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#but I am talking about a fictional little world here in this post and it's going to be much different than my own experiences but like
atlabeth · 4 hours
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now that the dust has cleared from the chaos for me irl, i want to officially thank you all for 3000 followers!! because wow. where do i even start?
this isn't a milestone i thought i would ever reach. i made this blog during my junior year of high school when i was bored as hell in online school, not knowing what would come of it, and honestly not expecting anyone to read anything i’ve written. i exclusively wrote avatar fics (kind of embarrassing that a series i started at the beginning of my blog still isnt finished huh?) because it was what i had been watching most recently. i started to gain some recognition, made some friends, and slowly but surely i carved out my little corner of the internet. and now, 3 years, 3000 followers, and almost 500,000 words later, i’m going into my junior year of college with some of the best online friends a girl could ask for (shoutout to my day 1 @simplysolo for still being around and still being the best ever, and shoutout to all my other tumblr friends that have deactivated over the years</3 i miss you guys) a whole array of fandoms that i’ve dabbled in, and a newly discovered thing for middle aged men. cool 
i truly cannot thank you all enough. i’ve always been a writer, but this blog has given me a sorely needed creative outlet and made me more confident in my writing skills than ever. at the end of the day i’m just writing silly little x reader fics, but i’ve truly had so much fun doing it! every single fictional man im in love with is also in love with me isn’t that crazy!!!
a special, extended shoutout to the loveliest mutuals i’ve picked up over the years. i wouldn’t be half the writer i am and i wouldn’t have half as much fun on here without you all. @simplysolo for being around since the beginning and truly being the greatest person on this app, i love you intensely, @sokkadora for being another one of my ogs (we dont talk anymore but i see you every so often on my dash and you’re doing great!!) @mcallmestiles for being one of the first avatar fics i ever read, traitor encouraged me to be a better writer and i hope you’re doing well with your medical career!! @tangledinlove for being my most famous mutual, the kindest person in the world, and being brought together through the power of lockwood, @giyuji and @milkiane who are both inactive but who i have to tag because i love them and i hope they’re doing well; naomi you got me into the grishaverse and liane we were in the trenches of the stranger things revival together, @boneblushed for dealing with so much but still being phenomenal and lovely in every way, @tommymcartney for being so sweet all the time, my biggest cheerleader and encouraging my insanity in every fandom ive been a part of, @nghtwngs for being the only person who loses it over nikolai lantsov as much as i do, to all my new/more recent mutuals @hotchfiles @ma1dita @moowithmidnight @emiliehornby @supercutszns i can't wait to get to know or keep getting to know you!!! you're all so lovely!!! and all the mutuals i don’t talk to as much as i should, i love you all and cherish you in my heart regardless of if we talk every day or have never said a single word to each other!! i don’t want to tag you all because i don’t want to bother you, but if you’re looking at this and thinking am i talking about you, i am. i love you. it takes a village and im so lucky to have you all as mine 
i can’t believe it’s been 3 years, i can’t believe i’m halfway done with college, and i can’t believe we hit 3,000. truly, from the bottom of my heart, thank you so much for reading my fics and letting me be some small part of your lives. i can’t wait to write more for you all. keep a lookout for my 3k celebration post! 
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peony-pearl · 1 year
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yeah I’ll say it again: there was no reason for Azula to be put in an asylum for a year and still be going through it that bad all for a breakdown that took, what, less than a month? If we take Zuko’s betrayal, then Mai and Ty Lee swapping sides(? we never really see them “turning good” they just prevent Azula from hurting Zuko and the Gaang but that’s a different discussion) and then her father’s denial of her joining him to the Earth Kingdom (then feeling like she’s being treated like Zuko - thus she’s suddenly lesser in his eyes) followed by Zuko defeating her (which, in her mind, is a whole new failure and she probably feels like she failed her Nation)... yeah that’s stuff that, if given proper therapy, she could have just stayed in a hospital, and within a year, possibly even be living back in the palace with a whole new outlook on life. The writers make it sound like Zuko just wanted her out of his hair which is not how you want to write your hero whose arc is based around growth and wanting acceptance and is forgiven by a family elder after he hurts him. Yes he’s a new Fire Lord and he’s got a lot on his plate, but to just handwave his sister away after he knows the pain of being denied by his family is... bleh (also you all know how much I hate Iroh's canonical endgame)
And I know that there were talks of a fourth season in which she got her healing arc (which would have been really great to see); but it’s such a mess that the comics just kind of decided ‘nahh let the teenager who’s been locked up for a year keep her antagonist role, that’s fresh right?’ Not the girl who was put on a pedestal until suddenly everything she did was wrong (which... yeah, she WAS doing wrong; but she’s been raised to believe everything she was doing was for a greater good for HER nation and the world. She believes she’s a hero because she’s doing what she was raised to do, and to them she IS a hero. She has daddy’s ‘love’ so long as she’s perfect and amazing - and then suddenly all of that gets absolutely obliterated right in front of her one at a time as she realizes everything she’s been doing to maintain her power is also driving people away. Being 'the good kid' until suddenly you aren'twill unravel you.). Zuko knows how that feels, to feel like everything he did was wrong. He knows how it feels to have to break away from realizing he’s been hurting people; to learn from that and how he needs to change his ways.
And not only that but the way they write Azula as a villain in The Search is just AWFUL like it’s boring af. They recycle the same beats over and over and no one gets the bright idea to stop the cycle it’s AWFUL everyone in that comic is a raging idiot.
idk I could keep going in circles and we already know the comics are awful but there’s my extra 2 cents on the matter. They took a character that was already entertaining and fascinating and denied her a really great potential arc to make her one of the best allies the Gaang could have (and Zuko could have some FAMILY) but nope. Let's retread the show but instead let's make it bad.
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glitteryinknotes · 6 months
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There is a level of deep, bitterly poetic and cruel irony in Astarion's death and his eventual fate as a vampire spawn. Laughable, even. Lamentable.
Where do I even begin. I once posted here my thoughts on who Astarion was before Cazador took him; and all my thoughts were based on what we can assume to be canon from scraps on information in - game and interviews with Neil. That Astarion Ancunin who was laid into the ground at Baldur's Gate cementary was a corrupt magistrate, a shining example of power abuse, indulgence, hedony, existence in privilege without any service to the world around.
We also know for a fact that Astarion is not a good person in a moral sense. Again, Neil Newbon himself talked about it. He has capability to grow, mature, open himself up, soak in the positive influence and feel for others, but he never will be the default upstanding type. That is simply not at his core.
This is why (I am aware we're talking a fictional character, headcanon is free to all in whichever way they think it suits and pleases them) I cannot for the world believe in all the fanfiction based on the notion of the tragic, tortured soul unjustly attacked and turned into a vampire, because to me - it misses the entire depth and essence of Astarion's personality and arc. He was not a "worthy" persona before Cazador; in fact, the beating he got from the Gur was well - deserved and the near - death experience... Probably so as well. Maybe if anything, this would open his eyes and force him to reflect at least a bit on his choices in the position he was occupying. (But given that he mentions begging Cazador to turn him to be able to take revenge, I highly doubt that.) So yeah... The man got what was coming to him. He deserved it.
But what he got in the end once Cazador allowed him to drink his blood and had him in his hold? Two hundred years of misery and abuse beyond description, being completely stripped of any identity and personhood? No one deserves that. Such fate should not be thrust upon anyone. Ever.
It is the cruellest, most wicked twist of fate that it took that kind of ordeal to change a corrupt little elf's view of the world and force him to even acknowledge the existence of evil deeds and abuse of power - something I am quite sure he never gave any thought to before. It took being transformed into an utterly helpless victim to make him truly see that there is good and bad and perpetuating the bad leads to pain and misery for the innocents (and you can never be sure if not for you as well), and only then, at his most pathetic, most vulnerable, after centuries of torment, it took meeting, trusting, admiring, being grateful to, befriending / loving and being influenced by a genuinely good and kind person (probably the exact opposite of who he was before) to shake and cause some shift in his inner moral compass, or rather the way he was choosing to use it. The full circle, a poignant, unwilling journey from the one abusing power, to the enslaved puppet of someone with considerably more power abusing it in the most inhuman ways possible, and this time to his own woe, to the one person able to break the abusive cycle given the right influence.
Isn't that simply poetic in the most sickly sense? A tragicomedy, if you will.
Forget about Astarion Ancunin. The grave was good for lovemaking and sharing an important moment, but whoever was laid there was not anyone worthy of your time (just like "Ascended Astarion" )The one who stands by your side now is. Your Astarion. The new Astarion, the same "lovable rogue" with a taste for theatrics, drama, debauchery, beauty, murder mayhem and loose morality, but - a better person all the same.
[follow up post here
https://www.tumblr.com/glitteryinknotes/733162725841289216/a-little-follow-up-to-my-previous-post?source=share]
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landograndprix · 7 months
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「Feel the magic ๛ l.n」
part v
✧.* you come to realise that your relationship with lando might just be the most serious and mature relationship you've ever had and while that confuses you more and more each day, your taking it all because some people just love to watch the world burn.
✧.* introducing some people, making babes suffer a little less, hating Alpine, you know the drill, its a chill one really 🥰 this is a psa for the people who wanted to be on my taglist but never got tagged, i didn't forget or ignore you, I simply am unable to tag you and therefore removed you from the list feel free to ask me again so I can take a look at it. Taglist is open Love ya ❤️
✧.* prev part - next part
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cecilemoulin posted to their story
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y/nusername
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liked by maxfewtrell, landonorris and 431,657 others
y/nusername oh my days ✨️
tagged: landonorris, maxfewtrell, dashthebeagle
view all 892 comments
f1gurls we've reached peak dog mom, Dash got an Instagram 😭
norrizz waaaaaait y/n's finally gone insta official with lando?!
mclarenbabies it was about time, lando did it nearly two weeks ago 😂
fewtrelllando good to see they've adopted max 🥰
landonorris disgusting
y/nusername you've clearly never looked in a mirror before
landonorris I was talking about the sushi
y/nusername oh..
y/nnorris I love them your honor 😭
landoscar why's dash looking at me like that, why is he judging me? 😭
mrsnorris 🤮 🤮 🤮
landonorris exactly, who would eat sushi?
chilisainz lmfao girl thought she did something
hamilt44n hey girlie, you got lando's attention, speak up 👏
charlie_leclerc I'm changing my mind, they are actually cute together
thomasgoms 😍
y/nloveee we either have a supportive ex-boyfriend or mans completely missed the picture of y/n and lando 💀
norry4 Arianna what are you doing here?
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cecilemoulin
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liked by y/nusername, landonorris and 198,763 others
cecilemoulin spending the 28th with the funniest, prettiest and dumbest ones. ❤️
tagged: y/nusername, landonorris, maxfewtrell
view all 456 comments
girlsofthegird happy birthday Cecile! 😍
carlandooo lmfao milou watching the stories and seeing this post: 🧍‍♀️
george63russell I mean she's been a lil' bitch lately so are we really surprised? 👀
miloubabess she's with her family on a holiday, guess she couldn't make it 🙄
fewtrelllando I don't known about y'all but this smells like a double date!
norrizz HOWLING THE CAKE 😭
y/nlandooo peak y/n behaviour 😭
chilisainz loving this new friend dynamic, always thought Cecile and y/n would be a better match than y/n and milou..
maxfewtrell well..great picture..
cecilemoulin max, don't worry, you are the prettiest!
y/nusername the prettiest princess of them all 🎀
landonorizzzz goddammit, those muppets really do be in love huh
thomasgoms happy birthday Cecile!
y/nluv boy get out of here..🤨
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Everything taglist; @thomaslefteyebrow @hopefulinlove @smoothopz @softboystarkey @honethatty12 @cixrosie @parkersmjs @ireadthensuetheauthors @celestialams @be-your-coffee-pot @heli991113 @kodzuvk @reality-is-a-con @80sloverry @bibissparkles @myescapefromthislife @lanando4 @elliegrey2803
Feel the magic taglist: @celesteblack08 @mrsmaybank13 @cha-hot @judesgfirl @roseseraj @kissesandmartinis @jpg3 @amulhermaisfelizdomundo @marialovesf1 @silkenthusiasts @luvrrish @laneyspaulding19 @emily-b @formula1bby @judespoisons @buckybarnessweetheart @strawberrychita @iifloweringnightsii @buendiabebeta @jjsprobablywrong @babyvinnie
Lando taglist: @beatricemiruna @simp-for-fictional-people @landossainz @christianpulisic10
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whumpinggrounds · 1 year
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Overused Disability Tropes
Woohoo here we go. I expect this one to be a bit more controversial because I am using specific media as examples. I would really prefer if, when critiquing this post, you avoid defending specific media, and focus instead on what’s actually being said/represented about disabled communities. If you feel I’ve done a really grave injustice, you can come into my askbox/DMs/replies to talk to me about it, but I might not answer.
One more time: I am not interested in getting into a debate about whether something is a good show/movie/book/whatever. I’m not telling you it’s bad, or that you shouldn’t enjoy it! People can like whatever they want; I am only here to critique messaging. Do not yell at me about this.
Newest caveat aside, let’s get into it!
Inspiration Porn
Without a doubt, our biggest category! Term coined in 2012 by badass activist Stella Young, but the trope has been around for literal centuries. There are a few different kinds that I will talk about.
Disabled character/person is automatically noble/good because of their disability. A very early example would be A Christmas Carol’s Tiny Tim, or, arguably, Quasimodo from The Hunchback of Notre Dame. Real life examples include the Jerry Lewis MDA telethon, or children’s hospital ads that exploit sad-eyed kids with visible illness or disability.
Having a disability does not automatically make you a kind/angelic/noble person. This many not seem harmful, and may even seem positive, but in reality, it is condescending, inaccurate, and sets bizarre standards for how disabled people should behave.
This portrayal is often intended to elicit pity from abled audiences, which is also problematic.
In these portrayals, disability is not something to be proud of or identify with, only something to be suffered through.
Disabled character person does something relatively mundane and we all need to celebrate that. This is less common in writing, but happens in the real world when people do things like post pictures of disabled people at the gym captioned “What’s your excuse?”
This is condescending, and implies that anything disabled people are capable of, abled people are automatically capable of.
Makes it seem like it’s an incredible feat for a disabled person to accomplish tasks.
Uses people’s actual lives and actual disabilities as a reminder of “how good abled life is.”
The “Supercrip” stereotype is a specific kind of inspiration porn in which disabled people are shown to be capable of amazing things, “in spite of” their disability.
The Paralympics have been criticized for this, with people saying that advertisements and understandings of the Paralympics frame the athletes as inspiring not because they are talented or accomplished, but because their talents and accomplishments are seen as “so unlikely.”
Other examples include the way we discuss famous figures like Stephen Hawking, Alan Turing, or even Beethoven. Movies like The Theory of Everything and The Imitation Game frame the subjects’ diagnoses, whether actual or posited, as limitations that they had to miraculously break through in order to accomplish what they did. Discussions of Beethoven’s deafness focus on how incredible it was that he was able to overcome it and be a musician despite what is framed as a tragic acquisition of deafness.
The pity/heroism trap is a concise way of defining inspiration porn. If the media you’re creating or consuming inspires these emotions, and only these emotions, around disability, that is a representation that is centered on the feelings and perceptions of abled people. It’s reductive, it’s ableist, and it’s massively overdone.
Disabled Villains
To be clear, disabled people can and should be villains in fiction. The problem comes when disabled people are either objects of pity/saintly heroes, or villains, and there is no complexity to those representations. When there is so little disabled rep out there (less than 3.5% of characters in current media), having a disabled villain contributes to the othering of disability, as well as the idea that disability can make someone evil. There are also a few circumstances in which particular disabilities are used to represent evil, and I’ll talk about how that’s problematic. 
Mentally ill villains are colossally overdone, particularly given that mentally ill people are more likely to be the victims of violence than perpetrators of it.  This is true of all mental illness, including “””scary””” things like personality disorders or disorders on the schizoaffective spectrum. Mental illness is stigmatized enough without media framing mentally ill people as inherently bad or more suspectible to evil. This prejudice is known as sanism.
Explicit fictional examples of this include the Joker, or Kevin Wendell Crumb in Split.
People can also be coded as mentally ill without it being explicitly stated, and that’s also problematic and sanist. In the Marvel movie Doctor Strange and the Multiverse of Madness, Wanda’s appearance and behavior are coded as mentally ill. This is used to make her “creepy.” Horror movies do this a lot - mental illness does not render someone creepy, and should not be used as a tool in this way.
Visible disability or difference to indicate evil is another common, incredibly offensive, and way overdone trope. This is mostly commonly done through facial difference, and the examples are endless. These portrayals equate disability or disfigurement with ugliness, and that ugliness with evil. It renders the disabled villain in question an outcast, undesirable, and uses their disability or difference to dehumanize these characters and separate them from others. This is incredibly prevalent and incredibly painful for people with visible disability or facial difference.
An example of visible disability indicating evil is Darth Vader’s prosthetics and vastly changed physical appearance that happen exactly in time with his switch to the dark side. In contrast, when Luke needs a prosthetic, it is lifelike and does not visually separate him from the rest of humanity/the light.
Dr. Who’s John Lumic is another example of the “Evil Cripple” trope.
Examples of facial difference indicating evil range from just about every James Bond movie, to Scar in the Lion King, Dr. Isabel Maru in Wonder Woman, Taskmaster in Black Widow, Captain Hook in Peter Pan, and even Doofenschmirtz-2 in Phineas and Ferb the Movie. Just because some of the portrayals are silly (looking at you, Phineas and Ferb) doesn’t make the coding of facially scarred villains any less hurtful.  
A slightly different, but related phenomenon I’ll include here is the idea of the disability con. This is when a character fakes a disability for personal gain. This represents disabled people as potential fakers, and advances the idea that disabled people get special privileges that abled people can and should co-opt for their own reasons. 
In The Usual Suspects, criminal mastermind Verbal Clint fakes disability to avoid suspicion and take advantage of others. In Arrested Development, a lawyer fakes blindness in order to gain the sympathy and pity of the jury.
In much more complex examples such as Sharp Objects, a mother with Munchausen by proxy fakes her daughter’s illness in order to receive attention and pity. Portrayals like this make Munchausen or MBP seem more common than it is, and introduce the idea that parents may be lying or coaching their children to lie about necessary medical treatment.
Disability as Morality
Sometimes, the disabled character themselves is a moral lesson, like Auggie in Wonder. Sheerly through existing, Auggie “teaches” his classmates about kindness, the evils of bullying, and not judging a book by its cover. This also fits well under inspiration porn. This is problematic, because the disabled character is defined in terms of how they advance the other characters’ morality and depth.
In the “Disabled for a Day” trope, an otherwise abled character experiences a temporary disability, learns a moral lesson, and is restored to full ability by the end of the episode/book/movie. Once again, disability is used as a plot device, rather than a complex experience, along with more permanent disability being rejected as impossible for heroes or main characters.
Examples include an episode of M*A*S*H where Hawkeye is temporarily blinded, an episode of Law and Order: SVU where Elliott Stabler is temporarily blinded, and an episode of Criminal Minds where Agent Hotchner experiences temporary hearing loss.
Real life examples include sensitivity trainings where participants are asked to wear a blindfold, headphones, or use a wheelchair for a given amount of time. This does not impart the lived experience of disability. It should not be used as a teaching tool. 
Disabled people as inherently pure. This is related to inspiration porn and disabled people as noble, but is different in that it is usually appears in combination with developmental, cognitive, or intellectual disabilities. These characters are framed as sweet, “simple,” and a reminder to other characters to be cheerful, happy, or grateful.
Examples include Forrest Gump, Rain Man, I Am Sam, and What’s Eating Gilbert Grape.
No matter what the stereotypes of a given diagnosis are (yes, I’m thinking of the automatic cheerfulness associated with Down Syndrome), disabled people have personalities. They are capable of being sad, angry, sarcastic, irritable, annoying - any number of things beyond good/sweet/pure. It is reductive to act otherwise.
Disability as Surreal
Less common than some of the others, but still worth thinking about!
Disabled characters are framed as mystical, magical, or other than human, a condition that is either created by or indicated through their disability status. This is especially common with little people.
“Disability superpower” is when a character compensates for, or is uniquely able to have a superpower because of, their disability. Common tropes include the Blind Seer, Blind Weapon Master, Genius Cripple and Super Wheel Chair.
Examples include Pam from Supernatural, Charles Xavier from X-Men, or the grandpa in Spy Kids.
Disability as Undesirable
Last and least favorite category here. Let’s go.
Disabled people as asexual or not sexually desirable. Disabled people can be asexual, obviously. When every portrayal is asexual, that’s a big problem. It frames disabled people as sexually undesirable or implies that it is impossible for people with disabilities to have rewarding, mutually satisfying sexual relationships.
Examples include The Fault in Our Stars or Artie in Glee.
Abandoned due to disability. Hate this trope. Often equates disability with weakness. Don’t want to talk about it. It’s all right there in the title. Don’t do it.
Examples: Quasimodo in Hunchback of Notre Dame, several kittens in the Warrior Cat series, several episodes of Law and Order: SVU, Bojack Horseman, and Vikings.
Discussed in 300 and Wolf of Wall Street.
Ancient cultures and animal nature are often cited as reasoning for this trope/practice. This is not founded in fact. Many ancient civilizations, including Sparta, cared for disabled people. Many animals care for disabled young. These examples should not be used to justify modern human society.
Disabled characters are ostracized for disability. Whether they act “““normal”““ or odd, characters with visible or merely detectable disabilities are treated differently.
Examples include pretty much every piece of media I’ve said so far. This is particularly prevalent for people with visible physical disabilities or neurodivergence. Also particularly prevalent for characters with albinism.
This is not necessarily an inaccurate portrayal - disabled people face a lot of discrimination and ableism. It is, however, very, very common.
Bury your disabled. What it says on the label.
Examples: Animorphs, Harry Potter and the Deathly Hallows, American Horror Story, Criminal Minds, Dr. Who, Star Trek, The Wire.
Mercy killing is a subtrope of the above but disgusting enough that it deserves its own aside. I may make a separate post about this at some point because this post is kind of exhausting and depressing me.
Examples: Me Before You, Killing Eve, Star Trek: The Next Generation, Of Mice and Men, and Million Dollar Baby.
Disability-negating superpowers imply that disability is undesirable by solving it supernaturally instead of actually portraying it, and giving their character powers instead.
Examples include (arguably) Toph from Avatar: the Last Airbender, Captain America: The First Avenger, The Legend of Korra, Dr. Strange, and Daredevil.
Overcoming disability portrays disability as a hindrance and something that can be defeated through technology and/or willpower.
Fictional examples include WALL-E, Kill Bill, The Goonies, The Dark Knight Trilogy, Heidi, The Secret Garden, The Inheritance Cycle, Agents of S.H.I.E.L.D, The Big Bang Theory, Dr. Strangelove, Sherlock, The Witcher.
Real life examples include videos of wheelchair users standing from their chair to walk down the aisle at a wedding, or d/Deaf children “hearing” for the first time through cochlear implants.
What Does This Mean for Your Writing?
First of all, congratulations for making it this far!
Now, as I have said again and again, I’m not going to tell you what to write. I’ll ask some questions to hopefully help guide your process.
What tropes might you be playing into when writing disabled characters? Why do you find these tropes compelling, or worth writing about? How prevalent are these tropes? How harmful are they? What messages do they send to actual disabled people?
Just because they are common tropes does not mean they are universally awful. Cool fantasy or futuristic workarounds are not necessarily bad rep. Showing the ugly realities of ableism is not necessarily bad rep. It’s just a very, very common representation of disability, and it’s worth thinking about why it’s so common, and why you’re writing it.
As always, conduct your own research, know your own characters and story, and make your own decisions. If you have questions, concerns, or comments, please hit me up! Add your own information! This is not monolithic whatsoever.
Happy writing!
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fangirleaconmigo · 1 year
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Abortion in The Witcher Books
Would anyone like to come along with me on a deep dive regarding abortion in The Witcher books? Not enough people talk about the fact that Geralt of Rivia is explicitly pro-choice and that the sorceresses are seen providing reproductive care, including abortion, on multiple occasions. So, let's do that.
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There are a lot of things you can say about The Witcher books, feminism, misogyny, and the male gaze. (I am considering doing my first video on this very topic. It is complicated. This is not a 'the books are perfect' post) But one thing we can never say is that they are wishy washy about bodily autonomy, and more specifically, abortion. (In fact, that is the entire point of Ciri and Geralt's arc, which I will get to at the end of the post)
This topic came up awhile back because a 'witcher school' was closed after the owners were found to have ties to far right organizations, including anti-abortion organizations. So, I did a little thread on twitter about it, wondering how you can call yourself a Witcher fan (to the extent that you license a fan activity business!), and miss the entire fucking point. It was my most popular (and ofc hated by others) tweet ever, which was interesting, but I was mostly surprised that so many people were shocked to learn that Geralt of Rivia is, as a character, canonically, verbally, explicitly pro-abortion rights.
So I’m going to put the info here too in case any of you here find it interesting. Obviously there will be spoilers for the books.
TW: discussion of sexual assault, pregnancy, and basically anything having to do with reproductive health.
Before I start, I want to say that the book refers to abortion in reference to rights for women throughout, so that is the language in this article. I want to be clear that I (as an individual) understand that abortion is relevant to other genders and that I support it for trans men, non binary people, literally anyone. Abortion should be safe and on demand for all. But this is not a post analyzing my views on abortion, but the appearance of abortion in fictional psuedo medieval-esque fantasy world of The Witcher books.
Ok, I’ll start with the fact that sorceresses provide reproductive care in the books, including abortions.
In, The Last Wish (p210) Geralt tries to give Nenneke money to help Yen with fertility treatments. (In the books he does not mock her desire to have a child) He knows Yen wants to be a mother, and he wants to help. Nenneke replies that she does not need his money, and that providing abortions pays a hell of a lot better than witchering.
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"You're more of an idiot than I thought." Nenneke picked up the basket from the ground. "A costly treatment? Help? Geralt, these jewels of yours are, to her, knickknacks not worth spitting on. Do you know how much Yennefer can earn for getting rid of an unwanted pregnancy for a great lady?"
Witches as providers of abortion is a very common trope in fantasy fiction for a very good reason. In order to stamp out paganism and polytheism, European colonists vilified the village wise woman as a murderer of children, hence the 'boil them in a pot, stuff them in the oven' stories about witches. Many people interpret this as the vilification of abortion. In the classic 1972 feminist text Witches, Midwives, and Nurses: A History of Women Healers, Ehrenreich and English quote Malleus Maleficarum, the witch hunting manual written by Catholic clergymen in 1487, to show that women providing reproductive healthcare was one of the 'characteristics' of a witch.
The witch that provides reproductive healthcare fits in very well in the witcher world, where Geralt and the witchers are embodiments of the working class who are used as tools and exploited. They are loathed until they are needed. The same is true of abortion providers. They are hated until they are needed, and they are always needed.
It also fits in well with the themes of class. In the Witcher books, it is stated multiple times that it is upper class women who are accessing this care from sorceresses. That is real. It is the truth that outlawing something very very often only means outlawing it for the poor and working class. The wealthy always find a way.
In Season of Storms, the sorceress Coral and her assistant Mozaïk provide reproductive healthcare to "wealthy, upper-class ladies" on Tuesdays, Wednesdays, and Thursdays. Geralt comes to speak to Coral in chapter sixteen and both of the women are wearing white doctor coats. They have just helped a woman deliver a baby and it is implied that the baby died and they are both upset. They do not want Geralt there, because (it seems to me) they need space to grieve, and they do not expect him to understand. They send send him away, suggesting he go spend time with Dandelion.
She walked over and kissed him on the cheek without a word. Her lips were cold. And she had dark circles under her eyes.
She smelled of medicine. And the fluid she used as disinfectant. It was a nasty, morbid scent. A scent full of fear.
"I'll see you tomorrow," she forestalled him...She looked at him and it was a faraway look, from beyond a chasm of time and events between them. He needed a few seconds to understand how deep that chasm was and how remote were the events separating them.
"Maybe the day after tomorrow would be better. Go to town. Meet that poet, he's been worried about you. But now go, please. I have to see a patient."
After she had gone, he glanced at Mozaïk....
"We had a birth this morning," she said, and her voice was a little different. "A difficult one. She decided to use forceps. And everything that could have gone badly did."
"I understand."
"I doubt it."
"Goodbye Mozaïk."
There are multiple other references to abortion in relation to sorceresses; I won't quote them all. But I'll leave you with one other reference. In Lady of the Lake (pp114), in a very funny moment, Angoulême says she has a 'small problem' and Fringilla replies:
"I understand," nodded the sorceress. "It's nothing dreadful. When was your last period?"
Angoulême is rather put out at the thought of being pregnant.
"What do you mean?" Angoulême leaped to her feet, frightening the chickens. "It's nothing of the sort. It's something completely different!"
So, sorceresses provide abortions and other reproductive care.
But what about the men? What about the heroes?
Well, several of the male protagonists state explicitly in no uncertain terms that abortion is an inalienable, sacred right. That includes Geralt himself.
Here is Geralt taking to Queen Calanthe in Sword of Destiny (p345). She asks him whether he hates his mother. In the course of his answer, Geralt says that abortion is “a choice which should be respected, for it is the holy and irrefutable right of every woman.”
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"A choice. A choice which should be respected, for it is the holy and irrefutable right of every woman."
That’s a strong goddamn statement. There’s no doubting his meaning or the strength of his conviction. And it isn’t just Geralt. Dandelion (Jaskier), Cahir (he is traveling with Geralt as part of the hansa in the books, please set aside anything you think you know about him from TWN), and Regis (Geralts dear friend) all explicitly support abortion rights, quite passionately.
In Baptism of Fire (p317), one of Geralt’s dear friends (my favorite, the love of my life, Milva) shares that she is pregnant. They are on a brutal journey through a war zone looking for Ciri. So it’s complicated. Another friend, barber surgeon vampire Regis has prepared an elixir for her to induce an abortion. So, not only do sorceresses provide abortions, but so do vampire barber surgeons, one of the most lovable heroic characters in the books.
But before he administers it, Regis gathers the rest of the company. Regis knows Milva feels like shit at the prospect of burdening them, so he is worried that she is making the decision under duress. They don’t immediately understand why he is bringing the matter to them.
At first they think he is asking for opinions on whether she should get an abortion. They are baffled. Cahir answers first. He says in Nilfgaard it is always a woman’s right to choose.
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"In Nilfgaard," Cahir said, blushing and lowering his head, "the woman decides. No one has the right to influence her decision. Regis said that Milva is certain she wants the medicament. Only for that reason, absolutely only for that reason, have I begun-in spite of myself-to think of it as an established fact. And to think about the consequences. But I'm a foreigner, who doesn't know...I ought not to get involved. I apologize."
So, Cahir says that maybe it’s a foreigner thing. Maybe it’s different for them. Dandelion (Jaskier) is offended and outraged by the implication that they believe any differently.
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"What for?" the troubadour asked, surprised. "Do you think we're savages, Nilfgaardian? Primitive tribes, obeying some sort of shamanic taboo? It's obvious that only the woman can make a decision like that. It's her inalienable right. If Milva decides to--"
At this point, Geralt cuts Dandelion off. Geralt alone actually understands that there is something else happening here, that they are misunderstanding Regis and further questions are in order. Geralt begs Dandelion to stfu, which the bard misinterprets. He thinks Geralt is disagreeing with him and is considering opposing Milva's right to choose. Dandelion LOSES HIS TEMPER at the thought that Geralt would deny Milva her right.
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Geralt becomes even more irritated and angry at the implication that he would do such a thing.
So, not only do we have witches as abortionists in The Witcher books, we have men, the hero (Geralt) his best friend (Dandelion), my beloved Regis, and Cahir say explicitly that abortion is an inalienable right.
And that should be no surprise.
Bodily autonomy and reproductive rights is at the very heart of the story. You do not have The Witcher story without it. It drives the narrative, the conflict, and Geralt and Yen's character arcs.
There is a criticism I see floating around quite a bit, that having Yen's story driven by her desire to be a mom and to physically reproduce is anti-feminist, or at least a tired reductive trope of women being defined by their maternal instincts.
I get that. I get tired of womanhood being defined by reproduction and motherhood as well. Biological essentialism when it comes to gender is exhausting and regressive. However, in this context, it is entirely clear to me that the point is NOT that all women should want to be pregnant. The point is the bodily autonomy, to be pregnant if you want to, and to not be pregnant if you don't want to.
Look at Ciri. She essentially becomes the main character by the end, and the idea of being pregnant repulses her.
So, in Lady of the Lake, Ciri is being held captive by elves, who want to do the same thing to her that everyone else does--breed her. The deal they offer her is, she does not 'have' to have sex with anyone until she is impregnated, but if she doesn't, she can't leave. (So, if she is to access what every human wants--freedom--she has to. This is still rape. It is coerced sex) She is understandably distraught and enraged. The part of that deal she seems most disgusted by, is the idea that she could be pregnant.
"But I don't want to!" yelled Ciri so loudly that the mare skittered beneath her. "I don't want to, understand? I don't want to! The thought of a bloody parasite being implanted in me is sickening. I feel nauseous when I think the parasite will grow inside me, that--"
She broke off, seeing the faces of the elf-women.
So yes, she is distraught that her bodily autonomy is being taken from her yet again. But perhaps the most upsetting part is the idea that she could be pregnant. It physically repulses her.
Now. Let's put this in context.
In this psuedo-medieval-esque setting with royal families, being used as a brood mare is COMMON and ACCEPTED. IN FACT, Calanthe, Ciri's OWN GRANDMOTHER was marrying her off against her will, betrothing her as a child. No one thought this was weird. It's your duty, right? No big deal. Even Geralt, when he first met Ciri, thought it would be a better life for her. Sure, it's against her will. But it's physically safe and luxurious. And he leaves her behind in Brokilon.
But at some point, Geralt puts two and two together. He connects his trauma with hers. He makes a decision that even if almost no one around him in his culture or on the continent, sees the importance of her bodily autonomy or agrees with him, he's protecting her. Not just against death, but against anyone taking her choice from her. When he is having a mental breakdown in Brokilon, worried about her, he tells Dandelion that he is trying to protect her from what happened to him. He doesn't say, she can't die. Or I can't let her be killed. He says she cannot be alone. She cannot go through what I went through. Here, I"ll let him say it: (Time of Contempt, p240)
"Listen to what?" shouted the Witcher, before his voice suddenly faltered. "I can't leave---I can't just leave her to her fate. She's completely alone...She cannot be left alone, Dandelion. You'll never understand that. No one will ever understand that, but I know. If she remains alone, the same thing will happen to her as once happened to me...You'll never understand that..."
"I do understand. Which is why I'm coming with you."
Honestly, I tear up thinking about it.
And Yen, well, she has a similar arc.
Yen has been abused and used as a tool, and along the way she has accepted that this is the way things are. Yen has even done the same to others. But she looked into that little face, those wide green eyes, and at some point she also connected the dots. There's another way of doing things, and maybe it is possible for a little girl to choose for herself. And even if it isn't possible, maybe the important thing is to fight for it. Maybe Yen can give her whole life to let a child just be a child.
Yen goes through torture and imprisonment for Ciri. She shoots lightning at a god, she shouts at a goddess, she drops through a portal into the sea, she gives up every last shred of political power she has spend ninety years accruing, she WILLINGLY tries to give her own life MULTIPLES TIMES, to save Ciri.
And from what? Death? Not always. At the heart of all this sacrifice is that Yen has made a decision that Ciri gets be a human who is given the dignity and respect of deciding what to do with her own body. To be a kid, not a tool. To be a person. To be free.
So Ciri gets to say, actually, for me, the idea of pregnancy is terrifying and repulsive and therefore, I don't want to do it.
In the end, Geralt, a person whose body was tortured and experimented on before he was too young to consent, and Yen, a woman who was abused and used, and BOTH of whom had their reproductive rights taken from them, decide to love Ciri and protect her bodily autonomy at any and all costs.
That is what drives the story. It drives the narrative. It drives both Geralt and Yen's character arcs. It is, in fact, the entire point.
So it should not be a surprise that abortion, and the right to have an abortion if necessary, is an inextricable part of The Witcher world. No, you cannot analyze these books and find 'perfect politics'. They are not politically correct. And there are many parts I can critique. I mean, we can critique anything. (and I do)
But I find it endlessly interesting that people who are conservative or right wing think that this property 'belongs' to them, and they want to push everyone else out, when all they have to do is pay the most minimal amount of attention and have really only two (2) brain cells to rub together, to see that they are indeed, incorrect.
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oikasugayama · 5 months
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Helloooo! I love your posts and I was wondering if you could do one of your charts with the bsd men for when you’re anxious and if they’d be good at comforting you or if they’d try their best, tried but failed and if they’d be just straight up shit at it, hope you’ve had a nice day :3
I have a few similar requests for cheering you up when you're upset, so here are my general thoughts as someone who suffers from anxiety:
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Fukuzawa has the wisdom to say something genuinely helpful and calming. He also helps you with mindful breathing and makes you some tea.
Nikolai, in one of his sentimental moods, teleports you to a calmer, more peaceful location where you can calm down and feel safer.
Junichiro tells you what helps him when he feels anxious, and he comforts you by relating and talking through the situation.
Chuuya doesn't really know how to help anxiety, but he asks questions and gets you to talk and work through what's bothering you. Oda also does this but with more experience (I just noticed he's in the wrong spot, he should be further left than Chuuya)
Ango can't do shit doesn't do shit. His own anxiety paralyzes him.
Kunikida technically tries to help but he ends up making you feel worse by telling you all the other shit you should be worrying about instead.
Atsushi really, really, really wants to help but the poor kid is the most anxious person you know so he ends up making himself anxious and then you feel bad for making him feel bad.
Mori surprisingly makes you feel a little better by just talking about other shit until you stop consciously thinking about what was bothering you. It's still in the background but not as intense.
Bram tells you not to worry and that all will be taken care of. To him he's not helping, but you believe that he really will take care of the situation on your behalf so it helps you to know someone is in your corner.
Poe offers you a new novel he was writing, so you get to play in a fictional world. It's the best distraction ever.
Sigma doesn't know what anxiety is so he has no idea how to help. He tells you you can use any of his resources and that's about it.
Dazai says he'll jump off the roof with you so you don't have to deal with it anymore, and it at least makes you giggle. He'll keep saying dumb shit and you don't doubt that he really thinks offing yourself is a solution, but you also don't take him seriously so the giggles help.
Ranpo says anxiety isn't real so just don't worry -_-
Mushitaro tells you some depressing ass story of a time he was very upset as well and it just fucking sucks.
Fyodor either tells you to look to the lord for strength (I am so not joking) or he finds a way to twist you being anxious into an argument about you not believing in his ability to protect you/have things go his way.
Akutagawa says he'll kill anyone or destroy anything that's upsetting you. You really don't dig the destruction and it makes you feel worse.
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wangxianficfinder · 23 days
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Fic Finder
Apr 7th
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1. Would have been Lan Wangji/Wei Wuxian.
After the Sunshoot campaign and for some reason Wei Wuxian is in Cloud Recess and Lan Qiren discovers that they don’t have a core. But the lan clan had a technique to fix a lost core for others that had been attacked by others that could melt their core. @nikkiwhitecraft
I was the requester for #1.
I am sure that part of the story that Wei Wuxian and Lan Q had to travel, and that was when it was discovered that Wei Wuxian had no core, and Lan Q was annoyed he never said anything and the Lan Clan had a technique to restore a core that was lost/melted as the core melting clan was known.
Thats all I remeber
NOT FOUND Righteous at a Cost by thunderwear (G, 21k, wangxian, LQR & WWX, Canon Divergence, Fix-It, no one dies, LQR finds out about WWX’s core, WWX and LQR are friends??, In My Fic?, its more likely than you think, LWJ in the bg like whats happening?, Fluff, WWX goes to Gusu, Mutual Pining, Golden Core Reveal) Might be this? LQR discovers WWX lost his core, brings him back to CR & finds a way to restore it
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2. Hey! Im looking for a fic where the jins got the tiger tally, and that they wanted to 'flood the world with vermillion light'. I remember that it was post-the first siege of the burial mounds, and WY was maybe dead? After which the other sects had to fight the Jins, and there was also something about the people wishing that WY was alive. Please help me find it! Thank you so much!
FOUND! I'm pretty sure this is the deleted "When the World Comes Crumbling Down, you Will Call my Name" by pft_a_Frog22. The archive link was https://archiveofourown.org/works/35867848.
the deleted fic for #2 can be found at the wayback machine here
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3. Hi! I’m searching for a fiction on AO3 where Wei Wuxian is a Rogue cultivator, he founds Lan Wangji floating in a river/lake and saves him. Wangji don’t remember anything due to the trauma he has suffered and his core is damaged altogether. He had a severe injury on his back but when he recovers he starts to travel with Wei Wuxian, not knowing his brother is searching for him. Because of his poor health issues he breakdown with a fever in the middle of a hunt, far from everything, during this time Lan Wangji loses consciousness, Wei Ying is visited by a strange fox spirit, really creepy whom he made a pact with to save Lan Wangji life's. In the history, Wei Ying has an uncle that reach both of them to advise something, Lan Wangji discorver to be a really powerfull fox spirit, i think they call him Huxia or something like this, Wei Ying "dies" by the venom of a fierce corpse (most like become one of them) and is ressurected by the Jade Emperor himself, the Demon subdue palace is actually a palace and Wangji's mother was the previous Huxia.
I’m going crazy cuz I remember ALL the history, but not the name of the fiction.
I appreciate the help with all my little heart. ❤️ @myukisora
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4. Hi, could you please help me find a wangxian fic? I apologize for the inconvenience, especially because i don’t remember much of the plot except select few parts of it and i dont remember if it was a thread on twitter or on ao3.
The scenes i do remember are as followed: Prior to this scene, wangxian might have had an argument or were avoiding each other because i dont think they had spoken to each other in a while. The scene i remember is WWX going to JYL’s place where everyone is gathered for a get together, wwx dotes over JL, going on about how he’s the favorite uncle. When he enters the living room, he sees LWJ on the couch, and sitting next to him is JZX half brother MXY talking to him. He thinks they are sitting a little too close and he gets a bit jealous but doesn’t say anything. I’m not sure if I remember it right, but i think people or mainly nhs kept saying how MXY resembles WWX, worsening the situation. Wangxian and their whole eye contact happens and everyone in the room is tense because of their interaction or lack their of. WWX suddenly goes to the bathroom, leaning into the sink…waiting and LWJ follows him in. They end up reconciling.
Thats all I remember, I know its not much, and i have been struggling as well because of it going through my bookmarks on ao3 and twitter. I’m hoping someone remembers this part as well and can mention the fic. Thank you!
Hi, the fic you mentioned is not the one :/ i am so sorry for the inconvenience. I can try adding more context. It’s the fic about WWX entering JYL’s party at her place and finding LWJ sitting on a couch with MXY. The scene is towards the very end so MXY’s presence is more of a cameo, he wasn’t present for the fic. WX might have a fwb situation that went wrong or it might be a lwj fucks fic. Lwj follows wwx to the br, its tense as wwx stares at him through the mirror but they both make up
NOT FOUND Talk Hard by DeviyudeThoolika (E, 161k, wangxian, LXC/JYL, JZX/WQ, JC/MM, Modern, College/University, Roommates/Housemates, rare pairs galore, Falling In Love, Getting Together, Separations, Getting Back Together, BAMF WWX, Drunk LWJ, Protective WWX, Good Parent YZY, Mutual Pining, Fluff, Cultivation Sect Politics, Hurt/Comfort, Slow Burn, Angst with a Happy Ending)
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5. Hi,
I’m trying to find a fanfic where instead of Jin Zixuan dying to Wen Ning at the pass it was Wei wuxian who pushed him out of the way and died instead? I’ve been trying for ages and still can find it. Thank you!
neither of these are exactly what you described, but it might be
NOT FOUND! A Butterfly Flaps, A Sword Stabs by RadAceFriend (T, 37k, JZX/JYL, JZX & WWX, JZX & LWJ, JZX & JGY, JZX & JL, Major Characted Death, JZX Lives, WWX does not, background wangxian, Not Jiang Family Friendly, Sect Leader JZX, POV JZX, Canon Divergence, the horrifying experience of killing someone you didn't like much, and finding out that you're one of the only people you know upset about it, Wen Remnants Live, LSZ is a Wen, WangXian Get a Happy Ending)
NOT FOUND! in this place where we don’t have a prayer by Cerusee, Mikkeneko (T, 42k, WangXian, Canon Divergence, WWX dies at Qiongqi path, Demonic Cultivation)
FOUND! finding you always, all ways by BlueFrogs (T, 31k, WangXian, ChengQing, Reincarnation, Fix-It, Fluff and Angst, Happy Ending, Romance, Memory Loss, technically there is character death, but he comes back lol, Age Difference, due to reincarnation)
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6. Hi, hope you are having a great day! Could you, please, help find a fic, which, I think, had a wangxian arranged marriage due to growing Wen threat, but honestly cannot remember the exact premise. But there was a scene where wrh manages to get wq married to lwj as a second wife, and wwx felt like he failed the Jiang-Lan alliance. And there was a big confrontation between wq and wwx, where she tells him the reason for the marriage was to save her family. And lwj might have been ill or cursed and wearing a mask (not sure).
FOUND? The deleted "A Price to Pay" by wangxianist.
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7. Looking for help finding the name of this fic on ao3 I’m have trouble hunting it back down. Burial mounds settlement days canon divergence.
Essentially the premise is that the people living in Yiling often see Wei Ying taking care of and teaching A-Yuan by the river and a woman one day who was also there to wash her clothes asked him to look after her son while she was busy. This snowballed into Wei Ying basically running a little informal school out of Yiling where he teaches and just looks after any child that is brought there, including orphans and prostitute’s children which is kinda illegal. Lan Zhan knows and regularly visits. If the children show aptitude for cultivation they usually get sent to the Lan or (later in the story) the Jiang. The rest of the Wens kinda accidentally become a part of the Yiling community so much so that they all move out of the burial mounds and into the town proper. Because they’ve all left the mounds and disconnected pretty hard from the cultivation community they don’t even realize that the Jin’s sent people to attack the mounds. They found no one and declared to the world that they had slayed the rest of the wen dogs alongside Wei Wuxian. Jiang Cheng only finds out his brother is alive because he’s been informed that a small school in the Jiang territory hasn’t been paying taxes and when he goes to investigate finds Wei Ying safe and sound. @coffeehousefanfics
FOUND? Just as the Snow Melts by draechaeli (T, 66k, wangxian, JYL/JZX, SL/XXC, Everybody Lives AU, Canon Divergence)
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8. Hello, could you please help me find a fic where Lan Zhan finds a number to call Wei Ying which Help? to people at night and calls himself patriarch yilin afterwards They (wei Ying and lan Zhan) meet in the university library
FOUND? Maybe You’re the Reason by Clearpearls (E, 67k, WangXian, Modern AU, College/University, Phone Sex, slight D/s, Secret Identity, Praise Kink, Phone Sex Operator WWX, he’s part-time though, slight internalized sexual repression, Fluff, Light Angst, Dirty Talk Orgasm Delay/Denial, Slow Burn, Sub LWJ, Bottom LWJ, Vibrators, Aftercare, Introspection)
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9. There's an au where Wangxian are like murder husbands and it has very dark themes. It's a series but I remember one of the fics in it had a scene where a woman tries to get their attention so the other cuts off her body parts or something like that? Would you be able to help me find it?
FOUND? So Full Of Love (Wouldn't Know Where to Start) by witchupbitch (M, 63k, wangxian, Best Friends, Friends to Lovers, Fluff, Eventual Romance, Eventual Sex, Possessive LWJ, Protective LWJ, Blood and Violence, Killing, Idiots in Love, Humor, Mafia AU, Modern, Flirting, shameless WWX, Confident WWX, Explicit Language, Swearing, Mutual Sexual Tension, dark LWJ, Dark WWX, They're both twisted, Exhibitionism, Sex, Possessive Behavior, Unhealthy Relationships, Twisted and Fluffy Feelings)
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10. Hey!!! Love your work!
Do you know of a fic where jiang cheng's younger self sort of takes over his future self for some while before going back and this repeats for some time? I remember a young jiang cheng talking to older wwx. Older wwx doesn't believe that it's really the younger jc so he asks him to ask about why wwx dislikes dogs (i think). Young jc asks young wwx and it's because www had a pet dog named 'doggie' who had turned on him during the winter. Sorry that's all I can remember
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11. Hi, I dunno if my ask got lost in the mail but i was looking for a fic that had a line "lan wangji was a musician, he know how to make his hands do different things" in reference to one hand jackin wwx off and the other up his ass. if this sounds familiar lemme know please
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12. Hi! I really am looking for this story in AO3 and still can't find it. It was about Wei Wuxian who got married to Wen Chao but Lan Zhan couldn't take it so he plans to take Wei Wuxian back by claiming Wei Wuxian each time he got (even in the wedding night of WWX and WC) and destroying the company of the Wens. As they (LWJ & WWX) continued the deed, WWX ended up pregnant and LWJ is more than determined to take WWX back. I do hope you can help me find this story. Thank you in advance!😘
FOUND? 姻緣 | this marriage was always predestined by saccharinings (E, 43k, wangxian, Cheating, Infidelity, not between wangxian, WWX is married and LWJ persuades him to cheat on his husband with him, Dark LWJ, A/B/O, Feminizing Language, Exhibitionism, Size Difference, WagnXian Have a Breeding Kink, Stomach Bulge, Possessive LWJ, Manipulation, WWX Wears Lingerie, Rape/Non-con Elements, for one part, Hair-pulling Kink, Alpha LWJ, Omega WWX, Mirror Sex, Vibrators, Phone Sex, Rimming, Edgeplay, slight choking kink, Light Bondage, Inappropriate Use of Gūsū Lán Forehead Ribbon, LJY's Big Fat Crush on Milfxian, Pregnant WWX, WangXian Endgame, Spanish Translation)
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13. Hello! I've been trying to find a fic I lost on AO3 for a few days now so hopefully you can help 💚💚
It was canon-verse but an AU where lwj and wwx hadn't met and wwx was still the Yiling Patriarch. Someone has an idea to give wwx a "bride" and wwx picks lwj and he goes to live at the burial grounds with wwx and the wens. At some point lwj gets stabbed and almost dies and wwx reveals he picked lwj because he assumed lwj would be in on some kind of plan to spy on/hurt wwx and the wens but lwj wasnt a part of that at all. It had a happy ending but i cant remember exactly what it was. Pls help 🥺 i want it in my bookmarks soooo bad
FOUND? 💖🔒 love, in fire and blood by cicer (E, 360k, wangxian, Canon Divergence, YLLZ WWX, Arranged Marriage, political scheming, Gratuitous Domesticity, Mutual Pining, EXTREME SLOWBURN, the inherent eroticism of the forehead ribbon, The Mortifying Ordeal of Being Known, neither wwx nor lwj want to be Perceived, but sorry kids! it's gonna happen!, rated E but the the NSFW stuff doesn't begin until chapter 19!, bottom LWJ in chapter 20 and 27)
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14. For the next fox finder
Pls help me find this fic where wwx and lwj are night hunting and wwx gets hurt badly lwj makes a deal with a spirit/god but in exchange to save wwx he will lose his love/ emotions (he only acts on what’s needed not on the things he like or is want)
Wwx ofc suffers because of this but is able to re awake lwj love after 3 years while he’s playing wangxian (( he has already lost hope lwj would recover his emotions))
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15. hi! im looking for a post canon fic where jc sends a letter to cloud recesses saying that gusu lan owes him a debt since wwx married into the lan. lwj responds very angrily. it wasnt jc friendly and at the end of the fic, wwx finds a bitter letter from jc who dies alone. wwx and lwj live longer and happier lives. id love it if you could find it, thank you!
FOUND! The Price of a Golden Core by AshayaTReldai (M, 9k, wangxian, LXC & WWX, WWX & JC, Major Character Death, Angst, Tension, Aggression, JC pays the price for his choices, demanding letters, JC is a Brat, Supportive Lan Brothers, WWX deserves the best, Life Debt, Sad Ending, Sad Ending for JC)
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16. Hi! So, I’m looking for an AO3 fic, Lán Zhan/Wei Ying, that I read what feels like years ago and I can’t find it again. I remember it is a bit of a dark lan zhan or dark cloud recess fic, with Wei Ying being brought to this ‘hunt’ type thing with a group of people. I believe all the people brought are given Lán Zhans scent, so that he may track them. I also believe that it’s not expected that the participants will survive, and they’re being offered a reward if they do. Please help me find it! @diabolic17
FOUND? 🔒 Five Fifteen by 3neetee (M, 11k, wangxian, rape/non-con, modern, ABO, alpha LWJ, omega WWX, mating runs, graphic depictions of violence, dom/sub undertones, light bondage, rape/non-con elements, dark LWJ, betrayal)
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17. Hey mods! 💜
I’m pretty sure I found this fic on here but now I can’t seem to find it. I’m not sure if it was on a itmf or fic finder. But it’s the one where wwx takes a curse from some ghost in order for her to move on. It’s a curse where he can’t see or feel anyone that feels “strongly” about him. He assumes the juniors all either hate or fear him and I forgot what he assumed lwj. They say to break the curse he has to accept the others’ feelings. So he tried to accept the fact that jin ling hated him although jin ling did not mean what he said and was confused at how wwx reacted. I think lan jinyi was the one who figured out wwx couldn’t see them because he launched at him as if he was going to attack him and wwx didn’t flinch. In the end he starts seeing and feeling impressions of them until he can see them in full again. Please help? I’ve been through my history and bookmarks and all open tabs of ao3. No such luck.
Thanks for all that you do! @jikcf
FOUND! See Me, Feel Me (Listening to You) by Ghost_Honey (T, 29k, WangXian, POV WWX, WWX Needs a Hug, WWX’s Abyssmal Self-Esteem, Emotional Healing, Angst, The Juniors love their Senior Wei, Curses, WWX is an Unreliable Narrator, JC & WWX Reconciliation, Emotional Hurt/Comfort, Platonic Cuddling)
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18. Hi! I’m searching for a fic that I’m pretty sure was a threadfic on twitter... It was foxian and dragonji, and LWJ came across WWX while he was in heat in a cave and they mated. WWX went back to Lotus Pier not knowing who he’d been with only to find himself pregnant. He has hybrid babies and LWJ eventually tracks him down and he turns out to be a prince or something? WWX goes to visit Cloud Recesses, still unsure about LWJ. There was also a scene when one of the babies gets snatched by an eagle or some other bird and LWJ saves them? I think that’s as far as I got, as it was a WIP at the time and I lost track of it. Thank you!
FOUND? Twitter thread by cerbykerby (wangxian, cw: dubcon, mpreg, memory loss)
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19. Hello! Hope you're well! I've been looking for a fic like crazy and have not been able to find it, so hopefully you know it? It's a fic where instead of nie mingjue dying, nie huisang dies as a result of jgy and nmj attacks the cloud recesses because he blames Lan xichen in part due to him defending jgy. Please help me find this if you can. Thank you in advance!!! 🫶🙏🏼 @cherryblossom8
FOUND! Digging Graves by nirejseki (Not rated, 13k, NHS & NMJ, WWX & XY, wangxian, Revenge, Broken Moral System, Non-Graphic Violence, the masterless sabers)
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20. Pls there was this one fic in ao3 , I was so looking forward to it but I lost it 😭😭😭I don’t know much about it but the summary was smth like Wwx getting pregnant and being in an island?? Shizui grows up and smth please 😭
FOUND? The Winner Takes It All by YilingSani (M, 46k, WangXian, Modern AU, Single Parent WWX, Old Friends, One Night Stands, No Smut, Angst with a Happy Ending, PTSD, Panic Attacks, Forgiveness, Second Chances, Inspired by Mamma Mia! (Movies) Teen Pregnancy, Mpreg, mention of miscarriage, Birth Trauma, amniotic fluid embolism)
~*~
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Screaming at an Empty Room -
Reintroduction/Update
Hello everyone! Probably too late to do an intro, given that I've been writing on this blog since 2017, but since I've returned after a few years away from writing, I wanted the opportunity to talk about my blog and projects completed and my upcoming plans!
I go by Avaleon everywhere else on the internet, but respond to pretty much anything, including Screaming, hey you, etc! Started this blog in my mid 20s, and aged normally into the early 30s from there. I love writing, have always loved it, but between work and life, it's definitely something that I mostly do late at night and on weekends. I love hearing from people, but I usually answer asks in bunches, and typically right before I post writing. Love hearing about other people's projects as well!
I write short stories, novellas, and occasional full length novels. I am not published, but actively working on self-publishing some of my full length works. Everything I write is posted online, I enjoy sharing my work. The main reason to self publish for me is to have physical copies for myself or anyone who might want one!
My short stories can be found under the #writing tag on my blog. As for the long completed stories, I'll post them below the cut!
Love you Tumblr, happy to be back!
A. Full Length Novels (100,000+ words)
Please Fix the Story!
Description:
I don’t know who I am. I don’t know why I’m trapped in this never ending cycle of rebirth. All I know is that I wake up inside the worlds of unfinished stories, with a mission to accomplish the author’s wishes and stabilize the worlds now headed for destruction. I do my best, hoping, praying that maybe if I complete enough missions, I’ll be able to remember my past and return to my home.
It’s just fixing stories, it should be simple enough.
So can someone explain who this random villain is who keeps following me to each world?
Masterpost linked here
2. I Can’t Eat Love
Description:
Lenora did not have a wonderful life. After her engagement to Prince Ronan is broken, she loses everything… her reputation, her home and her family. Starving on the streets, she dies angry and bitter at how her life unfolded… only to wake up in her old bed, fifteen again, five years before her death. 
Now she must struggle to change her fate, and the fate of the around her. This time she won’t trust in something as flimsy or changeable as love. No, this time she’ll have the power and the money she needs to protect herself. 
Lenora has already lost everything once. She’s not going to lose again. 
No matter the cost. 
Masterpost Linked Here
B. Novellas
I Refuse to be a Named Character
Description:
I woke up inside the world of one of the best selling fantasy book series “Deadly Crown.” Intrigue, handsome heroes, adventure… sounds great, right? Just one problem: all the named characters except the main hero and villain die, are replaced and their replacements die. Being important in this story is a death sentence, so I plan to move to the middle of nowhere, and avoid the plot! 
It should be a fool proof plan, so why do the main characters keep dragging me into the story?
Masterpost Linked Here
2. Living in a Rewrite of my Own Book World
Description:
This is the story about an author who gets hit by a car right before she can finish her bestselling book series. Trapped in the role of a terrible side character antagonist, she must find a way to change the story’s ending. Not just for her own survival, but for the characters that seem just a little too real to be fiction. (30K words)
Masterpost Linked Here
3.Baby’s First Revenge!
Description:
When Charlotte is betrayed and killed by the friend she sacrificed everything for, she thought it was the end. Instead, she found herself reborn as a baby, with her killer still enjoying the fame of stealing her work. Now, she's coming after him, and plans to make him pay... But first, nap time.
Part 1 / Part 2 / Part 3 / Part 4 / Part 5 / Part 6 / Part 7
4. The Supervillain’s Daughter
The story of Erica, a girl who finds out that her brother is the kidnapped child of superheroes, and that her parents are villains. Years later she is the best agent in the Villain Suppression Unit, and hates everything to do with superheroes. So of course she isn’t pleased when she is paired with the strongest man alive, especially because she knows him. But with even darker parts of her past surfacing again, she will have no choice but to join forces and save the world. 
Part 1 / Part 2 / Part 3 / Part 4
Other smaller works and the incomplete ones can be found on this page
Thanks everyone!
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larkingame · 4 months
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so, i don't usually crosspost these posts, but this week's update on patreon is available to everyone and I know I have a bit of a larger following on tumblr, and I'd really like everyone on the same page so I'm dropping all I have to say here too.
good evening friends!! i hope you're all doing well! welcome to the first update of 2024. momentous for me personally, because this is the year we finish larkin. i am making this post available to all patrons, (paid or not) because I'd really like to start 2024 on the right foot with everyone aware of the road ahead. i am so determined to get it done you have no idea. this is my year. 2024, i christen thee: the year of the vampire cowboy.
okay, so big things ahead, lets talk about the update, explore some of the features we have in the game, plans for this weekends release, the schedule and a couple other things.
so, if you've played at all with the new version of the game, you'll take notice that it's a little bit different than my first image of the game. at first larkin was just a straight interactive fiction following the likes of cog like games, with choices and avenues and split stats and the like. but now, as of 2024 (crazy) we're seeing a game that is more reminiscent of a ttrpg, like dnd or cyberpunk, with stats, classes and dice rolls. admittedly, the very first encounter of the game is well (it's a little rigged) the game, of course, could not really get started if the preacher gets cooked before they've even made it to nevada, so, the odds are a little bit stacked in the players favor this round, but at least, it gives you a little bit of a taste of whats to come. to dive into the specifics of what's important with this first encounter (or just, how to avoid getting your ass really kicked) these first few rolls give bonuses to players with high dexterity and athleticism—-but that's not to say you need to make your character beefed up in these departments. each stat will get their time to shine later down the line.
but let's talk about what i'm really excited to discuss: classes. so with the new version of larkin, i've introduced a system of classes that operate somewhat like your standard dungeons and dragons class, but with a little bit more of that classic background from the original ttrpg mixed in—coloring the way your character sees the world of the game, sort of how a race might effect a dnd character--(a dwarf player is going to have a much different worldview than say, an elf.) for this i was heavily inspired by games like dragon age origins and baldur's gate, and while I do have those original background ready to be dropped a little bit later on the game in relation to your character's perspectives on the abrams family, I really like how these have come to form.
in total there are seven new classes: con-man, outlaw, healer, thief, gambler, showman and slayer. each of these classes warps the perspective of the player character, giving them new motivations, dialogue options, and affects their relationships with the other characters in the game and the world around them. to illustrate this, I'm thinking of making a little bit more of an in depth explanation screen to be added to saturday's update to really get that point across, but I'm still toying with how I want to phrase the specifics of it. what i might do is something similar to baldur's gate with little pop-up tutorials that can be turned off/on depending on how you'd like to play.
to give an example of some of the more in depth motivations/choices each class offers lets talk about the thief and the outlaw classes. the thief class i am especially excited for, because like the con-man class and similar to a few others, it really allows your character to be very money/materialistically motivated. it opens up routes later in the game, like romancing one of the sokolovs—with motivations reminiscent of gold-digging (hehehe very excited for that—i think it will be very fun to write—because you have this idea of a cold hearted player who is entering into a relationship with them strictly for business, versus a cold hearted player who is in it for the cash but also. might be falling in love with one of the sokolovs? ((a lot of fun dynamics afoot here.)) the outlaw class is also one i'm excited to work with because it really puts something of a strain on the preacher and wyatt's relationship—-mostly because you see a strong division in terms of their ethics—the preacher in that case is very 'do what you gotta do to survive,' whereas wyatt believes (key word—believes) he's living by some sort of moral code—that he's failed to instill in the person he views as his child. so like there are layers here boys. layers of resentment, failure—to connect, to teach, to bond. a final tidbit about the slayer class before I move on: if you would really like to play into the enemies to lovers trope with one of the vampires, I would highly recommend giving your player this class ((that's all I'll say))
so: saturday, that takes us to the bar, where each class will get a unique scene, similar to how the scheming tactic section worked in the original game. we're gonna finish up the encounter with the first vampires, meet our guild pursuers and move to the bar. I'm planning also to implement the character customization here—(sort of a way to prep before the player heads out to the bar.) most likely won't get to all classes by saturday's code, but after that, I'm planning to release again on next wednesday, so we're keeping on track. I'd really like to give a full picture of customization for the player character, with all the original options for physical appearance (i might keep clothes vague for now though and let you dress your character later on, until you get a taste of the inventory/bartering system-—you have to deal with MY poor fashion choices for a little bit.) but that being said, about character customization, if there's something that's lacking here and you'd like to suggest an addition I'd be all ears. This is what I'm planning to implement so far:
skin tone
body type*
hair color
hair texture
hair length
hair style**
height
skin details (acne, scars, vitiligo, rosacea)
facial hair
make-up
piercings
eyewear (glasses, no glasses, eyepatch, prosthetic eye)
gender-affirming customization (for ex. use of binding)
* a note on the body type section, I kind of had this idea of digitally drawing some silhouettes of different heights, shapes and sizes, and allowing the player to click through arrows to select a rough estimation of what their body-type might look like. I'm going to do an art dump later this month, and I have a few sketches of what I'd kinda like to do with that, but I'm still toying with it, because even that could be a little limiting in terms of options. if any of you had thoughts on that, I'd love to hear them.
**I think it might also be cool to kind of have drawings of different hairstyles available to the characters, arranged in the card formats like the previous gender options in that same red colored sketch format.
speaking of art though--and this is purely tangential so I apologize, I'm sure you've taken notice of some of the art being repetitive--for the moment that's purposeful. I'm planning to commission some work for the cards to be implemented in a later update--so what you're seeing are just placeholders for now.
okay! with saturday's notes out of the way, plans for the rest of the week. I need to finish the timeline and then I need to make it readable to people other than myself. it is currently incomprehensible and of the few people that have gotten their eyes on it only one (1) could make sense of my mad ramblings. (shout out to friend of the game bianca from exiled from court if any of you are familiar with her or her stuff, we are  big bianca fans here.) After that I need to do some edits with the new update and such, and poke at the code.
Tonight after I post this, I'm specifically working on sending a few more emails to betas (know that sending emails is. my personal hell because of intense social anxiety. BUT we must persevere. emails will be sent tonight.) after that, I have to work on the phillip/kc/sam schedule + calendar for this month, just to keep the three of us on the same page. I'm in the process of looking at some stamps.com printers for sending out packages with this next round of physical rewards and ordering the merch (hehehe)
okay. super long update for our first one of the year, but I am so excited to get to keep working with you guys :) i'd like to thank you all for your continued support and I can't wait to show you more of the little universe i've crafted :)
until friday! i'm gonna be posting some cyrus asks/scenarios for you all to enjoy, so look forward to that! <3
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deirdra-hearts-nadia · 7 months
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I've been thinking about the fandom for The Arcana, and I have come to the conclusion that it's weird as hell. In my 20+ years participating in online fandom spaces, I've never seen a fandom quite like this one. I've seen drama, sure, but the core of most fandoms is a large community of people who love the same media and come together to celebrate it.
The Arcana fandom is not like that. From the very beginning we're more fractured, more factional, more fragile than most. You just have to look around at all the posts lamenting the death of the fandom every 2 weeks to see that something is really wrong here.
And I think a lot of it has to do with the nature of the canon. I am not saying this to criticize The Arcana, the devs, Dorian, or my fellow fans. I have just noticed that, as a piece of media, this game occupies a very unique space that is reflected in the way its fans interact with canon and with each other.
Welcome to the TED talk ain't none of y'all asked for.
Part of what makes this fandom unique is the evolution of fandom as a whole in the face of new types of media. As gaming becomes more mainstream and games themselves become more complex, the way we engage has necessarily changed in response.
Books/ movies/ shows are slightly more static in terms of canon than video games; canon is what it is and how you interact with what is there is largely to do with who you are. Everyone has the same base material to engage with, and that results in a certain amount of constancy. You can't interact with The Princess Bride in a way that changes the movie, only in ways that change your own perception. There isn't a whole lot of room for OCs without rewriting canon, so fans tend to consume OC-based fiction and art with the assumption that it's likely to be self-insert wish fulfillment fantasy time. That isn't always true, but there is a reason the term Mary Sue was coined.
Otome games and other choice-based video games make a very different fan environment, because the way you interact with canon is completely different. You have to build a character in order to interact with the story, and your choices directly impact your experience of canon.
But most western choice-based games are in the context of a larger RPG universe, e.g. Fallout or Dragon Age. There is a lot more to the story than the romance plot and so there's a lot more world to experience, contextualize, and build upon. There's certainly plenty of unhinged ShepxGarrus erotica, but there's also an abundance of fanworks that engage with the plot, the worldbuilding, and the canon characters with relatively little of the player's character needing to be on the page at all.
By contrast, most otome games that make it to English-speaking fandom spaces are Japanese. The romance is the point, but we also start from a place of wariness of our fellow fans. Because there's a huge difference between "harmless weeb" and "orientalist fetishizing creepo," and you know going in that both ends of the spectrum are possible, there is an amount of caution. We curate our space, looking for the creators who align with our expectations and values before we ever begin to interact.
The Arcana falls in a very unique and odd space because it is an otome, but made by Americans, with an attempt at a diverse fantasy cast. It's intended to be for American/ English-speaking audiences and is marketed as such. But making a romance game in America is challenging. Our way of approaching online media, especially smartphone-accessible media, is super fucked up, right? We are constantly trapped between the dichotomies of moral duty (Must Protect The Children) versus appealing to the customer base (Boom Anime Babes with Tig Ol Bitties). Because this is a mobile game, the developers can't make money if the game is removed from the app store, so they want it to be rated teen at the most. But the enticing bit, the thing that captures a potential fan's attention, is the flirtation and sexy implications. So from the jump they're in a weird space purely because they chose to make a mobile game instead of an indie video game released on Steam or similar.
So now you have an inherently split audience: mature adults who know they're getting into a potentially explicit romance game, and young adults/teens who have grown up in a more insulated internet culture where normal words are replaced with Orwellian doublespeak, like "unalive" and "spicy time".
THEN you add in the fact that the developers tried to build a diverse fantasy world, which is a fantastic idea both from an inclusionary standpoint and a broader audience standpoint. But because they didn't employ any actual sensitivity readers (did they think they didn't need them because fantasy can't have racism? Did they justify it as not being in the budget? Would love to know what's going on there) they fell right into a lot of the classic traps. We've been over these time and again, so I won't get into them here. Suffice to say, there has been Discourse. The presence of those issues means that more experienced fans will see those things and call them out, and that criticism causes even more of a split: the zealous apologists versus the critics. And critics can fall into two further categories: those who love the canon and want to see it do better, and the bitches who just love having something to bitch about.
Unfortunately, this combination means that there are inherently factions to this fandom, with staunchly opposed approaches to the media. So even before you enter a fandom space, it's already wildly fractured simply because of the nature of base canon.
THEN add to that the fact that this game is a dating sim. And to engage with a dating sim, you have to build a character and make choices based on that character. Some people will approach this work as storytelling, and some will approach it as an escapist expression of self. Neither of these ways of engaging with canon is wrong. Enjoying a dating sim as Me But Better is fun and completely valid! Engaging with a dating sim as a storyteller collaborating with the developers is fun and completely valid! But the two approaches are opposed in purpose, and that can make it difficult for the two types of fans to engage with one another's work.
Storytellers will well and truly invest in building a character. They may even build out communities, countries, cultures, and languages to make their world all the richer. They are investing hours of blood, sweat, and tears into Their Craft, pouring themselves into an opus of quality fanwork. Unfortunately, this can sometimes lead to big feelings. Fan artists and writers may feel underappreciated if all they get out of their hard work is 2 likes and a gif of a wolf making AWOOGA eyes. They may feel that critique of their work is unwarranted, or that there's no point creating if no one will engage.
The romantics will engage with canon and fanwork from the perspective that "this is my fantasy romance time". Their OC isn't so much Original Character as Optimized Characteristics--that is, their perfect self. They are here for wish fulfillment fun times in the relative privacy and anonymity of the internet, and good for them! But that may mean that criticism of canon or their fan work feels excessively personal--it is very hard to detach the ego from the OC when that OC is a projection of your best self. They may view any critique as a personal attack as opposed to a good-faith attempt at engagement or conversation. This can lead to defensiveness, or to leaving the fandom outright if it feels too hostile.
Unfortunately all of these factions cause rifts in the community. This sometimes turns into fandom vigilantism, where people begin to see any fan who doesn't wholeheartedly agree with them as an enemy. I've seen friends experience bullying and cruelty over their OCs and their art. I've seen predators use the isolated nature of the fandom to further isolate and prey upon already vulnerable individuals. I've seen some really shitty stuff.
But I have also seen beautiful community flourish. I've made friends who feel more like family than my actual relatives. I've seen people work through struggles and overcome deliberate attempts to tear us apart, finding forgiveness and friendship along the way. I've seen myself and others grow because of the community and inspiration we found here. And I saw all of that because I found my people. And I hope, Arcana fandom, that the rest of you can find your people too.
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ashirisu · 4 months
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hey, everyone!
My name is Ley (pronounced like "Lee," she/they) and I'm a fiction writer/editor based in the PNW. I haven't done a proper writeblr intro in a while, so I figure the new year is a great time to reintroduce myself to the community!
— about me
An important thing to understand about me and the way I talk about writing is that this stuff is literally my entire life. Even outside of work, I don't think I have a single interest or hobby that doesn't relate back to storytelling in some capacity. I'm an avid media consumer and critic, and will hyperanalyze just about anything that catches my fancy for more than a minute.
I love science fiction and fantasy, and my goal as a writer is to take all the genres I loved growing up and create stories that are a little more diverse, inclusive, and queer.
— about the blog
I came to writeblr mostly to share my work, but also to find an active community where I can get excited with other writers and talk shop. Marketing is obviously a really important part of the publishing industry, but I get tired of having to filter every thought I have about my work and experiences through the lens of aesthetic micro-trends just to put it out in the world. Sometimes I just want to pop off about scenes I'm proud of, you know?
Above all else, I really just want to connect with more writers like myself, ones who got their start in fandom spaces and are working to take their writing from a hobby into a career. I see you, I am you, I love you, let's be friends!
— about my writing
I write a lot, though most of it is disconnected nonsense. Flash fiction and short stories are where I really thrive as a writer. I don't tend to commit to long-form projects, but I have a few projects that I'll occasionally share details about!
I like to describe my style as "earnest and character-forward," which is a fancy way of saying that I like driven protagonists who think too much and are emotional to the point of it being a character flaw.
My goal is to share more of my original writing moving forward, so hopefully you'll get to see all of this for yourself. If I'm totally honest, though, you'll probably see more of me discussing my work than actually writing it.
— about my projects
Here are the things you'll most likely see me posting about:
Agnomen: A sci-fi retelling of Hamlet and Coriolanus, currently in its very preliminary stages. It is literally my Roman Empire, except it's set on a moon of a planet that I'm calling Jupiter as a placeholder (but please note that it isn't actually Jupiter, as Jupiter is a gas giant and therefore a scientifically impossible setting for large sections of the plot).
Alter Ego: A superhero fic in which not-so-mild-mannered reporter Drew Derrick fights for mutant rights and can't seem to get his act together when it comes to keeping the complicated parts of his life separate.
Untitled Fantasy Project: The very first project I ever wrote, and the piece I return to every so often when writing is feeling more like a slog than a fun hobby. I set a lot of one-offs in this world and follow a few key characters around without them having a real plot.
D&D: I write a lot about Baz, my Wild Magic Barbarian. He's a regency noble with a lot of problems, and I care about him very much. I also have various other settings and characters, but he's my most active PC at the moment and therefore gets the most attention.
Short Stories: Sometimes I write these, and sometimes I like them enough to share!
— tag directory
ley rambles: my (often wordy) opinions about things
ley writes: not necessarily my writing, but talking about my writing
my writing: stories, blurbs, and other content I've written
not my writing: reblogs and creative writing that I liked, shared, and sometimes commented on
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tossawary · 2 months
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Posting about my reread like this in an attempt to help me remember some of these small details... I am quite bad at remembering things from the beginning of a book by the end of it, partially because small, easily overlooked details often become far more meaningful and therefore memorable on the reread.
Some quotes and thoughts on Binghe's birth + adoption, Tianlang-Jun, Su Xiyan, and the poor, unnamed washerwoman:
"Immediately after birth, Luo Binghe was abandoned by his parents, swaddled in white cloth, and put in a wooden basin that was lowered into the Luo River. This occurred on the coldest days of the year, and it was only thanks to fishermen pulling him out of the water that he didn't freeze to death as a baby. Because he'd been drifting along the Luo in the season when it was choked with thin ice, he was given the name Luo Binghe.
Luo Binghe spent his early years wandering the streets, hungry and cold - a dreary childhood. A washerwoman who worked for a wealthy family took pity on him, and since he had no children of her own, she adopted and raised him as her own. Mother and son were poor, and they suffered much humiliation at the hands of their rich patrons." - Chapter 1, pages 9-10
"As it turned out, Luo Binghe had been born to the Demon Realm's Saintly Ruler and a woman of the Human Realm; within his veins flowed the blood of the ancient, heaven-fallen demons as well as that of the human race. His father, Tianlang-Jun, had been sealed beneath a great mountain, trapped for all eternity. His birth mother had been a disciple from a righteous cultivation sect, but shortly following Tianlang-Jun's dealing, she had been expelled on suspicion of having secret ties to demons. She had died from a postpartum hemorrhage after giving birth to Luo Binghe, but prior to her death, she had set her son adrift from the lonely ship she'd birthed him on. It was the only way she had been able to give Luo Binghe a chance to survive." - Chapter 1, page 11
I view a lot of these small details as somewhat flexible, with the different levels of unreliable narration going on. We are being told these things by Shen Yuan, who may be misremembering these details (as any reader, myself definitely included, does), and who read them as told by Airplane, who may have retconned prior details as he came up with new ideas, forgotten small details as he wrote millions of words, or was just lying in the narration for later reveals that never came to fruition. Shen Yuan may have also been reading dialogue between characters who also didn't know what they were talking about or were lying to each other.
So, I can do what I want with a lot of this, I feel! Shen Yuan doesn't necessarily know what he's talking about here. (More details will be revealed later on, I remember, and I will be looking out for them.)
Interesting things to remember here! Tianlang-Jun was apparently probably sealed during the winter, maybe late autumn at the earliest, which was probably unpleasant for snake demon Zhuzhi-Lang. I'm currently imagining Tianlang-Jun leaving his nephew to essentially hibernate somewhere to avoid the weather, promising to stay out of trouble (actually planning to meet up with Su Xiyan), and then just not coming back.
Su Xiyan apparently gave birth to Binghe on a ship! That's interesting. I had forgotten that detail if I ever took note of it.
I knew that the book implies here that Binghe was found by the washerwoman a little later into his childhood, but I'd forgotten the fishermen detail. I usually intentionally ignore this and just go with the washerwoman finding Binghe (which is what the animated show did, I think), because if Binghe was honestly "immediately" abandoned by Su Xiyan, then he would have been a newborn! Someone HAD to have been looking after him. This is one of my pet peeves in fiction: Binghe HAD to have been breastfed by someone OR this world must have an equivalent to baby formula for him to survive. (This is the main reason I conceptualized Luo Jiahui in PINTWILF as a young woman who had recently had a stillbirth, just so she could breastfeed this newborn baby.)
It's possible that Binghe had a series of caretakers who fell through before his adoption, leading to brief periods on the streets as a young child, and/or he did a lot of "wandering the streets" begging and scavenging AFTER his adoption by an extremely poor woman (and the sentences there are just a little out of order). Even if demon baby Binghe COULD survive on other food somehow, newborns can't... walk... or crawl... or lift their heads.
If I have to stick to what's written here as closely as possible, then I would go with the following interpretation: newborn Binghe being found by fishermen, who take him to town to see if anyone has lost or abandoned a child, or if anyone is willing to take one in. The only person to agree is this washerwoman. People in town possibly donate some means (baby formula equivalent, kinky plot device plant that kickstarts lactation) to feed this baby or cruelly tell the washerwoman the baby will die. Possibly, the washerwoman goes deeply into debt asking these rich patrons for the means to feed this baby. As Binghe grows up, he spends a lot of time on the streets, begging and scavenging to help his extremely poor adoptive mother. End mostly canonical interpretation.
If we wanted to get a little wild, we could also go with the interpretation that Shen Yuan is incorrect when he uses the word "immediately". Either he misinterpreted something Airplane wrote, or a character relayed information incorrectly in PIDW, or the SVSSS just formed differently to Shen Yuan's impression based on very vague information that Airplane may not have been keeping consistent.
Maybe Su Xiyan actually lived for several months on this ship after giving birth, creating the seals and somehow managing to feed her newborn child (the poison that killed her is a problem with breastfeeding here, but idk, maybe heavenly demon babies can drink blood for all we know, which is something Su Xiyan would know but the washerwoman would not), before setting Binghe adrift. Binghe would be too young to remember this time with his birth mother. I'll have to see what Wu Chen from Zhao Hua Temple says when I get to his explanation of what happened to Su Xiyan in the third book.
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pluralthey · 8 months
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is there a good place to start if we want to learn about idletry? im very interested in the story and all the bits and pieces revealed so far but i dont know if youve like, stated the basics both about the characters-in-story and how you’re releasing the comic
hi there. unfortunately, idletry became a passion project very abruptly and many details were added very quickly without regard for how long the project would take. once i did realize how large the project was, i decided that i would not even kid myself on the idea of holding in spoilers for the next 5 years, and those two factors combined make the information available very chaotic and slapdash -- somewhat intentionally.
i don't even have the comics tagged separately for easier access among the idletry content -- although, i could go back and give them a separate tag.
i can summarize the story and say that it's about a funny little talking honey badger/tasmanian devil named jessie gaylord who has for the last 10 years of her life been on heavy psychiatric medication in an attempt to mitigate a pervasive delusion that the world is a fictional story. she also has a notorious aggressive streak. these medications work primarily by leaving her so tired that she sleeps most of the time.
the story begins when her medical team has run out of typical medications to try, and they must order an older, more aggressive type of drug which is not commonly used anymore, and has a lengthier process to manufacturing and approving the drug. during this time, she is not on any medication, and she becomes more urgently fixated on convincing people that the delusion is true.
she ends up attempting to contact the writer, who is referred to as God, and she receives a response. she immediately attempts to write the story herself, and she's granted the ability to do anything within the story so long as she can write it out. (the intricacies and limitations of this power have been elaborated upon in a bunch of fragmentary posts, so i won't try to condense it here)
at the end of the first act, she kills the first writer and becomes the new God of her world. the rest of the story is about what she does after acquiring omnipotence, and it heavily features a character named fate -- or shiloh, as jessie calls her -- with whom she enters an intimate relationship.
she has a happy loving family composed of a father named adam, a mother named evelyn, and an older sister named emily. there is a later minor subplot about a cult following who worships her after she becomes God, and this cult is initially organized by an ant called samanthuel -- or samwich, as jessie calls them. these are usually the other characters i mention and i am too lazy to link them right now
the comic itself is currently being written. the script stands at around 51,000 words at the time of writing this as i work on the second act. after it's written, i will let it simmer for a few months and then write a second draft to start to relieve the story of its bloat. depending on its length at that point, i will either need to write a third draft, or i will start drawing the comic.
chances are, during the second draft, i will start to thumbnail or sketch scenes which receive little to no editing, as i know they will likely remain relatively unchanged even through multiple drafts.
the sketch strips are to tide me and an eager audience over in the meantime, but they've sort of dried up as i focus all of my attention on finishing the first draft and taking care of a puppy that was kind of just forced onto me.
i've made a couple of full-length comics before and they have taken years. it is, unfortunately, just the nature of the process. for idletry, i plan to self-publish the comic. i've never published something in print before, so that is the most daunting part for me.
the plan at the moment is to crowdfund this, but, to be frank with you, i no longer pay rent, and i care very much about having this comic as a printed book. i have no issue with paying the cost of printing out of my own pocket by the time it's done and am even anticipating that outcome ahead of time, despite having a pretty reliable audience by now.
i'm on the fence about releasing a digital book version, as i very much want to retain digital color versions of the pages that are more vibrant, but due to the explicit adult content of the story, i don't want it to be free-access.
tl;dr: it's about a lesbian incel with anger issues who's given omnipotence.
i'm still working on the story because i want it to be good.
i'm planning on printing it as a physical comic book once it's done.
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that-ari-blogger · 3 months
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On Grim Spectacle and Greatest Fears
There's a reason Enchanting Grom Fright is beloved by fans of the Owl House, not only is it just a plain old good story, it's also a phenomenal queer story.
But why is that so, and what makes it so important? That's what this post is about.
And if you're wondering whether I'm going to talk about @moringmark in this post, you bet I am.
Let me explain.
SPOILERS AHEAD
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If you look at online discourse, there is a lot of discussion about "good representation" and that is certainly an interesting discussion, but I don't think there is much explanation as to why representation is important in the first place. It is a good thing, we all know this, but why?
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One word: Normalisation. Representation of varying identities, cultures, and ethnicities is important because it takes apart the implicit bias inherent in society.
The generic individual in western society is white, male, and straight, and while there is nothing wrong with these character traits, this means that anything added to that template becomes a statement. It becomes an important metaphor for the story which doesn't get applied to someone with the three characteristics I mentioned earlier.
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For example, there is a question in analysis of what a character being gay does for a story, where a character being perceived as straight doesn't get that level of scrutiny.
This is a problem for a number of reasons, most notably it abnormalizes certain traits that a large proportion of society (myself included) exhibit, effectively othering those people as a result.
Representation does the opposite of this, it allows real people who are not the generic individual to be treated with the same level of respect and for audience members who don't usually see themselves in media to find characters like themselves, to see their own stories reflected in fiction.
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I think the best reason for representation actually comes from Ordinary, by Joriah Kwame, the sequel to Little Miss Perfect. This song, written explicitly from Luz Noceda's perspective, says this:
"The characters I read never act or look like me I can't depend on them to lead me through the right door"
Stories are a way of learning about the world and yourself, and in stories with extremely low representation for marginalised people, that lesson is pretty clear.
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@jameswoodall has a video essay on YouTube titled How Much Representation Is Enough. In it Woodall discusses the benefits of representation through a queer lens, and argues about the end goal thusly:
"It's not about achieving a certain percentage. It's about making that percentage stop mattering. When queer representation is no longer noteworthy. When queer inclusion is so naturally assumed that nobody feels the need to count anymore. When even if we did put queer rep in every story, nobody would bat an eyelid. Because we have just as much right to be there as anyone else."
So, let's talk about Grom.
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Meromorphic is a channel with a two-hour long video about The Owl House as a whole, and while there is a lot in that video that I disagree with (as is the nature of media analysis) it is comprehensive and fascinating, and I would recommend giving it a watch.
However, I am not bringing up that video to talk about its points, instead, I would like to shamelessly steal borrow a term from it: Magic Literalism. In this context, it means when a piece of media uses magic to make physical an intangible concept. In this case, it turns fear into a monster, that being Grom.
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When Grom looks into Luz, she sees Luz's mother, and she sees Luz's fear of disappointment. She sees that Luz has a secret that she hasn't told her mother in case she breaks her heart. It's literally about the Boiling Isles, but there's something written between the lines here.
It is possible to read this as Luz's fear of coming out to her mother, and by "it's possible", I mean that this is how I read this.
Coming out is terrifying, even if you have supportive parents, it's still asking people to accept a part of you, and that comes with risk, because if they don't accept you, what do you do?
That's what I think Luz is afraid of.
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Amity, on the other hand, is afraid of getting rejected in a similar way, although hers is more direct. Amity is scared of falling in love and not being loved back.
As a side not, I think it's a really cool detail that of Odalia's many flaws, homophobia isn't one. As in, Amity isn't afraid of coming out to her parents, and when she makes passing remarks about having a girlfriend to her mother and father, their surprise is that it's with Luz, not with another girl. Bellos kind of keeps this going, and the message with that is clear. Homophobia is too low, even for these villains.
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Anyway, Amity's experience with Grom is the other side of being queer, the romantic part. I am aware that romance isn't something everyone experiences, but when you do, especially when you are queer, confessing your feelings for someone is terrifying.
So, Amity avoids the question and doesn't really confront it directly at all. Even at the end of the episode, she has everything thrust upon her and still doesn't confess. Luz does the same thing with her mother. Fear is a powerful force, and I would argue that the best time to deal with it is when you are ready, not before.
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I really like the scene in the forest. The light gives the two a feeling of warmth and safety, and it wards of the night. Once again, it's Luz giving hope to those around her, and here it is in a more personal sense. Light, do not falter.
The colour palate of the scene (that warm light) conveys that these two people are comfortable in each other's presence and can talk freely around each other. They are already in love; someone just needs to say it.
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However, there is another side to Grometheus that also factors into being queer. When Amity explains the event, the art style changes into this style that I want to call classical, even though it probably isn't (art nerds, rise up in the replies and tell me what this is please). But she also directly calls the Grom event a tradition.
"Every year it tries to break out and a student has to defeat it before it invades town. Ever the optimist, Bump holds a party and calls it tradition."
Perhaps tradition, at least in the Boiling Isles, isn't all that it's cracked up to be. Perhaps there is an issue with seeing a problem and instead of trying to fix it, stalling it and making a spectacle out of achieving nothing. Maybe there is an issue with willingly putting children in danger for the drama of it. Maybe the fact that certain sports are just the audience enjoying people getting life threatening injuries might be an issue. I'm just throwing ideas out at this point.
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If we link Grom with fear, there is the idea that fear spreads from schools and it is the role of the students, as decreed by the adults, to contain it. See the plot of Footloose for an example of this, or certain places in the real world today, where fear of the other (mainly bigotry) takes the form of arguments about schoolbooks.
This is a valid reading, but I'd like to go a bit wild with my interpretation and talk about @moringmark's comics.
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Chapter three of A Little Hint of Blue is a brilliant piece of storytelling that actually characterises Bosha a ton. It carries the theme of fear over to both Skara and Bosha, but it shows them in real time. Skara is scared that Bosha won't let her spend time with... (*checks notes*)... Fledermaus?
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She has good reason for this, Bosha is overprotective to the point of toxicity and runs on her own fear. Bosha's hierarchical worldview comes from a place of fear as well, she's afraid of being out of control, and a really subtle thing that gets done in this comic is the association of Bosha with fire.
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It doesn't really get done in the original series, but Bosha and fire are such a neat thematic paring. They both consume, they both try to reach out, and fire is heavily associated with strong emotions, like anger and fear.
Bosha tries to control everything in the same way she controls her flames, but as it turns out, people aren't fire. People, when they are free, don't immediately destroy things, and a lot of people actually benefit from that freedom. Most notably, artists and musicians, like Skara.
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Grom Factor also deals with the subject matter, but from a slightly different perspective.
First up, the most obvious, at least to me. Enna saves the town but it outcast in the process because what she is scares people, despite her heroism, she is not accepted. The metaphor isn't perfect and reading it as a one-to-one analogy is a detriment to the story. For example, the reason for Enna being outcast is because of a curse, and queer people are generally not magically cursed to be queer, they are born that way.
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But, there is also the idea of Luz's fear as an adult being the exact same as when she was a child. She is scared of disappointing people, specifically her family and her daughter. This means that she is acutely aware of Ayzee's own mirror of that, and this line is spectacular:
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"Make yourself proud"
It's ok to be afraid of what others think, that's part of being human (or a witch, or a demon. It's part of being sentient), but in the end, the only person who you have to make proud, is yourself.
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Final Thoughts
I've been dying to talk about the Moringmark comics, and I do plan on talking about them more, but that will happen when I get there. I will do more gushing about their serious artistic and storytelling skill when that happens, so buckle up.
Enchanting Grom Fright is one of my favourite episodes of the series as a whole, and its a testament to the writing of it that there is more that I am yet to cover, and more that I am discovering as I watch it. For example, the storyline with Gus and King is a big part of the episode, but I didn't mention it because it wasn't really relevant to my main point, and the whole thing with the dance is stellar.
Next week, I am looking at Wing It Like Witches, so stick around if that interests you.
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kidukami · 3 months
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☾┅ about me ┅ ☽
hi, call me mika! i'm 21+ and i go by they/them pronouns. i'm a se asian writer + aspiring literary translator based in the uk. this post is essentially a writeblr reintroduction as i am starting anew in the community with this blog, and i'm really excited to share my wips and connect with all you lovely writers out there! i'm also tag and/or interaction friendly (although my reply speed is... not the best especially for tag/ask games, but i'm trying!), so please don't be afraid to say hi ♡
☾┅ writing interests ┅ ☽
important note: my works may contain mature and potentially triggering topics. viewer discretion is advised.
╳ i'm mainly a prose fiction writer, although i may dabble in scriptwriting and poetry at times. ╳ genres: speculative fiction, historical fiction, thriller, literary fiction. ╳ themes: sociopolitical commentary, satire, dark comedy, angst/tragedy, tragicomedy, morally grey characters, queer romance. ╳ open to reading all genre and themes! you're more than welcome to reblog this with your wips or tag me in them, whether or not they feature any of the above. the above lists are not exhaustive because to this day i still don't know how my writing brain works. ╳ i take plenty of writing-related requests (beta/proofreading, critique, collabs, translation work, etc.)! please refer to my carrd for more info, or contact me directly for inquiries.
☾┅ main wips ┅ ☽
will o' the wisp :: adult sci-fi/thriller novel. ╳ award-winning talk show host and journalist noe crane is constantly treading a tightrope as he assumes his secret vigilante identity behind closed doors, but things get worse when his past comes back to haunt him. ╳ features: tragicomedy, morally grey characters, lgbt+ characters, complex relationships, modern setting, superpowers, conspiracies ╳ wip intro here!
the duña duology :: adult weird fiction duology. ╳ a troubled man in his 30s attempts to escape from his past and seeks refuge in a run-down inn, only to find himself caught up in a dangerous conspiracy against the world. ╳ features: adult (30+) characters, unlikeable protagonist, multiple universes, high concept, complex worldbuilding, retrofuturism, found family, conspiracies, aliens (?) wip intro coming soon! message if you want to be tagged.
a history of the tenshima gang feud (working title) :: new adult sci-fi/romance novel. ╳ when a national museum tour guide somehow travels back to the city's deadliest era in history as one of its disgraced figures, he will soon find that his beloved city isn't what it claims itself to be. ╳ features: time travel, alternate future, fictional setting, criminal underworld, ensemble cast, sociopolitical commentary, morally grey characters, lgbt+ characters, love triangle, lovers to enemies, friends to lovers, mcd, tragedy wip intro coming soon! message if you want to be tagged.
lilium carnage :: historical steampunk visual novel (collab with @nana7esque) ╳ four characters on two sides of the same coin. each of them are determined to deliver their own justice in the corrupted land of navona, even at the cost of their own lives, but little do they know that there will always be a bigger price to pay. ╳ features: alternate history, fictional setting, choice-based story, multiple endings, morally grey characters, lgbt+ characters, tragedy, enemies to lovers, complex chara dynamics wip intro coming soon! message if you want to be tagged.
☾┅ side wips ┅ ☽
shelved wips, wip ideas i have yet to develop, etc.
╳ by the kiss of the sleeping night :: thriller/romance webtoon collab with @nana7esque ╳ retelling of the nyi roro kidul myth ╳ modern setting character-driven script with each characters being an allegory to the seven deadly sins
feel free to interact with this post especially if you're also a writeblr! ♡
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