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queensend · 8 months
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Tessa Bonham Jones as ANNE HASTINGS THE SPANISH PRINCESS 2.04 The Other Woman
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jomiddlemarch · 5 months
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Tis the privilege of friendship to talk nonsense
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“I’m worried about Matthew,” Mary said, having set down the coffee-pot, every Wedgewood cup filled. The meal might have ended with port or brandy for the men in a household aspiring to be fashionable, but to Jed’s eternal amusement, Mary held fast to her New Hampshirewoman’s disapproval of anything she thought was more for show than purpose and though she was not deeply involved with the temperance movement, she saw limited appeal in spirits, which unlike coffee or even tea, never enlivened the enervated nor hastened industry. Jed spent a good deal of his time trying to impress upon her the value of leisure, but admitted it was a Sisyphean task. She applied her considerable efforts, fussing he called it, to the well-being of those she called friends, so he could not be surprised at her declaration.
“I’m sure you needn’t,” Emma said. This only caused Mary to purse her lips in a manner Jed found adorably kissable, but which indicated she felt Emma was not taking seriously what she deemed a serious matter indeed.
“Why are you worried?” Henry asked. “He’s not written often since he went to New York. At least not to me. Perhaps you’ve heard more from him?”
“If she hasn’t, it’s not for lack of trying,” Jed remarked. “At this rate, we may send Daniel out West to earn his Harvard tuition as his mother’s spent it on postage—”
“It won’t work, Jed, Emma and Henry already know you for a fabulist. You ought to confine your exaggeration to your waistcoats,” Mary replied, sounding very much as she had when they’d first met in Alexandria, all asperity and wit. She turned to face Henry, whose earnestness still matched her own. “It’s not so much what he says as what he omits and there are times I almost feel he’s written me a sermon instead of a letter to a friend.”
“I thought it would be easy enough for him, in New York. They’re not known for their propriety as Boston is,” Emma said. She had found it more difficult than she expected to gain acceptance, even as Mrs. Reverend Hopkins, her soft drawl a lesser issue than the myriad small faux pas she made, which she discovered only through a raised eyebrow or a short, barely audible sniff. When Mary’s efforts at consolation had proven ineffective, she’d brought Emma to Margaret Brook and then to the Bhaers’ exercise in utopia. She’d left with a hand-printed program of “The Pirate’s Fearsome Revenge and Also, His Parrot Makes a Freind” as a talisman against disappointment. “No Lowells, no Cabots, it might as well be a children’s garden party at Plumfield.”
“Evidently the von Rhijns and the Astors would make the Cabots and Lowells quail,” Mary said. “There’s a brazenness in New York society that’s frowned upon in Boston and Matthew mentioned that some of the newer families, the Russells in particular, are rather given to excess, even though that is reflected in their charitable giving as well as their millinery.”
“You are concerned Matthew will be caught up in the battles between old and new money?” Henry asked. “That he may be diverted from his ministry and his neediest parishioners?”
“The man survived five holiday bazaars, including the one the former Miss Hastings attended,” Jed said. “Have some faith—”
“He was at home then,” Mary said. “He knew the players and he knew who he might call upon as allies, should he need them.”
“You make it all sound quite cut-throat,” Jed said. “Not that I don’t think Anne brought a Bowie knife to that sewing bee you hosted. I expect she spiked the punch from her trusty flask as well.”
“No one serves punch at a sewing bee,” Emma said.
“I’m afraid Matthew’s affections are becoming improperly engaged,” Mary interrupted. Henry frowned but Jed let out a low whistle, one his sons had all learned to replicate. He was teaching the girls in secret.
“Improperly engaged! Given the source of such an assessment, I can only assume our esteemed Reverend Forte is enamored of a circus performer or perhaps his inamorata is a lady aeronaut,” Jed said, making little effort to restrain himself. He was, after all, among friends.
“Do be serious,” Emma said, an exhortation Mary knew better than to ever bother with. Henry, uxuoriousness undimmed by nearly twenty years of marriage, patted his wife’s hand. Mary rolled her eyes, but Jed could tell she was equally amused by his playfulness and Emma’s exasperation. There was little latitude granted to a minister’s wife in Massachusetts and Emma’s thirsts for gossip and the latest fashion were generally unquenched. 
“Not a widow of means, then?” Henry said.
“He writes almost effusively about a Miss Brook and no, Jedediah, there is little chance she’s any relation to Mrs. John Brook, the surname is common enough,” Mary said.
“What makes an engagement an improper one then, Molly?” Jed asked.
“As her title suggests, she is unmarried, but not fresh from the schoolroom. She is a lady of some years—”
“An elderly spinster,” Jed remarked. “Probably poor as a church mouse, though I’d defer to Henry to explain why all the mice who make churches their residence are doomed to being impoverished. Not much opportunity for cheese, I suppose—"
“Hush!” Mary exclaimed. “She is of middle years and unmarried but what makes the engagement risky—”
“Not risqué,” Jed muttered under his breath, low enough Henry could claim he hadn’t heard but loud enough he’d grinned.
“Is her connection to the van Rhijn family,” Mary went on.
“Is she a second cousin? A cadet branch? A companion?” Emma asked, speaking the word companion as she might say harlot.
“She is Mrs. van Rhijn’s only sister,” Mary said. “He was invited to luncheon at the van Rhijn house. They had New England clam chowder. Miss Brook admitted amidst the guests that she’d had it specially prepared to remind him of home.”
Emma looked aghast.
Henry looked as surprised as he had when his eldest daughter Lydia had announced her intention of studying Ancient Greek at Wellesley College the day after the school’s charter was announced. She had been five at the time and was already halfway through Cicero.
Mary looked concerned and also divinely self-satisfied, largely due to the expressions on the faces of both Hopkins and the near-absolute silence that had descended on the sitting room. Jed could only barely make out the sound of the boys arguing, Rebecca wheedling cakes from Mrs. Hudson for Beatrice and the Hopkins girls. They were dear to him, these three, and though he could not share in the apprehension over Matthew Forte’s affections and reputation, he was fond of the minister in his own way.
“As it’s evident the three of you believe Reverend Forte shortly to be torn limb from limb, either figuratively or literally, with the likelihood of a new iteration of New England chowder featuring a man of God, his frock coat, and quantity of diced potatoes doused in cream soon to be presented at the van Rhijn table, I would suggest a course of action,” Jed said, allowing himself to wax, if not rhapsodic, then comedically melodramatic. Mary might take him to task later, but they were all so earnest and Emma, in particular, needed to be reminded there was life outside the parlor and parish hall, life she had once lived, most threatening with her swinging hoopskirt. It was always fraught, to refer to the War, each of them carrying their own burdens, each of them managing in the best way they knew how, but they had once attended or performed in the dramas of the Mansion House Players and given the clear desire to make a tragedy out of a few lines in Matthew’s letter, their previous experience would be well to be evoked.
“Well, out with it,” Mary said. “You’re overdoing the dramatic pause, Jedediah. If Timothy and John were with us, you wouldn’t escape so lightly—”
He nodded. The two younger boys had his same taste for mockery and were only slightly reined in by Daniel’s steadiness, so like his mother’s, and Bea’s innocence. Rebecca would only egg them on. Mary could quell them all with a glance but only if she chose. 
“Matthew needs an ally. Reinforcements. The introduction of an unexpected character from the wings, kitted out with a shield and sword. And flask,” Jed said. Henry and Emma still had blank expressions but a light came into Mary’s dark eyes as he spoke and he loved her for it. “Mrs. Frederick Morris—”
“Nurse Hastings?” 
“Anne?”
“I may quibble with your approach, but I must admit, this is a pretty solution. A surgeon’s intervention,” Mary said. “No one can deny Anne has the acuity and aim of a scalpel. She’s impervious to shame, while being well-aware of its impact on those around her. And she has the resources to allow her to make a splash in New York society, though her money’s old enough she will merit some respect. I shall write her in the morning.”
“And if she does not succeed?” Emma said.
“I suppose Dr. Foster may find it necessary to visit Mrs. Manson Mingott and make sure she has been taking her tonics as prescribed,” Mary said, smiling. “Or then, Newport is lovely in the summer and we’d be happy to have you and the girls come to stay for a few weeks, Emma. Henry, if you can’t get away, you needn’t fret. We shall have it all well in hand and Mrs. Brook and Mrs. Laurence will make sure you don’t expire while living as a bachelor.”
“I notice you don’t leave Henry to Jo Bhaer’s tender mercies,” Jed remarked.
“I shouldn’t think he’d survive the theatricals at Plumfield,” Mary said. “And she has quite a heavy hand with caraway, which I know makes Henry dyspeptic.”
“Shouldn’t we just send you to Matthew’s side? Within a week, you’d have wedding bells rung for the lovesick couple and Mrs. van Rhijn ringing them herself as well as all the receipts for Delmonico’s menu for Mrs. Hudson to improve upon,” Jed said. 
Henry nodded. 
Emma smiled.
“I’m far too busy here at the moment,” Mary said. “And Anne is likely in need of some diversion.”
“Heaven help Mrs. van Rhijn,” Jed said.
“I believe Matthew must be trying his best in that regard,” Henry said. 
“Unless she has already dispatched him for chowder,” Emma added, making them all laugh.
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historicconfessions · 2 years
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candidate-consider · 8 hours
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https://abigail-352.ftgae.xyz/ax/9vrcM4n
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anelimjolie · 2 years
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„I‘ll read my books and I’ll drink coffee and I’ll listen to music and I’ll bolt the door.“ - J.D. Salinger, A boy in France.
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fideidefenswhore · 1 month
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Had circumstances been just a little different, Anne Boleyn might still have lived. Had she produced a son, Jane would have been a passing distraction, Anne's enemies would have been silenced, and her fiery character might again have seemed, at least at times, beguiling to Henry. During the course of their brief marriage, which lasted just over three years, there had been many fluctuations. After the final miscarriage, Anne fought back, saying she had been frightened by Henry's accident, but also broken-hearted at his paying attention to another woman. This kind of criticism was not something Henry was prepared to tolerate in a wife; one of Katherine's strengths, as she herself acknowledged, was that she had never shown any sign of animosity or distress in response to the king's infidelities. Henry and Anne's relationship had been a genuine love-match, however, and the volatility which helped bring about the extraordinary events of the break with Rome remained a part of their relationship ever after.
Henry VIII, Lucy Wooding
#'never' is doing a lot of heavy lifting/ obfuscating here lol#(it's traditionally thought that she never had harsh words about bessie blount-- and indeed there's no record of this--#although elizabeth blount's primary biographer has said that she had no court presence after the birth of henry fitzroy suggests a frosty#dynamic... just about the elevation of fitzroy#however there's the hastings drama)#also 'her enemies would have been silenced' is overly simplistic#unpopular queens having sons might have reduced overt hostility#but it didn't annihilate it. more realistically might have 'bridled' her enemies#and yet i still find this excerpt compelling so . here we are#lucy wooding#last part of sentence 2 tho...eminently plausible#prior to this storms always melted into sunshine . stormclouds gathered on the horizon and storms began again. then repeat.#and as reviled as the assertion 'genuine love-match' has been as of late. there is evidence which supports it .#would jane have been a passing distraction? again we don't know. their periods of 'royal mistress' (although there needs to be a better ter#maybe...object of king's affections?) are different in that there is only record of anne's in hindsight via cavendish etc#and also in their actions. in 1526 there was no royal watcher that believed the withdrawal of one of the queen's ladies was significant#in 1536 there was one who believed jane's meetings with henry were highly significant and they proved to be...#altho as wooding underlines here they proved to be mainly due to circumstance#it's not to say there weren't discussions behind closed doors of anne becoming queen among the boleyns circa 1526. but they were not known#and wouldn't have been guessed due to lack of precedent
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crownspeaksblog · 1 year
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This but it's ann walker looking at anne lister..
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bellabbb · 8 months
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youtube
The Matrix (1999) - Du Hast (Music Video)
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emasdf · 2 years
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It’s Iggy’s birthday!
I’m going to miss that tiny dance machine.
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petnews2day · 1 month
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MP supports bill to protect health and welfare of puppies and kittens
New Post has been published on https://petn.ws/GuOAF
MP supports bill to protect health and welfare of puppies and kittens
Watch more of our videos on Shots! and live on Freeview channel 276 Visit Shots! now The Government has announced it’s backing for the new legislation which will close existing loopholes exploited by unscrupulous breeders and traders to illegally smuggle cats and dogs into the UK. Since 2012, the Pet Travel Scheme, created to make it […]
See full article at https://petn.ws/GuOAF #CatsNews #Government, #Hastings, #HumanInterest, #Parliament, #Politics, #SallyAnnHart, #YourWorld
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jolieeason · 4 months
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December 2023 Wrap Up
Here is what I read/posted/won/received/bought in November. As always, let me know if you have read any of these books and (if you did) what you thought of them. Books I Read: Books Reviewed: Mister Lullaby by J.H. Markert—review here Sister of Starlit Seas by Terry Brooks—review here Deceptive Silence by Reily Garrett—review here Hard Check Holiday by Ann Hunter—review here Echoes of…
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andypantsx3 · 2 months
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I love the TodoReaderBaku polycule idea!! I imagine them pushing the others buttons in the morning as they get ready for work and then you come home late that evening to them snoozing and cuddled up together in their sleep on the couch while they wait for you. They(bakugou) already made dinner but they didn’t want to eat without you 🥹💕
This is soooo cute omg you are giving me big domestic tdbkreader feelies. 🥺 I hope it's okay that I wrote you a lil something inspired by this.
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contents: shouto x reader x bakugou, established relationship, domestic fluff, gender neutral reader, sfw, 1k
The sound of muffled arguing in the kitchen wakes you up on Saturday morning.
It's late, the sun already streaming in through your windows, pooling in streaks of pale gold across your floor. From where you're wrapped up in the blankets you can just make out a pair of Shouto's discarded pants laying across the floor, Katsuki's folded with military precision atop the hamper. You stretch, joints popping, until the sound of voices draws your attention again.
"The fuck is that supposed to be, huh?" comes Katsuki's growl from beyond the door.
Shouto's low tone answers him, his voice soft and almost indecipherable. You can tell the two of them haven't been up for much longer than you by the rasp in Katsuki's voice, the deep hum of Shouto's. "They are Julie Anne."
There is an incredulous pause, and you can almost see the expression on Katsuki's face. Barely awake, you just manage to stifle your own laugh into the blanket when Shouto's meaning comes to you, and Katsuki's scandalized inhale makes you smile harder.
"It's julienne, dumbfuck. Who the hell is Julie Anne?" he demands.
"They are julienne, then," Shouto says placidly, which you know grinds Katsuki's gears even more than defensiveness.
"This is half a fucking carrot, I said cut 'em tiny!" Katsuki hisses.
Shouto says something in reply you can't quite make out, and Katsuki all but growls—except then there's the softest, slick sound of a kiss, and you know Shouto has pulled out his ultimate move to quiet your boyfriend down.
"Think you can just do whatever because you're cute," Katsuki mutters after a moment, but his tone gives him away. It's easily a thousand degrees warmer than it was moments before, and you can tell by the sound of his voice that the tips of his ears are scarlet.
A helplessly fond smile pulls at your mouth as you stretch again, and you figure you should get out to the kitchen now that the waters have calmed.
The process of unrolling yourself from the blankets takes a minute, and then you spend another few hunting around for the shirt and pants Shouto flung off of you somewhere last night, and a few more brushing your teeth in the bathroom.
Something is hissing on the stove by the time you make it out to the kitchen, and the room smells mouthwatering.
Shouto has apparently been exiled to the far side of the island, and your boyfriend turns to you, his hair a little flatted on the left side, red strands tangling up with the white. His long fingers clutch a glass of orange juice, and he looks so adorably morning-ruffled and sweet you almost fall over your feet in your haste to kiss him.
"Good morning, love," he says, pressing another kiss to your mouth. He's warm and tastes like fresh oranges, and his bare chest is almost too beautifully sculpted in the morning sun. You let him pull you into his lap, and only get a little flustered with the way his arm muscle cords as he does so.
He hooks his arms around you, pressing his mouth into your shoulder, and you shiver with the delicious warmth of him along your back.
"Thought you mighta died in there," Katsuki says, scarlet eyes finding yours over the counter. "'S late for you."
He's bare chested too, miles of golden skin on display in his low-slung grey sweatpants and your mouth goes a little dry just looking at him.
"Luckily someone set the bickering boyfriend alarm," you say, eyes barely finding their way back up to his face.
Katsuki grins, a wicked thing, and leans over the counter to seize your mouth, a long-fingered hand cupping your chin. He tastes like coffee, an indulgence he only allows himself on weekends, and he slides you a matching mug when he finally lets your mouth free, having to return to the rolled omelette he's making.
"I might be in love with you," you say gratefully, taking a sip, reveling in how good it is. Katsuki only does freshly ground—a million miles better than the instant powder or coffee pods you brew yourself on your way out to work. You're definitely in love.
"Then I might be inclined to let you have some of this," Katsuki says. The motion of his arm as he flaps the dishtowel over his shoulder is notably smug.
You settle back into Shouto, sipping your drinks together quietly as you watch a traditional Japanese breakfast come together under Katsuki's talented hands. He plates up rice, his rolled omelette, and then a sauteed kale stem and carrot salad off the stove—so that's what the julienne talk was about. Then grilled fish is laid over the top of the rice, and Katsuki lays out another side of soup and several tiny plates of carved fruits.
Shouto helps you off of his lap gently when it's finished, and Katsuki crowds you into your own chair between the two of them, charging another kiss for his efforts. You pay up eagerly, the meal and the man in front of you equally delicious.
"Eat it all," Katsuki demands of Shouto over your shoulder as he takes his own seat, pointing his chopsticks like a weapon at him. "You overused your quirk in Bunkyo yesterday, y'need to make up the energy deficit."
Shouto hums, used to Katsuki's bossiness.
You have to suppress an appreciative groan when the first bite of breakfast hits your mouth. The fish is fresh and sweet and the rice is warm and fluffy. As with anything Katsuki makes, it's cookbook perfect.
"It's sooo good," you say, your usual—though heartfelt—platitude. "Really good. Thank you both."
"It is made with love," Shouto specifies, his tone low and earnest in that disarming way he has. In the corner of your vision, Katsuki rolls his eyes, but pointedly does not deny it.
You take another bite, hiding your smile in a mouthful of sauteed kale stem and badly-julienned carrot.
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jomiddlemarch · 1 year
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So, I watched The Age of Innocence this week just because I wanted some period drama post-The Empress and I started thinking about the timeline. How little impact there seems to be on everyone from the Civil War, which ended only 5-10 years earlier. How Newland Archer should have been in his late teens during the War, too young to fight, but plausibly aware of what was happening, whereas May would have been a younger child.
How Newland goes to Washington to visit Ellen at a dinner party-- and then I started thinking about a crossover with Mercy Street folks (especially given our murder mystery round robin set about 10 years after the end of the War.) What if  Emma Green (married either to Jimmy or Henry) had been at Ellen’s party? What if Jed Foster was the physician called in to look after Mrs. Manson Mingott after argument with Regina in New York? What if Anne Hastings was doing her best to insinuate herself into New York society?
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hardlyinteresting · 3 months
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Personal
Aaron Hotchner x reader
A case hits a little too close to home for the reader. Hotch makes sure she knows she not alone even as they struggle to decide if they're colleagues, friends, or something more.
Warnings: female reader, (I've given her the nickname Sweets), No physical description of reader, mildly graphic descriptions of injuries, cannon-compliant themes of violence, themes of past domestic violence, mild hurt/comfort, I am not a profiler so there are likely mistakes in the profile (please let me know if there are any warnings you'd like me to add. Aaron Hotchner Masterlist | Send Requests
Word count: 3.2K
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"Hope is a gift. You can't choose to have it. To believe and yet to have no hope is to thirst beside a fountain" Ann-Marie MacDonald
The case comes in early in the morning. Aaron has hardly managed a sip of his coffee when the phone rings with a call from a local P.D. in Aberdeen, Virginia. It's urgent. It always is. He cannot begrudge the haste with which his job forces him to chug down the scalding liquid in his mug as he calls upon Garcia to prep the relevant files for the case. It's not the first time, and it certainly won't be the last. Sufficiently caffeinated (albeit with a burnt tongue), and briefed on the case, Hotch calls the team to meet him in the conference room. 
His colleagues seem to be in good spirits today. With a passing glance around the room Hotch silently completes a behavioural checklist for each of them in his mind. No one on the team seems over-exhausted, overtly anxious, or withdrawn. They chat amongst themselves, teasing and joking like siblings as they wait for him to settle into the remaining seat at the table. He nods at Penelope, “Garcia, let's get started”. With a quick “yes, sir,” she presses a button on the remote to begin the briefing. 
This morning the police in Aberdeen discovered the body of a woman left propped up against the wall outside a local medical clinic. Abigail Lawson. 27 years old. She had been badly beaten. A single stab wound. No sign of sexual assault. 
“Cause of death?” Prentiss asks. 
“Blunt force trauma to the head,” Garcia supplies the response. 
“And she's the first?” Morgan follows up. 
“Two weeks ago Stella Amos, twenty-five,  was admitted to hospital with similar injuries. She passed away two hours later. A punctured lung”. 
The photographs of the injuries are disturbing. After years on the job, the images never seem to get less brutal. A chill travels down his spine as he looks over the extent of the wounds on both of the women. A hush falls over the room as everyone else takes a moment to swallow down their own shock and compartmentalize their feelings of disgust. They train themselves, scanning the photographs and notes for the facts they can work with in hopes of saving anyone else from meeting the same fate. 
“No stab wound. Are we sure these cases are connected?” Reid surveys the provided facts one more time.
“Similar age, hair colour. They were from the same neighbourhood. Steady jobs,” Rossi lists, “there's a pattern in victimology to be sure”.
“They could be unconnected acts of domestic violence,” Morgan posits before continuing, “but leaving these women at medical centres is unique. Could be remorse”.
“A man who beats women within an inch of their lives before dropping them off for medical attention. It's a big risk. Knowing they might survive to identify him”.
Hotch nods at the assessment. He had followed the same thought process himself when he got the call. 
“Maybe he's banking on them being too afraid to talk if they do pull through,” another voice in the room speaks up for the first time this morning. Sweets, the team calls her. An affectionate nickname that’s stuck since her first week on the team. “the stabbing is an escalation and these are high-risk victims. This UNSUB isn't worried about getting caught. These attacks are personal to him somehow”. It's an important assertion, and something they'll need to consider as they build and expand their working profile. 
He's glad to hear Sweets adding to the conversation. She's never been shy when contributing to the team's brainstorms, and he had begun to worry when it had taken her so long to speak up. He doesn't miss the wobble in her tone, or the way she now avoids eye contact. She’s a valuable team member, and despite being the most recent addition she’s settled herself flawlessly over the last year. Aaron is well aware of the poor retention rate for new team members in the BAU and has continued to be impressed by her ability to hang on to her brand of optimism and take their most difficult cases in stride. She’s worked hard to see the best in people, and unsurprisingly endeared herself to those around her; himself included. 
At first, Hotch had been grateful for her unique perspective from her experience working for victim services. Then, he grew to appreciate her attention to detail, and the way his piles of paperwork seemed smaller and smaller at the end of each week. She quickly became a friend and a confidant after long nights in the office, and the field. Now, their relationship lies in limbo somewhere between friends and something more. 
Lately, the tugging at his heartstrings has grown nearly painful. All the old cliches leave his heart racing and he feels like a teenager whenever her hand brushes against his own. A night out with the team had ended with her curled up in his bed the next morning, and he’s been a goner ever since. It's been weeks, she hasn’t mentioned it, so neither has he. The guise of professionalism makes it easy to shove down his insecurities, and recurring fears; his age; his scars, physical and metaphorical; the weight of his career; he pushes them to the back of his mind. He does not dare to hope. He does not allow himself to consider the reasons why she might want to keep him at arm's length. It hurts less that way. “Whatever the case we've got a week before he strikes again,” Hotch confirms, his mind focused on the case, “we should head out”.
It’s August, and the sun is nearly blinding; the heat and humidity are intolerable, but nobody complains as they split up between the most recent crime scene, the morgue, and the precinct. Hotch would never admit it, but he’s glad when the woman who occupies half his thoughts volunteers to head to the station with JJ. Not for his peace of mind, but hers. Driving into the town he had seen her hands fidgeting in the back seat of the Suburban. Something about this case is already weighing on her, and he doubts the discomfort of the summer calefaction will be much help. He tries not to think about it any more than that. 
The crime scene doesn’t tell them much more than they already knew. There’s no security footage to help them identify the UNSUB. But, the way he leans the victims to sit against the way rather than just dumping them shows some kind of warped sense of concern for their well-being. The women are likely substitutes for someone else. He was likely raised in a violent home. He can only hope that the rest of the team has managed to learn more. 
Sweets is glad that the station had the forethought to move a coffee maker into the room they’ve set up for the BAU team to work out of. In her short time on the team, she’s learned how essential caffeine is to the function of herself and her teammates. Not enjoying coffee is not an option. Cream and sugar make it tolerable to those who despise the bitter taste. As she preps her second cup of the day she watches Spencer dump 4 packets of sugar into his mug. Whatever gets you through the case. She reminds herself. 
“Defensive wounds on her arms, but her manicure wasn't chipped. There was no blood or skin under her fingernails. No bruising on her knuckles,” Morgan shares what he and Rossi learned at the morgue, “She held her arms up to protect herself, but she didn't fight back. She didn't scratch, claw, or punch her assailant”. 
“She probably knew him then,” Prentiss says, “He’s not sneaking up on these women. But, he has the advantage and control required to attack them head-on”. 
The profile continues to build and Sweets pulls further in on herself. The personal nature of the attacks leaves her nauseous. Flickers of memories she’s fought hard to forget flash behind her eyes, but she forces herself to stay in the room. Reign it in, she wills herself. Without looking across the room she knows Aaron’s eyes are on her. Her cheeks warm though she can’t be sure if it’s his gaze or her anxiety to blame. She tries not to read into it, not wanting to feel too self-important. It’s his job to watch everyone on the team, she knows that. It doesn’t mean anything, she reminds herself the same way she has since she woke up next to him all those weeks ago. She doesn't want attention because she slept with him, and she'd be silly to think it meant anything to him anyway. It's easier to ignore it. He hasn't mentioned it, so she hasn't either.
Despite her best efforts, she does like him. More than she should. Normally, the attention would leave her with butterflies fluttering in her chest, like a schoolgirl with a crush. But today, she feels too seen, too exposed. she focuses her attention on controlling the unwanted emotions this case continues to dredge up. Aaron has seen her undressed, he’s seen her let down her walls and crack jokes. He knows her better than the rest of the team, but this is not a side of her he needs to see. 
 Under the table she plants her feet, pressing the soles of her boots hard against the linoleum. She reminds herself who she’s with and why she’s here. When she’s able to breathe without gagging she speaks up, “If it looks like domestic violence maybe that’s exactly what it is”.  Hotch’s head tilts up, his eyes moving off of the files he’s been pretending to read for the hundredth time, “What do you mean?”
“This morning Morgan said these murders looked like cases of DV. Maybe that’s exactly what this is. We know he had some kind of relationship with the victims-- maybe they were dating him,” Sweets holds her breath waiting for a response.
“It would help to explain the gaps in our profile-- Prentiss, call Garcia and have her look into any recent purchases by the victims. New clothes, new shoes, restaurants, anything that might suggest they’ve been dating,” Hotch instructs, “Sweets, you and JJ should speak to their friends and family; ask if they’ve mentioned anyone new in their lives”. 
Like with any case, she hopes her insight helps, that her perspective and thinking might get them one step closer to finding the UNSUB before anyone else gets hurt; and that they might be able to bring closure to the families of the victims. 
She's learned that personal experience can help as much as it can hinder. Seeing things from an angle that no one else can is certainly an advantage, but it doesn't make it easy to live with either. But, her stomach churns. His face. His touch. The bruises he left behind. She tries to remember she has nothing to be ashamed of. She has nothing to hide. It's no secret everyone on the team struggles with different types of cases, JJ has always found it difficult working cases involving children, and Hotch becomes snappier when they're searching for family annihilators. 
She can feel Aaron's eyes on her again. She prays the twisting in her gut and the scratching in her mind are worth it. 
The next morning begins with news of a third victim. A Jane Doe was found outside the fire station. Aged between 22 and 25. Beaten beyond any kind of recognition. The M.E. will have to try to use dental records to ID her. 
The crime scene photographs are a gruesome addition to the already horrific crime board in the conference room. “It would take an incredible amount of rage and power to beat someone to death like this,” Rossi points out. 
Hotch’s fingers buzz. His usual ground method of rubbing his thumb and forefinger together isn't working. He clenches and unclenches his fist willing the memory of bone cracking, and blood splattering beneath his knuckles away. He hates that even years after his death George Foyet continues to find new ways to sink his teeth in; the mere memory of him is enough to leave bile rising in the back of Aaron's throat. 
Their profile is ready. A white male, mid 20s to early 30s. Traditionally attractive. He's well-groomed and takes pride in his appearance. He more than likely works in an office setting. At work, his desk is neat and well-organized. He does everything by the book. He aspires to a role above his own and will talk about it often. In his eyes, he's overworked and under-appreciated; but, in reality, it's his quick temper and outward frustration that have kept him in his menial role. He may be flirtatious towards the women around him but likely won't pay them any attention when it comes to business matters. As a child he would have grown up in a working-class household, and more than likely faced abuse at the hands of his father. As a teenager, he learned to place blame on his mother for this abuse and began looking down on her the same way his father did. But no amount of hatred could ever win him his father's attention. This made him hate his mother more and allowed his misogynistic views to solidify in adulthood. He will have a history of violence throughout school and early adulthood, and more than likely charges for battery or assault. 
A call from Garcia confirms that the first and second victims both had paid for dinners at restaurants within the same two-block stretch despite living and working on opposite sides of town. Their cards had been used at the restaurants only 25 minutes before their attacks. 
“And he didn’t pay for their dinners either. Chivalry really is dead,” Prentiss dismisses. Predictably, their collective disdain for the UNSUB continues to grow as they learn more about him. Penelope manages to rustle up security footage from one of the restaurants, she's unable to get a facial ID on the man leaving with the first victim but promises to search for other footage from the area and call back when she has a new lead. One step closer, Hotch reminds himself. 
Twenty minutes later word from the M.E. Office arrives. A positive ID on Jane Doe. Grace McKinney, 24. Aaron watches as Sweets pins a photograph of Grace to the victims' board. Her hands shake as she takes a step back, and then she's rushing out of the room before he can ask if she's alright. 
His body feels lead-heavy, his limbs so hebetudinous that he’d swear he was melting into the floor if it weren’t for his feet carrying him out of the room without instruction. Sweets is doubled over in the alleyway behind the station, remnants of her breakfast splashed across the ground. She has nothing left to bring up, but still she dry heaves as if trying to expel more than the contents of her stomach. He knows the feeling. 
“Sweets?” his voice starles her, and Hotch is quick to hold his hands out in a surrendering motion as he approaches, “Are you alright?” He knows the real answer, and he knows that she’ll look right at him and lie; but he asks anyway. “Are you asking as my boss, or as my friend?” She asks. “Would it make a difference?” it’s his turn to wonder. Finally close enough to touch her, he places a hand on her back. It’s impossible to miss the shiver that runs up her spine. Sweets hides her face, angling herself away from her, shrinking in on herself. She tries to hide from him, as unwilling as ever to show any kind of weakness real or perceived. “I’m asking as someone who cares,” Hotch tries again, snuffing out the burning sensation that seems to grow in his chest; his fear of vulnerability fighting hard to shut him down. He won’t let it. “It’s me,” she tells him as if it’s obvious. “Yes”. He's confused. Of course, it's her, he can see her standing right in front of him. “It's me. I'm the Jane Doe; Grace. Abigail. Stella”. His heart stops. She continues, looking at him for the first time, her eyes tearing up, “Not literally-- I just mean…”
“The victimogy. I understand. Same age, hair colour, similar backgrounds--”
“Yes,” She admits, “but we see cases with women who look like me all the time”. 
Aaron nods, taking her openness as an opportunity to guide her out of the alleyway, waiting patiently for her to continue in her own time. “I had a boyfriend a few years ago…I just-- I need some time to collect myself”. 
Again, Aaron nods, understanding, “Would you like me to leave?” 
She shakes her head, her hand shooting up to hold to his arm. She’s shaking less now than she was before. More than ever he wants to hold her, but he doesn’t want to overstep; and during a case, there are lines he cannot cross as her boss. It’s the crux of the predicament they’ve found themselves in. Their personal lives and feelings bleeding and blending to create this strait. Deep down, he’s sure that a line of open communication between them would ease this impasse, but he’s far too shy to suggest it. For now, he settles for being glad her breathing has slowed, and her tears have stopped. “Thank you,” Sweets breathes out. Her hand slips down to squeeze his before she lets go and steps away from him.  “Anytime,” he swears. He means it. 
They find their UNSUB three hours later. Garcia’s scanning of security footage gives them a few license plates from cars within a two-block radius of the restaurants the victims went to. Only one owner fits their profile. He’s at work when they find him. Sweets takes great pleasure in cuffing the man. Hotch has no complaints. 
When they arrive back in Quantico it’s nearing midnight. The team takes their leaving swearing they’ll finish their paperwork tomorrow morning. Sweets takes advantage of the rare silence in the bullpen to complete her reports. She’s not ready to go home. Not yet. At work, she has a shield, a carefully crafted persona; as cracked as it may be at the moment, it holds back the onslaught of personal fallout she’s sure waits for her at home. Sure her apartment is warmer and cozier than the office ever is. Her bed is far more comfortable than any desk chair. But, at home, she has nothing to distract her. At home, she has no obligation to maintain a facade sewn up by professional self-preservation. At home, she’ll be alone without the steady presence of Aaron Hotchner working away in his office. 
The room is bathed in warm lamplight, a comfortable difference from the overhead fluorescents down in the bullpen. Something like a moth, she’s drawn to it by an instinct stronger than her willpower. She knocks on the door frame before leaning into the room. “I finished my report,” she tells him when he looks up. “You didn’t have to finish that tonight,” he tells her with furrowed brows. He sets down his pen and shuts the file he was working on to give her his attention. She steps into the room, setting her report on the edge of his desk. “I didn’t want to go home yet”. She explains though she gets the feeling that he understands. If there’s anyone she knows with a mutual streak of using workplace responsibility to avoid personal turmoil, it’s Hotch. Still, he nods, validating her most simply. “Is there anything I can do?” 
“Are you asking as my boss or something more?” she wonders. 
“Would it make a difference?” He asks. “Yes,” She responds. Sweets watches as he swallows, his brows knitting together as he considers his answer carefully, “I’m asking as someone who cares about you very much, in whatever capacity you need me to right now”. It’s a diplomatic response. Gentle and inviting without being outright hopeful. Quintessentially Aaron Hotchner. 
“Will you come home with me,” Sweets allows herself to be bold enough to ask. 
“Yes,” he tells her simply. 
In the morning he slips away only to return with two cups of coffee and a box of breakfast pastries. They don’t need to be in the office until 10:00 and he plans on taking advantage of the time they have together until then. Sweets accepts the cup he holds out to her with an eager smile, and a kiss to the corner of his mouth.
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warrioreowynofrohan · 8 months
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After a reread of Persuasion, I’m thinking about how it relates to Austen’s character types discussed in this post. It stands out from S&S, P&P, and Mansfield Park in not haveing a ‘charming rake’ type as the main male antagonist, but instead a reserved, intelligent, courteous, cold-blooded and selfish man. There is no counterpart to Willoughby, Wickham, or Henry Crawford.
Instead, if Mr. Elliot is a counterpart to any of the characters in Austen’s other novels, he feels like a dark mirror of Darcy. They are both reserved; both (at least at the time of the main plot of the book) place a high value on social status, and look down on commonness and vulgarity. However, while Darcy’s arrogance makes him rude, Mr. Elliot has impeccable manners; and where Darcy in has strong principles and treats the people for whom he is responsible well, Mr. Elliot is a hypocrite and, though voicing good principles, is in fact cruel and uncaring to those who are dependent on him. Mr. Elliot is, really, the type of person that Wickham portrays Darcy as being. The other thing that brought this comparison to my mind is Mrs. Smith’s description of the friendship between her husband and Mr. Elliot, which very much recalls the one between Bingley and Darcy (as an additional note, both Mr. Smith and Bingley are named Charles):
From his wife’s account of him she could discern Mr. Smith to have been a man of warm feelings, easy temper, careless habits, and not strong understanding, much more amiable than his friend and very unlike him - led by him
I think this all goes with one of Austen’s common themes, and one that is especially important to Persuasion - the importance of not marrying in overmuch haste and without good knowledge of and, at a minimum, respect for your partner. Darcy is decidedly not like Mr. Elliot in character - but at the time if his first proposal, for all Elizabeth knew he might have been.
And on the flip side, Frederick Wentworth is not like Willoughby or Wickham - but given the short time Anne had known him when he first proposed, he might have been, and Lady Russell certainly sees that danger. He is, at that time, daring and charismatic, but not prudent, having saved none of the money that he won in his naval career. There’s also another reference to the ‘charming rake’ type in that, like Henry Crawford, he for a while courts two sisters, the elder of whom is attached (though, unlike Maria Bertram, not engaged) to another man. In Wentworth’s defence, he isn’t aware of the latter, and isn’t trying to make them both fall in love with him, just being his (naturally charming) self, and keeping his eyes open for who he might like to marry; and he very nearly gets himself badly entangled and, later, freely acknowledges that as his own fault. Really, Wentworth has elements of all three of Austen’s main male character types, and is the better for it. (Anne herself has, I think, the most in common with Elinor Dashwood in being the only sensible and intelligent person in her family, and in being very perceptive, and with Fanny Price is being rather quiet and imposed upon.)
On the whole, this combination of characters makes the book feel less on the side of intelligence and judgement, and more on the side of a warm and open heart, in making for happiness, whereas S&S and P&P focus more strongly on the need for ‘sense’ and intelligence. Intelligence may well be a necessary quality for a truly good marriage, but it is not a sufficient one, not when it is combined with a cold and selfish heart.
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fideidefenswhore · 2 years
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the recent outpouring of s.eymour apologism i’ve witnessed on twitter recently seems a bit like goalpost moving...
im not going to link it bc i really don’t care . that much (any of y’all can dm me if you really want); but i’ve looked into the dynamic being spoken of a lot and i think ‘no words of b.oleyn’ speaks a lot to how this family saw themselves and what they had taken part in. 
im going to try to put this more succintly / abbrev version of what i messaged a friend recently:
as to the levied charge of hypocrisy, the emotional reality when we speak to c.atherine of aragon vs a.nne boleyn vs j.ane seymour is just vastly different...
while i don't think anyone would say c.atherine’s reproductive history was not sad, there was at least, a buffer...
did the boleyns take advantage of the fact that she had no surviving sons? absolutely, without a doubt. arguably that is rather morally grey
but there is a HUGE difference btwn taking advantage of an opportunity that presents itself nine years after the queen's last pregnancy & stillbirth
and taking advantage and discrediting one ...what, a week? a month?  after her last miscarriage... i judge the circumstances differently because they are different...
& im just not about humbly accepting this false equivalency being banded about , like...
there is a huge difference btwn encouraging a trial into the validity of a royal marriage again, near-decade after, vs a woman being arrested FOUR MONTHS after she has had a miscarriage
& whether or not the s.eymour involvement encouraged arrest specifically, clipping along at a nice pace to accept it and enjoying your sister living & dining in style as queen-to-be while the woman with that title about to be tried is confined in the tower...  they're not the same, i do find it egregious and very different than the 1st scenario.
there were people ousted from power in every promotion the b.oleyns and their affinity rose. anne was made marquess after c.atherine’s exile. cranmer was promoted after warham died of natural causes. im sure g.eorge was made viscount at the expense of ... someone, certainly t.homas b.oleyn was made earl of ormond at the expense of some relatives. anne became queen after c.atherine’s demotion. e.lizabeth became princess after mary’s. 
there were people executed for not recognizing the royal supremacy, which one could argue was the same as denying the b.oleyn marriage (it’s a grey area, arguably they were connected, but it’s hard to argue anyone was executed for eschewing the act of succession alone, more and fisher both pointedly said they were not against that element). but there’s hardly the brutal 1:1 that exists in regards to the b.oleyn downfall. henry & jane received a dispensation to wed on the day anne was executed, they were betrothed the next, wed ten days after that, and j.ane was queen. e.dward s.eymour was made viscount eighteen days after his technical predecessor (brother to the queen) , the viscount rochford, was beheaded. 
‘but you’re just a hypocrite for admiring the b.oleyns and not the s.eymours’, eh, i think the reason that there are more fans of the former than the latter is that they operated differently & there were different circumstances surrounding their respective rises to power. to ‘win’ in this system always required ruthlessness, and it always meant someone else lost. ‘to the victor, the spoils’, sure, but ‘to the victor, the spoils’ hits different when the ‘spoils’ are inextricably tied to the reality of the orphaned children & widows of the judicially murdered upon the exact moment of victory (respectively, the moment of the betrothal of h.enry&a.nne, & the moment of betrothal of h.enry&j.ane...only true of the latter, and essentially-- what, thirteen days gone-- only true of the latter, even if one switches ‘betrothal’ to ‘wedding date’- -the closest it comes to for the former is the arrest of bishop fisher in march 1533, previous to annulment of henry’s 1st marriage).
& that’s what bothers people, as far as i understand it. this wasn’t game of thrones, this really happened. whether or not someone ‘agrees’ with the kind of language used to describe what happened, there isn’t any denying the order in which it did, nor the coinciding events. if it doesn’t disgust you, it’s your prerogative. if you believe animus towards the complicit actors/beneficiaries is mutually exclusive to animus towards the principal agent/s (depending on which theory you go by, henry himself vs henry and cromwell vs cromwell alone, although any besides the middle is a bit of a stretch imo-- henry was at the very least the final say/ultimate power), well, that is, too, but you would be incorrect, even if you have, at times, personally come across one or the other. 
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