ll update it as we get further into the anime
also she’s only like 6 episodes in so her opinions can and will change(I think).
#1
her favorite character is dazai… wow.
She said she thinks he’s a good guy and he’s reformed and he’s trying to be good and he’s cool and silly (aside from the suicidal part) and she likes how he walks in the S1 outro(real). I feel like she even thought Dazai was the main character for a moment (ngl I still do and i finished the anime).
#2
She hates Naomi. I’m not even lying that’s her only least favorite. Not even Junichiro, JUST Naiomi. I think she was glad when Naomi ‘died’. I mean, it makes sense since her first introduction was as a hostage and second as a brother liking girl straight out of Alabama, but even I have characters I dislike more than her (i think). Maybe she’ll learn to give the ravenette a chance, I don’t know.
#2 1/2
speaking of ravenettes, she thought Ranpo was like 19.
#3
Kunikida’s hair.
She literally had a roast battle with the TV over why the ponytail SUCKED (okay maybe not literally but she had some good points). She literally looked up and mid episode she said “What’s up with this guys braid? His ponytail is scarce can you even call it one?”
#4
she likes Atsushi :3
She said that she liked him so she didn’t want him to die but I think now she’s getting he just… won’t. Also she believes he’s kinda funny.
#5
I don’t think she likes Akutagawa 😭😭
okay fair cause like he tried killing atsushi and 🐕-slapped Higuchi, (like damn I didn’t even remember that) plus he’s a bad guy and she has a strange tendency of hating bad guys and liking good guys.
Something tells me she wouldn’t agree with half of my protag x antag ships…
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tsams-confessions · 2 days
Note
Compliant #1:
The show and sibling channels (LAES/MGAFS) tend to add characters that are genuinely annoying. To name a few...
-Vegeta
-DAZZLE (I can't do the squeaky voices.)
-The Celestials (Forced relationship with Lunar much???)
-Bloodmoon (coming back and STAYING for as long as they have.)
-FC (and any other random kid that one of the animatronics have)
-Random fangirl (which is sometimes Miku????)
If the shows want to add characters, I'd love for them to be relevant to the 'plot' than to be TEEHEE FUNNY. There have been some great additions like Solar (I stan, sorry); 'comedic' relief characters should be more than that. It’s wasted potential.
Jack-O-Moon ALMOSTS fits in this category, yet he at least does things for some of the characters. He HAS a purpose and can be entertaining at times.
Frank is in a grey area for me. I don’t mind him being there. Despite this, I couldn't give a shit about how they are trying to build him up on the Monty and Foxy show.
Complaint #2:
I will gladly wait for VR lore episodes to be written/posted so it doesn't become a jumbled mess like it is now. I'll gladly take more games (not Roblox PLEASE) or for them to even play games for more than two episodes. Having silly episodes every once in a while is fine, but sometimes it's a little much imo. My partner says it best: It's a melodrama that doesn't know what to do next.
I want to support the writers if they need time to come up with a better story.
Complaint #3:
Every. 👏🏻 Character. 👏🏻 Doesn't. 👏🏻 Need. 👏🏻 A. 👏🏻 Channel. 👏🏻
If they want to have them do side stories, dedicate it to a specific day of the week or two if they're wanting to post it every day.
I was originally super skeptical about the quality of the LAES and the MGAFS. As time went on for the LAES, I'm okay they have a separate channel for their OCs. HOWEVER, this brings me back to my second point. Take time with the stories...
To the other channels outside of the Sun and Moon Show, some characters really could have stayed as supporting cast. Monty should be in both TSAMS and TLAES. His own channel... idk.
Complaints aside, I watch these channels nearly every day. I want to see them succeed.
I love a lot of what they do, but I want them to take their time with it. In everything I've said, I ONLY watch the channels mentioned. The other ones don't entertain me / the pairings are too weird??? I'd be more inclined to watch a Glamrock Freddy and Gregory Show than GF and Circus Baby..? Or Roxy and Gregory..? What?? (For Gregory, please get someone who sounds younger, not using voice modifications.)
Thanks for coming to my TEDTalk.
.
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the-s1lly-corner · 2 days
Text
Sleepover w/ the digital circus cast
been a while since ive written this style of post for tadc, but im on my computer again so hopefully writing so much wont be too grating! reminder that i do not currently take requests for the entire cast in one post-
notes: reader is gn, not really romantic, written with the idea that everyone is having a sleepover in the main area of the circus
cws: bugs
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caine
does not sleep but he wants to feel included, hes the one providing the games and activities for the night, as well as bedding for everyone to use
pretends to sleep, probably totally incapable of sleeping unlike the circus members... fake snores to try to sell it and make it convincing but all it does is it keeps everyone else awake
the games mentioned are usually an exaggerated and insane version of them- truth or dare but if you lie or refuse a dare you were given you get locked in the cellar/j
oh he definitely would try to get some juicy conversation with you or another circus member- god forbid you show some small sign that youre crushing on someone, hes not going to leave you alone
even worse if he finds out you actually do and who it is
his version of spin the bottle might get a little insane, knowing him.. definitely rigs it lands on whoever you like
pomni
not very interested, but if this takes place post episode 2 shes more inclined to join everyone for the night to get to know everyone better
if you two have grown close she sticks with you during the insane games caine has set out
completely opts out of any games that look way too intense but she probably gets roped into it by some of the others- or simply being swept into the chaos
sleeps off to the corner a bit away from everyone else so she can at least try to get a good nights sleep
if SOMEONE (jax, or even caine) gets too overwhelming or annoying she just gets up and goes to her room... you might be able to coax her back out
ragatha
as mentioned in jax's section, she offers to let you lay next to her if jax is bothering you
if you ask her, she does your hair before you go to bed. brushing through it and if its long enough she ties/braids it up for you
if you have a sleep set- unlikely given that they cant take their clothes off but we can pretend caine snapped his fingers and changed everyones clothing or something- she compliments how it looks.. if its cute or if it looks comfortable
if youre still awake and open to it she talks to you quietly when she cant sleep, its actually a nice change of pace against the chaos of when everyone else was awake
you dont talk about much, you just check in on each other and ramble about nothing in specific... keep it down or caine will come on over and try to insert himself
jax
hes the reason the cw is here, hes going to put bugs in your blankets if you guys arent sharing his room. if the two of you are in your room, or if you guys are in the common area hes going to do it.. or put something else thats unpleasant there..
thinks its funny, knowing him he might actually laugh a little off to the side as you thrash your sleeping bag around
snack hoarder, especially if theres candy- good luck trying to get more than a handful from him, hes not much of a sharer
tries to play everything off when someone offers to let you come lay down next to them for the night- likely ragatha
tells the most grotequse and horrifying stories before everyone else goes to sleep
"first person game mcs dont blink" is said as everyone is trying to unwind or something along those lines
kinger
has the softest and comfiest pillows and blankets, from his fort of course! likely sleeps in it rather than out and exposed on the floor with everyone else
makes it a little larger so you can crawl inside with him- its a lot calmer in here than anything thats happening out there
small talk, you both talk about your interests though due to kingers nature the conversation bounces around a lot
he doesnt participate in the games for the most part, especially if its after a high energy adventure... hes a little drained after the day- physically and mentally
sleeps with at least an arms length of space between the two of you unless you tell him youre comfortable with him being closer
dad snores
zooble
not very interested, probably stays in their room for most of the night if not the entire night
if theyre around when jax is telling scary stories they just roll their eyes... theyve heard worse
zooble being a horror/disturbing media fan headcanon my beloved, they probably try to one up him... though theyre not taking it very seriously. theyre not all that interested in winning, but jax is and hes going to get annoying
if they go out and interact with everyone else, theyll go to their room when theyre ready to sleep. they dont want to sleep on the floor in some sleeping bag.. offers to walk you to your room if the horror talk got to you
gangle
sits in her own corner doing her own thing, you can convince her to join in on the more tame games if you promise to stick with her
sticks around with you after that but like... lingering to the side, not really glued to your side because she doesnt want to invade your personal space or make you feel uncomfortable
very quiet if you offer to let her lay down next to her in the night
its a little less awkward if her comedy mask isnt broken but knowing how fragile it is, its unlikely
refuses to participate in any games like 2 truths 1 lie or truth or dare- she just knows jax is going to hang whatever she says over her head even if hes not the one asking her questions
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aayakashii · 3 days
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I'm going through the Sinostra chapter right now and I can't stop making theories omg there might be spoilers below so be careful, although I'm just enumerating my questions tbh lol
According to one of Taiga's home screen dialogs, there might be some sort of time loop happening which he's KINDA aware of? Or maybe just aware when triggered somehow.
He said "long time no see! You decide to ditch this future too? Sorry I'm not dead yet" which is INCREDIBLY ooc as to how he behaves during the story which leads me to
His extreme memory loss, which apparently lasts less than 24 hours. Why is that? Did he go through so many time loops that it started affecting his memory? There was one small moment in which he remembered Ritsu because he saw the MC face though...
The Clash. What the fuck was it
What's Taiga relationship to Haru? Haru sounds eerily nonchalant regarding Taiga even though the man keeps on threatening Peekaboo. And aftewards, Rui briefly mentions that Taiga has a "destroying what others hold dear" schtick, which leads me to believe that Taiga is seeking revenge for losing something important maybe???? Is the fanfic brainrot too big rn
WHY DOES HE HATE LIKE DOVES??????? I dont wanna go full romantic mode, but is he just resentful of seeing a bird that is the physical representation of someone else's feelings or something......
The spy. Honestly no idea. There's some theories floating around that Haku is the spy, but I would rather see him during the Hotarubi episode before jumping to conclusions, but it's understandable how people might think that I guess...? He IS very nice and helpful and randomly finding the MC fleeing by train was way too much of a coincidence... he does seem to always tie the MC to Darkwick somehow, firstly by KIDNAPPING her and then by talking her into staying. If the MC is the trigger to a bigger event, then one could see that as suspicious. But I would like a bit more evidence first lol
Back to Taiga, why is he. Like why
Okay no but seriously. If we take the timeloop thing seriously + Haku being a spy, here's the theory:
Taiga knows the MC is the trigger for an awful event and tried killing them back in the Prologue in order to cut the problem on its roots. Haku, if we consider him as the spy, WANTS the event to happen (considering he could also be aware of the loop), which is why he saved us and took us to Darkwick, therefore letting it all play out once again.
If Haku isn't the spy, then we would have to chalk it up as Taiga knowing and trying to kill us, but destiny (???) being a bitch, therefore putting Haku there as a pawn to make things play out again
Maybe the spy can control other ghouls? Who know tbh
Finally, what is going on during the first scene we see in the game? Darkwick on fire and the first character we choose jumping off of the building? I wonder what would happen if we choose Taiga as our first card....... maybe I should create a sub acc
Anyway if anyone has more questions/theories PLEASE SEND THEM MY WAY IM OBSESSED WITH THIS GAME I NEED TO THINK ABT IT
There is also a good theory on reddit made by u/imonlybr16 that states this:
"Before the prologue, when you open the game for the first time, you're greeted with the opening scene involving MC running through the halls of a ruined Darkwick. The question is asked "When the world is collapsing around you, whose hand will you take?"
There you're taken to your character choice screen. The guy you choose is later shown on the railing of a balcony, about to jump off.
Now I think I have a very far fetched and vague idea as to what is going on.
In chapter 2, we learn that the person that Alan killed was Dante or at least he thought he did. But we meet Dante and he's very much alive.
This comes theory number one.
***You can't actually die on campus.***
Note the use of actually here. You can 100% still die, you just end up coming back to life.
If Rui is your home screen he talks about accidentally killing someone else in his dorm and being annoyed with having to lift them back to Obscuary. This struck me as a particularly odd dialogue because Rui's curse causes people to die.
Unless, you can't die on campus.
This would explain Dante pretty much instantly. Yes Alan killed him but yes he's alive.
The campus itself is an anomaly, stopping people from dying doesn't sound too far fetched. I expect this to be revealed with the other two members of Obscuary, as that dorm seems to have a connection to death. One of the things that always pops up is that ghouls aren't immortal, no matter how quickly they heal.
Also explains how Calamari didn't die in chapter 3. Ren ran from the dorm > the caves > the jetty and Calamari was already pretty dehydrated in the beginning.
But OP you might say, aren't all the guys talking like they believe they're going to die.
Luckily, that brings us to vauge and far fetched theory number two.
***The campus is on fire due to a rebellion***
In the very last chapter of the prologue we get to see Kaito's wickhive. There we see three pretty interesting threads.
. There's gonna be an uprising soon
. One of you is a demon
. There's a guy who could see the future
Kaito is surprised at something he sees in this scene but we don't learn what it is. This chapter's 'preview' is one of the scenes we see in the very beginning. Blood and a Lily.
I believe that the first thread is foreshadowing and will . After you meet your chosen guy standing on the railing you get a line of dialogue (or not if you picked Towa) that changes depending on who you picked. Some imply that what they're doing is going to save you(Jiro, Zenji and Sho), some apologize stating that they could protect what they cared about until the very end (Luca,Kaito,Haru and Yuri) but three characters caught my attention
Leo: Life sucks and then you die,right? I just want to make the assholes responsible regret it.
Ren: This is exactly why I didn't to do this! I knew this was how it was going to end.
Subaru: This is all my fault. I don't expect you to forgive me, but this is the least I can do. Please take this as my final act of good faith.
Especially Subaru's and Ren's, that seemingly imply either the MC's (Ren's) or their (Subaru) involvement in the current situation. Now what does this has to do with a potential uprising?
One of the things we learn from the very beginning is the inter-politics of the houses and by extension the ghouls. Especially after the fallout of the clash. Things are pretty tense and an uprising or rebellion seems to be the most likely thing.
As to what happened and why? I have no clue. Though one thing to note is that according to the prophecy, as long as the ghouls are in Darkwick, they prevent a disaster from coming. If Darkwick is destroyed however, the prophecy can't be fulfilled, or can it?"
This is such a good theory too, I really think u/imonlybr16 has probably gotten a lot of things right.
Although it's weird that death is such a big threat to us specifically, but maybe the Academy can't prevent death by curses, much like the Mesmer Matches dont work on someone who's cursed. Hhmm...
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⭐SFW Alphabet with Lucifer Morningstar (finally)
The SFW Alphabet I was meant to do awhile ago. At any rate, grab some snacks and a beverage, get comfy and enjoy <3
Template can be found here
~ 2.2 k words GN! Reader mostly, F! Reader at times Want the NSFW one? Find it here! NOT PROOFREAD
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A = Affection (How affectionate are they? How do they show affection?)
This man is so affectionate, he cares so deeply about you, Charlie, Vaggie even. The only problem is well. . . it can be hard to see how much he cares sometimes. One of the ways Lucifer shows his affection is by being somebody to lean on or someone you can trust to take care of things. It may not be in your face obvious but trust that he’ll always be there when you need him.
B = Best friend (What would they be like as a best friend? How would the friendship start?)
A friendship with Lucifer would be hard because he’s either wary of your motives or deeply in love with you. No inbetween. It would be a few lifetimes before Lucifer could consider you to be his BEST friend. At any rate, know that it’d be one of the most fulfilling friendships you’ve ever had, filled with laughter and good times. We’ve all got to be honest with ourselves, friendship between you and the devil would have had to start either working for him or naturally through Charlie. He does not get out much, not that you complain, just means more Lucifer for you ;)
C = Cuddles (Do they like to cuddle? How would they cuddle?)
A real cuddle bug this one here. He is just wrapped around you, he loves being able to curl up into someone after years of not getting to. Surprisingly though, he likes to hold you more than he likes to be held. It makes him feel better when he gets to protect you from the cold, makes him feel useful, wanted even. 
D = Domestic (Do they want to settle down? How are they at cooking and cleaning?)
He was ready to settle down the moment he saw you. In terms of cooking, Lucifer is an amazing chef. You can best believe that you’ve tested his cooking, thoroughly. Whatever you want he can make for you, all you’ve got to do is ask suagr. Cleaning on the other hand. . . well he knows how to clean. . .yeahhhh, he’s pretty messy but he knows where everything is! At least he thinks he knows where everything is. 
E = Ending (If they had to break up with their partner, how would they do it?)
He’d be incredibly calm. If he’s breaking up with you then ya’lls spark has long since been dead. Lucifer would never do something like break up with you, spur of the moment so understand that he’s thought it over plenty and it’s better if you two split. Even though he’s no longer in love with you, he still respects you, so the breakup would be done gently and he’d do his best to leave with no bad blood between you. 
F = Fiance(e) (How do they feel about commitment? How quickly would they want to get married?)
After Lilith, Lucifer isn’t the most eager to go and get married again. Don’t get him wrong he wants to get married to you eventually but give him some time, will you? He’s been through a lot. The day he realized he was ready was the time where Lucifer called you Charlie’s mom to Charlie. “Charlie, can you ask your mom when that art gala is?” “. . . . .my-my mom?” “DID I SAY MOM? WHA-HAHA! AHEM, I MEANT MY WIFE-SHIT GIRLFRIEND! FuCk mE”
G = Gentle (How gentle are they, both physically and emotionally?)
He is a very, very, VERY thin piece of glass-he’s surprisingly durable, but still is glass. Lucifer hasn’t really been able to catch a break, between being thrown out of his home, being villainized by the creatures he helped give free will to, the natural stressors of being king of a realm, his wife of like forever abandoning him and finally being thrust into a long depressive episode, yeah gentle is an understatement. Lucifer would trade his Angelic strength for a little stability any day. 
H = Hugs (Do they like hugs? How often do they do it? What are their hugs like?)
A good marker of how much Lucifer loves you is how tightly he hugs you. Are your airways closed? Then Lucifer is absolutely enamoured with you. Can barely feel his touch? You're dangerously close to being in Alastor levels of hated. He always has to touch you, your hand tucked snuggly in the crook of his elbow, his hand around your waist, his tails rubbing slow circles on the back of your calves, the list goes on and on. Holding onto your waist with his head on your shoulder while you two sway to some music is his favourite way to hug you. 
I = I love you (How fast do they say the L-word?)
It took him a while before he said it to you. He tried so many times but he chickened out last second every time he tried. The first time he said ‘I love you’ was adorable. Lucifer started out loud, suave and confident and then it was time to say the word and all that confidence fell faster than he fell out of Heaven. He barely whispered the word, his face getting redder and redder and- you get the picture. Your stupid little smirk did not help his situation! He blames your gorgeous face for all his struggles. 
J = Jealousy (How jealous do they get? What do they do when they’re jealous?)
You may as well call this man Nick Jonas because He. Is. So. Jealous. Fair enough though, have you seen yourself? Lucifer wants to keep you all to himself, baby. I’m sure you don’t mind. He channels this jealousy in a very. . .long way. If you want to see what Lucifer does when he’s jealous then let me direct you here <3 
K = Kisses (What are their kisses like? Where do they like to kiss you? Where do they like to be kissed?)
Lucifer will always kiss you on your hand, right above your ring, once a day, every single day. Best believe he kisses you feverishly, passionately. Why breathe when he can keep kissing you? Lucifer’s kisses will range between slow and sensual to boyish pecks all across your face and arms. Although he will always love it when you kiss him on the lips, there’s something in the way you’ll kiss his horns or tail when they’re out. Helps make the pain of what he went through hurt a little less and he loves you for it.   
L = Little ones (How are they around children?)
1000/10. Kids love him and part of him misses the days of toys scattered across the house, the pitter-patter of tiny feet and how Charlie used to fit so perfectly in his lap. He’s not getting emotional, you are! He’d take the sleepless nights if he got to have those kinds of memories again. And hey, getting to see you pregnant is a welcomed bonus.  
M = Morning (How are mornings spent with them?)
With his job, the two of you don’t get to spend too many mornings together. His side of the bed is often cold by the time you wake up. There are those special days though, where Lucifer doesn’t have to get up at the ass crack of dawn and he cherises those mornings the most. The mornings where he gets to wake up with you in his arms and he gets to lie there and reflect on all the reasons he loves you until you wake up. He can wrap his wings around you both until well into the afternoon.  
N = Night (How are nights spent with them?)
Your nights have a specific routine. The two of you will sneak out of your room and down to the kitchen, the staff long since gone home. You’ll make some tea while Lucifer will scavenge for something sweet to snack on. You’ll sit on the ground and catch up on all that happened that day, some days you’ll sit in silence, others you're trying to muffle your laughs to not wake the whole damn manor. At some point, Lucifer will portal you back to your room and you’ll curl up in his arms and fall asleep.
O = Open (When would they start revealing things about themselves? Do they say everything all at once or wait a while to reveal things slowly?)
You will be learning things about this man for the rest of eternity. Some scars were made from pain others were made when he went to Georgia. He’s slow to open up but that’s because he’s been hurt so many times, give him time.
P = Patience (How easily angered are they?)
He’s got the patience of a saint until you threaten his family. All of a sudden he’s got to go the patience store because he just ran out! 
Q = Quizzes (How much would they remember about you? Do they remember every little detail you mention in passing, or do they kind of forget everything?)
Lucifer has a really good memory! His Achilles heel are names but hey he’s never messed up Charlie’s name! That’s because he named her He remembers all the important things like he knows Maggie's birthday! He knows when she fell from Heaven, etc. Lucifer should know those things though, Angie is Charlie’s girlfriend after all. 
R = Remember (What is their favourite moment in your relationship?)
Lucifer’s favourite moment in your guy’s relationship was when you were teaching Charlie something and you looked every part her mother. He knew at that moment everything was going to be okay, his girls got along and he finally had a full family again.
S = Security (How protective are they? How would they protect you? How would they like to be protected?)
Lucifer is incredibly protective. He is the big boss of Hell, he’s got his ways to protect you. Nothing is too much for his girls. Lucifer is a fallen angel, nothing in Hell can hurt him. He doesn’t need you to protect him, like he does for you. He needs you to protect his heart though, it’s bruised and could use your loving, so be kind. 
T = Try (How much effort would they put into dates, anniversaries, gifts, everyday tasks?)
If it’s for you then there is no amount of effort that is enough in his mind. Lucifer believes there is nothing that he can do to show how much he loves you, he tries to though. Every date, gift, and anniversaryhe plans is done so meticulously.  
U = Ugly (What would be some bad habits of theirs?)
He loses track of time very easily. It’s so bad that he didn’t realize just how long it had been since he last saw Charile. And the last time Lucifer saw Charlie was when she still lived in the manor, aka its been a long time. The only thing he could remember was how long Lilith had been gone for, which. . . didn’t help his depression. He’s getting better now, especially with you by his side! Instead of knowing how long Lilith had been gone down to the hour, it down to the month. . .progress! amiright?
V = Vanity (How concerned are they with their looks?)
Sin. of. Pride. He knows damn well what he looks like. Korean skincare ain’t got nothing on his routines.
W = Whole (Would they feel incomplete without you?)
Lucifer will feel weird if he hasen’t seen you in the last few HOURS. This man would crumble without you. If your not there what’s the point? Truly? 
X = Xtra (A random headcanon for them.)
Lucifer could recite the Bible word for word if he wanted to. He found one eons ago when a distraught sinner came into his home complaining about being in hell, waving the book around like it meant anything. He read it. Every last word. The book has some. . . interesting opinions about him. So what if he still has it? So what if he’ll read it to feel like he is still divine and he hasn’t been completely corrupted by sinners. And so what if every story including him has been ripped out, never to be seen again. So what if he is homesick? So what if that stupid book is tattered with pages falling out? It’s his only piece of home that wasn’t marred by the blasphomous place he rules over. 
Y = Yuck (What are some things they wouldn’t like, either in general or in a partner?)
He doesn’t like when people blindly follow him. Why do sinners do this? Lucifer didn’t chose to be king. This is his eternal punishment. Why would he do anything that would benefit the thousands of thorns in his side? This proves just how idioctic sinners are.
Z = Zzz (What is a sleep habits of theirs?)He’d never admit it but. . . he has a dad snore. It is the LOUDEST thing as well. Especially when he’s in a deep sleep. Lord help you and your neighbours. Baby boy is loud. Lucifer also falls asleep soooo quickly, he’ll lie down and is immediately out and to make it better, when he’s out, he’s out. There is no waking him up.
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wenellyb · 3 days
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One thing about me, I will make comparisons between shows I like and those comparisons usually involve Grey's Anatomy.
So, I've been watching Grey's anatomy for a long time and even though she's the lead, I started feeling like Ellen Pompeo's acting was getting worse over time. But then in the last season it got much better and she had one scene I thought was Emmy-worthy.
It was a scene where she talked about how everybody was allowed to leave the hospital but her, how somehow she was the only one who had to show loyalty to the place even though everyone she had started with had left at some point.
I personally believe that the reason why that scene was so powerful and Ellen was able to play it perfectly is because she wasn't acting. Not really. Ellen had been on the show for 19 seasons, most of the people she started with had left and were able to try new things, but she couldn't because she was the lead.
This is obviously just a theory and how I saw things, but I do think that some scenes are more powerful when the actors are also living the same situation.
So this made me think about Tommy in 911, and how he said he was jealous of the 118 and the bond they had created.
And I wonder if Lou feels the same, because he arrives in the show after 7 seasons, with most of the cast knowing each other for at least 6 seasons, and obviously they're all very close.
To top it all, he was already there in some episodes in season 2, so he knows the other members of the cast, but their bond might not be the same as what they have now.
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This is so random, but I wonder if the show will explore this side of Tommy, him wanting to belong and him wanting to be a part of the team so badly! And I wonder if Lou feels the same, because if he does, we're in for some great acting.
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russenoire · 5 hours
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on first watch as an anime-only, i remember feeling like ritsu kageyama's descent into evil in episode seven needed a little more air, more space to breathe. i... no longer do. if that slide down the slippery slope feels a bit sudden, there is a reason; and if you know what to look for, it's not actually all that sudden. bear with me here.
from the first episode, the anime sets ritsu up as shigeo's kind, solicitous younger brother. we don't see much of him for the first three episodes, but when we do, he's making bids for shigeo’s attention: helpfully straightening his spoon when it bends and deposits a bite of his dinner on the dining table; noting that he seems out of it and offering himself up as a confidant at least twice; checking in on him in the morning so they can both leave on time. (i actually love the anime for doing this. ritsu doesn't even show up as a character until maybe the middle of the manga's second volume?) except for the spoon, shigeo gently turns him down every time.
and yet. the interview ichi mezato snags with ritsu in episode four confirms a distance between the kageyama boys. you are not seeing things here. he initially refuses her desire for detailed information about shigeo’s powers, only indulging her to find out what shigeo’s been up to. ritsu holds those powers in such awe that he uses a rather hyperbolic phrase to describe shigeo for her: '世界の基本', or sekai no kihon, literally the standard for [his] world.
after he coldly walks out on her, she reviews what little she’s gleaned from their chilly meeting: he's hawt, at the top of his class, athletic, very popular... all things his older brother decidedly is not. the story establishes a duality here between ritsu’s image—indirectly revealed through mezato’s notes—and the reality of ritsu, sat hunched across from her, sullen, barely tolerating her until she coughed up the information she promised him. later on that evening, we see just how deep ritsu's awe goes... or rather, how snared up it is in resentment and envy as he attempts in vain to bend a spoon, just like shigeo did when they were younger. all the trophies of others’ esteem already gathering dust on his shelves don’t mean shit if he can’t have this.
ritsu intercepts shigeo as he leaves for class the next morning: no student council meeting, so an opportunity to actually talk to him. this is rare, his brother notes. and of course dimple is haunting shigeo. when the specter comments on their apparent closeness, the boy side-eyes him hard. this can easily be read two ways: ‘why the hell are you talking to me when no one else can see you?’ and ‘man, fuck you for sticking the knife in deeper.’ ritsu doesn’t ask about the cult meeting here or ever in the entire series. was he really all that interested in mezato’s news? no, he only wants to know why his brother doesn’t use his powers anymore. and this is the first time they’ve talked about this.
it’s such a neat little mystery, these breadcrumbs the story leaves for us until ritsu’s formal introduction in episode six. even though they share the same home and appear to be on friendly terms, the kageyama brothers may as well live on opposite sides of the planet. we don’t even get a sense of why this state of affairs exists until episode five, where teru chokes the breath out of shigeo and his pissed-off soul levels teru’s school before catapulting him into the stratosphere to reflect on his sins: several years prior, shigeo nearly killed ritsu (and possibly ended three much older boys) in an accident neither boy understands; fragments of memory flash before his eyes as his consciousness shorts out.
‘brother, you’re home late, sopping wet. here’s a towel. are you hungry? you seem down; is everything OK? if you need to talk, i’m here for you.’
instead of turning down this bid for connection like all the rest and turning inward again, shigeo actually opens up. he apologizes for the accident—for the first time—then asks for some clarity, since his memories of it are broken. and ritsu clenches the knob to his brother’s bedroom door tighter. he lies to his face, tells him to ‘get over it already.’ this after asking shigeo to confide in him again, no less: too terrified to be honest with him, too used to being shot down. this boy is soaking in fear he has no context for, and he heads downstairs to soak in it alone. shigeo at least has reigen to process his own fears with, though he never trusts the man enough to take full advantage.
ritsu has no one.
he’s already keeping up appearances at home and has been for years; over the course of the spring cleaning arc, we learn the extent to which he’s been doing so at school.
(all those expectations of him weighing him down for so long… he can’t hold out forever.)
student council vice president tokugawa calls him out on trying to melt into the scenery like his brother; his considerable gifts make that impossible. said gifts, however, are so ego-dystonic for him that they’re yet another part of Ritsu Kageyama’s Big Lie. the academically-gifted, popular sprinter so many of his fellow students swoon over isn’t real: why does everyone praise him for things anyone could do? he doesn’t actually have friends, just associates. who cares about charisma? why does everyone think he’s perfect when the only thing he truly wants will never be his? and why does his locker leak chocolate every valentine’s day?
gentle reader, are you still wondering why he snaps when he finally gets his wish? and why it looks the way it does?
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inkyvendingmachine · 12 hours
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Avedone With All of This Season 4, Episode 4
💀 Call of Cthulhu: Haunted Hijinx Masterpost 💀 Call of Cthulhu Season Four Masterpost (Coming Soon)
Warning: This campaign is an edited version of  a Call of Cthulhu scenario from the Tales of the Crescent City book. While a lot has been changed, there IS spoilers for it throughout these posts.
GUESS WHO FINALLY SHOWED UP!!! and also a lot of other stuff happened. I'm sorry, this one is very long because I didn't take notes, and struggle to leave out details when I'm writing from the records instead of the notes.
Art Credit: @inkdemonapologist : sketching + inking @inkyvendingmachine : concept + colouring
Somehow Jack’s car, with all its original passengers and no extras, manage to make it back to the studio. Joey immediately rushes into the studio, to go rant at Bendy about everything that happened… and possibly to go fuse with Bendy because he feels utterly helpless now after completely draining himself with panicked magic. 
But it’s probably just the first one.
Sammy and Henry arrive as well to find Jack and Peter quietly picking glass out of his broken car in something like shock. Upon getting no responses from Jack about what happened, Sammy storms off to find Joey.
Joey is all too happy to start his entire rant over again for Sammy as he works on fusing with Bendy. They were just following Peter’s leads and driving from location to location and then all of the sudden this ASSHOLE shows up out of nowhere and just stands in front of the car. Busts the car, terrifies poor Jack, and then on top of that tries to break INTO the car and abduct Peter?? It’s a good thing Joey managed to blast him out, but they weren’t even DOING ANYTHING that would have possibly summoned him NOTHING AT ALL... And on top of all that, being an absolute PRICK as he’s doing it! 
… Anyways, how was the moooob?
Sammy updates Joey on everything that happened with Johnny Nero, which is pretty much just that he had seen the Yellow sign, that Henry removed it, and that Nero was pretty intent on getting his hands on whatever the Phantom wants first. Which like… yeah, if you wanna solve all our problems and fix this mess, go ahead! But Joey’s pretty sure that’s not going to happen, so he goes back to working on his ritual.
Sammy leaves to go back to Jack, and right as Joey feels ready to start the ritual his phone rings. The special one. And it’s… Avedon??
Avedon immediately starts info dumping on Joey about everything that’s been going on already… like, all the information Joey already knows. A lot of flat “yeah?”s in reply as Avedon rambles on, until he mentions that it’s already gotten to Norman. Wait, what?? But Avedon doesn’t stop, telling Joey to meet him at his hotel room in NYC so they can go over more information. Before Joey manages to get any clarification, he hangs up. 
That’s Joey’s thing!!!
Joey is the one who hangs up on others!!!!!!!
Frustrated, Joey does try to call Norman, and… Yeah, Norman is talking in weird riddles and speech that doesn’t fit with the Normal Norman Vibes. That call is also ended with little information gained… but at least it DOES seem like Avedon knows what he’s talking about this time, so Joey’s willing to meet with him, even though he’s also feeling done with him already.
Joey finishes the ritual and merges with Bendy.
On his way downstairs, Sammy is still turning over the car event he just heard about… and the increasing evidence that Peter might actually be the Phantom’s target?? Why else would he be trying to drag him out of the car?
Sammy approaches Peter, who has since started exchanging information with Henry as they all get the last of the glass shards out of the car, and says that he wants to see if Prophet can tell anything about what happened. Sammy looks distracted for a moment, and [lack of surprise because it was actually somewhat communicated beforehand,] Prophet is here!
Prophet concentrates, and with no hesitation, mushes his hands all over Peter's face. 
The good news is that, while Prophet can tell that Peter’s been grabbed by the Phantom recently, that’s actually all that he can detect. No additional eldritch stuff, he’s not possessed, he’s not weirdly marked or damaged in a way that can’t normally be seen. Great!
But Prophet can’t tell if Peter is the target or not. For his part, Peter has been muttering that it seemed like the phantom was trying to pull information from Peter on someone else he was looking for, someone who “followed us out”, but there’s nothing Prophet can sense to confirm that… but he realizes he can sense the distortions to reality increasing throughout NYC. They’re in the air, moving about… getting stronger.
Henry can feel it too.
But that’s all the energy Prophet has, and he unfortunately misses Joey showing up and dumping his new plan of action on everyone. He, Henry and Peter are going to go find Avedon’s dumb hotel room and figure out what’s going on with him, while Sammy and Jack are going to go check up on Susie and Norman because Norman is definitely acting weird now and he’s not quite sure if Susie is in over her head or not…
Nobody objects to the plan. And with NYC losing more and more of its reality to the yellow mist rolling in, it seems important that they do something.
Henry, Joey and Peter do make a detour to Henry’s house though to make sure all is well there. The car is gone, the lights are out, things seem as they should if Linda managed to follow through and get the kids out of the city. Peter is concerned when he notices some of Henry’s wards, but don’t worry, those are supposed to be there. Henry checks them over, and they all seem good. Bendy finds a bucket of clay he and Henry's kids had played with before, and brings it along to entertain himself on any following sleepovers, since that is a thing that will probably keep happening. For once, it seems like everything is actually left alone? 
Until they look out back and find the treehouse Henry built for his kids is gone. Actually, it’s almost like all the landscaping and such in the area was just… cleared away? Or never happened. Joey meanwhile is tabbing through Henry's photo albums and makes sure everyone is still there, which they are. But the treehouse isn’t. And, perhaps even worse, there’s also an extra guy in the JDS staff photo now? Joey pockets it, since this guy seems to be in the music department according to the photo, but Joey is sure he’s never seen him before. And it’s not Alan. So. Hopefully the music boys can shed some light on this.
Henry grabs some supplies and his gun, and Joey turns him around to fix his outfit and make sure the gun is properly hidden. Avedon is 2 trigger happy, we don’t want to say our hellos by instantly showing off the weapons we brought.
Meanwhile Jack and Sammy’s drive to Norman’s is more fraught than the previous ones. Not only has he moved house again, (though at least this time they have evidence of his new address from the junk mail they took last time) but… many other roads are starting to move too. Also Sammy is driving, so, speed has been cut in the engine department too… don’t need to hit two things in a single day with all this mist building up, and any sort of navigation trouble puts even more delays in.
At least they do manage to find the place and head on in, with hope that also maybe now that Avedon has arrived Norman will stop being so “sticking it out in a house that keeps wandering off apparently.” Things seem kinda fine at first at least, like they’re not immediately shooed out or attacked or have any weird monsters hanging over the house waiting for them to try the door… But upon Sammy questioning Susie while Jack goes to find Norman in the back, the music boys find out that things are very much not fine.
Susie is… very confident with a knife all of a sudden, and very confident that she will be able to just stab the Phantom when given the word to go out and hunt him down. Y’know just… stab the guy who couldn’t be damaged by a 2 ton vehicle slamming square on into him. And when Sammy tries to argue this logic, it just becomes more and more obvious that Susie and Norman are both… in character. Susie’s speech cadence is even reminiscent of when she’s performing rather than talking normally. But they don't seem aware that their actions seem more scripted than decided.
Jack finds Norman in the back, with a hatchet and a very similar plan to Susie’s. But whatever is happening isn’t strong enough to make them completely forget themselves, and with some facts being pointed out and reminders of who they are, the boys manage to get these two actors back to themselves... kind of. There's still some weirdness going on, and this also doesn't answer the question of what could be done to prevent this happening again?
Neither Susie nor Norman really realized when it started to happen, and it took some serious outside convincing to snap them out of it at all… Do they need Henry to expel something to truly get back to themselves again??
ALSO, IF THE PHANTOM CAN’T BE HARMED WITH A CAR, WHAT ARE THEY GONNA DO ABOUT THAT TOO?? THAT SEEMS CONCERNING!!!!
Meanwhile, Henry parks near the hotel they were directed to by Avedon, and the trio look upon it in… concern. First of all, it doesn’t even look like a hotel, or look like it belongs in NYC. And the entire place is surrounded by a yellow mist… and while they could wait it out or try to somehow call Avedon and tell him to come out, it just feels like the longer they wait the worse it will get. 
Really, it’s starting to feel that way for a lot of things.
But even though everything about this feels bad, they press on and enter the “hotel”. What should be the hotel lobby is abnormally empty, and when they start up the stairs… well, that’s not normal either, the stairs just keep going. Joey is flipping any rugs he finds though to make sure they don’t have stupid destabilization spells underneath them.
After a few rounds of strange rooms, weird hallways, some alien screeching outside the windows, and Henry noticing that NYC is not the city outside said windows, he stops everyone out of worry that they’re walking into a trap… and Joey agrees. But not that this hotel is specifically a trap.
All of New York is a trap.
It doesn’t matter where they go next, the longer they don’t solve this issue, the more of a trap everything will be.
They just gotta press on.
Aaaaand start yelling for Avedon because clearly they aren’t gonna be just walking up to his hotel room at this point.
Good news! Avedon replies! Bad news!! Only Henry can hear it for some reason!! And… Avedon can hear Joey but not Henry?? 
It’s all very confusing. They find Henry’s reading glasses on a table. Those were in his pocket how did they get there excuse me. All of this isn't fine actually.
But after a few rounds of Avedon Polo, they finally stumble across each other in a… garden. In the middle of a hotel. And of course, the first thing Avedon says is that they need to leave immediately. He didn’t know it was going to be like THIS, he just stepped out to get a coffee and suddenly the whole place is weird??? Well, now that they’re here, time to immediately leave because YEAH THAT WAS THE PLAN FROM THE START. 
Going through another door leads out into a familiar courtyard, at least familiar to Joey. He had been here a few nights ago, while invading Y’s dream, and indeed, right where he’d expect, he finds the Y twins chatting amongst themselves. Marching up to them, Joey demands to know what they’re doing and what’s going on.
They respond by addressing him as royalty.
✧・゚: *Joey Drew, as Your Highness・゚: *✧
Normally, this would probably inflate Joey’s ego! Currently, it sinks like a stone into his stomach!! He does not want to be part of the play!!!
Unless…
Joey suddenly wonders, because it’s the same courtyard, if they are in a dreamscape of some sort… Does he appear different than himself… and that's why they're addressing him this way?
But no, he looks like Joey, and Henry looks like Henry, and Peter looks like Peter, and Avedon is still here… except Joey also notices some of their hands are starting to turn transparent…………. That's probably fine.
He still doesn’t want to be part of their play.
The Y twins try to get Joey to go somewhere with them, and he makes up a story why they need to not do that rn, so that the group of normal fading humans can attempt once again to leave this place. 
Since it's all weird here, Joey tries his little will-what-he-wants-into-reality trick and… well it doesn't work. Instead, he finds a throne room?? and realizes that they aren’t just in Carcosa, they’re in the castle where the Yellow King’s play takes place. And Joey manages to follow his intuition from here to find some kind of portrait hallway, covered with familiar faces… all labeled as characters from the play. Not recognizing all of them, Henry starts drawing them so we have a record of it later.
But there's a few he doesn't have to draw.
One is Alan Leroy, the guy that they're becoming sure is the target of the Pallid Mask. Part of the royal family, apparently. He's a slender man, black hair slicked back, young looking, quite pretty … kinda looks like Joey…
Which makes more sense perhaps when the portrait of the eldest son in the royal family is none other than Joey himself. Guess this is why he was being addressed as royalty… but that means the Y twins are not quite in their right minds, and anything he finds them doing here is probably just play nonsense.
Also Denis is the youngest prince but who cares about that guy.
What they DO care about is the fact they’re getting more and more transparent, so the boys go to find Avedon, who is oh so helpfully knocking shit over and muttering in french, and Joey manages to get his door trick to actually work this time; he opens the door and there’s…
STAIRS!!
Everyone starts running down them, managing not to get turned around when they start making twisty turns, and get to the front door of this stupid castle in a hotel lobby.
They peek outside.
Sure enough, on the side of the building, there’s a shadow shaped suspiciously like nothing they can really identify, so it must be some sort of angel monster or something.
At this point, there’s really only one option they have: try sneaking to the car and hope it’s looking the other way, and if not, run!
Everyone agrees that this is a great plan.
And then they do that.
There’s a bit of fumbling in the middle, but the car was parked outside of the yellow mist for once, so the creature just fades out as soon as it leaves the mist to chase them. 
Well! Okay then!! That problem is solved!! Let’s go deliver Avedon to Norman so that he can take responsibility for his mad man and then maybe stop hiding at home or something!
Henry drives off, and things seem fine for now…
Until Joey swivels around in the front seat to question Avedon, and out the back window, sees something flying after them, only visible whenever it passes through the mists…
Problem… not solved.
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