Eddie hates it when people don’t answer his calls. He hates it with passion.
It reminds him of too many things. It reminds him of manhunts and abandoned sheds, and no one on the other side of the line. It reminds him of cold, clammy hands, of hunger, of fear. Breaking bones and eldritch horrors he’d thought existed solely in cheap movies, not in real life, until he was brutally made aware of the fact that when people say everything’s possible, everything is possible.
Every time someone doesn’t answer the phone when he calls, panic starts to boil inside his veins and his brain immediately makes at least a dozen painful scenarios for him to dwell on. He knows that technically, they just don’t know that it’s him. But it doesn’t make him worry any less, so everyone’s learned to respect the rule. They just have to pick up. No matter what. Or he’ll freak out, drop everything he’s doing and come unexpectedly to check if everything’s alright.
There hasn’t been a single situation when things were actually bad—people go get groceries, take solid, deep naps, or they’re simply too lazy to pick up sometimes—but he always does that. Always.
Especially if it’s Steve who doesn’t answer. What if he fell? Or someone mugged him? Or he got into a fight? This brain can’t take any more damage. What if he’s in the hospital now, waiting to be anesthetized before surgery, and no one’s called Eddie yet, because to society they’re just some dudes living together?
There are too many options. Eddie doesn’t like taking chances anymore, so he slaps the “I’ll be back in a few” sign on the door, closes the shop and speeds through the town like he has nothing to lose. (And it’s quite stupid, because he has too many things to lose now—but he’s allowed to freak out once in a while.)
When he gets there and sees Steve pacing and gesturing animatedly in front of the window of their tiny but awfully cluttered kitchen, he finds out exactly what it means to have the whole world on your shoulders. Or, rather, to be finally freed from the pressure it creates.
It’s okay. It’s just a stupid phone call. It wasn’t even important, anyway.
Despite that, he takes his helmet off. Won’t hurt to remind Steve of the rule. And maybe kiss his pretty face a little while he’s here.
He doesn’t even have to enter their apartment to know that Steve’s not alone. First off – if Steve’s pacing and rambling, an anxious trait he’s picked up from Robin, wasn’t a hint enough – it’s loud. Their paper walls can barely hold back a normal conversation, let alone something resemblant of a heated discussion. Honestly, Eddie has no idea how their neighbors can stand them sometimes, with his metal, their late-night conversations and non-conversations alike, with the kids visiting so often. Although Steve is optimistic (they have some lovely neighbors, like sweet Gran Fran, but don’t ever let Eddie express his opinions about that old hag from across the hallway, Miss Hermans), he’s still waiting for that complaint to be filed.
Second, he smells coffee. Steve never makes coffee for just himself.
Eddie opens the door gingerly, remembering how easy it is to completely unhinge them by accident, and is about to scream something about getting home, when none other than Dustin Henderson cuts him off with a shriek.
“—because it’s actually pathetic, that’s why! Get a grip, man, just do it!”
“Oh, it’s so easy for you to say, because you’ve never actually tried—”
“And maybe I never will! If you won’t do it, how can I learn how to do it myself? You know that you guys are the closest thing to father figures!”
“Hey, don’t make it about yourself for once, maybe? Some humility?”
Dustin’s quiet for a second, but Eddie knows he’s not about to admit full defeat. “Yes, sorry,” he chokes out, finally. “But you’ve tried so many times, you should know that it doesn’t get any easier on another try. Just do it, it doesn’t matter how.”
“It does, though! To me, it—it does. It matters,” Steve mumbles back, and Eddie can picture his face in perfect detail. It’s Steve’s small voice, which means he’s worried about something, even though his worry doesn’t make any sense in everyone else’s eyes. He’s unsure: his brows are pinched, lips pursed, stare skittering around the room, never focusing on anything. Dustin knows this face too, because his tone gets softer.
“Okay, then walk me through it.”
“What?”
“Walk me through it. You’ll know what you want, how you want it, when and where, and it’ll be easier when you try it next time.”
“Dustin, I really don’t—I’m not sure it can get easier, ever.”
“Because you’re scared.”
Steve sighs deeply before he responds. “Yes. Because I’m scared.”
“It’s been eight years, Steve. What are you scared of?” Dustin’s voice is gentle, curious. He’s not judging, he genuinely wants to know the reasons, and so does Eddie. He leans against the wall, trying to sneak a peek of the kitchen unsuccessfully, and listens. A while passes before Steve speaks again.
“I think—There are so many things I’m afraid of. But the main one… It’s still rejection. Not being enough. Because it’s not like it’s anything formal, right? It’s only a promise, and if it ends up turned down…”
Chair legs scrape the floor and Eddie can hear two soft slaps – hands on shoulders, probably.
“Steve Harrington. Calm down. You know it’s not going to happen—no, don’t argue. I know it, and this alone should be enough. You are an amazing person. You’re great with people, you’re bright, you’re sweet, caring, you have so many talents. I love you, Steve,” the pause that follows is filled with something so heavy there’s a shift in the air. It has a different smell now. A little salty, a little warm. “And he loves you. More than you can imagine, probably. So just pop the question, Steve. And don’t back out with some stupid excuse like this morning.”
“Pop the question,” Steve says, his voice firm, only a little timid. “Yes, I think—I think I can do that.”
Eddie bounces off the wall and takes quiet, slow steps backwards. He can’t hear anything else, even though the conversation continues. He bites his tongue hard enough to make it bleed a little. A coppery taste floods his mouth as he closes the door.
Oh, it’s just so, so stupid. He would have said yes. Each and every time, he would have said yes.
*
Later that day, when they’re lying in bed together, with the sheets rumpled, their bodies warm and mushy from the nap, with Eddie’s lips on Steve’s and Steve’s hands in Eddie’s hair, Eddie remembers the overheard conversation.
Well, no. That’s a lie. Because he hasn’t stopped thinking about it ever since.
Every single second of what, at first, seemed to be yet another annoying Monday, has been filled with reverie and anticipation. Dustin’s right – Eddie loves Steve. He loves him enough to risk hell for him, enough to argue with anyone who’s in any way mean to him. Enough to take his hand and say “You don’t have to be afraid when I’m with you”, even though Eddie’s the biggest coward in the whole wide world.
Eddie loves him. Loves his goofy smiles and scrunched happy faces, loves his moles and the uneven mustache he grows out sometimes when he’s bored. Eddie loves how gentle Steve is, how thoughtful and kind-hearted he is. How he helps Gran Fran replant her flowers each month with more enthusiasm than Eddie’s ever shown to anyone. How he talks to children, how much respect he has for those undermined by everyone else.
Eddie loves how he’s learned to stand up for himself. He’s proud of Steve, of how much he’s grown, of how he knows how to express what he needs and what he wants now. Eddie’s loved him for ages, maybe even longer than he’s aware of, but every single significant and insignificant change in Steve’s behavior and point of view makes him fall a little bit harder, every time. In any shape, in any form, there’s one constant in Eddie’s life: his love for Steve.
He likes to think that they do that to each other, both of them. That they help each other through inevitable changes, painful regressions and euphoric victories alike. He likes to think that together, they make one, healthy, living being – and apart they’re good, because they’ve grown to be good people thanks to the connections they’ve made overall. He likes this idea of just being good, together and apart. And he loves Steve for giving him the opportunity to be just that.
Eddie wants it to last. Desperately, intensely, madly. He wants it to last and he needs it to keep happening – he knows that, and he knows he has the capacity to do that. To be there, to stay. His hands touch Steve’s thigh, not in the slightest covered by those silly Hawkins Tigers shorts he’s kept, then they touch Steve’s soft, scarred belly, then they touch his chest, where his heart is beating steadily and peacefully, and he keeps kissing him and Steve keeps clingling back to him, and Eddie’s so sure.
He wants this. He wants to experience growing old together, he wants them to get all wrinkly and bald together, he wants the fights over who gets the most comfortable chair in their grandkids’ living room. He wants them to experience the highs and the lows of the family that they already have, and the one they’re going to build someday.
Eddie wants this. He wants Steve. The whole deal; the promised forever. And he doesn’t want to wait another second.
“Steve,” Eddie says, cutting the kiss short so suddenly Steve actually pulls him closer, chasing after the warmth of his lips. “I’m saying yes.”
“Mm. Okay,” he mumbles back, too kiss- and sleep-hazy to catch Eddie’s intention right away. He tries to bump their noses together—which is adorable, really, but Eddie can’t let him hijack and self-sabotage this proposal too.
“No, Steve,” he squeezes Steve’s side until he looks at him properly. “I love you. I’m saying yes.”
In awe, Eddie watches as Steve’s face goes through confusion, true bewilderment, a bit of fear and fleeting exhilaration, to finally settle on disbelief.
“How did you—”
Eddie laughs a little at that. “I called and you didn’t pick up.” Steve makes a little oh sound, already looking like a kicked puppy. “But it’s okay, doesn’t matter, not the point,” Eddie jumps in, anticipating an unnecessary apology. “The point is, I love you, and I’m saying yes.”
Steve stares at him for a long second, his eyes wide and earnest. His fingers slide from Eddie’s hair to finally settle on both of his cheeks, cradling them lovingly. Eddie kinda wants to cry.
“You’ll marry me?” Steve asks, incredulous, his voice only a bit louder than a whisper. The way he accentuates the word “marry” gives yet another layer of meaning to such a simple question. You’ll love me? Forever?
“I’ll marry you,” he replies without hesitation. “You’ll marry me?” You’ll love me? With my flaws?
“I’ll marry you,” Steve says back. Then he grins with his eyes glistening in the bedside light, and squishes Eddie’s cheeks so hard it squeezes the unshed tear right from his eye. “We’ll get married!”
Steve giggles happily, and Eddie laughs with him. There’s so much joy inside him—them, the whole room seems to get bigger. “We will,” he adds through a smile, already peppering his fiancé’s face with kisses.
“Oh gosh, I have to call Robin,” Steve manages through his giggles and Eddie loves him so much. “And Dustin!”
So, so much.
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So I couldn't help but browse the THG tag bc those books own my whole heart. I actually check it now and again, and it's been interesting see how opinions have changed over the years, especially in regards to Gale and Peeta. Going through the evolution of them as just potential love interests to being far more complex than I could have expected has been a wild ride. Crazy how this reads different than from when I was a preteen.
That said, I wanted to give my unsolicited two cents on my boys, because though I have been enjoying the discussion on Peeta and Gale and what they mean to the story, I also feel like reducing them to Peeta = peace and Gale = war is far too simplistic... and oftentimes unfair to one or both of them.
See, I don't think Peeta and Gale are peace and war/destruction. They're compassion and indignation.
Peeta worries about the other tributes, or their families, or how to repay people like Rue and Thresh for what they did.
Gale is indignation at how the Capitol treats its citizens, it's anger at the injustice of inequality and brutality.
Both are needed in a story like THG. You can't have people like even Peeta not say something like "maybe we're wrong about keeping things quiet in the districts", you can't have him not drop the baby bomb, you can't start a revolution without Gale's indignation at the status quo. At deserving a better life but being denied it, at having your kids be mercilessly killed for literal sport.
However, if you start a rebellion and loose sight of your compassion, you end up no better than the people you're fighting against. Gale wasn't a bad person, imo. His heart was in the right place. He was flawed, yes, but so is everyone in this series. Gale, most importantly, lost sight of the line between fighting for the people he cared about and fighting against the people who hurt him.
Reducing Gale's indignation to just revenge and hatred ignores so much of what he stands for. Who hasn't seen laws passed that dehumanize people, who hasn't been angry and furious when someone is elected who fundamentally hates everything you are, who doesn't think some people need to pay for the atrocities they committed? There's a little bit of Gale in every single one of us - and it's important that it's there, because that's what gives us strength to challenge the status quo and make life better for the future generations.
But. You can't let it take over. You can't loose sight of your compassion or your empathy.
That's where Peeta comes in. Peeta is the voice in your head that worries about how many good lives will be lost when they give themselves up for this cause. Peeta is the worry about the people caught in the crossfire. Peeta is rebuilding when it's over and believing that the next generation will have a better life than your own. Peeta is being kind, even to people who may not deserve it.
And Gale... Gale looses sight of his compassion, and he doesn't realize it until it smacks him in the face when the bombs go off and Prim is gone and he's too far gone. Meanwhile, Peeta advocates for the end of the war even though it means the status quo remains - and regardless of what he believes himself, I don't think Suzanne chose him to say those lines by chance. It means both mindsets have their flaws: too kind and things that shouldn't remain will never be challenged and changed, too angry and you may loose sight of what you're fighting for.
And that's just how Suzanne uses her characters, both of them, all of them. Just look at who is with Katniss depending on the situation:
- Katniss chooses to "rebel" after Gale is brutally whipped. She kisses him.
- Katniss realizes that in order for D12 to rebel, everyone would need to be in on it, and she realizes most of them are not like her, that they're scared and she understands, emphasises with them. Peeta walks by her side.
- Katniss finally does it though, shoots the arrow at the force field, and Peeta is taken from her, it's now Gale by her side.
(You can't start a rebellion without indignation, and sometimes you HAVE to do it or things will never change, regardless of the inevitable pain that will come along.)
- Katniss is righteously angry at the Capitol bombing a hospital full of innocents to make a point. Gale remains there.
- Coin twists people's compassion into an army to fight for her own personal gain. Peeta is hijacked and looses his sense of self.
- Katniss and Gale go to District 2 and even though she tries to be like Peeta, she's still shot- reinforcing Gale's views, the person who was with her during that sequence.
- Katniss is angry at Snow, Katniss goes to the Capitol to kill him. Gale is there.
- Katniss gets in way over her head and realizes she is responsible for the death of most of her squad. She shares the lamb stew with Peeta, and later cleans his wounds.
- Finnick dies and she's at her lowest up until that point and all she wants to do is give up and give in to the anger. She kisses Peeta and begs him to stay with her.
... Claiming that Gale is destruction ignores the fact that he's with Katniss through her own moments of strength. Her desire to change things, to fight back, is as important as her compassion. Mockingjay just brutally shows you what war does to your indignation, to your compassion. How easy it is to cross a line between righteous anger and revenge, or how your sense of empathy and compassion can be manipulated into something monstrous by others, or by all the terrible, brutal, painful things you see.
How easy it is to loose yourself- and that goes for both of them.
Peeta and Gale aren't static characters, they go from representations of sentiments regarding an injust government to what happens to those feelings when an extreme situation such as war breaks out. All of that, by the way, while dealing with this duality themselves, because they are still characters who think and feel and struggle and have flaws of their own- and while I love what they stand for, I've seen too many comments that pin everything into what they mean, that they forget that Peeta and Gale are still people, they aren't perfect metaphors. They're human.
Ultimately, Katniss doesn't really choose peace. She wants peace, yes. But what she chooses is compassion. empathy. hope. There's a time and place for anger at injustice. There's a time when fighting back is the right thing to do. There are even times when you wanna give in to your despair and lash out. But if you want peace, then you have to choose Peeta, because Peeta represents what you need to focus on to achieve that peace. You have to let go of the anger or you won't ever rest. So Gale leaves, and does not come back... And yet, Katniss still has her moments of indignation, of making a stand, even as he goes - she still casts her vote at that meeting, she still shoots Coin. Katniss does not abandon that part of who she is. It's just not her main drive anymore.
So then she goes on to make the choice, every single day, to be compassionate to others. To have hope. To rebuild. Of course she chooses Peeta.
... Idk, man. These boys are so much more than what I see them so often reduced to. They're in all of us. There will be times to stand and fight, and times to show mercy and be kind. We just need to find that balance, as Katniss eventually did.
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