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#aang adult
lunyangetthepower · 1 month
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i love aang <3
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julsera · 2 months
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FLAMING FIRE FLAKES CHALLENGE.
I rewatched the show, it's still so so good ♡
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junotter · 16 days
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just some designs mainly created because I wanted to draw hakama and then it spiral out from there
bald zuko under the cute
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lilith-91 · 2 months
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Finally someone said it
Leave Katara alone we are so tired
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bluespiritshonour · 7 days
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Here's kataang art dump. Reprise.
P.S. don't ask me why I handed Katara what looks suspiciously like an electric trimmer.
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bernard-the-rabbit · 1 year
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the height difference betweed aang and korra in their series is..so funny to me
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mugentakeda · 6 months
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more low effort avatar doodles (spoilers its mostly katara)
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likealittleheartbeat · 2 months
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I try to generally be constructive and engaged with the show I love on here, so on this day, I’ll just say that one of the most thematically important aspects for me from the original ATLA is Aang’s emotional core of real shame for running away when he was hurt by the monk’s decision to send him away. People who feel the kind of deep-seated shame that Aang feels from this decision can understand how that kind of all-encompassing shame is not built around a simple failure or a lie they tell themselves; it’s constructed from real misbehaviors and transgressions of their own sense of ethics—lashing out, telling lies, attempting to hurt others intentionally—that then have consequences (abuses, abandonments, or deaths) which seem to far exceed their expectations or even basic logic.
The combination of the misbehavior with exaggerated existential punishments (along with a lack of support and amend-making in the immediate wake of the events) is what transforms a sense of guilt (I fucked up) into shame (I am a forever fuck-up). Then shame, that sense of being a secret monster ‘no matter what I do or how good everyone thinks I am,’ invites all the avoidance strategies (Aang puts on big smiles, makes lots of jokes, constantly tries to make everyone happy, hops from town to town without building deeper connections). One doesn’t want to acknowledge one’s true feelings or let others in to see those feelings and experiences because it’s too painful to face the grief at the same time that you have to look at yourself for being responsible—even when you recognize it wasn’t totally your fault. It’s just that if you had just been good, less emotional, less human, then maybe the world wouldn’t be so messed up. Of course, in a zen view of things, the world will always be messed up in the same way it will always be beautiful. These are constant facts that always coexist in balance, and this is the truth that Aang learns and that undergirds the whole series.
So I always loved that Aang ran away. It was his sin and his salvation. And it becomes this constant tension for the series—he gets hurt in Bato of the Water Tribe and starts to run away from Katara and Sokka, he runs away to the Guru in the Crossroads of Destiny and his best friend is attacked, he and the gaang retreat after the Day of the Black Sun failure, he runs away to meditation in Sozin’s Comet when everyone wants him preparing for war. Aang’s reluctance to be a hero and the attachments and petulance for which he gets criticized are what metamorphasize to become his most noble attributes. They allow him to empathize with others shame and, ultimately, wield the kind of compassion that can deconstruct the power and perfectionism of imperialism.
So yes, Aang ran away from his temple 100 years ago. It wasn’t the mentally healthy choice. It wasn’t the ethical choice. It wasn’t the wise choice. It was human and emotional and shameful and real. Aang is a better character for it. ATLA is a better show because of it. And we are better people when we understand these kind of tragic emotional experiences that people are trying so hard to grow through.
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its-bread-bitch · 1 month
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Once Zuko becomes fire lord he’s unbelievably busy. For the first five or so years on the throne he barely has time to think let alone spend any meaningful amount of time hanging out with his friends outside of diplomatic meetings. None of the gaang really blame him, they can all see first hand just how much is on his plate, and what they can’t see Aang or Hakoda usually relays to them. (After all, the avatar and chief of the southern water tribe are in frequent contact with the fire lord, unlike the young master earthbender or the children of said chief)
The first year is by far the most brutal. Zuko barely remembers what it feels like to sleep a full night, or even half a night. Everyone is either treating him like an immature, incompetent child (a misconception he swiftly pits to rest) or like the fire lord (which, to be fair he is). Point being, no one really treats him as ZUKO. Except of course, the young ambassador from the southern water tribe.
Sokka is just about the only thing keeping Zuko sane. Not because they see each other often or because they talk, no, it’s because somehow, he and Sokka have ended up sending each other ridiculous letters back and forth since Sokka’s appointment as ambassador.
By ridiculous, I mean to say they would probably cause outrage and/or scandal if anyone saw them. A crude picture of Zuko’s likeness with an arrow pointing to him labeled “fire lord stinky”. A series of very formal, beautifully calligraphies letters with only a single curse word on them. A simple letter that simply reads “people are stupid” in quick handwriting. A response a week later on the same piece of paper saying “that’s rough buddy” A second series where they ran out of curse words and began sending increasingly outlandish and oddly specific insults. A picture of a penguin otter with a mustache drawn on. A drawing of the atla equivalent of the finger circle. Long distance tic tac toe. A collaborative drawing that they’ve been sending back and forth that at one point might have resembled appa but now has so many additions that it’s utterly incomprehensible. Yet another calligraphied series of letters of random words that both of them find themselves cracking up at even though there’s no reason to break into giggles over a letter that simply reads “chives” in elaborate copperplate and yet here they are.
It’s stupid. It’s childish. It’s utterly unbecoming of a world leader and Zuko only is able to do it because the letters (except the calligraphy, which vary based on level of effort) take less than 5 minutes to draft and mere moments to read and Zuko only gets Sokka’s letters because they’re technically political correspondence but GOD is it the highlight of Zuko’s week.
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punkeropercyjackson · 2 months
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It's always either 'they're a fucking monster!!!' or 'they don't have any actual mental problems,that's scary so let's make them normal!' or even 'Well actually they're not a kid at all!'.If you'd met me in school you'd have called me a future serial killer
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junotter · 14 days
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My redesigns for aged up gaang
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gurinpotte · 1 month
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evidence dump of the brain altering that rewatching atla for the first time as an adult has caused in the past few weeks
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sad-endings-suck · 4 months
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If I had a nickel for every show I’ve seen that follows a strong spirited blue-eyed heroine who lost her mother at a young age to a fire that can be linked back to colonial violence and who seeks revenge for that but who is also strongly associated with water and the colour blue, who travels with her close companion who happens to be a a bald and childlike yet oddly wise individual with traits both physical and emotional that line up with association of air and the colour grey, who eventually fight and then travel with a stubborn fighter who has never lost a battle before encountering them and is associated with earth and the colour green, as well as a fourth character that represents fire and the colour red and who is a royal/noble trying desperately to ensure control over her own destiny for the sake of freedom and power and who very much acts as a narrative foil to the water/blue character, and one of the former two characters is obsessed with honor to the point point that they are willing to actively aid their enemy just so that they can personally be the one to bring them down and are also sporting one half of a whole haircut for reasons also associated with honour and humiliation, and all this takes place in either east asia or an east asian inspired setting with both plenty of nuance and entertainment value to be found, then I’d have two nickels… which isn’t a lot, but it’s weird that it happened twice, right?
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1ncend1ary · 11 days
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waiter waiter! more platonic affection, please!
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atla-suki · 1 year
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first look at young adult gaang (for the upcoming 2025 animated atla movie) ‼️‼️‼️‼️
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they are SO PRETTYYYYY 🤧 closeups:
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oh wow *passes away*
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leantailean · 6 months
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Adult gaang gathered for a bonfire night. I love them so so much!
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