Since I posted some of my old fanart yesterday... if you're not familiar with Slayers, and thus have never heard its amazing music, do check it out.
It's largely by the same songwriter, Masami Okui, that did Utena's iconic opening (Rinbu Revolution) and ofc (TRUTH) and sung by a duo of her and Hayashibara Megumi (you know, the GOAT)
The entire OST pretty much slaps. there's only a couple of bad image songs in an absolute expanse of pure gold. GIVE A REASON, the opening to the second season, tends to be the reigning favorite. (I've a hard time pinning down my absolute favorite... of the original openings, it might be Breeze, but all three are so good. Of the entire catalog? Impossible to choose. Midnight Blue, Raging Waves, Within my Unlimited Desires, Gloria, Get Along... Impossible Choice)
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I swear to god every time I have to do something- anything, I suddenly have motivation to just draw bhtf all day. But now I have no time!!!💥💥💥💥💥💥🖕🖕🖕
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I had a dream that taylor swift released a new album that employed her most despicable marketing move yet: she promised that new joanna newsom songs were buried as hidden easter eggs within the ends of her other songs, but every time a new jnew song was about to play, it would simply skip to her next track. a disgusting display of capitalist trickery. naturally, i had no choice but to listen.
now, this album of hers, like most of her creative output, played it extremely safe to appeal to the widest possible commercial audience, wherein she deployed inane similes such as “clear like crystal” and “red like a rose.”
however, one song that was clearly controversial, but only in ways taylor herself was too obtuse and tone deaf to realize, was her ballad “sleep in the middle east,” which argued that being with her “middle eastern” lover signified an act of decentralization of global imperialist powers that locationally designate the region as being “the middle east” within a complex political/geographic framework, as when they are together, their love is what becomes central to our cosmological paradigms.
the title comes from her line in the chorus “I get no sleep in the middle east,” to imply that she is either wide awake tossing and turning over her lover, or that they are too busy staying up all night having freasknasty dominatrix and/or tame vanilla sex (I can only assume that with t-swift it’s only one or the other).
aside from the obvious glaring problematics of composing such a song in the first place, some other lines are also suspect in subtler ways. for example, her opening line, “why does bombay feel so different from mumbai” is clearly her gesturing towards the idea that every city in the middle east feels so locationally specific due to the nature of experiencing it with her lover, whereas she feels “no different going to france or congo.”
the keen-eared listener will immediately notice many issues here. first of all, she is listing cities in india, a country that is not part of the middle east in even the most generous estimation. secondly, bombay cannot possibly feel “so different” from mumbai, as they are, in fact, the same city. i also have a hard time believing that taylor did not notice a difference between “france and congo” (a line she rhymes with “let’s go to a place that only we know”), or, frankly, that she has ever set foot in the drc.
it was clear by the nature of this song that taylor did not expect to receive any flak for this harmless tune, and in fact i believe she expected to receive praise for finally (alluding to) dating her first ethnic. however, as you can imagine, her detractors had a field day tearing apart this song, myself included, which is why i am now reporting back from my dream world to deliver my somnial findings to all of you.
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