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dilfsfordinner · 2 months

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summary- toji fails to prevent a completely preventable messy incident from occurring, involving his son

pairing- husband toji x fem!reader

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“You wanna do it?” Toji grinned, eyebrows raised as he watched little Megumi tug the ratchet from his grasp, waddling towards the raised car, brave enough to face the thing he’d thought a transformer just months prior.

Your car was in dire need of an oil change and being the caring husband that he was, Toji took up his place as mechanic for the day, his worry about typical shop workers taking advantage of women evident in his pleas for you to just stay home and let him do it.

Megumi also took up his place as the incredibly curious and stubborn one year old, his job apparently to make Toji’s work as hard as humanly possible, every babble or questionable crash tearing Toji’s attention away from the task at hand, which is why he stopped trying, and just let his son indulge in his childlike curiosity.

Of course, you would lose your mind if you knew that your baby was around such a large machine, but Toji knew himself and his capabilities, his reflexes practically inhuman, so he didn’t really mind a little thing running around his feet, as long as he kept an eye out.

“Alright, Megs, give it back,” Toji said gently, hand curling open to reveal a waiting palm, Toji realizing that the young boy did not intend to help him underneath the car. Rather, he’d started a game of tag, little feet scurrying to the other side of the garage, awaiting his father’s move.

Refusing to let a one year old bruise his competitive spirit, Toji used his skills to be across the room in a split second, large hands grabbing Megumi before he could run away, a loud slew of giggles leaving the young boy’s lips, Toji smiling as he held him up with only two hands, walking towards the car like he was holding a feral cat.

Setting the babbling child down, Toji got down on his level, kneeling to tell Megumi to stay back and watch for a second. Pulling himself under the car, Toji then began to use Megumi like a little assistant, asking for tools as needed. “Wrench please” and similar phrases continued for a while before Toji was ready to actually do the task at hand.

Humming in approval at his handiwork, Toji made one final request to the boy sitting beside his feet. “Can you get the jug of oil for me, please?” he asked gently, hands busy holding the port above him closed, his ears catching an excited “yes” and the patter of running feet retreating farther into the garage.

Too preoccupied to notice the unusual length of time it was taking for his son to grab the requested bottle, Toji continued his tinkering before an odd smack sounded, glugging sounds following soon after.

Pausing his movements, Toji craned his neck to try and see his son but before he could even question what had happened, a familiar sniffle sounded at his feet, loud cries flowing from his baby’s mouth.

Sighing, Toji quickly screwed the oil duct tight, and pulled himself from under the car. The sight he emerged to was certainly a surprising one. There, right next to all of his discarded tools, was an oil-covered Megumi, his whole body completely drenched with the thick, black substance.

Letting out a sympathetic laugh and sweet “It’s okay”s, Toji scooped up his crying child, tutting as the dripping kid hid his face in his dad’s chest, trying to hide or remove the liquid, Toji couldn’t tell.

Completely clueless to the situation outside, you were busy in the kitchen, making a snack for your husband as a thank you. For the first time in an hour, familiar footsteps sounded behind you as you chopped up some vegetables, smiling to yourself as you expected two arms to come wrap around you. What you didn’t expect was to hear the wails of your baby boy, and you especially couldn’t have prepared yourself to see him in the flesh.

“What happened,” you gasped as Toji held the young boy to his chest, a black trail of droplets gathering around his feet as you rushed up to the two of them. Cradling little Megumi’s face, oil coated your hands, anger bubbling inside of you, the only funnel being a slap to your husband’s shoulder, narrowed eyes turning up to meet his own.

“I told you to leave him in here,” you huffed, your angry tone fizzling into sympathetic coos as your attention turned back to your son. “It was an accident,” Toji’s voice had that humorous lilt to it, one that was really good at making your very motherly nature less worrisome. “It happens to workers all the time, he’ll be okay.”

And he was right, because after what seemed to be hours of scrubbing and a whole bottle of dawn dish soap later, the previously oily Megumi was squeaky clean, and incredibly happy as he munched away on his dinner. Toji couldn’t help but retell the story a million times, ignoring your reprimanding words as he fell into a fit of laughter, which eventually had your lips starting to pull into a smile, Megumi none the wiser, his memory about the incident already wiped away.

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#toji fluff #jjk #toji x female reader #toji x reader #baby megumi #dad!toji #mamaguro #jjk fluff #jjk x fem!reader #toji fushiguro fluff #toji zenin x reader #jjk x reader #jjk imagines #dad toji #jujutsu kaisen fluff

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bing-bang-bingo · 3 years

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- 4x3: c. 40:00 Cas comforts Dean after Mary makes a deal w/ Azazel

- 4x7: 15:50 Dean stops Sam from shooting Cas, then Sam mentions that he’s “heard a lot about him”

- 4x7: 39:00 Cas tells Dean he prayed he’d save the town, then he tells him about his doubts and Deans future troubles

- 4x10 & ???: Dean calls “last night on Earth” his best line. He uses this line on Cas

- 4x10: 27:15 “Castiel has this weakness. He likes you.”

- 4x10: 32:50 Cas looking jealous and sad when Dean kisses Anna

- 4x16: 7:30 Cas tells Dean he got in trouble for showing emotion and getting to close to Dean. 8:20 “I would give anything not to have you do this”

- 4x16: 39:00 Cas warns Dean to be careful while Dean is in the hospital, they discuss the first seal and saving Dean from hell

- 4x18: 31:30 Cas tells Dean how to save Sam from Lilith even though he’s not allowed to interfere

- 4x20: 38:00 Deans face when Cas tells him he “learned his lesson when he was in heaven”

- 4x22: 30:40 Cas considers rebelling for Dean. 33:00 He does. 35:20 He fights multiple Archangels for Dean

- 5x1: 5:45 Dean denies Cas’ death 8:25 “I learned that from my friend Cas you son of a bitch”

- 5x1: 31:00 Cas saves Sam and Dean from Zach

- 5x3: 6:10 Cas-“I need your help because your the only one who will help me”

- 5x3: 10:20 Dean fixes Cas’ tie and jacket

- 5x4: 38:50 “Don’t Ever Change”

- 5x8: 38:20 Dean makes Gabriel bring Cas back, then makes sure he’s okay

- 5x13: ?:?? Cas won’t let Dean meet with Anna because it’s not safe

- 5x17: 30:30 Cas and Dean discuss what it’s like to have a deadbeat dad

- 5x18: 25:15 Cas kicks Deans ass for trying to sacrifice himself

- 5x21: 3:50 Cas and Dean bickering like and old married couple then Cas gives Dean a heartfelt apology.

- 6x17: 18:55 “No you’re confusing me with the other angel, the one in the dirty trench coat who is in love with you.”

- 6x17: 38:00 Sam: “So you killed 50,000 people for us?” Cas: *looks at Dean*

- 6x19: 25:20 Bobby reassures Cas that they’ll be back soon, Cas acts like a worried and disappointed wife.

- 6x19: 36:25 Cas yelling “Dean!” when Eve bites him

- 6x19: 40:00 Dean is the only one who doesn’t think Cas is working with Crowley (he’s wrong but it’s sweet)

- 6x20: 4:50 Dean v v worried, “But Cas you’ll call right? If you get into real trouble?”

- 6:30 Crowley implies that Cas is distracted by Dean and tells him he reeks of the Impala.

- 7:20 Cas says that Dean taught him how to care and what to care about. Then Cas saves Sam (for Dean)

- 13:15 Cas says that the worst part of working with Crowley (basically his sworn natural enemy) is that it hurt Dean and that he hated lying to him.

- 25:20 Cas refuses to ask Dean for help because he has “sacrificed too much” even though it means Cas could die.

- 26:00 Crowley tells Cas he has a way for everyone to get a happy ending “with all possible entendres intended” while Cas stares longingly at Dean.

- 33:00 Dean is close to tears when he learns that Cas is working with Crowley, Cas says he did it to protect Dean.

- 35:25 “Dammit Cas we can fix this!” “Dean it’s not broken!” He then tells the boys to run from the demon cloud and Dean gives him the saddest look in the world before being forced to leave him behind.

- 38:00 Cas watches Dean sleep. “I’m doing this for you Dean. I’m doing this because of you!”

- 6x21: 22:40 “I do everything you ask. I always come when you call and I am your friend. Still despite your lack of faith in me and now your threats I’ve just saved you yet again. Has anyone but your closest kin ever done more for you?”

- 6x22: Dean to Cas- “Don’t make me lose you, too.”

- 7x2: 5:35 Dean nearly cries on screen when he thinks Cas is dead

- 7x17: Cas says “I remember ~you~” as soon as he regains his memories.

- 7x17: Cas ask why Dean didn’t tell him all the horrible things Cas did. Parallels the conversation Karen and Dean had about telling Bobby she remembered him killing her and her telling Dean that he had never been on love before.

- 7x21: The face Dean makes when he sees Cas again plus the prolonged eye contact when Cas says Deans name.

- 7x21: Hester telling Dean that when Cas first saved him from Hell he was lost- parallels- Lucifer/Jess saying she was dead the moment she met Sam.

- 7x23: 8:50 “Go ask him. He was your boyfriend first.” Meg to Dean about Cas

- 7x23: 32:45 “I’m sorry but I’d rather have you, cursed or not.”

- 7x23: 36:50 Cas steps in to protect Dean despite spending the whole season avoiding fighting and saying he won’t fight.

- 8x2: 25:00 Cas ran away to keep the Leviathans away from Dean. Dean refuses to leave purgatory without Cas.

- 8x7: 20:30 Deans reaction to seeing Cas all cleaned up.

- 8x7: Dean convinced himself that it was his fault Cas was still in purgatory because he’s a sweet idiot boy who hates himself

- 8x7: 35:00 The whole Dean and Cas conversation about purgatory and Cas doing stuff that puts him in danger.

- 8x8: 12:30 Cas just casually going through Deans stuff and Dean not saying anything.

- 8x8: 13:00 Cas offering to watch over Dean while he slept

- 8x8: 15:15 Dean talks to Cas about feelings and heaven even though Dean hates talking about feelings.

- 8x17: Cas fights Naomi’s mind control for Dean

- 8x23: 22:50 Dean and Cas sadly discuss Cas closing the doors of heaven and say goodbye

- 9x1: Dean prays to Cas and tells him he isn’t mad about the angels falling.

- 9x1: Cas’ first instinct is to explain himself to Dean then to come help him.

- 9x1: Dean begs Cas to “for once, look out for yourself.”

- 9x3: 36:45 Dean to Cas after Cas came back from the dead “Don’t you ever do that again!”

- 9x6: Literally just Dean trying desperately the whole episode to hang out with Cas

- 9x10: 26:00 Dean and Cas talk about how Cas is doing and Dean offers him a rare sincere apology. Plus the “I prefer the term ‘trusting’. Less dumb, less ass.” dialogue

- 9x18: Cas’ little smile when Dean makes a joke about Honor Bars and Cas is just so happy to hear his voice.

- 9x18: Metatron’s illusion of Gabriel calls Cas Dean’s boy-toy

- 9x18: Cas can tell something is wrong with Dean, then Cas yells at Dean about getting the Mark of Cain

- 9x22: Cas chooses Dean over all of Heaven once again

- 9x22: The Cas and Dean conversation about the three of them being enough when an army wasn’t and Cas giving up an army all for Dean

- 9x23: “I’m blaming you for taking Cas’ grace.”

- 10x1: 5:00 Cas about Dean- “I miss him.”

- 10x2: 9:00 Cas’ reaction to learning that Dean is a demon

- 10x3: The conversation between Dean and Cas at the end of the episode. “You look terrible” “You on the other hand, your looking good.”

- 10x5: Deans reaction to Cas and Dean actors hugging and holding hands

- 10x5: “Put as much sub into that text as you possibly can.” *looks directly at fake Cas*

- 10x9: 15:00 Cas tells Dean he’s a good role model. Then asks him if he’s okay and when Dean lies and says he is he pushes it further. Dean makes Cas promise to kill him if he goes Dark

- 10x22: Dean and Cas fight and parallel Cain and his Wife.

- 10x23: Dean sees Cas’ bloody face in the mirror

- 11x1: Cas being more worried about Dean than himself even though Cas is under a spell that will kill him.

- 11x2: Dean calling Cas and stressing out when he doesn’t answer

- 11x3: Dean trying to coax Cas out of the attack dog spell, refusing to fight back when Cas was attacking, freaking out when Cas took a minute to wake up, refusing to let Cas heal him (because he “had it coming”), and refusing to let Cas apologize (because “there’s nothing to apologize for”).

- 11x10: “Dean, I came as soon as you called.” Also: “Stick your tongue out.” Dean-*does*

- 11x11: Dean realizing that something is wrong with Cas (while he is possessed by Lucifer)

- 11x11: Mildred says that Dean is pining for someone else(probably meant to be a reference to Amara, but she told him this after he had seen Cas for the first time in a few days.)

- 11x14: The sadness on Deans face when he realizes Cas is Lucifer and then his determination to save Cas

- 11x15: Dean getting kinda dark when he talks about what he’s willing to do to save Cas and he prioritizes saving Cas over bearing Amara.

- 11x17: Dean once again prioritizing saving Cas over saving the world. Sam reassuring Dean that they’ll save Cas (even though Dean didn’t say anything about what was upsetting him)

- 11x17: The camera zooming in on Dean after Michelle says that there is no normal after losing the man you love.

- 11x18: Dean refuses to put Lucifer in the cage or let him fight Amara while using Cas as his vessel.

- 11x18: The difference in the way Dean looks at Lucifer vs at Cas

- 11x18: Dean about Cas: “Lets go find that idiot and bring him home.”

- 11x19: Dean has been looking for leads non stop for a week since Amara took Cas

- 11x21: Amara uses Cas’s heart to find Dean, then shows Dean images of Cas beaten and bloodied to convince him to turn against Chuck

- 11x23: Dean’s face when he realizes Cas is back and Lucifer is gone.

- 11x23: Dean tells Cas he isn’t stupid and that he always helps

- 11x23: Cas: “Dean are you okay? How do you feel?”

- 11x23: Cas hugging Dean super tight before he goes off to die. Dean entrusting his life’s purpose (look after Sam) then thanking him for everything.

- 12x1: Cas seeing that Dean is alive and hugging him while his voice breaks.

- 12x1: Cas taking the job Dean have him very seriously

- 12x2: Dean adorably venting to Cas about his mommy-issues

- 12x3: Dean- “Morning sunshine want some coffee.” Cas- “No thank you.”

- 12x7: “Well at least I don’t look like a lumberjack.” They are such husbands

- 12x7: “Engaged in what Cas? killing you?”

- 12x8: Cas being so worried about what happened to Sam and DEAN that Kelly escaped.

- 12x9: Mary-“You left them!” Cas- *voice breaking* “Dean told me to go!” Also, just Cas looking so hard for them.

- 12x9: Cas blaming himself for Sam and Dean being taken

- 12x9 Cas knowing how long the boys have been gone down to the hour.

- 12x9: Cas’s voice and eyes when he hears Dean’s voice on the phone.

- 12x9: Cas killing Billie because “You mean too much to me” and “The world needs as many Winchesters as it can get.”

- 12x10: Poor Sam having to deal with Cas and Dean while they fight like an old married couple.

- 12x10: Dean immediately telling Ishim to go to hell when he insults Cas

- 12x10: Sam telling Dean to go to Cas when Dean thought Cas was in trouble

- 12x10: Cas immediately believing Dean about Ishim even though they’re mad at each other. Dean about to let Ishim kill him to save Cas.

- 12x10: Ishim comparing Dean and Cas’s relationship to Ishims relationship with his human lover, then saying he was going to cut Cas’s human weakness

- 12x11: “And Cas is my best friend.”

- 12x12: Dean about Cas- “My shy but devastatingly handsome friend here...”

- 12x12: Dean stressing out and voice breaking as he tries to comfort poisoned Cas

- 12x12: LITERALLY TOLD DEAN THAT HE LOVED HIM WHILE CAS WAS DYING

- 12x12: *looking at Dean* “I love you.” Then adds “I love all of you”

- 12x12: Cas- “Run.” Dean- “Cas, no.”

- 12x12: The look Dean gives Cas when he won’t stop staring at him after he’s healed.

- 12x14: Dean says some very harsh stuff to Mary after finding out the reason they Cas almost died at the lake house was because Mary was working for the British Men of Letters

- 12x15: Dean could tell something was up with Cas after talking to him for less than a minute, over the phone.

- 12x18: Sam trying to make Dean feel better about not hearing from Cas.

- 12x19: Dean literally always acting like a scorned wife when Cas comes back after long periods of time

- 12x19: Dean made Cas a mixtape

- 12x19: Cas- “I ~needed~ to came back here with a win for you.”

- 12x19: Cas- *gesturing between Dean and himself* “You mean... we?” Dean- “Yes, dumbass, we.”

- 12x23: Dean screaming for Cas when he attacks Lucifer and trying to chase after him forcing Sam to drag Dean back through the rift. A direct parallel to Dean pulling Sam away from Jess and the fire in Pilot

- 12x23: Dean kneeling next to Cas’s dead body looking up at the sky completely devastated.

- 13x1: Dean couldn’t bring himself to say dead when referring to Cas

- 13x1: Dean PRAYED to GOD to bring Cas back

- 13x1: “We just lost ~everything~. And now you’re gonna bring ~him~ back.”

- 13x1: Dean personally wrapping Cas’s body and giving him a hunters funeral.

- 13x1: The look of complete devastation on Dean’s face when he burns Cas’s body.

- 13x3: Dean refusing to help save Jack because he blames him for manipulating Cas and getting him killed.

- 13x4: The Empty to Cas: “I know what you love, what you fear. There is nothing for you back there.” He loves Dean and Cas fears that Dean doesn’t love him back.

- 13x5: Sam being worried about Dean who has given up all hope since Cas died.

- 13x5: Dean being so distressed thinking Cas is gone forever that he tries to kill himself

- 13x5: Dean seeing Cas alive again and they both have tears in their eyes.

- 13x6: Dean hugging Cas and saying he’s been gone for “too damn long”

- 13x6: Dean being immediately happier and nicer to everyone once Cas is back

- 13x6: Cas saying “Yes. Yes, he does” (in response to Jack saying Dean really likes cowboys) with the tone of an exhausted spouse.

- 13x6: “I told you, he’s an angry sleeper. Like a bear.”

- 13x6: Dean made Cas watch Tombstone with him.

- 13x6: Dean and Cas dresses like cowboy husbands.

- 13x6: Cas saying “I’m your huckleberry” to Dean in a deep accent and Dean looking away.

- 13x6: Their undercover names are Russel and Kilmer

- 13x14: The whole scene where Cas and Dean fight Gog/Magog and act like an old married couple.

- 13x14: The angry, dark look Cas gives Donatello when he tries to kill Dean

- 13x16: “Dean has him by the thigh!” Cas, jealously: “He ~what~?”

- 13x16: “and that includes the Cartwright twins.” Cas, again jealously: “what did you do with the Cartwright twins?”

- 13x19: Cas angrily confronting Naomi about forcing him to kill a bunch of Dean clones.

- 13x21: Cas secretly sliding Dean more pizza when Mary and Sam left the room.

- 13x21: Cas having to hold Dean back from going after Sam. Dean would have beat the shit out of anyone else who tried to stop him.

- 13x23: Cas trying to stop Dean from giving himself to Michael even if it meant losing Sam AND Jack

- 13x23: Cas sitting alone in the bum jet with tears in his eyes after Dean left

- 14x1: Demon: “How is it you lost Dean. I thought you two were joined at the... everything.”

- 14x1: Dean trying to save Cas from Lucifer then vs Cas trying to save Dean from Michael now

- 14x3: The look that Dean and Cas give each other when Dean comes home.

- 14x9: Cas almost being happy seeing Dean happy. And then having to force himself to not be happy so he doesn’t die.

- 14x12: Cas being phased at Dean for wanting to put himself in the box with Michael forever

- 14x14: Cas is the only Dean will let talk to him about Michael and be honest about how Dean feels

- 14x14: “No, it’s on us.”

- 14x14: Cas’s voice breaking when he talks about the possibility of Dean dying one day.

- 14x18: The pure self loathing in Cas’s eyes when he feels like he failed Dean by not telling him about Jack’s soul.

- 15x2: “You asked ‘what about all of this is real?’ We are.” THE MOST ROMANTIC LINE EVER. (Plus later Eileen and Sam have the same conversation but they get to kiss because homophobia)

- 15x9- 20:00 Dean said that they lost everyone they cared about, then added Cas specifically. Then he says “I had to bury him” not “we”

- 15x9- 23:00 Dean cries when he can’t find Cas. Then he prays to him and apologizes for letting him go. He falls to his knees praying to him and fully crying

- 15x12: “I created the world.” *shows Destiel*

- 15x15: This time when Dean sees Cas leaving the bunker, he stops him. (In reference to Cas saying “you didn’t stop me” when Dean got mad at him for leaving)

- 15x16: This is the the only version of Cas that rebelled for Dean. This universe is literally being saved repeatedly because of Cas’s love for Dean

- 15x18: CAS CONFESSES HIS LOVE TO DEAN then goes to mega hell for being gay

Anyway, Cas loves Dean and Dean LOVES HIM BACK, OKAY?!?!? Feel free to add more

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joandfriedrich · 2 years

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Little Women Hogwarts Houses

Sorting the characters from Little Women into their Hogwarts Houses. I’ve been wanting to do this for a long while now, but I had to really think hard about each of the characters and where they may belong.

Meg- Ravenclaw. Wisdom and intelligence, probably stereotypical to pin this house on the oldest, but it certainly fits Meg well. She is often giving advice to her sisters and is a governess, so we know she is a smart woman to be teaching others. And just like Ravenclaws, she can also appear to be a bit standoffish and is a perfectionist. Think back to the scene in the novel when she fails to properly make jelly leading her to have a breakdown, is something that would ring very true to any Ravenclaw. Motherhood helps her to hone in her wiser side and teaches her how to accept failings, which makes her more insightful. How like a Ravenclaw.

Jo- Gryffindor. Well known for being courageous and daring, as out of all the March sisters, she is the most outgoing of them all. But at their worst, they can be stubborn and hot headed, which is something Jo had to deal with, and just like Harry Potter, she is controlled by her emotions and is short tempered, which has led her into trouble. Her moral compass is very strong which is why she refuses two different publishers who wanted her to write stories that were neither what her beliefs were even though it could have given her money. Daring, nerve and chivalry truly sets her apart and lands her in Gryffindor.

Beth- Hufflepuff. The house of patience and kindness, something that Beth often exhibits throughout the story, as well as loyalty. At her worst, like other Hufflepuffs, they can tend to be pushovers, allowing themselves to be walked over and sometimes afraid to voice their opinions, as well as low self-esteem, as she is the one sister out of them all to have the lowest opinion of herself. But above all, she is loyal, loyal to her family and friends, as we know from her interactions with the Hummel’s, despite others passing over them. Like the badger, she is content to be live a quiet life in their home surrounded by her loved ones.

Amy- Slytherin. No, I do not give this to her simply because it’s what’s left or because she is a bad person (which she is not at all). Slytherins are known for being ambitious and desire for greatness, but they are also intelligent and natural leaders, and as we see Amy grow up, she possesses these qualities. The negative traits associated with the house is a tendency to be a little selfish and smug, which young Amy was, but she is a resourceful woman, who can manage to make a disaster into a success, as it was with the Chester Fair and when she decides her art skills would be helpful to teach others. Amy would have been the one to march up to Voldemort to give him a lecture so good it would make him change his ways.

Marmee- Gryffindor. Like mother like daughter, Marmee has a strong moral compass and is unafraid to take the lead when her husband is away for the war and do what must be done. Helping out in the hospital at home and leaving to go take care of husband and daughter when the time comes, she does right thing, even if it isn’t popular to the rest of society. As we know from the novel, Jo gets her short temper from her mother, but Marmee was able to hone it in and not allow her to be as reckless as most Gryffindors can get, but she fully is aware that it is a flaw she has. Marmee is a lioness through and through.

Mr. March- Ravenclaw. He may not be in the story much, but when he is, his wisdom and curiosity helps to push the girls to explore themselves and see the world differently than they usually would. His biggest flaw is isolation or a disconnection to the world, which could range from being lost in his own thoughts to feeling as if he cannot understand the world around them, which is something Mr. March has felt after coming home from the war. Much like his real life counterpart (who was part of the Transcendentalism movement), he often thinks outside of the box, putting forth his individuality and sticking with it, much like Luna Lovegood.

Laurie- Slytherin. It was tough, going between Gryffindor and Slytherin (not surprising seeing how similar they are to each other), but I have to sort him in Slytherin. Just like Amy, he desires greatness and is ambitious, but he also is incredibly cunning and mischievous, as we know from him cat-fishing Meg and John. He also has a tendency to be arrogant and selfish, as seen from his time in Europe after Jo turns him down, and unable to see that Jo does not love him simply because it’s what he wants. But like some underrated Slytherins, he is not bad at heart, just has trouble at times of putting other before him, but when he does, you know it’s serious.

John- Gryffindor. If Jo is to the overt Harry, then John is to the subtle Neville. Chivalry and a strong moral compass are the traits that ring true to John, often doing what is responsible and right rather than refusing to answer the call, just as he signed up to fight in the war as soon as he was not needed to tutor Laurie. While he may not have the same hotheadedness that Jo possesses, he does have a small streak of recklessness, as he goes into war thinking that no one would care if he lives or dies, invites a friend and carelessly laughs off Meg’s failed jelly not realizing how upset she is until too late. Overall, he embodies the best qualities of being a Gryffindor and deserves to belong to the house of the lion.

Friedrich- Hufflepuff. Hardworking and fair, he is a true Hufflepuff through and through. He spent his life being a hardworking, but poor, professor, who’s unafraid to work hard and be a tutor to others despite him having a degree worthy of a university, which can also show is more humble side. Like Beth, he isn’t one to always speak out his opinions, unless it is absolutely necessary, but it’s because of this flaw, he nearly loses his chance of love, which also leads to his low self-esteem, thinking that Jo deserves someone “better”. The underdog of the whole novel, but is easily the most steadfast and loyal character of them all who deserves to be appreciated more, much like the house he is sorted into.

#little women #Harry Potter #meg march #jo march #beth march #amy march #Marmee #mr. march #theodore laurence #john brooke #friedrich bhaer

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crhinge · 3 years

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Breaking Down The Classic Rom-Com

I feel like I haven’t written a fun post in a hot sec so lets talk about one of my favorite subjects: Rom Coms

According to wikipedia, a Rom Com, also known as Romantic Comedy, is “a subgenre of comedy and slice-of-life fiction, focusing on lighthearted, humorous plot lines centered on romantic ideas, such as how true love is able to surmount most obstacles.” In the past, Romantic Comedies have also been called “Chick Flicks” but I think this is devaluing of both women and the romantic comedy genre.

The other day, I woke up to find that the most wholesome rom-com couple of all time reunited: Matty & Jenna (Aka Mark Ruffalo & Jennifer Garner). This got me thinking about the beauty of the Rom-Com and how unappreciated they can be. It has been years since we have seen a rom-com with the cultural impact of 13 Going on 30, and I would like to petition for more of them after a sad and painful year.

I can already hear the millions (in my head this blog is extremely popular) of comments “What about To All the Boys I’ve Loved Before?!?” “What about The Kissing Booth?!?” And too that I say, "Good Riddance!” If you’re rating your rom coms on a TATBILB scale, or even WORSE The Kissing booth, I feel sorry for you. Truly I do. So let's dive into the best Rom Coms of all time, but first...

What makes a Rom-Com good? Well let's start with a relatable as hell main character. I am talking a girl (sometimes guy), who has many flaws, but the audience can see themselves within her/him. Let's use Jenna Rink from 13 Going On 30 as an example. Well, she's literally a 13 year old in a 30 year olds body, but don’t we all still have a preteen hiding inside of all of us? She is 100% willing to be herself at every step, even if that means dancing thriller all alone. She touches on all of our insecurities, while teaching us how to break down our walls.

Rom-Coms also need characters to make realistic choices. This does not mean that the movie itself is realistic, but rather than you can understand the choices the characters make. Again, 13 going on 30 does a fabulous job of this. Obviously, Jenna traveling in time because of wishing powder is not realistic, but the choices that her and her past self make are. Due to the insecurities of her childhood and a need to feel included, relevant, and powerful Jenna pushes important people out of her life, which happens to so many people in the real world. These decisions force her to miss out on the love of her life, and ultimately, the story ends sadly: the love of her life marries someone else and she is left with tears, wishing powder, and an old doll house. That is until she is able to travel back in time and change the course of her life.

Lastly, Every classic Rom-Com couple needs to have chemistry. There. I said it. Hollywood loves just casting random famous actors without giving them a proper chemistry read. One great example of this is Julianne Hough and Josh Duhamel in Safe Haven. Both fun, famous, Hollywood actors who have zero chemistry. Mark Ruffalo and Jennifer Garner had more chemistry throwing back Razzles than those two did during an intimate sex scene.

Alright, now that we have broken down the requirements of a Romantic Comedy, let's jump into the best and worst of all time.

Best: When Harry Met Sally. 9/10. A classic. A tale as old as time. Both Sally & Harry are very flawed, yet relatable characters. Sally is too picky and particular, while Harry is a player. They both suck at relationships, but make rational decisions based on their motivations. We all have friends like these two and their chemistry is on point, both on a friendship and romantic level. They bounce off of one another splendidly.

Worst: Sleepless in Seattle. 1/10 I know, this is a strong take, but this is a terrible movie about a stalker. Meg Ryan (I don’t even remember her character's name) is the stupidest most unrelatable character I have seen in a long time. She is extremely unlovable, cheats on her SO emotionally, and flies across the country to stalk a man that she has never met before. And then you’re telling me that Tom hanks FALLS FOR HER? Nope. No. I refuse to except this. Plus, their chemistry in this is pretty mediocre (You’ve Got Mail is Way Better) and we only get to see them together once.

Best: 10 Things I Hate About You. 8/10. I was tempted to leave all high School Rom-Coms off this list, but Heath Ledger is my exception. Talk about likability. Kat is a strong, powerful, independent woman who learns how to be more vulnerable while still being a feminist badass. We all wanted to be Kat growing up. Meanwhile Heath Ledger is the classic bad boy with a soft side, and who wasn’’t into that? Both characters grow into new people throughout the movie making them relatable, complex, and realistic. Not to mention the angel that is Joseph Gordon Levitt, who keeps the audience up beat and smiling throughout the course of this Shakespeare tale

Best: My Big fat Greek Wedding. 10/10. Have you seen this film recently? Because it is an absolute DELIGHT and so relatable. It dives into the difficulty of family expectation and cultures merging. It also has the cutest proposal of all time with a realistic couple that fights for one another on a daily basis. You laugh. You cry. You get a dynamic cast with wonderful chemistry. You feel invested in the family and the relationship. Just a joyful wonderful film.

Worst: Something Borrowed. 0/10. If you’ve never seen this movie, don’t. Ginnifer Goodwin sleeps with her best friends fiancé and we’re supposed to be okay with it because she liked him first. Hard pass. And she ignores John Krazinski who is right in front of her. She is unlikable, unreliable, and makes dumb decisions that no one else would.

Best: He’s just not that into you. 9/10 I will go to bat for this movie. It follows several realistic storylines in a Love Actually manor, except they actual seem legit. A woman realizing her boyfriend is never going to marry her. A girl facing the fact that maybe some guys just aren’t that into her, and she isn’t an exception to the rule. A man slowly making the decision to cheat on his wife as they are growing apart. A woman realizing that she is worth way more than her bastard husband. A woman realizing that the person she’s sleeping with will never leave his wife for her. It's compelling, has realistic characters that we can relate to, and still warms your heart in the end.

Best: The Big Sick. 8/10. Okay to be fair, this is based on a true story so it automatically has realistic characters and decisions. Maybe I should leave this off of the list, but I wish this film got the recognition it deserves. Two lovable main characters who make mistakes that are understandable. Wonderful chemistry between Kumail and his girlfriend as well as her family.

Best: About Time. 11/10 This is hands down the best Rom-Com of all time and Potentially the best film of all time as well. If you don’t cry in this movie you do not have a heart or soul. The characters are SO insanely likable and adorable.It touches on the importance of family and valuing time and how little of it we have. The chemistry within the whole cast is palpable, and we can all relate to at least one character, whether it is the protagonist Tim, his wife Mary, his sister Kit-Kat, or his father.

Well it is important to point out the obvious here: this list is lacking diversity in a huge way. All but one of these movies follow a cis, straight, white couple, and that is extremely concerning. People have attempted to make more diverse rom-coms over the past few years, but they all seem to be lacking one of the three core components of what makes a rom-com great: Relatable, realistic, and great chemistry. For example. Crazy Rich Asians was a fantastic film, but the high level of wealth that Nick Young comes from, made his character difficult to relate to, and I’m sorry but the chemistry just wasn’t there for me. Always Be My Maybe’s characters fell flat and it’s not a film I would want to watch more than once. Love Simon made some huge waves for LGBTQ representation in the media, but that ending kiss was unrealistic along with his friends reaction to fining out he was lying, which left the movie anti-climactic by the end.

Now, the most recent film on this list was made in 2017. And before that 2013. So where have all the Rom Coms gone? Why don’t we see more of them. There are a few Rom Coms that could be contenders on the “Best” list from the last couple of years that include a small amount of diversity:

Yesterday 7/10. The big question here is does this count as a romantic comedy? The love story isn’t the main plot, but is definitely a large sub-plot. This movie features an interracial couple and is highly re-watchable. The main characters are entertaining, relatable, and have pretty good chemistry. We will see if it stands the test of time.

The Broken Hearts Gallery 7/10. This movie has gotten NO recognition. The main character, Lucy, is an extremely likable 20 something, not unlike our Ginnifer Goodwin in He’s Just not that Into You. The plot is fun and predictable but keeps you watching. I don’t know if this one will stay on my list long, but it’s definitely up there.

But here is my challenge to Hollywood: create some new, beautiful Rom Coms that celebrate diversity but that don’t throw away the relatable, realistic, and high chemistry characters that we are just waiting to fall in love with. It’s got like 16 ideas up my sleeve, so just give me a call Hollywood.

#rom com #romantic comedy #13 going on 30 #when harry met sally #sleepless in seattle #my big fat greek wedding #10 things i hate about you #something borrowed #he's just not that into you #the big sick #about time #yesterday #The broken hearts gallery

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horsegirlneigh · 2 years

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Hey so I have a question (and I did ask this from more than one person to hear different views), but what do you think happened after Phantom was over to the opera house, characters other than the main trio? I know the movie makes it obvious by it burning up but in the musical & book do you think they reopened? I always wondered if it did of Carlotta and the managers would stay there after all that happened to them. Any thoughts?

I think that Andre and Firmin would be out of there as soon as they could sell the place to literally anyone who would buy it. The whole affair put quite a strain on their marriage partnership but I like to think they would stay together. The opera house was clearly a passion of Andre’s that Firmin merely indulged because he thought he could make it profitable, maybe this time they choose to invest in something more practical. I could see them moving to America and making something of themselves there (maybe with new names to avoid the embarrassment of being the guys that managed the disaster that was the opera populaire).

The new manager of the opera is someone even more feckless and ill prepared than Andre and Firmin. He attempts to reignite the spark of days gone by with a few disappointing Operas from the repertoire but audiences are reluctant to return.

Carlotta is begged to return but firmly refuses, even her incredible vanity won’t make her go back to that place. Anyway she’s too busy nursing dear Ubaldo who DID NOT DIE. He nearly did but somehow he pulled through, perhaps the man who tied that noose’s heart really wasn’t in it anymore and he left it a little loose. Piangi will never sing again but he will dedicate himself to promoting and protecting his beloved Carlotta. She finds herself a comfortable position at another Opera House (the opera bastille perhaps) where she is respected and there are fewer trap doors.

As for the Girys, I’m not so sure. I can’t imagine Madame Giry ever leaving. Perhaps she becomes indispensable to the new manager with her knowledge of the building and the industry. Perhaps it is because of her influence that the Palais Garnier becomes known for its ballet. She may possess a shrewd business sense and end up almost running the place from behind the curtain, the phantom of the opera in her own right.

Meg is a difficult one for me. People always want her to become a great dancer but I don’t think her heart is really in it. She will succeed in life though, that I’m quite certain of. When the phantom disappears she’s the one who finds his lair. The police find the main part of it but Meg doesn’t tell them about the secret passages she has found and the secret rooms beyond. I imagine she would take no qualms with borrowing a few pretty things from among the phantom’s old possessions and selling them to save some money for her future or buy herself some fine gowns to wear as she attends soirées and meets the rich aristocrat she eventually marries.

It’s a bit love never dies of me to say but I can totally see Meg dancing in the follies much to her mother’s horror. Perhaps this is how she attracts the attention of her rich and doting husband which for some reason I’m certain she has and lives happily ever after in a cheeky Parisian way.

Oh and while I’m here I also want to add that I think the phantom definitely dies. He crawls away into the depths like a dying cat hiding behind the sofa and just lets himself die. 😌

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supercasey · 4 years

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So I've been playing The Hades Game like fucking mad for the last few weeks, and although I'm not very far in it (at least, I don’t think I am; I’ve only beat Hades once!), I'm absolutely in love with it! Anyways, a certain idea has been kicking around in my head for awhile now, so I thought I'd share it with y'all; feel free to tell me what you think of it! (Warning: spoilers for when you beat Hades the first time!)

Anyways, I've already seen a really cool AU post for if Demeter raised Zagreus on the surface by herself (which you can find HERE; please check it out, the outfit for Zag alone is an amazing concept, and I love the artwork!!!) but I keep thinking about an AU where, after Zagreus dies at birth, Persephone runs away and takes his wrapped up body with her.

On the surface, she reconnects/reunites with her mother Demeter, and with her aid, the two of them manage to resurrect the newborn baby, though now he has more white in his hair than anything else. After that, Persephone sends Hades a letter to tell him that Zagreus is alive and well (because she actually has some fucking class), before proceeding to raise Zagreus on the surface with her mother, far away from the entrance to hell. The Olympians also help her out a bit, but mostly they just help by hiding Zagreus when it’s necessary.

(The rest is under a cut ‘cus this got a bit long, sorry!)

Years pass in relative peace, until Zagreus is about as old as he is in-game (I think he’s around 20-25ish???) and is living well, working with his mom and grandma to take care of their gardens and live peacefully away from mankind; he especially loves tending to the animals and guiding lost mortals to safety. However, one day while foraging for fruit in the deepest corners of his mother’s signature garden, Zagreus happens across a strange man in long robes, who introduces himself as Thanatos.

The two men get along swimmingly from minute one, and after agreeing to meet with each other again soon, they leave and tell their families/friends all about the experience, having no clue who they are to each other. After all, Thanatos was told growing up that his lord’s first wife died giving birth to their first and only child, who was a stillborn, and Zagreus thinks his father died of disease (his mom didn’t have to heart to tell him anything bad about his dad). Needless to say, they’re gonna be in for quite the shock soon.

Cue Hades losing his shit and calling on Thanatos, Megaera, and Achilles to go find his progeny and bring him home; he gives them special permission to leave the Underworld without any resistance, trusting Than to lead the way back to Zagreus. Achilles is less than thrilled to be performing such a morally grey task for his master, but Meg and Than are eager to prove themselves, so he begrudgingly agrees to help, even if it hurts his conscience to do so.

Persephone and Demeter also freak the hell out on their end, scared shitless by the fact that Death incarnate has just met their son/grandson, and they’re worried that he plans on coming back again soon. Demeter suggests sending Zagreus to live with the Olympians until this all blows over, but Persephone disagrees, wanting her son to stay nearby in case he grows ill (it’s implied that she’s a bit overprotective of him, mostly because she’s afraid of him dying again; this also means she refuses to let him know that he’s in any danger, believing it would only make things worse for him in the long-run). Frustrated but understanding her daughter’s pain all too well, Demeter at least convinces her to call on the Olympians for aid, which Persephone agrees to do.

The gods promise to help of course, but... well, they're low-key lying; they wanna see how this plays out first.

After several days of traveling through hell (literally), the “let’s kidnap Zagreus” gang makes it to the surface, and they immediately head to Persephone’s garden. All this time, Zagreus has no idea that he’s being targeted, so he goes about his chores as usual, only to run into Than again, and hey, he brought some more friends for him to meet! Zagreus is friendly with all of them, being raised to be very polite by his guardians, and while he’s busy chatting with Than and Achilles, he doesn’t notice Meg sneaking behind him. Just as Zagreus is rattling on about how the animals have been faring this summer, Meg stabs Zagreus in the back with a blade coated in Hades’s blood, cursing him to belong to the Underworld again.

With Zagreus now unconscious from a sedative that was mixed with the blood, the trio hurry off with him back to the Underworld, but not without Persephone seeing what they’ve done to her son. Horrified, she begins to sob, and winter arrives in the mortal world without so much as a fall season in-between this and the summertime.

When Zagreus comes to, he finds himself in a bedroom similar to the one he has in the game, but it’s much cleaner and has less objects of personal value to him. Hades is standing at the foot of his bed when he wakes up, and very calmly, Hades tells Zagreus that he’s his father, and that from now on, Zagreus will be living in the Underworld with him and his people, where he so obviously belongs. It’s a shame his mother can’t be here, of course, but they just need to wait awhile, that’s all; surely she’ll come to her senses and return home soon, now that her husband and son are here.

Zagreus jumps out of bed and faces his father as soon as he’s done monologuing, ready to tell him off for what he’s done, but to his shock, Hades hugs him as soon as he’s on his feet, and admits that he’s waited for this day for a long, long time. He asks his son to please just accept that this is his home now, and despite still being a bit surprised (and subtly hugging Hades back because Longing), Zagreus tells him straight up that he can’t, that he has to get home, especially with winter coming in a few months!

Dejected but not overly surprised, Hades simply nods in acceptance, but he still warns Zagreus that it’s no use trying to fight it; he’s stuck here, now and forever, so he may as well get comfortable and try getting along with him, because no one’s going anywhere anytime soon. Zagreus is horrified, but he nods nonetheless, unsure of what to say or do just yet.

Later that night, as Zagreus is struggling to sleep in this new, unfamiliar place, Achilles comes to him and apologizes about what’s happened, and although he can’t magically fix everything for him, he tells Zagreus that it actually is supposedly possible to escape; it’s just that no one’s ever done it before. Driven by his desire for freedom and the thought of reuniting with his mother, Zagreus tells Achilles that he’s going to find a way out, no matter the cost. Achilles congratulates him on his tenacity, but warns him that it won’t be easy. Still, he’s willing to help Zagreus as much as he can.

From then on, I imagine the game playing out very differently from the original, with a rather frazzled and scared Zagreus trying to get home to his mom and grandma, but with none of his training from Achilles in this AU, he has to rely on something his mother taught him; his connection with earth and all it’s inhabitants. Or, in his case, his connection with the spirits of animals (a cross of his dad and mom’s powers). That’s right, I’m making The Hades Game into a fucking Pokemon-ripoff, but still with some rouge-like elements mixed in (mostly with Zagreus not keeping his animals after runs).

Having royally fucked up in not stepping in sooner to protect Zagreus, the gods end up helping him out by sending down animals associated with them for the young god to tame for a run (I’ll come up with them later). They usually offer a selection to choose from, and from there Zagreus can build up a team and use it to try and escape the Underworld.

To replace weapons, I like to think he’d have “signature” animals that can help him out for any of his runs, specifically ones from Achilles, Poseidon, Zeus, Demeter (once he reaches the surface at least once), and eventually even Hades gives him one if they bond together enough ((yes, it’s Cerberus... kinda; it’s a puppy version of him, otherwise he’d be OP as fuck)). Zagreus’s signature animals can all be given names, and they keep certain skills that they pick up through enough experience battling in the Underworld for Zagreus.

As for story-line stuff, Zagreus ends up in a very fish out of water situation as he tries to get to know everyone in Hades’s house (he’s still our kindhearted Zag, after all, and he knows most of them aren’t to blame, not even really Than!) while also focusing on his goal to get home to his mom. Hades ends up being a lot nicer to him in this AU, perhaps overly so, as he’s trying to make his son like him more in order to make up for lost time (and fill the hole in his heart that Zag’s initial death as an infant and Persephone leaving with him created). It’s part of the reason he’s even letting Zagreus try to escape; he wants him to learn that it won’t work on his own terms (and maybe also scare the kid so bad that he comes running to him for comfort afterwards).

Also, I should really note that Zagreus is 100% a sweet country farm boy in this AU, and he has no idea what the fuck is going on with pretty much anything in the Underworld, much to everyone’s astonishment. For example:

Meg: Gods, it must be weird getting used to everything down here, huh? Sick of stepping in bat shit yet? Don’t worry, you’ll get used to it, and Dusa’s pretty good about cleaning it up to begin with. Zagreus: I mean, I guess? It’s not that different from chicken shit tbh. Meg: What the fuck is a chicken???

After that... yeah, I dunno. I’ll try playing Hades some more, see if I think up anything else that could be interesting, but for now, I hope at least someone ends up liking this dumb AU (if not, I’ll still like it... might even try my hand at drawing for it a bit tbh). Again, please check out the person who’s post/art I linked earlier in the post, ‘cus their art is really awesome and inspired me to include Demeter more in this AU!

#supercasey ramblings #hades game #zagreus #zagreus hades #thanatos #hades #persephone #demeter #megaera #achilles #hades farmboy au #i dunno what else to fucking call it #thanzag #if ya squint

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casmybelovedass · 4 years

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The Destiel Folder: Season 6

[Season 4; Season 5] Man, this season... an emotional rollercoaster

Episode 3:

Cas admits he and Dean "share a more profound bond." (15:35) uuuhmm okay

"You think I came because you called?" (16:31) cut to "I always come when you call" later on in E21

"When a claim is laid on a living sould, it leaves a mark, a brand." ... like a handprint maybe? (22:33) Cas basically called dibs on Dean and admits it

Dean, I get it, Cas looks hot when he fights, but you don't have to look at him like this (24:42)

The amount of eye-fucking in this scene (25:56) almost 30 seconds (of Dean checking out Cas) of Old married coupleTM moments. Dean is worried about Cas dying again by the hands of an archangel. He just got attacked and wants to go out. But Cas has to go save the universe from a holy war. Basically a wife asking her soldier husband not to leave for the war.

[(26:28-26:30) Dean was totally looking at the BOOTY]

NOW FOR THE JUICY STUFF: Cas and Balthazar obviously had a history. More than brothers or war buddies. We could parallel them to Dean and Lisa: both old flames coming back after a long time and all.

Also, Balthazar can sense something is going on between Cas and Dean. It's so clear he can (35:26). ICWAW, we would assume Balthazar was an ex, getting jealous over Cas' new love interest

Episode 6:

"You asked me to be here, and I came", OH what about the whole 'I don't come because you call' thing? (13:40)

How domestic is this moment. Cas pouring Dean a drink, trying to comfort him (14:03). He hates seeing Dean like this, and hates even more the fact he can't do anything about it

Cas knows Dean is hurt enough already, and doesn't want to get him involved with a war that's not his to fight (14:20), but still wants to help

Episode 7:

Second time Cas starts stripping in front of Dean and he just stares (2:32)

Look, all I'm saying is... they really don't have to stand THAT CLOSE to each other (4:07)

Episode 9:

[Not a destiel moment but Dean struggling to say the words "gay guy" is too fucking funny to me (33:45)]

Episode 10:

Dean, will you not check out the angel in front of your brother, please? (11:54)

Dean is visibly uncomfortable at Cas watching porn practically NEXT to him, and having a BONER practically next to him. Understandable, but still... kinda gay (15:58) Look at Dean's face, my God (16:07)

[I'm screaming Dean looks like he's wondering what it'd be like to kiss Cas (25:29)]

"CAS?!" (26:23) the way Dean gets progressively more worried about Cas fading/being taken away and shit, kills me

[Cas is so fucking confused as to why Dean would suggest he'd let him have an hour alone with Meg (39:25), either that or he's embarrassed he might've actually wanted to. Meg and Castiel were cute together]

"If there's anything we can do-" "There isn't. I wish circumstances were different. *stares at Dean with puppy eyes* Much of the time, I'd rather be here." (39:46)

Also, Dean stares at Cas for 15 seconds, but averts his eyes when saying "We're your friends"? (40:01) Denial? Something's off. ICWAW, this would indicate tension, unspoken feelings

Just... the way Dean looks at Cas, and when he flies away (40:17) HIS EYES

Episode 11:

Balth jokingly calls Cas Sam's 'boyfriend', and Sam reacts normally, letting it fly over his head. When later in episode 17, Balth calls Cas "the angel in the dirty trench coat who's in love with you", Dean gets pissy. Just like later in 10x5. Touchy much? (13:48)

Balth admits he doesn't like Dean, and that "screwing him would delight me", but calls the one brother who threatened to crisp his wings, a "capable young man" (14:46). Jealous much? ICWAW we would read some sort of romantic rivalry between those two.

Episode 14:

This face... where have I seen this face before?

Oh yes, here

Dean looks at Lisa, the so called "love of his life", the same way he looks at Cas. Fuck my life

Episode 15:

"Cas" (Misha) starts stripping and Dean... stares... again (9:23)

"Well, Cas... now that you have your sword, try not to die by it." (39:53) Is it a saying? Or a reference to Dean being Michael's Sword? As in "He is gonna be the death of you"? And Balth looks at Cas THAT WAY?! (40:01) You can't tell me there was nothing between these two. Kill me now

Fucking stop being an old bitching married coupleTM already (40:25) you are hurting me

Episode 17:

Balth 'jokes' about Cas being in love with Dean (18:48) ICWAW we would read this as an ex being petty about the new love interest and teasing said love interest about it

Wow, jealous much, Dean? Again, ICWAW, this would totally be seen as jealousy for your crush's ex (27:30). And Dean, you're staring at Cas' lips again (27:37)

[Sam: "So, you killed 50,000 people for us?" Cas: *looks at Dean* "... No, I didn't... They were never born." (37:49) This is so stupid, but... sure, Cas... sure. That's what you ment.]

Cas makes a small speech about fighting for freedom, choosing your fate and all, while looking at Dean (38:55). OKAY SUBTEXT!!!

[As soon as Dean mentions boobs, Cas is gone (39:36) LOL]

Episode 19:

"It's not like Cas lives in my ass. The dude's busy. [...] Cas, get out of my ass!!!" "I was never in... your-" (4:28) and then they stare... Were you having unholy thoughts guys?

"Without your power you're basically just a baby in a trench coat" #MARRIED (10:38), "My friend is very sick." "I have a, uh... painful burning sensation." OH COME ON!!! (11:22)

"You know who whines? Babies. *pats Castiel*" (14:28) I'm sorry, pats him wHERE??!!

Dean saves Cas again (19:38)

The way Cas says "Dean, Dean!" (23:09)... I'm so fucking weak, and look at those EYES! (23:41) kill me now

"The kid... The little kid, he's one of them." "... Unbelievable." "Yeah, I know, Cas. You told me, all right?" (37:48) #MARRIED

Sam and Bobby immediately think Cas might be betraying them (39:31), while Dean won't even immagine the possibility. "This is Cas we're talking about!" (39:52)

Episode 20:

Even tho Dean can sense something is off with Cas, he won't bring himself to admit it. And the eye-car-sex. That. (4:44-4:53)

"You're distracted. [...] Is that all you're holding, huh? See... the stench of that Impala's all over your overcoat, angel." (6:20) this has such sexual undertones. ICWAW, it would be MENT as having sexual undertones. Also Crowley ships it

Dean protects Cas even tho clear evidence is there, and even feels bad about lying to him (12:06). And Cas feels oh so bad about Dean trying to be loyal to him, even when he was starting to suspect (13:18)

Dean still refuses to acknowledge the possibility of Cas' betrayal (19:56). His speech about Cas... I'm weak. "He broke ranks, gone to the mat, cut and bleeding for us, so many frigging times. This is Cas!" (20:10). ICWAW, this would be read as Dean having feelings for Cas, and as those feelings were getting in the way of his best judgment

Cas goes against the King of Hell to save the boys... but Dean first (21:48), and Dean defendes him against Bobby and Sam, apologizing for doubting about him. Cas hates having to break their trust

The look on Dean's face as he realizes Cas had been lying the whole time... BROKEN (23:35-23:49)

Cas doesn't want Dean to have to sacrifice more than he already had for him (25:19), and when Crowley shows up, Cas' first instinct is to look back at Dean protectively (25:30), and does that again before following Crowley (26:17)

Cas wants Dean to be happy, stay retired, even tho he was so longingly looking at him moments earlier (29:09)

"You gotta look at me, man. [...] Look me in the eye and tell me you're not working with Crowley." (32:38) the absolute desperation in both Dean and Cas, how HURT they look. THEIR EYES! Dean looks devastated

"I did it to protect you, I did it to protect all of you!" (33:09) one of the many "you, all of you" no-homo saves Cas pulls while talking to/about Dean

"I had no choice!" "No, you had a choice... You just made the wrong one." (34:21) how fucking hurt Dean looks. "Where were you when I needed to hear it?" THE EYES

"I was there... Where were you? *flashback to Cas looking back at Dean*" I'M DEAD

"It's not too late. Damn it, Cas. We can fix this!" "Run. You have to run, now. RUN!" (35:33) and they do, but Dean looks back at Cas, and the way they look at each other... STOP (35:47-35:52) ICWAW, this whole scene would seem like someone trying to save their loved one, and OH boy, that stare exchange would seem either a silent confession or a reminder of their feelings for the other

Cas visits Dean in the night, even tho they clearly don't trust him and don't want him there, and Dean leaves it be (38:06), and even apologizes for having to angel-proof the house against him

#MARRIED (38:28), "I'm doing this for you, Dean. I'm doing this because of you." (38:35) ICWAW... do I even need to point this out?

"Next to Sam, you and Bobby are the closest thing I have to family..." the look on Cas' face as Dean says this (39:15) "... that you are like a brother to me." did Cas' eyes just get more glossy? Poor baby. Also, ICWAW, by the way they interact, this statement would feel wrong on so many levels

"You're just a man. I'm an angel." ... why does it feel like Cas is telling that to himself more than to Dean? (39:43) "I'm sorry, Dean." (39:55) Kill me

Cas questions his decisions, asks God for guidance, the moment he understood he hurt Dean. He doesn't want to hurt Dean, but will do what he has to do to if it means he will be safe

Episode 21:

[Not a destiel moment, but "fragile masculinity" much, Dean? (4:20) "I was too busy having sex with women." (why do you feel the need to specify 'women'?)]

This Dean-Balth bickering has such current-former love interest fight vibes (8:52). Come on, ICWAW, this would totally be the case

Here's another Cas/Lisa parallel: how Dean acts here, looking for Ben and Lisa (13:11), and how he acts in S8 while looking for Castiel ("WHERE'S THE ANGEL!?")

Cas saves Dean again (21:46). "I didn't ask for your help." "Well, regardless. You're welcome." #MARRIED

They are both on the verge of tears... "I thought you said that we were like family." (22:22) They hate this situation. They hate not being like always, close, friendly, family

"Dean... I do everything that you ask... I always come when you call. And I am your friend." (22:39) the way he says 'Dean' and how his voice trembles. Dean is basically almost crying now (23:45)

"Dean, I said I'm sorry and I ment it." "Thank you... I wish this changed anything..." "I know.. So do I." (37:45)

[Alright. I do believe Dean really grew to love Lisa during that year they spent together, but I don't buy the "I always loved you, ever since that one hook up on that one weekend we knew each other for" shit. Dean wanted to give a try to the whole 'apple pie life' he'd promised Sam, with a good woman he knew Dean had feelings for.

If he grew to love Lisa over a couple of years after 1 hook up, I'm sure he could do the same thing for Cas after over a decade (he for sure would have already If Cas Were A Woman)]

Episode 22:

["You've always got little old me." "Yes... I'll always have you." (30:26) These two... Come on, they HAD to be ex lovers!]

"We were family once. I'd have died for you. I almost did a few times (Cas did actually, twice). So if that means anything to you... Please... I've lost Lisa, I've lost Ben, and now I've lost Sam... Don't make me lose you too." (39:55) ICWAW, this would be seen as a straight up CONFESSION

The hurtful look on Dean's face when Cas says "You're not my family, Dean.", and the terror when he thought for a second that Sam might have killed him (40:39)

["You will bow down and profess your love unto me, your Lord... or I shall destroy you." ... okay, Cas, honey, I get you are tired of waiting, but this is not the right way to get a confession out of Dean (41:20)]

[Season 7>>]

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haveamagicalday · 3 years

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My reads of 2020

My top ten is in a separate post but here are the rest of my reads!

5 Stars

If You Tell by Gregg Olsen

This is a memoir about the Shelley Knotek case. It focuses heavily on the relationship and struggles of her three daughters that were just children when Shelley’s tortures started. This book was fantastically written for such a morbid tale but be warned, it is not for the faint of heart. Trigger Warning: Abuse, torture, murder

Wayside School Beneath the Cloud of Doom by Louis Sachar

The Wayside school books were some of my favorite growing up. I made sure to reread them all before reading this one. It felt like no time had past at all. This is a great blast from the past that won’t disappoint old fans of the series.

4 Stars

All Your Twisted Secrets by Diana Urban

A group of seemingly unrelated students are invited to a scholar dinner that turns out to be a trapped. Once all the students arrive, they are locked in with a bomb and the the option to choose one person to die or they all die. As the night slips away, we learn the secrets and connections the students share that brought them to their predicament. Surprisingly not as suspenseful as you would think it would be and the secrets/bad things the students had done in the past really weren’t that twisted. Still it was very fun with an explosive ending.

Beyond the Shadowed Earth by Joanna Ruth Meyer

This is a sequel to Beneath the Haunting Sea and actually focused on the hero from the first’s books antagonist, Eda. Eda overthrow our hero from the first book as heir to the throne, blamed the king’s death on her and had her wrongfully banished to an island that launched the story of the first book. After that we never visited Eda again as the book focused on a different story instead of getting her kingdom back. So in this one, we see what happened to Eda after she took over. She is not a good person and the author isn’t afraid to make her unlikable at first, but also redeemable through her adventure and misfortunate.

Break Your Glass Slippers by Amanda Lovelace

Another book of poetry from Amanda Lovelace that delivers profound and touching poems.

Daughter of the Forest by Juliet Marillier

A classic retelling of The Six Swans. This story takes place in a medieval/fantasy version of Ireland. Marillier is one of my favorite authors of fairytale retellings. This book is definitely a slow read but is gorgeously written and rich in character development. The story follows the fairytale with little variation. Trigger Warning: Rape (graphic depiction).

Lady Killers: Deadly Women Throughout History by Tori Telfer

Nonfictional account of female serial killers. I liked that this wasn’t written like a wikipedia page and took a more narrative approach. After the first few women, they all start to blend together though. Lots of poisoning happens. It would have been nice for some variety.

Malorie by Josh Malerman

The sequel to Bird Box that we probably didn’t need but was still good nonetheless. This one focuses more on Boy and Girl (now named thankfully) as teenagers and their view and challenges of the world they’ve grown up in. This book introduced new concepts that were interesting and creative. Somehow this managed to have a relatively happy and satisfying conclusion.

The Monstrous Feminine by Barbara Creed

A look at horror films through a feminist and psychological lens. I absolutely loved this book and the ideas it presents. The first half of the book takes a look at certain horror films (such as Carrie, the Exorcist, Alien, ect.) and “challenges this patriarchal view by arguing that the prototype of all definitions of the monstrous is the female reproductive body.” I liked the first section of the book more than the second part where I felt it focused too much on Freud and his findings and challenging them through horror films.

No Judgements by Meg Cabot

A cute, fluffy romance that takes place on a small island preparing for a category 3 hurricane. Bree finds herself forced to shelter with the island’s resident heartbreaker and they don’t get along. At first ;)

The Silent Patient by Alex Michaelides

Alicia, a famous painter and wealthy wife, shocked the world when she killed her husband and then stopped speaking afterwards. Now committed to a mental institute, Alicia is still refusing to speak. Theo is a therapist who jumps at the opportunity to work with Alicia and discover what really happened with her husband. Some of the twist was easy to pick up on at first but there was plenty that kept me guessing. This was a real page turner.

When We Were Magic by Sarah Gailey

Alexis and her group of friends have one very big thing in common; they are able to preform magic. One night, Alexis’ magic causes an accidental death of a classmate and the friends have to ban together to make things right. This was a creative and moving read. There’s plenty of magic but it almost comes secondary to the friendships and blossoming love between two of the friends.

The Year of the Witching by Alexis Henderson

Immanuelle lives in. a patriarchal society where the prophet’s word is law and the town is bordered by the evil and forbidden Darkwood. In the Darkwoods lurks four witches that seem to be calling out to Immanuelle. This book had fantastic world building and the story was unique and engaging. Sometimes it felt like we were just skimming the surface of possibilities and I felt that the book could have been longer or divided into a series. While the story wraps up in the end it does turn out there is going to be a sequel so I’m excited for that! Trigger Warning: Mentions of Rape

3.5 Stars

The Cousins by Karen M. McManus

Jonah, Aubrey and Milly never knew their rich grandmother. Her children were all cut off ominously with a note simply saying “you know what you did.” Now their grandmother is reaching out to the cousins and inviting them to work at her island resort for the summer. Lots of secrets and twists await them! This book was a lot of fun and probably my favorite of this author’s so far. Some of the twists border on zany but the overall tone of the book is a little zany so it works.

Horrid by Katrina Leno

After her father’s death, Jane and her mother are forced to move across the country into Jane’s mother’s childhood home. The manor has many secrets hidden within that Jane must face. The book was well written and intriguing. The books deal with grief and mental illness with a touch of the supernatural. I felt that the overall pacing felt off though. Very little happened in the beginning and then a lot happens in the last 30 or so pages and then it ended abruptly. It was a great concept though and I'm interested in more from this author!

One of Us is Next by Karen M. McManus

A sequel to the hit novel, One of Us is Lying. This book focuses on one of the character’s from the first books little sister and two of her classmates. The stakes in this one didn’t feel quite as serious as the first book but it was a fun read with interesting twists!

The Return by Rachel Harrison

Julie went missing, leaving her 3 best friends grappling with tragedy. Then, exactly two years later, she comes back with no memories. The four friends decide to spend a weekend together but something is not quite right with Julie. This book was creepy! However, it focuses more on the relationships of the four characters and dealings with grief with a touch of supernatural sprinkled throughout. It’s a gripping novel from start to finish that will keep you guessing.

3 Stars

All the Missing Girls by Megan Miranda

Nicolette returns to her hometown for the first time in ten years after the mysterious disappearance of her best friend. Shortly after arriving another girl goes missing, forcing Nicolette to relive what happened years ago. What made this book a page turner was that it tells the story backwards. Once she gets to her hometown it starts on her 10th day and works backwards to what happened on the day of her arrival. Unfortunately, while the concept works at first it builds up to a lackluster and disappointing ending. If you were to put the book in the correct order, it wouldn’t work as there are stuff that is found out in the first few days that the reader doesn’t know about but the characters do that wouldn’t make sense in a narrative sense.

Behind Closed Doors by B.A. Paris

From the outside Jack and Grace come off as the perfect couple but behind closed doors, everything changes. No twists here, Grace is Jack’s prisoner and she is desperately trying to get away. The book alternates between past and present about her current situation and how she got there. This involves a lot of suspension of disbelief. Jack is a cartoony type of villain with no real motive and he would never be able to get away with what he was doing. Grace is also not the smartest person, there were a lot of different ways she could have escaped but for the sake of the story she doesn’t. Don’t get me wrong, this was still a suspenseful and fun read but also questionable and some points.

The Blue Salt Road by Joanne M. Harris

A quick, fairytale like story about a selkie who was tricked into becoming human and now longs to return to the sea. I feel like there was a message being preached in this story, but I can’t really pinpoint what it was. Regardless, this was a magical little read.

Clown in a Corn Field by Adam Cesare

Clown in the corn field is a slasher film put on page. It starts off like a typical YA novel and sets up a mystery as to who the clown is, but then the clown attacks at a party and the rest of the novel is that one night as the clown wrecks havoc and the teens have to escape. I think I wold have preferred and more drawn out mystery but fans of slasher films would really enjoy this!

Coral by Sara Ella

A sort of retelling of the Little Mermaid. Sort of. This book focuses on strong themes of mental health. The mermaid/fantasy side is minimal and almost completely disappears in the 2/3rds in to the novel. It was a slightly confusing read but had a powerful depiction of depression. Trigger Warning: Suicide

The Doll House Murders by Betty Ren Wright

A sad but sweet little mystery novel about a preteen girl who discovers a dark secret via an old dollhouse and its mysterious moving dolls. The subject matter was dark but the story was written for middle graders and thus mystery is handled with simplicity and strange charm to it.

Good Girl, Bad Blood by Holly Jackson

The sequel to A Good Girl’s Guide to Murder. This book hasn’t been released in the US yet but you can still get the British/original version on amazon which is what I did. This novel requires a stretch of disbelief and I didn’t think the mystery was as good as the first one. However, if you are a fan of the first one, you will still want to check this one out as well!

I Know Who You Are by Alice Feeney

You definitely have to suspend your disbelief when you read this one. It's gripping and while some twists were easily guessed, the final one took me for a surprise. It's equal parts dark/chilling and cheesy/silly. I'm still left with a lot of questions after the ending. It makes the book fall apart when you think about it but if you just take it for what it is, an entertaining but cheesy thriller, you'll enjoy it.

The Harp of Kings by Juliet Marillier

This book features the children of the main characters from the Blackthorn and Grim series but you don’t need to read that series in order to read this one (though you should!). The book features three teenagers that are training to be warriors that are selected to go undercover in a nearby kingdom to find the stolen Harp of Kings before the new king’s coronation can take place. It was slow in the beginning and I felt there wasn’t much character development but it was an enjoyable read.

In Darkling Wood by Emma Carroll

Alice’s sick brother is getting a lung transplant and Alice is forced to stay with an estranged grandmother. Her grandmother lives on the edge of darkling wood, a place rumored to be filled with fairies. This book reminded me of a less dark version of When A Monster Calls. It deals with some of the same themes but this is more aimed towards children with a feel good ending.

The Lost Girls by Heather Young

In the summer of 1935, six year old Emily disappeared leaving her two older sisters and parents devastated. Sixty years later, both sisters are dead but one of them left behind her house and a notebook detailing what happened that summer for her grandniece, Justine. This book wasn’t so much of a thriller but focused more on Justine’s current issues with her daughters and ex boyfriend. I found the chapters with the notebook pages in between chapters more interesting than the modern story.

Love, Stargirl by Jerry Spinelli

I read the first Stargirl years ago but reread it before reading this one. This sequel doesn’t manage to capture the same charm as the first one did. The book is a series of letters that Stargirl writes (but doesn’t send) to Leo from the first book following her over the course of a year. I found it surprisingly boring at times and Stargirl seemed far to normal as compared to the first book. It was neat to see what she was up to after the first book but overall I didn’t think it was a necessary sequel.

A Psalm for Lost Girls by Katie Bayerl

Callie’s older sister was considered a saint in her small town before she tragically passed away. Now the city is trying to have her canonized, but Callie knows her sister wasn’t a saint, and the pressure is what ultimately killed, so now she’s on a mission to prove that her sister was just a normal girl. This book involved a missing child that Callie’s sister was supposed to find before she died but couldn’t. The mystery there was very predictable and was kind of on the back burner to Callie’s story. I think this would have been a more interesting story if it had been from the sister’s perspective and how it felt to be a teen saint while she was still alive.

The Rose Without a Thorn by Jean Plaidy

The story of Katherine Howard, the fifth wife of King Henry. I was looking for a novel that painted Katherine as sympathetic, as most adaptations make her out to be a seductress. This novel was strange as it read as a wikipedia entry in a narrative form. It was all telling and no showing and lacked real emotion. From the minor research I’ve done, it seems to be pretty accurate in terms of events that happened. Trigger Warning: Sexual Abuse featuring a minor (but isn’t presented as such)

Sadie by Courtney Summers

Sadie’s sister was murdered and she is determined to bring the killer to justice. In between each chapter about Sadie is a the transcript for a podcast that is covering the case, as well as Sadie’s future disappearance . This is a very popular book but to be honest, I'm not sure what the point was? The podcast was an interesting idea but it basically just rehashed everything we already knew. Not much was added by it. The ending just fizzles away and the story tended to drag in places. It was very well written though and I think I was just not the right audience for it.

The Seventh Bride by T. Kingfisher

A creepy retelling of Bluebeard. It reads like a YA in some places but Adult in others. It was definitely unsightly and out there but I found it confusing in some places. It has some great creepy imagery and slight body horror to it.

The Supervillain and Me by Danielle Banas

Abby’s brother is a superhero beloved by the whole crime ridden town. But when a supervillain comes into town, Abby finds her paths crossing with him again and again. Okay, so the supervillain wasn’t even a villain and the reason for wanting Abby to help him was not a very good one. The book is mostly about the romance between the two which was nice but nothing spectacular. I found myself more interested in the musical Abby was starring in. It was about a cannibalistic royal family whose oldest son falls in love with a servant and he has to save her from being eaten by his family. Now THAT sounded interesting!

Winterdream by Chantal Gadoury

A Nutcracker retelling. This was a sweet retelling of the story. It didn’t add much to the original tale or the ballet but it was a good winter read to get into the spirit of Christmas.

They Wish They Were Us by Jessica Goodman

Freshman year, Jill’s best friend was killed by her boyfriend., Graham Now it’s senior year and Jill is the president of an elite school club but someone keeps texting her about Graham’s innocence and she can’t keep herself from diving deeper into the mystery to unearth what really happened to her friend. Gripping and twisty, this book was a solid teen mystery!

Not Rated

I’m Thinking of Ending Things by Iain Reid

I read this almost a year ago and I still don’t know what to think about it. I can’t decide if the story was genius or simple shock value. Did the twist make sense? I don’t know honestly. I read this before I even knew there was a netflix adaptation coming and I while I read this book in one sitting, I only made it halfway through the movie. I personally don’t think it translated well to screen. If you are looking for a quick disturbing read with an ending you WILL NOT be able to guess, then I highly recommend this one.

The Merry Spinster: Tales of Everyday Horror by Mallory Ortberg

There’s a pretty popular post on his webiste that has a link to a horrifying retelling of Curious George. This is a collection of retellings/unrelated short stories by the same author. I didn’t read all of the stories in this because some of them were just too difficult to get through and confusing. However, the dark retellings of fairy tales and children books were really enjoyable. I particularly liked the retellings of The velveteen rabbit, the frog prince and the six swans. I think they can all be found online and not just in this collection.

Midnight Sun by Stephenie Meyer

Is it good? No. Is it garbage? Yes. Did I still read it any way? Yes. Team Edward for life.

#books #book recomendation #all your twisted secrets #when we were magic #the silent patient #the return #daughter of the forest #malorie #the year of the witching

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aion-rsa · 3 years

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Little Women Remixed: So Many Beginnings & the Potential of Adaptation

https://ift.tt/3DP0vVH

Little Women, Louisa May Alcott’s semi-autobiographical 19th century novel about four sisters growing up in Civil War-era New England has become one of the most-adapted American classics. But few retellings have done as much with the potential of adaptation as Bethany C. Morrow’s. In novel So Many Beginnings, out on September 7th, Morrow answers a question many readers have had over the years: What if Little Women was written from the African American perspective? The answer is a rich narrative of growing up in challenging times with the promise of a better future ahead that still speaks to what generations of readers loved about the original story.

Although adults will pick up the story for comparisons’ sake, Morrow focuses her attention on today’s young adults who may not have read Alcott’s novel. She also is aware of younger Black readers who may have been exposed to the original story but could not relate to it because Alcott’s perspective is overwhelmingly white.

The central focus of the story is still the lives of Joanna “Jo,” “Meg,” and Bethlehem “Beth” with their adopted sister Amethyst “Amy” March as they navigate through young adulthood in 1863. However, Morrow’s narrative goes beyond replicating Alcott’s Massachusetts setting with an all-Black cast. The March sisters instead live on Roanoke Island off the coast of North Carolina in the Freedpeople’s Colony. This frames their worldview as the opposite of Alcott’s, serving to interrogate her on-the-page biases in the process. In Little Women, the Civil War is a distant event that takes the March sisters’ father away from home. In So Many Beginnings, the stakes of the Civil War are far higher, as Morrow’s worldbuilding sets aside a literal translation of Little Women’s plotline and lets the history of these colonies set the course of the story.

Alcott March (an Easter egg!) has left his wife and children to fight the white slaveholders. Soldiers and civilian refugees in town are a constant reminder of the realities of war. The March family have emancipated themselves from slavery and see that the Union losing would mean a loss of freedom. Jo writes a current events newsletter. Meg teaches the colony’s children their first formal lessons in a classroom while wishing for a future husband. Beth is a seamstress in high demand. Amy’s artistic drive is channeled towards dance.

Although the changes Morrow has made will not please canon purists, they are wholly necessary to portray the African American perspective during this era. Jo adapts selective mutism as a defense mechanism because she cannot trust white people after what she has gone through. In addition, her writing is geared towards gaining white benefactors for the colony who will supply money and materials the Union Army refuses to provide. Meg sees that white people in the colony who are abolitionists and missionary volunteers are not active antiracists. She teaches in a tent while the white teachers teach indoors, and gets last picks on supplies. Marmee, now Mammy, fears that white men will still find a new way to undermine Black families. Beth’s chronic illness is seen as “attention-seeking” and “laziness” by white doctors and not something that needs reasonable accommodations.

Some Black reviewers in advance of the 2019 film adaptation of Little Women directed by Greta Gerwig were hoping for Hamilton-style colorblind/color-conscious casting. However, these hopes were inevitably dashed by an all-white cast. The PBS/BBC miniseries from 2018 should have elicited the same reaction, but it is likely that poor advertising prevented more critiques along this vein. Even my own review of the miniseries briefly mentions intersectional perspectives. Morrow’s remix of the classic is designed to address the lack of diversity in a more emotionally satisfying way.

Books

A Song Below Water: A Story of Sirens & Black Girls Coming Into Power

By Nicole Hill

Books

From Bridgerton to Sanditon—Putting Island Queen in a Period Drama Context

By Amanda-Rae Prescott

Marriage, (or the avoidance of it) depending on the sister, remains a central theme in So Many Beginnings, but the story’s new context carries a separate meaning from the original novel. Enslaved people were not allowed to legally marry, and slaveowners sold families apart. While marriage is seen as an aspirational goal, work outside of the home to support the household is seen as necessary for survival. Many in the colony worked for the Union Army for wages, but rent and clothing were deducted from whatever was promised. This places Jo’s resistance to developing romantic feelings for Loren “Lorie” in a light that the classic dynamic of Jo and Laurie does not have. Jo values his company as a friend, but a romantic relationship would leave no one Black to advocate for the colony’s survival. Meg, on the other hand, is very eager to start a family, and actively seeks courtships. Beth and Amy see marriage as a less urgent future event.

On the outset, the story premise does not seem poised to promise anything other than pain and strife, but Morrow packs in many moments of joy for the March sisters in between the struggles. They attend parties, read books for pleasure, and do other normal teenage girl activities. Adult readers looking for exact analogs of classic moments from Alcott’s story, such as the play, are going to be disappointed. However, readers who want to see much more Black joy in historical fiction will be richly rewarded. The realities of the colony erase the predictability for adult readers but, in return, readers develop a relationship with Morrow’s characters that is entirely different than the original story. Both teens and adult readers alike will find that the end of the journey for the March sisters brings a whole new perspective of what freedom actually meant for emancipated slaves.

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So Many Beginnings brilliantly combines the escapism and relatability of a YA coming-of-age novel with the necessary work of reclaiming narratives and perspectives previously erased from the American literary canon. In fact, it is safe to say adapting the novel for the screen would do a better job of advancing diverse representation in period drama than a race-blind adaptation of Little Women ever could.

So Many Beginnings hits bookshelves on September 7th.

The post Little Women Remixed: So Many Beginnings & the Potential of Adaptation appeared first on Den of Geek.

from Den of Geek https://ift.tt/2WXCKKA

#aion-rsa #Den of Geek

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ashenpages · 3 years

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Current Fic Ideas & Emoji Voting Key

Quick disclaimer that I’m a romance writer in all aspects of the term, so most of my fics will contain mature content. Engage at your own risk, you know the rules, you’re responsible for curating your own experience of the internet, blah blah blah. This post serves as a current mock up of fic ideas I’m either actively working on or considering working on next. You can drop me an ask about any of them, or just vote via the emoji combo I’ve assigned them.

Voting lets me know you’re excited about an idea and makes it more likely I’ll actually work on it. You can vote anytime, there’re no deadlines or winner announcements, just me gauging your interest by what I see in my ask box most often.

You can also ask me about the original stuff I’m working on currently. The current WIPs are Medusa centric and the emoji for them is: 🐍

- Lupin: 🤑🤠💍 These are all oneshot ideas, between 5-15K each. If you want to vote for a specific idea, send me the emojis and the number of the idea.

Lupin, Jigen, and Goemon always play rock-paper-scissors after a big heist to decide who’ll give the group a striptease, and who will get showered with money. Based on a piece of fanart that is basically this sequence of events in a 4koma (except in their version Jigen loses and in mine, it’s Goemon). (written, just needs editing)

Zenigata cuffs Lupin four times, and Lupin steals his heart. Very NSFW conclusion. Zenigata is the most caring lover you’ll ever find. Lupin is as thirsty as usual and twice as intense. (written, just needs editing)

Jigen protects Lupin from poison darts during a treasure hunt in an Aztec temple, and Lupin nurses him back to help--forcibly, since Jigen is a horrible patient. Born from my desire to spoil Jigen and talk about what ridiculous domestic husbands these two are. (WIP)

Born from the idea that Goemon and Zenigata probably couldn’t be an item, my brain decided to come up with how I could write for them. Goemon’s teaching an ikebana class as part of his training, and Zenigata shows up as a student on forced recreational leave for his health from the ICPO. Zenigata wins the samurai’s heart through flowers. But what happens when Lupin and Jigen find out? (Only good sexy things, I promise. These beans are in a healthy polycule--be gay, do crimes)

Trans!Lupin and Trans!Jigen premise: Jigen cares for Lupin after the master thief has top surgery, since Jigen has Been There and Done That. Caring, sweet, and a little sexy. Lupin is a much better patient than Jigen.

- Sonic Vampire Novelist Coffee Shop AU: 📚☕💐

Shadow is an immortal vampire who has seen the world change for the worse too many times. These days it feels like he only lives for his coffee dates with Rouge, another immortal who loves each new era they encounter, warts and all. He has to admit that the book series she got him into speaks to him, at least. If someone in this era can understand him without meeting him, it can’t all be bad. But he hardly expected the goofy blue barista at the new coffee place to understand him the way those books do.

This is a novel length romcom romp with some big feelings about what it means to watch as things change, grow, and die. Expect lots of Big gothic feelings from this one, emotionally charged kissing, and overly-adoring sex. But also expect shenanigans from everyone in the coffee shop, which include Rouge, Amy, Tails, Knuckles, Cream, and more.

- Sonic Blazamy: 💖🌸💎

Amy Rose has been in love with Sonic for a while.

Or has she?

When the Sonic, Tails, Knuckles, Shadow, and Silver are trapped as the fuel sources for Doctor Eggman’s newest evil scheme, Amy teams up with Blaze, Rouge, and Cream to save them. With Sonic out of the picture and Amy fulfilling his role, was she ever really in love with him? Or did she just want to be like him?

This is a novel length epic romance with lots of competent women and lots of romantic Blazamy content. Expect flowery hopes and dreams, badass self-actualization, and glancing hand touches that give way to cuddly and sweet sex.

- Persona 5: 🗡🍛☕

After bringing down the Metaverse twice, Ryuji didn’t think graduating high school and figuring out what to do with his life would be so hard. Akira’s back in town, and the gang’s more-or-less all in Tokyo, but everyone else seems to have a plan while Ryuji just floats. How’s he supposed to change the world when he’s not a phantom thief anymore?

This is a novel length fic that addresses how powerless one can feel being just one person in the face of all the corrupted systems and bigotry the world has to offer. It’s about holding on to what you believe in, working through the doubt, and fighting your way to a better tomorrow with the power you do have. The whole gang is queer, featured relationships being Mako x Ann, Ryuji x Akira, Futaba & Yusuke as platonic life partners. Akira is polyamorous and omnisexual, Futaba’s asexual and aromantic while Yusuke is demisexual and very romantic, Makoto’s a lesbian, Ann and Ryuji are bi, and Haru’s pansexual, demisexual, and aromantic. They’re one giant band of queer Phantom Thieves, and even if they’re not really doing the Metaverse thing anymore, they’re still gonna save the world!

Also, I’m gonna make Makoto not a cop. That super didn’t age well. Zenkichi and his boss can work on making them better/abolishing them for other better organizations.

- Hades Game: ❤️‍🔥💀

Oneshot. I just really need to elaborate on the threesome you can have with them in-game, okay? Healthy and canon poly relationships are so few and far between, so often I have to do a ton of groundwork to explain why it’s working in the fic, but NOT WITH THESE KIDS!

Get ready for Meg helping Zag and Than be better at expressing their feelings, lots of kissing, and probably pegging.

- Castlevania Animation Trevor/Sypha/Alucard: 🧛🏰🛌

Castlevania gave Alucard a threesome last season, and I just really need S4 to give me him being taken care of by his partners. They’re probably not going to give it to me, so I’ll need to do it myself. This is just an everybody loves Alucard oneshot, with the gang’s signature banter (to an extent), Sypha being sexy, and Trever being remarkably sincere. This fic is gonna feel like that Ann Hathaway picture with Trevor kissing Alucard and Sypha holding the end of Trevor’s whip while she leans her head on Alucard’s shoulder adoringly.

- Devil May Cry Nico/Lady/Trish: 💋✨😈

Nico’s gay, okay? Like really, really gay. And Lady’s bi and not into men who make her pay bills, but very into women who make amazing guns for her and demonesses with hearts who fight by her side. Trish is ace, but loves people and is pretty attached to Lady at this point. Plus it’s cute when Lady blushes and says nice things like they’re insults. I don’t have super solid ideas for them yet, and I envision these more like a polycule where Lady’s with Nico and with Trish but they’re not with each other more than seeing it as a threesome, but who knows what might happen. This is probably 1-2 oneshots depending on ideas, but might turn into a series of oneshots if people are interested (or I can’t control myself and inspiration strikes).

- Post FMA:B Blind Roy & No Alchemy Ed: 👀👑🙏

This is actually an old novel-length fic I wrote ages ago and didn’t post that didn’t turn out well because I was new to writing sex when I first wrote it. The plot is good, and is all about Roy learning to work with his blindness to reclaim his ambition of being Fuhrer and changing the system to something that actually cares for its people. He and Ed reconnect, fall into bed, and both set about working through their respective traumas about being “useless” having lost their sight/alchemy. They go to Xing as an ambassadorial party to offer Amestris’s collaboration on Al and May’s Alkahestry experiments--and uncover a plot that might threaten both kingdoms.

- Age of Calamity continuity Mipha x Revali: 🦚🐟💘

The first time Revali noticed Mipha, it was in the heat of battle. She stole his mark, taking them down with a flurry of quick blows from her spear. Violence rained from her like water--and then she healed him on her way to her next battle. No questions, no conditions, just pure kindness. The usual need to measure himself against those around him was quiet in her wake. And Revali couldn’t understand it. But how to get to know more about her? A fish and bird may fall in love, but where would they live?

This fic could be a oneshot or novel length depending on how far down the hole I fall. I need it to cover time, but it could be done in linked vignettes or with actually covering events in detail. I may elect to do a oneshot just to get it done and out of my system faster. So much fic to write, so little time.

Expect trans!Revali, polyamorous Zoras, scary competent Mipha, songbird Revali, love confessions that are made up entirely of berating Link for not loving Mipha the way she wants him to, and breaking these characters a little outside of their assigned roles in BotW and Age of Calamity. Background Link x Zelda, and Urbosa x Zelda’s Mom.

- Epic desert romance about Urbosa and Zelda’s mom: 🏜🏝⚡

I just think Urbosa should kiss women and Zelda’s mom should get more development and maybe a name or something. Also, lightning imagery/metaphors/play.

It also went way over my head that Riju wasn’t Urbosa’s daughter the first time I played BotW, so now I want to write about the Gerudo queen who refused to produce an heir. The Gerudo are fascinating and have a very interesting cutlure, but I think it could be examined from a nonbinary perspective that rejected pregnancy and wanting to find a husband. Not in like a hateful way, but in a way that examines if that’s really right for everyone. There’s that shop in town that sells Voe armor, after all. Maybe finding a husband and having children isn’t something you have to do if you don’t want to. And Urbosa really doesn’t want to.

#sonic the hedgehog #Lupin III #persona 5 #Devil May Cry #Hades Game #Castlevania #fma #Breath of the Wild #age of calamity

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camillemontespan · 4 years

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the hero of the story [drake walker; a lily one shot]

Last year, one of my first fics focused on this kind of story but I deleted it because I thought it was rubbish. I’ve since re-written it and I hope it’s better! Quite short, some Lily fluff.

@moonlightgem7 @emichelle @ibldw-main @katedrakeohd @jovialyouthmusic

@mskaneko @msjr0119 @pedudley @marshmallowsaremyfavorite @dcbbw @saivilo

********************************************

Lily came home from school far from her usual self. The energy that infused her every fibre seemed to have been drained and she wasn’t smiling or bouncing with joy that she was home. Instead, she let her father, Drake, cuddle her before traipsing upstairs to her room to play with her dolls.

At dinner, she played with her food and ignored her baby sister, Luna, who was desperate for her attention. Her mother, Camille, tried to talk to her but Lily wouldn’t speak. Drake made awful dad jokes in a bid to make her smile but to no avail.

When it was time for bed, Lily went upstairs without complaint. She burrowed under her duvet, holding her teddy bear tightly, the night light casting a blue glow through the room. She heard the bedroom door open and she had to convince herself it wasn’t a monster; no, the monster lived under her bed and he was sleeping at the moment.

‘Baby?’

It was Camille.

Camille sat down on the edge of the bed. ‘My bed bug has to be somewhere..’ she mused. ‘Hmm.. let me search.. Where is my little bed bug Lily?’

Lily stayed silent.

‘Baby, what’s wong?’ Camille asked gently. ‘What’s bothering you?’

Lily sighed and pulled the covers away from her face so she could look at her mother. ‘Miss Henderson told me that daddy nearly died!’

Camille’s eyes widened. ‘She said what?!’

Tears poured down Lily’s face as she finally admitted what was bothering her. Camille listened in horror as her six year old daughter told her that today in class, they had a small history lesson about Cordonia. Apparently, Miss Henderson thought it would be nice for the class to find out that Lily’s father had been shot during an assassination attempt. Definitely not appropriate for school kids and absolutely not appropriate for Lily; Drake and Camille had kept their past a secret from their daughter. They hadn’t wanted her to get upset. They wanted to keep her life full of joy, happiness and most importantly, peace.

Camille realised that protecting their daughter hadn’t worked in this instance.

‘So daddy nearly died!’ Lily wailed, her bottom lip trembling. ‘I don’t want daddy to die!’

‘Shh, honey, it’s okay,’ Camille whispered, pulling her in for a cuddle. ‘Your daddy is okay, he’s still here-’

‘But he was in danger!’ Lily cried, clenching Camille’s sweater tightly. Camille held her little girl as her entire body shook, trying her best to keep her whole. She made a silent note to visit Miss Henderson tomorrow morning and complain. How dare she tell Lily about something so scary? Her job was to teach Lily about numbers, letters and life skills. She had overstepped. That wasn’t her responsibility. That wasn’t her job.

Camille knew she had a part to play in this too. She should have known something like this would happen; of course her little girl would find out about the assassination attempt one day. Camille just wished that she had prepared her. She had hoped to sit her and Luna down when they were older; she felt like that had now been taken from her.

Holding her daughter close, Camille made a decision. She would rewrite the narrative. She would tell Lily the truth but she would tell it in a way that Lily would understand and not have nightmares as a result. She would take ownership of the story.

‘Lily, baby, listen to me,’ Camille said gently. Lily looked at her mother and rubbed her eyes harshly.

‘What?’ she asked in a small voice.

‘I’m going to tell you what happened,’ Camille said. ‘And this is the story that is true. Okay?’

‘But daddy-’

‘Daddy is going to sit with us,’ Camille interrupted. Standing up, she moved to the bedroom door and called out for Drake to join them. He had been waiting at the foot of the stairs, ready to jump in to support his wife if necessary.

As soon as Drake entered the room, Lily’s shoulders dropped; relief spread over her face. The love that she and Drake had for each other was one that couldn’t be replicated. It was a deep, deep love. Lily adored her father; he was her favourite person in the world.

Drake wrapped Lily in cotton wool and treated her like precious cargo. His life was his daughters. He was a father, that was his job. Father and husband first, Duke second. Always.

‘Hey Little Lady,’ he murmured, giving her a smile. He shot Camille a look; he had overheard Lily. He was not happy with her teacher. Damn right he was going down to the school tomorrow with Camille to tell that bitch exactly what he thought.

Lily reached out for him. Drake scooped her up in his arms and settled back against the headboard with Lily curled up on his lap. He rested his chin on top of her head, twirling a little curl of her hair around his finger.

Camille sat cross legged on the bed and faced them. ‘Now, this is what happened, alright?’

**********************************

The kingdom of Cordonia was a peaceful and prosperous one. The old king, Constantine, had sadly passed away at the hands of an enemy, which thrust the kingdom into a time of darkness. However, within that darkness, there were little glimmers of light.

His son, Liam, your uncle, rose up to become King. He planned to be a good king, a kind king. Of course, those enemies were not content with what they had done and so planned to target Liam and his kingdom. But Liam had the best friends he could ask for to help keep him safe. He had Aunt Olivia, his most loyal and protective friend. She had skills with daggers and terrified all men! He also had Uncle Maxwell who was always there to hold dance parties and keep everyone happy. he had Auntie Hana who is the most clever person ever. But most importantly, Liam’s best best friend was Drake, your father.

Drake was so kind and loyal! And so strong! He was the best friend ever! He was also in love with the most beautiful maiden of the realm-

***************************

‘Camille.’

Camille blinked, interrupted. She saw Drake was looking at her with an eyebrow raised. ‘Yes?’ she asked sweetly.

‘Most beautiful maiden of the realm?’ Drake repeated, chuckling.

‘Do you dispute it?’ Camille asked.

Drake rolled his eyes. ‘No-’

‘Well, then, shh! This is our story!’ Camille said, sticking her tongue out at her husband. Lily giggled and snuggled into Drake, sticking her tongue out at him too.

‘Okay, continue, most beautiful maiden of the realm,’ Drake said, unable to stop the smile forming on his face. Camille gave him a wink and continued with the story.

******************************

‘So, Drake was in love with the most beautiful maiden of the realm, whose name was Camille! And she loved him too, deeply. They were happy. They planned their future and imagined having beautiful little daughters. Everything looked like it was going to be okay. As long as Liam had his friends, all would be well.

But one night, at a ball, the enemy attacked. They wanted to hurt Camille for silly reasons, but don’t worry, these enemies were stupid. They didn’t realise that Drake was there! The strongest, most brave man in the kingdom.

Lily, never underestimate people. They underestimated Drake and it was their mistake. Yes, they tried to hurt Camille, but Drake saved her. But like all heroes in the story, he got hurt while saving his love. Like Eugene from Tangled. The Beast. Meg from Hercules. Mulan. But you know what you have to remember about those stories? The heroes always live to tell the tale.

Just because they get hurt doesn’t mean they are weak. It means they were brave enough to stand up and defend something when nobody else would.

Drake was a hero that day and he is remembered for his bravery. He saved the love of his life and now he lives in a beautiful house with his two beautiful daughters. He is happy and well. He is the bravest man in all of Cordonia. He is here now, with you, safe and happy. Do you think he would have let himself leave this world without meeting you? Not a chance! Your daddy knew that his future was going to be bright and he fought hard to be part of it. He isn’t going anywhere, sweetie. Your daddy is the hero of this story and don’t let anyone tell you otherwise.

************************************

Lily threw herself onto Drake when Camille finished speaking. Drake smiled and held her close. ‘I’m here, baby, I’m here.’

They stayed like that for a long time with Lily refusing to leave his side. But she was smiling now, more at peace. Together, Drake and Camille got her ready for bed and kissed her goodnight, leaving her to dream of happy kingdoms and brave fathers.

Downstairs in the kitchen, Drake poured Camille a glass of wine and himself a glass of whiskey.

‘So, first thing tomorrow?’ he asked after a long silence.

Camille sipped her wine. ‘We’re meeting that damn teacher.’

#drake walker

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mobius-prime · 4 years

Text

189. Sonic the Hedgehog #121

The Prince & the Revolution

Writer: Benny Lee Pencils: Ron Lim Colors: Jensen

Geoffrey and Hershey have managed to track down a lead on Elias' location, and the king asks Sonic and Sally to meet the two in Feral Forest to find him and bring him home. Geoffrey and Hershey, both sporting new superspy looks complete with cool black sunglasses and fancy suits, are flying above said forest when an attack by some of Eggman's drones brings their plane down, attracting the attention of the various denizens of the area, who are astonished to see a plane crash in the vicinity of their homes. One of the people who goes to investigate is the father of a young pregnant woman named Megan, who decides to go find her husband to let him know what's going on.

E-Elias? You're married?

So actually, I feel I should point out that while this issue seems to want to imply that Meg's baby is his, later issues retcon that into Meg having already been pregnant by a different man who had died by the time she and Elias met. There's just no way, given a similar gestational period to humans, that Elias could have left home, found a nice place to settle, fallen in love with a local woman, and gotten her pregnant nine whole months ago in the period of time he's been gone.

Anyway, Elias leaves his backyard to investigate, finding Geoffrey and Hershey giving the citizenry of the forest a pep talk about banding together and defeating Eggman as he tries to invade their homes. While everyone else is pumped up by the talk, Elias is less than pleased, and stomps back home to start packing his bags, leaving a confused Meg to wonder if all this has something to do with his past that he's always refused to tell her about - yeah, she lost the biological father of her baby, and then immediately jumped into marrying a mystery man who won't tell her anything about himself. I gotta say, Meg, you got lucky this time that you happened to marry someone as nice as Elias, but that stinks of bad decision-making skills…

Geoffrey tries to reason with Elias as he furiously packs his bags, but Elias lashes out in anger, insisting that he'll never again listen to another word Geoffrey has to say. However, at that moment a bunch of E-105 bots burst in through the wall and round up the four occupants, bringing them before Eggman, who has personally arrived to oversee operations. He's delighted to have captured not just two high-level Knothole agents, and not just the prince himself, but also his unborn child (again, clearly unaware that there's no way it's Elias' biological kid). Of course, at that moment Sonic and Sally show up - along with every other inhabitant of the forest, who are itching for a fight after their pep talk from earlier.

Honestly, this is a way better life for Elias than a life as a prince. The poor guy was just never cut out to live as royalty, and now he has a loving wife and a chance at raising his own happy family away from all the political drama that he hates so much. Good for you, Elias!

Afterlife (Part One)

Writer: Ken Penders Pencils: Art Mawhinney Colors: J. Jensen

It is a sad day. Today is the day… of Knuckles' funeral. His body is laid out on a table, arranged with flowers, for all attending to see as a Mitre presides over the event and gives a stock "this guy died" speech for him. All his friends and family mourn, crying over the loss of their loved one and saying things like "I can't believe he's gone" and all that… but someone else is in attendance that no one probably suspected.

It's time for Knuckles to learn about what the title mentions - the Mobian afterlife! While he tries to wrap his head around the concept of being a ghost, all the dead Guardians from ages past - Moonwatcher, Tobor (the real one), Harlan, and so on - explain that when a Guardian dies they don't just pass on like other Mobians. Instead, they just sort of hang around the planet in spirit form until Aurora comes to summon them into the Chaos Force. Hey, remember the occasional references to Aurora here and there throughout basically everything Penders put his hands on? Yeah, turns out she's basically God, and oh, yeah, she's here for Knuckles now!

This golden light, unseen to all the living attendees but blinding to the dead, engulfs Knuckles' body in a blaze of luminosity, and the, uh, "heralds" that just look like dark chao beckon him into the sky…

Song Bird

Writer: Romy Chacon Pencils: Steven Butler Colors: Jensen

Sonic has managed to talk Mina into her most terrifying venture yet - singing on stage in front of a crowd. She sweats nervously in front of her waiting audience, none of whom know what she's about to do. Tails notes that she appears downright terrified, but Sonic is quietly confident, watching from the back.

Oho, look at that sudden confidence! Mina begins to sing, and the crowd gets into it, pleasantly surprised at how good of a singer she is. After a few lines, her nervousness disappears and she starts tearing up the stage, captivating everyone listening to her. Even Sally, who is in the castle working on some paperwork with Nicole, overhears the music and goes to the window to listen, amazed to see that the source of the music is Mina. As her song concludes, the crowd goes wild, and her confidence in herself is restored as she takes a bow.

Ooh, Sally, is that some jealousy I see? Well, we don't need to worry too much about it, methinks. She's shown herself to be very mature about these things before now, but it's still sad to see her feeling insecure like this.

#nala reads archie sonic preboot #archie sonic #archie sonic preboot #sonic the hedgehog #sth 121 #writer: benny lee #writer: ken penders #writer: romy chacon #pencils: ron lim #pencils: art mawhinney #pencils: steven butler #colors: jason jensen

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megsironthrone · 5 years

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A Drink & A Kiss

Based on this request: Hey Meg, happy to read that you’re well! Can I request a Tyrion x reader? Reader is a Stark, Sansa‘s older sister/Robb‘s twin, supposed to marry a Tyrell while he’s supposed to marry Sansa. Over their shared misery of the arranged marriage they end up spending time together. On the night before, they drink together and kiss. Tyrion is surprised she’d rather be with him than a pretty Tyrell and they manage to convince Tywin that they can marry, because it doesn’t matter which Stark he marries.

Here’s your one-shot, lovely! I do not own Tyrion or Tywin. They belong to George R.R.Martin.

Warnings: Mentions of alcohol use, a little angst, some fluff and I changed the time line just a teeny bit.

Pairings/Characters: Tyrion Lannister x fem!Stark reader, Tywin Lannister.

Tyrion Lannister was the only good thing about being stuck in King’s Landing. Since he’d arrived, you’d found a friend and companion. So when you found out that Tywin arranged a marriage for you to a Tyrell, Tyrion was the first person you went to. And when Tywin betrothed Tyrion to your sister Sansa, you were the first person Tyrion went to. You shared in each other’s misery.

"She’s still a child, Y/N,“ Tyrion said plainly the night before his wedding to Sansa. You nodded. "I know. She’s not ready for this and I think it’s shameful of your father to force you to marry her. I suspect he wants an heir as soon as possible?” you asked as you took another swallow of your wine, finishing off the goblet. Tyrion confirmed your suspicions.

It had been like this for a while, ever since you’d both found out about your arrangements. You would join each other in one of your chambers after everyone else was asleep, drink a goblet or two of wine, and complain about the marriages. “I don’t want to marry her, Y/N. I’m sure she’s a lovely girl, but I don’t want a child-bride.”

"How do you think I feel? It isn’t like I want to marry the Tyrell. Your father arranged it in order to keep power over both Highgarden and Winterfell. I’d much rather be married to you.“ You waited for Tyrion to reply, but he never did. You glanced at him to find his mouth hanging open and him staring at you. "What?” you asked. “Do you mean that, or was it an insult?” Your brows furrowed. What had you said?

"Nevermind. Another drink?“ You nodded and he filled your goblet again. The two of you sat drinking for a little while longer as you tried to come up with a solution as to what to do. "I don’t think there’s anything we can do. The wedding is tomorrow. My father is a stubborn man who always gets what he wants in the end.” You let out a huff as you set your wine aside. Tyrion was right, of course. He usually was.

As the night wore on, you and Tyrion talked more. It was as if you were trying to fit a lifetime of conversation in one night. After all the next evening, Tyrion would be a married man and you were a betrothed woman. Nights like this would cease to exist. While you talked, you shifted around until somehow you ended up on the floor in front of the chaise Tyrion was perched on. You were just about eye level with the short man.

"You actually did that?“ Tyrion asked you with wide eyes. You’d just finished telling him a story of a trick you’d pulled on Robb and Jon when you were younger. You nodded, laughing softly. You didn’t want to attract attention to his chambers. Tyrion laughed with you, but was still chuckling after you stopped. You took that opportunity to really look at him. His face lit up when he laughed. He really was very attractive, at least in your eyes.

"What?” he asked when he noticed you staring. You didn’t know what possessed you to do what you did next (probably the wine), but you leaned forward and captured his lips with yours. As if he had been expecting, or maybe hoping for it, Tyrion’s hands instantly went to your cheeks to hold you close while yours managed to tangle in his blonde locks.

You were breathless when you pulled away. Tyrion was looking at you with an expression that you were certain matched your own. For several tense moments, the two of you simply stared at one another. You couldn’t bring yourself to look away from him. The air in the room was thick with desire and also a bit of guilt. You were both promised to other people.

"I can’t marry the Tyrell,“ you whispered when you finally caught your breath. Tyrion’s hands were still on your face. "Why not? He’s a good match. Rich, pretty, the son of a lord.” You glared slightly. “I don’t care about any of that!” you cried as you pulled away, “I only care about you. I can’t marry someone else when the only person I want to be married to is you.”

The look on Tyrion’s face could only be described as loving as he took your face in his hands again. He pressed another kiss to your lips but pulled away when you tried to deepen it. His face lit up and you could tell he’d just gotten one of his brilliant ideas. “I think I know how we can both get what we want. Come on. No time to waste.” He slid off the chaise and hurried from the room, leaving you to follow after him in confusion.

He lead you up to the Tower of the Hand and ordered the guards to summon his father. “What are you doing?” Tyrion quickly explained his idea, making you smile. If you played your cards right, Tywin would have no choice but to agree. You leaned down to kiss Tyrion once more before separating yourself from him so Tywin wouldn’t suspect anything. If he thought Tyrion would be happy, there was no doubt in your mind that Tywin would refuse your request.

Tywin entered the room a moment later, a scowl on his face. “Well, what is so important?” Tyrion looked to you with what was supposed to be a melancholy glance. You cleared your throat, bringing Tywin’s attention to you. “I have come to demand an end to my sister’s arrangement with Lord Tyrion. I will take her place.” Tywin’s brows rose for a moment before he schooled his features.

"And why should I do this? Why would you want to take your sister’s place when I have already arranged a marriage for you?“ You gave Tyrion another quick glance asking him to play along. "Because I would save my sister’s reputation. I would save her from the cruel taunting she would receive as Lord Tyrion’s wife. She’s a gentle soul.”

"And are you prepared to weather the same taunts, Lady Y/N?“ You nodded, trying not to seem too enthusiastic.” Tywin sat in his chair and leaned back. He folded his hands in front of him as his eyes shifted between you and Tyrion while he contemplated your request.

Tyrion grew impatient first. “Truly, Father, what does it matter which Stark daughter I marry? Winterfell would still be under your, and subsequently, the king’s power. And as the eldest, Lady Y/N has more claim to Winterfell than Lady Sansa.” You fought back a smile. Tyrion knew exactly what to say to reach his father. Power.

"And what of the arrangement with the Tyrells?“ he asked. You bit your lip. You hadn’t thought about that. Lucky for you, it seemed Tyrion had. "I believe a new arrangement could be made between Loras Tyrell and Sansa Stark. Or perhaps even Cersei. Mace Tyrell would gladly betroth his son to the Queen Regent.” Tywin sat quietly for a moment longer before nodding. “Very well. Lady Y/N, go an tell your sister the good news while my son and I finish making the arrangements for your wedding.” Without waiting a beat, you left the room.

A wedding ceremony did take place that night, but it wasn’t between Sansa and Tyrion. It was between you and Tyrion. You ignored the snickers when you had to kneel for Tyrion to wrap his cloak around you. You ignored them when Joffrey announced that it was time for the bedding, which thankfully Tywin agreed wasn’t necessary. And you ignored them when you took Tyrion’s hand in yours and walked out of the feast.

Once you were safely behind closed doors, you let yourself smile. You grinned at your new husband as you sank to the floor to kiss him deeply. Everything had happened so quickly, but you didn’t care. You were married now to the only man you’d ever been able to see yourself being married to. As you kissed him, you pictured what married life would be like and you couldn’t be more excited to start the new chapter in your life with Tyrion by your side.

(a/n: I hope this is what you were looking for!)

@brewsthespirit-blog @ghostie-writes @littlemisscaptainfandom @etherealpotter @line-viper @frozenhuntress67 @cd1242 @gruffle1 @smalltownbigheart

#game of thrones #tyrion lannister #tyrion lannister x reader #tyrion x reader

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willel · 5 years

Photo

So, the official writing team is going to post movies they’ve discussed for season 4 once a week. For the funsies, I guess I’ll look at each movie and see what it’s about.

So let’s get started. I’m sorry if this looks bad on tumblr mobile, but it;s their fault for messing up the indented paragraphs

The Peanut Butter Solution

Ghosts restore a boy's (Mathew Mackay) hair when it falls out from fright, but then it won't stop growing.

Michael Baskin is an average 11-year-old boy. His father, Billy Baskin, is a struggling artist and temporary sole caregiver of the children while his wife attends to the needs of her recently deceased father in Australia. Upon hearing the news that an abandoned mansion has recently burned down, Michael and his friend Connie decide to explore the remains. Outside the mansion, Connie dares Michael to take a look inside, leading to a frightening encounter with the ghosts of its homeless inhabitants who had died in the fire. Michael does not know this yet, but his fearsome run in with the ghosts has given him a mysterious illness simply known as "The Fright". Michael wakes up the next morning to find out that "The Fright" has made him lose all of his hair. After a failed attempt with a wig (his wig was pulled off by an older boy during a fight in a soccer game), the ghosts visit Michael in his sleep and give him the recipe of a magical formula for hair growth, the main ingredient of which is peanut butter. Michael's first attempt to make the formula is thwarted when his father and sister think he is making something to ingest (rather than use topically) and dispose of it.

A short summary of this movie. It goes on to explain that Michael successfully makes the formula and grows his hair back, but an evil teacher fired from his school discovers his hair growing ability, kidnaps him, uses his hair to make magical paint brushes before he’s finally caught and everyone gets a happy ending.

.... Gonna be honest. NO idea how this is gonna work in. lol. Will’s bowl cut??? The beginning part there had me thinking about Joyce. The exploring the hunted house with a friend had me thinking of Will and El. But everything else? Pfff.

The Fisher King

After shock jock Jack Lucas (Jeff Bridges) inadvertently provokes a caller into murdering a group of innocent people in a Manhattan bar, he grows depressed and turns to booze. As he's about to hit rock bottom, Lucas meets a homeless man named Parry (Robin Williams), whose wife was killed by the caller Lucas pushed to the brink. Mentally scarred by his loss, Parry spends his days searching for the Holy Grail. Lucas, feeling culpable for the poor man's plight, pledges to help him in his quest.

Nope, no idea. I really got nothing except.... maybe Kali?????? Ok wait, I read a bit more, mostly the ending bits. The homeless man, Parry, is beat senseless and is in a coma/catatonic state. The hero of the movie must steal a Holy Grail to wake him up, which he does.

Another part, the hero had previously broken up with his lover (out of guilt I guess???) reunites with her. She slaps him and then they kiss and make up. Or something.

Kinda... Hopper and Joyce like I guess.

Bill & Ted's Bogus Journey

Amiable slackers Bill (Alex Winter) and Ted (Keanu Reeves) are once again roped into a fantastical adventure when De Nomolos (Joss Ackland), a villain from the future, sends evil robot duplicates of the two lads to terminate and replace them. The robot doubles actually succeed in killing Bill and Ted, but the two are determined to escape the afterlife, challenging the Grim Reaper (William Sadler) to a series of games in order to return to the land of the living.

As much as I love Keanu, this does not make me happy. The only beneficial thing I can think of is two best friends doing stuff together to solve a mystery (Will and El). Maybe Will will get Keanu’s hair

You’ve Got Mail

Struggling boutique bookseller Kathleen Kelly (Meg Ryan) hates Joe Fox (Tom Hanks), the owner of a corporate Foxbooks chain store that just moved in across the street. When they meet online, however, they begin an intense and anonymous Internet romance, oblivious of each other's true identity. Eventually Joe learns that the enchanting woman he's involved with is actually his business rival. He must now struggle to reconcile his real-life dislike for her with the cyber love he's come to feel.

.... What? No idea how this is going to happen.... maybe Joyce gets a mysterious pen pal and it’s secretly Hopper. Or, maybe Joyce will become a librarian/book seller

Ordinary People

Tormented by guilt following the death of his older brother, Buck, in a sailing accident, alienated teenager Conrad Jarrett (Timothy Hutton) attempts suicide. Returning home following an extended stay in a psychiatric hospital, Conrad tries to deal with his mental anguish and also reconnect with his mother, Beth (Mary Tyler Moore), who has grown cold and angry, and his emotionally wounded father, Calvin (Donald Sutherland), with the help of his psychiatrist, Dr. Berger (Judd Hirsch).

Ok THIS IS MORE LIKE IT. YES. I probably haven’t seen the movie, but this summary gets me hyped. Let me check out the plot....

“The Jarretts are an upper-middle-class family in suburban Chicago trying to return to normal life after the accidental death of their older teenage son, Buck, and the attempted suicide of their younger and surviving son, Conrad. “

Chicago huh? Hmmmmmm

“ Conrad, who has recently returned home from a four-month stay in a psychiatric hospital, feels alienated from his friends and family and begins seeing a psychiatrist, Dr. Berger. Berger learns that Conrad was involved in the sailing accident that took the life of Buck, whom everyone idolized. Conrad now deals with post-traumatic stress disorder and survivor's guilt. “

This screams Will to me because of the whole alienation of friends and family (plus Will was going to doctors and psychiatrists for a while). BUT, the survivor's guilt thing could be El too. She told him she could fight (she didn’t know she couldn’t at the time she said that) and let him and Joyce go into the danger all alone. But Joyce would never send off her kids to a psychiatrist or ward. And she might not take them to counselors either, she’s been there done that.

“Mother and son often argue while Calvin tries to referee, generally taking Conrad's side for fear of pushing him over the edge again. Things come to a climax near Christmas, when Conrad becomes furious at Beth for not wanting to take a photo with him, swearing at her in front of his grandparents. “

Ooof, well. This movie does not have a particularly happy ending. Basically, Conrad is struggling with guilt and alienation most of the time. He even starts dating someone but it only helps a little. His mother is basically steely faced and refuses to express emotion. She totally blames her younger child for her older child’s death. She’s confronted by her husband who asks her “If she’s capable of loving anyone” and she leaves the family, only leaving father and son to heal together.

The Byers don’t have that kind of stuff going on, not exactly. But.... yes. I can see some good material in here. Let’s hope there’s more of this and less of Bill and Ted’s adventures yeah?

#stranger things

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raindrawsaus · 4 years

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For all Phantom of the Opera fans, I made up an AU because I watched the movie earlier and had this idea. So yes.

So basically this AU starts right after Christine finishes her very first performance when the giant thing falls on top of the "leading lady" who, btw, sucks. Christine goes into her room after talking to Raoul, and the Phantom appears in the mirror. Christine does see him, but in this AU she basically thanks him for his tutoring, and she longs to become a showgirl.

The phantom tells her to stay, to follow him, but she refuses, and leaves to have dinner with Raoul. Meg, the daughter of Madame Giry and Christine's best friend, is wondering who Christine's tutor is, and is wanting to become a good a singer as Christine, so she sneaks into Christine's room while Christine is out eating, and the Phantom hears her footsteps, and appears behind the mirror once again, thinking Meg is Christine.

He sings to her as the "Angel of Music", and Meg begins to sing back to him, seeing him in the mirror, and she sings questions back to him, trying to figure out who exactly he is and where she can go to find him once again, to have tutoring. The Phantom of the Opera, who is behind the mirror so the voices (Meg's voice) is slightly muffled, and the mirror is a bit foggy so he can't clearly see her face, he just assumes it's Christine.

He is confused why she's asking these questions, as he thinks it's Christine and Christine already knows the answers, so he eventually answers them by singing back, and does the smoke magic thing and leads Meg behind the mirror. Meg can't clearly see his face, and the Phantom realizes by her touch that she is not Christine, and cries out in fear that someone has finally found him and tries to lure him in pretending to be Christine.

He lets go of her hand and did some more smoke magic, putting her back in Christine's room and shutting the mirror. Again, the mirror is foggy so he can't clearly see who it is who tried to "trick" him, and because of the smoke he couldn't tell who she was when he was grabbing her hand, either. So she gets away, having answers and knowing where to go next time she wants to see him and begin tutoring.

So Meg stays away for a couple days, and then she returns, during a performance she isn't in at all, but Christine is. So she sneaks back into Christine's room and goes behind the mirror, and sneaks down into the sewers, where the boat is waiting and she gets on, paddling herself over into the Phantom's quarters. The Phantom, not knowing if it's Christine or the person who was "tricking" him, stays hidden behind his piano.

Meg comes up and calls out for him, telling him she is the best friend of Christine, and that she only comes to see him. The Phantom can tell she isn't lying, and reveals himself. Meg eventually, after another day of coming down into his quarters and pleading him, gets the Phantom to tutor her. She is not in any of the following performances, and she is a side girl while the Phantom focuses on Christine.

Meg eventually gets a leading role when they find out she has a good voice, and the Phantom is forced to watch her the entire performance instead of Christine, as she is now another of his students. He eventually seeks Meg out each night, just as he did with Christine, and he now has a main focus on Meg alone, casting Christine aside. Christine is still playing most of the leading singer roles, but the Phantom still puts his whole attention on Meg.

Christine eventually married Raoul, and the Phantom doesn't care much, because he is no longer in love with Christine, but rather is now falling for Meg when he realizes what unseen talent Meg has, and also that Meg loves him back just as much. They end up getting married, their newly-wed friends Christine and Raoul attending it happily, and they agree almost directly after their honeymoon that they are never going to have children.

The Phantom is twice Meg's age (And is also twice Christine's age, which makes the movie sick that Christine had a hard time choosing between a murderer half her age and her childhood sweetheart who is basically only a year older than her) so he would die long before she would, so they decide not to have kids because of this. The Phantom eventually dies, haunting the Opera House.

Meg works at the Opera House until she grows too old to, and is in charge of the ballet dancers, just as her mother was, and she always makes sure to visit what the Phantom's quarters used to be, before her husband's death, every day, and he always makes sure to send a tiny gust of wind her way each time she does visit his former chambers, to remind her that her beloved is beside her, even in death.

I just feel this would be a better end for all characters, because it would have more drama and plot twists, we would still get the Christine and Raoul ship we all crave, plus we would get love for the Phantom instead of him being killed, or even killing himself, because Christine rejected him. We would also get to see a lot more of Meg, and find out more about her charcter instead of having her on the side when we need something said.

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