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#ancient colours
romegreeceart · 9 months
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Isis-Aphrodite
* 2nd century BCE - 1st century CE
* terracotta
* Turin Egyptian museum
Turin, June 2023
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crawley-fell · 5 months
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yasmeensh · 4 months
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Lanayru mines. Always felt sad seeing the ancient robots inactive. I wonder how they all stopped working on the spot.
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metanoias-substack · 7 months
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When you think of ancient Greece or the Roman Empire, visions of white togas, ivory temples and sand-coloured amphitheatres likely come to mind.
If so, you might be in for a surprise.
Because this off-white and eggshell-dominated palette, which inspired the pristine surfaces of Renaissance sculptures and the blank facades of Neoclassical buildings, is… a lie.
We now know the ancient world was steeped in colour. It was, perhaps, a tad too colourful for our modern sensibilities — even borderline garish at times.
Click here to learn why generations of scholars and artists believed in a monochrome Classical Antiquity and see historically accurate reconstructions of ancient statues and buildings in all their glorious peacockery.
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havingapoemwithyou · 8 months
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There Are Eight Thousand Seven Hundred And Sixty Hours In A Year by SK Grout
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xeneric-shrooms · 2 months
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I am once again asking for double terts for ancients u_u
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Akhenaten at Musée du Louvre, c. 1352- 1355 B.C.
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xenomorphicdna · 4 months
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This is an on the string propaganda post
Brought to you, by me (with love)
It's time for machine comforts. Comforts we can't understand, or experience. Let them be happy, let them be at peace with their body.
Does a breath of cool water feel nice on their systems? When it's quiet do they listen to their own heart and feel the electricity pulsing? Does it remind them that they are alive and a part of this world? Do they have dreams? Hopes and projects they wish to work on, hobbies?
Why get off the string into the harsh and deadly world, fighting for survival and losing everything they've ever known to love about themselves?
What about the safety of their bodies? How scary would it be for a machine with thousands, maybe millions of throughs to suddenly have just a handful. The horror of everything going silent.
They have hundreds of eyes to see the world for all its beauty, they capture moments that would otherwise go unseen. Why blind themselves of such things?
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romegreeceart · 2 months
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Funerary figurines
* Shabti of Paankh with inscription on cursive script. Bakerd clay, New Kingdom, 19th dynasty (1292-1190 BCE)
* Two shabtis of Userhat, scribe of Amon. Faience, New Kingdom, 19th-20th dynasty (1292-1076 BCE)
* Turin Egyptian Museum
Turin, June 2023
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domusplautii · 10 months
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Coloured ancient statue from Herculaneum.
Stills from this documentary, Life and Death in Herculaneum (on YouTube).
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uncanny-tranny · 6 months
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If I'm honest, the whole "love in every stitch" saying for fiber artists does not apply to me, like. I'm trying to get this fucking hook into stubborn yarn and I'll be stabbing it like it owed me money. Is that love because I hope not 😭💀
#art#crochet#honestly the closest thing i feel to love when crocheting is this feeling that this is bigger than me if that makes sense...#...i think it'sthe feeling of knowing how old the craft itself is and knowing that millions of people have done the same as you...#...millions of people have stabbed their crochet hook into the yarn because it's stubborn but so are you...#...millions of people in the past have sat and devoted their time and effort into all of this...#...millions of people have passed on this knowledge and kept this thing alive...#...and it's the feeling of knowing that humans across millenia aren't THAT different#to our core we are more or less similar - across the ages across the colours across everything. that really comforts and humbles me#have you looked up ancient textiles? because that also sparks these emotions in me#it makes me think about the tupes of people to make the textile but also about who wore it#and so many of them are still beautiful and colourful and it shows you SO MUCH about the people who made them#even the ones that are tattered and faded and stripped of colour still feel beautiful...#...because it has SURVIVED. it is evidence of a people who made it and a people who had technical skills#and THIS is why i HATE HATE HATE the idea that ancient people were just 'dumb' and 'uneducated'#that is so unfair to them and cruel and just. wrong. (and often it reeks of white supremacy)#i'm sorry i rant and rave about this so much but i canNOT be normal about this. i can't be normal about humanity#i am learning to love humanity and learn about us and learn everything and it'll never be enough - i will never know enough#i will never know everything about everybody and it will be the death of me#okay the only thing i liked about the greatest showman movie was Never Enough because that is me thinking about all this
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23-tiny-wishes · 1 year
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May your soul live, achieving millions of years, you who love Thebes, sitting with your face to the north wind, your eyes beholding happiness - inscription on the "wishing cup" lotus chalice, the first object encountered inside the antechamber of KV62
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bongo-clash · 2 years
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Peacock Au Part 1
Okay so Big Huge credit to @stealingyourbones for letting me do my own take on their amazing eldritch Danny idea!!!! This started out as me just doing a drawing but then I ended up with a whole DPxDC fic that I'll be posting the part two for at some point!!! Anyway, here's the vague designs:
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And here's the part one of the fic under the cut!!! :D (Edit: Part 2 is Here!!)
There’s a Lazarus Pit forming underneath Gotham. Normally, this would not concern John Constantine at all, because it’s Gotham, therefore Bat territory therefore not his problem, and honestly he has his own things to worry about. Unfortunately for him, however, the infamous Dark Knight has somehow gotten it into his head that he can do something about it and, Hell, he’d said it would be a ‘big favour’, which meant the man really must be desperate; had to have been in the first place, he supposed, to have even bothered with John in the first place. 
Still, he’d almost kind of forgotten what a huge mess any kind of favour for Batman could be, and thus, he now holds possession of a book that is probably going to get him killed. 
Whether the actual book itself wants to kill him is up for debate, but Constantine has read the contents of this particular Book of Summonings and nothing in here seems remotely safe. He’s absolutely going to be hiding this away somewhere deep in the archives of the archives of the Justice League watchtower with an incredibly pointed ‘DO NOT TOUCH’ on it once he’s done with this, but for now, it’s the only thing he’s got in the way of sorting out this Pit problem. 
There’s an entity that exists, this book claims, that keeps the balance between realms. ‘Closes doors’, apparently, and the doors the pages depict certainly look like a Lazarus Pit. This is brilliant news, obviously, but the book doesn’t describe the entity itself at all beyond that; barely any of the other entries are as vague as this, and that plus some of the frankly bizarre sigils he’s having to draw to summon the damn thing are giving him no comfort. The only remotely comforting thing about it is that the ritual doesn’t require any blood- which either means the entity is benign, or it wants something more valuable than blood. 
…Okay, maybe not that comforting, actually. 
But, before he can consider that maybe this wasn’t his best idea and backing out would be for the best, the sigils flare with light, and Constantine squints to keep track of the way they activate, desperate for any indication of what he’s managed to summon with that stupid book. 
His feet feel feathery against the ground, like they’re barely tethered by gravity and just waiting to float away, and perhaps the seeming lack of atmosphere is fitting with how dust like stars lift from the summoning circle, bringing with them intercepting layers of purple-blue-pink-white, galaxies and nebulae being peeled off the floor. It comes with a sound- something whistling, almost. Seeming hollow, between a shriek and a bell ringing, or maybe more musical than that. It seems to change every moment he tries to focus on it, as if it’s something his ears can’t really hear but his brain is desperate to process, painful to try. 
And then, the entity begins to form. 
Unnoticeably at first, a white glow drifts forming in the centre. It congeals as Constantine’s gaze finally fixates on it, layers forming like jellyfish trails, or flowers, or peacock feathers with runic circles at the tips, fading smaller and smaller as they reach the centre, and a thing akin to a body unfolds into view at the front, a centrepiece. A child’s image of a shadow in opalescence, a strange curving feature where a neck might be, and searing-green spots of varying sizes scattered along the space where cheeks and eyes could’ve been, fading up and down across the lower-half of the ‘face’ and into the ‘hair’. He barely understands what he’s looking at, but maybe that’s the point. 
The sound of a thunderstorm rings across the room, and the curve of the neck unfolds, and it’s an eye, and the tips of a thousand twisted, cosmic peacock feathers become eyes as well, if they weren’t always. They move, wavering, either lashing or flickering from visibility. 
“And what is this?” The voice is a kaleidoscope, echoing off and from every corner of the room, and when they speak, infinite eyes become infinite mouths, too many teeth barely contained by the edges of what seem vaguely like frostbitten lips. To have something even remotely human suddenly etch itself onto the entity is somehow worse than the parts he can’t comprehend. “Who are you, to have summoned me, and seem so afraid?”
Constantine wishes, maybe for the first time, that it hadn’t been an obligation to do this alone; he’s never wanted Batman or one of the Light members with him more than now. It’s a difficult thing, almost impossible, to shake off the speechlessness. It’s a wonder that it’s possible at all, with how the room seems to have been twisted into a vacuum. “I was told you could- you could help with the pits?”
“The pits. There are many pits.”
God, this is creepy. “The Lazarus pits to, uh, to be specific. There’s a huge one cropping up under Gotham that’s not supposed to be there, and the local- I mean, the locals are getting antsy about it. …I heard you can take care of them.”
“I can smell its blood between the gaps of atmosphere, encircling. You, whose soul is bound in so many directions, who may be pulled apart like meat in time- can you sense it? Does it draw you?” John doesn’t know how this- this thing knows that, but he’s scared asking will invoke some kind of consequence, and more and more he’s wondering why the Hell he decided to do Batman this favour. He feels exposed. 
“Uh… no, I don’t think so. But can you fix it?”
“Yes.”
“…Will you fix it?”
The chill is getting to him. Goosebumps are running across his arms like a livewire, and he’s never doing anyone a favour ever again. The entity makes an approximation of a hum, his ears shriek with whale song and stars, and after a pause, everything switching up and down on itself, the peacock eyes form into huge, reaching hands. For a second, Constantine’s whole body freezes with terror, because he’s petrified the thing’s going to grab him, but then the arms tumble phasing into the ground, and the green spots on their ‘face’ flare with a supernova glow and they make another piercing noise, chiming or trilling. 
A long moment later, the hands slowly return to the entity’s back, and fade into the peacock feathers or jellyfish bells or whatever they were before, blinking at him. “It is gone.”
“Uh… cheers?”
“It will not return, but this place shall see its dead for some time. Try not to look.”
This is maybe the worst day of Constantine’s life. “Can I- uh, yeah, great advice. ‘Appreciate it. But, can I ask just, y’know, what you are? Or not.”
“That is up to you.” They say, and though the eyes that appear briefly between sentences bely or reveal no expression, it feels scrutinising. “What is it that closes doors? Is it alive?”
He hates riddles. He hates riddles and he hates cosmic horrors and he hates eldritch entities and he hates Batman for getting him to agree to this horrible favour. He wants to go back to the House of Mystery and pass out for long enough that this whole thing becomes a dream. “Fair enough! Forget I asked- cheers for sorting out that pit, though. Uh, don’t suppose you’ll just let me go on my way or anything now.”
“I know of your Bat.” 
Oh dear. Constantine’s stomach sinks like a shipwreck into the Mariana Trench, but the entity moves on like they’d never even said it. “I will recede, and find you in time, perhaps both. You will know when I am coming, and I will find my recompense.”
And just like that, their whole form shimmers into clouds and pearls and smoke and mirrors, and they fade back into the runes that summoned them like tap water down the drain. The galaxies they’d formulated within the confines of the room fold back in on themselves and turn to whispers and then nothing, but the feeling persists on his skin long after weight has settled back onto his bones. He hadn’t known a thing like that existed until now. He doesn’t know what it can do, doesn’t know how all-encompassing it truly is. 
And he owes it a favour. 
Crap. 
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valoale · 5 months
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Hope this lucissa finds you well
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17mujipens · 27 days
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i saw a video about the Queen in Dungeon Meshi and her skin colour. and people in the comments had all sorts of theories on why she and Flamela have such dark skin. and it made me realise that a lot of people haven’t seen this page of the Adventurers Bible:
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heartsfortwotpot · 4 months
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markless alicorn
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