Thinking about Jason's outward expression of emotions. He tends to only get angry as a response to perceived injustice (the same way Bruce, Dick and most of the others do). But unlike some other characters, Jason rarely every gets wound up in it, nor does he get angry even when he sees injustice if the situation doesn't call for it. Some characters get angry first and then manage their response to whatever's more appropriate, but my interpretation has always been than Jason doesn't need to because he doesn't often begin with the rage. It's not a default, instinctual response for him in most situations. It seems to be that he becomes angry when there is a perpetrator (and specifically, of a crime that hurt people with less power than the perpetrator has, in some way) towards whom he can direct that righteous anger (righteous as in the cause is his drive for justice. I'm not discussing the rightfulness right now). Can he hurt the man who was about to hurt a woman enough that he doesn't dare to try imposing his power over another woman again? Can he do something, anything to stop a serial rapist who has already caused the suicide of at least one woman? But he doesn't possess the sort of blinding anger that could become a driving motivator for his actions outside of someone in front of him to punish. He doesn't need the anger (mostly because he will instead fixate on the crime without rage to fuel him).
The notable exception to this being his behaviour preceding his death (which is explicitly referred to as atypical for Jason by both Bruce and Alfred. The whole reason he's forced to take a break from Robin is because that anger is so unusual for Jason that Bruce and Alfred are worried about Jason's mental wellbeing).
We see in Lost Days that Jason’s default state has become (to the concern of Talia and Ra’s) seemingly unfeeling, and he shows signs of a persistent flat affect throughout Lost Days, with exceptions for when he sees injustice (which is responsive, as compared to the aloofness he uses as a constant state of defence -> see: his and Talia’s conversation after he killed for the first time, Talia being glad that his sense of empathy and justice were able to overcome his general coldness). Jason's aloofness was entirely a conscious defence, but at times he was consciously exercising it (his reaction to Tim in front of Talia vs alone).
We see him cry for himself a few times, which tends to be how Jason first reacts to what hurts him deeply. Then there's his cold hatred for Bruce, which can be taken as anger in the face of heartbreak and perceived betrayal. But that anger never goes very far: Jason couldn't even make himself blow up the batmobile. In the end, it's Jason's belief that he hates Bruce and must make demands of Bruce to force him to redeem himself in Jason's esteem that fuels him. Because Jason wants Bruce to redeem himself, even if it's unlikely that he will.
All throughout Lost Days and UTRH, Jason uses teasing/biting humour in a very Robin manner to direct attention to whatever he pleases, whether that be pulling attention away from vulnerabilities or drawing attention to distortions of the truth. This habit returns to Jason strongly around times when he breaks out of his apathetic state (when he’s killing people who hurt others, pretty much), but the undertones of coldness and derision even with that humour don’t leave. We can see in this habit especially how Jason's become a distortion of who he was as Robin. He's still witty and he still teases people and you can hear the humour in his voice. But now he's using that wit to say cruel things to Batman, deceiving him constantly, and his voice no longer has a youthful kindness to it.
One of the most Helena-esque character traits that Jason’s picked up (in fanon and reboot canon) is anger as an initial defence and reaction, actually. It’s nearly the opposite of Jason’s pre-flashpoint defensive state but is essential to Helena’s. It’s actually not surprising that this happened (even ignoring reboot kicking Jason’s character into a closet and superimposing much of Helena onto him) because of how DC pushed “angry” as Jason’s defining trait, and how fans have believed it for so long. It seems almost natural for a misconception this severe to happen, even in the face of evidence to the contrary, because every action of Jason’s is misconstrued as proof for an angry temperament.
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I am sure someone has talked about this before but the whole abundance of "Karen" videos on the internet just proves how no one takes women's anger seriously. Like I'm not defending mean ladies yelling at and attacking people but the reason you don't see as many videos of men acting like this is because people are actually afraid of men and take their anger seriously.
When a man is pissed off there is like no time to pull out the camera and talk more shit.
When women yell, people point and laugh. When men yell, people react in fear and de-escalation.
The result is women are turned into a joke online meanwhile men get away with a reputation that they can handle their emotions better..
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Probably not gonna match with when this comes out translated, but still—just a few things I liked about BNHA 423
WE GOT TO SEE THE VESTIGES AGAAAAINNNNN!!! HI BRUCE!
I think Bruce gets a lot of bad angles. This is an example (but it's okay honey, you're still hot stuff)
Unfortunately, I have a favorite. It's Bruce. The most Normal Guy™ in the vestige line up. And the special-est sopping wet cat for Kudo ever (Yoichi is a dry cat because at least Kudo remembered to take Yoichi inside).
The vestiges were all gearing for a punch, but Tomura/Tenko is reaching out.
The rest of the users usually use OFA to punch, is the general idea we see. But Tomura/Tenko's Quirk isn't that.
Tomura/Tenko reaching his hand out to grab, and the vestiges readying a punch—it's their ways of putting the hurt on.
And Tomura/Tenko knows what happens if he puts his fingers on someone. He was aiming for AFO's head too. Guy was pissed.
I like that the vestiges look like they're crawling out of hell (or the depths) here. Technically for OFA itself, which they embody, being in AFO's realm was hell. It meant they failed their collective goals to win against AFO, and keep OFA [Yoichi] out of his possession
Also, they're all embers of who they once were. If Factors embodied their personalities, these embers are the leftovers of that embodiment. Their eyes are blank.
And even when they're only shattered fragments of themselves, they came for AFO to take him down.
They really embodied that purpose. Even as husks of themselves, or sad leftovers that scattered from their destroyed Factors, they still reached forward to clock AFO one last time.
They were that determined, and that determination was all that was left of them.
Meanwhile, with Yoichi, his itty bitty remains continued trying to talk sense into his brother till the end.
Yoichi has such a bleeding heart. But he also loved his brother.
AFO is standing in the dark. But in that dark, there's a light. It's Yoichi, as if he were the light at the end of the tunnel.
AFO chased OFA for decades, and ruined a lot of lives, just to have Yoichi by his side again.
Joining hands with Garaki; killing Banjo, En, Nana; forcing the creation and upbringing of Tenko; the whole Shimura incident; everything he did to UA and the Aoyamas to get close to the wielder of OFA [Yoichi]. He did all that, and more.
He just wanted the chance to have Yoichi with him again. That was his purpose in obtaining OFA this whole time.
Yoichi was AFO's light at the end of the tunnel.
Too bad for AFO, the light at the end of the tunnel was an oncoming train.
Yoichi is telling AFO what happened, but I love that in front of Yoichi, AFO became himself. I mean, not a mass of scar tissue, but who he originally looked like
Idk, there's just something symbolic about it?
Midoriya calls AFO a lonely man. And Yoichi comes to him, and AFO says he wants Yoichi by his side. He wouldn't be lonely if that were the case. Yoichi could make him not lonely anymore.
And the lonely man, a bundle of scar tissue from his warpath to see Yoichi again, reverts to a time he had no injuries or scars. He looks like the period of time where he and Yoichi lived in the same era.
In front of Yoichi, he's just.. himself, I guess is how to put it. Not a mass of scar tissue, or the evil villain everyone feared: he's literally just Yoichi's "Nii-san".
It's like, the scar tissue shed itself to reveal AFO's true face.
He wants to see Yoichi's face, and ended up showing his own without even meaning or thinking to.
He's finally looking straight at Yoichi, trying to see his face. It's not like when Yoichi was alive, when AFO always looked down on him, and just waited for him to bend to his will.
Now, AFO has little time left with Yoichi, and he's lost his composure for it, wanting to see Yoichi as more than an ember. But maybe he got to the point he only ever saw Yoichi for his Factor, rather than the Factor for Yoichi: how often has he said he was chasing One For All, instead of his younger brother?
AFO wanted to see Yoichi's face, but when he saw Yoichi next to Kudo... yeah, he lost his mind a bit there. Probably (Definitely?) because he saw Kudo's Ability, and Kudo with Yoichi. And Kudo is "to blame for everything".
Maybe he lost it seeing Kudo and Yoichi together, because it was a repeat of the past, I suppose?
(Technically, he did see Yoichi's face one last time already. Just that he also saw the bastard Kudo's face again too. And AFO did not like that.)
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