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dresshistorynerd · 11 months

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kinda random question but how do you go about researching? I’ve wanted to get deeper into fashion history than just watching youtube videos, but I don’t really know where to start.

ps. thanks for making such detailed posts. they’re really interesting to read.

Thank you! I'm really glad you've found my posts interesting!

This is great since I've kinda answered this in replies couple of times, but not properly. I very much understand the struggle. Dress history is a relatively new academic field and there's not that much reliable sources available and so so much unreliable sources everywhere. Internet of course has this problem but so does a lot of books too.

I thought this would be a short one and yet, here we are again.

Disclaimer: I'm writing this from a western fashion history perspective, since that's what I know best, but especially reading up on academic research and doing primary source research applies to non-western cultures too, though often it's harder to find sources for non-western fashion.

Getting started

Imo the best place to getting started is to read a book that gives a general timeline of fashion through history. I'm not sure if that's just how my brain works, but it helped me a lot of when going deeper into one period or another to understand the broader context and what roughly came before and what after. However these books are inherently difficult to make well, because there's so much nuance and variation in every period of dress history and if you're writing about the whole timeline through thousands of years and keeping it book length, there will need to be a lot of simplification to the point of inaccuracy. There's many popular fashion history timeline books with illustrations made for the book, but I would avoid those since non-contemporary illustrations often give a distorted image of the fashion, especially when it's about earlier periods in history. I've seen some really inaccurate illustrations depicting Middle Ages and Renaissance especially.

Costume and fashion: a concise history by James Laver - I'd recommend this as the starting point. James Laver was a art historian, an important pioneer of fashion history and curator of Victoria and Albert Museum, which has one of the most extensive costume collections now. The book is therefore based on serious academic study, but being a pioneer means you'll be outdated, when the field is more established, which is partly the case with this book. There's some outdated parts, but the images are primary sources and it does give good historical background. It should be taken as a starting point, not as the end point.

A History of Fashion by J. Anderson Black and Madge Garland - This is another similar book. It's more recent, but it also suffers from some outdated parts. The writers are not academics, but it has more primary source pictures which does help (at least me) understand visually what's being said.

Books

In a given subject I'm researching I usually start with seeing if I can find a reliable book on it or related to it, if I haven't already read much on it. Often what I want to research goes deeper into details than what a book usually does, so it will work as a starting point. As said it can be hard to find these books that are actually reliable, but here's couple of reading lists to help with it.

Here's a reading list by a retired professor of dress history from Helsinki University. It's very extensive and has a wide variety of books and papers listed. There's a bit of leaning towards Finnish sources, but most are in English and about more international western fashion.

Here's a reading list by @clove-pinks, who is excellent and writes a lot about the Romantic period, especially men's fashion here on Tumblr. These are all books that can be read free on Internet Archive, which makes the list even better.

Internet sources

There's a lot of bad sources floating around in the internet, but also some excellent gems. As dress history is such a new field, there's a lot of unexplored spots and lacking research still, but some troopers in the internet have done some great legwork in going through primary sources and gathering them together. These can be excellent especially when trying to research a specific garment, since often these blog posts are by historical costumers, who are detailing their background research in reconstructing a specific garment. It's not always easy to find them, since they might not come up in the first page of the google search, but I often find them through pinterest, where the blogs are linked into the primary source images and images of the reconstructed garments. Though be sure to look with blogs like that with critical eye. The best sign that it's reliable is when each image is given a source.

There's some more general sources too that need to be taken with a grain of salt.

Fashion History Timeline - This is a page with entries to the whole timeline of fashion as well as entries of specific garments. It's very well sourced and has usually pretty good image sources too. I will say though that it often gives a pretty limited description of the period focusing on some specifics, without giving a good overall picture, especially in the Medieval sections. The medieval sections are honestly pretty useless. It's at it's best in 19th century imo (I haven't checked out the entries to 20th century since I rarely research vintage styles, but I'd assume they are pretty good too). But since it has great sourcing it is usually informative. It just shouldn't be relied upon to give full picture of a period.

Wikipedia, History of Western fashion - In some ways this is the opposite of Fashion History Timeline. Wikipedia has articles on each period. The sourcing on these articles is often quite lacking and the information shouldn't be taken at face value. Especially the terms for the garments are often used in these articles in very questionable ways. However what these articles have is pretty good primary source image collections, and what is nice is that in Medieval, Renaissance and Early Modern periods they are often divided into regions, and they often have images of working class clothing, which are for some periods really hard to find. These articles often don't either give a full picture of the period, but in someways the basic picture of the period is easier to grasp from these than from Fashion History Timeline. I use these mostly for the primary source images, and the texts of them should be taken with a bucket of salt.

Academic papers

Going deeper into something will inevitably require reading up on some academic papers. I'm lucky since I get access to a lot of academic publications through my uni, but JSTOR (my beloved) gives free access to 100 papers per month (you'll just have to make an account). Through google scholar you can search for papers on a given subject, or if you don't have access to other publications, you can just use JSTOR's search engine.

Primary sources

If some MVP hasn't already combed through primary sources to gather them on a give subject, you can do that too. It's not necessarily an easy task though. There's thankfully a perfect guide for that.

A Handbook of Costume by Janet Arnold - Janet Arnold was a legendary dress historian, who really defined the modern field. This book details the process of researching dress history and how to analyze primary sources. And it's free on Internet Archives.

I'll give some basics here though.

Extant garment

Most of us who are not academic historians don't have physical access to extant garment, but many museums have nowadays excellent digital archives of their costume collections. Here's a list of the most well known ones. MET and V&A has sometimes great descriptions of the clothing and their history, but not for every item.

MET Costume Institute

Kyoto Costume Institute

LACMA

V&A Costume Collection

Palais Galliera

Extant garments are of course the ideal sources to study, since they are the actual garments and not just representations or descriptions of them. Sometimes the collections even have pictures of the insides of the garments, giving invaluable information about their construction. However, extant garments have limitations for research, since there's a strong survivorship bias. Firstly, they heavily lean on later periods as textiles deteriorate relatively quickly. You won't find extant garments from Middle Ages, at most fragments of them. Secondly, they are mostly clothing of the upper classes. Lower classes used their clothing till they broke down, and even then often salvaged any fabric that could be salvaged for new clothing and other textiles. Upper classes didn't necessarily have to do that, so what survives is usually very expensive formal clothing that people would wear rarely and rather preserve than salvage the fabric from it.

Photography

Since camera was popularized in early Victorian era, you don't get photos before that. Photography is a great source from the times it was available, since yes it's still only representation of the clothing, but there's less artistic interpretation than in paintings and illustrations, though importantly, there still is artistic interpretation. As long as there has been photography, there has been photoediting. They of course used it for creepypasta purposes by editing them holding their own heads and editing ghosts into backgrounds, but also editing their waists smaller. Basically the exact same way photos are still edited. So no, this is not really how small the waist got in Edwardian era, since this is edited.

Another obvious limitation for early photography is that it didn't have colors, so popular colors of a given time period and given styles have to be found through other means. A great thing about photography though was that compared to painting, it was relatively cheap, and therefore a lot of lower class people were able to photograph themselves. We even get people outside in everyday situations not posing.

Photography can be found with search engines like google and pinterest, though they should be always sourced then. You sometimes come across very Victorian looking photos that are actually just modern photos that are well edited. And also it's important to date the photos, which might not be easily with photos just randomly floating in the internet. Libraries and museums sometimes have good digital collections of old photos. For example:

Digital collections of New York Public Library (NYPL) - It has a wide variety of collections including photography, fashion plates and other illustrations. I haven't found a great way to search through the collections, but the best way I've come up with is to search images within the Clothing & Dress topic, put some limiting filters, then click some right looking image and then go to the collection it was from. I bet there's an easier way but I haven't figured it out.

Paintings

A great thing about paintings and statues is that they date basically through whole history of organized civilizations. Paintings are more delicate so even with murals in antiquity, you'll get more surviving status from that time period. But because of the strong artistic interpretation inherent to these art forms, there's some tricky parts to them as sources for historical fashions.

You'll find a lot of paintings by just searching for fashion or paintings of a given period in google and pinterest, but it's sometimes tricky to source them to figure out where and when they were painted. Therefore I often check from Wikipedia a list of artists from a given time and place, and search their paintings from digital archives of museums. It also helps when you choose artists who were specialised in specific type of paintings. What kind of paintings depends on what you're researching and the time period.

Portraits are of course great sources. They depict the actual clothing an actual person wore and if the person was historically important enough you can find out who they were and gain a lot of context for the clothing. However, they are usually all rich people, though not always. Another thing to keep in mind is that sometimes portraits portray the subject in a costume. This became a pretty big trend among nobles in 18th century. They had costume parties and would have their portrait painted with their costume, but also there were trends of costume that were not even worn for parties, but only for having a portrait. Sometimes the painting would be painted like a scene and not like traditional portrait. Van Dyke costume (first picture below) in first half of 18th century paintings is one such example. It referred to mid 17th century fashion that was seen as timeless at the time. Peasant costume (second picture below) is another example of a popular costume for nobles to wear in portraits. Costume balls continued to 19th century, but after the popularization of camera they were mainly photographed. People would continue to dress up in costumes for portraits, but it wasn't as big of a trend as in 18th century.

Genre paintings were a genre of paintings that became popular first in 16th century Low Countries and then In Netherlands/Belgium area during the Dutch Golden Age (from late 16th century and thorough Baroque) and during Baroque's popularity all over Europe. Genre paintings depict normal everyday life of peasants, working class people and the bourgeois. During Baroque they often had elements of idealization, symbolism and even sexualization of the subjects, so they should be taken with a grain of salt, but they do usually depict accurately the clothes the people wore. Rococo era had a lot of these types of everyday scenes about the upper class. During the Romantic era peasants were heavily romanticized in genre paintings, but there was also a lot of genre paintings of bourgeois thorough 19th century that was wasn't as strongly romanticized. These scenes were sometimes also depicted in portrait form. Realism brought another interest into the genre and Realistic genre paintings often focused on the working class. They did the opposite of romanticism though and often exaggerated their subjects to look more wretched.

History paintings depict events and scenes that were for the time historical too. They became very popular in 19th century, when Historism was the dominant in arts, but they have existed long before. There's even some from late Medieval period, and in those earlier history paintings, the historical figures are usually depicted in contemporary clothing and there's no attempt at recreating historical styles. In later periods, especially during 19th century Historism they very much tried to recreate historical styles. This is why it's important to always source paintings. I've too often seen Victorian paintings used as images for Medieval fashions.

Religious paintings have sometimes a bit of the same issue. They were very popular during Medieval and Renaissance eras, and usually the biblical figures would be depicted in contemporary fashions, though not always, sometimes in vaguely "biblical garbs". Religious paintings also have the issue of often being highly symbolic, so sometimes the characters in them are not dressed for the situation, or a character that in the biblical canon very poor is depicted in upper class contemporary fashions.

Illuminated manuscripts

Medieval manuscripts with illustrations are invaluable sources for Medieval fashions. They are usually commissioned by royalty and detail historical narratives, so they mostly depict royalty and nobility, but some illustrated scenes depict commoners too. You often find images of the illustrations floating around in pinterest but they can be hard to source when the source is not linked (which is quite often). The illustrations can be spotted by the quite consistent style (though sometimes they are not from illuminated manuscripts but some other rarer illustrations like playing cards).

A lot of illuminated manuscripts have been digitized and British and French libraries have quite extensive online collections of them which are linked below. The manuscrips in those are mostly English and French of course but there's manuscrips from other places in Europe too, I've seen quite a lot of the German speaking area especially.

The Bibliothèque nationale de France (BnF) The British Library

Fashion plates

Fashion plates became a thing in 1780s, so they are not useful for periods before that. They are basically illustrations that show the latest trends and they were published in fashion magazines. They don't reflect the way everyone dressed, since as they did show the latest high fashion and the people who would be wearing that were mostly young rich fashionable people. However, fashion at the time had a little different meaning than today as it was linked to dress code, and to be respectable you needed to follow fashion. So everyone, even working class people, would follow the new trends to an extent. This is especially true when we get to Victorian era, when mass industrial mass production and the emerging middle class made clothing cheaper and more available to more people. They wouldn't maybe follow every new trend or with every detail and with as much extravaganza or with the most expensive fashionable materials.

While the fashion plates didn't necessarily depict specific existing clothing, they were based on existing clothing and they were often used as guides for dressmakers. Kinda like you might go to a hairdresser with a picture of a famous person's hair or hairdressers sometimes use pictures of famous person's hair to show what they might do. And the people who might not afford something as extravagant as shown in a fashion plate, might still show it as a guide and get a simpler version of it made for them. People of the middle and lower classes especially would also use them as guides to sew themselves fashionable clothing.

Fashion plates are quite easily found on the internet, but as with other things, if you don't go straight to some organized archive, it might be really hard to date them accurately. Many bigger museums and libraries have fashion plates in their online archives, for example NYPL which I mentioned earlier.

MET Fashion Plate Collection - This is a pretty extensive collection.

Regional costume illustrations

When genre paintings became popular, artists didn't necessarily have the change to go and see what peasants wore in the places they were setting their genre paintings in, but because the whole point of them was to depict authentic real life, there was a need for illustrations of regional dress around Europe. And some artists would travel and create costume collections for resource to other artists. These are really invaluable to us today, though they should always be taken with a grain of salt, because sometimes the artists who created these drew dresses for places they never had even been in. For example some of these collections include non-European dress and they should all be probably disregarded as fantasy costumes basically. You can usually assume that the closer the region which dress they depict is to their own place of origin, the more accurate and based on reality it is. It's also good to try and google the artist and see if you can find information of where they actually traveled, because sometimes we know that pretty well.

These collections can also be found in the digitized archives of big museums and libraries, again there's some in NYPL collections.

British Museum's collections by Hippolyte Lacomte from 19th century

A collection from late 16th century on BnF archives

Honorable mentions

There's many other primary sources in different periods that can be helpful, but the ones I've mentioned are the major ones and easiest to access, when you're not doing academic research with institutional resources. I thought I might mention couple of other sources that have become handy to me as examples.

Magazine and news paper ads became wide spread in the Victorian era and from that onward is a great source. They advertise specifically ready-made clothing, so clothing that was much more available to a regular person and therefore can be really helpful to understand what a regular person might wear. I don't know a great source for them though. Many libraries have digitized old papers and magazines so going through fashion magazines is perhaps the best bet, but it's definitely a lot of combing though. Some people have though gathered ads in blogs.

Satiric comics can be surprisingly helpful for researching sort of alternative styles and seeing what trends garnered backlash. For example I've long been obsessed with Aestheticism and the other counter-cultural movements related to it, and there's quite a lot of women's Aesthetic extant garments, photos and paintings available, but very little of men's Aesthetic fashion. But then I found that Punch Magazine (conservative satire magazine) loved mocking the Aesthetes and therefore drew a lot of comics with men in Aesthetic fashion. Caution should be taken though since satiric illustrations do often exaggerate for comedic effect. For example the idea that 1770s ladies made ships out of their massive hair comes from a satiric illustration mocking the large and elaborate hair of the time.

Runaway ads of slaves and indentured servants are bleak, but can be helpful source for the clothing of poor people during 18th century. This is specific to US, but because of the colonialism poor people there would often wear at least similar clothing as those in Europe, especially Britain and France, which had the most colonial presence in that region. The clothes were described in great detail in these ads for identification purposes. These runaway ads can be also found in news papers of the era, many of which are digitized in archives of bigger US libraries, but it's definitely even more combing through. Though again some people have done some of that work already and documented it in blogs.

#answers #history #fashion history #dress history #sources #research #historical research

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oreramar · 2 years

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Sometimes I think about that post about the “hate bouquet” that’s gone around a few times. It’s the one that starts off with someone asking how to say “I hate you” with a bouquet of flowers, as if barging into a flower shop with that particular request.

I’ve seen a couple different answers for it, too: stuff that goes into flower language symbolism and meaning, versus just a selection of flowers and fillers and so on that would be uncomfortable to hold (thorny rose stems) and messy to have (thick leaves packed in tight, sprayed with water, for ultimate mold production). I’ve thought of my own variations on the latter myself (springerei or some form of tree fern for shedding mess, etc), but the more I think on it the more I think that...you can’t do it.

Sure, there’s all the old flower language stuff. This flower is disdain, this flower is loathing, this flower is “take a long walk off a short dock, pal.” Thing is, next to none of that has survived into common knowledge - at best people associate red roses with romantic love, yellow with friendship, maybe white or pink with innocence or youth, perhaps a few other flowers specifically with funerals...but after that the meanings kind of fade into meaninglessness, and even those bounds aren’t absolute (ex: people here associate gladiolus with funerals, but to me and my mum they’re just really awesome traditional garden bed flowers). So if the recipient is fluent or has a special interest in it, then yeah, you can code that message in, but to most people orange lilies are just striking and beautiful and maybe someone’s favorite color or shape, not a declaration of seething hatred.

Sure, some flowers and greens and so on are thorny or very prone to molding up in bad conditions or producing messes, but here’s the thing: all cut flowers die eventually. All of them. And many of them die messily, with ugly brown spots and mush and mold and shedding of leaves and so on, again, especially in certain conditions. But we give them to people with all good intentions anyway, because the point isn’t that they’ll be perfect forever. The point is that they look really good at the moment, and that they’ll be something nice to have for a few days to a week or so.

Basically, I don’t think you can say “I hate you” with flowers, not when they culturally translate, almost unilaterally, to some form or flavor of “I love you,” “I care about you,” “I’m thinking of you,” “Thank you,” “I want you to have some brightness and color and beauty in your day.”

If you (or a character in a fic) really need to disguise your “I hate you” message in something that seems nice on the surface, make a card with as much glitter glued on as possible and tip some extra into the envelope. I suspect it’d be far more effective.

#rambling #I work in a flower shop #trust me when I say that there are no hate flowers #just flowers that someone personally dislikes at worst #otherwise all flowers are good #all flowers are love

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mental-health-monday · 10 months

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Deescalating Anger and Tension by Going in Sideways

A bit of a weird post for this blog… I’m a new(ish) parapro, and have often found it difficult to get some children to follow directions by directly addressing the issue… so I tried a few different things.

In my brief time working in this field, I’ve found some kids are kind of like oobleck (bear with me): if you go into a situation too fast, they’ll resist with equal force and form a hard barrier; but if you go in slowly, at an angle, they’ll be more inclined to listen.

Useful for parents, childcare workers, educators, or yourself…

1.) Pick out a word they said and randomly tell them a fun fact. Expound upon it.

For instance: One kid said something like “You’re so stupid and no one cares about you, you’re weak like an omega wolf” to another kid as an insult, which got another kid asking about what “omega” meant. I took that as an opportunity to infodump about the Greek alphabet, explain the etymology of the word “alphabet,” then tell them the Hebrew translation “aleph-bet.” They were fully intrigued. Whenever they’d start to get mad at each other again, I’d drop another fun fact.

It didn’t entirely stop the insults from flying; but it stalled them from throwing punches (or chairs or desks) until the teacher got there, who was able to straighten them out better than I could.

2.) The fidget toy.

Gently pull the distressed child away from the child who is teasing them (tell the other child to back off in a firm voice). Let them cool off a bit. Ask them how they’re feeling and affirm them. Talk to them if they want to talk, or remain silent if they don’t.

Quietly pull out a fidget toy (I recommend a Tangle because it’s more visually appealing), and start fidgeting. Wait for them to look at it. Ask if they’d like to try. If they agree, let them borrow it; if not, leave them alone (you kind of have to read the room pretty accurately on this one). If I do get the kid to borrow the fidget toy, I find they’ll usually calm down within a few minutes and it’s super effective.

I’ve found this one works best if they’ve never seen you with the fidget toy before; because the second time you pull it out they’ll know it’s for their benefit which may put them off. Some kids will ask for the fidget toy if they’re stressed out, which is always a good sign.

So basically, it’s potent; but use it wisely.

3.) Ask “What are you thinking right now?”

Pretty self-explanatory. If a kid looks like they’re reaching the boiling point and are about to hit another kid; try to get them to verbalize their feelings, and maybe it’ll get them to think about the consequences before doing anything like they’re thinking. Always say “It’s okay to feel angry; but we shouldn’t hurt people,” or some variation thereof. Don’t push too much though. Make it clear you’re there for them without necessarily taking sides.

4.) Point out the environment.

Once a couple kids were absolutely refusing to come back in from recess. It was a hot day outside, so I remarked “Don’t you want water? It’s really hot out.”

“No water.”

“You guys are all gonna be baked potatoes if you don’t go in; it’s HOT. I might just have to get some cheddar, sour cream, and bacon bits so I can eat you. I love baked potatoes. Yum.”

“We’re in the shade. We’re not hot.”

“Well I’m not in the shade; and I can’t go in until you go in, and it’s too hot for me out here. Guess I’ll become a baked potato, then.”

They went inside shortly after, complaining it was too hot outside. Basically use a lot of repetition so they start feeling the effects, and maybe start considering, “Hm… maybe they’re not just blowing hot air.” (or whatever the kids call hot air nowadays)

5.) Ask another kid for help.

Sometimes a kid might be anxious around adults, and won’t want to hear from you at all. They may be at risk of running away, and your close (but necessary) presence would only trigger them to do that.

I was having a hard time getting [Kid A] to come in to tell their account of what they saw two other kids doing which led up to a fight. They didn’t do anything themselves, and their behavior was probably caused by a fear of having to go to the office to tell their side of the story.

I wasn’t about to chase this kid because 1.) it wasn’t right in this situation 2.) they had a history of eloping, and 3.) they were too fast for me to catch if they did elope

Enter [Kid B], who is friends with [Kid A]. They’re wondering what’s wrong, so I explain, “Hey, your friend is a little scared of having to go to the office to tell about a fight. Can you tell them for me, that they’re not in trouble, and the office just wants to hear what they saw.”

It worked. I thanked [Kid B] and gave them a school reward ticket.

#mental health monday #deescalation #anger #parenting #childcare #neurodivergent children

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helozinha-art · 2 years

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What not to do to artists...

This is something that happened a couple days ago when I posted part of the Pride Series drawings on Twitter. Just a normal compilation of a few of the couples (since I’m posting the couples individually only on Tumblr and Instagram):

[Description/translation: My tweet reading as “Continuing with more couples for #PrideMonth” and displaying traditional drawings of the shipps CaitVi, Narlie, Lumity and WolfStar, specifically in this order]

Nothing out of the ordinary, right? The post was doing pretty good actually, more than any of my other posts on Twitter has! Until I came across the only comment on it...

[Putting it under the cut cause I guess I ranted a little too much, sorry...]

[Description/translation: A reply to the previous tweet reading as “This last one doesn’t make sense, they’re not a couple like the others, which are actually good. By the way, I prefer Sirius with James” and displaying four digital pictures of the shipp Sirius x James, from Harry Potter]

To which I replied:

[Description/translation: A Twitter conversation among my Twitter account and the same account in the previous picture:

Me: “I’m just drawing shipps/couples that I personally like, it doesn’t necessarely mean that they are or have to be canon ^^” and it’s okay if you like another shipp, one thing doesn’t exclude the other”

Other: “Ok, I just foung it weird to see Sirius and Lupin as a couple.”

Me: *smile and thumbs up emoji*]

First of all... I’m not even go into the “reposting without credit or permission” territory, cause I know that most artists are aware of that already, but what I don’t understand is how this person thought it was okay to just go basically “well, that couple is weird, I like this one better” and tried to JUSTIFY it by reposting random art they found on the replies of my original fanart.

Look, I’m totally fine if you shipp other couples with the same character. There’s literally no problem with it and I even encourage that because it’s totally okay to work with different dynamics. Believe me, I’m a multishipper in many cases. But if you don’t like or never heard about my shipp (which...is kinda odd, I thought WolfStar was pretty popular in the fandom lmao), what gives you the right to go on my post, where I drew the couples that I like and act like I shouldn’t have drawn it and put along with other couples because “it doesn’t make sense” to you?

Like, they tried to say that my not-canon couple is weird by telling me their not-canon shipp is better? What’s the logic here? (And again, I’m not hating on their shipp, I literally couldn’t care less. I’m just intrigued by the aUDACITY)

I mean, I’ve already seen comments on other artists’ posts that were variations of “oh, I really dislike this couple/character, but the fanart is lovely!”, which is not a good thing to say already...but at least they’re like halfway supportive and kinda have good intentions behind it. Not ideal, but not as bad either. At least in my personal opinion, of course.

But I guess people forget they have the option to just...scroll past it if you don’t like it. Or, at least, don’t be rude when commenting on someone else’s work. Gosh, there are so many shipps and characters that I hate, but some artists that I love and admire do like them, so when they post something related to that shipp I just go “alright” and don’t interact with it at all. Because it’s not within my right to make an artist feel bad about themselves because I dislike the characters involved.

Is it so hard to...not give your opinion when no one asked? And I mean it in this specific case. Cause why would you go out of your way to try to invalidate someone’s work because...you don’t see the sense in it?

Sorry about the rant. This just got me really upset (and laughing at the same time). This is probably just a teenager with too much free time on their hands that happened to scroll past my post and thought it was a personal attack or something.

The moral of this whole text was: please, have some common sense. If you don’t like something, just sigh at it and move on (this phrase applying specifically for this situation with shipps and art). Do not repost fanart without permission, that’s mean to the original artist. Don’t try to shove your favorite couple on someone else’s work. Be nice to people, in general.

Thank you for reading this far!

#helo speaks #rant #artist struggles

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elendsessor · 7 months

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hi welcome back to me talking about megaten demon designs and if you follow me or have went through the megaten tags you probably noticed i’ve been on a dsrk kick, specifically with the lone marebito since i unintentionally gave it a reread. i’m sorry if you’ve seen nothing but that shit from me i swear i’m almost done rambling about it.

first time i read it was before i finished dsrk2 so i held off on talking about different designs of reappearing demons since i thought maybe they’d appear in 2 but. nah they didn’t.

a lot of these designs are really cool, redesigns or otherwise.

BRW THIS POST IS LONG I’M SORRY-

i’m gonna toss out a spoiler warning since it’s not likely many people in the megaten community has given the lone marebito a read. there’s an english fan translation here if you’re interested!

quick shoutout to @/eirikrjs since they and @/yamayuandadu made a couple of posts a few years back about the origins of jatou ouhanshin aka this badass motherfucker.

i love giant reptiles in any media and goddamn i love this and yes i want ouhanshin to be included in a future megaten game :D

of course there’s likely some demons i missed/forgot to include so don’t expect every instance.

first up are some redesigns since they mostly appear at the beginning.

now with gremlins! they’re definitely a lot different than any of the previous variations, being a lot more goblin-like + a fat fuck one for good measure. it does more closely represent the pre-soul hackers gremlin design (which is a lot better in my opinion). as silly goofy as they are they do much better fit the general idea of what a gremlin is. this was likely a choice based on the overall tone of the manga, which gets really fucking depressing and a bit more body horror-y/gory than most megaten material, but the smaller gremlins should’ve been the silly goofy with the big boi being the gross monstrosity. idk gremlins are popular enough that having such a vast deviation used in this way doesn’t work.

i think the manticore is actually a complete upgrade from the og designs and is a prime example of the more horror part of tlm improving the original.

idk man i really do not like the og manticore designs. given how the beast itself’s name means man-eater and the fact that it has the body of a lion, the thinner body doesn’t really give that same fear (and the sickly green kinda worsens it). nor does the head??? yeah it’s supposed to be ugly but it looks like a last minute decision and not part of the beast itself. the second one is a bit better but neither of them look that good or scary. (i think they’re more heavily based around a certain latin bestiary depiction but that one sucks too sorry 13th century latin guy.)

even if the manga manticore’s body wasn’t buffer the face is fucking amazing. first it has an actual mane like a couple other depictions do, but turning the normally “ugly” face into a skull is sick as hell. oh and the teeth help it a lot. fantastic demon design all around.

this one is less of a total redesign since it’s character specific. there have been minor alterations made to demons throughout the devil summoner franchise especially with dsrk in order to fit that imperial japan vibe, such as high pixie basically being a pixie wearing a kimono. shiragiku’s design is more based in the soul hackers nekomata design though without being a calico. i wanted to give her a bit of attention on the design part for at least one thing because it’s pretty interesting to me and that’s having a normal cat form. yes because of shiragiku’s backstory it makes sense that she regained her pre-furryfication body. however, when it comes to looking at it from a folklore angle it’s pretty interesting.

all nekomata start off as bakeneko, aka monster cats. they can shape-shift to look either more house cat-like, human-like, and everything in-between. they can also mimic voices. nekomata are basically just stronger bakeneko, symbolized by the split tail (which is how they get their name). in megaten, we don’t really see that often, some of which is understandable. what i find so interesting is that it’s kinda defied in some ways? as in, normal bakeneko are glossed over, unless morgana counts since he pretty much is one. the most commonly used nekomata design in smt is the one from nocturne who only has one tail despite being in a non normal cat state. i’m guessing for the sake of simplicity both bakeneko and nekomata are one in the same due to the heavy similarities. idk it’s pretty confusing but basically this was all an excuse to include cat girls and shiragiku is the closest we’re getting to a truly accurate nekomata.

what if i told you though that behemoth is technically original.

gonna be quick about this since basically aside from devil children behemoth has no original design. it’s mostly just recolors of other demons, mainly elephant/hippo/rhino-like ones. in fairness, behemoth is a warped shouten but it’s so different it’s basically its own demon that goes bye bye before getting any real action. still looks cool af but i’m sorry behemoth.

here’s a weird one. despite maintaining the horn, yato no kami is completely different from the game counterpart and is another much better design (wasted on a character that was pretty underutilized despite the potential). in actual japanese folklore, yato no kami are snake deities (and also some hot anime dude from a game i never heard of thanks google). pointing that out because, while cool on its own, yeah looks too much like a parasite and not what it’s supposed to be.

now for a side note on a couple more demons exclusive to the manga

clarion is interesting to me for one reason and one reason only: it heavily resembles the great will aka the universal will aka existence itself.

this one’s a bit of a stretch but i still find it interesting.

this guy was only in last bible, specifically the game gear version, but is referenced and named dropped a ton. every yhvh avatar is something this thing popped into existence. an equivalent exists in the 4 duology aka the axiom but since both games were a bit of a soft reboot of the traditional mainline style plus is pretty much the exact same thing this counts the axiom. it’s important to note that, as it’s technically a concept and not a physical being, it relies on avatars to get shit done. aside from that, there’s not much info on the great will but it’s considered either equal to or potentially the creator of yhvh.

most of the big time avatars that relate to the great will and yhvh, including yhvh himself, are either a big human face or a circle. while it’s stated in the manga that clarion is a goddamn alien the fact that it keeps so many of the design motifs of the great will, yhvh, and all their ocs, i honestly think it just might be another avatar. i mean it also knows shit like god’s wrath so that has to count for something. it’s just so fucking interesting i love it.

on a final, simpler note, touda is cool. i’m 99% sure it just morphs into ouhanshin but still i love snakes. there are so many serpents n noodly things in tlm it’s cool they’re attached to badass imagery even if they’ll likely never show up in any other official material ever again.

#I DIDNT THINK THIS POST WOULD BE AS LONG AS IT WAS #I’M SORRY #all cool and interesting demon shit tho #to me anyway #shantien rambles #devil summoner #megaten #i’ll shut up about the raidou manga now probably

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talenlee · 1 year

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February Wrapup, 2023!

Smooch month draws to a close, and with it, I understand, the ending of Winter in America. That’s got to be rough, having a smoochy romantic-vibes event when you can’t go outside because the icicles are forming on the walruses, or whatever happens in places that are cold. My whole life, I’ve only ever seen Valentines day as a thing that happens when the sun is raging high and the beautiful botanical gardens are second only to Places with Air Conditioning to go do something special with someone you care about.

Where was I? oh yes, a roundup of articles I wrote this month and reasons you, you, you might want to check them out!

Let’s check out first of all, what I wrote this month about games in the Game Pile:

Love Letter, a small card game with a powerful, flexible engine, Love Letter is a game with a lot to recommend it and a lot of variations. I like it a lot and I like how it has permutations and the way it can present flavour.

The Romance Options of Baldur’s Gate 2 Enhanced Edition, I promised myself a long time ago, I’d follow up on an older article with all the newer characters from the enhanced edition. This is a twenty-ish minute video where I talk smack about characters in a twenty year old D&D game, but I also still feel really invested in it.

We Need To Talk, which I think was an interesting game more than I thought it was engaging. Check it out to learn about a game with an interesting language model.

Eyes On The Prize, a two-to-four player TTRPG about fake marriages in courting mayhem. It’s so good, and

And this month’s posting in the Story Pile:

There She Is!!, an early 00s web-animation that people seemed surprised to learn had multiple parts, or more parts than they knew, and then seemed even more surprised to learn was about uhhhh racism. And funnily enough, because it’s about racism, it gets into some Real Shit even as it’s a set of beautiful animations of poppy, fun, sweet Korean music.

Shikimori’s not Just A Cutie, an anime about nothing featuring nobody, that I nonetheless watched twelve episodes of and want to recommend to anyone who wants create even mildly better fanworks.

My Next Life As A Villainess: All Routes Lead To Doom!, an anime I really liked about a beautifully stupid stupid beauty and her collection of hotties. This one takes a dip in quality later on, but I still think that the article is good at conveying the things about it I liked.

Eat, Play Love, because I think it’s a good tradition that Fox and I should watch a Hallmark movie together every year because if we find ourselves starting to go ‘oh this is actually quite good’ we know we need to see a doctor about mood altering medication.

I also wrote about some Dungeons & Dragons stuff this month. I talked about the way you can use Skill Challenges and flashback mechanisms to make what’s normally a very brief, boring check into a big character moment for the whole group when discussing Group Flirts. I examined the Leadership feat, which turned into ‘I just want a boyfriend‘ a lot of the time. While trying to build out Cobrin’Seil so it’s not just four basic spaces and vibes, I wrote up the Nation of Visente — an art deco magepunk modernist society that keeps trying to buy its way out of the consequences of endless expansion (and is that going to work?).

As for my own relationship to smoochy topics, I did some writing about what it’s like to learn to date in a fundamentalist church, and the ways that messes everything up for everyone. I talk about how shipping can be a great way to explain to people the kind of person you are, what you value, and why you value it. There was room to drag other media for how it handled romance, though, with an article on Homestuck’s unnecessarily complicated explanatory terminology and a full article dunking on Keitaro Urashima, the embarrassing successor to Tenchi.

I looked at a couple of different game design ideas, too! First, I examined a concept of taking an idea for a visual novel, then seeing how I’d need to change the game design to accommodate a variety of mechanical needs. Then, later on, I considered how two different games happen to have names that can inform a smoochy game, when I looked at The Mind & The Heart, and how those two concepts might work for a particular kind of game fiction.

This month’s shirt design is fun because of the other things I can do with the basic template. Other shapes, other silhouettes, other fonts, a lot of different ways to use this basic genre, ideally with things I understand better, going forward. If you want this shirt design, you can get it in multicolour, white text, and red text versions.

I wasn’t nearly as pressurised as I was during January but I’d be lying if I said February wasn’t a rough one. While I wasn’t dealing with a lot, people around me were often grappling with serious problems, and that meant that I spent a lot of time doing scaffolding work. I’m not in a position to do everything everyone needs, unfortunately. It’s a rough one, holding on with both hands as best I can to everyone. It’s been a month of some challenging days, and a few problems that just keep on coming back into my life.

I haven’t bought anything? I know that may sound odd, but when it comes to things like new games or toys or anything like that I haven’t bought anything new. I’ve been trying to make sure I eat healthier if I can, which means that I’ve been eating a lot more beans from a tin and veggies given a bit of swift heating.

I at the start of the year wrote down ‘get more early nights.’ That’s a bold proclamation to have in the summer, the time of year when I sleep the worst.

Check it out on PRESS.exe to see it with images and links!

#Diary

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mcdonough86whitfield · 2 years

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Gucci, The North Face Group Up For Second Time

You can literally pair this belt with pants, shorts, a gown, or a excessive waisted skirt. https://calsmedia.nl/replica-designer-belts/fake-gucci-belt.html Anyways, I actually have linked this reasonably priced faux GG Belt manymany times on this publish. 🙂 You can see beneath a couple of ways I styled this belt and why I frankly, will never put it down. Shocked by the price of the product, the mom then declares that it looks just like the belts worn by college students of Delhi Public School , Ranchi. She also added that the identical product could’ve been bought for Rs one hundred fifty if the Gucci buckle was changed with that of the school uniform belt. For today’s submit, I wished to reply some common questions I get on the ever well-liked Gucci double G belt and their mules (scroll to backside of the post!). In addition to their soho bag that I wear method too much, this is another versatile small luxury. I love the method it can elevate a easy outfit with denims, especially now that I wear more black than ever! It also comes in very small waisted sizes that can be onerous to seek out elsewhere. The numerous options can be complicated, though, so I’ve broken down width, sizing, and leather varieties below. P.S. You can read my complete information to purchasing a Gucci Belt here. I’m 5’2” or 158cm, and I opted for this 3cm width model, also called the men’s belt. It’s the last word “Goldilocks” dimension in that it’s not too wide, and not too narrow – it’s good for how I’ve loved styling it. Regardless of what introduced you to Sonia Begonia, I’m thankful. While on paper, the variations in width appear minimal, the small variations are very noticeable when worn as you will see in the comparison photographs I’ve included in this submit. So in this submit, I thought I’d address some of the widespread considerations to take into account when buying a Gucci belt. You need this year’s affordable and trending cheap faux Gucci belts… aka the pretend GG Belts. This yr was FULL of amazing blogger developments, most of which I bought immediately upon spotting them. From Sherpa jackets to Stuart Weitzman boots, there was one item that might be seen all throughout famous feeds. In the video, Chabi Gupta's mom, Anita Gupta is shocked when she gets to know that the belt is price Rs. 35,000. Gucci Belt With Pearls - £325 - There's little question this belt is completely gorgeous. As I said above, I suppose the neutral shades are nice to be worn in Spring and Summer, whereas the black belts are forever-proof. This comes in different colours, so you do not just need to go for light pink leather-based. If you get it to match your natural waist, it will be too small for your hips. Gucci have recently updated their belt sizing chart, presumably in an attempt to make it easier for consumers to decide on a size. However, I think they've made things much more complicated. There are two charts – one for hip measurement and one for natural waist measurement . Meticulously crafted with 30 carats of flawless diamonds set in a pure platinum Gucci brand, the sensational Goldstriker belt is worth a staggering $250,000. The Gucci Diamond belt is the excellent reward for your billion dollar buddies. A Gucci belt is when you stick your balls above your waisteband exposed. Tucking your dick to either the left or the right, only balls are visible. The Gucci belt exhibits a sign of standing, that is something everyone can flex. Adweek is the main source of reports and insight serving the brand advertising ecosystem. Robert Klara is the senior editor of brands at Adweek, specializing within the evolution and influence of manufacturers. Enjoy the added benefits of making a private account. This time my jeans were longer and fairly skinny at the ankles, so I just pulled them over the complete boot opening together with the loop. Its parent company, Kering, reported that Gucci’s profits surged by over 60 percent in the first half of 2018 alone. wikipedia designer belt In 2017, the Gucci belt was at place #3, putting it behind the ever-present Balenciaga sock sneaker at #2, and Gucci blooms slides, at #1. This year, the Gucci belt can’t be beat, rising to the highest position while the other two items slid off of the top 10 entirely. Products in this story are independently selected and featured editorially. If you make a purchase using these links we could earn commission. Personally, I assume you can do each by shopping for a slightly greater measurement to match your hips after which get extra holes punched so that it can additionally be worn at your waist. Luxepolis is India’s trusted online platform for purchasing and promoting the widest range of luxury & premium branded merchandise. It is our endeavor to make true luxury accessible pan-India with choicest choices. Our members can store on web or cellular for an thrilling assortment of latest and pre-owned luxury merchandise throughout categories. Luxepolis presently offers a extensive range of Gucci from basic women’s purses and shoes to menswear including luggage, footwear, wallets, belts and baggage. This bag is dark brown and the small print of the model are printed with great sharpness and without stains. It is very important that we all know how to distinguish an unique Gucci belt from a faux one and keep away from having a tough time with these imitations. 1) The again of all authentic Gucci belts shall be marked with a 'GUCCI made In Italy' stamp followed by an identifying number, including the correct size. • The Black Imprime belt contains a buckle with an everyday G and an upside-down G, the former of which has a matte end, whereas the latter has a metallic black finish. The Gucci monogram is printed everywhere in the belt, while the inside part, as said above, has a suede end.

#fake gucci belt #faux gucci belt #fake gg belt #fake gucci belts #gg belt fake #gucci belt look alike

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chill-pills-yandere-haven · 3 years

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Can you do the Yandere idol au with 4nemo. Cause they’re all beauties nothing can change my mind😤

Wooh! First ask! Here is a little drabble I made for you, enjoy! (Might also make headcanons for the group)

Tw: Yandere, mention of violence

Disclaimer: Yanderes are abusive, this is not a healthy crush.

Made, finished, and posted same day.

A Dream of Coffee and K-pop

(Not my art)

Sunlight shone through the window, the smell of freshly ground coffee beans wafted through the air, it was truly beautiful. You and your best friend had decided to stop for a drink break and found yourselves here. Honestly, you were thinking about becoming a regular here, the atmosphere has heavenly and the food and drink were delicious. Then you heard camera clicks and squealing. You let out a slight sound of confusion and irritation. Forced out of your state of serenity, you looked back at your friend to see what happened. Their face was red and they seemed to be holding back an almost terrifying grin. It didn't make sense to you, all that happened was that four men and a bunch of other people entered the cafe. "Holy archon of idol groups! It's 4NEMO!" Your friend was now shaking you, making you look even closer at the four men who had just entered. Even on further inspection they only looked like rich people with hair dye, you didn't see anything special. "Who?" You blinked, just annoyed that your peaceful coffee break had been interrupted. "I swear to God, you uncultured swine. That's 4NEMO, the hottest new K-pop group. I sent you a link to their newest album, you know, the one I've been going crazy over because they had a collab with DCKZ and Lumine from ABYSS?" They facepalm at your obliviousness to the literal celebrities that are in the same place as you. "Sorry, I forgot to check it out yesterday, I was studying." You apologize for not at least trying to see what was so good about these K-pop bands that were your best friend's newest obsession. But you did have a life of your own, you were studying to become a surgeon so you never really had much free time. "Hello, there! I was wondering if you two could share some space? seems that there's nowhere else for us to sit in this place." Out of nowhere, a young man with braided hair that faded from dark brown to teal and emerald eyes that almost made you want to trust him, was at your table, asking if he and his three friends could sit with you all. "Oh my lord, 4NEMO is asking to sit with us! Squee! Please say yes, my dear best friend who has brought us both insane luck, please?" Resistance was futile when your best friend was almost begging you to let them sit with you two, trying to do the best puppy dog eyes they could. "Yeah sure, you all can sit with us, just squeeze in." You relented and moved further into the booth to create space. The one with the braids and a guy with mostly white hair that had part of it dyed red sat on your side of the booth while a blonde with golden eyes and a man with an edgy vibe to him sat with your friend. The before almost empty cafe was now bustling with people and you swore you could feel a couple of people glaring at you. You gave a close-eyed smile and a small sigh, this could've been worse. The six of you ended up getting along quickly, talking the day away. Your friend was malfunctioning most of the time from being in the same room as their idols so you tried to calm them down from the shock but it didn't work. You found that the 4NEMO boys were actually quite sweet and easy to talk to, maybe excluding Xiao who wasn't one for small talk, or any talk. All of you exchanged numbers before you had to leave and even gave your super fan best friend some signatures. Kazuha then handed you both VIP tickets and backstage passes for their next concert saying that you could be his plus twos. But only because all the boys were allowed to give out two free tickets to whomever they chose. You all said goodbye and you made a mental note to check out their music once you got to the comfort of your apartment. But as you left, you just couldn't shake the feeling that something was off with your new friends no matter how many times you tried to brush it off. (On the other side.) Kazuha was the one to first notice you. A serene being in the middle of the cafe, face illuminated by the evening light. On your face was a beautiful smile more genuine than anything he had ever seen. You were the only one whose head didn't turn as they

entered, even ignoring the obvious adoring look on the person beside you's face. He confidentially alerted the other members of his group to your presence. All with some variation of curiosity and something that he could only describe as a breath of fresh air on their faces when they completely took you in. "I don't think they even know about our band." Aether supplied, you had a true expression of complete cluelessness even when he heard your friend explaining who they were just loud enough for him to hear. You were much too enticing and adorable, especially for someone who he just saw. "Why does it matter, we're here for public appearances, coffee and desserts, not some random person," Xiao mumbled, loud enough for the rest of them to hear. He didn't understand what was so special about them, just another attractive stranger. Though, part of him did understand why his group mates felt this way. "Who cares, I'm making a move," The lead singer of the group, Venti announced, making his way over to their table after looking around for anything they could use as an excuse. Ah, of course, because of their appearance, the little cafe was now packed. He brought himself and the others up to your table, acting charismatic in hopes you would let them stay. Though the idol group didn't even need an excuse as your best friend would have convinced you either way. Surprisingly, everyone in the group almost immediately warmed up to you, even Xiao. Kazuha was the one to give you his plus two tickets mainly because everyone else had already invited other people but luckily, Kazuha hadn't used his yet. The 4NEMO boys were a good distance away from the cafe and we're finally able to freely talk. "So, we're sharing them?" Aether asked, getting a nod or a yup from everyone in return. "We should do more research on them. What if they're already dating someone?" The composer of the group, Kazuha supplied. Noticing how the other boys' expressions got just a bit more malicious at that. Xiao looked around, being sure that they were completely isolated. "Then I'll give them a threat or a concussion." Xiao threatened, the other members were mostly in agreement with the statement. Any of them would already do appalling things for their new friend and future lover. "I'm sure as long as we don't scare them away they'll fall head over heels in love with at least one of us. We just need more time with them." Venti assured, not the fondest of using violence to settle his disputes. "Well one thing's for sure, they will learn to love us and will be ours." Aether voiced the idea on everyone's mind as they stepped into their shared studio apartment that could comfortably house about eight people. Leaving them all to individually plan how they would make you theirs.

#yandere #yandere male #yandere boy #yandere blog #male yandere #yandere genshin x reader #yandere genshin impact #yandere kazuha #yandere xiao #yandere venti #yandere aether #Yandere genshin idol au #Chill pill's yandere haven #genshin impact #genshin au #yandere oneshot

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gb-patch · 3 years

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Ask Answers: April 13th, 2021

And we’re back again with more replies so soon, haha. Thank you for the asks!

Your game literally saved me this hell ass year. Thank you so much for the most perfect piece of art I've ever laid eyes on 😫 ... Do you guys have a rough idea when step 3 DLC will be released? I hope I'm not coming off as rude. I just really really love your game.

I’m sorry for the late reply on this! You might’ve already seen the answer by now, but the Step 3 DLC is coming out on the 16th. We’re almost there :D

This may be a silly question but did Jeremy's parents ever find out that Pran had lied about his age and if so, when/how? :3

Pran came clean to them after a couple of years, when he felt secure enough that it wouldn’t ruin the relationship. The Kings were a little embarrassed, the dad more than the mom, but they’re quite good at brushing past those kind of mistakes so it was all water under the bridge pretty fast.

hi! i know you’ve answered a question about alterations in the our life moments by playing them in different orders, but i was wondering if there was a canon order that the moments for each step happen in? i figure with such a customizable game the “canon” timeline for the moments is whatever order the player completes them in, for example in step 1, i like playing the runaway moment pretty early, since cove trying to run away early in summer makes more sense to me personally. thanks!

Yeah, there’s no canon order we’d insist on. Whatever you like can be the official route for you! And that’s a neat way to look at that event.

What if your character isn’t that into physical contact but still wants to be in a relationship with Cove? Would he be offended if you shy away or something along those lines?

He wouldn’t be. Cove knows how hard that can be and is very understanding. If you set his initiative to low, the game always checks to make sure if you want to be touched or not rather than assuming that you do. And if you do choose that you don’t want to, there’s no stress or drama about it. Cove will just say that’s okay!

Hellu! First off, I want to thank you all for such a wonderful game, it's been the best feel-good game I've ever stumbled upon and I can't express enough how much it has meant to me. Second, I've seen lots of people having trouble with making Cove confess before MC which makes me wonder if people will have the same problem in the dlc when you can propose to him. Is it possible to post a guide for that as well when it no longer could count as a spoiler? Again, thanks for such a beautiful game <3

I’m really happy you had such a nice time with it c:. We’ll answer questions about it on tumblr/in the discord if they come up and, if need be, we’ll find somewhere to upload a guide.

Do we get steam key from buying dlc on itch io?

I’m afraid not. That’d be unfair to those who get it on Steam. Plus, Steam isn’t super cool with giving out thousands of keys to be handed out for free on other sites anymore. They can refuse to give us the keys if they feel we’re trying to take advantage of their system.

hi! so if we reject cove's confession in step 3, can we still have MC and cove get together in step 4?

You can confess to him, yeah. But Cove won’t ever try confessing again if the MC turns him down in Step 3.

What if MC acts like someone Cove doesn't like, like Lizzie or Baxter lol

You can’t do what Lizzie or Baxter does to make Cove dislike them. You can play the game and try, but it doesn’t work out. The MC is just too compatible with Cove if you’re fond/crush/love, haha.

Hi! I absolutely love your game, I love the characters they’re all so amazing, thank you for the game haha

I was wondering if you would get the NSFW DLC no matter what Patreon level you were at, or if you would could get it at any level? :)

What pateron tier do we need to get the 18+ content for Our Life? It's my new favourite game, keep up the good work!

It will eventually be available at the $5 tier and anything above that! Glad you both like OL ^^

On a scale from 1 (being the worst) to 10, how well do the XOXO jerk squad including JB handle horror?

JB: 8

Everett: 5

Nate: 4

Shiloh: 10

Bae: 10

Jeremy: 8 for non-gore horror, 2 for gory horror

Pran: 9

hello!! i was wondering if any of the boys from the Jerksquad would ever wear a skirt/dress?

None of them wear skirts/dresses out of personal preference. But if there was some kind of reason where they had to do it, none would be that bothered.

How does the jerk squad feel about Christmas?

Everett: He fucking loves it. That’s the best time of year.

Nate: Commercialized nonsense.

Shiloh: It’s wonderful! So he claims.

Bae: He likes it quite a bit, but only for the joy it brings children/family. He thinks that’s sweet but is too mature to be whipped up into a festive fervor himself.

Jeremy: It’s awful.

Pran: He hates it.

does cove have any pet allergies? yes I know this is a little weirdly specific

He doesn’t! The lucky boy isn’t allergic to any animal.

Very important question: Would Lee and a musical-theatre loving MC run around belting Into The Unknown from Frozen 2? Because I feel that they would

Probably, haha.

This might seem like a dumb question, so I’m sorry, but with the Derek DLC are we gonna get to hang out with him in person instead of just calling him in step 3?

The Derek DLC adds events in Step 2 and Step 4. It’s part of his story that you don’t really get to be around him in Step 3. But you don’t need to apologize for wondering!

hello! i'd like to ask if it's possible to play the android version of the game with the dlcs after buying the dlcs from steam. i wasn't expecting my android version to have my dlcs since i bought them from steam, but it had my step 2 dlc for some reason. is this a glitch or does the apk actually detect what dlcs you already have on your pc? if so, how come i don't have the step 1 dlc appearing on android? thanks!

That is some kind of glitch. It isn’t possible for the Android DLCs to be unlocked by having them on PC. Maybe in one of the old builds we accidentally didn’t lock the Step 2 DLC properly. Sorry for the confusion!

Does Derek and Baxter have canon sexualities? Will Derek still flirts with the MC regardless of their gender?

They’re both pansexual and can like the MC regardless of what gender they have.

I was wondering if Miranda had a crush on Cove in Step 3? I'm not sure why, but I got those vibes from her?

She thinks of him only as a friend. Cove isn’t her type, haha.

This is probably a dumb hope, but I hope Cliff find someone he loves after Cove is grown up and everything. Or at the very least he has someone he's very close with after Cove leaves.

That’s a really sweet thought to have. Cliff stays single, but he’s graysexual and not-particularly romantically inclined. He only dated when he was really young ‘cause that’s what everyone did. Family and friend relationships are more important to him, and he has plenty of that in his life ^^.

Heya! I was curious if there might be a nickname system in N&F? I kind of pull an Elizabeth when I play and choose a different variation of a name like having Rosie in step one and changing it to Rose in step two, then maybe Rosetta in step three for example, but it also feels a little bit odd being scolded using my nickname hehe. That's all I was wondering about, thank you for your time and the wonderful games!

We are hoping to include the option to go by a nickname in Our Life: Now & Forever. But nothing has been programmed yet, so we can’t 100% guarantee it, haha.

Just curious, what would Liz's and Cove's relationship be if MC wasn't around? I feel like they wouldn't get along as well as they do now, especially during the first and second step

They’d definitely have a lot of friction growing up and they’d likely avoid each other as much as possible. Once they were both older, I imagine they’d be decent neighbor acquaintances. But they still wouldn’t be nearly as close as they are with the MC bringing Cove into things.

What do the customizable eyes look like in the game? Do they look as they are in the creating avatar section? Or do they look different when actually playing the game?

That’s up to you! The doll is just meant to be a general idea. You can apply it to your imagined MC as much or as little as you prefer.

Did Cove go through a "phase" during his adolescence? I don't really wanna headcanon it so I wonder if there's anything (cringy) canon since we missed out on the ages of 14-17 hahaha

Not really, aha. 14-17 Cove is pretty recognizable to his 13 and 18 year old self.

Hello! I'm sorry to bother you, especially with all the messages you get. I was just wondering if the religious wedding venue was exclusive to a church or if there will be different religions of weddings? Also, I love this VN so much, it's so well written and every character is so amazing, thank you for making such a beautiful game.

The church is treated as a historic building rather than anything actively religious, but it’s not the only option like that. There’s a historic synagogue and stuff too! And that’s really nice of you to say <3.

How differently would it play out If MC told their moms about the 20$ deal back when it happened?

They wouldn’t have been happy and would’ve been far more skeptical of Cliff, aha. But they wouldn’t want to keep Cove away from the MC, so it wouldn’t have been too different in the long run.

Hello may I ask what Cove's favorite fudge/ice cream flavor would be? Its alright if its not answered

He appreciates them all, but his top favorites would be the fruit flavored ones and the ones with nuts.

Hi! I really wanted to make mc's house in a game and tried really hard to figure out the floor plan, but I wondered if you have the floor plan of the mc's house so that i can try again with more accuracy?

Thank you a lot for this game, i loved it a lot! (my first play took me 8 hours lol)

I’m really sorry, we don’t have anything like that. But at least you can headcanon that what you did is correct and nothing can prove it wrong, haha.

Hello,I recently started playing lake of voices (I put it off for a long while since I’m usually not very good with horror) and I’m really happy I did!I’m a big fan of your games in general and lake of voices was absolutely great as well.I loved the characters and the dark setting of it,I adored the beautiful art and music and the story was great too,sometimes unsettling and sometimes very sweet.My favorite Route in the game was definitely Lu,I liked his character and was really shocked and distraught by his Route at least two times.I didn’t see the plot twist(s) coming at all!

Besides these ramblings I’ve also wanted to ask if you still remember how to get the lower two CGs on page 5?I seem to always miss them and would appreciate any help.Anyways I hope I wasn’t too much of a bother and I wish the devs a great day!:)

Thank you for all the kind words <3. You get those DLCs by going through the end of the Guide’s character path. You can use the guides on Steam to help you find it/reach the end!

—– —– —– —–

Thank you again for all of these questions :D

We released a new FAQ! It answers common questions and we’ll keep adding more to it. Please check there before sending an ask. FAQ Also, if you prefer to just see the main posts without all the asks/reblogs, feel free to follow our side account instead: GB Patch Updates Blog

#our life #xoxo droplets #lake of voices #ask #Our Life Beginnings & Always #ourlifeba #gb patch #gb patch games

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rustic-space-fiddle · 3 years

Note

I just have a quick question? Please don’t take this the wrong way I love you and the art you create!

So your Clone Oc Cradle stole my heart (and Gill too) but I’ve just been noticing that he seems really white? Is it because he’s naturally paler than his brothers or

Hello! Thank you for your question and thank you for putting forward so amicably! I’ve gotten this question before, but not usually this nicely. However, I think it’s time I give at least some attempt at an answer. I hope it satisfies everyone!

Is Cradle naturally paler than his brothers? No! He actually isn’t. At least, I do not intend for him to be. Let me explain...

So below I’ve made a very crude color pick comparison thing using various images of Temura Morrison and the animated clones in as many lighting variations as I could get without spending an hours scouring the internet. It was very difficult for the animated clones because the color tone of the Clone Wars show is often so dark and they wear their helmets when they’re outside almost 100% of the time. I also added a couple pictures of actually white people in contrasting lights. In the middle is my current choice of basic skin tone for Cradle with a lame, quick guess at a shadow color and a highlight color.

You’ll notice that the middle ground colors for Mr. Morrison and the animated clones varies drastically depending on the lighting.

Now, I’ve seen people discount the “lighting changes colors!” argument, but you shouldn’t! It can be extremely difficult to discern colors when atmospheric lighting is almost always in play! In my art, the highlighting techniques I tend to use often make the upper parts of the character darker than the lower, to bring more focus to the character’s head and shoulders, and unfortunately, that often means it washes over a lot of the only part of Cradle that is every exposed.

However, that is not to say that I don’t alter skin tones when I see I’ve got them wrong! I’ve changed Cradle’s skin tone before! Skin is complex, hard to grasp, and even a slight shift will make the difference between the perfect one and something that just... doesn’t look right. One day it’ll look great, and a month later you’ll look back and say “HOW DID I THINK THAT WAS THE RIGHT COLOR?” Heck, I’ve had a terrible time getting the skin tone for drawings of MYSELF right, and you’d think I’d know what color brown I am after living in my own body for almost 20 years! But I digress. Below is a color chart showing Cradle in both the original tone and his newer one, along with the collection of matches I got from the previous visual. See how they vary? But also see how SIMILAR some of them look??? Cradle in his original shade versus him in the Christmas photo look drastically different, but when you put the color’s next to each other, there hardly looks a difference.

But, as I was making the visuals for this post, I realized I didn’t like the tone I had for Cradle! The undertones were much too grey and dingy—I didn’t think it worked anymore. I found I wanted to base it more on Temura Morrison and less on the animated clones, so I added some more red/orange undertones and brought the shade down just a teeny weeny bit so it didn’t look too saturated, and:

Ta-da! New Cradle skin! But to just finally illustrate my point, I’ve showcased the three Cradle shades (rip the first two) at the bottom. So very similar, but so very different. It genuinely is difficult to get it right. What looks right to one person does not look right to another. The slightest adjustment makes all the difference, but it doesn’t always come on the first try. Trial and error, and now Cradle looks much more like his brothers, doesn’t he? Maybe I’ll change his skin tone again someday! Who knows!

I really hope this makes sense! I also hope that it doesn’t come off like excuses—art is very important to me and one of my biggest goals right now is to get better at color recognition and color theory! I’m just trying my best! :) Thanks again for the kindness anon! Have a good day!

#please don’t roast me #I’m genuinely trying #and as kind as this anon was #(bless you anon 💕)#I am so tired of this question #I’m just trying to draw my guy #I know that people are brown #I am brown #I’m not stupid and I’m not racist I’m just trying #kind anon #touchy subject #clones #art

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phantomnostalgist · 3 years

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An Interview with Peter Karrie

From “POTO: The Phantom of the Opera Magazine”, Millennium Edition (2000), published by Carrie Hernandez. (This btw is the greatest Phantom fan publication ever made, and if you ever see it on eBay you should snap it up. I don’t even have my copy because it’s with Paul, who conducted this interview with Peter in 1994.)

Enormous thanks to @panto-of-the-opera for typing this interview up for me!

Peter Karrie, interviewed by Paul Day Clemens:

Since falling under the spell of “POTO” (the day the Original London Cast album (OLC) became available in the U.S.) I’ve seen many fine – and a few brilliant – Eriks but only two performers have ever made me feel I was in the actual presence of the Phantom himself. One was Michael Crawford – yes, he really was that special (and you can forget the OLC which is but the palest shadow of what he was like on stage!) – and the other is Peter Karrie.

Commanding, dangerous, elegant, chivalrous and heart rending with an unparalleled physicality and wealth of detail, Peter not only made the role his own, completely, but by some rare and strange alchemy, somehow managed to make me forget I was watching a performance at all.

Thrilled, hypnotized and deeply moved, it was not until visiting with Peter after the show that the full impact of his transformation hit me. How could this warm, funny, soft-spoken, down-to-earth guy possibly be the same man I was watching on stage not an hour before hand?

Therein lies the difference between craft – albeit of a rare excellence – and true inspiration. Dare I even say greatness?

Yeah, I dare. For Mr. Karrie’s Phantom is simply one of the greatest portrayals by an actor in the musical theatre that I’ve ever had the privilege of experiencing.

I had the great pleasure of interviewing Peter at length in December 1994 in Toronto as he was getting ready for the Far East tour of “POTO” and what follows here are never before published excerpts from the interview. – Paul Clemens

Paul Clemens: Do you find that the role of the Phantom makes enormous demands on your voice, in terms of the wear and tear of doing at night after night? If you had a sore throat, for instance, would you be able to get through the show?

Peter Karrie: Yeah. You learn I guess. All professional singers in theatre have to cope with colds and sore throats. Otherwise you’ll be forever off ‘cause it’s a breeding ground of germs. And you develop your voice for stamina over a period of time where you’re doing eight shows a week. You have to. You have to survive it.... So, basically, yeah.

You take the angel [scene] for instance where [the Phantom is] absolutely broken. I’ve had very, very bad laryngitis and I’ve sung that and it sounded great! Simply because you’re breaking down in your voice is all kinds of scuffed up and cracky, you can enact it. But the show takes horrendous wear and tear on the body. It really does. You end up playing mind games with the role.

PC: That’s interesting. How so?

PK: Well, it’s such a powerfully written piece for the actual Phantom. You have to portray a person who’s schizoid, psychotic... and it all sounds very grand and technical. But the actual emotion of it can cut only come from the inside. And so you continue fighting with it.

[Note from Christine posting this in 2021 - Erik isn’t actually schizoid or psychotic (not that either are “bad” things). I know this is pedantic of me to point out, but I pointed it out at the end of Ethan Freeman’s interview from the mid 90s so I’ll point it out here too.]

PC: I imagine you found a core within the character of identification, something you had an understanding of and could feel a great deal of sympathy toward.

PK: Yes. You have to put yourself through the gambit of it. You have to be the Phantom emotionally for that time, and then it comes out quite naturally. You don’t have to think about it.

PC: Do you find, after all the times you played the role – first in London and now in Toronto – that the emotions are still immediate for you?

PK: Oh, yeah. But as I say, there’s wear and tear. When the mind gets tired then you find you get into problems.

PC: How do you keep the role fresh?

PK: There are all types of hand holds all the way along, from the time you start ‘til the time you finish. I guess the majority of it is set in the rehearsal room where you rehearse at a certain level into a certain standard, and it becomes automatic. But each show will always be different because you have a different audience, different weather conditions, you have different musicians playing in the pit, you have different people you’re playing opposite. So you will always get a variation on the theme. And so that, coupled up with what you’ve put together in rehearsal so you get a fairly high standard of performance every night, merges together. And so you do get a different show every night. But, as I say, it’s a very wearing role. More so than Jean Valjean, where you’re virtually on stage for three and a half hours. But I find the Phantom far more draining.

PC: I can imagine. Whenever you’re on stage you’re at peak intensity and you run the emotional gamut. So that, combined with the vocal demands, must make for one walloping experience.

PK: Exactly.... That, coupled with the exposure. You’re so exposed on stage. Whenever the Phantom does appear, it’s either him on his own, or it’s him with Christine, and something powerful and moving is happening. He doesn’t appear with the chorus – barring the “Masquerade.”

PC: For that reason, a number of the actors who have played the role have complained about a sense of loneliness and isolation. I wondered if you felt that way about it?

PK: No, I haven’t felt that. But I’ve always mingled with the rest of the cast and crew. I can’t abide all this keeping the door shut. So we open the door and play rock and roll music.

PC: Do you ever feel hampered by all the makeup involved?

PK: You get used to it. Totally. In fact, there are times when you forgotten you’ve got the mask on in the wig lady has to ask you for it. And you think ‘What? I’ve already given it to you!’

PC: That’s right – you wouldn’t be able to feel it, would you? Because it’s actually touching the appliances rather than your face.

PK: You feel it slightly. You know, if you first put it on you’d know it’s there. But after a while... But the wire band ‘round the head lets you know it’s there! And the edge of it catches you sometimes. But no – it becomes part of you. And as for the lip which is built up top and bottom ‘round your mouth, you get used to that as well.

PC: Has it ever come loose during a performance?

PK: Oh, God yeah! We’ve had some great moments where it’s been hanging off. That’s a bit gross. And the bald cap’s come loose in the back, so you do the Second Lair with one hand ‘rounds the back of your head holding your bald cap in place? [laughs] Yeah, you’ve got some good moments.

PC: How did you find the voice which is so distinctive?

PK: Well, that, once again came from the feeling inside. It was like once you had all that stuff on, and I discovered the walk, and kind of latched onto his intention, the voice just followed.

PC: Your interpretation of the line “You try my patience“ is unforgettable. So chilling. I was wondering how that evolved.

PK: Well, I felt that was the climax of the man. That, literally, for me, is where he turns ‘round and he’s at the actual peak of his hate, his frustration. I knew I had to find something which made that moment special. It was set to be special by the music and the way it was directed. That was the key to the man.

PC: It’s as if your voice came from some deep well – as if it bubbled up from some deep, dark place.

PK: That’s right! That’s exactly how I felt it. And then when Christine kisses him it’s like he can’t believe it. “I’ve won!” That euphoric feeling... “She can suffer this face! I think I’ve got her! I think, yes, she does love me!” And then, as he reaches out to touch her... a moment.... He’s taken in the scene of Raoul hanging as he went back to her... and then, all of a sudden, it struck a chord.... “Hang on....” And then the realization hits him: “She’s just doing it for him. She’s literally giving me her self to save him. She loves him... She can never love me the same as she loves him.” And it’s all a kind of mental game there. And you’ve only got split seconds to get the audience in on it, so he has to be kind of demonstrative in his actions.

PC: After the kiss, there was a moment where you sort of winced, pulling away from her twice like a wounded animal, your right arm almost becoming spastic... there were so many levels, all going simultaneously.

PK: He’s coming to terms. All these thoughts are rushing through his head and he’s off balance. Everything has shaken him and he’s lost his façade of “everything-under-control.”

PC: And the body is breaking down.

PK: That’s right. He’s been stripped of everything just by having to face himself – and face the truth. That one clear moment where he realizes this is wrong – this is all wrong – this is not how it should be.

PC: And when the phantom cries “GO NOW AND LEAVE ME!” – you built each word into a series of escalating crescendos which was tremendously effective, I thought. Very powerful.

PK: It’s all the process of him actually coming to terms with himself. It’s as you say – one after another, one after the other – then finally she’s gone and he’s left.... This is after she’s given him the ring and she’s gone... And he looks... and he sees the empty throne. And he knows that’s all his life is.

PC: That’s very moving. Do you ever find that the final words – “It’s over now the Music of the Night” – are difficult to get out with all the emotion you’re experiencing?

PK: I did at the beginning, yeah. Sometimes I used to get caught up in it, which is a dreadfully dangerous thing, ‘cause then everything tightens up and you get the proverbial lump in your throat.

PC: It’s sort of walking a bit of a tight rope, isn’t it?

PK: Yeah! [laughs] That’s right. And then there’s a moment where I can get space to subdue all that and concentrate on doing the last bit. That’s where he’s got the veil in his hand and she’s in the boat comin’ across the back singing with Raoul and I say “Christine I love you” very, very quietly, and very broken, and then I can take some breaths which calm it all down and get myself kind of poised for the last bit. ‘Cause that’s gotta be kind of the statement: “You alone can make my song take flight.” That is the statement of release. It’s like a rhetorical statement – you will always be the music of my life. And therefore I can’t change it.” It’s that feeling he’s got in his body. He bends over backwards. And then the final moment is where he turns around and wipes it clean. And he does it in a far stronger attitude than anything else he does... “It’s over now the Music of the Night.”

PC: I’ve read that you feel he’s starting a new life at that point.

PK: Yes! Yes... When I’m walking to the chair, I let the veil just drop behind, and I think to myself “It’s over. Now what else is there? There must be something else... It’s over.” And you do it with such a final flourish – the cape and everything – you’re back in control of yourself. You’ve had the osmosis. You’ve come out of the one period of your life which actually threatened to ruin you, and you’re now standing on the threshold of another one.

PC: Oh yes. It’s wonderful to hear what’s going through your mind as you’re doing the scene. And the impact of that final scene is tremendous. Do you have a favourite scene in the show?

PK: That would be it. ‘Cause it’s only six minutes long, that Second Lair. And in that six minutes you literally travel from one end of the emotional spectrum to the other. It’s a whole journey.

MORE BELOW... Keep reading, it’s a long interview, with plenty more thoughts and content about Phantom, including some really funny classic mishaps.

PC: The show obviously touches a universal cord in many of its audience members, sometimes to the extent that a bracket (sizable) number of people see the show again and again. Men and women openly moved to tears by the play are common sight in Phantom’s audiences. And yet, paradoxically, a substantial number of critics have charged the show with having no heart.

PK: I think they’re being very unkind. There are some Phantoms – just as there are leading men and women in any show – who do not commit themselves quite as much as they should do.

PC: I’ve seen that it does make a difference in the overall impact of the show.

PK: It makes a big difference, yeah. ‘Cause eight times a week to commit yourself to it to it as it should be done is hard work. But once you get used to it and once you get into it you can’t do it any other way. At least I can’t. They said to me many times, like when you’re feeling rough or whatever, “Can you mark it a little bit? You know just take it easy. You don’t have to give one hundred percent.” But you see, it’s not a question of giving that. That’s just the way I do it. If I start altering that, I am altering a lot more than just singing a lift show. You’re altering a thought process which I can’t control. I wish I could mark it. It would be a lot bloody easier! But you can’t. You have to do it as you do it when you do it, and that’s it.

PC: I believe you hold the record for the most injuries sustained by any actor playing the role.

PK: Touch wood it’s never been completely death-defying! [laughs]

PC: Is it true that you asked if you could actually ride the chandelier down to the stage at the end of Act One?

PK: Yes. But I’m afraid the insurance people did not exactly share my enthusiasm for the idea.

PC: The stories about technical mishaps are legion. Can you relate some of the more memorable moments along those lines that you can recall?

PK: Well... there’s been so many of them now. There’re many, many boat stories. And the same thing happen to Colm, has happened to Michael, has happened to ‘em all. The boat has a life of its own. The monkey also has a life of its own. That can be very temperamental... I’ve had some excitement in the Angel, where people have tripped over wires and tipped it up while you’re inside it, and you’re hangin’ on for grim death... I fallen off the proscenium, yeah...

PC: [laughs] you say that so cavalierly.

PK: [laughing] Cracked a couple of legs and so forth. And the Star-Trap, the same thing. I’ve fallen down that the wrong way... In London one day, the Star-Trap didn’t open at all. So you did the “Your chains are still mine – you will sing for me,” and threw the cape – I always threw the Cape up to make a trail as you go down the Star-Trap. So the trail came down and I hadn’t gone anywhere. In the cloak – they had a bigger cloak for the Masquerade then – and it just piles on top of me. And I couldn’t get it off because you’ve got the mask on. So it ended up with the two managers having to lead me off! [laughing] I mean, here you’ve got this dreadful creature saying [puts on a creepy voice] “Your chains are still mine – you will sing for me!” And then, all of a sudden, the managers are saying [whispers] “Come on! This way, this way!”

PC: [laughs] In one of the U.S. Touring Company performances, the Punjab lasso failed to work, and so Raoul just fell to the floor and lay there writhing as if he were in the grip of some supernatural force.

PK: [laughs] many times things go wrong with a bloody lasso! One time I was over here in Toronto, Byron Nease [Raoul] all of a sudden acted like an invisible hand had gripped him ‘round the throat – the noose was nowhere, it was on the floor many miles away from him – but he’s going [Karrie makes some strangling sounds] and it was as though he was being thrown—forced backwards! And he got to the grill and his hands came outstretched and he was like held there by and invisible force...

PC: Yes – the “magnetic grill!“

PK: Yeah! And I just looked at him and I started laughing. it was like a three act play to get him to the back of this grill...! But I think the funniest thing is words. The things people say. Quite innovative and inventive. I remember when I was in the wings doing the “seal my fate tonight...” and sometimes your mind wanders. It’s that mind-game I mentioned about concentration. You have to keep focused all the time – blah blah blah. And so I’m saying “seal my fate tonight... I hate to have to cut the prisoner short...” Prisoner short? Prisoner short? And I thought, no, that can’t be right. And I’m thinking that while I continue singing... And the words have gone ‘cause I’m singing “but the ducks warring in...” And I said “ducks warring in??? – By now I’ve turned away from the monitor ‘cause I’m singing on an off-stage mike – and I’m lookin’ at my dressers. And I’m waving to them as if to say “Tell me the words! What are the words??” And now I’m singing “Let my destiny ride, ‘cause my music’s afire!” And I sang it as though I’d been singing those words all my life! Loud... And of course I’m falling around. And the conductor – I can see on the monitor – he’s laughing and waving! The baton had gone to hell!!

PC: [laughing] That’s marvelous!

PK: But what was the funniest thing what the poor people on stage! ‘Cause you had the managers and everybody else all walking ‘round in this trance – like, floaty, floaty choreography. And all of a sudden, as soon as I got to “ducks warring in” – by all accounts – they as if on cue, turned up stage; all of their backs to the audience! And they all walked to the back of the stage! And they’re all laughing and laughing, ‘cause it got it worse and worse. The more I was singin’ the wrong words the more they were laughing! ...And when I came on for my bows that night, all the course we’re going “Quack, quack!” ...So the next night I got changed I did my sound-check, and all of a sudden there’s a call over the tannoy for a meeting in the greenroom. And I went there, and I thought, well, somebody must be coming down to see us. And all of a sudden, over the gentle hubbub in the greenroom, I could hear on the tannoy my voice doing this “cut the prisoner short, but the ducks warring in...” and everybody started laughing. And then all of a sudden, the company manager showed up and presented me with a cassette – they record every show, you see – and the company had the words printed up and framed, and they presented it to me with the cassette. And that’s how I know the words so well!

PC: I’d love to hear that sometime!

PK: I learned from a very early age that if you’re gonna sing the wrong words, sing them as loud and convincingly as possible. And everyone in the building will think you’re right and everybody else is wrong.

PC: Of course. Because that if they haven’t seen the show before, they’re not going to know.

PK: That’s right. It’s so true, because I had people in that night for that magic moment, and they didn’t know anything was wrong at all.

PC: [laughs] Be honest with me – are you tired of the music after all this time? For example if you’re in an elevator and you hear a song from Phantom do you just want to scream?

PK: No. I get out of the elevator. You do try to escape from it after doing eight shows a week... A number of times we’ll go into a restaurant ,] my wife Jane and myself, and we’ll sit there. And all of a sudden you’ll hear the music come on – Phantom. And you think, oh God! You don’t want to be reminded of it when you’re out enjoying yourself. But I’m not tired of the music when I’m performing it.

PC: You’re about to take Phantom to Singapore and Hong Kong. I understand that their audiences tend to be rather formal. I believe it is considered disrespectful to make too big a display of appreciation. That will be quite a change for you. How do you think you’re going to handle it?

PK: I did a satellite link up the other day with about forty reporters from the Far East, and the same questions came up then – “How are you going to cope with the way Singaporean and Hong Kong audiences show their appreciation?” And I told him as long as they enjoy the show, I don’t care... It’s quite funny actually, because when I started off working in Britain, I used to do clubs in the Northeast which is the hardest area prefer performer to work in. [laughs] The miners – it’s a big mining area – and they didn’t used to applaud. They threw ashtrays onto the stage.

PC: [laughing] Ashtrays?!

PK: That’s right. You do a Sunday lunchtime and they’d all be sitting reading the Sunday newspapers. You walk onto the stage and there’d just be a sea of newspapers. And at the end of the number, if they liked you they drop one hand onto the table, pick up the ashtray and throw it onto the stage as a mark of respect. Or are they’d just bang the table with one hand two or three times. But still, never, never, did they come out from behind the newspaper. Not unless the performer was of the female variety.

PC: [laughs] Your rock band – Peter and the Wolves – how long did that last?

PK: About four years, I think.

PC: Are there any records available?

PK: I doubt it. What records were made have probably long since been turned into ashtrays!

PC: To be thrown on stage by miners, no doubt! ...Well ,a final question: in Phantom, when you’re up in the Angel, do you ever feel a mad desire to plunge headfirst into the audience?

PK: No. Quite the opposite.

PC: Not a serious question, but I appreciate the answer nonetheless.

PK: The desire to jump off is never further from my mind.

PC: Sometimes I wonder the way you move around up there!

PK: [laughs] It does get a bit hairy up there sometimes! But it depends on which way it swings. If it swings left to right, you’re okay, but if it swings front to back then ya’ got trouble!

PC: This has been a delightful interview, Peter. Thank you.

PK: My pleasure.

- Paul Clemens

#peter karrie #poto #phantom of the opera #the phantom of the opera #classic phantoms #phantom legends #musicals #musical theater fandom #musical theatre

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violetren · 3 years

Text

My first theory for volume 9 while the second half of volume 8 is fresh in my mind!

Volume 9 is gonna be the therapy season, but in the most traumatic you'll need different therapy afterwards kind of way. Instead of paying a therapist they're all just be bargaining with the universe like "yo I've had this trauma for a while, and I'm feeling pretty done with it. Here you take it back and uhhh I'll take a new guilt complex. Maybe a fear of falling? IDK, fuck me up bro."

The foreshadow-y Alice in Wonderland-esque fairy tale Oscar told to himself/Oz while in captivity is my guide post here.

Aaaand this is gonna get long so! 10 ideas of shit that's gonna go down next volume beneath the readmore, each one about 1-2 paragraphs each.

In the fairy tale the girl runs away from her problems into a new land, but because she never learned from her problems they just followed after her. Yeah? So first--second? First discounting the volume therapy theme theory.

FIRST BIG THEORY: The girl from the fairy tale was real, and she used the Spear of Creation. And like Weiss and the crew, she was fucking smart about her wording. She offered up materials that'd last even after someone else inevitably used the staff. IDK what materials she woulda used. Maybe there's a story about a missing continent we just haven't heard of yet? Maybe the Brother of Light's pool, since Salem seens to have claimed the Brother of Darkness's one but no sign of BoL's these days. Maybe there is a reason the land beyond Menagerie is so uninhabitable beyond desert + grimm? idk. Point is, it's a thing that happened, and since Ambrosius can't destroy/directly kill she's still in her wonderland. For themes sake I'm gonna call her Alice from here on out.

So Alice made a pocket dimension to flee from her problems from.

SECOND BIG THEORY: Her problems were relic related. She needed to hide em, and hide herself from Salem. Tbh I'm not sure how into this one I am. Maybe she had other shit going and some version of Oz was like "hey you don't want to be here, I have some property that I don't want to be here, lets make this happen!" THE POINT IS, the little pocket realities the relics are in, are aalllllll places in her pocket reality. When the team said "hey Ambrosius just make the middle ground into one of these type places" that's what he did, cause that's how he do. What better way to make sure it works like those places than to be kinda connected to em?

THIRD BIG THEORY: Ambrosius was buds with Alice once upon a time, but knew staying in her pocket world ultimately drove her crazy. He knew his middle ground worked like the pocket dimensions because it touched em or something, so he gave a vague ass warning not to fall, because he knew where they'd fall to.

Back to the fairy tale. It's implied Alice was never able to leave/give up her wonderland because she never learned from her mistakes.

FOURTH BIG THEORY VERSION 1: RWBY + Jaune can't figure their way back to reality until they adress a major personal issue and break out of whatever cycle it's got them in. This one I feel is shaky because they all have such different issues and are in very different places with each of them, trying to do one big arc on em would be too much of a mess. Plus it doesn't account for saving any of the many civilians that may have survived the fall.

FOURTH BIG THEORY VERSION 2: nobody can leave until Alice either leaves, dies, OR is convinced to let them go. As we're following good kind people this means we watch the kids try to give someone else therapy that THEY need. RWBY+J work through their shit through variations & combinations of witnessing mirrors of their struggles in Alice/other wonderland inhabitants, and just having time and space to slow down and breathe whether they want it or not.

FIFTH BIG THEORY: Alice is the "antagonist" of the underworld because she is the obstacle to overcome.

What about Neo you may be asking. Well I want her to let go of the revenge schtick, or at least redirect it back onto Cinder thus calling a truce with Ruby. However it's more than likely she's gonna be on team keep Alice as an obstacle at least as long as it takes to kill Ruby, and so Neo will be the "real" Antagonist™ within wonderland.

SIXTH BIG THEORY: Neo because of her unwavering determination to enact revenge is gonna die this volume. She'll be the comparison against which RWBY+J will be measured. As they grow and get closer to leaving she'll become more wrapped up with whatever strange classic wonderland logic this pocket universe has. Potentially depending on how things go with helping Alice, Neo may just end up trading spots with her, and end up trapped while everyone else goes back. But dead or trapped, I have a sad feeling this could be our last volume with Neo. My only hope of her surviving at this point is that she like Emerald switches sides, and in doing so joins Winter as a Cinder foil. While Neo grows and lets go of revenge and thus survives, Cinder stays dedicated to her own desires for revenge and other self serving instincts ringing her own death toll for either the end of the volume, or maybe somewhere in vol.10.

SEVENTH BIG THEORY: Ruby is gonna be grieving and maybe even getting full on angry about being expected to fix everything just because she's the optimistic one. She shouldn't have to deal with this brand and advanced level of childhood stealing just because she wanted to do what was right and won(lost) a genetic lottery for magic powers type anger. Jaune is going to have SO MUCH GUILT to work through, mostly the survivors kind. The bees will be experiencing couples therapy, they've both been pretty solid about individual growth leading up to this, Underworld will be them learning what it means to them to be partners now that they are so different to who they were. Weiss is different. Weiss is at first gonna feel like she's there just because it was a way to really shove all the other Schnee's into their therapy arcs and gave RBY+J neutral presence to rely on. Weiss is gonna go in the most stable of the bunch. But then, slow boil style, she'll start to realise how fucked up basically her whole life has been, especially upon realising that her "good years" with her new family have been spent getting sucked into being the last line of defense against the apocalypse, but will be too busy helping the others, so at the end of the volume when everyone else is actually doing pretty good and refreshed for the fight against Salem she'll only just be beginning her breakdown.

EIGHTH BIG THEORY: All this therapy shit is gonna be mirrored back on Remnant by the others grieving the percieved loss of the hearts of the team. Both sides of these story are gonna deal with some heavy shit, but the Remnant side is gonna be the depressed side, at least as long as it takes for Oz to tell them maybe the other's aren't dead leading to desperate attempts to get the staff OR the make desperate attempts to get the relics back anyways and inadvertently find out from Ambrosius what is up. But anyways. Winter is gonna be dealing with survivors guilt and the loss of both her little sisters (friends are great but Penny was little sister zoned and it's a hill I am prepared to die on. good sisterly relationships are friendships too). Nora is gonna be doing her self discovery thing. Ren is gonna be building on his end of vol.8 developments. Oscar will continue his grappling with the merge stuff. Qrow and Willow might get forced into AA. Whitely is gonna learn his own definition of being a Schnee instead of what his dad taught him.

NINTH BIG THEORY (OR FOURTH VERSION 3): The other way they get out is QORN obtain and use the staff to bring them home, potentially by trading enemy lives for them.

BONUS CONSPIRACY THEORY: QORN if presented with needing to trade for their loved ones & lost civilians have a lightbulb moment and decide hey why not trap Salem in a pocket universe since that is a thing Ambrosius can make? Like, if this bitch hasn't budged on her not learning to appreaciate life and humanity or whatever (which I'n pretty sure is the other way to break her curse instead of stopping remnant from turning) then she's a prime candidate for shoving into a personal reality that you can only escape if you can face your problems long enough to break the cycle they have you in. It'd be really fucked up but I think it might actually be possible to run the place using her as her own material component. Like kill her over and over and redistribute the energy to make the pocket world, but because god given power + Ambrosius can't actually destroy she just reforms anyways. MIght take a few hundred thousand deaths but ¯\_(ツ)_/¯. Or use the BoD oasis/grimm pools to make a world that mirrored the one she chose to live in on Remnant really make it hard for her to break that cycle....

Anyways.

TENTH BIG THEORY: Working on the idea that the relics are actually hidden in secret protected pockets of the underworld RWBY+J are gonna have a secondary quest of trying to get the relics from this side, and either finding a new place to hide them ages away from their vault doors. If you wanna make it a FOURTH VERSION 4, they're specifically gonna seek out the sword of destruction (HOLY VORPAL BLADE ALLUSIONS BATMAN) either with the intent of cutting their way out underworld--ahem wonderland--or with the assumption that someone is inevitably gonna have to open the vault door, because that's just how things be these days and they'll be able to cross to Vacuo from there.

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mxgilray · 3 years

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I... have some thoughts on the Loki finale. It was not what I was expecting, but I'm still hopeful for season 2.

This felt like a meh finale, like how a lot of season finales felt in Spring 2020 when they unexpectedly quit filming and had to cut things short by a couple episodes thanks to the pandemic. Only this was the planned out finale, they should've given a bit more oomph. I'm quite a fan of exposition and character development usually, but all the dialog was centered on He Who Remains, so it felt like our main characters were just side pieces.

Plus, the final "cliffhanger" of Mobius not knowing Loki and the statue of HWR replacing the Time Keeper statues felt quite lackluster. Not sure how they could've made it hit harder, but it didn't deliver the "oh shit" vibes they intended, but maybe that's cuz Mobius not remembering Loki has been an expected plot line on tumblr for half the season so it wasn't a blindside.

I get the point of the Sylki kiss. From what I've seen on tumblr so far I feel like the nuance of Sylvies actions was lost to most people (both Sylki fans and antis just Didn't Get It). It wasn't a big declaration of love like the fans are grasping onto it as, and it wasn't shoving selfcest into the canon to keep the heternormativity like antis are accusing it of being; it was Sylvie using Loki's attachment to her to trick him. She needed Loki out of her way, and she knew the only way to get past him and get He Who Remains' tempad was through emotional distraction. She used his love against him and betrayed him, a kiss was simply the most efficient way to do it. I did a whole post last week about Sylvie's feelings towards Loki, but to sum up I firmly believe that while Loki harbors some romantic feelings for Sylvie, she feels strictly platonic towards him, but is very aware of his attraction. She took advantage of his care for her to get the upper hand during their fight. Heck she even foreshadowed it herself in ep 5. "There are more important things than friends" "like taking down the TVA" she told Loki that taking down whoever is behind the TVA comes before everything; it's priority #1 in her book, above friendship or love or trust. Loki proved that his priority now is the greater good of the universe not her revenge, so Sylvie has no use for him anymore (partners only when it's convenient, because she is a Loki and that's how emotionally stunted Lokis behave).

I would like to point out the irony of her being worried about Loki betraying her, only to turn around and betray him. It's in the realm of "people who cheat assuming their partner is cheating" / "not using a turn signal when changing planes to avoid being cut off because when you see someone else use their signal you tend to cut them off", it's assuming other people will behave like you do. Sylvie feared in ep 5 that Loki would betray her in the end because she knew if it came down to it she'd betray him. But the thing is, he's actually grown past that. Loki is finally thinking about how his actions can damage others, not just his own wants and needs. Sylvie saw this moral change in Loki, realized there was no chance of getting him back on the blind revenge boat, and decided to exploit his newfound selflessness and emotional attachment to get him out of her path.

This whole season Loki has been maturing emotionally and growing into the best, most heroic version of himself. Sylvie, on the other hand, still has that deceptive, selfish, can't trust anyone persona that every Loki develops to combat insecurity. She hasn't had the emotional growth needed to see the bigger picture, she's still trapped in her own self centered mindset. As such, she disregards the impact her betrayal will have on Loki, the impact killing HWR will have on the universe. She doesn't even take a beat to consider whether revenge is still the right path cuz she doesn't practice self reflection yet; revenge has always been the goal and she refuses to give herself a chance of changing her mind. I hope in season 2 she'll get some character growth, now that her 1 goal has been accomplished.

Now on to Mobius. I enjoyed his scenes, I wish we'd been shown more of what he did to reveal the truth to the rest of the TVA. Again, I feel like too much time was given to HWR's monologing and not enough was spent on the other characters so Mobius and B-15 got very little screen time to display their plan. I am happy Mobius got the opportunity to throw Ranslayers betrayal back in her face, and his attemp at attacking her...my boy you work a desk job you ain't no fighter, she used to work in the field collecting variants, you had no chance. Also, where the F did she go??? I kept expecting her to show up at the end of time but she didn't. Where did Miss Minutes send her??

I'm sad Mobius doesn't know Loki anymore, but I can't say I'm surprised. I've got a few different thoughts on what the heck is going on with him and the TVA:

Sylvie accidentally sent Loki way back to a time early on in the TVA before HWR created the Time Keepers for anonymity. As such, this is a past Mobius who has yet to meet Loki or even learn of Loki's existence. If this is the case, then I think Loki and Past!Mobius's interaction at the end of ep 6 will be the catalyst for him becoming a Loki expert. The 63 branching timelines Mobius and B-15 are discussing before Loki interrupts are from some currently unknown disaster that'll be a plot line in s2. (This is my least favorite theory, but nevertheless a possibility)

HWR was correct when he said that if Sylvie kills him and destroys the TVA then another variant of him will just start it all up again. This variant didn't care to remain anonymous, hence the big statue of him, but kept all the memory wiped variants working there. Because time is a chaotic bitch, the changeover from one HWR variant to another may have been near seamless at the TVA and just involved a quick memory wipe of anything relating to the Time Keepers, Loki and Sylvie, or knowledge that the TVA are all variants. The 63 branches may be thanks to something Renslayer is doing like killing all the HWR variants in existence in order to negate the need for the TVA. The branching could also be from Sylvie's revenge still, we have no idea how much time has passed between her killing HWR and a new HWR taking over so the branching she caused could still be an issue.

There have actually been multiple TVAs running simultaneously, each in their own multiverse. Each one employs memory wiped variants, each one is in charge of a certain subset of timelines, and all work under the one HWR. Sylvie used HWR's tempad to eject Loki back to the TVA, but she accidentally sent him to the TVA of a different multiverse not realizing that's a Thing. The 63 branching timelines Mobius and B-15 are discussing are indeed from Sylvie killing HWR, but there's only 63 as opposed to the countless we saw diverging from Sylvie's perspective because this TVA only sees branches on timelines within their own multiverse. Mobius doesn't know Loki because he isn't our Mobius and in the multiverse he works in maybe Loki's aren't as much of an issue because none of them ever escaped the TVA like Sylvie did (or none of them have Tom's face so he doesn't recognize him as a Loki). If this is the case, then Loki is gonna have to find his way back to his own multiverse in order to be reunited with his Mobius, and that could end up happening thanks to Renslayer. Miss Minutes gave her a file that I suspect only HWR should have access to. Maybe it was tempad coordinates for other multiverses? It took til the 31st century for the multiverses to be connected despite Tony figuring out time travel in the 21st century because travel between universes is much harder, maybe HWR is still the only one who knows how to do that. (If this theory is correct then all the time travel done during Endgame was through timelines within one multiverse) Also just thought of this but what if the reason there are so many extreme variations of loki that grew to adulthood is because the criteria of "sacred timeline" is different in each multiverse. Classic Loki and maybe President Loki and Kid Loki are from the same universe as MCU Loki, but red haired Loki, Croki, Boastful Loki, etc are all from other universes. Think about it, Classic Loki, 2012 Loki, and MCU Loki all have an exact identical path up until their nexus event (or death in MCU Loki's case). I think other than identifying as female, Sylvie's childhood was identical as well and that her nexus event was coming to terms with her adoption as a child, which erased the catalyst of 2011 Thor's plot and would've changed everything for her future path. Had her adoption remained a secret and she grew up on asgard, I believe her story would mirror MCU Loki's. It mildly hit me weird that there would be such wild variation amongst Lokis, even with him being a shapeshifter, because there's a rigid sacred timeline (that supposedly the MCU movies have all adhered to) and they all felt like too big of a divergence to have been left unchecked so long. If boastful Loki was telling the truth about getting all 6 infinity stones then he should've triggered a nexus event as soon as he got more than the 3 he is "supposed to" interact with, unless in his multiverse the sacred timeline criteria is different. Another theory: the agents employed in each TVA are from multiverses other than the one they're working in. It would make sense, keep them from running into their own past by fully detaching each agent from their home timeline/universe. So the Principal!Renslayer that B-15 found will never in any future become the TVA judge we know. The one we know maybe came from the universe Loki got sent to, and that's how the two of them will end up crossing paths again.

#loki series #loki spoilers #loki #lokius #sylki #sylvie laufeydottir #mobius m mobius #tva loki #time variance authority #loki meta #mcu #marvel

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palimpsessed · 3 years

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Writerly Ephemera

I was tagged by @amywaterwings @mostlymaudlin @tea-brigade @effing-numpties @captain-aralias @bloodiedpixie . This is so cool, so thanks for sharing yours! ❤️

Per Amy: We add little bits of ourselves to our writing, scattering memories and places and phrases and things into our stories. The game is to find five examples of this, of YOU, in your writing and show everyone.

I don’t really feel like I put much of my own experiences into my fic, probably because I don’t feel like I have a lot of experiences to pull from. (That’s not me being self-deprecating; that’s me never going anywhere or doing anything.) So, let’s see what we come up with!

Going to tag here. I feel like I’ve gotten to this late so I’m not sure who has been tagged. Anyway. No pressure, loves. Just saying hi. 🥰 @theflyingpeach @bazzybelle @otherworldsivelivedin @unseelieseelie @wetheformidables @caitybug @nightimedreamersworld @foolofabookwyrm @stillmadaboutpetra

1. I have put the most of myself into A Man of Letters. I have my degree in English Lit and when I was in college, I was at the height of my Jane Austen obsession. So I sort of built my degree around the development of the English novel. My senior thesis was on a book called Evelina by Frances Burney, who was one of Austen’s greatest literary influences. Evelina is an epistolary novel—told entirely in letters. I love the epistolary form, for the same reason I love dialogue and texting fics. It’s such a fun narrative technique and can reveal so much about individual characters. It’s actually a bit like the way Rainbow Rowell uses multi POV in her books. Anyway, my love of the epistle was on full display in this fic, which is ofc told in letters. —Do I share a passage? That’s like...the whole fic 😅 So, idk. Here’s Simon being a disaster as he meditates on letter writing:

Dear Penny,

As I start this letter, I already know I'm not going to post it. I know I won't be able to bring myself to do it, because of what I have to say to you. I do feel bad. It's not that I don't want to tell you. And you know I'm so much better at writing things down than saying them out loud. It's only that I feel like this would all sound better coming from me in person. I just don't think I'll be able to make you understand in a letter. I'm still trying to understand myself. And writing all of this down helps me with that. Even if I'm only pretending to write to you, it makes me feel better, to think of you on the other end. I promise I really will tell you everything as soon as we're together again.

2. Also for A Man of Letters, my fascination with Regency fashions, in particular the dandy, was a major factor. I did an art book about this, comparing how fashion has changed over time, especially in regard to gender. (I also did an art book based on Evelina, since I’m on the subject. I minored in book art. 😁) I always fancied the look of a Regency dandy, so that was my gift to Baz.

Whoever has been working their magic on Salisbury should in fact be the person to whom I offer my eternal devotion. Alas, I am left to flounder under the burden of lusting after a man who is incapable of dressing himself.

The utter and unmitigated shame.

Salisbury wore a forest green wool frock coat that set off the golden highlights in his brown locks. This was accented with a green and aubergine striped silk waistcoat that was trimmed in white piping and felt much too daring a pattern for the man. (I don't care if he was a soldier; it takes a hardier man than him by half to choose a stripe like that.) His charcoal trousers were enticingly snug, but not so much to prove lethal. His cravat and points left much to be desired, though that likely reflected poorly on his ability to keep himself in order, rather than the ability of his valet. (Good God, maybe the man doesn't even have a valet!)

3. When it came to my countdown fic, To the Manor Borne, I had Shep make a reference to Cluedo, because Pitch Manor would be perfect for a real life game. Behind that, is the fact that my family played a lot of Clue and I watched the movie a whole bunch growing up, to the point where my sister and I used to quote it to each other. This was a way to pay homage to that. He also talks about playing the game Murder in the Dark, which was one I played at Halloween as a kid. One of my cousins was dressed as a ghoul with glow in the dark face paint and we were in my grandma’s creepy upstairs. Perfect vibes.

I’ve seen the kitchen and the dining room and the library and the study and the parlor. Walking through this house is like playing Clue. (They call it Cluedo on this side of the pond, because they like to be difficult.) (That was a whole thing. Do not get me started.)

I keep thinking Colonel Mustard’s going to pop up out of nowhere and brain me with a lead pipe.

And:

What kind of games do you play with magickal friends who don't have magic? Twister? Not with the wings and tail. Cards? Baz and Penny would cheat. Or accuse everyone else of cheating if they didn't win. Murder in the dark? With these people, in this house, I knew it would turn literal fast, and also it was like ten in the morning. Hide and seek? Simon and I would hide and everyone else would ditch. Snowball fight? World War III.

4. I’ve referenced Mozart in my fics a couple of times because when I was first getting into classical music, I was listening to a lot of Mozart. My sister had a CD of some of his early symphonies, and my local classical station does “Mozart in the Mornings” which happened to fit in the exact time slot between two morning classes I had my first year in college. I’d go sit in my car with a cup of tea, and just vibe with Mozart as my soundtrack. I’ve name dropped him in both A Man of Letters and To the Manor Borne. Also, Mozart wrote 12 variations on the melody shared by Twinkle, Twinkle, Little Star, which is a lovely tie in. (I also had the gang sing/cast The Holly and the Ivy, which is one of my favorite Christmas carols, and by strange coincidence was playing on the radio at the same time I wrote that scene. 🥰)

"It's a songbook," I tell him, like he can't figure that out for himself. "Did you know that Mozart wrote twelve different versions of the same song?"

He's laughing. "Mozart did not write Twinkle, twinkle, little star, Simon."

"You know what I mean."

"He composed twelve variations for solo piano on the French folk melody Ah! Vous dirai-je, maman."

"Sure. Anyway, this is for the violin. For you to play."

He's still laughing, and I'm trying to figure out what's so funny, but then he kisses me again, on the lips this time, so I figure maybe I'm still doing okay.

Only one more to go! What will it be? 👀

5. Therapy! Eheheh...😅 Look, it’s no secret the gang needs it. And tbh, so do I. Haven’t actually managed to get myself to go yet, and I think that’s where a lot of my “send them to therapy” happy endings come from. I did it in Use Your Words and To the Manor Borne. I started Chamber by Chamber with SnowBaz already in therapy, and then structured the whole thing around therapy that they give to each other and to themselves. It didn’t really fit in A Man of Letters, but if it had, I absolutely would have done it. I’ve only shared from two fics so far, and since it could kind of spoil the ending to Use Your Words (tho saying this may be spoiler anyway...), here are two snippets from It’s a Kind of Magic, Part I of Chamber by Chamber.

I've been working on articulating my needs. We both have. Ordinarily, I'd be afraid of pushing him away by making demands when he's on the verge of a spiral, but my therapist insists that I can't go on treating Simon with kid gloves. If I never ask him for anything, he'll think he doesn't have anything to give.

And

When I told that to my therapist, she said that I needed to talk it out of me and she'd help me find ways to work through it all. She said I needed to talk it out with Baz, too, so that he'd know how to help me when things got bad again—that was something else she said, that things would get bad again, and that I'd need to be prepared for that. That I couldn't expect things to be easy, and just go away.

6. BONUS! I think the biggest way I include bits of myself is in the AUs I’ve chosen to write. I have three I’m planning that say a lot about me, so I’m going to talk a bit about them here. There is ofc my Scooby Doo AU, inspired in large part by the fact that I watched it all the time growing up and also, my sister continues to be obsessed with it. When we were young, my parents were doing a lot of work on their house and we’d take family trips to the hardware store. My sister and I hated it, so we’d wait in the car with my mom and she would entertain us with “Scooby Doo stories”. Other AUs I’m planning? Troop Beverly Hills—please tell me someone else out there loved this movie the way I did when I was 5. It was very influential to baby me and I remember wishing for nothing more than being able to dress like Shelley Long. So, I’m going to let Baz do it, because I think he deserves it. 🥰 Lastly, tho it will probably be the first I write, is my Cupid and Psyche AU, from when I was heavy into mythology and religion. Since these are all forthcoming projects, I don’t really have a snippet. Instead, here’s Baz comparing Simon to Eros, which is what started my brain on that particular AU.

I am lost. I barely know anything about Salisbury, but I can't help being drawn in. At one time, I could have comforted myself that I was only so smitten with him because he looks like he was sculpted by Praxiteles. That excuse grows weaker with every encounter. He's the furthest thing from a lifeless tribute to beauty in marble as one can be. There is something deep and dark and feral inside of him and I want to claw it out. I want to see it, to let it free. To taste his wildness and his pain.

#tag game #writerly ephemera

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