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cupidlovesastro · 3 days

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asteroid groom(5129) through the signs and houses

ˏˋ♡̩͙♡̩̩̥͙♡̩̥̩♡̩͙ˊˎ ع˖⁺ ☁⋆ ୭ 🕊.⋆｡⋆༶⋆˙⊹ ˏˋ♡̩͙♡̩̩̥͙♡̩̥̩♡̩͙ˊˎ. .

groom represents the male/ masculine counterpart of a marriage, aka the husband. if you are a man or present masculine, this could be about what you’re like in a marriage or as a husband

[very long post ahead]

paid readings 🩵

aries- he could be a gym rat and very masculine, either in nature or physically. they could also be very action oriented, which could also mean they might be quite impulsive. they may also be competitive or be in a line of work that deals with competition. speaking of work, they could be a fitness trainer/ coach, in sports, or sales(because of competition). they could also be outspoken, outgoing, or just bold in some nature. he may also be aggressive, which that doesn’t mean it’s towards you. he could be the “mean to everyone else, but you” type lol. others may be intimidated by him due to his very masculine and possibly aggressive nature. he could also have a short temper

taurus- your future husband could be a chef, fashion designer, or just a job that’s makes a lotttt of money, since taurus can represent materialism. he may be quite lazy at home, or when he’s relaxing he’s RELAXING, like he just wants to chill out. he could also like spoiling you, buying you expensive gifts, or even spontaneous gifts. he may also care about his looks, and he could wear flashy things, designer clothing, or just things that look nice. they could also be very dependable, reliable, and loyal. he may also like helping you with cooking when he can, or even cook for you. if not that, then he really appreciates when you do that for him. he could have a more traditional way of living, or a traditional perspective on marriage

‧₊˚🩵✩ ₊˚🌐⊹♡𓆝 ⋆｡𖦹°‧🫧‧˚꒰🐾꒱༘⋆⋆.˚🦋༘⋆ 🪼⋆.ೃ࿔*:･

gemini- your husband could be in a job where the speak a lot or think a lot. he could be a linguist, a teacher, comedian, spokesman, or commentator. geminis are also know to be outgoing and jokesters, so they could be a youtuber, streamer, or comedian. he will show you his love with words of affirmations, or physical touch, since gemini rules the arms and hands. he could have a baby face, or look younger than his actual age. he may be talkative, or even a rambler lol. he could like kissing your arms or hand area as well. he may enjoy doing things that keep his brain active or they could have many hobbies that they rotate through. he could like going out a lot as well. he could seem or be superficial at times , and may also seem flakey as well. he could also have a hard time talking about his emotions

cancer- he may be in a line of work that deals with families, empathy, and/ or children. so his line of work could be family therapy, child therapy, school counseling, school teacher, and maybe even a pediatrician. he could be very caring, loving, and understanding. he may also be intuitive of your needs, and possibly even heal your inner child. he could be emotional though, which can be good and bad. he could dress like a dad even if he isn’t one, and may even have father like qualities. speaking of parents, he could have traits similar to your mother or he could look a lot like his mother or be a mamas boy. he can have moments where he’s quite snappy and he could show his love through physical touch

leo- your husband could be in a job where he has a lot of attention, so jobs in the entertainment industry may be in his line of work. he could also have a job where he makes others feel confident so like a barber, interior designer, etc. he may have a very confident exterior, and great hair lol. he shows us love through physical touch, and maybe even words of affirmations. he could dress quite boldly or have a distinct style. he’s very expressive, wether that be emotionally or physically. he may also be dramatic lol. he could be the life of the party and very outgoing. he may also be veryyy masculine. like he works out, he’s very handy, logical, etc. he may also be very positive, and optimistic

virgo- he could be in a line of work that deals with a lot of analyzing and logic. so jobs like finance, statistics, or even engineering, could all be a possibility. i could also see he may be a veterinarian, or in social work of some kind. he could also be a very hygienic person, like you can smell detergent on his clothes, and his teeth are white, things like that. he could seem shy/ innocent, when you first meet him , or just in general. he also may have a baby face or he just looks younger than his actual age. he could be into working out as well, and may own a pet or two. he will show his love by doing things for you, like the dishes, helping you cook, etc. he’s could be reserved as well. he may be into skincare, and could even give his advice on your skincare lol

˙✧˖°📷 ༘ ⋆｡˚₊˚ʚ 💙 ₊˚✧ﾟ⋆౨ৎ˚⟡˖ ࣪₊ ⊹🪻 ✧ ˚. ᵎᵎ 🫐જ⁀➴

libra- your husband could be a lawyer, judge, or just something apart of the justice department. they could even be an activist, fashion designer, or relationship counselor. i could see him being very friendly and flirtatious. he may also be quite shallow at first, like he doesn’t go too deep into anything, unless you ask, or he’s ready to. he like having fun, and cares more about the pleasures of life than other things. he could be pretty balance in some way like, emotionally balance, or a balanced personality. he could have a symmetrical face, and he could also participate in skin care. since libra ruled the skin and aesthetics. which speaking of aesthetics, his may change , or he could have 1 aesthetic, but pulls it off really well

scorpio- he could be quite mysterious, or even in a line of work that’s mysterious. for example, he could be an investigator, in the cia, or even the navy seals. scorpio can also represent rebirth and de*th, so he could be into forensics or the hospital. he might be quite good at flirting, and somewhat of the serious type. he could wear dark clothes, have dark hair, or a dark eye color. he shows his love through physical touch. once you get to know him he could be quite touchy, like touching your hand, arms, or face a lot. he also could have a high sex drive so be ware of that lol. he could have intense eyes, presence, or voice as well.(not in a bad way) you could become obsessed with him, and/ or he could become obsessed with you(doesn’t have to be in a toxic way). he values loyalty a lot, and he’s also intuitive, so don’t lie to him because he could be able to catch onto easily

sagittarius- he could be the adventurous, funny, and open minded type of guy. he might be in a line of work such as a philosopher, a college professor, travel agent, or other jobs that involve traveling. he could also have prominent or very muscular thighs, and he may also be quite brutally honest at times. he may also have a lot of opinions and could be reckless at times. he could also wear cultural items, or things that he got from different places in the world. he may show his love through quality time and words of affirmations. he might also come off noncommittal or you guys could’ve started off as making it clear that your not going to date and then ended up dating lol. he doesn’t like feeling tied down or like he has no freedom, and he may also feel this way towards you. he could want you to feel free as well, and he also wants to feel like your best friends with you!

capricorn- your husband could be in a career that’s makes a lot of money and is also ambitious. so sports, marketing, or even ceo/ boss of a company. he could also be an entrepreneur. he could have great bone structure, strong jawline, prominent collar bones, etc. he may also dress with flashy clothes like designer, or things that have diamonds in it. he could show his love through gift giving, and he could love spoiling you. he may also just give you money, like not even a gift, just money.💀he can be quite cold at times, or just distant. he may also get caught up in work very often, or just doesn’t know when to take a break. he could hate being unproductive because it makes him feel lazy. with that being said, having lazy days with him could be hard because he might do acts of service for you just to be productive lol.

༘⋆🌊🫧 ⋆˙ִֶָ𓂃𝑚𝑖 𝑎𝑚𝑜𝑟 ༉‧🦋₊˚. 𝜗𝜚⊹˚. ♡₊ ⊹ .𖥔 ݁ ˖ 🪼✦

aquarius- he could be into technology, inventing, and could be apart of some kind of community. he may be an activist, since aquarius can also represent rebellion. they could care deeply about the world or a specific group of people. when you meet him he could be very social and friendly, but emotionally distant. he may be unpredictable with his aesthetic, words, or even behaviors (not in a bad way, it could be in a silly way). he’s also a logical thinker, but he may be an over thinker as well, since aquarius’s can represent the future. he could have many friends, or if he doesn’t, he makes acquaintances easily. he also likes standing on his own, he doesn’t want to seem dependent at all. he’s an observer, so he can pick up on social cues of a room easily, or the energy of it. he could show his love through quality time as well!

pisces- he’s giving me puppy vibes. he’s emotional, caring, compassionate, and loving. he could be into jobs like therapy, nurse, even a veterinarian. he’s also very intuitive, so he could pick up on your social cues or energies quite easily. he might be secretive as well, like you find out so much stuff about him over time because he didn’t tell you in the beginning. he may also be dreamy to you, like he’s literally your dream husband. he’s idealistic, and can be delusional at times. he may also have dreams often, and he could be interested in spirituality. he will show his love by physical affection. he could also be into feet, or specifically your feet😭. he could have dreamy eyes, and soft features. he may also dress in darker colors, or have an aesthetic that makes him come off mysteriously. he may also be a little ditsy, or just naive about certain topics

the houses

‎ ‧₊˚ 𓂃౨ৎ ⋆.˚⟡🌧️⊹₊⋆ ⁀✮₊ ⋆.˚⟡⊹₊⋆*ੈ✩‧₊˚ 🌪️.ᐟ‎ ⋆.ೃ࿔*:･

1st house- your husband could care a lot about his appearance’s or looks. so he may have a distinct aesthetic to him, or you could catch him checking himself out at times lol. he may also have a genuinely good sense for fashion, vibes and aesthetics. he may be one of those people who are sensitive to first impressions and energies. like he might be able to learn and understand a lot about a person, just from first impressions. he could also have a big personality or just one that’s unique/ different from others. he might be very good at making good first impressions as well, and knows how to conduct himself in front of others depending on the environment, situation, people, etc. you could meet him in the beginning of the year, or beginning of the month, new moons, capricorn season, aries season, or even new era of your life.

2nd house- your husband might be money oriented or just make a lot of money. he may also prioritize his work as well. he also has some high standards, when it comes to relationships, or who he decides to marry. he could own things that he find special to him or he could be the possessive type over you. he could also spoil you and you are definitely one of his priorities. also, there could be something that you guys make apart of your daily routine. it could be having dinner together, or just taking time out of your day to spend time with each other. you guys could meet at a work place, or while looking for a job. you could also meet when you are doing one of your routines like going to the gym, getting groceries etc. i could also see that you could meet them on the 2nd or 22nd, february, taurus season or aquarius season.

✧˖°.₊ ⊹⋆.˚🧊₊˚⊹♡࿐ ࿔*･ﾟ✩₊˚.⋆☾⋆⁺₊✧ જ⁀➴₊⊹ ᶻ 𝗓 𐰁

3rd house- he could be very logical or just someone who’s an overthinker. he also might be quite talkative, or you feel like it’s easy to talk to him than other people in your life. you guys could be neighbors or neighbors at one point. you may also have met this person in early childhood, and you could also know them through a sibling. he could have a lot of siblings himself, or be close to his neighbors. he’s definitely a communicator, and the times where he doesn’t communicate, could be an indicator that something is wrong. you guys could also engage in social activities, like going to bars, clubs, parties, etc. you could meet him on the 3rd, the 30th’s, march, pisces season or gemini season

4th house- your husband could may have motherly energy, or be close with his mother. he could have a lot of respect for feminine figures in his life as well. he could really want children for his future, or may already have one/ some. he could be a good dad as well. he could also really want a family of his own, or is close to his family. he is like a traditional thinking man when it comes to marriage, like he wants to marry, have a family, and just be a good father. he might also like the idea of you being pregnant, or getting you pregnant, so be careful 😭. he could have a womanly side as well, like a feminine side. you could meet him through a family member, or your mother. you might also meet him while picking up your kid if you have one, or a place where there’s a lot of children. he also might prioritize self care days a lot, he could also want to spend his self care days with you as well

5th house- he could be a huge romance and also a child at heart. he could also be quite creative and a joyful person or more optimistic, or upbeat. you guys could meet through drama club, or when something dramatic was going on. you guys could’ve even met at a museum that has art, a art class, or other forms of creativity. he may also have a child, or really want children. you may also meet him when your in a happier time in your life, or maybe a time where you discover inner child. he could get along with children as well, and may enjoy things such as plays, or even have a form of art as a hobby of his. he may also express his love through art, like poetry, drawings, paintings, etc.

6th house- your future husband could be a gym rat, or just care a lot about health and fitness. he may be a teacher for health and fitness, or a fitness trainer. you could’ve met him at the gym , on a walk/ run, or in some other form of physical health class. he could be analytical, or even work a job where he deals with numbers and statistics. i can also see he may be in a line of work like nursing, therapist, etc. i could also see he may be he may also be a people pleaser. he finds validation through helping others. you may also meet while volunteering for something. he could have a lot of pets, or really wants one. he might just be an animal lover as well lol. you could meet at a pet store, or while volunteering for animals

₊✮⸜ ༘⋆ 𐚁⊹₊ 🧿⋆ ☾⊹₊ ⋆ ˖ ݁𖥔 𐙚⋆｡°🪩✩ ˚ ༘ ೀ⋆🎐｡˚ ⋆˚✿

7th house- your partner could really value a relationship, or partnership with you. he also may embody husband energy. he could talk about marriage a lot , or seem like he might be ready to settle down with someone when you meet him. he could also be in a job where he works with married couples or something with justice. he could be a marriage counselor, a lawyer, a debater, etc. you could also meet him at work during a group meeting/ activity or when finding a business partner. he may also love your skin, or touching your skin. he might even have unique/ beautiful skin himself

8th house- you could meet him while hooking up, or on a sneaky link. you could also meet him while moving houses, or he could even work as a realtor. he may also be a sex therapist or have a job that surrounds sexual things. he could come off shallow at first, or like he doesn’t have much depth and this could make him come off as a mystery. he could also value sexual intimacy a lot , and it may be something that is a theme in your relationship. he could also like giving you money, or buying you things, vice versa. moving in together could also be something he really wants. there could be a lot of similarities between you two, almost like your the same person in a different body.

9th house- this person could travel a lot and/ or know a lot about other cultures. they may also connect a lot to their own culture. you may meet them on a trip somewhere, or while participating in some kind of cultural event. he may also be very smart, like he’s beyond his years. he could have a lot of different philosophies or study that subject. he may also have many degrees, or when you meet him he will be working to get a degree. you could also meet him during a religious ceremony, doesn’t have to be church tho. he may also like touching your thighs or he could have big/ unique thighs himself

10th house- he could be very hard working, or just a very goal oriented person. he may also care a lot about his reputation/ status or he could have a high status. he may be known somehow. he may also be very masculine, and give off dad energy lol. he may be a father in fact, or really wants to be a dad one day. there may also be a certain relationship he has with his dad, like maybe he loves him or hates him. there may also be something that he is very educated on, like an expert at. he could keep you in line , or values structure, routine, and plans, rather than spontaneous things. you could meet him in the career you have , or you could meet him through your dad/ dad figure. if your high status, then maybe even that.

౨ৎ⋆˚｡⋆ 💠ೀ⋆｡˚ °❀⋆.ೃ࿔*🌧️:･.𖥔 ݁˖ 🌀✦ ‧₊˚⋅⋆⭒˚｡⋆🪩

11th house- your husband might work somewhere that deals with technology, or he could even have a degree that relates to technology. you could meet him online, like through a social media platform. you guys could be friends at first and then it leads to more, or you may have met through friends. there could’ve also been a group gathering you met at. like a party, concert, etc. you could’ve manifested him as well, or he could’ve manifested you. he could also be somewhat intuitive since 11th house can represent the future, and you could be exactly what he wished for or hoped for. when you guys go on dates , or your first date, you could often bring along friends, coworkers, etc. his love language could be words of affirmation.

12th house- your husband could work at a funeral, a recovery of some kind, a nursing home, a median, and other spiritual things. you may meet him when something is ending in your life, like a relationship, quitting a job, end of the year, end of school or a semester, etc. he may be very intuitive so don’t lie to him lol, and he could also be quite connected to the after life. he may also be connected to his dreams. you guys could get married in a secluded area, like a forest or even eloping. they may have limiting beliefs that you two could need to work through as well. if your really into astrology, tarot, crystals, etc, he may be interested in learning about it too and listening to things you say like that. he could make you feel. he may also be intuitive with/ to your needs

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delta-lethonomia · 1 day

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There's a reddit thread on the BG3 sub where the user u/InklingRain posted a spreadsheet they made with all the companion approvals. Super useful in general both for playing the game and for fic, so I thought I'd post it on tumblr and play around a little!

There's a top row with the average approval by companion, but I didn't find that very useful, so I changed it to the count of approvals (i.e. count of approvals & disapproval total, how often a companion had a reaction to something). We all know Astarion gives a lot of disapprovals here and there, but they're only -1 at a time, so no big deal, right?

No. Minsc has the least at only 45 reactions, Halsin at 95, Minthara at 145, and of the main companions, Gale is pretty average at 198, Lae'zel at 224, and Shadowheart, rather opinionated at 258...

but that's nothing compared to Astarion's 406. That's almost 150 more than the next person!!! That's more than Minthara and Shadowheart combined! Babygirl really woke up one day and decided to get in a snit over everything that happens 😂

(Longer post about count of positive and negative opinions, sum of approvals and disapprovals, and some major outliers below. Picture with values at the very end.)

But that's a bit disingenuous. If we look at the ratio of positive to negative opinions (not taking value into account), Astarion's pretty average at 30% (negative count over sum count, so let's call that negativity). This is similar to Gale (31%), Karlach (30%), and Lae'zel (32%). In theory, getting Astarion's approval or disapproval is just as easy as any of theirs, with a 20% bias towards positive approvals. Later companions are weighted heavily towards the lower end of the spectrum, with Jaheira at 13% negativity and Minsc at 9%. As you only get them very late, it's pretty clear that the game gives you a lot of opportunities to get their approvals and thus open up more of their quests and dialogue.

However. We have an outlier. Wyll Ravenguard, clocking in at an indecent 38% negativity! Which really just goes to show, while Astarion is the most opinionated, Wyll has the most disapprovals, making him the judgiest companion of all 🤣

However, this really wouldn't be a good post if we didn't look at the value of approvals. Karlach, for instance, has the strongest disapproval value of -100 (given if you sleep with her and then call it a mistake). Ouch. This is clearly at outlier and doesn't say much about Karlach's changeability of opinion in general. If we look at the sum of positive and negative opinions, this is a very heavy swing, making up 100 points of her total 191 disapproval points possible to her 281 approvals total. Another outlier is Minsc, who currently possesses a 43% disapproval percentage (a heavy -50 disapproval given if you sacrifice him to Sarevok. Jaheira, by contrast, apparently doesn't give a damn, or her value might simply not be included in the dateset.)

Removing outliers is really a matter of opinion here, so I'll only remove the most extreme swings, such as the above mentioned disapprovals.

The otherwise strongest swings are Astarion (-15 for telling him it was a mistake preventing him from drinking Araj's blood, or saying you only wanted to sleep with him, not deal with his trauma) and Wyll (+20 for siding with Karlach during his confrontation with her, which really shows he didn't really want to kill her and is very grateful you stopped him). Halsin gives +40 for reuniting Oliver with Thaniel, which...lifting the shadow curse is sort of his life's mission, and a bit of a unique case, so while it makes sense, I think it's such a unique event that can't be topped by anything else and will remove it. Jaheira give +20 for extending the Emperor's protection to Minsc, and, for funsies, Minthara's heaviest disapproval is -5 for donating to Lolth at the Stormshore Tabernacle. (lol)

I only chose to remove the aforementioned Karlach, Minsc, and Halsin values, as they're all very large swings and rather character-defining or personal to the individuals mentioned, so I don't think it says much about them in a more general day-to-day sense.

Now, using the sums of our negative and positive values, Gale is our most Negative Nancy, clocking in at 37%, which goes to show that while he's pretty average for the amount of things he cares about, when he disapproves, it's a strong one. Next up is Astarion at 35%, and Wyll at 34%. Lowest are Jaheira and Minsc at 7% and 4% respectively, which makes an intuitive sort of sense: Jaheira is old and just over being upset by the players poor choices, and Minsc is an insanely positive person overall. The next most positive companion is Halsin at 13%, which also matches with his vibe pretty well, followed by Minthara at 17%, Karlach at 24%, Lae'zel at 26%, and Shadowheart at 28%.

Tl;dr: Astarion has many, many opinions, but Wyll is the most judgemental (most disapprovals compared to approvals possible). However, when it comes to the strength of those disapprovals, Gale reigns supreme, followed by Astarion.

If don't break Karlach's heart, help Halsin achieve his life's ambition, or sacrifice Minsc, then they're pretty positive overall. Later companions are heavily weighted to approve of your actions, and Minthara is comparatively judgemental, but overall far more easy to gain approval than disapproval from.

If you take the average of all these values and include the later companions to look at as a personality "baseline" of how judgy and how strong those disapprovals may be, then...the Act 1 companions are all dramatic af, which really should come to no ones' surprise, while Karlach is the most willing to give the benefit of the doubt imo.

#baldurs gate 3 #bg3 #astarion #wyll ravengard #gale dekarios #the best time to mess around with a spreadsheet is 2am of course #I hate google sheets but don't care enough to do fancier things in excel #could I do actual math here? yes. am I going to? no

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exhuastedpigeon · 2 days

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If Tommy hadn't kissed Buck in 7x04 I don't think Buck would have realized he was attracted to him. Oliver has said that Buck has felt this way before and Buck has always been bisexual, he just didn't realize it and it was the kiss that prompted that realization, not just Buck's crush on Tommy. If it was just the crush on Tommy Buck would have realized he was bisexual way earlier.

Just today Oliver said that Buck was probably attracted to Eddie when he first met him and he didn't know what those feelings were or how to process them, so he acted out.

The difference between Buck meeting Eddie and Buck meeting Tommy is that Tommy is queer and knows it and can see the signs and signals that Buck didn't even realize he was putting out there so he kissed Buck. That was the moment Buck realized he wasn't straight.

And throughout the episode Buck is shown to be jealous of not just Tommy, but also of Eddie. There are so many moments in that episode that make you wonder who he's jealous of and why.

Is he jealous of Eddie for spending time with Tommy, this cool new person they met? Yeah. Is he jealous of Tommy for spending time that he views as his with Eddie? Yep. Is he concerned that Tommy might be taking his place in not just Eddie's life, but in Christoper's? Yes. Is he just general confused because he's feeling some type of way that he really doesn't understand? For sure.

It isn't as cut and dry as "Tommy was Buck's bisexual awakening" full stop, because we've heard Oliver say that Buck has always been bi he just understands it now. We've heard him say that Buck was attracted to Eddie when he first met him but didn't understand it. We heard Buck tell Maddie he checks out hot guys asses.

I fully believe that if Tommy hadn't kissed Buck in the loft that night that Buck would have written his weird feelings off as just new friend stuff like he probably felt for Eddie and has felt for other men but didn't understand and eventually he would have gotten over it.

Tommy's kiss was the catalyst for Buck realizing he isn't straight, but it wasn't just Tommy that made that realization possible - it was Buck's entire life that did. It was him talking to his sister and her affirming him and helping him understand that checking out a hot guys ass isn't abnormal, but it isn't straight. It was Buck looking back at his past feelings for men and realizing that they're similar to the crush he has on Tommy.

And this isn't me devaluing Tommy in Buck's coming out arc, because without that kiss Buck likely wouldn't be here yet. But I think saying it was all about Tommy and Buck's jealousy in 7x04 was only about Tommy is doing a disservice to the nuance of the episode and Buck's sexuality in general.

#911 #evan buckley #911 meta #buck buckley #bucktommy #tommy kinard #eddie diaz

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atlabeth · 2 days

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dance until we're bones

pairing: aaron hotchner x fem reader

summary: you and hotch both confront a lifetime of things left unsaid when a case forces your past into the light.

a/n: so i started this. two years ago. got 1k in and left it, came back now for some reason, wrote like a freak until it was done. lol. this is quite heavy and different than most things i usually write and it is SO much longer than expected but im very proud of it 🫶 i didn't really pay attention to the canon timeline so just know that reader and hotch were in their early and late 20s in law school (90s) and early and late 30s in present day (early 2000s). title from i lied by lord huron and allison ponthier

wc: 17.1k

warning(s): a lot of angst. typical bau case stuff, murder (familicide), implied/referenced past child abuse, reader and hotch go at it basically the whole time, character death, kidnapping, slight mention of drugging, injuries, mentions of blood. i wouldn’t say a happy ending but a hopeful one

Hotch can barely stay awake.

He got the call thirty minutes to 4 a.m, and if he hadn’t already been up, he would likely be in a much worse mood. He can only hope that the rest of the team has gotten used to rude awakenings at this point.

It’s poor planning on his part—he already got out late due to extra paperwork, and once he got home, he found himself staring at the wall, and then staring at the ceiling. If he’s lucky, he’ll get to sleep on the jet. If things go the way they usually do, he won’t be out until their first night in a hotel.

He started making calls to the team on his way to the office, but to no one’s surprise, he was the first one there. He had time to wash down a shitty office coffee and get started on a second one by the time everyone’s there.

Morgan, Prentiss, and JJ all have coffees—JJ comes prepared with her own thermos, but Morgan and Prentiss fall victim to the BAU’s supply—Reid is fighting back yawns as he tries to fix a hastily made tie, Garcia is slightly less energetic than normal as she passes out files, and somehow Rossi looks the same as always.

Hotch just hopes he’s put together enough to make the team feel better about being here at an ungodly hour.

“Welcome, welcome, welcome,” Garcia greets, setting down the last folder in front of Reid before taking her spot next to Hotch at the front. “As lovely as it is to see all of you this morning, I’m afraid that we’ve got a grisly one on our hands, hence the hour.”

“Great,” Prentiss mutters. “How bad is it?”

“Three married couples have been murdered in St. Louis, Missouri in the past two months, with the most recent one happening yesterday,” Hotch says, and Garcia grimaces as she clicks onto the pictures. “Mom and dad are killed, but the children are spared.”

“Awful lot of similarities between the parents,” Morgan says dryly as he flips through the folder. “Looks like our killer has some family issues.”

Reid nods. “The unsub likely stalks these families once they see the similarities. I’m guessing he was abused as a child, seeing as they kill the parents but keep the children alive.”

“Probably has a grudge against his father,” Prentiss remarks. “They make it out the worst every time.”

“There’s no method to the torture,” Morgan says. “It looks like he’s just trying to make it hurt as much as possible.”

“Our guy probably isn’t trained in anything, then,” Rossi says.

Reid flips to another page in the file. “Serial killers like to see their victims suffer. If he’s not torturing the mom physically, then he’s likely making her watch.”

“He doesn’t kill children, though,” JJ notes.

“Maybe he thinks he’s doing them a favor,” Reid says.

“The unsub sees himself in the kids?” Morgan suggests. “He’s doing what he didn’t get the chance to do.”

“Whatever it is, we have to keep a tight hold on this,” JJ says. “The press eats this stuff up, and the last thing we need is a terrified city making it harder to do our jobs.”

“Especially with families being killed,” Morgan murmurs.

JJ sighs. “I’ll draft something on the jet and make some calls when we land.”

Hotch nods and he closes his file. “Wheels up in thirty. I hope you’re all ready for a long day.”

The jet is silent the entire way to Missouri, full of sleeping agents trying to delay the inevitable—save for JJ scribbling down notes on a legal pad for the first thirty minutes, but even she knocks out sooner rather than later. Thankfully, Hotch manages to fit an hour in himself, though it doesn’t do very much for him. He spends the rest of the time reading through the case file.

The team settles in quickly at the city’s precinct, and Hotch takes charge as usual. The uniforms are just as tired as they are, but he makes it work. Soon enough, JJ is off to work with the local liaison to craft a narrative, Reid has situated himself in an empty conference room to get to work analyzing maps with Garcia, and Hotch and the rest go to check out the crime scene.

It’s brutal—much too brutal for this early, but Hotch forces the emotions out of it and gets to work questioning the present officers. Morgan follows suit, with Prentiss and Rossi going to investigate the rest of the house.

They don’t learn much from the officers that they don’t already know. This is the most recent crime scene—George and Marsha Springfield, undeserving of such a grisly fate. Their two kids, 8 and 9, were off visiting their grandparents in Nebraska when it happened, and though they avoided the same fate, they’re going to deal with a lifetime of guilt.

It’s all Hotch can think about as he examines the first body. The six children left to deal with the carnage, about their past and future marred against their control.

All he can think about is Jack, and the dreary fate that awaits him if his father falls in the field.

Hotch swallows his doubt and his guilt all in one and forces every thought out of his mind. He has to be unshakable for the team, for what’s left of these families, for a city on the brink of hysterics.

They’ll find whoever did this. That’s what gets him through it.

They spent early morning at the crime scene, collecting evidence and gathering information from the officers and trying to make sense of the killer’s motive. Progress is slow, partially because of the hour, but they make enough that Hotch feels comfortable moving onto the next job.

Their four a.m. start time was too early to go knock on doors and get interviews, but now it’s a more normal 10 in the morning. After a quick stop back at the station to share information with Reid, Garcia, and JJ and down a few cups of coffee, they get right back on the road.

Hotch and Prentiss take one van and Morgan and Rossi take the other, splitting up to get what they can from interviews. It’s difficult working with kids, especially with such recent trauma, so they hold off on it for now, allowing the local uniforms that have been with them for a bit longer to set things up before the BAU tries anything.

First they go to a neighbor’s house, then an alleged eye witness. They don’t get much other than personality reads, but it at least gives them the beginnings of a profile. The third place they hit is their earliest idea of a suspect.

“Lucas Hartford,” Prentiss reads off the file one of the local officers had put together. “Thirty-nine, born and raised in St. Charles, Missouri. High school degree, but never got to college because he was in and out of jail.”

“What has he been charged for?”

“Booked a few times for public intoxication and convicted three times for assault. Once was for third-degree assault, Missouri’s version of aggravated assault,” she says. “He got out of jail four years ago, and it looks like he’s been living in St. Louis for some of that.”

“Assault and drinking is a far cry from serial killing, even aggravated,” Hotch says. “What makes him a suspect?”

“Both parents are dead,” she says. “And from the looks of it, it was not a happy home while they were around. He’s got a sister, so it fits the initial theory of trying to replicate his family.”

Hotch lets out a loose breath and nods. “We’ll start there. Try and get a story from this guy, build a profile, see if it matches the one Morgan and Rossi have made for their guy.”

“And hope we pin something down before more bodies show up,” Prentiss murmurs.

They’re at their destination soon enough, and Hotch parks in an open spot on the other side of the road. His eyes dart around as they walk up to the front door, filing things away in the back of his mind.

The house number and last name—1432, Hartford—on the mailbox plagued with rotting wood. What there is of a yard is poorly cut, and a small garden of wilted flowers has their own corner, victims of the winter weather. One car is parked slightly crooked in a small driveway—there’s no garage, so at least he’s probably home. Two potted plants sit on either side of the door, thankfully alive.

“Remember,” Prentiss says as they come to a stop together, “be nice.”

“I’m plenty nice,” he murmurs, and she huffs the slightest laugh.

Hotch knocks on the door as Prentiss fishes around for her ID, and thankfully, they don’t wait long. The door cracks open after a few seconds to reveal a woman—certainly not their unsub, but something a whole lot more surprising.

You.

Your brows furrow at the sight of him, and Hotch has to hold back his shock.

You don’t live in St. Louis. And your last name certainly isn’t Hartford.

“Aaron?” you ask in disbelief, and he doesn’t even have to look at Prentiss to know the questions he’s going to get later.

He says your name, able to control his surprise with only the slightest crease of his brows giving it away, then corrects himself just as quickly. “Miss Hartford. My name is SSA Aaron Hotchner, and this is SSA Emily Prentiss. We’re here with the FBI.”

Your frown deepens as they show their IDs, and you actually take it from Hotch, skeptical eyes scanning over it for much too long. You glance back at him as you hand it back over. “What is the FBI doing here?”

Emily clears her throat as she puts her credentials away. “We’re here investigating the latest murders in St. Louis. Can we come in?”

“The murders?” you ask with exasperation. “What— what murders? And what do I have to do with them?”

Aaron notices the way your grip tightens on the door just the slightest bit, and a shred of sympathy strikes him before he speaks up.

“We’ll be able to explain everything if you let us in,” he says.

You swallow thickly in your throat, your gaze darting back to Aaron before you finally nod. “Okay. Sure. Why not?”

You move and Hotch and Prentiss walk inside, gesturing with a hand towards your living room as you shut and lock the door behind them. “Take a seat. Uh— do you guys need anything? Water, or coffee, or…”

You trail off, and Prentiss shakes her head. “Thank you, but that’s not needed.” She takes a seat on the sofa, but Hotch can’t stop himself from looking around the house.

It’s a small place, one story—likely rented, seeing how paintings sit on countertops and mantels rather than hanging on the wall. It has a certain charm to it, but something is off about it all.

Two styles clash—decorative pillows at odds with a filled and painted-over hole in the wall, an attempt at neutral tones ruined by dark articles of clothing scattered around, one person’s mess barely being held back by another’s cleaning efforts. You lived with someone else. Likely Lucas Hartford, possibly their unsub.

“Are you gonna sit down, Aaron?” you ask, snapping him out of his profiling haze. “Or do you want to look around some more?”

“I’m sorry,” he says, clearing his throat as he walks over and sits down in an open chair near Prentiss. “Just curious.”

“That makes two of us,” you say, and you cross your arms as you look at him. He notices that you don’t sit down yourself, and there’s still a coldness in your eyes. “You’re FBI now?”

He nods. “I had a change of heart.”

You huff a laugh. “Thought at least one of us would be a lawyer by now. I guess not.”

Hotch frowns, but Prentiss takes over before he can continue on that particular thread. “Miss Hartford—”

You interrupt by saying your first name, and it spurns something strange in his chest. It’s been over a decade since he’s heard your voice. “You can skip the formalities.”

Prentiss nods and repeats your name. “As you know, we’re investigating the murders that have been occuring in the St. Charles area.”

“And you think I have something to do with it?” you ask, the accusatory edge to your voice not lost on him.

“Not you,” Hotch says. “Do you know a Lucas Hartford?”

“He’s my brother,” you say, and your frown deepens. “You’re not saying—”

“No,” Prentiss interrupts, “we’re not saying anything. We’re just asking.”

And just like that, your entire stance, your visage, it all changes. Hotch can sense the walls slamming up around you, and he immediately realizes two things:

Getting information out of you is going to be much harder than planned, and you’re not anywhere near the same person you used to be.

Hotch doesn’t know what he expects, really. He graduated with the intent to prosecute for at least a decade—now, he’s with the BAU. It’s not fair to assume you’re that same girl he met in law school.

“My brother is not a murderer,” you state clearly.

“And we aren’t accusing him or you of anything—” she starts.

“Me?” you interrupt, and you let out a harsh laugh. “I’m a suspect too?”

“If you would allow Agent Prentiss to finish her sentences, you would be less upset,” Hotch says.

You glower at him, but you stay silent.

“We aren’t accusing either of you of anything,” Prentiss finishes. “We’re just trying to gather information with what little we know.”

“I know my rights,” you say, unflinching gaze still meeting Hotch’s. “I don’t have to tell you anything.”

Prentiss looks at him as well, but his eyes don’t leave yours. “That’s unfortunate to hear, Miss Hartford.”

“You know my name, Aaron. Use it.”

He does, and the letters feel strange on his tongue after so long. “This is a serious matter. This isn’t an accusation—we’re in the early days of this case and we need all the information we can get.”

“Ask away,” you say. “Doesn’t mean I’ll answer.”

“Lucas Hartford,” Prentiss starts. “He’s your brother?”

You nod. “He lives with me.”

He lives with me, not we live together. Makes him think that you pay for the place, he came knocking, and you didn’t have the heart to turn him away.

“Why is that?” Hotch asks.

You look at him, those scrutinizing eyes attempting to peer into his soul the same way they did all those years ago. But Hotch has changed since law school, and he’s much better at guarding his emotions. It seems you are, too.

“He’s a student,” you finally say. “He goes to community college. I’m giving him a place to live while he gets his associate’s.”

“Community college and living with his younger sister at 39?” Prentiss is trying to get information out of you, even if it isn’t in the kindest way. Your jaw clenches, and he knows her words have some effect. You’ve probably heard it more than once, the way things are going.

“He’s getting his life back on track,” you say defensively. “I’m the only one left that can help him, so I am.”

“What about your parents?” she asks. “Surely they’re a better option than this.”

“Both dead,” you answer. “And no one else cares enough to help him. Are you here to do anything other than dig up my past?”

Hotch feels Prentiss’s eyes on him, likely because it’s a step in the right direction for a really shitty reason, but he can’t look away from you.

“Really?”

He knows your parents are dead—it was in your brother’s profile, and by extension it applies to you—but it still hits him.

He met your mother, had countless lunches and dinners with her. Helped her move out of her old house. Spent two Thanksgivings and a Christmas with her.

And he didn’t even know when she died.

You shrug and wrap your arms around yourself, and for the first time you look something other than defensive or standoffish. You look— well… sad.

“Mom went a few years after you graduated,” you say, looking at Hotch. “Dad went five years ago.”

“I’m sorry for your loss,” Prentiss says.

You nod your thanks, the notion a bit numb.

“You never told me,” Hotch says with a slight frown.

“We haven’t talked in ten years,” you say. “Sorry that I didn’t know you still wanted updates.”

Hotch tries to think of something to say in response, but Prentiss starts getting a call and she stands up. “Excuse me.”

His jaw clenches for a moment as Prentiss ducks into a nearby bedroom, but he’s recovered by the time you look at him again. Your arms are crossed, but your expression is even.

“I take it this was as much of a surprise for you as it is for me.”

Hotch nods. “We came here looking for your brother.”

“Does your team know about our history?” you ask simply.

“No.”

“Do you want them to?”

“...No.”

You huff a laugh, your eyes narrowing a bit. “‘Course not. Probably counts as conflict of interest.”

You wait another beat, then ask another question. “How’s Haley?”

“Good, last I heard,” he says, and then he hesitates. “We’re… divorced.”

Your eyebrows shoot up. “Really?”

He nods. “This job isn’t easy for anyone.”

You look like you want to say more, but once again, Hotch is saved by Prentiss as she walks back in. Her phone is closed in her hand and she looks at him. “Morgan and Rossi have a lead. The chief wants everyone back at the precinct to go over everything we’ve found.”

Hotch nods again and stands up. Prentiss takes her card out of her pocket and holds it out to you.

“Thank you for your time, Miss Hartford. If you find out any information, or want to tell us anything else, please give me a call.”

“Pass that along to your brother, too,” Hotch says.

You reluctantly take the card, but you don’t look at it. “You can see yourselves out.”

Prentiss nods. “Thank you again. Have a good day, and stay safe.”

She leads the way, and Hotch follows after her. He fights the urge to look back before he shuts the door.

Prentiss looks at him as they walk back to the car, and he can only imagine what is going through her mind. But eventually she just shrugs and pulls out her phone again.

“Garcia?” Prentiss asks after she picks up.

“You’ve reached the office of all that is holy.” Penelope’s voice comes out through the speaker, and Hotch can’t help the smallest twitch of his lips. “What’s up?”

“Dig up everything you can find on Lucas Hartford,” Emily says, and her glance at Hotch does not go unnoticed. “And throw in his sister, too. He’s one of our only suspects, and we need to know if she’s in on it.”

“On it,” Garcia says. “I’ll call you back when I’m done.”

“You’re the best,” she says, and then she hangs up. They get back to the car, and it only takes Prentiss all of five seconds after they get in for her to start drilling him.

“Alright,” she says, buckling her seatbelt with a click before she sets her attention on him. “What was that back there? You two know each other?”

Hotch busies himself with his own seatbelt and starting the car, answering as casually as possible as the engine revs to life. “We were friends in law school.”

“Sure,” Prentiss nods. “The way you were around her, that’s not just ‘law school friend’ stuff.”

Hotch is once again reminded of how, sometimes, it was a downfall to constantly be around profilers. It was nearly impossible to keep anything a secret.

“It’s nothing,” he says as he pulls back onto the road. “We knew each other, we fell apart, we’re here now.”

Emily hums. “Is it too far to ask if you were together?”

“Yes,” he says sternly, maybe a bit too hasty. “It is.”

“Fine,” she says breezily, and she looks out the window. “But that tension was thick.”

Hotch knows what she’s thinking. Hasn’t he been with Haley since high school, what kind of history did you and him have, were you together, would he be okay to work this case—

He doesn’t really want to answer any of them. You were a part of his past he hadn’t expected to resurface any time soon—if Hotch is being honest, he didn’t know if he would ever see you again once he graduated. Not after the way he broke things off.

You’ve changed a lot. So has he.

And now your brother is a murder suspect, and you could be covering up for him.

That’s the only thing that should be on his mind.

“For the last time,” you huff as you storm down the stairs, “I don’t want to deal with this.”

“Because you know that Mia is a lying bitch!” Cleo exclaims, following after you. “I’m sick of you stealing my clothes!”

“I’m not stealing your clothes,” Mia scoffs in your wake, just behind Cleo. “They’re too ugly for me to want anyways. I bet I wouldn’t even fit into them.”

“You are! And you’re stealing my fucking jewelry, too!” she yells. “All of my shit is going missing, and I know it’s not Little Miss Law School, so it’s got to be you!”

Mia draws out a mirthless laugh. “You are not accusing me of this.”

“I don’t have anyone else to accuse!” Cleo shouts.

They both look at you, and Mia says your name. “You have to settle this before I kill her.”

“Oh, I’ll kill you first!” she hisses. “At least I’ll get all my stuff back!”

You clench your jaw as your nails dig into your palms, and you’re about to bite back when the doorbell rings. You don’t even try to hide your sigh of relief.

“That’s Aaron,” you say as you grab your coat and your bag from the table. “I’m leaving. If you kill each other, don’t get blood on the furniture.”

You don’t give them a chance to say anything before you rush to the door, open it, and shut it behind you.

“You have no idea how happy I am to see you,” you breathe.

“What’s going on in there?” Aaron asks, amused.

“My roommates are fighting again.” You roll your eyes. “It doesn’t matter. You’re much more interesting.”

“You know this is a study date,” he says wryly, and you cut him off with a kiss.

“Still a date,” you murmur against his lips. “And something seriously needed.”

Aaron chuckles as he wraps an arm around you, pulling you into his side, and the two of you walk to his car. “You’ve gotta get out of this house, honey.”

“I know,” you grumble. “But I can’t afford a place on my own.”

“Doesn’t have to be on your own,” he says as he opens the door for you. “It just has to be away from the girls that are making you miserable.”

“The lease ends at the end of the semester,” you sigh. “Just have to make it until then.”

“You know,” Aaron boxes you in against the car when you lean against the side of it, smiling softly at you, “I do live alone.”

“Oh yeah?” You ruffle his hair with your fingers and grin. “What are you proposing?”

He shrugs, letting his hands linger on your waist. “Just that you hate your roommates, and you don’t hate me. You could spend your time somewhere else.”

“Careful,” you warn. “You keep saying things like that and we might not make it to the library.”

“You keep saying things like that, and I might not mind,” Aaron muses.

You grin as he leans in and kisses you again, once, twice, three times as your back hits the side of his car and you card your hands through his hair. Mia and Cleo are probably killing each other inside, but you don’t really care at this point. They’ve made your life hell for a semester and a half—they can bother each other for once.

“Aaron,” you whisper against his lips, and he gets one more in between words, “I’ve got a test on Tuesday.”

“And today’s Sunday.” He nips at your neck and you laugh, your eyes falling shut as you lean your head back. “You’ll be fine, honey.”

“You have one on Monday,” you remind him, and he sighs. You feel his hot breath against your neck.

“Ruining our fun in the name of schoolwork,” he says. “No wonder all your professors love you.”

“Everyone loves me,” you correct. “Including you.”

You steal one more kiss before you open your door yourself and get in, and Aaron lets out a breathy laugh.

“You’ve got that right.”

He closes your door then gets in the other side, and you’re already rifling through the glove box full of cassettes. You pull out the mixtape you made for him for your six month anniversary and pop it into the player, and Aaron smiles as the first few notes of Stairway to Heaven come on.

“You’re a threat to my grades, y’know.”

“Maybe it’s all part of my plan,” you say. “Distract you with kisses to make sure I’m a shoe-in for this fellowship.”

“A dastardly plan,” he says with mock austerity.

“I’ve been told I have to be more of a shark,” you muse. “Consider this me taking down my competition.”

Aaron laughs, and you find yourself smiling just at the sound of it. You love the way his eyes crinkle at the corners, how they soften just so, how he acts like himself around you, and not some perfected or stoic image that he thinks he needs.

Falling in love with Aaron Hotchner has been the easiest thing in the world.

“Don’t let anyone know,” he says, and he reaches over to intertwine your fingers together. “But I’ll happily fall to you every time.”

“As long as you don’t tell everyone how whipped I am for you,” you tease.

“Looks like we’ve both got reputations to keep up.”

“Looks like it.”

You share a smile, yours just on the edge of a grin as you try to bite it back. You hold hands the rest of the way, just soaking in each other’s presence with songs from bands you introduced to each other floating through the air.

(It is a goddamn struggle to get any work done at the library with that face across from you the whole time.)

You had sky-high aspirations when you were younger.

Ones that would make your teachers offer a smile and tell you to shoot a little lower, that would make your friends’ eyes widen, that your father would scoff at and your mother would humor you on just to get you to move past it.

You didn’t listen. You’ve wanted to be a lawyer since you went on a class field trip to a courthouse in elementary school and saw all the attorneys hustling about, dressed to the nines, making last-minute deals outside the courtroom.

They were just… so confident. So smart, so stoic, always knowing the answer to everything. The good ones had money, sure, but more importantly they had the power to change lives for the better. And as a kid that had to cover up bruises before the school day, nothing sounded more appealing.

All you’ve ever wanted to do is help people.

And as you sit in a cold, empty interrogation room, you can’t help but wonder where the hell you went wrong.

You don’t want to be here, obviously. But you know the FBI won’t stop bugging you until you give them answers—you know Aaron Hotchner won’t stop bugging you.

Because god— what are the odds?

What are the fucking odds of your ex-boyfriend from a decade ago showing up at your door with a badge and an attempted case against your brother?

It’s ridiculous, and it’s such bad luck that you think it could only happen to you. You’ve thought about Aaron Hotchner more than you’d like to admit over the years, especially when you found your old GW crewnecks, and the box of school supplies you used for a decade, and those photo albums from what should’ve been your golden years.

It’s not like any of it matters, though. You only agreed to come in and talk because you want them off your back and you don’t want them poking around your house. You saw it in Aaron’s eyes—he was profiling you and your place the entire time.

If the cops want to invade your privacy even further, they can get a goddamn warrant.

Your thoughts are interrupted when the door opens, and you hold back a mirthless laugh, because of course it’s Aaron. He greets you with your name, and he has a file in his hands. You wonder if it’s on you or your brother. “Thank you for taking the time out of your day to come in and talk with us.”

“Well, you seem to think my brother is a murderer.” You cross your arms as you sit back. “I’m not really gonna let that stand.”

“I’m surprised you haven’t asked for a lawyer,” he says as he sits down across from you.

“I don’t plan to be here for very long,” you respond tartly. “But don’t worry—that can always change. I know my rights.”

“I’m the last person you need to tell that to.” Hotch sets the file down and looks right at you. Though he’s obviously older—more grizzled, more hardened; harsher, sharper lines that define his face; lips set in a taut, unflinching line—you still see that young man from law school. The passion, the care he puts into everything, the penchant for striped ties.

You wonder what he sees when he looks at you.

“Your last name wasn’t Hartford when I met you,” he says. “Why is it now?”

“Not one for small talk,” you remark.

“I never have been.”

“I remember.” You hold his gaze. “It’s my mom’s maiden name. I changed it to put some distance between me and everything else.”

You can practically see the gears of his brain working, neural pathways branching off with every word you say to make sense of it and reason a thousand different meanings from it. Aaron’s always been like that, but it’s tenfold now.

You suppose one has to be like that, to try and get anywhere with the types of criminals they face.

“How long have you been living in St. Louis?”

“Seven years. I’ve had that house for three.”

“Rent or own?”

“Rent,” you scoff. “I don’t make enough for a down payment, and I don’t want a place tying me down.”

“What inspired the move?”

“Close enough to home to be familiar, far enough to not be.”

“And home is?”

“St. Charles,” you say, and you purse your lips. “Shouldn’t you already know all this?” You nod at the file in front of him. “It’s either on me or my brother, and we share a lot of the same info.”

“We prefer to get our information from the source,” he says.

“Sources can lie.”

Aaron doesn’t waver. “And we can charge you with obstruction if it harms our investigation.”

Your lips twitch for a moment, not entirely without heart. “Ask your questions, Aaron.”

He opens the folder and slides the first picture over to you—your brother’s first mugshot, taken when he was only twenty-one. You still remember riding your bike to the station in the sweltering August heat to drop off his bail and pick him up.

You had to catch the bus home together, you had to pay his fare, and his bail drained everything you’d been saving from your waitress job. But your dad refused to pay it, and you refused to be alone in that house any longer than you already had.

You swallow the memory. It still tastes as sour as the day it happened.

“Lucas Hartford is our main suspect,” he says. “He matches our initial profile—in and out of jail since his twenties, his parents are dead and he has an unstable home life, and he’s got a sister.”

“None of those sound like questions,” you say.

“Where is your brother?” he asks firmly. He’s given you a bit of leniency, but you can tell he’s getting tired of you. Some things never change, you think to yourself bitterly.

“I don’t know,” you admit.

“You don’t know,” he repeats.

“I let him stay with me, and my only requirement is that he goes to his community college classes and stays out of jail,” you say. “He’s done both, so I don’t ask questions.”

“And you’re telling me you haven’t questioned it.”

“I called him the other day after you left,” you say. “He didn’t pick up, and I didn’t get a call back until the next night.”

Aaron’s eyes sharpen. “What did you say to him?”

“I called to see where he was,” you say evenly. “I think you all are wrong, but I wanted to make sure he was okay.”

“You didn’t tell him—”

“No,” you interrupt, “I didn’t tell him about your investigation. If I think you’re wrong, why would I need to let him know?”

He still has that look in his eyes, and you know you’re getting on his nerves with the constant interrupting, the constant backtalk. But he probably deals with much, much worse.

“Good,” he nods. “You could be putting lives in danger if you do—including yours.”

“Please,” you scoff. “He won’t hurt me. He never has.”

“Why do you let him stay with you?” Aaron asks. “You’re straight-edge, he’s a borderline alcoholic that’s been in and out of jail for years. You’ve got a law degree, he never made it past high school. You’ve got your life together, his is falling apart.”

“That’s why I do it,” you say. “Our parents are dead. I’m all he has left, and he’s all I have left. I want him to get better, so I’m trying my best to help him get there. How can Luke put his life back together if he’s got no support?”

“That’s an awful lot of faith to put in someone who hasn’t earned it.”

“I’ve gotten good at that over the years,” you reply.

Aaron stares at you, and you stare back. You let the moment linger. You hope it stings, even fleetingly.

“And you’re wrong, by the way.”

“About what?” he asks. Again, unshaken.

“I don’t have a law degree,” you say. “I dropped out.”

And for some reason, that is what gets him. He frowns, and you wonder what it means that this is the most unexpected thing he’s gotten out of you.

“Why? You were only a year out. You had stellar grades.”

“My mom got cancer,” you say. “Luke was serving his second stint, Dad fucked off to some corner of the country to drink himself to death a couple months before. I was the only one left to take care of her, and I couldn’t do that from DC.”

“I had no idea.” This is the first time he looks taken aback since you’ve met him again. “And she’s—”

“Dead,” you supply without waiting for an answer. “Went a couple months after I was meant to graduate.”

“...I’m sorry for your loss,” he says. He’s just repeating what his agent said at your house, but it feels genuine, at least.

“It’s been a decade,” you say. “I’m just sorry it was her instead of my dad.”

Aaron’s brows knit together again, and less work goes into covering it up this time. “You seem to have something against your father.”

You huff a mirthless laugh. “Excellent profiling.”

“Child abuse is common for serial killers,” Aaron says. “We find it’s typically the root of their problems later in life, or plays a part in their MO.”

You stare at him again. This isn’t just an interrogation with Supervisory Special Agent Aaron Hotchner—it’s revealing parts of your past that you never told your ex-boyfriend Aaron.

“Yeah,” you finally say. “Our dad beat us. Is that what you wanted to hear?”

“You know th—”

Aaron cuts himself off before he can finish whatever he wants to say, and he lets out a short sigh with a nod. “It’s valuable information for the profile.”

The room feels a lot colder all of a sudden. “Sure.”

He still looks like he wants to say more, but he bites his tongue as he takes the picture back and closes the file.

“I’ll be back,” he says. “Would you like anything? Water?”

You shake your head and remain silent. He takes the folder and stands up, and you watch him the entire way to the door. Just before he can open it, you find words escaping without you thinking.

“Look, Aaron,” you blurt out. He pauses, and he turns to look at you. “I know this is your thing, and this is your investigation, but I’m telling you—my brother and I don’t play any part in it.”

“The profile—”

“I don’t care what your profile says,” you interrupt. “He didn’t do it. He couldn’t have done it.”

“He’s rough around the edges, I know. In and out of jail isn’t good for anyone.” You hold onto the edge of the table as you continue rambling, needing something to do with your hands. “But he’s working to get better, and he is not the kind of person to do something like this. If you believe anything I say, believe that.”

“I suppose we’ll find out,” he says evenly.

He leaves the room, and your hands fall into your lap as your nails dig into your palms. You don’t mean to be desperate, but you feel it. You’ve been defending Lucas at every chance, but you’re terrified of being wrong. You’re terrified that Aaron might be right—that he might be behind all of this.

For his sake—and your sake, honestly, because you think you deserve to be selfish when he’s all you have left—you hope you’re right.

You have to be right.

The room feels even colder.

Your stare drifts to the one-way mirror, where you know his team is watching. You saw the way Agent Prentiss watched Aaron when they came to your house—he said he doesn’t want them to know, but you think they already do.

You wonder the kind of things they’ve come up with about you and him.

Morgan whistles when Hotch walks out of the interrogation room.

“She does not like you.”

“Did you gather anything else?” he asks placidly. He sets your brother’s file down so he can fix his tie.

“Abusive dad, dead parents, criminal background,” he says. “Lucas is looking like a stronger suspect. Oh— and she really doesn’t like you.”

“If you don’t want to go back to building a file on your suspect, move on,” Hotch demands.

Morgan shrugs, clearly unfazed, but he keeps his mouth shut. Reid, meanwhile, is still staring through the glass at you. You haven’t exactly relaxed, but you’re not as tense as you were while talking to Hotch. You pick at a loose strand of thread on your sweater, and when you pull it out, you let it fall to the floor.

“Her brother feels like a prime suspect,” Reid murmurs. “I feel like I could just figure it all out if I could talk to him.”

“I told Penelope to keep an eye on him,” Prentiss contributes. “She’s tracking his cards, the car registered in his name, even called the person in charge of the AA meetings he goes to to keep an eye out—everything. We’ll know if she gets anything.”

“Serial killers want to see the damage they’ve done,” Reid says. “Things are falling apart here—the whole city is terrified. He’s gotta be in St. Louis still.”

“You’re sure that he’s still in the running.” Hotch glances back at you, and he knows he has to at least ask, for your sake. He doesn’t want to put you through anything more than he has to—not after what you’ve told him.

And Hotch knows your past is your business—he just can’t believe you never told him.

He’s turned over your relationship in his head just as many times in these past few days as he did the months after he ended things.

“I’m sure, sir,” Reid says. “I’ve read over both their files, and Lucas matches with our preliminary profile. His stressor could have been his father dying.”

Morgan frowns. “Explain.”

“Family annihilators typically go after their own family for a myriad of reasons,” he says. “Paranoia, to cover up their lies, to free themselves from what they see as oppression, sometimes just pure jealousy.”

“He’s killing the parents but leaving the children alive,” Hotch says. “Sounds like a liberator to me.”

“That’s what I think,” Reid nods. “If Lucas has been banking on killing his father for that attempt at freedom, and then lost the chance?” He shrugs. “That could be why he started going for other families.”

“Other fathers to take his place,” Morgan realizes, and he nods again.

“You should talk to her, Spence,” Prentiss says. “You’ve got a handle on the profile, and you’re pretty good at conveying info. She seems like a reasonable person—just can’t accept her brother doing something like this.”

“It’s typical for someone to deny their family member’s involvement,” Reid says. “No one wants to think their sibling is a murderer.”

“If you lay it all out for her like that, with facts and the profile, I think she’ll listen.” Prentiss looks at Hotch. “She’s too closed off with you.”

“That’s how she is,” Hotch claims.

“Maybe,” she shrugs, “but it’s much easier to hate you than it is to hate Reid.”

Hotch glares at her, and Reid clears his throat to insert himself back into the conversation.

“I’d be happy to talk to her,” he says. “I know what it’s like to be in this kind of position—I can put her at ease, sympathize with her.”

They all look at Hotch, and he wants to say no. He wants to be the one to get this out of you—some part of him wants as much time with you as possible. But he decides to swallow his ego.

“Fine.” He nods, and he hands the folder to Reid. “I trust you to handle it.”

Reid nods too, far too many times, and he takes the file. “Thank you. Uh— sir. I appreciate your trust.”

“Yeah, yeah,” he says, but it has no bite to it, and Reid walks inside.

He says your name and sits down across from you. “I’m Spencer Reid. I know we’ve already said it, but thank you for talking to us. It may not seem like it, but it goes a long way towards figuring out this case.”

You nod. You already seem more at ease than you were with him, and it makes Hotch…

Not jealous, because that would be insane. But it makes him upset that he doesn’t understand you the way he used to—that he doesn’t hold that key to you anymore. God, it feels like he doesn’t know you anymore.

Hotch doesn’t get why a side of his brain still thinks this way about you.

“They sent a new one in,” you say.

“You looked like you needed a break from Hotch,” Reid says. “Don’t worry. We all do sometimes.”

You huff a slight laugh and your posture eases, your expression softens just so. Reid was right, as usual.

“I can imagine.”

He starts talking to you about the case, laying out all the facts, and though you don’t look happy, you don’t cut him off like you cut Hotch off.

“She’s pretty,” Morgan offers, glancing at Hotch. “And stubborn. I see why you like her.”

“Shut up, Morgan,” Hotch mutters.

He chuckles and holds his hands up, and focuses back on the interrogation.

The rest of it passes in silence, save for the occasional input from Prentiss or Morgan to elaborate on a point. You talk much more with Reid than you did with Hotch, and you don’t stare daggers at him the entire time.

Time doesn’t always heal all wounds, he thinks.

When Reid is finishing up inside with you, Morgan glances back at Hotch. “You think she’s part of this?”

He shakes his head. “No. She has no reason to kill, nothing to gain. She talks about her past too plainly—it hurt her, obviously, but it hasn’t taken over her life.”

“What about her brother?” Prentiss asks.

“The more we learn, the more I suspect him,” Morgan says.

She nods in agreement. “We just have to find him.”

Hotch isn’t sure yet.

But for your sake, he hopes his gut feeling is wrong.

Spring has finally sprung in DC, and you couldn’t be happier.

It’s hard to feel down on your walks to class when the birds are singing and the sun is beaming down on you, when you see students sitting on blankets reading and talking and actually enjoying life for once.

You’re two years into law school, and it feels like you’ve spent 90% of your time studying in either the library or your room. A bit of a sad existence, but it’s made better with Aaron.

You’re laying down on a blanket—one you crocheted yourself in undergrad—resting your head on Aaron’s head as he reads a book, the spring sun shining down on you. It feels like the first moment of relaxation either of you have had since classes started, and you chose to spend it together in the University Yard.

You should probably be studying or doing some kind of homework, but you don’t care. It has been too damn long since you’ve gotten to just sit around and exist with Aaron, and you’ve got at least a couple days until your next quiz. That’s far enough away for you.

It’s been a rough semester for both of you, between classes and endless homework, between your internship and your endless family issues—Luke is two years in, and his parole was denied, and your dad still insists on being the reason you stay on campus year-round.

You don’t think you’re pushing it when you say Aaron’s support has been the only reason you’ve gotten through it, your grades—and your mental state—relatively unscathed.

Aaron says your name, and you hum.

“Are you listening?” he asks.

“Of course,” you say.

“Your eyes are closed.”

“I don’t need my eyes to listen,” you say wryly. “What’s up?”

You feel him tense for a moment, feel him adjust his position slightly.

“I got a call from Haley,” he says carefully.

Your eyes open and you frown.

You know the name, but only in the way that you talked a bit about your past relationships while you were still getting to know each other. She was his high school girlfriend, and it was a big deal then, but they broke up before college because they both wanted different things.

It shouldn’t be a big deal now. But he’s treating it like one, and that makes you hesitate.

“Yeah? What’d she want?”

“…She’s in DC for the weekend,” he says. “Some conference for school. She asked if we could grab a coffee or something and catch up.”

You finally sit up, his hands falling from where he’d been playing with your hair, and you look at him.

“Your high school girlfriend wants to catch up.”

“An old friend wants to catch up,” he corrects. “I haven’t really talked to her since we graduated high school.”

“...Okay,” you say slowly. “Do you want to see her?”

He shrugs. “I thought it would be nice.”

“Do you think she thinks it’ll be more than nice?” you ask.

“I don’t know,” he admits. “I don’t even know how she got my landline. I think my mom might have given it to her.”

Your eyebrows rise. “Your mom gave your ex-girlfriend your number?”

“It’s the only way I can think of her getting it,” Aaron shrugs. “Like I said, I haven’t talked to her since graduation.”

You chew on the inside of your cheek, trying to think as you look at Aaron.

You’ve met his mom a dozen times. You’re insistent that she doesn’t like you, despite Aaron’s assertions towards the opposite—it wouldn’t surprise you if she gave this girl his new number in an effort to push him in a new direction.

But that train of thought feels a little crazy. You’re confident in your relationship with Aaron—you love him, and he loves you. God, he made an off-handed comment about marriage the other day. You’re not threatened by a girl from his past wanting to catch up.

“Go for it,” you finally say.

He frowns, like he was expecting the worst. “Really?”

“I trust you, Aaron,” you say. “You say she’s just a friend, I believe it.”

You lean forward to kiss him, your eyes fluttering shut, and it lasts much longer than it should. When you pull away, Aaron’s smiling softly at you.

“Thank you,” he says.

“‘Course,” you say, tipping a shoulder. “I’m known to be rational from time to time.”

He chuckles, and you smile as you lay back down on his chest. Soon after, you feel the weight of his hand on your shoulder.

“I love you,” he says. It feels more like a reminder than anything.

You entangle your fingers together and press a kiss to the back of his hand.

Sometimes you need reminders.

“I love you too.”

“Four more bodies,” Prentiss mutters. “God.”

“You can say that again,” Morgan murmurs.

Hotch is silent as he examines the father’s body. They’ve been so busy the past few days trying to nail down the profile, both on their unsub and geographically, that this happening again hadn’t been at the top of their list. There was a month between the first two, and two weeks between the second and third.

No one expected this to happen so soon.

The entire family was killed this time, and once again, the parents look similar to the other victims. It’s the work of their unsub, no doubt.

Hotch and the team had already been at the precinct for an hour going over all the information they’d found when they got the call at 8 in the morning, the bodies discovered by the family’s maid when she arrived for work.

An entire family, parents and children, senselessly slaughtered for one man’s deranged quest for liberation.

Hotch has been in this business for a long time, seen things that most people only imagine in nightmares, and he still has to take a step back when children are involved.

He sees Jack in every single one. He can’t help it.

Hotch took Prentiss and Morgan with him to the crime scene—JJ has a kid, Rossi had a kid, and he just didn’t want Reid to see it. They’ll all be more valuable working together back there anyways, and it’s imperative that JJ controls the narrative before this can break to the press.

Again, Prentiss talks to the officers at the scene and Morgan helps him examine the bodies. After all, there are double the amount.

“It just doesn’t make sense,” Morgan says as he stands back up. “Our guy is killing surrogate parents to get back at his own, fine. Dad was tortured again, mom was killed with a bullet. But bringing the kids into it isn’t his thing.”

He uses a gloved hand to gingerly lift the father’s arm away from his body so he can examine the underarm. “Look at this. He’s been stabbed at least ten times, and his arm’s nearly severed from his body.”

“And his neck,” Morgan mutters. “He’s half decapitated.”

Hotch sets the arm back down. “The unsub always wants the father to suffer, but this is a new level.” He looks up at Morgan. “I don’t think he has a reason for killing the children. I think he’s getting sloppy—he’s getting overwhelmed by his anger.”

“You think he’s devolving,” he says, catching on.

“Something tells me we’re coming to the end of the line,” Hotch says. “Whatever he does next, he’s going out with a bang.”

The mood in the precinct has fallen dramatically since the last hit. The uniforms aren’t happy that they’re working around the clock, the chief isn’t happy that the BAU hasn’t figured everything out yet, and the city isn’t happy that ten murders have been committed with what they think is no end in sight.

JJ and Rossi have gone out to bring in the suspect that he and Morgan found together for the sake of covering their bases—they still haven’t been able to find Lucas, despite Reid calling you every day to check in and upping police presence around the city.

The rest of the team sits around a conference table, over a dozen coffees between them, going over everything and racking their brains for information.

“This just isn’t matching up,” Reid complains. “Lucas has just been at home for the first two, but for the third and the fourth he’s got alibis.”

“What are they?” Hotch asks.

“He was on the road all night when the third happened,” Reid says.

“And how do we know?” Prentiss asks.

“Garcia picked up his debit card being used a couple times from Des Moines back to St. Louis when the third set of murders happened,” Morgan contributes. “Must’ve been a road trip, because there are stops at a gas station, a restaurant, and a rest stop.”

“The last one happened during an AA meeting he was supposed to attend,” Prentiss says. “I called the leader and she said he was there.”

“Do we have footage from any of those places?” Hotch asks. “We need to make sure.”

Reid nods. “I asked her to check it all this morning, including the AA meeting. She must still be going through it—I can’t imagine it’s easy to get all that access.”

“What about a second unsub?” Morgan suggests.

Hotch shakes his head. “These are all meant to be personal for liberation—catharsis. Involving someone else would take away from the feeling.”

“What about your suspect?” Prentiss asks, looking at Morgan. “Could he be the unsub?”

“Patrick Fenton,” Morgan says, and he shrugs. “He fits it—dead parents, jail time, child of abuse. But he’s got two sisters, and his parents died when he was in his twenties from a car accident. I don’t see why he would start killing almost twenty years later.”

“Maybe we’ll figure something out in questioning,” Reid says hopefully.

Morgan’s phone suddenly goes off, and he hits the button to answer. “You’re on speaker, babygirl.”

“I found the security footage from those three places, the ones that Lucas was at on his supposed road trip when the third family was hit,” Garcia says, voice slightly tinny through the phone.

“And?” Hotch asks.

“I was getting there,” she says. “Lucas wasn’t there. He wasn’t on any of the footage—his sister was.”

Hotch frowns. You?

“You’re sure?” he asks.

“I’m always sure,” Garcia responds. “And I don’t know if Spencer is there, but he also wasn’t there at the AA meeting—I combed through the whole meeting, and he didn’t show up at any point. Just another guy that looked like him.”

“And you’re sure about that, too?” Hotch asks again.

“What is with this questioning of my abilities?” she asks, offended. “Yes. I’ve stared at so many pictures of Lucas Hartford over these past few days that I’ve got him burned into my brain.”

“Thanks, babygirl,” Morgan says. “We’ll call back if we need anything.”

“And you’re always welcome in this house of miracles,” she muses. Morgan chuckles before he hangs up.

“Lucas gave her his card,” Reid realizes. “It’s an easy alibi, but it falls apart when you look into it even a little bit.”

“Probably seemed solid to him at the time,” Morgan says. “He doesn’t seem like a detail oriented guy.”

Prentiss frowns. “That means he’s back on the chopping block. We can put him at the scene of every murder.”

Hotch leans over the table and grabs Lucas’s file, and he pulls out the page compiling his family. “His father died five years ago from liver failure. Hartford got out of jail last year.”

“If he’s been plotting some elaborate murder of his father for years, just to get out of jail and find out he drank himself to death?” Morgan shakes his head. “He’d snap. It doesn’t feel like justice.”

“He thinks he’s saving the kids of these parents that he kills,” Reid says. “He sees himself in them—he can’t look past his own childhood, and he assumes those kids must want their parents dead too.”

“He’s trying to get back at his dad,” Prentiss says. “We know that.”

“But that’s not his main goal,” Reid insists. “If his dad died when he was a kid, the abuse would have stopped. His mom wouldn’t be the battered wife anymore, and he wouldn’t be the battered kid.”

“His goal has always been protection,” Hotch realizes. “Yes, he’s getting his revenge by killing his father over and over, but ultimately, he’s trying to save himself.”

“But he didn’t anticipate the kids being home this time,” Prentiss says. “He had to kill them too.”

“If he‘s seeing himself in these children, recreating what he never got to do, then that means that he effectively died in this scenario,” Reid says.

“He didn’t get what he wanted,” Morgan says. “That’s gonna take a toll on him.”

“He’s coming to the end of the line,” Prentiss nods.

Hotch’s brain is working overtime as they work information off of each other. They’re so damn close—they just need the last piece of the puzzle. If they find Lucas’s next victim, they find him.

“His next crime will probably be his last before he goes out himself,” Reid says.

“You think it’ll be a murder-suicide?” Morgan asks.

“It’s common with family annihilators,” Reid says. “Hell, it’s common with anyone who sees no future beyond their murders. It’s their way out.”

And then the answer hits Hotch like a ton of bricks. Reid is still rambling next to him.

“If his dad was still alive, I’d say he would be the target. But the only one left—”

“—is his sister,” Hotch grits out, and he’s dashing out of the conference room before anyone can stop him.

“Hotch!” Morgan yells, and he turns to Prentiss with wild eyes. “Where the hell is he going?”

“The last victim,” she says as she starts following him. “The one person he never managed to save.”

“Goddammit,” Morgan curses, and he grabs his phone from the table, dialing Garcia as fast as she can while he runs. Reid is close behind him.

“What’s up, sugar?” she asks. “Got anymore leads?”

He laughs dryly. “We’ve got a big one, babygirl. Lucas has finally reached the end of the road — he’s going for his sister. I need you to call JJ and Rossi and—”

“Send them the Hartford address and fill them in on everything?” she interrupted, and he could hear her fingers flying across the keyboard. “Already on it.”

“What would I do without you?” he asks.

“Be half the man and twice as sad,” she says. “I’ve got to call JJ. Be safe, my love.”

“Always,” he responds, and he hangs up.

Hotch distantly registers Prentiss stopping by the chief to alert him of what’s going on, because he’s in the fog of a rampage. He’s in the driver’s seat before he knows it, starting the car, and he sees Prentiss, Morgan, and Reid running out after him.

Prentiss takes shotgun and Morgan and Reid file into the back, and they’ve all got Kevlar vests in their hands. He didn’t really think of that through his haze.

“We’ve got an extra one for you,” Reid says, reading his mind.

“Thank you. I— I know what you’re all thinking—” Hotch starts, but Prentiss shakes her head.

“Just drive.” Her lips set themselves in a taut line. “We’ve got a murder to stop.”

And he does.

You sit on the curb, surrounded on either side by a box of your things. Packing up everything made you realize how little you had at his place. You thought you’d integrated yourself into his life fully, but it really just took an afternoon while he was in a lecture to disappear.

Summer has fully turned to winter, and you’re as morose as the weather. This side of town looks so depressing without the warmer months to pick it up—the sidewalks are lined with dead trees, the grass is shriveled up and yellowing, and you feel like you’re living in grayscale.

A shiver runs through you, the weather only partly to blame.

Amy is supposed to pick you up, but as usual, she’s running late. You don’t know if it’s a personal issue or DC traffic has just struck again, but it doesn’t really matter. Either way, you’re stuck here, and your bad luck seems intent on making it worse, because you watch a familiar car pull around the corner.

It parks a distance away—there’s no space in front of the complex, and he always complained that they didn’t do assigned spots—and you have to hold back a scornful scoff.

Of course you have to deal with this now.

Aaron picks up his pace when he gets out of the car, surprise—and what you think is shame—painted on his face. He says your name when he slows down.

“You’re already packed.”

You shrug. “I’m nothing if not efficient.”

“I could’ve helped you with all this,” Aaron says, frowning.

“Why do you think it’s done already?” you ask.

His throat bobs and he opens his mouth, but nothing comes out.

“Let me save you the pain of chivalry,” you say. “I’ve got a friend coming to pick me up. I’ve already found a place. I called your property manager the other day and argued my way out of the lease, but I still paid my next month. You’re welcome.”

“You didn’t have to do that,” he says.

“You know what they say about a clean break,” you intone.

“I’m sorry,” Aaron tries again. To his credit, he looks like he means it. Against his credit, it’s about the fiftieth time you’ve heard it from him in the past two weeks.

“I shouldn’t have let you get that coffee,” you say with a grim smile, “should I?”

His lips pull into a taut line. “I didn’t cheat on you.”

“I know,” you say. It’s the one thing you do believe. “I just don’t think you ever fell out of love with her.”

Mercifully, you see Amy’s car pulling up in the distance. She’s your only friend with an SUV, so at least your boxes will fit.

“My ride’s here,” you say as you stand up, and you pick up one of your boxes. Amy throws on her hazards and she gets out to open her trunk.

“I’m so sorry I’m late,” she breathes. “Traffic was awful, and Jake has been so annoying—”

“Don’t worry about it,” you say with a slight smile as you put your box in the back. “You’re already doing me a huge favor.”

“I want us to still be friends,” Aaron calls. When you turn back, he has your other box in his hands, his expression shamelessly desperate. Amy glares daggers at him.

“Why?” you ask innocently. “So I can go without talking to you for ten years, ask you for a coffee when I’m in town, and then get you to leave Haley?”

“That’s not what happened,” he says, but you’re already shaking your head.

You take the box from him and smile thinly.

“Have a good rest of your life, Aaron. I hope it doesn’t involve me ever again.”

You let out a noise of frustration as you struggle to get the key into the lock, gritting your teeth as you try to fit it in. It’s always been finicky, but you just don’t have the energy to deal with this tonight. Thankfully, just when you start getting annoyed, you get it open.

You get a few steps in before your eyebrows rise, the sight of your brother at the kitchen table a surprise. He’s got his head in his hands, and your surprise turns to concern.

“Lucas,” you say with a slight smile, shutting the door behind you, “I didn’t know you were gonna be home tonight.”

His attention shoots to you immediately as he says your name, and he looks slightly out of it. “I was wondering when you were gonna get back.”

“Stole the words right out of my mouth,” you say wryly, and you ruffle his hair with your free hand as you walk past him. He swats your hand away in brotherly protest, and you snort. “This place has been quiet without you. Well— except for the cops. They were pretty loud.”

“They haven’t been back, have they?”

You look back at him and notice his leg is bobbing up and down insanely fast, and he keeps scratching at the soft wood of your table with his nail.

Your smile fades. “Don’t tell me you’ve been drinking.”

“Of course I haven’t,” he insists, but you turn on the kitchen light, then move closer to peer into his eyes against his protests.

“At least you’re not high,” you murmur, taking one last look before you pull away. “And stop ruining the table. I need it to last for the next ten years.”

He huffs, and you can practically hear him roll his eyes, but he stops.

“Did you go to class today?”

“You don’t have to act like Mom,” Lucas says, crossing his arms again with another huff.

“And you don’t have to act like a child.” You roll your eyes as you set your tote bag on the countertop and begin unpacking the groceries you bought. “I’m asking you about your day—that’s definitely not acting like Mom.”

“Yes,” he mocks. “I went to class.”

“Good.” You glance back at him. “I’m proud of you, Luke. You’ve been making progress.”

His smile is a bit thin, but he nods. “Thanks. How was work?”

You scoff and shake your head as you put a couple things in the pantry. “Don’t even get me started. I swear, Marie’s going to get me fired someday if she keeps her bullshit up.”

“She’s still on it?” Luke asks, and you can’t help but smile a bit.

“Don’t act like you know what I’m talking about,” you say. “Just agree with me.”

“I agree with you,” he says.

“That’s it,” you muse.

Your eyes fall back on your bag, and you’re reminded of what you meant to do next time your brother showed up.

“Oh—” You go back over to the kitchen table for your bag and pull out your wallet. You slide a debit card out and hold it out to your brother. “Thanks for letting me use it while I was up in Des Moines. I finally got my bank to get rid of the freeze on my card.”

“...Of course,” he says, and he takes it back. “Glad I could help.”

“I’ll pay you back, obviously,” you say as you get back to your groceries. “I just have to wait to get paid again.”

“Don’t worry about it,” he says. “And uh— you never answered me. Did the cops come by again?”

You huff a mirthless laugh and shake your head. “You have nothing to worry about, Luke. I think they finally realized they were barking up the wrong tree.”

“…Good,” he says. “I can tell they’ve stressing you out.”

“Like that looks any different than my normal state,” you say wryly. “Besides, it wasn’t that bad.”

You recall the shock you felt when you opened the door to Aaron, and how nervous you were on the drive to the precinct. It’s almost been a decade, and yet he still has an effect on you that he has no right to.

“You remember that guy I dated when I was still in law school? Aaron Hotchner?”

“I think? I was in jail, so.”

You roll your eyes. “I know I told you about him when I visited you while we were together.”

“I remember you telling me how he broke your heart,” Luke says.

“That’s not what I’m saying.”

“Then what are you saying?”

“That he’s with the FBI now. The BAU,” you enunciate, and you huff. “He’s one of the guys on this case, coincidence that it is. They came here—they even brought me in for an interview.”

He frowns. “What’d you say?”

“The truth.” You pull your cutting board and a knife out of a drawer and get to work washing your vegetables. “That I didn’t know anything, and neither of us are involved in either way.” You shake your head with a sigh. “They must believe it, because they haven’t come back.”

“What have they said about me?” he asks.

“I’m not supposed to say.” You roll your eyes. “I think you’re innocent, but I could get charged with obstruction, and I really don’t feel like dealing with that…”

You trail off into a sigh as you finish washing the peppers and set them on a towel. “I hope they find whoever’s doing it, though. It is freaking me out that there’s a murderer out there.”

You pick up your knife and start cutting them up—they’re not the freshest, but it’s all Kroger had after work—and you glance back at Luke. “You really shouldn’t be going out so often with this going on, y’know. I don’t want you getting hurt.”

“Don’t worry,” he says. “I’m careful.”

“I doubt that,” you say wryly. “Still, though. I worry about you.”

“Shouldn’t it be the other way around?” he asks. “I’m your older brother.”

“I worry about everything,” you say. “It’s my thing.”

You hear him huff a laugh and you smile a bit to yourself. You get through your first pepper before you remember what’s been nagging at you your whole ride home.

“Oh— can you get the TV?” you ask. “Channel 8, I think. Marcy is getting interviewed for something with her nonprofit, and I told her I’d record it for her.”

Lucas doesn’t respond, though you hear the scrape of the chair as he gets up.

“Thank you,” you say. “I think they have a fundraiser coming up or something…” you trail off and shake your head as you scrape the cut peppers onto a plate. “God. I need to start paying attention in the break room.”

Another few seconds pass, and you don’t hear the television switch on. You huff and turn your head slightly. “Luke, I’m making dinner tonight. This is the least you could do.”

“I’m sorry.”

The words come out as a murmur, but you can tell he’s much closer than he was before.

You don’t even get the chance to turn around before something crashes against your head and your vision goes dark. You feel yourself fall to the ground, and your head hits the floor hard.

Then, there’s nothing.

Hotch has been breaking every speeding law there is.

The station isn’t too far from your house, but it’s still too far. All he can see is your body, crippled and lifeless just like every other victim they’ve had to look at.

It should never have gotten to this point. Lucas has been a suspect for the first day, but they looked to other suspects, got caught up in statements from neighbors and the kids of the victims.

If Hotch just found him and booked him on the first day, this wouldn’t be happening. Your life wouldn’t be in danger.

His hands tighten on the steering wheel.

“I seriously think we’re looking at a murder-suicide if this gets to play out,” Reid speaks up from the backseat. “This is his way of ending this for both of them—the ultimate protection of his sister.”

“No one can hurt her if she’s dead,” Morgan mutters.

“Hotch,” Prentiss starts, treading carefully, “are you sure you’re okay to lead this?”

“Yes,” he says, though he wants to say what kind of question is that?

You were together a lifetime ago in law school, yes, and he might still have feelings for you that he didn’t even realize were there, yes—but he’s an agent and a professional before all of that.

It doesn’t matter that you have history. It doesn’t matter that you likely hate him.

It doesn’t matter that he thought he was going to marry you one day, and then was watching you drive out of his life after he got back with his high school girlfriend another day.

Aaron Hotchner is not going to let you die. It’s as simple as that.

Hotch’s phone rings and he picks it up and flips it open immediately. “Talk to me, Garcia.”

“JJ and Rossi are on their way,” she says. “Are you headed to their place?”

“Yes,” he says, and he puts it on speaker. “I’ve got Prentiss, Morgan, and Reid with me still.”

“Do you think there’s anywhere else he could be?” Morgan asks. “If he’s going to kill her, he might not want to do it in this house.”

“Already a step ahead of you, my love,” she says, and he can hear mouse clicks through the phone. “They grew up in a house in St. Charles—it’s abandoned, from the looks of it, some place on the outskirts. Never got another buyer after the past owners moved out. I’m sending the address to Emily right now.”

Prentiss gets a buzz on her phone and she nods in confirmation after flipping it open. Hotch immediately switches lanes and makes a U-turn, his jaw clenching.

“Tell me how to get there, Prentiss,” he says. “He’s there.”

“You need to get on I-70,” she says, and then her brow furrows. “How do you know?”

“He’s killed everyone else in their homes because he sees it as the source of it all. His sister’s rented place isn’t personal enough.” Hotch shakes his head. “Why wouldn’t he want to go back to theirs to end it all?”

“Hotch.” Penelope’s voice rings out in the car, and he doesn’t even realize he forgot to hang up.

“What?”

“Be careful,” she says, and he rushes to turn it off speaker and press it to his ear. “I… I know how important this is to you.”

Hotch’s throat bobs and his eyes burn with the beginnings of tears. He blinks them away—he can’t be weak now. He can’t let his team see him be weak now. “Dare I ask how?”

“I found an article about GW’s mock trial team,” she says. “Kind of went down a rabbit hole from there.”

Somehow, he huffs the slightest laugh. It feels like a lifetime ago—it honestly is, at this point. Before he saw carnage and gore on a daily basis and tried to solve it, when he thought the DA’s office was the endpoint, when he came home to your smiling face every night.

And now…

Hotch’s spine somehow stiffens, and he knows the other three in the car are watching him. He can’t decide whether he cares or not.

“Thank you, Garcia.”

“No problem,” she says, and he can almost hear her blink in the pause. “Uh— for what, exactly?”

For the memory, he wants to say. But he doesn’t. He can’t, not right now, so he tries his best to snap out of it.

“Keep a watch on the patrol cars,” he says instead. “Update JJ and Rossi on our plan, but tell them to stay on their path. I’m sure I’m right, but we need to cover our bases.”

“Of course, sir.” He hears her fingers flying across the keys. “I’ve got yours and the squad cars’ locations up—I’ll call them now.”

“Thank you,” he says.

“Good luck, Hotch,” Garcia says softly.

Hotch hangs up before he gets too emotional. Penelope has a way of bringing that side out of him.

“We’ll get him,” Prentiss assures. She’s been watching him this whole time, he can feel it—she’s been attuned far too keenly on this entire part of the case involving you and him. “And we’ll save her.”

His knuckles go white around the steering wheel, and for once, Hotch can’t find the words.

It feels like your head is slowly being cranked in a vice when you eventually wake up, a dull but insistent pain. Your arm stings too, but you don’t know why.

You blink a few times as you try to figure out where you are, a low groan slipping out as you fully come back into consciousness, and you move to rub the grogginess out of your eyes.

Your arms don’t move. You try again, panic spiking your heart for a moment, and that’s when you realize you’re in a chair—tied to a chair, your wrists bound together behind you and your ankles bound to the chair legs.

Now the panic fully sets in. There’s a murderer in St. Louis, but you don’t fit the victimology from what you’ve seen, but does any of that fucking matter when you’re stuck in something out of a horror movie?

Lucas was the only one there with you. So either he’s in the same situation, or he—

“You’re finally awake,” a voice murmurs. When he comes into view and sits down across from you, your heart stops.

For a moment, all you can do is stare at your brother with wide eyes. You see the gun in his hand through your peripherals, but you don’t look away from his gaze.

“I was worried I was too rough,” he says softly. “But you’ve always been resilient.”

“Lucas,” you breathe. “What the fuck is this?”

“It’s finally going to be over,” he says, ignoring your panic. “We’ve been hurting our whole lives because of that bastard of a father, and I can finally make it all stop.”

Your brother is fucking crazy. He’s fucking crazy, and he’s going to kill you.

You’ve spent two weeks telling Aaron he was crazy and your brother was innocent, and now he’s going to be proven right when he finds your dead body.

You try to tamp down on your panic. You don’t have a law degree, sure, and you never officially practiced, but you’ve been a good speaker, a persuasive one, all your life.

And if there’s ever been a fucking time to be persuasive, it’s now.

“You don’t have to do this,” you whisper. “We— we can talk if you want to talk.” You tug at your ankle restraints. “This is unnecessary.”

He shakes his head. “I know you. You’d run.”

“Come on.” You manage as much of a smile as you can. “I’ve always been there for you, Luke. Why would this be any different?”

“...You’ve always been too nice,” he says, and he sets the gun down on his leg. At least he doesn’t have his finger on the trigger. “Anyone rational would’ve kicked me to the curb when I asked you for help.”

“You’re my brother,” you whisper. “I— I love you, Lucas. I’d never do that to you.”

“Family’s supposed to be everything, right?” He shakes his head. “You were the only one of us that understood that. You were there to pick me up every time my sentence was up.”

“I’ve always believed in you,” you say.

He huffs a monotone laugh as he stares at the ground. “You’re definitely the only one.”

You shake your head. “That’s not true.”

“Mom didn’t care enough to stop anything,” he says, leaning back in his chair. “And Dad wished I was dead every goddamn day. He didn’t have the guts to do it himself, but he definitely tried.”

You can’t defend your parents. Your dad’s a piece of shit, and your mom didn’t stop anything he did—but you could never find it in yourself to fully hate her because he hurt her too, with more than just bruises.

“I’ve dreamt of killing our dad every day for twenty years,” Lucas says. “And that old bastard had to fuck me over one last time and die while I was in jail.”

You remember when you got the news. You were next of kin—your mother had divorced him by then, and your brother was incarcerated—so you got the call from the hospital. You deliberated for hours before you bought a plane ticket to Montana—apparently that was where he fucked off to drink himself to death—and you don’t know if you’ve ever felt more numb than when you were sitting in some lawyer’s office, listening to him drone on about his will and how his estate would be divided.

“So you killed all of those people?” you asked. “Because you didn’t get to kill our dad first?”

“I was saving those kids!” Luke yells, and you shrink in on yourself. “Saving them before their parents could fuck them up like ours did to us!”

“You don’t have to do this,” you repeat. “You’re just letting Dad win. Proving every shitty thing he said about you.”

“And that’s the zinger, isn’t it? Luke laughs and shakes his head. “He was right. We’re a whole family of fuck-ups. An alcoholic abuser, a battered wife, a nonstop jailbird, and you…” He shakes his head with a sigh. “You should be out there prosecuting people like me.”

“He ruined us,” Luke murmurs. “And I’m finally going to fix it.”

All you can do is stare at your brother, wide and teary eyed. You can’t find the words, but you don’t have to.

Police sirens begin to filter through the air as they get closer, and Luke huffs. “Of course.” He eyes you. “Don’t go anywhere.”

“I wouldn’t dare,” you say weakly.

When he leaves to peer out the front door, you take a second to look at your surroundings. It takes a second because they’re so decrepit, but you could never forget.

Luke brought you back to your childhood home—the place in St. Charles, rotten down to its bones. It’s abandoned by now, but the atmosphere is nothing less than oppressive. There’s a reason you graduated high school a year early, why you never came back once you got to college—except with Aaron, to help your mom move her things out.

You refuse to die here. Even if you have to claw back through the gates of Hell inch by inch—you will not die here.

You hear footsteps, and when Lucas comes back in, he has a crazed glint in his eye. He shakes his head as his finger returns back to the trigger, and you can’t help but flinch. He won’t. Not now.

“Looks like your friends the FBI are here,” he drawls. “You said you didn’t tell them anything.”

“I didn’t,” you insist. “They’re profilers—they figure things out.”

He shakes his head. “They don’t realize that I have to do this.” Luke kneels down in front of you and takes your chin in an iron grip. “This is the only way to end our pain.”

He lets go of you then stands up, moving behind you—you want to protest, but you don’t get the chance. He presses his gun to your temple and then the door is broken down. Four agents rush in, guns at the ready. Aaron leads them, and he’s got fire blazing in his eyes.

“FBI,” he barks. “Hands up.”

Lucas doesn’t seem fazed, his breathing staying the same. You stare right at Aaron, unfiltered fear in your eyes, and you feel torn bare. He’s going to watch your brother put a bullet in your head.

“I’m afraid I can’t do that,” he says smoothly. “This is a family matter.”

“Put the gun down, Lucas,” Aaron says.

“You know my name,” he says. “I know yours too, Aaron Hotchner. My sister told me you were with the feds. She also told me you broke her heart.”

“Put the gun down,” he repeats.

“I don’t think I will,” Luke says. “You see, I don’t go around just kidnapping people for fun. I have a purpose here.” He tilts his head to the side. “But you know that, don’t you? You’re all profilers.”

“You’ve been targeting families that look like your own,” he says. “You think that killing them will end the pain inside you, and protect those kids in a way that you never got.”

“I don’t think it,” he bites, “I know it. If my dad had been shot thirty years ago, we wouldn’t be here right now.”

“This isn’t going to bring you peace,” Aaron says. “Your sister has been the only person to stay by your side through every part of your life. Do you really want to lose that?”

“Trust me,” Luke says. “I’m not losing her.”

He flicks the safety off and you flinch. He’s going to kill you.

“Put the gun down,” another agent warns.

“If you all don’t leave right now, I’ll shoot her.” Your whole body stiffens as he presses the gun harder into the side of your head, your breathing going off kilter. “Except you, Aaron Hotchner. You can stay.”

“We’re not doing that,” the woman says. Agent Prentiss, you think.

“Really?” Luke chuckles. “You think you hold the cards here?”

“It’s okay,” Aaron says. “Go.”

Agent Prentiss frowns, and the other two men look different levels of puzzled. They obviously doubt the decision, but they don’t doubt Aaron, because one by one, they leave.

“Wow,” Luke muses. “They really trust you.”

“Because I know you don’t want to hurt her,” Aaron says. “Deep down, you know you’re not protecting her. Not by hurting her.”

“I’m not hurting her,” he says. “She’s always been the one to keep me safe over the years—I’m finally paying the favor back. I’m finally taking her pain away.”

“You were abused as children. Both of you.” Aaron looks at your brother. “Your sister always tried to protect you, but it never worked. It just made it worse for her, and it made you feel worthless. You’re her older brother. You’re the one that was supposed to protect her.”

“My sister said you’re profilers,” he says, and though his tone is lazy, you know your brother. You can tell it’s starting to get to him. “Is that what you’re doing right now? Profiling me?”

“You would never be good enough for your father, and your mother would never do anything to stop it,” Aaron continues. “All you had was your sister, and even that wasn’t good enough—you hurt her just as much as your dad did. At least your dad didn’t think he was a good person.”

Luke growls, and he puts a hand on your shoulder to pull you closer to him. “Shut up.”

“Your sister has told me you can be more than this,” he says. “And I think she’s right. You’re better than this—better than living between the margins and jail.”

“I’ve had a hole in my chest since I was born,” Luke mutters. “And I’ve tried to stop it, but it’s just grown and grown and grown. This— this aching pit of pain, and he caused it. You’ve got it too— I know it.”

“I— I do,” you say. And you’re not lying. You’ve had a pit of despair in you for as long as you can remember. The only difference is that you’ve fought every goddamn day of your life to keep it from consuming you. “And it hurts, Luke. Trust me, I know. It took me so long to even be able to deal with it, but I know how to. I can help you—we can both walk out of here.”

“No,” he whispers. “No—we can’t.”

“Yes, we can,” you plead. “I love you, Luke. I’ll spend every day of the rest of my life helping you if that’s what it takes to get rid of that hole.”

For a moment, he doesn’t say anything. For a moment, you think you’ve gotten through to him. Aaron never takes his eyes away from you.

“I’ve never been able to protect her,” Luke murmurs. “Not from our dad, not from the world, not even from you, Aaron Hotchner.” He presses the gun harder than ever into your head, like he wants to bury the metal in your skull along with the bullet. “But that all ends now.”

You screw your eyes shut. You don’t want to see Aaron’s face when your brother kills you.

And then it happens so quickly you barely process it.

There’s two gunshots, almost at the same time. You scream, first because of the gunshots, then because of the sudden roaring pain in your side. There’s a thud next to you, your eyes shoot open, and you see your brother’s lifeless body fall to the ground.

You scream again—you can’t even control it, it just rips out of you at the sight of the hole in his head and the blood pooling beneath it—and Aaron drops his gun to rush forward. The rest of his team thunders in after him, all in guns and bulletproof vests, and they’re talking, but you can’t focus on a single goddamn thing because your brother’s dead body is right next to you.

Aaron pulls out a pocket knife and begins to cut through your restraints, and the instant he finishes you collapse. He catches you without a second thought, and you immediately wrap your arms around him.

Torrential sobs wrack your entire body as you bury your face in the crook of his shoulder, every part of you shaking as the reality of it all hits with full force.

Your brother is a serial killer. He killed ten people, he tried to kill you. And now he’s dead.

The only part you had left of your family—gone, just like that, with four other families ruined in his wake.

Aaron’s soft voice in your ear is the only thing bringing you back from the edge of hyperventilation, his own hold on you the only thing keeping you from collapsing.

“I’m so sorry,” he murmurs and he shrugs off his windbreaker to wrap it around your arms. “You’re safe now. You’re safe.”

“He’s gone,” you choke out, voice muffled as you speak into his chest. “He’s gone, and he tried to—”

A fresh round of emotions hit you, unable to get the words out, and you fully break down in Aaron’s arms.

“I know.”

Aaron’s fingers linger on your side and you feel some dull pain, but you feel his breath still for a moment.

“You were shot,” he says with your name. “We have to get you to a hospital.”

You don’t even feel it. God, you don’t feel anything. There’s a distant ringing in your ears, an insistent pain in your skull, and you finally realize Aaron is right when you pull away and see the blood on his fingers.

But black spots start to fill your vision. You may not feel it, but your body holds the score. The pain intensifies in your side as your adrenaline starts to slow down, and you collapse against Aaron.

“Get an EMT in here!” he yells, keeping an arm wrapped around you. “We’ve got a GSW— she’s losing blood fast!”

You can feel Aaron’s rapid heartbeat, can feel his steady arms as he keeps you propped up. You feel the warmth of his body, feel the warmth draining out of yours.

“Aaron,” you whisper, your strength fading. You don’t think he hears you.

He helps you up and you’re suddenly hoisted onto a stretcher, and he’s beside you as the EMTs run you out of your childhood home. The night is a blurry canvas of red and blue lights, and your eyelids feel like they’re made of concrete.

“Aaron,” you try again, and you have enough left in you to grasp his cheek. “Thank you.”

And as the world goes black around you for the second time, you see his lips form your name.

It’s not a bad thing, you think before darkness overtakes you, for Aaron Hotchner to be the last thing you see before you die.

You wake up in the hospital alone.

You don’t know what you expect. You have few acquaintances, fewer friends, and the last part of your family is dead after he tried to kill you.

The real surprise is that you wake up at all.

Lucas is dead.

He tried to kill you. You thought he succeeded.

You let out a slow, even breath, accompanied only by the sounds of beeping machines. It still doesn’t exactly feel real.

You’ve spent the last two weeks defending your brother against every accusation, and you ended it in the hospital—well and truly alone for the first time in your life.

You look at the television. Some muted soccer game is playing, and you’re thankful. You were worried that you and your brother would be the topic of the day.

Who are you kidding? You’re going to be the topic of the year. He killed ten people. He tried to kill you, and you think he nearly did. He shot you, after all.

You let your head fall back against the pillow. All of your limbs feel insurmountably heavy, your side aches like hell, and you’ve got the worst headache of your life.

And you can’t stop playing it all over in your mind.

He was going to kill you.

Your own brother, your flesh and blood, the only person you had left, tried to kill you and would have killed you had it not been for the BAU.

Had it not been for Aaron Hotchner.

The door opens and someone walks through, your eyes following the movement, and when he sees it, he pauses. And so do you—apparently the devil appears even when you think of him.

“You’re awake,” Aaron says after a moment. It’s the third time he’s sounded surprised since you’ve met him again. Seeing you, finding out your mom is dead, seeing you.

But there’s relief there, too.

He has a coffee in his hand and his tie is undone, the sleeves of his white undershirt rolled up to his forearms. It makes you realize his suit jacket has been slung over the back of the chair near your bedside.

“How long have you been here?” you ask, your brows furrowing ever so slightly.

Aaron closes the door and sets his coffee on the table before he answers you. “Three days.”

“And how long have I been here?”

“Three days,” he says. “You suffered head trauma, they discovered drugs in your system, and… you were shot. You had to go into emergency surgery.”

You frown, and he answers before you can ask any of them. “…Your brother. After he knocked you out, he used something to… keep you out. And after I shot him, he still got one off—thankfully, as he was falling. The bullet hit you in the side instead of the head.”

“How bad was it?” you ask.

Aaron glances away. “You died on the table. They managed to bring you back, but…”

“I guess Luke did succeed,” you say absentmindedly. Aaron doesn’t laugh, and you glance away too. “Sorry. Bad time for jokes.”

He shakes his head. “If anyone’s allowed to joke about this, it’s you.”

Your lips twitch for a moment, but then you look back at him as he takes a seat at your bedside again. He looks— god, he just looks tired. Tired and ragged and downtrod, and you can’t imagine you look much better.

“You were out for two days after,” he explains. “This is the first time you’ve woken up.”

“Why are you here, Aaron?” you ask quietly. “Why have you been here?”

Aaron frowns. “Where else would I be?”

Your throat feels like it’s closing up, and you feel the telltale pinpricks of tears. You blink them away before they can start.

“My brother was a serial killer, Aaron.” Your hands clench into fists as you stare at the wall. “He killed ten people while he was living with me and I— and I didn’t even fucking notice.” Your gaze moves back to him. “I went against all of you because I thought I knew him, and look where it got me.”

“It’s not a crime to want to see the best in people,” he says. “Especially your family.”

“It’s a crime to fucking murder people,” you huff, and it’s only slightly unhinged. “I— I thought I knew him, and I didn’t. And if I did, maybe none of these people would’ve had to die.”

“Don’t blame this on yourself,” Aaron demands. “Lucas was lost. Mentally ill. He was on a path for revenge, for his deranged idea of protection—nothing you could have said or done would have stopped him.”

You shake your head. “It might be easy for you to say that, Aaron, but I— I can’t. He’s my brother. I gave him a place to live, I gave him easy access to families— god, I fought with you all for two weeks about his innocence, all while he was planning his next fucking murder!”

“It is not your fault,” he repeats, slower and enunciating the words. “He was the only member left of your family, and you loved him. You were just stubborn, and that’s nothing new.”

“I just don’t know what to do.” You’ve had these walls up for so long, especially this past week, and now that everything’s come to a head and you’re in the hospital and your fucking brother is dead, the floodgates have opened. “I have to plan a funeral because I’m the only one left to plan one, but— but does he even deserve one? He’s a serial killer, and he tried to kill me for god’s sake, but he’s my brother and even though he’s gone he’s still all I have left and—”

You break off as you suck in a huge breath of air, the notion shaky as you clench your hands into fists to keep the rest of your body from doing the same.

“And I just don’t know what to do,” you repeat, barely a whisper.

You meet Aaron’s eyes, almost desperately. You feel like you’ll shatter into a million different pieces if you even breathe wrong and he might be the only solid thing in your life.

“Whatever you do,” he says, “you don’t have to do it alone. Not if you don’t want to.”

“Aaron,” you start shakily, but he continues.

“I know what you think, and that’s not what I’m suggesting.” Aaron pauses for a moment, and it’s obvious how carefully he’s crafting his words. “I’ve… always regretted how we left things. And I regret losing touch with you. This isn’t the way I would’ve liked to meet you again. But I’m thankful I have.”

He pulls a card out of his shirt pocket and holds it out to you. You realize it’s his business card, and it’s got his number.

“I’m sorry for the formality,” he says dryly, “but I don’t exactly go around prepared to give out my number for purposes other than work.”

You take it without giving yourself the chance to think about it. You run your finger around the sharp edge of the cardstock, pressing the pad of your thumb against the corner.

“Years ago, you wished me a good life, and that you didn’t want to be involved in it,” he says, still treading carefully. You can’t believe he remembers the last thing you said to him. “But— but a lot has changed since then, and I hope that has as well.”

“I’d like you to be a part of my life again,” Aaron finally says, “if you want to be a part of mine.”

For a moment, all you can do is stare at him. Two and a half years of law school flash behind your eyes—coffee shop dates and endless hours spent studying at the library. Movie nights cuddled on his couch, hauling boxes out of your house at an ungodly hour to get away from your roommates. An unhealthy amount of all-nighters immediately followed by going out to celebrate a miracle of an A on an exam. Getting through every soul-sucking part of earning a J.D. together, falling apart before either of you could make it to the other side, and somehow…

Somehow, you’ve ended up on a completely different side together.

“My life isn’t going to be easy,” you say faintly. “Especially… moving through this.”

“My life isn’t easy either,” he says. “I’m divorced with a kid and I try to solve murders every day.”

“It’s not a contest.” An attempt at a joke, but it falls flat for you. Aaron’s lips still quirk at the edges the slightest bit.

“Getting through this certainly won’t be easy,” he agrees. “But I have more experience than most in these sorts of things. So if you ever need anything, call. Please.”

“I imagine you’re pretty busy,” you murmur. “Unit chief and all.”

Aaron shrugs. “I make time for the things I care about.”

Thankfully, you don’t have to figure out how to respond to that, because there’s a knock on the door, and a nurse walks in after you call a come in.

“It’s good to finally see you awake, sweetheart,” the nurse says with a smile. It warms you from the inside out.

“It’s nice to be awake,” you say. Her smile widens and she moves over to the computer in the side of the room—to add some things before she makes her checkup, you assume.

“I’ll give you some time alone,” Aaron says.

Before he can stand up, you grab his hand. It’s fully on instinct, and he looks just as surprised as you feel.

“Don’t go,” you plead, and it’s almost a whisper. “I— just— please.”

Aaron stares at you for a moment, that shock glinting in his eyes before it transforms into something a lot warmer. He nods and sits down.

“Okay.”

And he stays.

This time, he stays.

#i was truly possessed while writing this i can't understand it #i wrote 15k words in 5 days #aaron hotchner x reader #hotch x reader #criminal minds x reader #aaron hotchner x y/n #aaron hotchner fic #aaron hotchner angst #aaron hotchner imagine #sadie writes

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pumpkinbxtch · 1 day

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sumn about dionysus’s daughter and percy being obsessed w each other irks be in so kind of way, can i req something about it???

I would come back from death for you .⁠｡⁠*⁠♡

— percy jackson x daughter of dionysus!reader

warnings: none, i think

a/n: ok, here comes my confession. I don't know if this is something that counts as "obsession" as such because there are different types of it. I wanted it to be a more tender or cute obsession. I don't know, maybe I'll explore more but with a darker side.

The emotion was devouring him from the inside out. He knew he would be leaving in a few days, and even though he'd rather fight Hades himself than give his life on a silver platter, Percy couldn't help struggle with the thought of not being in your arms again.

— I'll go with you — you said, even though you knew it wouldn't happen. — I don't mind dying with you if it's the only way to keep us together.

Really, he wouldn't mind too, but he knew he had to keep you safe. Dionysus would never forgive him if anything happened to you, and to be honest, neither would he. You'd stay; that was the right thing.

The best deal he could get for now was to be together as much as possible until the day came.

You didn't say it, but it had become an obsession for each other. barely at night could separate to go to your respective cabins, and of course, not counting those times when you or he would sneak away to spend more time together. Some campers watched, they knew what was going on but still turned a blind eye because who were they to judge? Besides, it suited them to maintain the discretion or Dionysus would truly be in a bad mood, as having Percy Jackson as a son-in-law was enough for him.

That night, you had already turned off the lights, only the moonlight accompanied you, and you let out a deep grunt that turned into a gasp when you heard a knock on your door, you squinted your eyes and then heard two more knocks, three in total.

Obviously it was Percy, and you quickly got up before anyone could see him in front of your cabin. As soon as you opened, he slipped in between the door and closed it by pressing his heel. When you smelled the worn sunscreen on the curve of his neck, you let out a sigh; it was as if during the time you hadn't been together, you had been slowly holding your breath, suffocating without him.

— I missed you — he murmured, squeezing your body a little tighter. He placed a kiss on your shoulder and leaned back to look at you.

— It's only been an hour since dinner, Pers — you said, and he smiled at the nickname taking your hand to walk with you towards your bed. in the end, you were the only one to sit on the edge of it because percy stayed watching your bedside things, fiddling with and looking at your makeup.

— I'm leaving tomorrow — he said, still with his back to you as he struggled to read the label of a lipgloss, the one that suited you so well and that he never feared smudging when he kissed you.

Your heart raced. —Tomorrow? But...

— Things have changed, Chiron told me — Sadness and anger evident in his voice. Percy wanted to set the world on fire with Leo's help just because he hadn't had a couple more days with you. Instead, he took your perfume in his hands and brought it to his nose to smell it. Trying to imprint it in his memory, at least, until he returned and could smell it from your own body where it mixed with thousands of other scents resulting in your characteristic one. The one that drove him crazy.

That idea made him laugh, in fact you were the daughter of the man who could made men crazy with a snap of his fingers, so Percy believed you had done something similar to him, the only difference was that he was happy with it. He would jump blindfolded out of the grand canyon for you if you asked him to.

After a minute, he understood that your silence wasn't exactly a good thing, and he ran his fingers over the other beauty items on your wooden dresser, before turning towards you putting his weight on the dresser.

— Everything will be fine — he was convinced, but the tears threatening to fall from your eyes brought him to his knees before you, so quickly that you held back a sob seeing him on the floor raising his hands to caress your cheeks as if you were something religious that he was worshiping. Her turquoise eyes shone in the moonlight with empathy and they let you know that you had never felt that kind of religious love for which you would die until you had him.

Ugh, you were so in love with each other that it was ruthless to separate you even for just a little while.

You bent down to kiss him, and he stretched his neck to reach your lips desperately, without wanting to lose any piece of you.

—It will take much more than death to keep me from coming back to you— he whispered inches away from your lips, and you smiled because you knew he was serious about that.

With time on your shoulders, you settled on the bed, and he cuddled with you until you fell asleep while he stroked your hair and kissed you on the cheek; you had never felt so safe in someone's arms.

And it was in the morning, just after their last kiss, that your body began to ache for him and his absence. You returned to your cabin, cranky and teary-eyed, looking at the mess he had left on your dresser last night and smiled, recognizing your boyfriend's quirks, but little did you know that all Percy was doing was looking for things he could carry with him during his quest. Things that were yours and reminded him of what he had to fight for.

—Nice hair claw, Percy— Piper joked with a pink spark in her eyes, and he smiled proudly.

Leo dramatically put his hand on his chest and sighed loudly. — Better no one get in HIS – our – way because someone's waiting for him.

“Yeah, better not” he thought.

#maría's shared dreams☆｡ﾟ✧#percy jackson x you #percy jackson #percy jackson x reader #percy pjo #percy jackson and the heroes of olympus #pjo hoo toa #heroes of olympus #hoo x reader #pjo x reader #percy jackson x y/n #percy jackson blurb #percy jackson fic #percy jackson fluff

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tossawary · 18 hours

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I was thinking about Xie Lian being able to snap the Xin Mo sword in half with his bare hands again, and then I thought to myself... "Wait, Xie Lian and Luo Binghe interaction could be really cute, though?"

Like, let's say that Xie Lian, during his time as a wandering trash god, accidentally falls into an interdimensional rift and ends up in the SVSSS world. His luck is bad like that. But while this is weird, sure, it's not that bad! The worlds are pretty similar and he can still make his living! So, Xie Lian wanders along as usual, curiously learning about this new world, picking through trash, occasionally punching demonic beasts to death to rescue awed civilians.

And at some point, Xie Lian runs into a young Luo Binghe while he's living on the streets. Let's say that Xie Lian rolls into town shortly before the death of Binghe's adoptive mother, has a few sweet encounters with this cute and kind child who doesn't have much to spare for a trash collector, and is there to comfort his new young friend when Binghe's adoptive mother passes away. Xie Lian is still there when Binghe gets thrown out onto the streets and he agrees to help the boy travel to Cang Qiong Mountain Sect.

So, Binghe gets to spend a month or two as a trash-collecting god's apprentice! He doesn't know that Xie Lian is a god. He suspects that Xie Lian is just a very powerful rogue cultivator who is living very humbly for some reason. The time isn't entirely pleasant, because life is hard and Binghe is grieving, but Xie Lian understands pain very well and is an excellent companion. He sees Binghe safely to Cang Qiong.

At which point, clingy Binghe does not want to separate from this extremely nice person, but Xie Lian insists on it. He wants Binghe to have a better life. He's worried that his bad luck will somehow spread to this poor boy who reminds him of so many other people he's loved and lost. Xie Lian supervises the confusing entrance exam, while the adult Cang Qiong cultivators desperately try to figure out who this strange person is (Airplane Bro is going "???!!!"), and then leaves wistfully. Binghe will later look back on this particular period of his life very fondly.

Xie Lian can then go in and out of the SVSSS plot as a person pleases! I think it would be very funny if Liu Qingge ended up with an unwilling crush on Xie Lian as well, when they have a spar for some reason and Xie Lian handily SLAMS him into the ground. Xie Lian would probably end up running into Tianlang-Jun and Zhuzhi-Lang somehow, both of whom I think would end up being a little obsessed with him.

I think that the best place to bring Xie Lian and Binghe back together is maybe after Binghe escapes the Endless Abyss. So that Binghe can have a nice cry session on Xie Lian's shoulder. Xie Lian can possibly then introduce Binghe to Tianlang-Jun and Zhuzhi-Lang. Or else generally fumble his way through facilitating Bingqiu actually communicating and being less of a painful mess. Shen Qingqiu (Shen Yuan) is very confused by this character?! Where did he come from??? Who is he??? He's very nice, though, and Shen Qingqiu is feeling maybe a liiiiittle jealous over Binghe.

(I don't know how to handle the System in this AU, but I do like the idea of the System just... not being able to handle Xie Lian. Xie Lian is a god from a different worldbuild. He kind of just breaks everything.)

(If you want to get a little angsty and ghostly, you could have a plotline in which Xie Lian helps the ghost of Shen Jiu somehow. Qijiu resolution?)

Binghe would probably be open to the idea of getting together with Xie Lian as well as Shen Qingqiu. He has a type! He is full of love! But Xie Lian is definitely not interested and is very good at wiggling away from come-ons, so Binghe respectfully doesn't pursue that passing thought / childhood crush, no matter what Tianlang-Jun is saying about threesomes again.

Binghe ends up using the (tamed? broken?) Xin Mo sword to send Xie Lian (his "gege") back to Xie Lian's own world. (Or Mobei-Jun could maybe do it?) Xie Lian has been gone for years and wants to see how his world is doing. Binghe tearfully promises to visit him regularly and to come get him WHENEVER HE WANTS. Xie Lian pats his head and agrees to stay in touch.

So, then Xie Lian tumbles out back into his own world and into the start of the plot of TGCF. And at any point in the plot of TGCF, he's now able to summon a heavenly demon from another dimension (with a super powerful sword that can move mountains?) who would absolutely be willing to fight all of heaven for him.

Xie Lian generally isn't going to do this, because he doesn't want to involve Binghe in his problems, even though Binghe is CHEWING THE WALLS with the desire to help him in return. However, Xie Lian does really like to go out with Binghe and Shen Qingqiu (and sometimes people like Airplane Bro and Mobei-Jun and Liu Qingge as well) to nice restaurants every other week or so. "So, what's new?" "Oh, I've ascended to heaven again and it's a little troublesome, ha ha. How are you?"

Hua Cheng is... nonplussed. On one hand, he's a little jealous. On the other hand, FINALLY, people can recognize that Xie Lian is the best person in the world. Luo Binghe has GOOD TASTE and is just some well-meaning kid whom Xie Lian likes a lot and who rightly thinks heaven sucks. Hua Cheng is determinedly shaking Luo Binghe's hand and giving him advice from a Ghost King to a future Demon Emperor.

(Tianlang-Jun CANNOT be allowed into Ghost City. He will NOT leave. I think that Hua Cheng is strong enough to throw him out if necessary, but Tianlang-Jun and Zhuzhi-Lang would just keep slipping back in somehow. Permanently banned from the gambling tables no matter what he offers, but Tianlang-Jun is still allowed to hang out at the Ghost City playhouse because he quickly becomes the favorite audience member of all of the ghost actors. He has AWFUL taste. Yin Yu hates them.)

(Also, I do think that Xie Lian would not really like the Xin Mo sword at all. E'ming is a beautiful baby boy made from and by Hua Cheng, who is Xie Lian's favorite person in the world who has never done anything wrong ever. Xin Mo is some random blade that destroys Luo Binghe's mental health and turns him into the worst version of himself! Xie Lian could and possibly should snap that possession sword like a twig.)

#tossawary svsss #tossawary tgcf #xie lian #luo binghe #fic ideas #xie lian and luo binghe au #long post

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scarlethexelove · 2 days

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Hi! Can I request a mommy!Natasha x little!reader fic. Like where little reader has become obsessed with babies and her baby doll, and begs her mommy for a real one, telling Nat that she wants a baby in her belly, and that mommy can be the baby daddy! Just some cute, possibly smutty, broody vibes. Nat thinks it’s cute as hell, picturing her girl with a baby bump, and would love to have a baby with her baby. Thank you!

Oh Baby

Pairing: Mommy!Natasha Romanoff x Little!Reader

Word Count: 825

Warnings: Fluffy, Allusions to sex, Allusions to Nat having a penis, I don't think there is really much more.

A/n: I didn't feel fully comfortable writing it smutty so I just kind of alluded to it. Just made it cute and fluffy. Sorry it is a little short but I hope it is good. I feel a bit iffy about my writing in this one.

NO ONE IS PERMITTED TO STEAL, COPY, OR REBLOG MY WORK AS THEIR OWN

Natasha watches as you cradle your doll in your arms a bottle held in your other hand bringing it to your doll's lips. She smiles watching how you care for your doll. You have been much more interested in your doll recently. Making sure you feed it, change its diaper, and have it nap with you. She had convinced Tony to make a doll similar to a Baby Alive doll for you. When she had given it to you she watched you being overjoyed. Immediately taking care of it and very well to Nat’s surprise.

You’re soon bounding over to her with a smile on your face. Your doll securely in your arms. You hold it out for Nat which she takes. “Mommy not like that.” You lightly scold her when she holds the doll wrong. You crawl up on the couch where she is sitting and fix the way she is holding the doll in her arms. “I’m sorry bug. Thank you for showing Mommy how to hold your baby.” Nat says as you smile up at her. You put on a tv show for you, Nat, and the doll could watch, leaning your head on her shoulder as you watch.

Every once in a while you look down at the doll in Nat’s arm and then back up to her. A smile on your face as you mind forms an idea. “Mommy?” Your voice floats through the peaceful air. Nat looks down to you and smiles. “Yes baby?” You sit up off of her shoulder struggling to find the words that you want. Even though you have the idea it is hard for you to form the thought into words. Nat waits patiently for you to speak.

“Mommy want a baby.” You mumble. Natasha smiles at you. She has an idea of what you are saying but she wants to make sure. “Baby you have a baby.” She places the doll into your arms but you shake your head. “Want Mommy’s baby.” You set the doll down next to you carefully. You point to your stomach. “Want baby in tummy. Mommy can be Daddy.”

Nat is a bit shocked by your words. She thought that is what you wanted but didn’t expect you to actually ask for it. She mulls over your words, a soft smile forming on her lips. “Are you sure bug? Babies are a lot of work.” She pokes your stomach as you giggle and squirm a little. You nod your head. “Yes Mommy. Want Mommy’s baby. Bug and Mommy take care.”

Nat can’t help the widening smile. Your excitement rubbed off on her. Her mind wanders to the thoughts of you with a little baby bump. Starting a family with her little girl. How cute you would be with her baby inside of you. She wants nothing more to make you happy and give you everything you desire. She can give you what you want and have the family she has always wanted.

“Pwease Mommy. Want baby.” Your words break Nat from her thoughts. You're bouncing on your legs next to her excitement evident. Her hand comes up cupping your cheek which you nuzzle into.”If my baby wants a baby Mommy will give it to her.” She then boops your nose, your face scrunching up. You squeak in excitement and throw your arms around her neck. “Thank you, thank you, thank you.” Your body is now in her lap bouncing. Her hands now on your hips as you bounce in excitement. You're bouncing now eliciting a groan from the woman under you.

Nat kiss your lips and hold your hips still on top of hers. You still try to wiggle your hips just too excited to stop moving. “Mommy excited.” You say as your hips lightly bounce still. Feeling herself against you. “Yes mommy is excited.” She smiles at you, finally giving up on trying to keep you still. All she can do now is think about starting right now giving you exactly what you want.

“Bug want to start now?” Nat asks you. You nod quickly. “Yes Mommy. Want now.” Your bouncing becomes more erratic which causes Nat to moan. She stands up which causes you to wrap your legs around her waist and she wraps her arms around you tightly. “Anything for you bug.” She uses one of her arms to boop your nose again. Loving how you always scrunch up your face.

#new fic #natasha romanoff fanfic #mommy natasha #natasha romanoff x reader #natasha fanfic #natasha x reader #natasha romanoff #natasha x you #natasha romanoff x you #natasha romanoff x female reader #natasha romanoff fanfiction #natasha romanoff fluff #natasha romanoff x female

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chirpsythismorning · 2 days

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Fun fact: In the original pitch for Stranger Things, El had a little brother.

After being rejected by almost 20 studios for the Montauk pilot, the Duffers were finally green-lit by Netflix. It was at this time that they began casting and then writing the first season officially, which included reworking a lot of that first episode.

This led to the removal of the brother reference, and with it, removing any sort of arc El could have had about her apparent brother.

But the thing about this moment, is that it might not have been scrapped entirely...

Going into the final season, no one can explain why or how El recognized Will back in 1x02. And while there are plenty of things on the show that are left unexplained, with a small portion likely left that way with the intention to uncover it later, what sets this moment apart from the rest is that there are very few possibilities here.

Because for starters, the story presents El's ability to see people in the void in s1 as requiring either a picture of that person for reference, or having met that person before.

But when El see's this picture of Will, she's never met him before. Or maybe she has, but we wouldn't know because they never showed us. They could have just not done this scene at all, given that it's clearly a copy/paste/edit of something scrapped from the pitch. Or they could have even still included it, but explained it.

One explanation could be that the lab had shown El a picture of Will before, similar to what they did with the Russian agent they wanted to spy on. But then that begs to question, why would the lab show El a picture of Will? Why would they want to see what he was doing? That alone is incriminating in and of itself, implying that Will is more connected to the lab than we realize.

The only other, and frankly most likely explanation, would be that El stumbled across Will at some point on her journey between escaping the lab and Will going missing. This is actually something that happens in The Other Side comic, which explores all the things Will may have experienced during his time in the Upside Down.

Though it’s worth noting the comics aren’t technically canon, and I highly doubt they would outright spoil everything in relation to Will’s time there, years before it was intended to be revealed. But still, let's humor this for a moment given that I do think Will's time in the UD is going to be very relevant in s5, which means it's highly likely they will finally address how exactly El saw him.

Basically, in the comic, Will see’s El walking through the woods, almost apparition like, glowing as she passes by, while also sporting the Benny’s burgers shirt. This means they would have crossed passed within a short span of time, between when El escaped Benny’s when the agents arrived, but before she was found by the boys.

Though it’s worth noting that we’re seeing this all from Will’s perspective. This means from the UD, Will was capable of seeing El on the other side, despite them being on different sides. And not only that, but she also looks back at him.

What confuses me about this, is that it doesn’t make sense for El to be in the woods, only to randomly decide to pop in to the void for a moment. She was trying to escape the lab and everything that came with it. I doubt she had any desire to lurk back there for some reason, not until someone encouraged her to. Not to mention, it would make no sense for her to go there and see Will if she wasn't even looking for him in the first place. And so this would mean Will and El could see each other, with Will being in the UD, and El being on the other side.

While it does seem pretty far off, given that you would think Will and El wouldn't be able to see each other from different sides, it is true in the story that El not only recognizes Will, but knows that he is in danger. She mentions that he is hiding specifically.

Which means she has likely seen him within the last 24 hours regardless.

This, in combination with Will being able to respond to El in the void at the end of the season in Castle Byers, when no one else outside of Terry and flayed-Billy have been able to, seems to imply that there is indeed something special about Will that makes him capable of communicating with El from the UD. Not only that, but El also seems to have an ability to be in this constant knowing state of how Will is doing, without even checking again to confirm. She's just certain of it. And she seems terrified about it.

Going forward, El never uses a picture of Will to find him. She never did. And more often than not, they don’t show us what she see’s either, not until the very end. And that’s the moment they reveal that he was able to communicate with her.

Again, there was really no reason to have El recognize Will. If anything it complicates things. But the fact that they chose to introduce this concept, with a scene from the original pitch that was related to El’s younger brother, with her pointing at his name cryptically, startling Benny, only to revamp it and have El not say anything at all while pointing at the picture of Will, startling Mike… It just really makes you stop and think.

Which brings me to the other aspect of this that might have people doubting, which is that El’s brother was originally younger than her.

We know Will is not younger than El, so how could this apply to him?

Well, it might be helpful to consider that in the original script, El was actually 10 years old, while the boys were always 12. Meaning that for some reason, they decided to age her up to the age of the boys, aka the same age as Will…

Ever since @erikiara80 shared this brother discovery with me, I have been sort of reeling. It then led to other little discoveries of changes they made between Montauk and Stranger Things.

It’s important to understand that the Montauk bible and the original script precedes what we ended up with in the final product, with it finally changing and evolving months, maybe even a year since that original vision. Even casting occurred before writing started for the first season. We know this because casting announcements were made in June and August of 2015, with writing not starting until August going into early 2016, simultaneously while they were filming.

And believe it or not, what I've discovered is that a lot of the changes they made between their original plans and what we see in the final product, have to do with not only Willel, but also Byler.

If you've read the original script for Montauk, you'll know that Mike's crush on Jennifer Hayes was focused on right from the jump, along with the birthmark on his face being focused on, which was the main cause of the bullying he experienced.

This has actually been talked about recently, and some of the claims people make do fit with what I am genuinely starting to consider here, which is that the initial plan for what makes Mike an outcast shifted.

I think when they completed casting, and started actually deep diving into what they wanted this world to look like, both from a short-term and long-term standpoint, they were presented with some pretty interesting discoveries, arguably already hiding in their initial plans without realizing it.

And this is where it sort of becomes a 'chicken or the egg' situation. Because which one came first? Byler or Willel?

I can't say for certain, because obviously this is all just speculation. But in the case that Willel came first, I think Byler would come very naturally after that.

The Duffers themselves are twins. Then they hire Noah, who is a twin. Then they're thinking and planning for El's past and how her family all fits into this, and they're thinking... wait a damn minute... We could totally Star Wars this bitch!

And then when they think it couldn't get any better, they uncover another layer that they hadn't planned or really considered in their initial plans.

While Will was always going to have sexual identity issues according to the Montauk bible, meaning that the writing process for him likely involved sitting down imagining scenarios that encapsulated this arc for Will from the beginning, they were simultaneously now finding very interesting aspects of Mike's character that made it hard not to at least consider the possiblity that Mike is not exactly straight.

Just think about it. The Byers and Wheelers are basically polar opposites on the spectrum of what a family looks like. While Will's discovery and acceptance of his queerness is interesting to explore because he comes from a low-income, single-mom household, all while having been bullied for years based on his perceived queerness, he also has a mother and brother constantly reinforcing that they will accept him no matter what. They've been sort of hitting us over the head with it for years, and so it wouldn't be very satisfying for his entire arc to merely lead up to something we've known all along. It's pretty much a given at this point.

On the other side of the spectrum, Mike comes from a more upper-middle class family at the end of a cul-de-sac, more aligned with what a nuclear family looks like. Mike's family is also presented as being more conservative, and while Karen does give that very queer-coded speech to Mike in s1 (I'm convinced they only wrote this after deciding to explore queer-coding more heavily with Mike), it also comes with comments from Ted and even still Karen that hint that they are probably not as open-minded and accepting as Will's family is to him. Which means Mike's arc would be a lot more about acceptance around him from his loved ones who we have been led to believe might not be as accepting of his queerness in contrast to Will.

And so as they're putting this story together, and they're being presented with something very interesting. Two similar experiences that play out in different ways because of the characters circumstances.

Will goes missing, and his twin sister with a buzzcut pops up and has the ability to help them find Will.

This leads to several moments where El is being compared to as not only a boy, but Will as well.

Now suddenly, their initial plans to have Mike's arc be about having a girl be interested in him and to hopefully have his first kiss and feel like less of a loser, starts to look a lot like what the experience a queer kid in his position might encounter growing up in the environment that he did.

And if you don't want to take my word for it, just hear the Duffer's themselves hinting at what they initially planned for Mike and the fact that it changed.

The changes don't stop there.

Believe it or not, 'It was a seven', did not exist in the initial pitch. When the boys went outside bickering over Nancy, they leave right after that.

Another thing that changed from the first script, was Scott Clarke's introduction:

And so you might be thinking, who cares? What does that have to do with anything?

Well, it's interesting because the line we end up with on the show is arguably one of the most on the nose Twelvegate proofs to date. Mind you, this is from the first episode:

Why chuck the original version, which was arguably more interesting and fascinating in terms of it hinting at the mysteriousness surrounding this story, only to replace it with him listing off tips about their upcoming test?

Well, I think it's the irony of it all. Here Mr. Clarke is practically telling us where to look to figure stuff out for ourselves what is going on, with all the kids filing out and ignoring him...

I relate to Scott a litttle too much in this shot here, any time I try to drop Willel evidence.

And the changes go on, as they obviously would.

Things like Terry Ives not even being El's mom, but actually a man who more so aligns with the characterization of Murray.

And one very interesting one I almost overlooked was in Hopper's introduction, where instead of a kids drawing done by who we assume to be Sarah, we actually see a picture on the wall of him and his wife and daughter... Interesting that they decided to switch it something that is a lot less definitive in presenting what Hopper's past looked like...

If you've made it this far, congratulations.

If you still think I'm out of my mind, just remember that El was going to have a brother in the original script, but they scrapped the scene and gave a near identical one to introduce her connection to Will instead 😘

#byler #stranger things #willel twins #twelvegate #montauk #as you can see #i am out of my mind #and i'm okay with that #i've spent the last couple months trying to make a video going over all the willel twin evidence #and i can't decide if it's even possible to do without going over an hour #like there is just so much shit that fits too perfectly into this family being ripped apart by mind control and time shenanigans #i hope to have it done soon #trying to make it less than 20 minutes #but it's probably going to end up being closer to an hour #especially with this stuff from the montauk pitch being added to the mix now #anyways #willel and byler are the curtain behind the curtain #if you are open to one of them #you are bound to stumble across the other #and they don't want that to happen #stay tuned for the inevitable twin imagery to continue in s5 related to willel leading up to the big reveal #bc it's arguably the most consistent thing about this damn show #and tbh this all just makes the queer-coding for mike in s1 a lot more concrete to me #them exploring will's queerness through his dad's expectations for him to do more 'manly' things like play baseball #and jonathan saying he shouldn't like things just bc people telll him he's supposed to #how they connect that narratively with the boys being at a baseball field when mike's being pressured about his supposed feelings for el #with the bullies showing up and literally being homophobic seconds later #the fact that jennifer hayes did in fact exist in the original pilot and was the girl mike had a crush on #only for them to scrap that and just make it about her having a crush on will...#never once introducing this idea of mike liking her...

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cy-cyborg · 3 days

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Dealing with Healing and Disability in fantasy: Writing Disability

[ID: An image of the main character from Eragon, a white teenage boy with blond hair in silver armour as he sits, with his hand outstretched. On his hand is a glowing blue mark. He is visibly straining as he attempts to heal a large creature in front of him. /End ID]

I'm a massive fan of the fantasy genre, which is why it's so incredibly frustrating when I see so much resistance to adding disability representation to fantasy works. People's go-to reason for leaving us out is usually something to the effect of "But my setting has magic so disability wouldn't exist, it can just be healed!" so let's talk about magic, specifically healing magic, in these settings, and how you can use it without erasing disability from your story.

Ok, let's start with why you would even want to avoid erasing disability from a setting in the first place. I talked about this in a lot more detail in my post on The Miracle Cure. this line of thinking is another version of this trope, but applied to a whole setting (or at least, to the majority of people in the setting) instead of an individual, so it's going to run into the same issues I discussed there. To summarise the points that are relevant to this particular version of the trope though:

Not every disabled person wants or needs a cure - many of us see our disability as a part of our identity. Do difficulties come with being disabled? absolutely! It's literally part of the definition, but for some people in the disabled community, if you took our disabilities away, we would be entirely different people. While it is far from universal, there is a significant number of us who, if given a magical cure with no strings attached, would not take it. Saying no one in your setting would be disabled because these healing spells exists ignores this part of the community.

It messes with the stakes of your story - Just like how resurrecting characters or showing that this is something that is indeed possible in the setting can leave your audience feeling cheated or like they don't have to worry about a character *actually* ever dying. healing a character's disability, or establishing that disability doesn't exist in your setting because "magic" runs into the same problem. It will leave your readers or viewers feeling like they don't have to worry about your characters getting seriously hurt because it will only be temporary, which means your hero's actions carry significantly less risk, which in turn, lowers the stakes and tension if not handled very, very carefully.

It's an over-used trope - quite plainly and simply, this trope shows up a lot in the fantasy genre, to the point where I'd say it's just overused and kind of boring.

So with the "why should you avoid it" covered, let's look at how you can actually handle the topic.

Limited Access and Expensive Costs

One of the most common ways to deal with healing and disability in a fantasy setting, is to make the healing magic available, but inaccessible to most of the population. The most popular way to do that is by making the services of a magical healer capable of curing a disability really expensive to the point that most people just can't afford it. If this is the approach you're going to use, you also typically have to make that type of magic quite rare. To use D&D terms, if every first level sorcerer, bard, cleric and druid can heal a spinal injury, it's going to result in a lot of people who are able to undercut those massive prices and the expense will drop as demand goes down. If that last sentence didn't give you a hint, this is really popular method in stories that are critiquing capitalistic mindsets and ideologies, and is most commonly used by authors from the USA and other countries with a similar medical system, since it mirrors a lot of the difficulties faced by disabled Americans. If done right, this approach can be very effective, but it does need to be thought through more carefully than I think people tend to do. Mainly because a lot of fantasy stories end with the main character becoming rich and/or powerful, and so these prohibitively expensive cure become attainable by the story's end, which a lot of authors and writer's just never address. Of course, another approach is to make the availability of the magic itself the barrier. Maybe there just aren't that many people around who know the magic required for that kind of healing, so even without a prohibitive price tag, it's just not something that's an option for most people. If we're looking at a D&D-type setting, maybe you need to be an exceptionally high level to cast the more powerful healing spell, or maybe the spell requires some rare or lost material component. I'd personally advise people to be careful using this approach, since it often leads to stories centred around finding a miracle cure, which then just falls back into that trope more often than not.

Just outright state that some characters don't want/need it

Another, admittedly more direct approach, is to make it that these "cures" exist and are easily attainable, but to just make it that your character or others they encounter don't want or need it. This approach works best for characters who are born with their disabilities or who already had them for a long time before a cure was made available to them. Even within those groups though, this method works better with some types of characters than others depending on many other traits (personality, cultural beliefs, etc), and isn't really a one-size-fits-all solution, but to be fair, that's kind of the point. Some people will want a cure for their disabilities, others are content with their body's the way they are. There's a few caveats I have with this kind of approach though:

you want to make sure you, as the author, understand why some people in real life don't want a cure, and not just in a "yeah I know these people exist but I don't really get it" kind of way. I'm not saying you have to have a deep, personal understanding or anything, but some degree of understanding is required unless you want to sound like one of those "inspirational" body positivity posts that used to show up on Instagram back in the day.

Be wary when using cultural beliefs as a reasoning. It can work, but when media uses cultural beliefs as a reason for turning down some kind of cure, it's often intending to critique extreme beliefs about medicine, such as the ones seen in some New Age Spirituality groups and particularly intense Christian churches. As a general rule of thumb, it's probably not a good idea to connect these kinds of beliefs to disabled people just being happy in their bodies. Alternatively, you also need to be mindful of the "stuck in time" trope - a trope about indigenous people who are depicted as primitive or, as the name suggests, stuck in an earlier time, for "spurning the ways of the white man" which usually includes medicine or the setting's equivalent magic. I'm not the best person to advise you on how to avoid this specific trope, but my partner (who's Taino) has informed me of how often it shows up in fantasy specifically and we both thought it was worth including a warning at least so creators who are interested in this method know to do some further research.

Give the "cures" long-lasting side effects

Often in the real world, when a "cure" for a disability does exist, it's not a perfect solution and comes with a lot of side effects. For example, if you loose part of your arm in an accident, but you're able to get to a hospital quickly with said severed arm, it can sometimes be reattached, but doing so comes at a cost. Most people I know who had this done had a lot of issues with nerve damage, reduced strength, reduced fine-motor control and often a great deal of pain with no clear source. Two of the people I know who's limbs were saved ended up having them optionally re-amputated only a few years later. Likewise, I know many people who are paraplegics and quadriplegics via spinal injuries, who were able to regain the use of their arms and/or legs. However, the process was not an easy one, and involved years of intense physiotherapy and strength training. For some of them, they need to continue to do this work permanently just to maintain use of the effected limbs, so much so that it impacts their ability to do things like work a full-time job and engage in their hobbies regularly, and even then, none of them will be able bodied again. Even with all that work, they all still experience reduced strength and reduced control of the limbs. depending on the type, place and severity of the injury, some people are able to get back to "almost able bodied" again - such was the case for my childhood best friend's dad, but they often still have to deal with chronic pain from the injury or chronic fatigue.

Even though we are talking about magic in a fantasy setting, we can still look to real-life examples of "cures" to get ideas. Perhaps the magic used has a similar side effect. Yes, your paraplegic character can be "cured" enough to walk again, but the magic maintaining the spell needs a power source to keep it going, so it draws on the person's innate energy within their body, using the very energy the body needs to function and do things like move their limbs. They are cured, but constantly exhausted unless they're very careful, and if the spell is especially strong, the body might struggle to move at all, resulting in something that looks and functions similar to the nerve damage folks with spinal injuries sometimes deal with that causes that muscle weakness and motor control issues. Your amputee might be able to have their leg regrown, but it will always be slightly off. The regrown leg is weaker and causes them to walk with a limp, maybe even requiring them to use a cane or other mobility aid.

Some characters might decide these trade-offs are worth it, and while this cures their initial disability, it leaves them with another. Others might simply decide the initial disability is less trouble than these side effects, and choose to stay as they are.

Consider if these are actually cures

Speaking of looking to the real world for ideas, you might also want to consider whether these cures are doing what the people peddling them are claiming they do. Let's look at the so-called autism cures that spring up every couple of months as an example.

Without getting into the… hotly debated specifics, there are many therapies that are often labelled as "cures" for autism, but in reality, all they are doing is teaching autistic people how to make their autistic traits less noticeable to others. This is called masking, and it's a skill that often comes at great cost to an autistic person's mental health, especially when it's a behaviour that is forced on them. Many of these therapies give the appearance of being a cure, but the disability is still there, as are the needs and difficulties that come with it, they're just hidden away. From an outside perspective though, it often does look like a success, at least in the short-term. Then there are the entirely fake cures with no basis in reality, the things you'll find from your classic snake-oil salesmen. Even in a fantasy setting where real magic exists, these kinds of scams and misleading treatments can still exist. In fact, I think it would make them even more common than they are in the real world, since there's less suspension of disbelief required for people to fall for them. "What do you mean this miracle tonic is a scam? Phil next door can conjure flames in his hand and make the plants grow with a snap of his fingers, why is it so hard to believe this tonic could regrow my missing limb?"

I think the only example of this approach I've seen, at least recently, is from The Owl House. The magic in this world can do incredible things, but it works in very specific and defined ways. Eda's curse (which can be viewed as an allegory for many disabilities and chronic illnesses) is seemingly an exception to this, and as such, nothing is able to cure it. Treat it, yes, but not cure it. Eda's mother doesn't accept this though, and seeks out a cure anyway and ends up falling for a scam who's "treatments" just make things worse.

In your own stories, you can either have these scams just not work, or kind of work, but in ways that are harmful and just not worth it, like worse versions of the examples in the previous point. Alternatively, like Eda, it's entirely reasonable that a character who's been the target of these scams before might just not want to bother anymore. Eda is a really good example of this approach handled in a way that doesn't make her sad and depressed about it either. She's tried her mum's methods, they didn't work, and now she's found her own way of dealing with it that she's happy with. She only gets upset when her boundaries are ignored by Luz and her mother.

Think about how the healing magic is actually working

If you have a magic system that leans more on the "hard magic" side of things, a great way to get around the issue of healing magic erasing disability is to stop and think about how your healing magic actually works.

My favourite way of doing this is to make healing magic work by accelerating the natural processes of your body. Your body will, given enough time (assuming it remains infection-free) close a slash from a sword and mend a broken bone, but it will never regrow it's own limbs. It will never heal damage to it's own spinal cord. It will never undo whatever causes autism or fix it's own irregularities. Not without help. Likewise, healing magic alone won't do any of these things either, it's just accelerating the existing process and usually, by extension making it safer, since a wound staying open for an hour before you get to a healer is much less likely to get infected than one that slowly and naturally heals over a few weeks. In one of my own works, I take this even further by making it that the healing magic is only accelerating cell growth and repair, but the healer has to direct it. In order to actually heal, the healer needs to know the anatomy of what they're fixing to the finest detail. A spell can reconnect a torn muscle to a bone, but if you don't understand the structures that allow that to happen in the first place, you're likely going to make things worse. For this reason, you won't really see people using this kind of magic to, say, regrow limbs, even though it technically is possible. A limb is a complicated thing. The healer needs to be able to perfectly envision all the bones, the cartilage, the tendons and ligaments, the muscles (including the little ones, like those found in your skin that make your hair stand on end and give you goose bumps), the fat and skin tissues, all the nerves, all the blood vessels, all the structures within the bone that create your blood. Everything, and they need to know how it all connects, how it is supposed to move and be able to keep that clearly in their mind simultaneously while casting. Their mental image also has to match with the patient's internal "map" of the body and the lost limb, or they'll continue to experience phantom limb sensation even if the healing is successful. It's technically possible, but the chances they'll mess something up is too high, and so it's just not worth the risk to most people, including my main character.

Put Restrictions on the magic

This is mostly just the same advice as above, but for softer magic systems. put limits and restrictions on your healing magic. These can be innate (so things the magic itself is just incapable of doing) or external (things like laws that put limitations on certain types of magic and spells).

An example of internal restriction can be seen in how some people interpret D&D's higher level healing spells like regenerate (a 7th level spell-something most characters won't have access to for quite some time). The rules as written specify that disabilities like lost limbs can be healed using this spell, but some players take this to mean that if a character was born with the disability in question, say, born without a limb, regenerate would only heal them back to their body's natural state, which for them, is still disabled.

An external restriction would be that your setting has outlawed healing magic, perhaps because healing magic carries a lot of risks for some reason, eithe to the caster or the person being healed, or maybe because the healing magic here works by selectively reviving and altering the function of cells, which makes it a form of necromancy, just on a smaller scale. Of course, you can also use the tried and true, "all magic is outlawed" approach too. In either case, it's something that will prevent some people from being able to access it, despite it being technically possible. Other external restrictions could look like not being illegal, per say, but culturally frowned upon or taboo where your character is from.

But what if I don't want to do any of this?

Well you don't have to. These are just suggestions to get you thinking about how to make a world where healing magic and disability exist, but they aren't the only ways. Just the ones I thought of.

Of course, if you'd still rather make a setting where all disability is cured because magic and you just don't want to think about it any deeper, I can't stop you. I do however, want to ask you to at least consider where you are going to draw the line. Disability, in essence, is what happens when the body stops (or never started) functioning "normally". Sometimes that happens because of an injury, sometimes it's just bad luck, but the boundary between disabled and not disabled is not as solid as I think a lot of people expect it to be, and we as a society have a lot of weird ideas about what is and isn't a disability that just, quite plainly and simply, aren't consistent. You have to remember, a magic system won't pick and choose the way we humans do, it will apply universally, regardless of our societal hang-ups about disability.

What do I mean about this?

Well, consider for a moment, what causes aging? it's the result of our body not being able to repair itself as effectively as it used to. It's the body not being able to perform that function "normally". So in a setting where all disability is cured, there would be no aging. No elderly people. No death from old age. If you erase disability, you also erase natural processes like aging. magic won't pick and choose like that, not if you want it to be consistent.

Ok, ok, maybe that's too much of a stretch, so instead, let's look at our stereotypical buff hero covered in scars because he's a badass warrior. but in a world where you can heal anything, why would anything scar? Even if it did, could another healing spell not correct that too? Scars are part of the body's natural healing process, but if no natural healing occurred, why would a scar form? Scars are also considered disabling in and of themselves too, especially large ones, since they aren't as flexible or durable as normal skin and can even restrict growth and movement.

Even common things like needing glasses are, using this definition of disability at least, a disability. glasses are a socially accepted disability aid used to correct your eyes when they do not function "normally".

Now to be fair, in reality, there are several definitions of disability, most of which include something about the impact of society. For example, in Australia (according to the Disability Royal Commission), we define disability as "An evolving concept that results from the interaction between a person with impairment(s) and attitudinal and environmental barriers that hinder their full and effective participation in society on an equal basis with others." - or in laymen's terms, the interaction between a person's impairment and societal barriers like people not making things accessible or holding misinformed beliefs about your impairment (e.g. people in wheelchairs are weaker than people who walk). Under a definition like this, things like scars and needing glasses aren't necessarily disabilities (most of the time) but that's because of how our modern society sees them. The problem with using a definition like this though to guide what your magic system will get rid of, is that something like a magic system won't differentiate between an "impairment" that has social impacts that and one that doesn't. It will still probably get rid of anything that is technically an example of your body functioning imperfectly, which all three of these things are. The society in your setting might apply these criteria indirectly, but really, why would they? Very few people like the side effects of aging on the body (and most people typically don't want to die), the issues that come with scars or glasses are annoying (speaking as someone with both) and I can see a lot of people getting rid of them when possible too. If they don't then it's just using the "not everyone wants it approach" I mentioned earlier. If there's some law or some kind of external pressure to push people away from fixing these more normalised issues, then it's using the "restrictions" method I mentioned earlier too.

Once again, you can do whatever you like with your fantasy setting, but it's something I think that would be worth thinking about at least.

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