cool water ★ part I
James Hetfield x fem!reader
★ everyone is running from something ★
Words: 6.7k
Warnings: i know nothing about arizona and it shows. VERY incorrect timeline. mentions of rehab and alcoholism. james is a moody prick. 18+ in the future but part I is PG minus some swearing.
A/N: so i'm asking you all, please, PLEASE be kind to me because this is the first fic i've written in well over a year and the first metallica one I've ever posted. this is so unbelievably self indulgent it's insane. title named after a marty robbins song because that's where this whole idea stemmed from. i tried not to use y/n because i know some people hate that jhskjfhkjhfthftdhftkj. also i really really hope the fact that rehab is in here isn't a trigger or upsetting to anyone!!! it just makes sense for the plot. it's also very inspired by the some kind of monster documentary. this will probably be a shorter fit made up of a few parts but it may take a while since i'm literally about to graduate uni and i'm drawing in assignments. anyways i hope you enjoy <3
parts: (1), (2)
★
A few states over, a little over a thousand miles and a few days long trek away, lies a life– packed crudely into a beat up Subaru with too many miles on the metre to go about adding another thousand. The air conditioning unit cracked out one state back, leaving only the rolled down windows to offer any sort of reprieve against the Western American summer heat. The unknown lies in the interstate ahead, yellow lines and road signs guiding you closer to your next destination. Only the front windows are open, the rear windows obstructed by precariously stacked belongings in unsealed cardboard boxes and garbage bags balanced against the glass. To roll them down would mean losing a good chunk of your clothing.
A map is sprawled out open on the passenger seat, red lines and circles marking the last stretch of your journey into Yuma County, Arizona. Golden light pours over countless acres of sprawling farmland ahead of you, the setting sun glaring into your eyes beneath your sin visor as you drive with one hand on the wheel and the other propping your head up against the open window. Your yellow Subaru is the only vehicle for miles, alone on the barren road as the sky fades into an inky blue. It’s eerie, being this alone. Eerie as you turn down yet another country lane, rolling the windows up. Eerie as you make sure the doors are locked and the gas tank full. Eerie for a girl who’d only left the city twenty-four hours prior, where such silence and solitude was such a rarity that you never stopped to consider what it felt like to actually be completely alone.
The night is still when you reach a stop sign, the hiss of crickets and cicadas audible even from inside the car. There’s no breeze that rustles the trees, nor a cloud to taint the clarity of the starry night sky. You feel as though you should be quiet and hold your breath, goosebumps raising on your skin. They only begin to subside when your headlights illuminate a sign reading Palo Verde Ranch.
Tires kick up dust as you roll down the tree-lined passage, inching closer and closer to where you will spend the next summer, checking the map one more time and breathing a sigh of relief when the trees part way to an opening. The ranch and lodgings look the same as the pictures in the brochure you were given, apart from being shrouded in a heavy darkness from the night. The porch lights are on, along with a few lamp posts circled by moths and mosquitoes. Pulling into an empty space next to a pick-up, you kill the engine and rest your head back against the headrest. The roar of the crickets seem even louder as you sit silently in the driver’s seat.
With a few final taps on your steering wheel with your fingers, you heave yourself from sitting position and stretch your aching legs, lifting your arms above your head before grabbing your suitcase from the backseat and forgoing the rest until tomorrow. It’s far too dark to go about it now. Boots crunch on gravelly dirt as you make your way to the lodging house, reading the brochure once more to check where the key is kept. It lays underneath a small terracotta pot, placed upside down and completely indiscrete. It makes you smile to yourself when you lift it up to examine it against the porch light– a small, metal cactus keychain hanging from it. You smack a mosquito from your arm as you unlock the door.
With a creak, the door opens up into the lodging house, though to you it seems more like a bungalow that had been converted into some sort of bed and breakfast. There’s a small kitchen to your left, under-cabinet lights casting an amber glow over the linoleum countertop and laminate floors. You take note of the humming refrigerator before turning to your right to examine a quaint sitting area, equipped with a floral printed sofa straight from the 1970s and a chestnut bookshelf housing a sparse assortment of books and magazines. It reminds you slightly of a waiting room– pretending to be lived in as to put you at ease.
Straight ahead lies the hallway, two doors on the left-hand side and three on the right, one of which has been left ajar. Upon further inspection, with slow, easy steps, you come to realise that it’s the bathroom, nose scrunching up slightly at the prospect of having to share one bathroom with multiple other people. On every door is a hand painted number, accented by flowers painted on in pastel colours. Very Bohemian, you note, eyeing the beaded curtain that hangs in the windowsill of the window at the end of the hall. Dim light spills from underneath doors three and four, but the other two remain dark.
Your room number is two.
Opening the door, you flick the light switch on before closing it behind you, a small puff of air escaping from between your lips as you take in the room. It’s cozy– genuinely, unlike the sitting room from before. It nearly reminds you of the room you’d grown up in, or, at least spent the earliest years of your childhood in. A golden oak bed sits against the wall in one corner of the room next to the window, fitted in cream and pale green floral patterned sheets. There’s a dresser-vanity and a wardrobe of the same golden oak, and a small nightstand next to the bed. On it beneath the small tiffany lamp lies an unopened note and a small plush teddy bear.
Tears fog your eyes as you sit on the edge of the bed and drop your suitcase at your feet. It feels so familiar– like a distant memory of a time in your life where things weren’t so turned upside down. A time when you weren’t running from something. Clutching the teddy bear against your chest, you open the note– a sweet, handwritten one from the owner of the land, welcoming you to your home for the summer. It tells you of breakfast in the main house at 10am, that there are fresh towels in the wardrobe, and that the vanity drawers tend to be a bit fiddly.
With a watery sigh, you blink up at the ceiling to clear your cloudy vision, flopping backwards onto the bed.
★
James knew that he needed a distraction.
He knew better than to be around all the same people and places from how he was before. Breathing the same California air he knew and once loved now feels too thick in his lungs, like some sort of poisonous gas.
He knew better than to be around reminders.
Due to his therapist’s orders, James was to go somewhere different for a little while. In his words, to “relax, be at one with nature”. He had spread a pile of pamphlets across his desk, closing his eyes and laying his pointer finger down on the first one it came in contact with. Arizona didn’t seem to appeal to James’ bandmates as much as it did to his therapist. They had a hard enough time communicating as is, too many alcohol-fueled yelling matches only worsened by the unmade upcoming album that loomed over their shoulders. James wasn’t sure how he could make the album to begin with, not while he was walking this tightrope. If he was constantly teetering on the edge, how could he be a productive member of the band?
Part of him didn’t want to go. Running away from it all felt cowardly, as though he’s weak for not being able to handle what once was so normal. A few drinks at the bar with friends turned into something else, something monumental. Gigs, rehearsals, afterparties, bar to bar to bar to bar. People who once gave him comfort now only serve as reminders of how he has ended up.
His PA booked his flight and had his truck sent to meet him at the airport. His intentions were clear– he would spend a few months working on the ranch away from anything that might tempt him, and then he would return home in autumn and attempt to clean up the mess he had left behind. The mess in question haunted him on his flight, tension aching behind his eyes as he rubbed at them. Divorce papers. A band that might hate him, left hanging and waiting for him to get his shit together so that they can release another album. Loose ends, after loose ends. Mouth set in a straight line, he realises he’s clenching his fists, blunt nails pressing into his palms.
Settling in was fairly easy. There was only one suitcase to unpack, clothes folded neatly into the dresser and notebook placed haphazardly on the nightstand– blank paged and unopened. For a few days it was only him in the lodging house, resting and rising in silence, eating a bowl of cereal by the kitchen window before heading out to work on the ranch with Wayne, the owner’s husband. Wayne is a shorter man, or at least much shorter than James, with salt and pepper hair he keeps hidden beneath a straw hat, and a laugh that often turns into a smoker’s cough if your joke is good enough. Wayne is friendly and a hard-worker, unafraid to put James to work too.
A few days later, a couple more lodgers began filtering in, two men who based on their accents, come from the south. They didn't spare James a second glance, and James gratefully did the same in return. There was no need for making friends.
When you arrived it shook up his routine. He now had to wait for his morning showers, entering only after you had spent far longer than he would’ve liked, only to be met with fogged up mirrors and the scent of vanilla and jasmine. He could hear music playing gently through the thin walls, some shit from the 70s that he wasn’t into, and he’d have to put up with the way you’d softly hum along. Truthfully, he avoided bumping into you at all costs. There was no concern of seeing you at breakfast or dinner– he skipped them in favour of some cheap crappy microwave meal– and he worked more on the ranch with Wayne while you settled into tending the vegetable garden.
Avoiding you seemed like a waste of time, however, because you didn’t notice him anyway. You always seemed too lost in your own head, focussed entirely on pulling weeds to notice him walking back and forth by you, carrying bags of feed. He didn’t offer a greeting, or even his name, but then again neither did you, and he was more than happy to keep his distance.
Your name only came up one day as James was sitting with Wayne. They’d both spent hours of the morning tending to the stables in the intense heat, James doing most of the heavy-lifting, and took refuge under the shade of a large tree. After collecting a few random chopped logs and sticks, James took out his pocketknife and began carving. Wayne spoke of plans to make his wife a wooden sculpture of a cactus for their front porch, with James silently shucking away at the wood to bring it to a sharp point.
In the distance you’re harvesting crops from the vegetable garden, wearing denim cutoffs and a t-shirt with the sleeves torn off. From here James thinks he can spot the image of Garfield printed on the front. He stares for longer than he should, eyes trailing down the expanse of your bare legs, and admittedly, over your behind when you turn and lean down to grab a shovel.
Wayne breaks through the intensity of his gaze by saying a name, the glass shattering when James averts his eyes and returns to sharpening the wooden shiv with care. His finger slips against the grain and he winces, plucking the splinter from his thumb, “That girl. She’s here from Seattle.”
He remains silent, lip twitching with a hint of annoyance at the older man’s intrusion. Yet he lets your name settle in his mouth, silently testing the way it feels on his tongue. Aware that he was caught, he keeps his eyes trained intensely on his craft to avoid Wayne’s gaze.
“Pretty, ain’t she?” Wayne muses, stripping bark from an ash log and looking at you in the distance as you pick weeds from the cauliflower beds, “We don’t usually get people like her out here,” he turns to James, simpering, “Don’t usually get rockstars ‘neither.”
He turns away to continue stripping the log and James uses the moment to steal another look at you. The sun beats down on your back and you wipe sweat from your brow with your bare forearm, pushing a few loose hairs back that had fallen from your ponytail. There’s a half empty sack of compost on the ground by your feet that stains the tips of your gloved hands. You look tired, standing back from the garden bed to study your handiwork before tilting your head all the way back to soak up the sun, hands on your hips. When you turn and glance in James’ direction, squinting your eyes through the heat mirage, he averts his gaze, once again all too aware of Wayne and the way the man lifts his hand to wave dramatically at you.
He doesn’t look up to see if you wave back.
He sees you again that late afternoon, in the same way he always sees you— in small vignettes, in short scenes that make him think momentarily that you might just be a figment of his imagination. He sees you walking past him with a crate full of lettuce, too focused on not dropping any from the heaped pile to pay him any notice. He sees you when he walks by the wire fence, where you’re being walked through the steps of feeding the chickens in the coop. He sees you now, entering the same house he’s staying in, the same one he’s walking to, only a few paces behind.
But still, you seem to pay him no mind, as if he’s a ghost. He thinks he might be one if it weren’t for the acknowledgment of Wayne and his wife, Marie. The other workers don’t much like him, interpreting his silence as him being a stuck up rockstar. He wonders if it’s for any reason that you don’t notice him. Does he skulk around too quietly? Sure, he’s not been the most conversational since he’s been here, but he’s sure you would’ve at least noticed him.
It really bugs him.
For a man whose profession is to be seen and to be heard, he typically really likes fading into the shadows in his everyday life. There had been too many days of butting heads with Lars, too many arguments with his ex, too many paparazzi, too many expectations of him. He was only one man, and he knew he was too fucked up to be a role model for anyones kids. Before he entered rehab, he enjoyed the anonymity of a small town bar and the way no one knew who he was there. If they did, they didn’t care, clinking pints with him over the bar as if he was just another one of them. And even though Wayne and Marie do talk to him and put him to work, they still treat him like all the others staying on the farm for the season. And he does enjoy the fact that Wayne and Marie seem to pay him no mind, as well as the other workers.
But when he really thinks about it, he doesn’t like slipping into the shadows as much as he thought he did. Perhaps it’s his ego talking, but he at least likes being acknowledged.
It was as if you didn’t even know he was there.
It bugs him as he opens the door behind you after you’d let it close, watching you saunter down the hall and into the room only a door away from his own, not offering a glance as you shut it behind you. It bugs him as he makes his way into his own room, sitting at the edge of the bed and rubbing his hands over his tired face. It bugs him even more when he hears your door open and close again, squeaking on its hinges, followed by the click of the bathroom door and the rush of the shower turning on.
You claimed the shower before he could, as you always seem to do. Only today he had worked hard, back sore and legs aching with strain. Annoyance twitches at his lip but he tries to brush it off, taking deep breaths, groaning lowly as he lays back onto the bed. The day's work sits heavily in his bones and he shifts uncomfortably. He feels grimy, a layer of sweat having dried on his skin, sticking the Arizona desert sand to the hairs on his arms. He grimaces and tries to brush some off.
Minutes pass while he waits for you to finish in the bathroom, then more, and after thirty minutes he’s grown more and more impatient with you, rising from the bed and storming into the hallway. He doesn’t take any time to notice that the shower has stopped running, the blood rushing too loudly through his ears, and as he’s about to aggressively rap his knuckles against the door, it swings open. You jump back with a start when you see him, his fist raised and face twisted in irritation.
Momentarily, he’s stunned, face contorting into an expression that matches your own as his eyes trail over your form– wet hair against your shoulders and fresh skin dewey with what he assumes is lotion. You’re gripping your towel tightly in one hand, the other clutching a toiletry bag.
As he lowers his hand, he realises that this is the first time you’re noticing his existence. Wide eyes glimmer up at him shyly, lips parted from the shock of opening the door to a man standing angrily directly on the other side.
With that realisation comes another—actually, two realisations that took him possibly too long to register– the fact that you’re almost naked, and he’s blocking your way out of the bathroom. Embarrassment nips viciously at the back of his neck, tinting the tips of his ears pink as he takes a step back.
James has never been good with embarrassment. His ego always gets in the way or gets him into trouble. Sure, it has won him many arguments, much to the chagrin of his opponents, but it has also gained him the title of an egotistical asshole to many people. Whenever James becomes embarrassed, the outcome is always the same– confrontational, cruel, unnecessary words he doesn’t really intend to say bubble up in his throat before he has any chance to stop them.
“Knowing that there’s only one bathroom, you should be more aware of how fucking long you take.”
He snaps his mouth shut the second the words are out, lips pressing together in a firm line. You raise your eyebrows at him, taken aback at the gruff rudeness of his tone.
You want to say something. Some witty comeback or even something to match his hostility, but your tongue struggles to find any words. Words have never come easily to you in the first place, always choosing to be quiet unless you’re around people you know, but they especially don’t come when you’re half naked and an angry, 6’1” man is towering over you.
All you can muster is a small, “I’m sorry.” as you push past him and retreat to your room.
James is paralysed in his spot, the increasingly familiar scent of vanilla and jasmine wafting over him from the bathroom as you walk away, listening to the door slam behind you. He’s not sure how long he stays standing in place, fists clenched at his sides with frustration directed at both you and himself. With a defeated sigh, he locks himself into the bathroom, turning on the shower. Once he’s stepped in he wastes no time in pressing his forehead against the cool tile, cursing himself for not being able to hold his tongue.
James really wants to spend the evening the same way he’d been doing, skipping dinner and smoking a cigar out on the front steps, but Marie had taken notice and when she bumped into him earlier in the day, had all but forced him into promising to come to dinner tonight. It didn’t sound appealing at all. It felt like fucking summer camp, having to sit around a big table with everyone staying at the ranch and talk about your day and the work everyones’ been doing. He’d quite honestly rather starve.
It didn’t help that he assumed you would be there.
He had made up his mind that he disliked you. The annoyance of the way you’d practically ignored him for a week seems to only have increased with the duration of your shower. It was like you had no consideration for anyone else and didn’t look past the tip of your nose. He didn’t want to eat at the same table as you for that reason, is what he told himself. Not because he saw you in your towel and was so unnecessarily rude to you, no– James doesn’t do embarrassed.
He’s taken a nap directly after his shower, waking up even groggier and in an even worse mood, throwing on clean clothes and making his way down to the main house where Marie would be making dinner. The front door is already open when he gets there, and he takes an already exasperated breath before entering,
The smell that meets him is already mouthwatering, as much as he hates to admit it, and for a moment it makes him question why he’d skipped out on dinner for the past week. Wayne greets him as he walks in, already sitting around a large wooden table with a few men he recognises from around the ranch. Wayne has a cigar attached to his mouth, bobbing as he talks.
“James!” He exclaims, raising his hands in the air to greet him warmly, “Come on in, you should meet my guys.”
James nods curtly, having already met them in passing and discovered they didn’t much like him. But he puts up with it for Wayne’s sake, standing over the table but not sitting down, nodding in acknowledgment as he introduces everybody. They seem nice enough, greeting him with smiles, apart from two men at the end of the table who don’t so much as return James’ nod. They’re Dylan and Wes, the other two lodgers in the house. They offer him forced smiles, but James can see that the second Wayne turns his head to speak to someone else, they narrow their eyes in his direction. For a moment he wonders if you’d met them– if they treated you in the same way or if you hadn’t even noticed them in the same way you did him.
With that thought, Marie comes bounding in, wielding a wooden spoon in one hand, “James!” she grins, “I’m so pleased you came,”
She diverts her attention to Wayne, smacking him on the shoulder with the wooden spoon and scolding him in Spanish. The cigar between the man’s lips threatens to fall, but miraculously remains sturdy as he says something back, a sheepish expression on his face.
Marie rolls her eyes and turns back to James, “You, help me in the kitchen because my bum of a husband apparently has better things to do.”
Any other time James may have cringed at the idea– he’s not the best chef– but now, as he turns to glance at Dylan and Wes who stare at him with a look of contempt, he takes the out and follows Marie into the kitchen.
The moment he enters, his eyes land on you where you stand chopping vegetables at the butcher’s block island. You’re not looking at him yet, too focussed on dicing a tomato, and he takes a second to look at you. Your hair has dried, thrown back into a ponytail while you’re cooking, and you wear a white cotton sundress with thin straps that contrast against your skin. It’s different to how he’s seen you dressed, in denim cut-offs and cowboy boots, and for a moment he’s halted in the doorway to watch you.
“Could you shuck this corn?” Marie asks James, and your eyes finally snap up to look at him, trailing over his attire before you quickly go back to chopping.
He clears his throat with a small sure, taking his place across from you at the butcher’s block. You don’t dare to look up at him again, hoping that he doesn’t see the blush that tints the tops of your cheeks.
“You’re both very quiet, you know that?” Marie laughs, stirring a pot both metaphorically and literally, “Come on! Talk to each other.”
A short silence follows, painful and uncomfortable and it makes your skin crawl, clearing your throat and daring to glance at James. You break the silence by offering your name, extending some sort of peace offering.
He doesn’t seem to extend the olive branch in return. uttering a gruff, “James,” as he shucks another ear of corn.
You nod, You’d hoped that he’d say more to make you feel less nervous, hands shaking slightly as you hold the knife. You knew his name already– Marie had told you a few days ago when she caught you staring at him while he repaired the broken gate near the stables– shirtless. He had been sweating, lugging planks of wood from the shed on the other side of the lot, tattoos and bare skin glowing. Marie had snorted at your pink cheeks and made a smart comment about how he could fix your gate– whatever that meant. You’d been stealing glances at him since, averting your gaze quickly whenever he would begin to turn his head.
You soon became aware of his dislike for you, and other than the earlier shower incident, you can’t think of why. You tried to stay out of his way as much as possible, which wasn't hard considering he hadn’t showed up to dinners so far, and always kept to himself except for when he was working with Wayne.
It really bugs you.
You sigh when he doesn’t say anything else, glancing at Marie who’s back is to you as she leans over a large pot of stew, hoping that the heat of your gaze might burn just enough for her to turn around and save you. No dice.
“I–” You begin, “The gate looks really good.”
Instant regret rushes over you as a look of confusion paints his features, brows furrowed. You rush to explain, “The- the one by the stables, I saw you fixing it. It looks really good. I haven’t had to scale the fence to get through since.”
You embellish your compliment with a breathy laugh, audibly nervous, cursing yourself at your ability to make things so much worse. He didn’t return the laugh, and in fact, it seems that somehow your compliment had soured his expression even further.
“Thanks.” He deadpans, averting his gaze from yours and back to the corn.
You sigh, chopping another tomato.
Meanwhile James is internally kicking his own ass, unsure of why he can’t be fucking normal, intending to say one thing and actually saying another. He watches you from his place across the counter, the concerned furrow of your brow, pinched in the middle, to your nimble fingers diligently doing what Marie had instructed you to do. He feels a flash of guilt in the pit of his stomach. Maybe he misunderstood you. After all, you had noticed him– the gate was proof of that. Maybe he wasn’t as invisible to you as he thought he was. But that still leaves one question unanswered– if you noticed him, why did you intentionally ignore him? It’s silly and it’s childish, but it’s enough for him to continue on with his negative opinion of you.
Time goes by wordlessly between you both, Marie instead taking the time to explain everything she was doing in detail, sure to send both of you home at the end of the night with the recipe for Birria engraved in your brains. Time passes this way until the table has been set and the food is ready, Marie ushering you both out of the kitchen and to the dining table.
The only three empty seats are lumped together, one of which is at Wayne’s side. It would be rude to sit where you know his wife would be sitting, so you take the next one with a small frown, waiting for James to take the one next to you. You’re aware that he’s not happy with the arrangement, and for a moment you wonder if he would take Marie’s chair, but he doesn’t and instead fills the vacant spot on your other side. The table is tightly packed, and due to James’ frame, he has to keep his shoulders pinched together slightly to avoid rubbing them against yours. It’s nearly insulting, watching the amount of effort the man puts into not touching you, rolling your eyes to yourself as you eat the food Marie (and you and James, but mostly Marie) had prepared.
“So…,”
The mention of your name has your head snapping up, paused with your fork halfway raised to your mouth to look around at who had said your name. Your eyes fall on Dylan, who’s sat at the table directly across from you. You’d only met him once before and hadn’t really been able to form much of an opinion on him. He’s around your age, maybe a bit younger around twenty-three, with shaggy brown hair he let fall over his blue eyes and a smile that had a tinge of something you couldn’t quite put your finger on. He had helped you reach a pair of garden shears from the top shelf of the shed, and all you’d talked about within that span of two minutes was your names and where you were from.
“Hm?” You hum in acknowledgment.
“You mentioned you’d stayed in Europe for a while, what was that like?”
You recognise the invitation of small talk, and you’d be thankful for it if it were just the two of you, but as everyone’s eyes settle on you for your response, you feel a little put on the spot.
“Uh, yeah, it was really cool,” you swallow, “Beautiful architecture.”
It’s a lame comment, and you're aware of it, but you're not sure of what else to say at the moment. Dylan nods slowly, eying you up and down in a way that makes you squirm nervously.
Wayne comes to your rescue, “James, have you been to Europe? I imagine y’have.”
The man beside you freezes, and he’s close enough that you can feel the tension, shifting in his chair. His bicep rubs against yours for the first time and you inhale quietly.
“Yeah,” he sniffs, “Been a few times.”
“You been there on tour, I imagine?”
This piques your interest, eyes flitting to look at James profile. His jaw is clenched as he nods, “That’s correct.”
“On tour?” You ask.
He turns to you, and the intensity of his eyes this close up almost makes you regret asking. He nods, “My band tours here and there.”
“Ha! Understatement,” Wes snorts from across the table, southern accent strong through his laugh, “Mr. Big Shot over here has toured a whole lot more than just ‘here n’ there.”
He holds his fingers up in air quotes to emphasise his words, and you’re left confused. Mr. Big Shot? You thought James looked slightly familiar, but couldn’t place from where, so you’d just brushed it off as nothing. You turn to look at him again, studying his face and racking your brain to think of where you might have seen him before. It would make sense for him to be in a famous band, but which one? And why would someone in said famous band be out here in the middle of nowhere?
“What band?” You ask, ignoring Wes.
James looks uncomfortable, “Uh, Metallica.”
It’s as if bells go off in your head, piecing it all together and finally realising where you've seen him before. It wasn’t just one place you’d seen his face, but many. He’d been everywhere, on MTV, on the front covers of magazines on the newsstands back home, on billboards– dare you say Wes wasn’t too far off by calling him a Big Shot.
“Oh,” is all that comes out despite the revelation– despite the fact that you’re now painfully aware of how famous he is. Your pre-existing nerves have only worsened with this newfound information, struggling to get a bite of your food down, wincing.
James, however, takes your lack of response and pained expression the wrong way and gets on the defensive, scoffing into his glass of water before slamming it down. The entire table goes quiet, and he doesn’t miss the way you flinch at his action, momentarily pausing to meet your gaze. Your eyes are wide as they lock with his, confusion written all over your face.
He pushes his chair back from the table and stands up, “If you’ll excuse me.”
You watch his back as he retreats through the front door, letting it slam behind him. You flinch again and turn to look at Marie, who’s sitting next to her husband with a distraught look on her face. Sighing, you stand up and place your napkin on the table.
“Dinner was absolutely wonderful, Marie, please excuse me.”
Marie flashes you a sympathetic glance as you walk to the door, and despite their chittering you don’t care to look at the expressions worn by Dylan and Wes. Instead, you make your way out of the house and down the front steps. The evening has finally matured into darkness, the pathway to the lodge lit only by lamp posts and strings of fairy lights that Marie had just put up earlier today. You’re not sure where to look for James, or even if you should be looking in the first place. If you truly are the cause of his bad mood, surely you’d be the last person able to talk some sense into him; but curiosity eats away at you, the need to fix whatever you’ve done gnawing at your stomach.
It doesn't take too long to find him, sitting on the front steps of the lodge, mostly shrouded in shadows except for the orange cast of the fairy lights.
“Hey,” you offer carefully, slowing your pace as you near him.
You debate whether or not to sit next to him on the stairs, thinking it might piss him off if you do, but awkwardly rocking on your heels feels even worse. You take a seat next to him with a light huff, making sure to keep your arms from brushing against his like at the dinner table. He’s smoking a cigar, the burning tobacco lighting up his face ever so slightly on each inhale. Though he doesn’t verbally acknowledge your greeting, he doesn't leave either. As if he’s waiting for you to say something worth his while.
“I’m sorry, you know,” you offer softly, “I’m not quite sure what I did to upset you, but whatever it was, I’m sorry.”
He remains quiet, the sounds of the crickets and cicadas deafening. You exhale a sigh of defeat, tilting your head up to glance at the vast array of stars in the clear sky, counting the brightest stars until you lose your place.
James isn’t quite sure what to say. The longer he’s left to sit with his thoughts, the more he doesn’t understand what you’ve done to bug him so much. There’s been an explanation for every misunderstanding so far, leaving no reasons for his disdain, yet for some reason he just feels immensely frustrated by you. It’s something he feels under his skin, fizzing in his blood uncomfortably. He’s starting to wonder if it’s even got anything to do with you to begin with, or if this entire trip out to the desert has backfired and he’s got too much time and space to think about his life. Stress eats away at him, bubbling up slowly.
“I’m sorry about hogging the shower,” you ramble, “I didn’t realise you were waiting for it and I just got kinda…kinda lost in thought, I’ll hurry up next time.”
Nothing. It’s radio silence on his end, the air so thick that you feel it clouding your lungs along with the smoke from his cigar. You can’t stop your mouth from running, ”And it’s really cool that you’re in Metallica, I um, I don’t really know much about you guys but-”
“You can stop,” he interrupts, the stress bubbling over, your face flaring with heat you’re glad he can’t see in the lighting. ”I don’t really care, honestly.”
He looks at you for the first time in the last five minutes, emotions flat and guarded, and for the first time since you’d met him, you feel your own anger rise up in your stomach instead of nerves– frustration, annoyance, fatigued with his attitude.
“Look,” you stand up, “I don’t know what I did to deserve this, but I’d appreciate it if you'd stop being a total dick.”
He puts out his cigar, standing up to tower over you, not letting you have the upperhand of being taller than him. He opens his mouth to speak but you don’t let him.
“All day, you’ve been awful to me, and we just met. I don’t get it, what’s your problem?”
He scoffs, “I have a whole fuckin’ list of problems, sweetheart, don’t feel special.”
You stare, dumbfounded, arms crossed over your chest, “Yeah? And what about it?” you challenge, eyes narrowed, “Why do you think I’m here, huh? We’ve all got our shit, we’ve all got things we’re running away from, what makes you think you can treat me like shit for no reason? Because if this is how it’s going to be all summer then I’m already real fucking tired of it.”
Cicadas are the only thing you receieve in return, the chirping filling the empty space between you and James. There’s nothing. There’s no apology to speak of, not even any retaliation. His face is void of emotion, hands dug into his pockets as he stands and stares.
His stare is intense and unmoving, but there’s something hidden behind it. It’s almost a sort of hollowness, as if this is something he’s been through a billion times before. It almost makes you falter, trying your hardest to search his eyes for any clues as to what he may be thinking. But his eyes are still those of a stranger’s, and you can’t place exactly what it is that he’s thinking. Shaking your head, you finally back down, taking a step back.
“I came here to apologise, and I did. I have nothing else to say,” you turn to the lodge and step towards the stairs, “But Marie didn’t deserve that shit you pulled tonight. I think she at least deserves an apology.”
The words hang between you in the night, heavy and oppressive. There’s a moment where your fingertips hesitate over the doorknob, casting one last look in James’ direction in hopes that he would say something. But he’s remained stoic, gaze set hard towards where you’re standing, hands shoved into his pockets. Shaking your head again, you step inside, leaving him in the dark.
Only when you’re gone does he rub his hands over his face and swear under his breath. With a sigh that holds the weight of the world, he takes begrudging steps back towards Marie and Wayne’s house.
★
A/N: god pls bear with how slow and badly written this felt. anyways i hope you enjoyed jsdhgkjshdkjhgsdjg
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1.4k words. read on ao3
Rust Cohle lies in the dark and dreams of women.
He has since his wife, since his daughter, since the drugs and shell casings turned his neurochemistry into a nuclear holocaust. He sees things - the soft curve of Sophia’s flushed cheek, her lips stained purple by juice - in oncoming traffic, the headlights burning his eyes to the point of tears. Strands of hair dancing in the field of his vision against neon signs, soft laughter hidden in the beat of bird wings. Always intangible, always romanticized.
He doesn’t need to tell himself they’re not real. He knows.
He lies in the dark and thinks about women, the mattress springs digging into his bare back, watching the shadows under the crucifix nailed to the wall morph until he’s had enough. He’s not getting to sleep tonight, not anything deeper than a fluttering of his eyelids and the lucid dreams waiting in every corner. Pulls himself out of bed, lights a cigarette and sucks it down like oxygen as he stumbles through the blue light that fogs his hallway.
Catching a movement out of the corner of his eye, he pauses, but it’s just the small mirror nailed to the wall holding his askew reflection. He stops, leans forward, falls deep into the pit of his own gaze until he can feel the bottom. Good, there’s still a bottom to feel.
Realizing the cigarette between his lips has burned to nothing but a stub, he pulls back for another one, vertigo stretching his nerves to their thinnest as the air around him repressurizes. Fields of wheat sway in his vision, and for a moment he’s back in Texas, Claire’s fingernails tracing shapes in his arm as the truck stumbles down that dirt road-
He whips around. There is something there, not wheat, but a woman, her blonde hair tumbling down her front. A faux modesty, covering her breasts as she stands nude only a few steps from his mattress. The blindfold is still wrapped around her eyes, though he knows they’re an overcast blue, and the thorns and antlers are still tangled up in her scalp. They stand in silence, Rust trying to blink her away, but the murdered woman remains, the stab wounds in her stomach weeping congealed blood that drips to his floor. Her lips part - half smile and half scream - before they move, sounding out three silent syllables.
Rust narrows his eyes, steps closer, can feel the ice of her stare dripping down his spine when he can’t return it. “What?” he wants to ask, to grab hold of a ghost and get her to speak. But she just raises her arm to the side, burned dirt still trapped under her fingernails, her wrists bruised a midnight purple, and points to the wall.
When he turns to follow her gesture, all he finds is the simple wooden crucifix, the only adornment in a plane of impersonality. He knows she’s gone before he even looks, the smell of ozone lingering, but he still drops his gaze to the carpet, tries and fails to find dotted wine stains.
He checks his pulse. Doesn’t like what he feels.
-
She follows him around, a funeral procession for the living, always in late hours. Fluorescent bulbs at the station catching moths and buzzing at a frequency that makes him taste copper. He washes it away with coffee and another cigarette. She usually doesn’t pass the threshold through the front doors, doesn’t like all the noise or all the cops, Rust isn’t sure. But she enters when people begin to trickle out, keeps him company when Marty leaves to see his secretary. Or maybe it really is Maggie this time.
He knows her name now, Dora Lange, knows how she looked on her prom night, knows the gap-toothed smile she had when she was Sophia’s age. Right now she’s blue, bloated, her blood stuck in her legs when she was made to kneel. Her wounds have turned black, the once calligraphy-thin rivulets of blood staining wide marks down the length of her naked body. Sometimes he feels like a haruspex, studying the gore oozing from her gut as if it holds any answer, or sometimes he watches that strange swirl in between her shoulder blades long enough to make it move. It could hypnotize a lesser man.
Still can’t see her eyes through that blindfold, still doesn’t know what her voice sounds like. And maybe that’s a blessing, an interruption to whatever chains her to his side, something that stops her from haunting him completely. But Rust doesn’t believe in God or ghosts, so he ignores her, focus turned to the statements in front of him. Canvasing photos, her husband, her friend Carla. “Yesterday upon the stair, I met a man who wasn’t there… He wasn’t there again today.”
He can hear her antlers scrape against the window blinds like a bird trapped inside. He has to remind himself that they are an addition, a defilement, not a thing naturally growing out of her skull. She’s a hallucination, an unreality to file away with the rest of the women he knows the names of. Nothing more than neurons misfiring.
“I wish, I wish he’d go away.”
Her father wouldn’t bathe her.
The temperature drops as she nears. She smells like pine and salt, an Alaskan chill fogging his breath, but it’s really just a cloud of cigarette smoke curling lazily in the air. Twists, bends until it's a jagged spiral. A rudimentary shape. Primal. Something a child would draw in crayon. A pictogram etched into a cave wall.
There’s breath on his ear, three short bursts - and then she’s gone.
-
He knows it’s the right church the moment he steps out from the car.
Even with his back turned towards the structure, his hair catching the breeze off the lakes, he knows. The blackbirds erupt up together, flock, whirl in turn into a spiral that he sees every time he blinks..
It’s Lange’s body sketched in his ledger, her wounds and marks. It’s her history printed out in color and taped up in his apartment where she first appeared. He stares at her and thinks, eyes darting from the two dimensional copies to the decaying corpse a few feet away, a beer in one hand and a bottle of pills in the other. Flies buzz and land on her antlers, but she doesn’t bat them away, she just waits.
Sometimes he forgets the shape of Sophia’s nose. He can draw Lange’s lips from memory.
“Devil nets” is what that pastor had called the bundles of sticks they found Lange with. “Bird nets.” Catch the Devil before he gets too close. Trap a girl while she can still sing. Something to tie together to keep the hands busy. A cross. A cage.
She’s in the back of the car, leaking out all over the interior, not that Marty notices as he slams the door closed and strides to the husk of the church’s foundation. It would almost be funny, the way this woman made of smoke and vapor has to stoop to fit her antlers in this physical space, but Rust is too filled with electricity to care. He follows behind Marty, his ledger buzzing underneath his palm, the very fabric of the universe opening to welcome him in.
An owl waits in the charred rafters, watching the men below with half lidded eyes, some sort of angel above the sad mortality of men. Rust can feel Lange’s burning interest in the creature, jealousy maybe, before it spooks and flutters away, utterly silent. Marty doesn’t notice as he toes away at some debris, can’t smell the thunder-crack static in her hair even after she’s been tailing Rust for weeks. Lange pulls her blind but seeing eyes away, her bare feet gliding over splinters and nails, and points. Her jaw works, a fish gasping in oxygen.
She’s not real. They don’t talk; he won’t and she can’t. But there’s a trust there, a knowing in his ancient hindbrain that this is intuition, that this must be the religion that Marty and the other cops yap about. A truth that burns away any darkness.
She can’t talk so Rust does it for her, calls Marty over before he’s even started to move towards the mess of vines. She can’t touch, so he pulls the foliage away, revealing a crude charcoal figure drawn in the exact way she was found in; kneeling, naked, hands bound. But it’s faceless, no mouth given shape on the worn concrete.
Dora Lange’s mouth opens, and Rust cannot tell if she is laughing or screaming.
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