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#Theme: Iconic Duos
crimescrimson · 8 months
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Johnny Cage & Sonya Blade in Mortal Kombat 1 (Closed Beta, thoughts in tags)
#crimson's gifs: mortal kombat#Mortal Kombat#MK#Mortal Kombat 1#MK1#Mortal Kombat 1 (2023)#MK1 (2023)#Mortal Kombat 1 Spoilers#Mortal Kombat 1 Beta#Mortal Kombat 1 Closed Beta#MK1 Beta#Johnny Cage#Sonya Blade#Pairing: The Manner To Which You Have Become Accustomed#CageBlade#BladeCage#Theme: Power Duos#Theme: Iconic Duos#Theme: Soulmates#Ok so thoughts on the Beta. Ive been told fighter betas are usually very simple but despite that warning I still felt disappointed with#What was available to play around with. Personally I feel like the interface is very dull and ugly compared to MK11. Especially the towers.#The fire effect on the towers was sloppy and the whole tower section felt badly rendered like its from an old tomb raider game. Theres a fe#other flaws I picked out including a lack of distance data for fatalities so I had to manually work out whether one was a far/close/mid#fatality through trial and error. Big problem IMO since basic data like that should be included and is in every game I've played. Aside fro#these fixable issues with rendering/minor animations/moveset details though the game does look pristine in other areas. The characters are#rendered beautifully and the fatal blows/attacks/animations are all wonderfully done. There are some sound issues like in Jax' Kameo gotcha#grab the second hit doesn't make an impact noise but again thats fixable I think. The stages are beautiful and the Fatalities creative#The beta left me nervous ngl. It feels like a lot still needs to be done but if they work on it in the next few weeks I think they can get#it up to scratch. Hopefully. I also think the beta needed more characters/more stages and another mode to try out. It just felt empty and I#ended up getting bored after 2 hours and went back to playing SR3. I get the not showing much shit but at least put the intros back in. Idk
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roseworth · 1 year
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back on my bullshit (making arrow tweets)
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starlitowa · 2 months
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ੈ♡‧₊˚ kao dake ja suki ni narimasen icons ࿐ !
like or reblog if you use
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birgittesilverbae · 1 year
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Through it, I found a family. A family who died, one by one, before my eyes. For the mission.
warrior nun + sister beatrice mourning her losses
1x01 // 2x02 // 2x07 // 2x08
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torgawl · 7 months
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LET'S FUCKING GO!!!!
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recny · 1 year
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ok but this was so slay
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handmade-witch · 3 months
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Another round of Incorrect Quotes Generator x Slytherin Boys:
Part 1 ☆ Part 3 ☆ Part 4 ☆ Part 5 ☆ Part 6
Mattheo: Sorry I'm late, I was doing stuff.
Draco: YOU PUSHED ME DOWN THE FUCKING STAIRS!
☆☆☆
Draco: Hey, quick question. How petty am I allowed to be?
☆☆☆
Mattheo: I’m not stupid, you know.
[Y/n]: Well, you’re doing a really good impression of it!
☆☆☆
Mattheo: She's the girl of my dreams!
Theodore: You say every girl is the girl of your dreams.
Mattheo: I have a lot of dreams!
☆☆☆
[Y/N]: *banging a pen on the table out of frustration*
Mattheo: Stop that. How would YOU feel if I banged you on the table?
[Y/N]: I—
[Y/N]: I don’t know the correct answer to that question.
☆☆☆
Draco: I have an idea.
[Y/n]: A good idea?
Draco: Let's not get ahead of ourselves.
☆☆☆
*Draco is laying on the floor with their eyes closed*
Mattheo: Hey, are they sleeping or dead?
Theodore: Hopefully dead, I hated them.
Mattheo: Yeah, me too.
Draco, sitting up: First of all, fuck you guys.
☆☆☆
[Y/N]: That sounds like a terrible plan.
Theodore: Oh, we've had worse.
☆☆☆
[Y/N], texting Mattheo: Text me when you’re home safely.
Mattheo: I’m home dangerously.
[Y/N]: Stop it.
Mattheo: I’m home lethally.
☆☆☆
Draco: Hey, what have you two been up to?
Mattheo: We were helping [Y/N] write their vows, but they kicked us out because Lorenzo was making inappropriate suggestions.
Lorenzo: How is “Theodore, I love your sweet ass” inappropriate?
☆☆☆
[Y/N], talking about Mattheo: Is this a friend of yours, Draco?
Draco: Kind of? Not really. They're in my life and there's nothing I can do about it.
☆☆☆
Theodore: What is wrong with you?
Mattheo: Loaded question. Elaborate.
☆☆☆
Draco: Guess what I'm about to get!
Blaise: On my nerves.
☆☆☆
Blaise: All of your existences are confusing.
The Squad: How so?
Blaise: Your presence is annoying, but the thought of anything bad happening to any of you deeply upsets me.
☆☆☆
Draco: How did you convince everyone to betray me? What did you offer them?
Blaise: I just asked if they wanted to embarass you and they all said yes.
☆☆☆
Theodore: Hey, are you okay?
[Y/N]: Yeah.
Theodore: You don't look okay...
[Y/N]: Then stop looking.
☆☆☆
[Y/N]: Ah ready for another fantastic day of being better than Draco.
☆☆☆
[Y/N]: Kill me nowwwww.
Mattheo: Sorry, no can do. I need your help with my homework.
☆☆☆
Mattheo: Lorenzo! For the love of god, please turn down that music. I have a hangover.
Lorenzo: *blasting the mii theme at full volume* That sounds like a you problem, not a mii problem.
☆☆☆
Draco: You read my diary?
Blaise: At first I did not know it was your diary. I thought it was a very sad handwritten book.
☆☆☆
Blaise: [Y/N] won’t come out of their room!
Mattheo: Just tell them I said something.
Blaise: Like what?
Mattheo: Anything factually incorrect.
Blaise, shrugging: If you say so.
[Y/N], arriving moments later: Did you just say the sun is a PLANET?
☆☆☆
[Y/N]: If you got arrested what would be the charges?
Lorenzo: Theft.
Blaise: Disturbing the peace.
Theodore: Aggravated assault.
Draco: Arson.
Mattheo: All of the above. In that order, probably
☆☆☆
Police: You’re under arrest for trying to carry three people on a single motorcycle.
Blaise, with Theodore and Mattheo behind them: Wait, what do you mean THREE?!
Police: Yes…three.
Blaise: Oh, my God— What the fuck!?
Police: Wha-
Blaise: Lorenzo FUCKING FELL OFF!
☆☆☆
Mattheo: I said ‘No’ to drugs, but they wouldn’t listen.
☆☆☆
[Y/N]: Name a more iconic duo than my crippling fear of abandonment and my anxiety. I’ll wait.
Lorenzo: You and me!
[Y/N]: *tearing up* Ok.
☆☆☆
Theodore: *yawns*
[Y/N]: Yeah, being that pretty must be tiring.
Theodore: Then you must be exhuasted.
Blaise: Will you two shut up? Some of us are lonely.
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wordbite · 5 months
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guilty by wordbite
a responsive, single column, header/duo sidebar combination theme with an updates tab! features custom fonts, icons, colours & post sizing / spacing. fully npf supported!
live preview / code
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carols-art-gallery · 3 months
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Thought you were going for a tango, Tango
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IT'S THEM, MY FAVORITE HERMITS TEAMING UP (⁠ ⁠≧⁠Д⁠≦⁠)
also can we call them achacha duo please
(separate silhouettes + icons + context clip are under the fold)
I'm very proud of this/very proud of Tango, I'm a SUCKER for steampunk, so since we don't quite understand Pearlo's theme just yet I steampunkificadored her aswell
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I did this in the coloring process and thought It looked sick, so decided to make them their own thing
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icons! if anyone wants to use them (please credit!)
the origin/context to the piece, for those of you that maybe haven't seen it:
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flipppyflopp · 4 months
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“I believe you can go the distance, Ortho.” 🔥
Finally drawing a dorm other than Pomefiore and Diasomnia! I rewatched Hercules recently and just got a lot of inspiration for the Shroud brothers. The little glimpse we got of their childhood during Book 6 was so precious and I just wanted to expand on that with this piece. I incorporated lots of references to Hercules, so see if you can find all the different references to the movie in the piece 👀
I think it would be fun to do one more piece featuring another iconic duo since I did Silver and Sebek before this piece, but we shall see what inspiration strikes. Since the holidays are upon us, I’m getting ideas for some winter/snow themed pieces…so maybe those next? We shall see! ❄️
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crimescrimson · 10 months
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Red's Top Ten Mortal Kombat Pairings #8: Nightwolf & Fujin (WindWolf)
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Netflix Avatar the Last Airbender S1 - Overall Thoughts [SPOILERS]
I am a longtime fan of Avatar the Last Airbender. I did not watch it in its original 2005 run, but I discovered it in around 2010 after my good friend R.S. recommended it to me. It's been my #1 favorite TV show ever since and I have rewatched it more times than I can count. I was cautiously optimistic about NATLA.
Now, having watched the whole first season of NATLA, and looking at the season as a whole, I think the best word to describe it is uneven. I can't say that I loved it, and I can't say that I hated it. But there were things I really liked about it and things that really did not work for me. Overall, I enjoyed watching it -- if only to dissect what did and did not work about the adaptation -- and would want to watch more.
WHAT WORKED
Everything to do with Zuko and Iroh. I found myself going back through just to rewatch all of the Zuko and Iroh-related scenes. I thought Dallas Liu really nailed Zuko -- from tantrums about his journal being stolen to incredible action sequences to the boyish vulnerability of worrying about the laces on his gauntlets. He took an iconic character and made him his own. NATLA added some incredible scenes and lines to my favorite duo: Lu Ten's funeral (coupled with orchestral version of "Leaves from the Vine"); Zuko's first war council; Iroh choosing to go with Zuko on the boat; the 41st Division; Iroh putting a blanket on Zuko. And I liked that NATLA emphasized that Iroh needed Zuko in the wake of Lu Ten's death as much as Zuko needed Iroh after his mother left.
Daniel Dae Kim's interpretation of Ozai. Ozai in ATLA is kind of one-dimensional. Daniel Dae Kim's Ozai adds a deeper layer to him in that he genuinely seems to think he's doing legitimate parenting -- even going so far as to visit Zuko after burning his face and remarking, glibly, that he'll recover ("but he'll never heal," says Iroh). It adds an even more monstrous angle to his cruelty because Kim's Ozai seems to think he's doing it for his children's own good. This post perfectly encapsulates my feelings about why I thought the agni kai between Ozai and Zuko was an excellent addition to NATLA.
Zuko/Aang. These two bonding over goat hair brushes was the scene I never knew I needed. The way Aang managed to wrest a little smile out of Zuko in that scene before Zuko blew up at him for criticizing the Fire Lord? And the way that tied into the "Compassion is a sign of weakness" scene from the agni kai? Great character work.
WHAT DID NOT WORK
Dialogue. I already observed at length my dissatisfaction with the clunky, exposition-dumping dialogue in my episode-by-episode writeups. It certainly wasn't as bad as the Movie-That-Shall-Not-Be-Named, but . . . there was no art or subtlety to it, and no trust in the audience. A disappointment.
The GAang did not feel like family. The lack of breathing room in the 8-episode season meant that all of the "filler" episodes that fleshed out the relationships between Aang, Katara, and Sokka were sacrificed. I am not saying NATLA needed to recapture each of the filler episodes. But they needed to build the foundational bonds between the main trio with showing not telling and they really didn't. They separated them for big chunks of 2 episodes. And, really, they just felt like traveling companions. That took all of the emotional heft out of, well, everything related to Aang, Katara, and Sokka. I mean, frankly, the kid actors did a better job establishing the "family" dynamic just by being themselves in their press interviews than the show did with the characters.
Aang did not run away from responsibility. I am not one of those people that's just mad that the show wasn't exactly like the cartoon. No. What I mean is, even putting aside the cartoon, even if you just look at NATLA itself: their own themes were undercut by never showing Aang actually running away from responsibility. Each avatar seemed to be berating Aang for doing something he was never actually shown to be doing.
Katara. I really don't think this one is on the actress. Katara felt like a fundamentally different character from ATLA's Katara. It's not to say an adaption is not allowed to have their own interpretation of a character, but... I just did not understand NATLA Katara. There was no passion, no rage, no overbearing nurturing. She was... I don't know what she was. Traumatized, yes, but nothing grew out of that trauma? Meek, until the plot demanded that she suddenly become a waterbending master without any guidance other than a waterbending scroll? The "younger sister"? More than any of the main characters, I'm not sure what NATLA was trying to say about Katara at all. And, as a result, I'm afraid the word to describe it might be uninteresting. And given that she is the heart and soul of Team Avatar, this one was really tough.
Despite the fact that a lot of NATLA did not work for me, I still enjoyed it because the things that did work for me, well, really worked. So. I'm here for all of the Zuko/Iroh scenes!
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artist-issues · 1 year
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I’m going to say it.
I don’t think How to Train Your Dragon 3 was good.
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Not when you compare it to literally either of the other movies. Certainly not as a conclusion.
I mean, the first movie was about a boy who manages to understand a hostile dragon species and bring peace to two warring factions, which is a parallel for his relationship with his father. The second film was about how sometimes, peace has to be fought for, and Hiccup’s whole identity was in contrast with that—because while his mother ran from conflict and his father leapt at it too eagerly, he had always been the one to stop the fighting. Then he has to learn that the things we love are worth protecting. 
And after he learns that humans and dragons can learn to understand each other and coexist—after he learns that it isn’t enough to run and hide or fight out of fear, but instead you must protect the things you care about—
After those two natural, powerful progressions are clearly worked for in the first two movies—
How to Train Your Dragon 3 comes along and says “‘No actually, sometimes all it takes is one madman whom you defeated with no loss of life to convince you that the things you care about should just crawl into a very pretty hiding hole, because you don’t feel like spending the rest of your life fighting for them.”
And I can say more. Below the break. 
Because I’ve waited a long time to talk about this. Everybody around me was saying that the third HTTYD movie was sooo good, how could I not love it, what was my problem, they’re crying in the theater seats around me, they’re all moved, but nobody can tell me why. What makes HTTYD3 so good, STORY WISE? What makes the fact that Toothless, who is established as “Hiccup’s Other Half” and his character’s support, leaving, a good conclusion?
And it’s not just that my feelings were hurt at the idea of this iconic duo being split up in the finale. 
It just doesn’t make any sense. Because the main thing that the whole series was built around was the adversity Hiccup and Toothless were always going to come up against, because they shouldn’t be friends. The whole first movie is like “dragons and Vikings hate and kill each other, there’s no way to get over this fear, nobody can be around Night Furies without dying,” and Hiccup and Toothless literally fly in the face of that. Then the whole second movie is “dragons either have to be left completely alone to themselves and their ways in the wild apart from man, or they have to be brutally enslaved as war machines under man’s boot” and then Hiccup and Toothless fly in the face of that. They stick together as their own, unique partnership, and it changes the world in HTTYD and in HTTYD2.
And then in the third movie, boom, Toothless suddenly doesn’t belong with Hiccup anymore? Suddenly it’s essential that he live completely separate, alone with “his own kind?” Suddenly it’s too hard and too dangerous to protect this dragon-Viking way of life that the whole first and second movie worked for?
I mean. They even abandon Berk. They fought so hard for Berk throughout three television series and two excellent movies. 
And I get it. The idea is that, they left Berk because Berk is a people, so no matter where they go Berk is still alive, just like no matter where Toothless goes, his friendship with Hiccup is “still alive.” And that’s a fine theme, I guess, except it totally makes the first two movies seem worthless. It makes Hiccup’s mom seem right for abandoning her family and giving up on the idea that humans and dragons could ever live peacefully. According to HTTYD3, Hiccup and Toothless never should have interacted again after he cut Toothless free of the net. Because Toothless should’ve just…gone on to live with his own kind.
Oh except he couldn’t, because Hiccup knocked his tail fin off and Toothless needed Hiccup. Just like Hiccup was weird and innovative in a time of traditional brutish Vikings, and he, in his own way needed Toothless. So they couldn’t live among their own kind without one another. 
And I see that HTTYD3 is trying to say “‘yes, they needed each other, but now they’ve grown up and the only thing left to learn is how to let go and move on.” But you know what, if you were going to tell me that, you shouldn’t have made the driving motivation for these characters to leave one another: “too many bad guys keep inevitably attacking us.”
You also shouldn’t have made the secondary driving motivation: “Toothless likes a pretty girl dragon and he can’t be with her and be with Hiccup because she’s Too Wild.™” Because guess what? The other thing that all of the previous canon content set up was that Hiccup can basically tame and befriend any wild dragon.
There are very few dragons, even in the TV show, that he cannot make friends with and live side-by-side with, and the ones that existed were basically just big, angry killing machines who presented themselves as way more threatening in mannerisms than the Light Fury does in the third movie. The Red Death eats other dragons; the Light Fury warns other dragons of traps. The Skrill tries to lightning-fry every human around it; the Light Fury only ever plasma blasts at humans that surprise her while she’s actively snooping around their camp.
I am willing to buy a story where a dragon needs to be free of his human master if he wants to have a future with his own kind, but you can’t do that if the dragon in the story is Toothless and the master in the story is Hiccup. Because those characters’ relationship was established as the future of their kind. Viking’s way forward was dragons—dragons’ way forward was Vikings. 
And that brings up another bone of contention with me—the first reason for the finale split-up—what made Grimmel so terrifying that it convinced Hiccup to uproot his whole tribe from their ancestral home and eventually give up on fighting for his dragon/Viking way of life, and Toothless himself? Was it that Grimmel was a better strategist than Hiccup? Because Grimmel lost and died, so there’s no reason for that to remain the reason. Was it because Viggo had a whole army of people that were slapped together to hastily represent “the rest of the world” and a bunch of dragons—again, DRAGONS, Hiccup’s specialty—to attack them with? Because again, all of them lost. And Berk sacrificed nothing in the process, unless you count, like…stress.
And DON’T give me any crap about the epilogue. Don’t tell me “‘Oh, OP, you totally ignored the part at the end where Toothless and Hiccup’s new families visit each other, they’re not gone forever, they’re just Friends From Afar, living at peace, protecting the peace by staying apart.”
That is 1) a terrible cowardly step back from any emotional impact that the big goodbye and sense of sacrifice that living apart from each other should have given the audience, and 2) still doesn’t negate the fact that Hiccup and Toothless WERE fighting for their way of life, which was living together, since movie 1, and the fact is whether they visit each other or not they still don’t get to have that anymore. For no good reason. I could say more. I could talk about how silly I think a lot of the Light Fury plot is, how poorly set-up the Hidden World was as a conclusion piece, blah blah blah. But instead, I’ll just leave this quote from the end of How to Train Your Dragon 2, and you tell me how the logical conclusion to this quote was “let’s abandon our home and stuff our dragons in a hiding-hole because the enemies and armies that have never once actually defeated us are just too much hassle to keep fighting with.”
“This is Berk. A bit trampled and busted and covered in ice, but it's home. It's our home. Those who attacked us, are relentless, and crazy. But those who stopped them, oh, even more so! We may be small in numbers, but we stand for something bigger than anything the world can pin against us. We are the voice of peace, and bit by bit, we will change this world. You see, we have something they don't. Oh, sure, they have armies, and they have armadas. But we... we have... OUR DRAGONS!"
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youremyheaven · 24 days
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Rahu & Ketu: The Nodal Urge To Rebrand ✨
I got an ask several days ago that triggered some thoughts✨in me lol. A lot of people in the public eye often have a drastic change in image? where they go from one extreme to another and the person who asked me about this also suggested that perhaps its a Nodal (Rahu + Ketu) thing to swing between extremes. So, i did some digging and turns out it is indeed true. It is a very Nodal tendency to rebrand yourself and be in the public eye in several different avatars.
The Rahu naks are: Ardra, Swati & Shatabhisha
The Ketu naks are: Ashwini, Magha & Mula
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5/6 of these nakshatras belong to the Shudra caste which is the lowest caste (Outcaste naks exist outside the caste system entirely). Ashwini is the only Nodal nakshatra that is not Shudra caste and as you will see, it does not show up as often in the placements for any of the people I'll mention on this post. The themes of Ashwini and its place in the hierarchy are all different compared to the other Nodal naks. All that said, broadly speaking when one is Shudra caste and at the bottom of the hierarchy, one is always trying to climb up the ladder and be "accepted" by mainstream society, this means embodying different avatars at different times. This is only a partial explanation as to what contributes to this specific nature of Nodal natives. The other explanation is that both Rahu & Ketu are disembodied and never feel "whole". Every other planet brings with it certain structure, principles, qualities and boundaries, Rahu & Ketu being shadow planets lack any of this. Lacking form, lacking definition, lacking any inherent purpose means limitless freedom to be anyone or anything. Most people feel bound by their identity, they're x so they can't be y. But when you have no inherent identity, you can be xy and the whole alphabet lol and that kind of seems to be what a lot of these people embody.
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Arnold Schwarzenegger- Mula Moon
Arnold was a bodybuilder, he later became an actor and after that turned to politics and was the Governor of California. Most people cannot devote themselves to one career and he's had 3 incredibly successful careers. He wasn't some average bodybuilder, he was one of the greatest, he was Mr Universe, he isn't a particularly talented actor but he worked his strengths (action movies) and has starred in some of the most iconic films of all time?? and his movies have grossed over $1 billion and he served two terms as a Governor?? yk how many celebrities have turned to politics and failed lol? He also married into the Kennedy family. He has Pushya Sun and a Punarvasu stellium so I will attribute his longevity and continued success to that but the rebranding is def on his Mula Moon.
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Drake, Ardra Moon
I dont even think most people now know this but Drake was a teen actor initially. He was on the show Degrassi yearsss before he became a rapper.
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Ricky Gervais, Ardra Sun & Mercury, Mars in Magha and Ketu in Shatabhisha
Ricky Gervais started his career in the 80s as a singer and was part of a synth pop duo named Seona Dancing before he turned to stand up comedy and writing.
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Dwayne Johnson, Mula Moon
He was an extremely successful WWE wrestler before he switched to acting. Now he's one of the highest paid actors.
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Taylor Swift, Ardra Moon
She was a teen country singer before she became a popstar. Not many people who cross-over can do it successfully. Taylor is an anomaly.
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Caitlyn Jenner, Swati Sun, Rahu & Rising
She was an Olympic medal winning world class athlete then a reality star and now a transphobic weirdo who is a transwoman
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Lady Gaga, Swati Moon
Gaga went from being an edgy avant garde popstar to being a method actor?? lol, she's definitely channelling old hollywood starlet these days for sure
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Troye Sivan, Magha Moon & Mars, Rahu in Swati, Ketu in Ashwini
he was a teen YouTube sensation before he became a mainstream singer. very few people successfully shed their influencer image and Troye is one of them
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Taylor Momsen- Swati Moon
she was a child star, then a teen star on Gossip Girl and is now vocalist of a rock band
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Brie Larson- Swati Moon
she was a child actor, released music as a teenager, then was a supporting actor in indie films and then became an Oscar winner was most notably Captain America
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Drew Barrymore, Shatabhisha Sun
Drew was a child star, then later did some edgy roles (after she went to rehab, was emancipated etc) and posed nude for Playboy etc, then started doing romcoms in the 2000s and is now a vv successful daytime TV host
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Katy Perry- Swati Sun & Rising
she started out with church music before becoming a pop star and now TV personality
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Madonna- Magha Rising & Mercury with Ketu in Ashwini
She went from like S&M sex bomb to Evita to Earth Mother, and several personas and styles in between. she's had more personas than i can count tbh
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Matthew McConaughey, Swati Sun & Mercury
all throughout the 2000s he was best known as a romcom leading man not a serious actor and now he's an Oscar winner
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Ariana Grande, Ardra Sun
Ariana was a supporting actor on a Nickelodeon show and now she's one of the biggest popstars ever. not many people can do that (manyyy child star turned singers have flop careers)
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Snoop Dogg- Ashwini Rising, Swati Mercury conjunct Venus
He was a rapper who was frequently in and out of prison. He later converted to Rastafari and released an album based on it and then converted to Christianity and released a gospel record and now is just some weird stoner uncle when he used to go to award shows with half naked girls on leashes
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Rihanna, Shatabhisha Sun
when i was growing up Rihanna was a singer who released music pretty much every year but she's now a billionaire businesswoman who sells makeup and lingerie
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Martha Stewart, Mula Moon, Swati Rising
she was a model, then a stockbroker and then became a TV personality
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Zendaya, Ashwini Moon
she was a disney child star, a singer and became a hyper-successful fashionista who also acts
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Rooney Mara, Ashwini Sun
she had a complete change in image and went from playing supporting roles to being an avant garde serious art movie actor
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Dua Lipa, Magha Sun
Dua had a veryy different style and sound back in the day before she embraced the 80s synth sound and rock-glam style and became a pop princess
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Lana Del Rey, Ardra Sun
she used to sing under her real name Lizzy Grant and made vv different kind of music before she became Lana Del Rey
these are all the examples i can think of rn, lemme know if you have other examples in mind<33 ill add more if i find them
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poweringthroughthis · 20 days
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trouble maker | wong yukhei
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sfw (suggestive at the end, a curse word)
ship: lucas x male reader
desc: lucas and (name) hate each other for the stupidest of reasons. but as their debut showcase approaches, they realize they might have to work together.
The tension between lucas and (name) was palpable as they sneakily eyed each other in the practice room, waiting their days for their turn to debut in the kpop industry. The two were set to take the world of music by a storm in their respective duos.
Their agency was committed to try out a new style of teams. With the globalization of kpop and gradually spreading acceptance for queer idols(thanks to icons like Holland), the officials deemed it fit to launch two different duos, all males, centering their primary concept on 'chemistry' or 'love'.
(name) and his teammate Mark, panted in their ending pose, backs touching each other's as the music finished playing. lucas and hendery were observing them with keen eyes, catching their breaths after finishing their round of rehearsals earlier.
hendery whistled, "that was amazing guys!", complimenting his labelmates as Mark and (name) offered tired smiles. the latter turned to smirk at lucas who looked annoyed at hendery's praise for their competitors.
"yeah, (name) can dance" lucas started, "..for a beanpole., he finished with a light snort, making the taller male sport an angered look.
"fuck off, shortie. at least i don't need a ladder to reach the top shelf" he retorted.
"that's an exaggeration. and at least i don't have a face that looks like a deer caught in headlights!"
"you-" the fiery exchange was interrupted as the door to the room opened, the common manager-to-be of both duos making an appearance, instantly making the 4 males stand up as the man never barges in during practice unless it is important.
"Guys." he began with a serious tone and a hint of restlessness in his tone. "we need to talk. there's been some..changes".
"Is this what I think it is?" Mark was the first one to inquire, indirectly voicing out each trainee's worst fear but the manager was quick to intercept.
"No, no. God, no. you boys are still debuting. you deserve it. but there are some..line-up changes. apparently, the company now feels it's a waste of potential variety to debut two duos in the same concept. "
the boys exchanged looks with each other. they'd been together for a while now, going through thick and thin as good friends. it'd be a shame to part ways so close to their debut, after promising to fulfill their dreams together.
"so we had a meeting and decided on one hip-hop duo, and the other to continue in the same theme. naturally, hendery and mark have been paired up together as they fit the rap concept more." he finished explaining the news.
soon after, the manager had left, leaving the boys reeling from the news. at least it was no new members and the 4 were only shuffled amongst themselves, they told each other.
days passed, and mark and hendery started spending more time in the studio instead of dance practices, working on their verses. having love for hip-hop since forever, the two seemed happy which reassured their friends.
lucas and (name), on the other hand, were having a hard time toleration one another. even though they were extremely professional, personal feelings kept aside as long as the song played but despite their undeniable talent and charisma, their constant bickering threatened to overshadow their potential success.
the dynamic between the two was anything but harmonious. they clashed over everything, from song choices to choreography to who should get more screen time in their debut music video. each disagreement only served to fuel their rivalry, pushing them further apart even as they were forced to work together for the sake of their debut.
One particularly heated argument erupted during a late-night rehearsal, when Lucas criticized (name)'s dance moves as sloppy and uncoordinated. "You move like a clumsy giraffe," he taunted, earning a scowl from the taller.
"Maybe I'd dance better if I didn't have to carry your dead weight on stage," he snapped back, his patience wearing thin. he stormed out of the room, both of them fuming.
they couldn't go on like this. no matter how good they perform on stage, if the dynamic behind the scenes was going to be this flaming, their stardom was destined to be short-lived.
But just as it seemed like their partnership was doomed to failure, a moment of unexpected vulnerability changed everything. after a late-night practice session, (name) accidentally let slip a personal insecurity that had been weighing heavily on his mind, causing lucas to pause in surprise from drinking water.
"I never asked to be taller than everyone else, you know?" he admitted, his usually confident facade crumbling in the face of his insecurity. "It's not easy standing out in a crowd for all the wrong reasons."
Lucas, who had always viewed (name) as an annoying trainee to be defeated, suddenly saw him in a different light. He realized that beneath the bravado and insults, there was a person with their own struggles and insecurities, just like himself.
In that moment of shared vulnerability, the walls between them crumbled, and a newfound understanding and respect blossomed. They put aside their petty disagreements and focused on their shared goal of creating something truly special together.
they had seen each other work their asses off for this and they decided to let the world know just that.
as the day of their debut finally arrived, Lucas and (name) took to the stage with a newfound sense of unity and purpose. the practice sessions leading up to the fateful day had a new emotion lingering in the dance room: admiration. which slowly seemed to blossom into newfound feelings. those of fondness and liking.
Their performance was nothing short of spectacular. their voices blended harmoniously, their dance moves synchronized effortlessly, and their stage presence was nothing short of electrifying. there was no denying the undeniable chemistry between them when they performed together. after their debut song, the suggestive moves in the duo's dance cover of the song 'troublemaker' had the audience gasping for air. they had prepared this one as a surprise to make a bold statement on their first day at work. they weren't to be taken lightly.
Cheers and applause resounded at the music bank set as Lucas and (name) took their final bow. And as they stood with foreheads resting against each other's, breathless and full of adrenaline, there was no trace of animosity between them, only a shared sense of accomplishment and by the tension, a budding romance.
Lucas turned to (name), a smirk on his face. "hey doe eyes, you ready for our next performance?" he asked, gesturing to the empty hall while taking off their microphones.
"bring in on, shortie" (name) winked in response, as he walked towards an empty room without looking back, gesturing for lucas to follow him using his index finger.
"let's see how much of a 'trouble maker' you can actually be, shall we?"
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2dmax · 2 months
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2dmax commissions info spring 2024
last updated april 12th
to place an order for a commission, you may PM me; if you prefer, you can also fill out this form or commission me through fiverr.
text and additional info below the readmore.
thanks for reblogging, even if you aren't interest right now!
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Packages
These are excellent starting off points for most common commission types. Additional specificity and complexity can be purchased. All basic packages are artist's medium of choice, include simple backgrounds, minimal/no props. All include full color, fully finished works.
Standard Illustration - $80
Artistic and expressive "full body" illustration (roughly 75-100% of figure).
Mini Illustration - $50
Chibi, portrait, half body, icons, and the like.
Couple's Illustration - $100
A duo version of the above styles. Doesn't have to be romantic couples - friends, enemies, family, pet & owner, or other pairs and duos OK.
Multipose, Reference, and Group Lineups - $120+
For commissions that require either multiple poses of the same character, groups, more than two characters generally. Reference pages can include close-ups and detailed shots.
Experimental Commissions
18"x24" Handmade Poster - $200
artist’s choice of medium only. typically acrylic/mixed media. always on extra large poster sized paper. great way to celebrate your favorite OCs or canon characters!
paper clay figurine - $100
chibi humanoids/animals/ferals/anthros only. between 2"-3" cubed, give or take. armature wire, paper clay, paint, and varnish. these are delicate art items, not toys; not suitable for children. includes a photoset at no additional cost.
standalone comics page - $200
2-5 panels, 1-2 characters, 1 location. artist’s choice of medium only. can be OCs or canon characters.
wildcard commission - $???
submit your request and your budget; results are up to the artist.
pay what you want means get what you get!
here’s what to expect when you order:
Send me a PM with basic info; what you would like me to draw, your budget, and if you have a deadline.
I will ask a few questions to be able to build up the concept. I will also give you my e-mail, where you can send me further info and any references you’d like to share!
Your sketch is typically ready within a week; I’ll always update you on my progress. After we agree on the sketch, payment will be due. After it’s paid, I will give you an estimate for when I will be finished with your piece.
Your finished artwork will be e-mailed to you. I am also happy to mail physical art at cost!
terms and conditions:
Your commission is for personal use; icons, roleplaying, in your blog theme, as a wallpaper, or to print out and tape to your fridge. Commercial use can be negotiated.
You must credit me on the platform used if reposted. Always OK to post to ToyHouse; my username is 2dmax there. On instagram and all other platforms where I don’t have an account, please credit my instagram @/maximumgroove.
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